Podcasts about Furie

Hexe, Furie oder Zicke – das Patriarchat entwirft abschreckende Frauenbilder, um Frauen enge Grenzen und misogyne Ideale aufzuzwingen. Diese patriarchalen Mythen entlarvt die Journalistin und Autorin Rebekka Endler in ihrem neuen Buch „Witches, Bitches, It-Girls“.

Zelensky Su Tutte Le Furie: Putin Infrange La Tregua!Una tregua annunciata e subito disattesa riaccende la tensione tra Russia e Ucraina. Zelensky è su tutte le furie, e profondamente amareggiato Ecco che cosa è accaduto!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #conflitto #deluso #festa #festivita #infrange #motivo #pace #pasqua #perche #putin #raid #rompe #russia #tregua #ucraina #zelensky

Toute l'histoire économique enseigne que le protectionnisme, loin d'assurer la prospérité, provoque des catastrophes en série, chez l'agresseur autant que chez la victime.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fabiano Massimi"Le furie di Venezia"Longanesi Editorewww.longanesi.itLa Storia tra le righeFestival di Letteratura StoricaLegnanoDomenica 6 aprile, ore 12:00Castello di LegnanoCon Fabiano Massimi "Le furie di Venezia"Venezia, 1934. Mussolini e Hitler si incontrano per la prima volta in una piazza San Marco gremita di camicie nere. Tra la folla, anche l'ex commissario di polizia Siegfried Sauer e il suo compare Mutti, che hanno raggiunto la città lagunare per unirsi alla resistenza antifascista. La speranza è di creare un incidente che sventi il pericolo di un'alleanza tra Italia e Germania.Sauer e Mutti incappano però in un mistero di ben altra portata: nella notte, in gran segreto, Mussolini si inoltra in motoscafo nella laguna. I due riescono a seguirlo fino al largo di San Clemente, dove lo vedono attraccare a un pontile buio e poi entrare, accolto da un uomo in camice bianco, nell'edificio principale dell'isola. Un'ora più tardi, il Duce torna al motoscafo e riattraversa la laguna per rientrare ai suoi alloggi, visibilmente scosso.Sauer e Mutti decidono di indagare e scoprono che sull'isola c'è un manicomio femminile, e che lì è ospitata una paziente misteriosa di nome Ida Dalser. La sua storia ha dell'incredibile: la donna, infatti, sostiene di essere nientemeno che la prima e unica legittima moglie di Benito Mussolini…Chi è veramente Ida Dalser? Una folle? Una bugiarda? O una vittima in possesso di informazioni che metterebbero a rischio il Regime?Sauer e Mutti si renderanno ben presto conto che dietro Ida Dalser e le sue accuse inaudite c'è molto, molto di più. C'è l'inimmaginabile.Fabiano Massimi è nato a Modena nel 1977. Laureato in Filosofia tra Bologna e Manchester, dopo aver lavorato come traduttore e consulente per alcune fra le maggiori case editrici italiane, oggi insegna scrittura creativa nel programma universitario della Scuola Holden. Per Longanesi ha pubblicato L'angelo di Monaco (2020), I demoni di Berlino (2021) e Se esiste un perdono (2023), romanzi tradotti in numerose lingue che gli sono valsi tra l'altro il premio Asti d'Appello in Italia e il Prix Polar in Francia.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Dans cet épisode, on jase de couleurs de chars dans ce qu'on peut appeler Les grands sondages qui ne changent pas le monde du BOOST!, on vous présente un pas pire cas de messagers multiples vécu par Mathieu hier soir et Alex est en furie à cause de ces artistes et groupes célèbres qui n'ont jamais été mis en nomination au Temple de la renommée du rock and roll!

Boycott des États-Unis: réactions politiques au sondage. Le Québec dans l’Union européenne: Martine Biron est ouverte! Magali Picard veut écraser un lanceur d’alerte. La rencontre Robitaille-Dutrizac avec Antoine Robitaille et Benoit Dutrizac.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Cecilia Sala Su Tutte Le Furie: Dura Replica A Bruno Vespa!Cecilia Sala risponde alle gravissime accuse di Bruno Vespa. Ecco che cosa è accaduto!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #brunovespa #carcere #ceciliasala #giorgiameloni #governo #iran #liberata #padre #post #replica #social #teheran #x

Tue, 07 Jan 2025 06:24:54 +0000 https://morningbull.podigee.io/1161-new-episode aacd78effa529123f874bdcb997a5bb9 full Il n'y a pas grand-chose d'autre à dire si ce n'est que la séance d'hier était le condensé de 2024 sur une seule séance. De l'optimisme, de l'optimisme et la capacité de se foutre pas mal de ce qui pourrait nous faire détourner le regard de l'optimisme. no Morningbull,Swissquote,Bourse,Finance,Trump,Nvidia,Foxconn,Euphorie,IA,Tech,SOX Thomas Veillet et Vincent Ganne vous proposent un tour d'horizon de toutes les classes d'actifs

"Le furie di Venezia" (Longanesi) è il nuovo romanzo di Fabiano Massimi, autore di "L'angelo di Monaco", "I demoni di Berlino" e "Se esiste un perdono". Ancora una volta siamo negli anni Trenta, gli anni del fascismo in Italia e del nazismo in Germania. Se "L'angelo di Monaco" raccontava la storia vera della nipote di Hitler trovata morta in una stanza chiusa a chiave, stavolta siamo a Venezia fra il ' 34 e il '42. I protagonisti sono sempre Siegfried Sauer, ormai ex commissario di polizia, e il suo collega Mutti. Hanno organizzato un attentato nei confronti di Mussolini e Hitler in piazza San Marco, ma il piano fallisce e per caso, seguendolo durante la notte, scoprono che il Duce che è stato sull'isola di San Clemente dove c'è un manicomio femminile. Perché Mussolini ci è andato e soprattutto chi è rinchiuso a San Clemente? Da qui parte l'indagine che, come sempre nei romanzi di Fabiano Massimi, è un mix fra fatti reali e fantasia.

Dans les Fous du Volant ce lundi, Julien Pereira et Stéphane Vrignaud reviennent sur le très animé Grand Prix du Mexique, en compagnie d'un invité très spécial : Günther Steiner, ancien directeur de l'écurie Haas et auteur du livre "Sans fitre" chez Talent Sport. L'ex-dirigeant accompagne nos Fous du Volant pour décortiquer l'actualité de la F1, des manœuvres polémiques de Max Verstappen aux excellentes performances de Ferrari. L'Italien ouvre également la boîte à souvenirs pour évoquer Romain Grosjean, son ancien pilote chez Haas. Bonne écoute.Retrouvez les meilleurs moments de ce podcast en extraits vidéo sur Eurosport.fr. Présentation : Julien Pereira et Stéphane Vrignaud – Réalisation : Anne Thirion et Hadrien Hiault – Graphisme : Marko Popovic Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Spiava Conti Bancari Dei Politici: Giorgia Meloni Su Tutte Le Furie!Un bancario è accusato di aver spiato i conti di oltre 3.500 clienti, tra cui Giorgia Meloni e molti VIP. Ecco che cosa è accaduto!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #banca #bancari #contocorrente #furia #giorgiameloni #governo #politica #social #spia #vincenzocoviello #web

This episode deals with scenes that deal with sensitive topics, including rape and sexual assault. We understand that these subjects can be deeply triggering and distressing for many listeners. We encourage you to take care of your mental health. If you find yourself in need of support, please reach out to a trusted friend or a professional. Listener discretion is advised.   What happens when a horror movie takes male unsympathetic characters to the next level? Picture a world where the supernatural collides with the mundane, as we unravel the controversial 1982 film "The Entity." With our signature humor and critical eye, we dissect the film's plot, following Carla's torment by an invisible force and her quest for help. Mixing in some laughs, we also take a jab at the themed cocktail, "the invisible hand," which packed a punch, much like the film's peculiar narrative choices.  Join us as we spotlight the absurd quirks that make horror films both entertaining and puzzling. From baffling supernatural rules to crowded, chaotic scenes, we're here for the tropes and the laughs. We don't shy away from the film's problematic elements either, spotlighting characters like the sleazy therapist Schneiderman and Carla's manipulative boyfriend. Prepare to chuckle at some memorable one-liners and cringe-worthy interactions that add, or detract, from the storytelling experience.  Our episode wouldn't be complete without a nod to Barbara Hershey's captivating performance, which shines amidst the film's repetitive attack scenes and eerie atmosphere. We chuckle through discussions of the film's odd visual choices and puzzling character decisions, including children who seemingly sleep through chaos. Wrap up your listening experience with our light-hearted critique of the plot holes and surreal elements that leave audiences baffled yet entertained. Head to www.screamsandstreams.com for more information related to our episode.

In this episode, we discuss Sidney J. Furie's The Entity, including how Carla is disbelieved and dismissed, the disharmony between the film's sexual assaults and the paranormal climax, and Furie's use of Dutch angles and the split diopter. See where The Entity is available to watch.Supplemental Material:• Scream Factory's The Entity Blu-ray• Imprint's Directed by Sidney J. Furie Blu-ray Boxset• Sidney J. Furie: Life and Films by Daniel Kremer (Book)• Portraits: Sidney J. Furie | TIFF OriginalsAdditional Audio Sources:• The Entity Trailer• Scream Factory's The Entity Blu-ray• "Inner Strength" on Scream Factory's Blu-ray• "High Dread" on Scream Factory's Blu-ray• "Seeing Is Believing" on Scream Factory's Blu-ray• "Spirits & Sprocket Holes" on Scream Factory's Blu-ray• Portraits: Sidney J. Furie | TIFF OriginalsIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin

This week we travel to Vietnam on the movie show as we use Netflix to check out Furie, a 2019 action flick directed by Le-van Kiet. Starring Veronica Ngo; Cat Vy and Phan Thanh Nhien, listen on to hear what we made of this tale of a mother out for revenge to rescue her kidnapped daughter, did it deserve the big dong that it made at the Vietnamese box office?!   Bottom of the stream is a weekly podcast, hosted by film lovers Adam and Nick, exploring the parts of Netflix and Amazon that most people don't go to in a bid to find out what hidden gems are lurking down there Every week we rank the films we watch against each other and place them in what we like to call THE STREAM TABLE which can be found on our website  www.bottomofthestream.com Follow us on Twitter, instagram and letterboxed at @bots_podcast  Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also now have a discord so join us to hang out https://discord.gg/wJ3Bfqt      

"Le furie di Venezia" (Longanesi) è il nuovo appassionante romanzo di Fabiano Massimi, autore di "L'angelo di Monaco", "I demoni di Berlino" e "Se esiste un perdono". Ancora una volta siamo negli anni Trenta, gli anni del fascismo in Italia e del nazismo in Germania. Se "L'angelo di Monaco" raccontava la storia vera della nipote di Hitler trovata morta in una stanza chiusa a chiave, stavolta siamo a Venezia fra il ' 34 e il '42. I protagonisti sono sempre Siegfried Sauer, ormai ex commissario di polizia, e il suo collega Mutti. Hanno organizzato un attentato nei confronti di Mussolini e Hitler in piazza San Marco, ma il piano fallisce e per caso, seguendolo durante la notte, scoprono che il Duce che è stato sull'isola di San Clemente dove c'è un manicomio femminile. Perché Mussolini ci è andato e soprattutto chi è rinchiuso a San Clemente? Da qui parte l'indagine che, come sempre nei romanzi di Fabiano Massimi, è un mix fra fatti reali e fantasia. Nella seconda parte parliamo di un grande successo per la critica americana: il romanzo "Biografia di X" di Catherine Lacey (Sur - traduz. Teresa Ciuffoletti), considerato il libro dell'anno delle riviste "Time" e "New Yorker". La voce narrante è una donna, Charlotte, che alla morte della moglie decide di scrivere una biografia su di lei che viene sempre chiamata X. Charlotte decide di scrivere della moglie morta dopo aver saputo che un uomo ha scritto una biografia di X che lei considera offensiva e non veritiera. Inizia così a studiare gli archivi privati di X, artista divisiva, provocatrice e geniale, e parla con le persone che l'avevano conosciuta, scoprendo cose della moglie che lei non sapeva. A iniziare dalle sue tante identità.

Dr. Gregg Furie is an internal medicine physician and medical director for climate and sustainability at Brigham and Women's Hospital in Boston, MA. Listen to Gregg discuss the effects of climate change on our health, ongoing policy initiatives to reduce healthcare emissions and his approach to addressing climate change with patients.

Un Gp di Ungheria pazzo ma bello! Seguici in diretta su www.allthebest-radio.com per ascoltare il commento e l'ampia analisi insieme a Nicoletta Floris

Es ist soweit. Das Finale der Europameisterschaft 2024 wird am Sonntag über die Bühne gehen. Viele Teams arbeiten auf diesen Moment hin und nur zwei können in einem solchen Endspiel stehen. Heuer sind es Spanien und erneut die Engländer. Letztere gehen quasi "Back-To-Back" mit Finalspielen bei der EURO. Is it finally coming home? Diese Frage wird Sonntag beantwortet werden. Außerdem sprechen wir über ein paar Transfers! Bayern München ist schon fleißig am arbeiten und hat ordentlich Geld in die Hand genommen für Michael Olise und João Palhinha. Beides Spieler aus der Premier League die den Rekordmeister aus Deutschland nun unterstützen. Zum Abschluss gibt es dann noch einen kleinen Ausflug zu Real Madrid und ihrer neuen Nummer 9. Also gerne reinhören und mit dabei sein in der Diskussion über den schönsten Sport der Welt!  

"Il était une fois…" de Nicolas Herman : Il était une fois "Reservoir Dogs" de Quentin Tarantino, réservoir d'un homme bien inspiré ou histoire du maître de l'hommage. Spéciale Goliarda Sapienza, la comédienne et écrivaine italienne, athée et anarchiste, l'autrice de "L'Art de la Joie", morte avant de voir son œuvre reconnue. On en parle avec Nathalie Castagné, romancière et traductrice de l'italien, traductrice officielle de Goliarda Sapienza en France et Frédéric Martin, fondateur et éditeur du Tripode, qui a découvert "L'Art de la Joie" alors que le livre n'avait jamais été publié en Italie et après la mort de Sapienza. Il est l'artisan de son succès en France et a publié l'intégralité de son oeuvre. C'est après ce succès en France que l'oeuvre de Sapienza a finalement été publiée en Italie puis dans près de 35 pays. Le coup de coeur de Gorian Delpâture : "Katie" de Michael McDowell (Monsieur Toussaint Louverture). Imaginez un Sweeney Todd au féminin, scénarisé par Hitchcock et mis en scène par Tarantino. Au programme : séances de divination, soirées spectacles et coups de marteau. Lorsqu'en 1871, la désargentée et intrépide Philomela Drax reçoit une lettre de son richissime grand-père déclarant qu'il craint pour sa vie à cause d'une famille peu scrupuleuse, les Slape, elle se précipite à la rescousse. Mais le temps presse, car Katie Slape, une jeune femme dotée d'un don de voyance et d'un bon coup de marteau, est sur le point d'arriver à ses fins… Démarre alors une traque endiablée, des rues poussiéreuses d'un village du New Jersey aux trottoirs étincelants de Saratoga, en passant par les quais de New York, Philo poursuit Katie… à moins que ce ne soit l'inverse ? Car personne n'échappe à Katie la Furie ! Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Vittorio Brumotti Su Tutte Le Furie: Derubato In Diretta!Uno spiacevole incidente è accaduto a Vittorio Brumotti mentre era davanti alle telecamere: è stato derubato. Ecco che cosa è accaduto!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #dereubato #diretta #vittoriobrumotti #striscialanotizia #telecamere #furie

Consigliere Fdi Aggredito Da Magrebini: Giorgia Meloni Su Tutte Le Furie!Un consigliere del partito Fratelli d'Italia è stato aggredito da un gruppo di persone proveniente dalla regione del Maghreb, nel Nord Africa. Ecco che cosa è successo!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #giorgiameloni #consigliere #fdi #fratelliditalia #magrebini #claudiobelgiorno

durée : 00:01:52 - Les 80'' - par : Nicolas Demorand - Le roman se déroule en Haïti, dans les années 1970 et le milieu des années 1980. Le trait d'union ? La famille Duvalier, François, surnommé « Papa Doc », dictateur sanguinaire, et son fils Jean-Claude, « Bébé Doc », président à vie du pays à la mort de son père.

În al treilea episod al sezonului de revenire, vă povestesc despre relația mea cu cea mai prezentă emoție dificilă din viața mea, de când mă știu… și anume furia.  De la mușcatul sau lovitul pernei în copilărie, la tonul ridicat sau lovitul obiectelor în viața adultă, împreuna cu Adela Moldovan, psiholog, psihoterapeut și autoare a cărții Față în față cu furia, vă povestesc ce am înțeles despre furia mea în anul de pauză.  O să aflăm împreună de la Adela când și cum ne e mânia prietenă, cu ce ne servește dar și când ajunge să fie o emoție cu care acoperim sau camuflăm de fapt alte emoții, pierderi sau neputințe. Și, poate că cel mai important, cum putem învăța să distingem între mânia sănătoasă, autoprotectoare, în contrast cu mânia care pârjolește și ne afectează relațiile și sănătatea.

Sam Kefi Abrikh is a stuntman, fight coordinator, and second unit director based out of France, who got started Japan. He's known for Princess, Fury, and Furies, but has done a load of quality indie action material. You can see his imdb here: https://www.imdb.com/name/nm3768608/ Edited by Joey Min Action Talks on YouTube: https://www.youtube.com/playlist?list=PLKvT1cdaRn78tV4vF78InER7GhxCKaxU5 Action Talks on Spotify: https://open.spotify.com/show/7D289YtkiQIkSVhNLDX8O2 Action Talks on iTunes: https://podcasts.apple.com/us/podcast/action-talks-with-eric-jacobus/id1686666319 My studio SuperAlloy: www.superalloyinteractive.com Blog: www.ericjacobus.com Timestamps 0:02:04 Where it all began 0:04:37 Japanese influences 0:07:45 French action films 0:11:38 Indie filmmaking 0:13:09 Learning to move HK style 0:14:35 Making his team for indie films 0:18:04 What techniques did you use to make shorts? 0:21:22 Rhythm diff between HK and Japanese action? French action? US action? 0:25:03 What was it like going to Japan? 0:30:39 What did you take from Shibahara's method? 0:32:23 What was the rhythmic difference? 0:37:08 Was there any overlap between JP language and the JP movement style? 0:38:18 JP movement might come from animation and theater 0:40:20 huge contrast between acting and normal talking 0:41:18 "Developing his skills in JP " 0:43:35 After Japan, what came next? 0:48:06 Was it hard going back to stunts after being in Japan? 0:51:38 Could you apply your skills to Luc Besson films? 0:54:14 What do you look at as a stunt double? 0:55:10 Did you ever perform music? 0:56:17 How are you applying your skills to indie projects? 0:58:23 Bourne style might lose the audience... 1:01:13 Filming the action on District 9 and Bourne series 1:03:45 Working on the Princess 1:06:17 Training actress vs hiding the double 1:07:18 How did he get involved in Furie? 1:09:50 Approaching the action of Furie 1:11:15 Preproduction on Furie 1:15:37 Any stories about when you had to improvise? 1:17:56 Any inspirations for shooting style? 1:19:33 Do you think about camera and editing before shooting? 1:22:15 Do you try to break expectation in action? 1:23:59 What films have succeeded in looking un-choreographed? 1:25:32 Do you apply yourself most to your own projects? 1:26:25 What are you watching now? 1:31:48 What's your approach to female-led action film as opposed to male-led? 1:33:18 Do you have to pull back with Veronica if she was too good? 1:35:40 Toning down big guys against smaller performers

Een groep vrienden wordt op een Grieks eiland 's nachts overvallen door een storm die het eiland afsluit van de bewoonde wereld. Dat eindigt met een moord, en een van hen moet de dader zijn. Uitgegeven door Cargo Spreker: Maarten Smeele

Deel 4 over het stoere weesmeisje Mus van tweevoudig Kinderjury-winnaar Kevin Hassing Uitgegeven door Luitingh Sijthoff Spreker: Kevin Hassing

This week we talk all about the Christopher Reeve Superman universe of movies. Join us as we put the podcast into REEVErse   Intro Music by Aaron Barry Find more great podcasts like this on Brain Freeze To ask questions for the next episode, or to continue the conversation online visit us here: On Twitter On Facebook  On Instagram On our Website Or check out our new store for merch And our Patreon!

The #4 and #7 Mortgage Brokers CHRIS FURIE & DAMON GERMANIDES Join The Loan Officer Wealth Podcast

durée : 02:01:05 - Live à Fip - En direct du fameux festival de musiques électroniques et indépendantes qui fête ses 20 ans, son directeur général Vincent Carry est à notre micro avant les interviews et sessions live des artistes invités.

Dominatrix Megara Furie joins Jack and Colin to discuss, among other things, pishing on people, her early job in Seventh Heaven, DP'ing guys and people eating jobbies from a dog bowl.Visit Megara's website if you fancy being the submissive guy that deep down you have always wanted to be. You can also book in for the Dommes V Unarmed Subs Paintball day out in June! DM Megara on Twitter for a password.Support Wrong Term Memory on PatreonProduced by Jack Shaw and Colin McMillan

It's the Netflix exclusive sequel to the formerly Netflix exclusive Furie, which is no longer on Netflix. If you think that's confusing, you should stick around for the plot for Furies. Awesome motorcycle chases and go-go dancing make up for any convoluted storytelling.Do you like the show? So help us out! Listen, rate, review, and share our show over at Apple Podcasts or over on Spotify. Want to give us your two cents? Curious about what's coming up on the show? Follow us on Instagram, Twitter, or Facebook.

It's Episode 461 and we are talking a couple theatrical movies this week with RENFIELD and THE POPE'S EXORCIST. But first we are joined by Paul Hart from the Apple to Oranges podcast. In Movies we also talk about the French comedy SMOKING CAUSES COUGHING out now on Video On Demand. As well as the prequel to the Vietnamese action film Furie with the all new FURIES on Netflix. In TV we talk about BEEF and THE NIGHT AGENT both on Netflix. We talk about the reality comedy series JURY DUTY on FREVEE. And we talk about the comedy thriller series AM I BEING UNREASONABLE? on Hulu. In NEWS we are getting reboots of TV and Movies for Robocop, Stargate and Legally Blonde. And Glenn Powell is set to star in a sequel to Twister with TWISTERS. And in Marvel News we talk Mia Goth joining BLADE as well as the rumored castings for FANTASTIC FOUR with Adam Driver as Reed Richards and Mila Kunis as Sue Storm.

Pham and Jonesy talk about Furie (2019)

Au programme de ce 83ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:03:14 : Actus du secteur SVOD français et mondial. On revient sur les actus Netflix du mois écoulé, comme le fail du premier direct de Netflix, les récompenses au Oscars, le lancement du pass Warner, une expérimentation dans le jeu vidéo, Apple et Amazon qui reviennent vers le cinéma mais aussi les renouvellements, annulations et renouvannulations du mois chez Netflix ainsi que notre sélection des meilleurs projets annoncés chez Netflix. 01:00:20 : Nos recommandations de mars : On y parle de Pas trop tôt, Paddleton, Une ardente Patience, Hello Adieu Nous au milaieu, Ce soir tu dormiras avec moi, Ce sera toi, A l'ouest rien de nouveau, I am Vanessa Guillen, Apocalypse a Waco, Pornhub gros plan sur le geant du sexe, MH370 l'avion disparu, AU nom de dieu les bourreaux de la foi, le sang des Murdaugh, L'affaire Fourniret, Riverdale, Shadow and bones (s2), Next in fashion (s2), Perfect Match (final), Immortality, Lol qui rit S3, Carnival Row S2, Outlast, Furie, The Circle (S5) et Luther: Fallen sun. 02:16:04 : Les ajouts Netflix Originals du mois d'avril 2023. Notre sélection des ajouts Netflix Originals du mois prochain. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://netflixandchiffres.substack.com/p/tous-les-ajouts-netflix-originals Pour vous les Netflixos : Le devoir du mois prochain choisi par Nivrae est "Oh Belinda" qui sera dispo le 7 avril 2023. N'hésitez pas à nous donner votre avis dessus en nous mentionnant sur Twitter @filmsdelover, ou sur le Discord de l'émission dont l'adresse est ci-dessous. Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"En place", renouvelée pour une saison 2/ "Pas trop tôt", déjà dispo / "Sweet Tooth" S2, dispo le 27 avril. Intervenants : Hélène (https://www.twitter.com/nivrae) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien (https://www.twitter.com/Damien_SRSLY) que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://www.twitter.com/filmsdelover) que vous pouvez retrouver sur Netflix & Chiffres : https://netflixandchiffres.substack.com/ Bonus :Le logo de la marque de sucettes Chupa Chups a été créé par Salvador Dali.

Ewen & Cat like you've never seen them before...UNCUT! This week they are joined by dominatrix Megara Fury! We are proudly sponsored by G4 Claims!

New episode alert! This week, Gavin and I are finishing off Women's History Month with an absolute BANG! We are taking a look at the brand-new Netflix martial arts picture, ‘Furies'- a hyperkinetic thrill-ride filled with more carnage, calamity, and chaos than you could possibly imagine! A prequel to the epic 2019 Vietnamese martial arts actioner ‘Furie', this time around, star Veronica Ngo steps behind the camera to take over directorial duties as we are given the back story of the nefarious ‘Wolf' character from the first film. We bear witness to the horrific childhood of our protagonist ‘Bi', which leads her to the mean streets of Saigon, and eventually has her falling under the tutelage of savage vigilante Jacqueline aka ‘Aunt Lin' (played by Veronica Ngo in a brand-new role). After teaming up with Aunt Lin's other two proteges, Thanh and Hong, she is given the tools and training needed to become a ferocious killer herself and take vengeance on a sinister crime syndicate that has been exploiting the women of Saigon for too long. However, as she dives deeper and deeper into the dark and sadistic underbelly of society, she finds not everything is as it seems, and not everyone is who they claim to be. For fans of the newer, frenetic style of camera work found in pictures such as ‘The Villainess' and ‘Carter', you are going to be genuinely delighted by the abundant amount of action on display. For fans of the more grounded and traditional style of martial arts cinema, you will still find enough to enjoy in the carnage that plays out on screen, which can be looked at as an updated homage to the heroic bloodshed pictures of the early Shaw Brothers days. However, this time around, the theme of chivalrous brotherhood is flipped on its head and replaced with valiant sisterhood! For any and all fans in general, you will appreciate the brilliance of Veronica Ngo's directing, and the absolutely hellacious yet mesmerizing mise-en-scène she creates for the setting of the film. WARNING- this movie is EXTREMELY violent and contains multiple disturbing images and scenes of sexual assault and exploitation. This is definitely an R-rated picture not suited for the whole family! Also, there are some MINIMAL spoilers throughout this episode. Don't forget to subscribe, download, like, and share with your friends! We highly recommend you check out this picture and can't wait to see what the future has in store for Veronica Ngo as a director, and what could possibly come next in the ‘Furie' universe! Thanks again for your continued support and we hope you enjoy!

Welcome to our first episode of the new year, which is also our first episode of Season 5. Thank you for continuing to join us on this amazing journey. On today's episode, we head back to Christmas of 1980, when pop music superstar Neil Diamond would be making his feature acting debut in a new version of The Jazz Singer. ----more---- EPISODE TRANSCRIPT From Los Angeles, California, the entertainment capital of the world, this is The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   It's 2023, which means we are starting our fifth season. And for our first episode of this new season, we're going back to the end of 1980, to take a look back at what was supposed to be the launch of a new phase in the career of one of music's biggest stars. That musical star was Neil Diamond, and this would end up becoming his one and only attempt to act in a motion picture.   We're talking about The Jazz Singer.   As I have said time and time again, I don't really have a plan for this show. I talk about the movies and subjects I talk about often on a whim. I'll hear about something and I'll be reminded of something, and a few days later, I've got an episode researched, written, recorded, edited and out there in the world. As I was working on the previous episode, about The War of the Roses just before my trip to Thailand, I saw a video of Neil Diamond singing Sweet Caroline on opening night of A Beautiful Noise, a new Broadway musical about the life and music of Mr. Diamond. I hadn't noticed Diamond had stopped performing live five years earlier due to a diagnosis of Parkinson's, and it was very touching to watch a thousand people joyously singing along with the man.   But as I was watching that video, I was reminded of The Jazz Singer, a movie we previously covered very lightly three years ago as part of our episode on the distribution company Associated Film Distribution. I was reminded that I haven't seen the movie in over forty years, even though I remember rather enjoying it when it opened in theatres in December 1980. I think I saw it four or five times over the course of a month, and I even went out and bought the soundtrack album, which I easily listened to a hundred times before the start of summer.   But we're getting ahead of ourselves yet again.   The Jazz Singer began its life in 1917, when Samson Raphaelson, a twenty-three year old undergraduate at the University of Illinois, attended a performance of Robinson Crusoe, Jr., in Champaign, IL. The star of that show was thirty-year-old Al Jolson, a Russian-born Jew who had been a popular performer on Broadway stages for fifteen years by this point, regularly performing in blackface. After graduation, Raphaelson would become an advertising executive in New York City, but on the side, he would write stories. One short story, called “The Day of Atonement,” would be a thinly fictionalized account of Al Jolson's life. It would be published in Everybody's Magazine in January 1922.   At the encouragement of his secretary at the advertising firm, Raphaelson would adapted his story into a play, which would be produced on Broadway in September 1925 with a new title…   The Jazz Singer.   Ironically, for a Broadway show based on the early life of Al Jolson, Jolson was not a part of the production. The part of Jake Rabinowitz, the son of a cantor who finds success on Broadway with the Anglicized named Jack Robin, would be played by George Jessel. The play would be a minor hit, running for 303 performances on Broadway before closing in June 1926, and Warner Brothers would buy the movie rights the same week the show closed. George Jessel would be signed to play his stage role in the movie version. The film was scheduled to go into production in May 1927.   There are a number of reasons why Jessel would not end up making the movie. After the success of two Warner movies in 1926 using Vitaphone, a sound-on-disc system that could play music synchronized to a motion picture, Warner Brothers reconcieved The Jazz Singer as a sound movie, but not just a movie with music synchronized to the images on screen, but a “talkie,” where, for the first time for a motion picture, actual dialogue and vocal songs would be synchronized to the pictures on screen. When he learned about this development, Jessel demanded more money.    The Warner Brothers refused.   Then Jessel had some concerns about the solvency of the studio. These would be valid concerns, as Harry Warner, the eldest of the four eponymous brothers who ran the studio, had sold nearly $4m worth of his personal stock to keep the company afloat just a few months earlier.   But what ended up driving Jessel away was a major change screenwriter Alfred A. Cohen made when adapting the original story and the play into the screenplay. Instead of leaving the theatre and becoming a cantor like his father, as it was written for the stage, the movie would end with Jack Robin performing on Broadway in blackface while his mom cheers him on from one of the box seats.   With Jessel off the project, Warner would naturally turn to… Eddie Cantor. Like Al Jolson, Eddie Cantor was a Jew of Russian descent, although, unlike Jolson, he had been born in New York City. Like Jolson, he had been a star on Broadway for years, regularly performing in and writing songs for Florenz Ziegfeld' annual Follies shows. And like Jolson, Cantor would regularly appear on stage in blackface. But Cantor, a friend of Jessel's, instead offered to help the studio get Jessel back on the movie. The studio instead went to their third choice…   Al Jolson.   You know. The guy whose life inspired the darn story to begin with.   Many years later, film historian Robert Carringer would note that, in 1927, George Jessel was a vaudeville comedian with one successful play and one modestly successful movie to his credit, while Jolson was one of the biggest stars in America. In fact, when The Vitaphone Company was trying to convince American studios to try their sound-on-disc system for movies, they would hire Jolson in the fall of 1926 for a ten minute test film. It would be the success of the short film, titled A Plantation Act and featuring Jolson in blackface singing three songs, that would convince Warners to take a chance with The Jazz Singer as the first quote unquote talkie film.   I'll have a link to A Plantation Act on our website, The80sMoviePodcast.com, if you're interested in seeing it.   Al Jolson signed on to play the character inspired by himself for $75,000 in May 1927, the equivalent to $1.28m today. Filming would be pushed back to June 1927, in part due to Jolson still being on tour with another show until the end of the month. Warners would begin production on the film in New York City in late June, starting with second unit shots of the Lower East Side and The Winter Garden Theatre on Broadway, shooting as much as they could until Jolson arrived on set on July 11th.   Now, while the film has been regularly touted for nearly a century now as the first talking motion picture, the truth is, there's very little verbal dialogue in the film. The vast majority of dialogue in the movie was still handled with the traditional silent movie use of caption cards, and the very few scenes featuring what would be synchronized dialogue were saved for the end of production, due to the complexity of how those scenes would be captured. But the film would finish shooting in mid-September.   The $422k movie would have its world premiere at the Warner Brothers theatre in New York City not three weeks later, on October 6th, 1927, where the film would become a sensation. Sadly, none of the Warner Brothers would attend the premiere, as Sam Warner, the strongest advocate for Vitaphone at the studio, had died of pneumonia the night before the premiere, and his remaining brothers stayed in Los Angeles for the funeral. The reviews were outstanding, and the film would bring more than $2.5m in rental fees back to the studio.   At the first Academy Awards, held in May 1929 to honor the films released between August 1927 and July 1928, The Jazz Singer was deemed ineligible for the two highest awards, Outstanding Production, now known as Best Picture, and Unique and Artistic Production, which would only be awarded this one time, on the grounds that it would have been unfair to a sound picture compete against all the other silent films. Ironically, by the time the second Academy Awards were handed out, in April 1930, silent films would practically be a thing of the past. The success of The Jazz Singer had been that much a tectonic shift in the industry. The film would receive one Oscar nomination, for Alfred Cohn's screenplay adaptation, while the Warner Brothers would be given a special award for producing The Jazz Singer, the “pioneer outstanding talking picture which has revolutionized the industry,” as the inscription on the award read.   There would be a remake of The Jazz Singer produced in 1952, starring Danny Thomas as Korean War veteran who, thankfully, leaves the blackface in the past, and a one-hour television adaptation of the story in 1959, starring Jerry Lewis. And if that sounds strange to you, Jerry Lewis, at the height of his post-Lewis and Martin success, playing a man torn between his desire to be a successful performer and his shattered relationship with his cantor father… well, you can see it for yourself, if you desire, on the page for this episode on our website. It is as strange as it sounds.   At this point, we're going to fast forward a number of years in our story.   In the 1970s, Neil Diamond became one of the biggest musical stars in America. While he wanted to be a singer, Diamond would get his first big success in music in the 1960s as a songwriter, including writing two songs that would become big hits for The Monkees: I'm a Believer and A Little Bit Me, A Little Bit You.   And really quickly, let me throw out a weird coincidence here… Bob Rafelson, the creator of The Monkees who would go on to produce and/or direct such films as Easy Rider and Five Easy Pieces, was the nephew of Samson Raphaelson, the man who wrote the original story on which The Jazz Singer is based.   Anyway, after finding success as a songwriter, Diamond would become a major singing star with hits like Girl, You'll Be a Woman Soon, Sweet Caroline, and Song Sung Blue. And in another weird coincidence, by 1972, Neil Diamond would become the first performer since Al Jolson to stage a one-man show at the Winter Garden Theatre on Broadway.   By 1976, Neil Diamond is hosting specials on television, and one person who would see one of Diamond's television specials was a guy named Jerry Leider, an executive at Warner Brothers in charge of foreign feature production. Leider sees something in Diamond that just night be suited for the movies, not unlike Elvis Presley or Barbra Streisand, who in 1976 just happens to be the star of a remake of A Star Is Born for Warner Brothers that is cleaning up at the box office and at records stores nationwide. Leider is so convinced Neil Diamond has that X Factor, that unquantifiable thing that turns mere mortals into superstars, that Leider quits his job at Warners to start his own movie production company, wrestling the story rights to The Jazz Singer from Warner Brothers and United Artists, both of whom claimed ownership of the story, so he can make his own version with Diamond as the star.   So, naturally, a former Warners Brothers executive wanting to remake one of the most iconic movies in the Warner Brothers library is going to set it up at Warner Brothers, right?   Nope!   In the fall of 1977, Leider makes a deal with MGM to make the movie. Diamond signs on to play the lead, even before a script is written, and screenwriter Stephen H. Foreman is brought in to update the vaudeville-based original story into the modern day while incorporating Diamond's strengths as a songwriter to inform the story. But just before the film was set to shoot in September 1978, MGM would drop the movie, as some executives were worried the film would be perceived as being, and I am quoting Mr. Foreman here, “too Jewish.”   American Film Distribution, the American distribution arm of British production companies ITC and EMI, would pick the film up in turnaround, and set a May 1979 production start date. Sidney J. Furie, the Canadian filmmaker who had directed Diana Ross in Lady Sings the Blues, would be hired to direct, and Jacqueline Bisset was pursued to play the lead female role, but her agent priced their client out of the running. Deborah Raffin would be cast instead. And to help bring the kids in, the producers would sign Sir Laurence Olivier to play Diamond's father, Cantor Rabinovitch. Sir Larry would get a cool million dollars for ten weeks of work.   There would, as always is with the case of making movies, be setbacks that would further delay the start of production. First, Diamond would hurt his back at the end of 1978, and needed to go in for surgery in early January 1979. Although Diamond had already written and recorded all the music that was going to be used in the movie, AFD considered replacing Diamond with Barry Manilow, who had also never starred in a movie before, but they would stick with their original star.   After nearly a year of rest, Diamond was ready to begin, and cameras would roll on the $10m production on January 7th, 1980. And, as always is with the case of making movies, there would be more setbacks as soon as production began. Diamond, uniquely aware of just how little training he had as an actor, struggled to find his place on set, especially when working with an actor of Sir Laurence Olivier's stature. Director Furie, who was never satisfied with the screenplay, ordered writer Foreman to come up with new scenes that would help lessen the burden Diamond was placing on himself and the production. The writer would balk at almost every single suggestion, and eventually walked off the film.   Herbert Baker, an old school screenwriter who had worked on several of the Dean Martin and Jerry Lewis movies, was brought in to punch up the script, but he would end up completely rewriting the film, even though the movie had been in production for a few weeks. Baker and Furie would spend every moment the director wasn't actively working on set reworking the story, changing the Deborah Raffin character so much she would leave the production. Her friend Lucie Arnaz, the daughter of Desi Arnaz and Lucille Ball, would take over the role, after Cher, Liza Minnelli and Donna Summer were considered.   Sensing an out of control production, Sir Lew Grade, the British media titan owner of AFD, decided a change was needed. He would shut the production down on March 3rd, 1980, and fire director Furie. While Baker continued to work on the script, Sir Grade would find a new director in Richard Fleischer, the journeyman filmmaker whose credits in the 1950s and 1960s included such films as 20,000 Leagues Under the Sea, Compulsion, Fantastic Voyage and Doctor Doolittle, but had fallen out of favor with most studios after a string of flops. In fact, this would be the second film in a year where Fleischer was hired to replace another director during the middle of production, having replaced Richard C. Sarafian on the action-adventure film Ashanti in 1979.   With Fleischer aboard, production on The Jazz Singer would resume in late March, and there was an immediate noticeable difference on set. Where Furie and many members of the crew would regularly defer to Diamond due to his stature as an entertainer, letting the singer spiral out of control if things weren't working right, Fleischer would calm the actor down and help work him back into the scene. Except for one scene, set in a recording studio, where Diamond's character needed to explode into anger. After a few takes that didn't go as well as he hoped, Diamond went into the recording booth where his movie band was stationed while Fleischer was resetting the shot, when the director noticed Diamond working himself into a rage. The director called “action,” and Diamond nailed the take as needed. When the director asked Diamond how he got to that moment, the singer said he was frustrated with himself that he wasn't hitting the scene right, and asked the band to play something that would make him angry. The band obliged.    What did they play?   A Barry Manilow song.   Despite the recasting of the leading female role, a change of director and a number of rewrites by two different writers during the production, the film was able to finish shooting at the end of April with only $3m added to the budget.   Associated Film would set a December 19th, 1980 release date for the film, while Capitol Records, owned at the time by EMI, would release the first single from the soundtrack, a soft-rock ballad called Love on the Rocks, in October, with the full soundtrack album arriving in stores a month later.   As expected for a new Neil Diamond song, Love on the Rocks was an immediate hit, climbing the charts all the way to #2 on the Billboard Hot 100.   Several days before the film opened in 241 theatres on December 19th, there was a huge, star-studded premiere at the Plitt Century Plaza Cinemas in Los Angeles. Peter Falk, Harvey Korman, Ed McMahon, Gregory Peck, Cesar Romero and Jon Voight were just a handful of the Hollywood community who came out to attend what was one of the biggest Hollywood premieres in years. That would seem to project a confidence in the movie from the distributor's standpoint.   Or so you'd think.   But as it turned out, The Jazz Singer was one of three movies Associated Film would release that day. Along with The Jazz Singer, they would release the British mystery film The Mirror Crack'd starring Angela Lansbury and Elizabeth Taylor, and the Richard Donner drama Inside Moves. Of the three movies, The Jazz Singer would gross the most that weekend, pulling in a modest $1.167m, versus The Mirror Crack'd's $608k from 340 screens, and Inside Moves's $201k from 67 screens.   But compared to Clint Eastwood's Any Which Way You Can, the Richard Pryor/Gene Wilder comedy Stir Crazy, and Dolly Parton/Lily Tomlin/Jane Fonda comedy 9 to 5, it wasn't the best opening they could hope for.   But the film would continue to play… well, if not exceptional, at least it would hold on to its intended audience for a while. Sensing the film needed some help, Capitol Records released a second single from the soundtrack, another power ballad called Hello Again, in January 1981, which would become yet another top ten hit for Diamond. A third single, the pro-immigration power-pop song America, would arrive in April 1981 and go to number eight on the charts, but by then, the film was out of theatres with a respectable $27.12m in tickets sold.   Contemporary reviews of the film were rather negative, especially towards Diamond as an actor. Roger Ebert noted in his review that there were so many things wrong in the film that the review was threatening to become a list of cinematic atrocities. His review buddy Gene Siskel did praise Lucie Arnaz's performance, while pointing out how out of touch the new story was with the immigrant story told by the original film. Many critics would also point out the cringe-worthy homage to the original film, where Diamond unnecessarily performs in blackface, as well as Olivier's overacting.   I recently watched the film for the first time since 1981, and it's not a great movie by any measurable metric. Diamond isn't as bad an actor as the reviews make him out to be, especially considering he's essentially playing an altered version of himself, a successful pop singer, and Lucie Arnaz is fairly good. The single best performance in the film comes from Caitlin Adams, playing Jess's wife Rivka, who, for me, is the emotional center of the film. And yes, Olivier really goes all-in on the scenery chewing. At times, it's truly painful to watch this great actor spin out of control.   There would be a few awards nominations for the film, including acting nominations for Diamond and Arnaz at the 1981 Golden Globes, and a Grammy nomination for Best Soundtrack Album, but most of its quote unquote awards would come from the atrocious Golden Raspberry organization, which would name Diamond the Worst Actor of the year and Olivier the Worst Supporting Actor during its first quote unquote ceremony, which was held in some guy's living room.   Ironically but not so surprisingly, while the film would be vaguely profitable for its producers, it would be the soundtrack to the movie that would bring in the lion's share of the profits. On top of three hit singles, the soundtrack album would sell more than five million copies just in the United States in 1980 and 1981, and would also go platinum in Canada, South Africa, and the United Kingdom. While he would earn less than half a million dollars from the film, Diamond's cut of the soundtrack would net him a dollar per unit sold, earning him more than ten times his salary as an actor.   And although I fancied myself a punk and new wave kid at the end of 1980, I bought the soundtrack to The Jazz Singer, ostensibly as a gift for my mom, who loved Neil Diamond, but I easily wore out the grooves of the album listening to it over and over again. Of the ten new songs he wrote for the soundtrack, there's a good two or three additional tracks that weren't released as singles, including a short little ragtime-inspired ditty called On the Robert E. Lee, but America is the one song from the soundtrack I am still drawn to today. It's a weirdly uplifting song with its rhythmic “today” chants that end the song that just makes me feel good despite its inherent cheesiness.   After The Jazz Singer, Neil Diamond would only appear as himself in a film. Lucie Arnaz would never quite have much of a career after the film, although she would work quote regularly in television during the 80s and 90s, including a short stint as the star of The Lucie Arnaz Show, which lasted six episodes in 1985 before being cancelled. Laurence Olivier would continue to play supporting roles in a series of not so great motion pictures and television movies and miniseries for several more years, until his passing in 1989. And director Richard Fleischer would make several bad movies, including Red Sonja and Million Dollar Mystery, until he retired from filmmaking in 1987.   As we noted in our February 2020 episode about AFD, the act of releasing three movies on the same day was a last, desperate move in order to pump some much needed capital into the company. And while The Jazz Singer would bring some money in, that wasn't enough to cover the losses from the other two movies released the same day, or several other underperforming films released earlier in the year such as the infamous Village People movie Can't Stop the Music and Raise the Titanic. Sir Lew Grade would close AFD down in early 1981, and sell several movies that were completed, in production or in pre-production to Universal Studios. Ironically, those movies might have saved the company had they been able to hang on a little longer, as they included such films as The Dark Crystal, Frances, On Golden Pond, Sophie's Choice and Tender Mercies.   Thank you for joining us. We'll talk again soon, when Episode 99 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Neil Diamond and The Jazz Singer.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

anredo und BastiMasti wollen endlich in Weihnachtsstimmung kommen. Pünktlich zur vermeintlich schönsten Zeit des Jahres sind die beiden wieder zurück in Deutschland und können von ihren Ausflügen in das sogenannte Ausland berichten. Sie sind zurück. anredo und BastiMasti befinden sich wieder in heimischen Gefilden. Bei #rundfunk17 treffen die beiden Weltenbummler aufeinander, um über ihre Ausflüge zu berichten. Wer anredo auf Instagram folgt, wird unweigerlich darauf gestoßen sein, dass er seinen coronabedingt in dieses Jahr verschobenen Trip nach Südafrika endlich in die Tat umgesetzt hat. In der heutigen Folge gibt es die Geschichten zu anredos unzähligen Insta-Storys aus erster Hand. Er berichtet von verschiedensten unangenehmen Nahtoderfahrungen. Endlich können Hörende (m/w/d) dieses Formats erfahren, wie man sich zu verhalten hat, wenn man inmitten der südafrikanischen Landschaft auf Elefanten trifft oder mit seinem Mietwagen in einem Schlagloch versinkt und mit einer Reifenpanne strandet. KFZ-redo hat diese Situation natürlich gemeistert und kann auch von dem wohl eindrucksvollsten Urlaubsaugenblick, seiner schmerzbereitenden Zeltübernachtung auf dem Berg, berichten. Aber auch Basti hat die Mayonnaise-Wohnung gemeinsam mit Frau Dr. Fahrmaus verlassen, um etwas von der weiten Welt zu sehen. Aus Kostengründen musste er mit dem Flugzeug statt mit der Bahn reisen, um sich ein eigenes Bild von der Wiener Kundenfreundlichkeit in Luxusläden zu verschaffen. Darüber hinaus erhalten alle österreichischen Fans dieses internationalen Jetset-Podcasts eine exklusive Dönerempfehlung. Außerdem gibt es ein Update zu Bastis TÜV-Eskapaden, das uns monatelang vorenthalten wurde. Basti offenbart, ob Frau Dr. Fahrmaus wie angekündigt zur garantiefordernden Furie geworden ist und das Autohaus in Schutt und Asche gelegt hat.

Cele două împărății este o poveste minunată, care îi ajută pe copii să-și înțeleagă sentimentele și în același timp să le recunoască la cei din jurul lor. În Împărăţia Fericirii ne întâlnim cu contesa Cinste, cu prinţul Încredere şi cu împărăteasa Iubire, iar în Împărăţia Nefericirii îi găsim pe baronul Furie, pe ducesa Durere, pe prinţul Ruşine şi pe împărăteasa Ură. --- Send in a voice message: https://anchor.fm/cufarulcupovesti/message

Cele două împărății este o poveste minunată, care îi ajută pe copii să-și înțeleagă sentimentele și în același timp să le recunoască la cei din jurul lor. În Împărăţia Fericirii ne întâlnim cu contesa Cinste, cu prinţul Încredere şi cu împărăteasa Iubire, iar în Împărăţia Nefericirii îi găsim pe baronul Furie, pe ducesa Durere, pe prinţul Ruşine şi pe împărăteasa Ură. --- Send in a voice message: https://anchor.fm/cufarulcupovesti/message

Sie wurde von der rangniederen Konkubine zur mächtigsten Frau im Reich der Mitte: Kaiserinwitwe Cixi. Unter ihrer Herrschaft schlitterte das alte China seinem Untergang entgegen. Doch war Cixi wirklich die machtgierige, sadistische Furie ohne Weitblick, wie lange behauptet wurde? (BR 2022)

Bringing you yesterday's podcasts... today! But who can blame us for stretching out Julykwondo as long as possible with our last and final selection for 2022: Furie! We also stretch it out with a few words on The Princess, The Gray Man, and Umma, but who wouldn't!

Well Said has invited Dr. Richard Furie, Chief of the Division of Rheumatology at Northwell Health and a Professor at the Zucker SOM to explain the ins and outs of Lupus, a disease that affects 1.5 million Americans and the progress physicians are making in determining its causes and triggers.

Greg, Dax and Doug help us smite Thor: Love and Thunder plus we also talk The Sea Beast, Pleasure, The Princess, Star Trek: Strange New Worlds and Iron Chef: Quest for an Iron Legend. 00:00 - Intro 9:30 - Review: Thor: Love and Thunder 1:01:45 - Other Stuff We Watched: Star Trek: Strange New Worlds, The Orville: New Horizons, Star Wars: Episodes 1-3, Step Brothers, Pleasure, Barry, Lost Highway, The Sea Beast, Iron Chef: Quest for an Iron Legend, Furie, The Princess 1:20:05 - This Week on DVD, Blu-ray and VOD 1:25:10 - Outro 1:28:45 - Spoiler Discussion: Thor: Love and Thunder

Today's episode is a special treat. We are discussing food, feminism, values, and love with two amazing women. I'm joined by the founders of Bloodroot, “A feminist restaurant and bookstore with a seasonal vegetarian menu.” Bloodroot is a unique space that celebrates diversity in feminist thought, food, and cultures from all over the world. It's been called an “indispensable gathering spot for progressive women.” I was privileged to enjoy lunch there recently, and I am thrilled to share Bloodroot with you today. Selma Miriam and Noel Furie are the founders of Bloodroot, which has been serving its customers in Bridgeport, CT, for over 40 years. Selma and Noel are two of the original members of the lesbian collective which began in 1977 and has grown to include women from all over the world. It's in a beautiful waterfront location that has become a sanctuary for feminist thought and radical political discourse over the years. Their restaurant is known for its vegetarian food that incorporates unique dishes and flavors from all parts of the world. Selma and Noel are very much pillars of the feminist movement, and their series of essays are featured in the book, Our Daily Lives Have to Be a Satisfaction in Themselves: 40 Years of Bloodroot. Show Highlights: Selma and Noel share highlights in their journey and the beginnings of Bloodroot How and why the early feminine movement rejected all male and female stereotypes How Bloodroot became a place for “angry feminists” to find out who they were and exist outside the patriarchy How they were very intentional in creating their space, even down to logistical details in the day-to-day running of a restaurant Why Selma and Noel are committed to showcasing foods from around the world as a way of getting to know each other and different cultures Why diversity is important under the feminist umbrella to respect all beliefs and cultures Why Selma and Noel are happy to be “living their values” and working hard in connection to the earth How our culture misinterprets sex and love–as opposed to the meaning of real love What Selma and Noel think about today's feminist movement and why they feel hopeful for the women of today Thoughts and advice from Selma and Noel about living in your purpose How creativity and expression are manifested through every endeavor of Selma and Noel Hear Selma and Noel answer rapid-fire questions about helpful advice, grounding habits, favorite hot beverage, last meal on earth, morning routine, inspiring people, what they are reading/recommending, and what's bringing them joy right now. Resources: Find out more about Bloodroot: www.bloodroot.com Books mentioned by Selma and Noel: Beasts Before Us by Elsa Panciroli Mary Daly books Andrea Dworkin books Connect with me: Are you an online business owner? Join my free Facebook group: https://www.facebook.com/groups/weaveyourbusinessbliss (Weave Your Business Bliss). Learn more and book a call for Vedic Business Coaching. Limited spots are still available! https://www.weaveyourbliss.com/vedic-business-coaching (Learn more here.) http://patreon.com/weaveyourbliss (Join the Patreon) for weekly updates and more information! https://weaveyourbliss.teachable.com/p/the-planets (The Planets course is available here.) Mentioned in this episode: Want to Learn More About Astrology? If you want to learn more about astrology and how you can use it in your life, check out the Planets Course. Go to https://weaveyourbliss.teachable.com.

Sie wurde von der rangniederen Konkubine zur mächtigsten Frau im Reich der Mitte: Kaiserinwitwe Cixi. Unter ihrer Herrschaft schlitterte das alte China seinem Untergang entgegen. Doch war Cixi wirklich die machtgierige, sadistische Furie ohne Weitblick, wie lange behauptet wurde?

Chaque jour, Manu nous raconte 3 histoires de gens qui font des choses improbables !

This week Liz and Alrik welcome Vietnamese Writer/Director Le Van Kiet to the show to talk about his latest film, The Requin which started as a Vietnamese film which he ended up translating to English. Kiet talks about why he made a shark movie, his life as a writer/director in Vietnam, making the top grossing box office film in Vietnam Furie (at the time) and how he got approached by Hulu/Disney to direct the upcoming action movie The Princess which is coming out in 2022! After that Liz and Alrik talk about an article from Eric Kohn over at Indie Wire about how Sundance Directors shouldn't direct Marvel movies as their second films and Liz asks Alrik about how to best set up the rules of your genre film.For 20% off your Jambox subscription use code MMIH @ jambox.io Check out the ISA at: www.networkisa.orgThis Weeks Article: https://www.indiewire.com/2022/01/sundance-filmmakers-direct-blockbusters-1234692811/