Podcast appearances and mentions of George Brown

This week, two old beer-scented ink-slingers chop it up as Jordan St. John returns and joins Ben to reflect on his days as a nationally-syndicated beer columnist, editor of the beer magazine The Growler, and beer instructor at George Brown. They dig into just how incestuous big beer in Canada is, BJCP certification for the dreaded Ontario Pale Ale,  and why no one cares about anything any more. Plus: Jordan mentions upstart Bickford Brewing so many times it seems like he might be on the payroll. 

This week, Joanne welcomes horticulturist Stephen Biggs back to the podcast to talk about his latest project, the newly expanded Canada Gardener's Journal. About Steven   Steven was recognized by Garden Making magazine as one of the "green gang" making a difference in Canadian horticulture. His home-garden experiments span driveway straw-bale gardens, a rooftop kitchen garden, fruit plantings, and an edible-themed front yard. He's a horticulturist, award-winning broadcaster and author, and former horticulture instructor with George Brown and Durham Colleges in Ontario, Canada. His other books include Grow Olives Where You Think You Can't, Grow Lemons Where You Think You Can't, Growing Figs in Cold Climates, Grow Figs Where You Think You Can't, and No-Guff Gardening, available at foodgardenlife.com. Tune in to learn more about Canada Gardener's Journal. Origins of the Gardener's Journal Started 34 years ago by Margaret Bennett Alder Inspired by her father's paper booklets he used to manage tasks and meds Margaret used the format to track garden tasks, neat plant sources, and observations First year: ~50 copies printed; grew to 500 the next year By the 25th edition (2017), and her retirement at age 90, over 18,000 copies sold Margaret passed away at 98; the journal is part of her gardening legacy Evolution of the Journal Originally the Toronto Gardener's Journal, then the Toronto & Golden Horseshoe Gardener's Journal Taken over by Helen and Sarah Battersby (TorontoGardens.com), who expanded its geographic scope and won awards Now passed to Stephen, who has turned it into Canada's Gardener's Journal What's New in Canada's Gardener's Journal Now Canada-wide and bilingual, with information relevant across the country Includes average first and last frost dates using the most recent Environment Canada data Expanded sources list featuring Canadian suppliers that ship across the country (seeds, nursery stock, etc.) Ongoing plan to update sources as new nurseries and seed companies are suggested From Toronto-specific to Seasonal Tasks Old version: weekly tasks tied to the Toronto area and similar zones New version: season-based task lists (spring, summer, fall, winter) Includes outdoor tasks and indoor prep (seed starting, planning, etc.) Better suited to different climates and zones across Canada (and similar U.S. regions) Perpetual Calendar Format Previously: a dated, year-specific planner (e.g., 2024, 2025) with fixed calendar weeks Now: a perpetual, undated week-by-week layout Gardeners can start using it at any point in the year Can stretch use over more than one year if desired Focuses on periods of active gardening rather than wasting pages in off-months Practical, Hands-On Focus Designed by a gardener for gardeners—light on theory, heavy on practical prompts Space for gardeners to record: What they planted and when Weather patterns and unusual seasons Successes, failures, and plant sources Acts as both a planner and a historical record for future decision-making Why Garden Journaling Matters  Memory is unreliable: gardeners quickly forget how wet/cool or hot/dry a season actually was Notes and photos together help explain: Why certain plants thrived or struggled How changing climate and shifting zones affect timing and plant choices Useful for: Answering client questions (for designers like Joanne) Tracking long-term trends in weather and performance Diagnosing issues (e.g., why tomatoes didn't ripen as usual) Climate Change & Updated Data Growing zones and frost patterns are shifting with climate change The journal uses the latest Environment Canada frost-date data Stephen expects ongoing updates in future editions as data and climate continue to change Honouring Founder Margaret Bennett Alder Margaret was passionate about a plant-based diet, which she linked to her longevity The journal has long included pages of her favourite plant-based resources Stephen has expanded this section with new Canadian sources in her honour Availability & Price Price: $19.95 – positioned as an affordable gift or stocking stuffer Available via foodgardenlife.com under the books section Some specialty garden retailers carry it; retailers are listed on the website Stephen encourages buyers (especially Christmas shoppers) to email him via the site if they're unsure about shipping timelines Although now truly Canada-wide, gardeners in northern U.S. border states with similar zones may also find it very useful Check out Stephen's books and Canada's Gardener's Journal on foodgardenlife.com. You can also find @foodgardenlife on YouTube. Resources Mentioned in the Show: Down the Garden Path: A Step-By-Step Guide to Your Ontario Garden Are you a landscape or gardening expert? We'd love to have you on the show! Click here to learn more. Find Down the Garden Path on Instagram, Facebook, and YouTube: @downthegardenpathpodcast. Down the Garden Path Podcast On Down The Garden Path, professional landscape designer Joanne Shaw discusses down-to-earth tips and advice for your plants, gardens and landscapes. As the owner of Down2Earth Landscape Design, Joanne Shaw has been designing beautiful gardens for homeowners east of Toronto for over a decade. She does her best to bring you interesting, relevant and useful topics to help you keep your garden as low-maintenance as possible.  In Down the Garden Path: A Step-By-Step Guide to Your Ontario Garden, Joanne and fellow landscape designer Matthew Dressing distill their horticultural and design expertise and their combined experiences in helping others create and maintain thriving gardens into one easy-to-read monthly reference guide. Get your copy today on Amazon. Don't forget to check out Down the Garden Path on your favourite podcast app and subscribe! You can now catch the podcast on YouTube.

Winding down and ramping up. Bf Barry and guide dog Oyster (not Lester) are back for a pre-Christmas visit and join us as our additional Outlook crew. The Centre for Independent Living Toronto, Fanshawe College and George Brown and Toronto Metropolitan University, Disability Without Poverty, and Alliance For Equality of Blind Canadians all celebrate December 3rd's United Nations International Day of/for Persons With Disabilities along with our other holiday related news. This week on the show we're pre-recording because of last minute 70th birthday celebrations, but we did a Friday night recording discussing IDPD and related events, Barry shares his AI personal assistance/unpaid testers and snowy return to Canada diaries, and we discuss how “seeing isn't knowing” on this Mixed Bag Early December episode. We've been eating a lot of cake lately and we talk Thanksgiving in the States, how this time of year can be a difficult one for many, and yet the arrival of changes of the holiday season becoming more diverse. On a high note, Happy 70th birthday to our dad, who met our mom 50 years ago this month, while we look back a few weeks ago to a special honouring of an early sibling organ transplant story at London, Ontario's Health Sciences Centre. Brother/co-host Brian's been winding down as the end of this year draws near while sister/co-host Kerry has been ramping up with Blind Beginnings, (more about that in January). Give Leona's article a read: https://www.artnews.com/art-in-america/features/blindness-photography-paul-strand-walker-evans-jacob-riis-1234763708/ Check out the George Brown/TMU event with David Lepofsky: https://tinyurl.com/4k85hpnh

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Fiona Sauder, co-founder and Artistic Director of Bad Hats Theatre. Known for their inventive, musical, family-friendly adaptations of classic literature, Bad Hats has become one of Toronto's most celebrated indie theatre companies. Fiona shares the origin story of the company, beginning with a serendipitous brewery production of Peter Pan and growing into a long-standing partnership with Soulpepper, as well as their upcoming production of Narnia. This episode explores: The origins and evolution of Bad Hats Theatre How Fiona approaches adapting iconic children's literature Theatre as a space of joy, presence, and shared imagination Fiona's artistic journey from Ottawa to George Brown to Soulpepper And much more! Guest:

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

In our third episode we welcome support staff president for the Ontario Public Service Employees Union Local 418 at St.Lawrence College. Amanda Shaw, second vice president of OPSEU Local 415 at Algonquin College, Martin Lee and from George Brown College, member of OPSEU's part-time and sessional divisional executive, Ben McCarthy. We discuss the mass layoffs and program and campus closures across Ontario's 24 publicly funded colleges, impacts on college workers, students, and wider communities, what this means for the future of public post-secondary education and how what has been publicized as a "crisis" is really a scandal of the deliberate dismantling of the public college system by the Government of Ontario. According to Lee: “We've been using the word 'crisis' a lot, right? And, you know, it's got all the symptoms of being a crisis ... But it's not a crisis, it's a scandal. What we're actually looking at is a scandal. A crisis is something that happens. A rainfall, you know, it's an act of God. No, no, this is deliberate and intentional. And the more you see it, the more it becomes clear that this is an active process by the Doug Ford government.” Reflecting on the situation facing college workers and communities, Shaw says: “We're seeing a hemorrhaging of our members from the system. It's about job security. It's about protecting the jobs in the communities ... it's about keeping a viable educational option in the communities and making sure that we're able to meet industry need ... If we don't have colleges that exist in those smaller communities, then what's to be said of education?” On the changing nature of union organizing, McCarthy says: “Part of this neoliberal trend that emphasizes the bottom line also emphasizes an individualism that does not serve worker rights, that does not serve worker power…If disaster capitalism continues to profit off of these moments of unrest, of uncertainty to their profit..that's also a possibility for us, that is organized labour..To step into that uncertainty, and by collectivizing our fight, raising the water in the harbour for everybody.” Read OPSEU's report, Dismantling Public Futures: Diverting Training Money from Ontario Colleges Through Ford's Skills Development Fund Endangers the Provincial Economy And Ben McCarthy's article in The Grind, The Manufactured Crisis in Ontario Colleges About today's guests:  With 25 years of experience in the college system, Amanda Shaw currently works for St. Lawrence College on the Cornwall campus as an academic planning assistant. She is currently serving as support staff local president for OPSEU/SEFPO Local 418, and is on her third term. Ben McCarthy is a labour organizer, artist, and teacher working in Toronto, Canada. He is a member of the divisional executive representing precarious faculty with OPSEU. He teaches courses in labour history, immigration, and cultural production at George Brown college. His artwork interrogates the technological and economic conditions that produce the listening subject.  Dr Martin Lee is the second vice-president of OPSEU Local 415 at Algonquin College. In his teaching role, Martin is a professor of biochemistry, a former academic coordinator, and active researcher in the field of applied physical biochemistry. In OPSEU at a provincial level, he was on the Workload Monitoring Group (WMG), resulting in the world's largest cohesive study of faculty workload. This then led to his involvement in the Ontario College Academic Bargaining team for 2024 (and ongoing). His union work focuses on building the data which drives the local and the division and tries to bring an equity lens to the voice of the membership, often supporting these arguments with the data needed to formulate novel approaches. He has presented the topic of what he calls ‘data-weaving': the process of taking any and all sets of information that a local has at hand, and using it to better understand large union sets, including those with multiple sites, multiple job classifications, or subgroups. Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute or here.  Image: Amanda Shaw, Ben McCarthy, Martin Lee / Used with permission. Music: Ang Kahora. Lynne, Bjorn. Rights Purchased.  Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy)  Courage My Friends podcast organizing committee: Chandra Budhu, Ashley Booth, Resh Budhu.  Produced by: Resh Budhu, Tommy Douglas Institute of Labour and Social Justice and Breanne Doyle, rabble.ca.  Host: Resh Budhu. 

Sheffield Wednesday picked up a brilliant away win at Portsmouth – and we've got all the reaction! We break down a strong all-round performance, with a special spotlight on Ernie Weaver's commanding display at the back. Could this rising star be a future Owls captain? We'll also dig into the controversy surrounding George Brown's decisive goal that had Pompey fans fuming. Plus, we'll be referencing the recent @swfcwsg Women's Supporters Group call, where Christine Seddon outlined the inspiring story of how Blackpool's fan trust fought back to oust their unscrupulous owners. Hosted on Acast. See acast.com/privacy for more information.

Argo Bounce Podcast is a weekly independent live talk show about the Canadian Football League's 19-time Grey Cup Champion Toronto Argonauts in 2025 with co-hosts Nick Small and co-host (Producer) Chris Pomay as we break down the Canadian Football League's Toronto Argonauts previous games both at home (BMO Field) and on the road and preview their upcoming opponents from around the Canadian Football League with special guest(s) from time time to time. #argobounce #torontoargonauts #chrispomay #nicksmall #torontoargonauts #canadianfootballeague Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...https://beacons.ai/chrisdpomay / @chrispomayli. .https://podcasts.apple.com/ca/podcast...https://www.paypal.com/paypalme/chris... (tip the host) https://www.argonauts.ca/https://x.com/Nick_Small_38https://x.com/ChrisDPOMAYWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...Transcript

George Brown is a stand-up comic from the Fort Worth, Texas area and one of the youngest voices in the local scene. But don't let his age fool you into thinking he's a novelty act, George is putting in the work and building real momentum. With the age gap between us being wider than George's own age, it was refreshing to gain insight from someone both new to our comedy world and in a completely different stage of life and career. Before heading to Los Angeles to pursue both school and stand-up, he stopped by the studio for a great conversation about comedy, growth, and the unknown of what's next. I'M A FAN OF: https://linktr.ee/Imafanof George Brown: https://linktr.ee/georgebrowncomedian  

After talking last week about his government's achievements in the social sphere, this episode looks at the difficulties Wilson faced in economics and foreign affairs.One way Wilson explored to address economic problems was to make a second application for Britain's entry to the Common market, then called the European Economic Community and now the European Union. However, like Macmillan before him, he ran into the immovable obstacle of de Gaulle, despite believing like Trump that he could overcome opposition by personal conversation with political leaders.He had the same disappointment in personal negotiations twice more. Once waswith the Rhodesian Prime Minister, Ian Smith, the second in his offer to mediate over the Vietnam War between US President Johnson and the Soviet Premier Kosygin.He did have some success, though it attracted him more ridicule than admiration, in the military intervention he authorised on the tiny Caribbean island of Anguilla and which came to be mocked as ‘the Bay of Piglets'.On the domestic front he'd long balanced the leadership ambitions of Jim Callaghan against those of George Brown. After Brown's departure, he did the same with Callaghan and Roy Jenkins. His hold on office came under threat as his public credibility sank. The threat intensified following the controversy over the proposals to control union activity through the courts, outlined in the paper ‘In Place of Strife'. Surprisingly advanced by a leftwinger, Barbara Castle, and backed by Wilson, it seemed to fly in the face of the rationale of Labour's very existence, founded as it had been to defend the unions.Eventually the proposals were dropped. Then with better economic news Labour began to climb in the polls. Encouraged, Wilson called a general election in June 1970. But it turned out that any optimism generated by the opinion pollsters was illusory.Ted Heath's Conservatives won the election and formed a new government.Incidentally, the German translation of the podcast has now moved past the Tudors and is now dealing with the Stuarts. It's available at:https://open.spotify.com/show/08M357CvtiWJsnEGyxitco?si=64613c2919df4a27Illustration: the kind of military action we can all appreciate. British forces restoring order in Anguilla in the 1969 ‘Bay of Piglets' operation (from Anguilla Police Unit 1969... By: Taff Bowen (AKA "Dickiebo"))Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

This week, Joanne speaks with horticulturist and author Steven Biggs about his latest book, Grow Olives Where You Think You Can't: How to Grow an Olive Tree in a Pot.  About Steven Biggs Steven was recognized by Garden Making magazine as one of the “green gang” making a difference in Canadian horticulture. His home-garden experiments span driveway straw-bale gardens, a rooftop kitchen garden, fruit plantings, and an edible-themed front yard. He's a horticulturist, award-winning broadcaster and author, and former horticulture instructor with George Brown and Durham Colleges in Ontario, Canada. His books include Grow Lemons Where You Think You Can't, Growing Figs in Cold Climates, Grow Figs Where You Think You Can't, and No-Guff Gardening, available at foodgardenlife.com. Here are some of the topics discussed in this episode: Growing Olives in Cold Climates Olive trees are well-suited for cold climates They can live for hundreds of years Olive trees are available at garden centres Steven recommends the self-pollinating variety, Frantoio, for home gardens Can be used for screening or framing garden spaces Olive Tree Care in Containers Growing olive trees in pots: the importance of full sun, well-draining soil, and regular pruning for size control and fruit production You'll also need a simple all-purpose fertilizer and amending potting soil with garden loam and sand for added weight to prevent toppling Store potted olive trees in a cool, dark place over the winter to satisfy chill hours for flowering and fruiting Joanne noted that olive trees can be brought indoors as houseplants during the winter and taken outside in the spring after new growth has hardened off Olive Tree Care, Propagation and Pruning Steven shared his experience growing olive trees, including a method used by a Vancouver Island grower who protects his trees with horticultural fleece and Christmas lights during cold weather Olive trees can be propagated through cuttings, air layering, or by taking advantage of suckers that naturally develop at the base of the tree Olive trees are relatively easy to care for, but common issues include overwatering in winter, leading to root rot and letting the soil dry out in summer Steven's potting technique: root pruning every 3-4 years by lifting the tree from its 14-inch pot, trimming the roots, and replacing the soil Olive trees need bright light indoors and can be pruned to minimize alternate bearing, which causes heavy crops in one year followed by none the next Find Steven Biggs online at www.foodgardenlife.com and Grow Olives Where You Think You Can't on Amazon. Have a topic you'd like Joanne to discuss? Email your questions and comments to downthegardenpathpodcast@hotmail.com, or connect via her website at down2earth.ca. Are you a landscape or gardening expert? We'd love to have you on the show! Click here to learn more. Find Down the Garden Path on Instagram, Facebook, and YouTube: @downthegardenpathpodcast. Down the Garden Path Podcast On Down The Garden Path, professional landscape designer Joanne Shaw discusses down-to-earth tips and advice for your plants, gardens and landscapes. As the owner of Down2Earth Landscape Design, Joanne Shaw has been designing beautiful gardens for homeowners east of Toronto for over a decade. She does her best to bring you interesting, relevant and useful topics to help you keep your garden as low-maintenance as possible. In Down the Garden Path: A Step-By-Step Guide to Your Ontario Garden, Joanne and fellow landscape designer Matthew Dressing distill their horticultural and design expertise and their combined experiences in helping others create and maintain thriving gardens into one easy-to-read monthly reference guide. Get your copy today on Amazon. Don't forget to check out Down the Garden Path on your favourite podcast app and subscribe! You can now catch the podcast on YouTube.

Immerse yourself in captivating science fiction short stories, delivered daily! Explore futuristic worlds, time travel, alien encounters, and mind-bending adventures. Perfect for sci-fi lovers looking for a quick and engaging listen each day.

The Ontario college system was created 60 years ago. How has it changed since its inception, and how will it face its current challenges? We discuss with Ann Marie Vaughan, Lyn Whitham, Maureen Adamson, and Martin Regg Cohn.See omnystudio.com/listener for privacy information.

Well, I didn't see this one coming... In this deeply personal episode, I share the whole story behind my recent academic appeal to George Brown College after being declined admission to the S305 Honours Bachelor of Science in Dental Hygiene Degree Completion program in October 2024. The original reasoning was that 21-year-old Irene went to the "wrong" school 17 years ago. One that didn't prepare 39-year-old Irene for the academic journey of an online degree completion program. This episode covers every step of the journey, from the initial application process to receiving the decision and ultimately crafting my formal appeal. I also read the full appeal letter and reflected on what it means to advocate for yourself, especially in an academic setting. Whether you're a dental professional considering a degree completion program or someone who's ever felt the weight of rejection and the courage it takes to respond, this episode is for you. Let's discuss the complexities of higher education, professional growth, and the sometimes nonlinear paths we must take. What you'll hear in this episode: Why I applied to the S305 Bachelor's program  The Initial reasons why I was declined and the reasoning The challenges and emotions that followed A full reading of my written appeal Unfortunately, a pathway doesn't exist; worse, one needs to be planned. Other institutions in Canada have the same program without the limitations of where you went to school to achieve the same license by the same accreditation board. I have thoughts about this and will post a part 2 with them soon.   If you made it all the way down here, hit a like and share a comment. Until next time, Peace out peeps! ✌️ _______________________________________

On the May 19 WBGO Journal, we take an in-depth look at the late George Brown's Jazz in Paris album and NJPAC celebrates the 90th birthday of former NJ Governor Tom Kean

Donald Trump's Liberation Day roiled markets and caused a seismic shift in expectations for global trade and the economy. His subsequent 90-day pause on tariffs and perennial hunt for deals have created uncertainty and left investors wondering, what next? In this webinar, we'll discuss just that. Bob Kaynor, our Head of US Small and Mid Cap Equities, gives his insights from the frontline on both Wall Street and Main Street. Alex Tedder, CIO (Equities), will reflect on where to find opportunities under the new world order. Finally, George Brown, our Economist, will discuss the effect Trump's policies may have on the broader economy. Stu Podmore, Investment Propositions Director, will be your host. NEW EPISODES: The Investor Download is available every other Thursday and will be released at 1700 UK time. You can subscribe via Podbean or use this feed URL (https://schroders.podbean.com/feed.xml) in Apple Podcasts and other podcast players. GET IN TOUCH: mailto: Schroderspodcasts@schroders.com find us on Facebook send us a tweet: @Schroders using #investordownload READ MORE: Schroders.com/insights LISTEN TO MORE: schroders.com/theinvestordownload Important information. This information is not an offer, solicitation or recommendation to buy or sell any financial instrument or to adopt any investment strategy. Any reference to sectors/countries/stocks/securities are for illustrative purposes only and not a recommendation to buy or sell any financial instrument/securities or adopt any investment strategy. Any data has been sourced by us and is provided without any warranties of any kind. It should be independently verified before further publication or use. Third party data is owned or licenced by the data provider and may not be reproduced, extracted or used for any other purpose without the data provider's consent. Neither we, nor the data provider, will have any liability in connection with the third party data. Reliance should not be placed on any views or information in the material when taking individual investment and/or strategic decisions. The views and opinions contained herein are those of individual to whom they are attributed, and may not necessarily represent views expressed or reflected in other communications, strategies or funds. The value of investments and the income from them may go down as well as up and investors may not get back the amounts originally invested. Exchange rate changes may cause the value of any overseas investments to rise or fall. Past Performance is not a guide to future performance and may not be repeated. The forecasts included should not be relied upon, are not guaranteed and are provided only as at the date of issue. Our forecasts are based on our own assumptions which may change. Issued by Schroder Investment Management Limited, 1 London Wall Place, London EC2Y 5AU. Registered No. 1893220 England. Authorised and regulated by the Financial Conduct Authority.

In episode eight, we return to the George Brown College Labour Fair and a discussion with Ontario Federation of Labour president Laura Walton and chief steward and second vice president of OPSEU/SEFPO Local 556 Jeff Brown. We discuss the multiple issues facing the labour movement, union priorities and, in this age of polycrisis, what exactly we are working for. Speaking to the upcoming federal elections, Walton says: “I think we all can agree it's not going to be an NDP federal government. It's either gonna be Liberals or Conservatives. And I call them cancer and chemo; one's gonna kill you, the other one's gonna make you sick. We're going to be under, in Ontario, two governments that are not worker friendly, both federally and provincially. And it's going to be incumbent on workers to really embrace organizing principles … Now's not the time to be quiet. Now's the time that we're going to have to join our voices together to really push back." Reflecting on the how the trade war may impact already underfunded Ontario colleges, Brown says: “The colleges extend into so many fields in our province. Obviously healthcare, nursing community workers, but also things like all the skilled trades, forestry, aviation. I mean, these are the workers in communities that are the backbone of our economy … and the concern that being this underfunded, now with this trade war … the provincial government will use this as an excuse to further starve the system.” About today's guests:  Laura Walton is the president of the Ontario Federation of Labour (OFL) Canada's largest provincial labour federation. Walton served as president of the Canadian Union of Public Employees' Ontario School Boards Council of Unions (OSBCU) starting in 2019. She also served on the CUPE Ontario Executive Board. With a firm belief in the equalizing power of inclusive public education, Walton led her 55,000 coworkers across Ontario to withdraw their labour for two days in November 2022 in protest of the Ford government using the notwithstanding clause to ram through legislation that imposed a contract on CUPE education workers. Previously she served as president of CUPE Local 1022 which represents the education workers of Hastings and Prince Edward County District School Board. Dr. Jeff Brown is an experienced educator, researcher, and labour activist.  He is a full-time professor in the Liberal Arts and Sciences department at George Brown College in Toronto and Chief Steward/2nd Vice-President of OPSEU Local 556, representing unionized faculty at George Brown.  He is also a member of the Ontario College Faculty Divisional Executive. Session Introduction & Audience Questions by: Ashley Booth Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute.  Image: Laura Walton, Jeff Brown  / Used with permission. Music: Ang Kahora. Lynne, Bjorn. Rights Purchased.  Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy)  Courage My Friends podcast organizing committee: Chandra Budhu, Ashley Booth, Resh Budhu.  Produced by: Resh Budhu, Tommy Douglas Institute and Breanne Doyle, rabble.ca.  Host: Resh Budhu.

Kool and The Gang Keyboardist and Musical Director Curtis Williams joins Tavis in studio to discuss “Jazz in Paris,” a posthumous jazz project from Kool & The Gang's co-founder George Brown, and the upcoming one-night-only performance of his friends and collaborators.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This episode is dedicated to our own version of ‘Pote Madness' ! Stephen A. Sip [@sse_sip] ,Nevatell [@nevatell] , & Cambino [@coastboymook] and Jaytona [@jaytona4000] welcome back Pote Potna turned recent Georgia State Champion , Coach G (@georgetimes5) ! Grab some concessions & join the show as the legendary leader details the historic GA Class A Division II Championship game double digit 4th quarter comeback ! The guys help celebrate him & his stellar squad with a couple shots so they can get to the real Q&A . They begin w/ his secret formula to the long season being ranked #1 in the State of Georgia Basketball , The Love/Hate chatter , Exclusive Early Retirement Announcement ? and so much more ! Recorded : 3/16/25

This episode highlights the 2025 GHSA Basketball Championships and features interviews with coaches Chaz Clark of Butler, George Brown of Savannah High, and Kassie Scott of Cherokee Bluff. Clark discusses his team's victory and what it means to the Butler community, Brown talks about the challenges of playing a familiar opponent in the championship game, and Scott shares her experience as a head coach with a husband who is also a head coach.

George Brown is the executive director of the Highlights Foundation, scion to the Myers family, which created Highlights Magazine. The Highlights Foundation runs workshops for small groups of authors and illustrators in its bucolic surroundings, the homestead of Garry and Caroline Myers, who co-founded Highlights for Children in 1946. George discusses his fascination with children's books and the people who create them, offering tips based on his lifelong experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

George Brown is the executive director of the Highlights Foundation, scion to the Myers family, which created Highlights Magazine. The Highlights Foundation runs workshops for small groups of authors and illustrators in its bucolic surroundings, the homestead of Garry and Caroline Myers, who co-founded Highlights for Children in 1946. George discusses his fascination with children's books and the people who create them, offering tips based on his lifelong experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Not another election pod," I hear you cry. Don't worry, we don't dwell on the ins and outs of the result. This pod is purely about what the outcome means for investors. Listen to Adam Farstrup, Head of Multi-Asset for the Americas, and George Brown, Global Economist, give their verdict on what investors should expect. RUNNING ORDER: 01:07 - Part one: the investor's verdict on the Trump win 05:49 - Part two: how it will affect the global economy NEW EPISODES: The Investor Download is available every other Thursday and will be released at 1700 UK time. You can subscribe via Podbean or use this feed URL (https://schroders.podbean.com/feed.xml) in Apple Podcasts and other podcast players. GET IN TOUCH: mailto: Schroderspodcasts@schroders.com find us on Facebook send us a tweet: @Schroders using #investordownload READ MORE: Schroders.com/insights LISTEN TO MORE: schroders.com/theinvestordownload Important information. This information is not an offer, solicitation or recommendation to buy or sell any financial instrument or to adopt any investment strategy. Any reference to sectors/countries/stocks/securities are for illustrative purposes only and not a recommendation to buy or sell any financial instrument/securities or adopt any investment strategy. Any data has been sourced by us and is provided without any warranties of any kind. It should be independently verified before further publication or use. Third party data is owned or licenced by the data provider and may not be reproduced, extracted or used for any other purpose without the data provider's consent. Neither we, nor the data provider, will have any liability in connection with the third party data. Reliance should not be placed on any views or information in the material when taking individual investment and/or strategic decisions. The views and opinions contained herein are those of individual to whom they are attributed, and may not necessarily represent views expressed or reflected in other communications, strategies or funds. The value of investments and the income from them may go down as well as up and investors may not get back the amounts originally invested. Exchange rate changes may cause the value of any overseas investments to rise or fall. Past Performance is not a guide to future performance and may not be repeated. The forecasts included should not be relied upon, are not guaranteed and are provided only as at the date of issue. Our forecasts are based on our own assumptions which may change. Issued by Schroder Investment Management Limited, 1 London Wall Place, London EC2Y 5AU. Registered No. 1893220 England. Authorised and regulated by the Financial Conduct Authority.

College & Connections Director, George Brown, teaches from Philippians 4 in the start of Phoenix Bible Church's new series entitled, "Let's Talk About It!"

Margaret reads you a classic sci-fi tale of a marriage on Mars gone wrong.See omnystudio.com/listener for privacy information.

Serial entrepreneur Chris Jones, Founder and President of CANNABIS XPRESS, a leading chain of cannabis retail stores started in Ontario, is back on the podcast to tell us his adventure of expanding his successful store concept to small-town New Brunswick, one of the most innovative markets in Canada. About ChrisChris Jones is an entrepreneur and cannabis industry executive. He is currently the Founder and President of CANNABIS XPRESS, a leading chain of 13 cannabis retail stores in Ontario and New Brunswick, Canada.Previously, he founded another cannabis retail company in Ontario and sold it after it hit a run rate of approximately $15 million via an all-cash sale to a public company. Before entering the retail industry, he was actively involved in and led multiple acquisitions and investments ranging from several million to over a billion dollars during his time at Origin House, later acquired by a top US-based multi-state operator - Cresco Labs.Chris has also developed and taught classes at George Brown College through their School of Continuing Education. One of them more recently was called Cannabis Business Strategy, which includes a lineup of coveted guest speakers such as Bruce Linton (Founder of Canopy Growth Corporation – which was previously the largest cannabis company in the world by market capitalization). He currently teaches a management course at George Brown called Management Fundamentals.Before that, he built his finance and business development experience at two global construction companies based in Canada: EllisDon and Aecon. Additionally, he led business development and negotiations for a boutique trial-focused law firm in Toronto.Outside of work, Chris travels, takes language courses in Spanish, walks his dog, enjoys the outdoors, and is undefeated in Muay Thai. He obtained his Master of Business Administration from McMaster University's DeGroote School of Business and a Bachelor of Commerce from Ryerson University's Ted Rogers School of Management.You can reach Chris at christopher.lloyd.jones1@gmail.com  About MichaelMichael is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and media entrepreneur. He has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Secure conference with leaders from The Gap and Kroger talking about violence in retail stores, keynotes on the state & future of retail in Orlando and Halifax, and at the 2023 Canadian GroceryConnex conference, hosting the CEOs of Walmart Canada, Longo's and Save-On-Foods Canada. Michael brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice.Michael also produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in North America, Remarkable Retail, Canada's top retail industry podcast; the Voice of Retail; Canada's top food industry and the top Canadian-produced management independent podcasts in the country, The Food Professor, with Dr. Sylvain Charlebois. Rethink Retail has recognized Michael as one of the top global retail influencers for the fourth year in a row, Coresight Research has named Michael a Retail AI Influencer, and you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok.Available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state of the retail industry in Canada and the U.S., and the future of retail.

Cape Governor Harry Smith had made his escape from Fort Cox to King Williams' Town, and was now hoping for help in the form of 3000 Zulu warriors. The British had mucked things up on the frontier, and most of their old allies the Khoekhoe of the Kat River Settlement had decided to rise up, along with the amaXhosa. The Boers were also not in any mood to send help, in fact, the destabilisation was in their favour, it drew English troops away from the transOrangia Region. Mlanjeni the prophet had told the Xhosa that this was the time to drive the English into the sea - and Maqoma the amaRharhabe chief of the amaNhlambe was all to ready to do just that. It was new Year, 1851. In a few days, the Taiping Rebellion - or Civil War as some call it - would begin in China. And like the uprising in the Cape, a man who claimed super powers was behind this war in Asia. Hong Xiuquan was an ethnic Hakka man who claimed to be related to Jesus Christ and was trying to convert the local Han people to his syncretic version of Christianity. Xiuquan was trying to overthrow the Qing dynasty and the Taiping rebels were hell bent on should I say, heaven bent on upending the entire country's social order. Eventually the Taiping Heavenly Kingdom based in Nanjing managed to seize a significant portion of southern China. It was to become the bloodiest war of the 19th Century, lasting 14 years. Back on the eastern Cape frontier, the settlers were facing the amaXhosa rage and fury, frustration that had built up over generations burst into the 8th Frontier War. Maqoma had warned the errant missionary George Brown that a war was coming of cruelty never seen before in southern AFrica. Some called it the first war of colour, a general war of the races. The Kat River people rebelled, some Khoekhoe soldiers rebelled, some of the famous Cape Mounted Rifles men mutinied, the amaThembu people under Maphasa, so important to Xhosa tradition, joined the Xhosa. amaNhlambe chief Siyolo, the best soldier amongst the amaXhosa, had cut off the road between King WilliamsTown and Grahamstown. And yet, in this frontier war it wasn't just black versus white - oh no. As you'll hear, Black South Africans fought for the British, and there were incidents of British soldiers who mutinied and joined the amaXhosa. amaNgqika men upset at how they'd been treated by their own countrymen worked for the colonists in this war, not the mention the amaMfengu people who the amaXhosa regarded as illegal immigrants on their land - there was no love lost between these two either. To merely describe this war as blacks versus whites is to commit historical incongruity. Sandile met with Maqoma in the first days of 1851 in order to work out a series of offensive moves against the British. Hermanus Matroos, who you met last episode was leading a powerful battalion sized group of amaXhosa and Khoesan fighters. Willem Uithaalder, former Cape Mounted Rifles cavalryman, was also fighting the British — his knowledge about how to go about focusing attacks was key.

On Friday, August 16th, Phoenix Bible lead pastor Tim Birdwell kicked off the monthly Big Boys on Campus prayer breakfast by breaking down the Northwest Christian annual spiritual emphasis theme verse, John 8:12:  "Again, Jesus spoke to them, saying, 'I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.'"The BBOC devotion itself was, as per Tim's inimitable and inspiring norm, amazing.  But, there were people in the room that morning that new, for Tim and his family, following Christ's plan and persisting in a path illuminated by light, has not been easy.  So, following BBOC, G and Geoff sit with Tim, as well as George Brown (Phoenix Bible's Director of College and Connections and Geoff's son/NCS alumni, Class of 2016) and work through the special significance of John 8:12 for Tim.For more information regarding Phoenix Bible Church, please follow this link.To learn more about Tim Birdwell, please click here.To get to know George Brown, follow this link. "Kingdom Culture Conversations" is a podcast created through Frameworks, a Biblical worldview initiative of Northwest Christian School.For more information on Frameworks, please visit: https://frameworks.ncsaz.org/For more information on Northwest Christian School, visit: https://www.ncsaz.org/To reach out to Geoff Brown, please email gbrown@ncsaz.org or you can reach him by cell phone: (623)225-5573.

It's been a wild couple of weeks in the build up to the US election. So we invited Economist, George Brown, and Head of Multi-Asset , Americas, Adam Farstrup to discuss the impact of events that have unfolded. We also talk about the likely outcomes in the race for the White House and control of Congress, and what they mean for the economy and markets. RUNNING ORDER: 00:21 - Part one: what the polls and bookies are telling us 06:48 - Part two: the race for congress 11:50 - Part three: what it means for markets and the economy NEW EPISODES: The Investor Download is available every other Thursday and will be released at 1700 UK time. You can subscribe via Podbean or use this feed URL (https://schroders.podbean.com/feed.xml) in Apple Podcasts and other podcast players. GET IN TOUCH: mailto: Schroderspodcasts@schroders.com find us on Facebook send us a tweet: @Schroders using #investordownload READ MORE: Schroders.com/insights LISTEN TO MORE: schroders.com/theinvestordownload Important information. This information is not an offer, solicitation or recommendation to buy or sell any financial instrument or to adopt any investment strategy. Any reference to sectors/countries/stocks/securities are for illustrative purposes only and not a recommendation to buy or sell any financial instrument/securities or adopt any investment strategy. Any data has been sourced by us and is provided without any warranties of any kind. It should be independently verified before further publication or use. Third party data is owned or licenced by the data provider and may not be reproduced, extracted or used for any other purpose without the data provider's consent. Neither we, nor the data provider, will have any liability in connection with the third party data. Reliance should not be placed on any views or information in the material when taking individual investment and/or strategic decisions. The views and opinions contained herein are those of individual to whom they are attributed, and may not necessarily represent views expressed or reflected in other communications, strategies or funds. The value of investments and the income from them may go down as well as up and investors may not get back the amounts originally invested. Exchange rate changes may cause the value of any overseas investments to rise or fall. Past Performance is not a guide to future performance and may not be repeated. The forecasts included should not be relied upon, are not guaranteed and are provided only as at the date of issue. Our forecasts are based on our own assumptions which may change. Issued by Schroder Investment Management Limited, 1 London Wall Place, London EC2Y 5AU. Registered No. 1893220 England. Authorised and regulated by the Financial Conduct Authority.

Episode 180 it is then so let's get cracking. Or crackling, which was the atmosphere in late 1850 as Xhosaland and British Kaffraria was seized by the exploits of prophet Mlanjeni. He'd combined world views, his messianic emergence shook the land as far away as Cape Town. AS a sickly young man from near King Williams Town, he'd disappeared to work in the Cape Colony and returned in 1850 claiming to have been living under the sea. Not quite Sponge Bob because unlike that loveable kids character, Mlanjeni said it was during his stint underwater that God spoke to him. You'll remember how I explained that Mlanjeni took to sitting in pools in nearby rivers and streams, the water lapping against his face as he sat deep in thought. At first he seemed to be in sync with the missionaries and the Governor Harry Smith, saying the amaXhosa should abandon witchcraft, avoid raiding settler cattle and so on. However his message morphed as I explained, and very soon he was exorting his numerous adherents to stop burning the wood of gum trees — an invasive species — he believed the exotic tree symbolised white influence. Word spread, and some began saying that Mlanjeni had miraculous powers, he could light his pipe from the sun, he wore his face on one cheek so he could spot witches and paralyse them. When the missionaries heard that he was also saying that he could heal the sick, give sight to the blind, to make the mute speak and the lame walk. He refused to accept gifts, and the chiefs and commoners streamed to his home. Then the British tried to arrest him and he disappeared, thus growing more power in the eyes of his adherents. We need to focus on these religious matters, so a quick return to the men in black. The missionaries were in a spot. Robert Niven of the United Presbyterian Church was holding forth in Keiskamma hoekDown the road was a man who you could say was taking his position as missionary into the missionary position. George Brown lived on the plains below the Amatolas, not far from the Thyumi valley, arriving in early 1849. At first people noted how he had a kind and manly appearance. But very soon, however, the manly appearance took on a reverential lust — a scandalous man as you'll hear. But first, he seduced the young Janet Chalmers, William Chalmers daughter, and John Forbes Cumming hated him so much for this act, that the two men spoke only through letters. Brown was forced to marry Janet Chalmers in August 1850, five months pregnant.Harry Smith by now was on the frontier, and Sandile's mother Sutu who was Ngqika's widow, went to the Thyumi mission station on 9th December to speak with him. She asked why the English wanted another war. Smith said that the chiefs were not paying fines and she warned “You have taken away all my power, you take away the power of the chiefs, and then you find fault with us for not keeping the people in order…” Christmas Eve was the date selecte by Harry Smith as the day his intimidatory force as Noel Mostert Called it, up the Boma Pass into the Amatola mountains. It was exactly sixteen years to the day of the outbreak of the Frontier War of 1834.

Director of College and Connections, George Brown, teaches from Matthew 11 in Week 6 of Phoenix Bible Church's series entitled, "We are PBC".

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Today I sit down with someone who shares many of our same beliefs and introspective nature in terms of conservation and the longevity of the fishery. One of the things that sets him apart is the method of capture. George Brown is a STX local who's passion quickly became hunting underwater. Enjoy.

Director of College & Connections, George Brown, teaches from Titus 3 in the closing of Phoenix Bible Church's series entitled, "Titus - A Godly Church In A Godless World".

ROBERT "KOOL" BELL of KOOL AND THE GANG spoke to Bill about the band history-music and Rock Hall Nominee - Sunday Announcement-American Idol - Robert "Kool" Bell, Ronald Bell, George Brown, Robert "Spike" Mickens, Claydes "Charles" Smith, James "J.T." Taylor, Dennis "Dee Tee" Thomas, Ricky Westfield

Which wineries are leading the way with vegan wines? How are some restaurants expanding into innovative vegan or vegetarian menus? What makes Riesling so versatile, especially with vegan dishes? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Jennifer Huether and Priya Rao, authors of The Social Herbivore: Perfect Pairings For Plant-Based Cuisine. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway One of you is going to win a copy of Priya Rao & Jennifer Huether's terrific book, The Social Herbivore: Perfect Pairings For Plant-Based Cuisine - the first book ever on plant-based food and wine matching. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose one person randomly from those who contact me.  Good luck!   Highlights What surprised Jen about Riesling's versatility? What is Priya's favourite unexpected and daring pairing? Which recent advancements in the world of plant-based foods would Priya and Jen include in an updated edition of the Social Herbivore? How are some restaurants expanding into innovative vegan or vegetarian offerings? Which wineries are leading the way in producing vegan wines? What goes into vegan charcuterie and cheese? What is carbonic maceration, and how does it impact the taste and aroma of a wine? What were Priya and Jen's favourite vegan food and wine pairings? How do the differences between animal and plant proteins and fats affect wine pairings? How can you create a fun tasting experience to figure out the best wine pairings for spicy foods? What can you do to extend the shelf life of an opened bottle of wine?   Join me on Instagram, Facebook and YouTube Live Join the live-stream video of this conversation on Wed at 7 pm ET on Instagram Live Video, Facebook Live Video or YouTube Live Video. I want to hear from you! What's your opinion of what we're discussing? What takeaways or tips do you love most from this chat? What questions do you have that we didn't answer? Want to know when we go live? Add this to your calendar: https://www.addevent.com/calendar/CB262621   About Priya Rao A foodie and wine lover, Priya switched to a vegetarian diet in 1995 and then to a vegan one in 2011. She had previously hosted vegan food and wine events, appearing on Breakfast Television as a guest wine expert on 640AM and Rogers Daytime, and writing articles for Prince Edward County's Grapevine Magazine, and more. She is currently a contributor for Vineroutes.com on all things vegan food & wine.   About Jennifer Huether Jennifer's love affair and studies in wine started in her early twenties with taking an interest course at George Brown college. From there, she immediately leapt into the Sommelier Certification from ISG graduating top of class, then Diploma of Wine from WSET, followed by the Advanced Sommelier passing in 2005 and finally the Master Sommelier Exams-becoming Canada's first female Master Sommelier in 2011 graduating in Dallas Texas. Jennifer is one of thirty women Master Sommeliers in the world.         To learn more, visit https://www.nataliemaclean.com/276.

Are vegan wines better for our health? What three aspects of a wine determine whether it's vegan or not? How can you identify whether or not a wine is vegan by looking at the label? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Jennifer Huether and Priya Rao, authors of The Social Herbivore: Perfect Pairings For Plant-Based Cuisine. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway One of you is going to win a copy of Priya Rao & Jennifer Huether's terrific book, The Social Herbivore: Perfect Pairings For Plant-Based Cuisine - the first book ever on plant-based food and wine matching. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose one person randomly from those who contact me.  Good luck!   Highlights How did Priya end up tasting an 1812 Madeira, and what was that experience like? Which Burgundy wine was responsible for Jennifer's most memorable wine moment? How has the plant-based movement influenced the wine industry's interest in vegan wine? What are the three aspects of wine that determine whether it's considered vegan? How are animals and animal products used in winemaking? What animal-free alternatives are used by vegan winemakers? How do vegetarian and vegan diets differ? Are there official symbols on a wine label that indicate whether it's vegan? Is there a connection between vegan wines and organic/ biodynamic wines? Are vegan wines better for our health? What's the difference between a plant-based and vegan diet? How does the book approach wine pairings? Which wines have the most versatility when paired with vegan dishes?   Join me on Instagram, Facebook and YouTube Live Join the live-stream video of this conversation on Wed at 7 pm ET on Instagram Live Video, Facebook Live Video or YouTube Live Video. I want to hear from you! What's your opinion of what we're discussing? What takeaways or tips do you love most from this chat? What questions do you have that we didn't answer? Want to know when we go live? Add this to your calendar: https://www.addevent.com/calendar/CB262621   About Priya Rao A foodie and wine lover, Priya switched to a vegetarian diet in 1995 and then to a vegan one in 2011. She had previously hosted vegan food and wine events, appearing on Breakfast Television as a guest wine expert on 640AM and Rogers Daytime, and writing articles for Prince Edward County's Grapevine Magazine, and more. She is currently a contributor for Vineroutes.com on all things vegan food & wine.   About Jennifer Huether Jennifer's love affair and studies in wine started in her early twenties with taking an interest course at George Brown college. From there, she immediately leapt into the Sommelier Certification from ISG graduating top of class, then Diploma of Wine from WSET, followed by the Advanced Sommelier passing in 2005 and finally the Master Sommelier Exams-becoming Canada's first female Master Sommelier in 2011 graduating in Dallas Texas. Jennifer is one of thirty women Master Sommeliers in the world.         To learn more, visit https://www.nataliemaclean.com/275.

With Canada facing crippling railway debts, political paralysis and dysfunction, and a looming security threat, George Brown proposes major constitutional change.

In The Beginning - In God's Image (George Brown) by Phoenix Bible Church

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Freddy Jay demolishes the mix with a stellar hiphop 50 set, then luxuriates in the soulful side with coolout vibes by Haile Supreme, X.Men, Sting and Rufus & Chaka Khan. Plus ill verses from the monotone master Sonnyjim, a latin break melee by Néstor Álvarez, and our tribute to Kool & The Gang's O.G. funky drummer George Brown. View the full playlist for this show at https://www.wefunkradio.com/show/1185 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Get ready to hitch a ride to the wild frontier with tales from the legendary George W Brown, also known as Hoodoo Brown. Born under the Missouri skies in 1847, he invites us into his past, from fighting in the Union Army to life as a bullwacker, hauling wood for the government. His trailblazing tales are packed with excitement, danger, and the raw reality of frontier life. With every twist and turn, from dodging wild Texas steers to navigating treacherous wagon trips, we're right there with him.And the journey doesn't end there! The second half of our adventure features Jack Stilwell, a scout handpicked by Colonel George A Forsythe for a special operations unit. He takes us from being recruited at Fort Hays to the throes of intense battles, leaving us hanging on his every word. Jack's recollections of the Battle at Beecher's Island will make your heart pound and your mind spin. Then, it's back to George Brown as he teams up with Buffalo Bill and other scouts on a mission to clear the Republican region of Indians. These unmissable chronicles from the frontier will have you yearning for the wide open plains and the echo of cattle drives in the distance.Support the showReturn of the Great HuntersCattle Drives WebsiteLegends of Dodge City WebsiteOrder Books

What you'll learn in this episode: What the difference between an artist and a designer is The barriers that can make it difficult for solo jewelry artists to enter the retail market, and how Colette overcame them What Colette has discovered about her creative process by working with George Brown College psychology students on a research project Why it's important for artists to avoid looking at trends in stores and on social media too frequently How a spontaneous haircut sparked Colette's creativity and paved the way for her future business About Colette Harmon Colette Harmon's one-of-a-kind accessories are a dazzling blend of crystal, mixed metals and semi-precious stones. With an appreciation for meticulous craftsmanship, the metal meshing and intricate beadwork in each of her statement pieces are an audacious departure from mainstream minimalism. Born in Sisters Village, Guyana, Colette studied fashion design in Toronto before apprenticing as a belt and handbag designer for a leather goods manufacturer. Harmon soon founded her own eponymous label, whose name became synonymous with maximalist glamour. Harmon's modern approach to vintage flair has earned her a devoted following of customers, fans and fashion stylists from across North America. Her pieces have been sold in Saks Fifth Avenue and Holt Renfrew Canada, and her work has been featured in Elle Canada, Flare, Martha Stewart Weddings and Nylon. She currently focusses on one-of-a-kind couture creations for select clientele.    Additional Resources: Website Twitter Photos Available on TheJewelryJourney.com Transcript: Colette Harmon has seen many trends come and go over the course of her career, but she has never let that influence her work. She has always found an audience for her one-of-a-kind jewelry, even when her hallmark maximalism is supposedly “out.” She joined the Jewelry Journey Podcast to talk about why she defines herself as an artist; how she nurtures her creative vision; and how her job as a leather accessories designer led to jewelry (and how that experience may come full circle in the near future). Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, my guest is Colette Harmon, who is speaking to us from Canada. Toronto to be more specific. I have to say I've never met her, and I've never seen her jewelry in person, but it's my kind of jewelry. It's over-the-top kind of jewelry. You may have seen it on a celebrity on the stage or screen, but if you've seen it, you'd remember it. Welcome back. Do people bring the dresses? Do they bring the materials or some things? Colette: Yeah, sometimes they do. If they bring the actual garment, then I can see how the neckline falls and how the piece of jewelry would sit on the dress. Sharon: Has somebody, a client or a stylist, ever come and tried the dress on and you just didn't like the dress? Forget the necklace; you just didn't like the dress on them. Colette: Oh yeah, but if they're wearing it, I can't say, “I don't like your dress.” Yeah, there have been people who have. Sharon: You told us that you like the fact that people like your stuff, that's pleasing to you. Colette: Mm-hmm. Sharon: What are some of the bigger obstacles you've encountered besides sales, let's say? Colette: In terms of? Sharon: In terms of anything. Being in the business, what are some of the obstacles? Colette: I mentioned before I found wholesaling difficult. Being a small business, I found that doing wholesale was challenging at times. Just being a one-woman show can be tough at times. There were times when I had people helping me, but often when you're creating—as I'm working with the students at George Brown, it was difficult to tell someone because I don't sketch. I create as I'm going. They are helping me create these pieces, but it's difficult to tell someone what you're creating if it's in your head. A lot of times I might say to them, “O.K., do this this way,” and then they start doing it, and then I see something else and they have to undo it. It's easier for me to create the original piece and then have someone duplicate it, as opposed to having people helping me create something. Sharon: You said the college is George Brown. That's the university? Colette: Yeah, it's a college here in Toronto. They're doing a case study of me where they're studying my creative process and documenting how I create. Sharon: What's the first step they documented of you creating? Colette: The first session was just an interview of me and my background. The piece that we're working on now—I brought a bunch of materials. I had no idea what I was going to do with them. So, they're watching how I work and how I put things together. They're asking me questions as I go on, like why did I do this? They're documenting how I go from start to finish, if that makes any sense. Sharon: Are they talking to a lot of creative people? Colette: I think what happened was Leah saw my work on Instagram. I'm not sure how she found me. She found me on Instagram, but I'm not sure how she found my work on Instagram. She was really inspired. In her words, she said she was blown away by my pieces. Because we're both in Toronto and she's been in fashion for a number of years, she wondered why she didn't know who I was. So, she contacted me and I went to see her. She asked me to bring some of my pieces, so I did. Then she came up with this idea and approached the college for a grant. There's myself, her, and two students she recruited, and they're documenting my creative process. Like I said, there really isn't a creative process. I feel like—what's that word when they say that—people will find out I'm a fraud because there really isn't a creative process. I can make it sound more than what it is, but I just play. I think everybody has a gift, and my gift is just the way I put things together. There isn't anything technical. Sharon: Can you tell us more about what you see the end product being with these students? Colette: That's the thing; I have no idea. I could send you a picture of the piece I'm creating now. I can tell you a little bit about that, but it would be— Sharon: I'll talk to you after the podcast about what we need for pictures. I want my listeners to know that usually I have a picture of somebody, even though I only post the audio, but I don't even know what Colette looks like. Colette: Oh, I can send you a picture. Sharon: Are you the exotic-looking one in the ads? Colette: In the ads? Which ads? Sharon: The ads for the website, let's say. Colette: On my website? Sharon: Are you the model? Do you have a model? Colette: Sometimes I model. I'm not sure which images you're referring to, but I think there are one or two images of me on the website. There are a couple of me on Instagram. I wouldn't call myself a model, but I do model my jewelry on occasion. A number of the images of myself were taken by a friend of mine, a photographer whose name is Michael Chambers. I've done some work with him over the years. I wouldn't call myself a model, but I have modeled my jewelry. I have a shaved head, and I can tell you the story about that. My cousin worked in a hair salon. One day I was visiting, and there was a gentleman there; his name was Stephan. He had this beautiful, long, curly blond hair. He looked at me one day and said, “You know, I'm going to shave your head.” I was young, and when you're young and crazy, I said, “O.K.” So, he took a straight razor—I would never do it again with a straight razor—and shaved my head. Then we did a photoshoot where he made bird's nests out of—I couldn't even remember what it was made out of. I think maybe feathers and all these different, crazy things, and he put them on my bald head and we did this photoshoot. But I didn't like it because I was young, and I was wearing a lot of hairpieces. Hair was very important to me and to everyone, so I didn't like it. I don't know if I told him I didn't like it, but I was like, “Oh god, what did I do?” I remember I came home, and my mom was like, “Why did you do that?” Everywhere I went, everyone hated it. This was a time when there were no bald women around. It was before social media. I didn't know that in Africa there are tons of women like that, but you didn't see any bald women around. I remember I would be walking by, and I would hear people whisper, “Maybe she has cancer.” A lot of people didn't like it because it was such a drastic change from what I looked like before. Now all of a sudden, you have no hair. But I kept it for spite. Just because people didn't like it, I thought, “I'm going to keep it.” I think I would shave it every week, like once a week or something. The more I did it, the more I liked it. Now that I'm saying it, I think that played a role with the jewelry because I would have this bald head, so the jewelry became more elaborate. Stephan saw it. My logo is now my head, like a silhouette. The silhouette of my head is my actual logo. I think he saw something I didn't see. Do you know what I mean? A friend of mine designed my logo. He took a picture of my shadow against the wall with the bald head. Then he took a picture of my jewelry and scanned it onto the image of the head. I would never change that. I think it's such a beautiful logo. I love my bald head, and I think it really works with the jewelry. It's so striking, for a lack of a better word. But I always remember after I did it, for years my mother kept saying, “Why don't you grow your hair?” Then one day she looked at me and said, “You know what? I think of all the hair styles you've ever had, that suits you the most.” I do have a nice-shaped head, if I can say so myself, but everybody always compliments me on my—I can't remember what your question was. I went off into a tangent, but I think you asked me. I don't think of myself as exotic, but I think other people might use that word. Sharon: The model on the website is Black. You're Black, right? Colette: Yeah, I can't remember what's on there. I think there are a couple of images of Black models on there. I think there are one or two of me on there with a shaved head, and then there are a couple on Instagram. Sharon: You're Black though, right? Colette: I am a Black woman, yes. Sharon: Do you sell a lot through Instagram? You mentioned it several times. Colette: Do I sell a lot on Instagram? Sharon: Mm-hmm. Colette: No, I never pursued doing sales on Instagram. That's why I was thinking of creating a collection of simple pieces like belts and bags, where I could sell online through social media. I find that the pieces I do, you have to try them on. If you're not able to try it on, I think a lot of things would end up coming back just because you have to be able to see the scale. I've never had a problem with returns. In all the years I've been doing this, I think I've only had one piece returned. It was a charm bracelet. It was a woman in one of the eastern states. She saw it in a magazine. She ordered it, and she sent it back because it was too big for her. She wasn't used to wearing that. It's a lot. You have to try it on. That's why I was thinking of doing some simpler pieces where I could sell in volume if some pieces come back, if one or two are returned. But I think the pieces I create now, a lot of them would end up coming back just because you need to try them on. Sharon: I never thought about that before, that if you don't have hair, you need something else. You need the jewelry. You need something to replace it in a sense, to draw the eye. Colette: I don't think you have to, but I think it works well with the jewelry. It's like a blank canvas. There is no distraction. Your eye goes straight to it. I have necklaces. I have a preference when I create. If it's a line, I always start off with the necklace, and then I create pieces that go with that. It always starts off as an elaborate neckpiece. Then I might simplify it or do some more simple pieces that are very similar: earrings or bracelets, a belt, maybe a beaded belt or a chainmail belt or something. But for me, it always starts with the neck. I used to wear earrings a lot when I was younger, but I haven't worn earrings in years. Now, I mainly wear necklaces. I don't like things on my hands, only because I work with my hands and I don't really like things on my hands. It's mostly neck pieces. I do a lot of belts, beaded and chain belts. A lot of the pieces I create in general are very versatile, where you can wear it on your neck or you can wear it on your waist. There are pieces I have that you can wear as a shawl; you can wear as a necklace; you can wrap it on your waist and wear it as a belt. A lot of the pieces I do are versatile. You can wear them many different ways. I do that purposely. I always try to create pieces that you can wear in multiple ways. Sharon: I'm surprised to hear that. What I have seen are the photos that are online, which are just repetitions of what's on your website. Were you influenced by the baldness? I went through a period where I was bald, but I had people come up and say— Colette: You did? Sharon: Yeah, I did. People came up to me and they would say, “Oh, I wish I had the guts to do that.” Do they come up and say that to you or anything? Colette: Not so much anymore. You see it now everywhere, whereas when I was doing it, when I started, there was hardly anyone. Now, nobody even notices. People just walk by, whereas when I first did it, people would actually stop and stare. Now nobody cares because you see bald women everywhere, especially on social media. There are bald women. You see it quite a bit. For how long did you wear your hair bald? Sharon: Probably for a year, a year-and-a-half maybe. Colette: What made you decide to do that? Sharon: Well, basically I was going through chemotherapy and I lost my hair, but it really made me understand how important hair was to a woman or a man, what you did with it and all that. I hadn't thought about it. Colette: Right, I think hair is important to a lot of people. People think, “Well, why would you shave it?” but I've never really cared about what people think about anything. As long as I like something, I don't care. Your thoughts are your thoughts. I don't mean you specifically, but whatever. Your thoughts are your thoughts and what you think about me is—why should I worry about what someone thinks about me? I've never really cared about what people say or think about how I look or about my appearance. Sharon: It's interesting. I think most people think, “What will somebody else think if I do A, B, C or if I wear—?” Colette: Yeah, I think so too. I think as I got older, when I stopped caring about what other people thought, it was probably at the age of 16. I remember if I went shopping with friends, if you're trying something on and they say they don't like it, I was like, “Well, I'm going to get it just because you don't like it.” If I like something, it doesn't matter to me who likes it or who doesn't like it. Sharon: I suppose you have to be that way with your jewelry. Your jewelry is gorgeous, but— Colette: It's not for everyone. Sharon: Exactly. Colette: It's not for everyone. There are a lot of people who think that's gaudy. Maybe it is gaudy, but I like it. I don't really care what people think. Sharon: It is an acquired taste. I flipped over it because I happen to like big, bold things, but there are some people who like delicate things. Colette: Who like delicate things, exactly. A lot of times, people will come to me and say, “Why do you do stuff like this?” People are always giving you advice, “Why don't you do this?” and “Why don't you look at this person and do what they're doing?” Why would I do that? That's her and I'm me. I have to be me. Why would I look at someone and imitate what they're doing? For me, I always have to be true to myself. I have to create what is in me. I think that's what makes us all unique; we're all different. I find a lot of times, everybody's trying to create or do what everyone else is doing. The last time I was out in the shops, it was maybe a couple of years ago. We have a mall here called Yorkdale. I was at Yorkdale Mall. I don't know if you're familiar with that. It's a high-end department store here in Canada. I'm looking, and there was—I can't remember the names, but I'll just say there was a Gucci chain bracelet. Then I would go somewhere else, and it was Yves Saint Laurent, but it was the exact same bracelet. It was just a different label. I'm not joking. It was the exact same. I don't understand that. I find everybody, even with jewelry, it's all the same. I don't know if it still is because I haven't really looked at anything, but it's all the same. I've heard people say that to me too, that when they're out, everything looks the same, like no one is different. I guess something sells, so everybody does it. There's some jewelry, I think it's Tiffany that does it. I don't know what it's called, but it's links and it has balls on the end. It's a chain link at Tiffany. I think Tiffany did it originally, but I see that everywhere, even high-end designers with the same link they just copied from Tiffany. I think, “Why not just create your own?” Anyway, I guess if something sells, everybody does it. Sharon: We're going full circle to why you're an artist and not a designer, why you call yourself an artist. I really appreciate your being with us today. I hope we can do this again. Thank you very much, Colette. Colette: Thank you so much for having me, Sharon. It was a pleasure. Thank you. Sharon: It was great. We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode: What the difference between an artist and a designer is The barriers that can make it difficult for solo jewelry artists to enter the retail market, and how Colette overcame them What Colette has discovered about her creative process by working with George Brown College psychology students on a research project Why it's important for artists to avoid looking at trends in stores and on social media too frequently How a spontaneous haircut sparked Colette's creativity and paved the way for her future business About Colette Harmon Colette Harmon's one-of-a-kind accessories are a dazzling blend of crystal, mixed metals and semi-precious stones. With an appreciation for meticulous craftsmanship, the metal meshing and intricate beadwork in each of her statement pieces are an audacious departure from mainstream minimalism. Born in Sisters Village, Guyana, Colette studied fashion design in Toronto before apprenticing as a belt and handbag designer for a leather goods manufacturer. Harmon soon founded her own eponymous label, whose name became synonymous with maximalist glamour. Harmon's modern approach to vintage flair has earned her a devoted following of customers, fans and fashion stylists from across North America. Her pieces have been sold in Saks Fifth Avenue and Holt Renfrew Canada, and her work has been featured in Elle Canada, Flare, Martha Stewart Weddings and Nylon. She currently focusses on one-of-a-kind couture creations for select clientele.    Additional Resources: Website Twitter Photos Available on TheJewelryJourney.com Transcript: Colette Harmon has seen many trends come and go over the course of her career, but she has never let that influence her work. She has always found an audience for her one-of-a-kind jewelry, even when her hallmark maximalism is supposedly “out.” She joined the Jewelry Journey Podcast to talk about why she defines herself as an artist; how she nurtures her creative vision; and how her job as a leather accessories designer led to jewelry (and how that experience may come full circle in the near future). Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   Today, my guest is Colette Harmon, who is speaking to us from Canada. Toronto to be more specific. I have to say I've never met her, and I've never seen her jewelry in person, but it's my kind of jewelry. It's over-the-top kind of jewelry. You may have seen it on a celebrity on the stage or screen, but if you've seen it, you'd remember it. I couldn't find a lot of information about Colette, so I'm going to let her tell you her story. Colette, welcome to the program.   Colette: Thank you so much, Sharon. It's a pleasure to be here.   Sharon: I'm so glad to have you. It took us a while to connect, to actually make this happen. Are you a designer? How do you refer to yourself? A Canadian designer?   Colette: That's a good question. I don't think of myself as Canadian, but I am a Canadian designer. I think of myself more as an artist as opposed to a designer. To me, a designer is someone who—can I start again?   Sharon: Yes.   Colette: Let me start again. To me, a designer is someone who creates things that can be worn by the masses, who is able to distill things and make them very simple so that everyone can wear them. Like you said, I'm more over the top. I don't think about the masses. I create for myself. I create things that I, myself, would wear. I don't really think about it, and I don't really want the masses to wear my pieces. I want them to be unique. Maybe not one-of-a-kind, but limited editions. I don't want to see my pieces everywhere on everybody. When you're creating things that will be liked and appreciated by many, many people, it becomes distilled and watered down. To me, it loses its soul and its energy. Others might not think that, but that's how I think of myself.   Sharon: I just wanted to ask you, you're from Guyana. Am I saying that right? Guyana?   Colette: From Guyana, yes. I was born in a little place called Sisters Village, Guyana.   Sharon: When did you come over here? Were you young or a child?   Colette: I came at the age of five. I came with my parents, my mom and my dad. I have two brothers.   Sharon: So, you came with your family.   Colette: Yes.   Sharon: And when did you start designing jewelry or other things?   Colette: At a young age. I think I got my creativity from my mother. My mother was very creative. She was very musical. She sewed. She sang. She played piano. She was very creative. I think that's where my creativity comes from. As a child, I was always drawing. I was very much in my head and my own little world as a child. I was always drawing and creating different things. I studied clothing design and thought I would be a fashion designer, a clothing designer.   How I ended up in jewelry was, when I graduated from school, there was a job advertised. I went to a school called Seneca College in Toronto. When I graduated, there was a job in the paper for an accessory designer; it was a belt designer. I had taken a course in college—I think it was just one semester—an accessory-making course. So, when I graduated, I saw the ad and thought, “I can make those.” So, I applied and got the job. I did that for about a year, year-and-a-half.   Then I left that job and started creating my own belts and handbags. One day I was doing a market show, and somebody asked me if I could make a pair of earrings to go with a belt they had purchased. I didn't know anything about jewelry, so I just cut little squares and circles and covered them with leather. Looking back, they were horrible, but at the time I thought they were great. That's how I got into jewelry. I never had any intentions of being a jewelry designer; I never thought of being a jewelry designer. That's how I started. It just sort of happened. I have no idea. It wasn't something I thought about, but I ended up becoming a jewelry designer.   Sharon: Do you have a lot of stylists as clients? They're women, I presume. Are they stylists?   Colette: When I started doing jewelry, I started out wholesaling. I had an agent that would carry my pieces, and I sold to people like Holt Renfrew. I sold to Saks a little bit. I don't know if you're familiar with it, but there was a chain store here in Canada called Lipton's. I sold to Lipton's. I sold to better ladies' boutiques. I got into doing custom pieces because it was very difficult wholesaling as a one-woman show. It was always very challenging getting paid on time, getting paid at all. When you're small, I don't know if it's true for everyone, but with me, people like Saks, they would sometimes take six months to pay me if I got an order. It became very difficult waiting for money. So, I was doing wholesaling and custom work for a bit, and I segued into doing all custom.   Sharon: Did you leave manufacturing belts to have your own business?   Colette: I slowly moved away from the belts and got into jewelry. I can't remember exactly how or when it happened, but one day, I ended up being a jewelry designer. I never thought about it. I didn't plan it. Belts go in and out of style, so I guess there was a period where they weren't selling as much. Belts weren't in style, so I moved more towards jewelry. I guess I decided that I liked creating jewelry better than I did belts, and I just ended up in that field.   Sharon: I want to make sure that everybody knows that the jewelry you make is made with real stones and—I call them costume things—things that aren't real, feathers and all kinds of things. Do you have an inventory?   Colette: Yes, I have quite a bit of stuff. I love to mix different things. I don't follow any rules. I mix semiprecious with crystal and metal. Sometimes there's sterling silver, and occasionally I'll use a little bit of gold. A lot of it is plated. A lot of the metals are plated in either gold or silver. My strength is mixing, the way I combine different elements. I think that's what my strength is. Some people only do semiprecious or only precious, but I like to mix and combine high and low things. I work with whatever I like. If I like something, I'll use it. It has to speak to me. It may sound silly, but I think everything has an energy and they speak to you. They don't speak to you in words or in language, but they have an energy and a feeling. I use what I like, what speaks to me.   Sharon: Do you create these pieces before there's a need, before somebody comes to you and says, “I need a piece,” or do you create them when they say they need a piece?   Colette: I do a bit of both. Someone could come to me and say they're going to an event. They might have a dress they need something to go with. A lot of times they just say they want a necklace and the colors and materials they would like to use, and they let me be free and do whatever. I prefer to work that way. I prefer to have creative freedom. A lot of times, someone will come and have something in mind, and I say, “That won't work,” and they won't listen. So, I do what they like, and you finish it and they say, “O.K., you were right.” I find a lot of people can't visualize; they can't see it. It usually turns out O.K. when I have creative freedom. I can't create something that I don't like. I have to like what I'm doing.   Sharon: What do you say if somebody says to you, “I want it this way,” and you think that's not going to look good? What do you say or how do you deal with that?   Colette: I usually tell them. I'm usually very honest. Then I'll do what they would like me to do. It usually turns out that it doesn't look good, but that doesn't happen very often. It usually works out pretty well. The people that come to me know what I do, so they know what to expect.   Sharon: Can you tell us a little about the people that come to you? Are they women? Are they stylists?   Colette: Mostly women. I do work with stylists. If someone's doing a shoot, they might want me to create something, or they might pull from something I have. I don't keep a lot of inventory. It's mostly women that are going to an event or party. The past couple of years, there haven't been very many parties, but they come to me if they're going to a ball or a fundraiser or just for their everyday lives. They just want me to create something unique. People come to me because they want something different. I don't pay attention to trends or what everyone is doing, so when they come to me, they know they're getting something different.   Sharon: How do they hear about you?   Colette: Mostly through word of mouth. I've scaled back the marketing. It's mostly through word of mouth.   Sharon: Do they see someone else and say, “Where did you get that?” and then they find you? How do they find you?   Colette: That happens. They might see someone else wearing one of my pieces. They might see something in a magazine. When I do editorials, people will call me. I'm in Toronto. I've had people call me from Vancouver after seeing something they like that they would like me to create for them. As I said, most of the pieces are either one or a limited edition. There might be pieces I've done when I can't recreate them exactly, but they might be in different colors. Maybe that color is for a particular client or whatever material is not available, so it's similar, but not exactly the same.   Sharon: What surprised you most about having all these requests?   Colette: I guess the most surprising thing is that there are actually people that love what I do. I don't know if surprising is the right word. I guess it's pleasing to know there are actually people that love it. I was known for these charm necklaces I've been doing for years. I had a woman that has maybe 30 of them.   Sharon: That's a lot.   Colette: I guess it's surprising and pleasing knowing that there are people that really love and appreciate my work.   Sharon: Do you have other collectors besides this woman with 30 pieces?   Colette: I would say I have maybe five people who—I know you're familiar with Carole Tanenbaum. She has quite a few of my pieces. Should I say their names?   Sharon: It's up to you.   Colette: There's a woman named Nella Rosmand who has quite a few of my pieces. I have a client that lives in Yellowknife. Her name is Lisa Tousar. She used to have a store in Yellowknife. I think she's closed it, but she's bought a number of pieces. I had a boutique for a while. She bought a lot of pieces. She loves my work. There are maybe five or six people that have quite a few pieces.   Sharon: Do they wear them more than once?   Colette: I guess so. I guess they wear them. A lot of what you see on Instagram, what you mostly see, a lot of those are—I put the really over-the-top, elaborate pieces there. But I do simple pieces as well. They're not always as elaborate as that. I also do some more subdued pieces.   Sharon: Your Guyanian and Canadian background, what influence does that have?   Colette: It's actually Guyanese. Guyanian means people probably think I'm from Ghana. Guyanese is the term. I came when I was five and I've been back twice. I don't know if being Guyanese has—maybe it's something that's subconscious, but it's not something I think about because I grew up here. I grew up within a multicultural city, so there are influences from many places, I think. I don't know if Guyana specifically has an influence on my work, unless it's subconscious. I've had people say that my pieces look very African. I've had women from Africa say that it reminds them of it. But I don't think it's something I think about or do intentionally; I just do.   I'm doing a project right now with George Brown College here in Toronto. One of the professors, Leah Barrett, approached me about studying my creative process. I chuckled to myself because I don't really have a creative process. I could sit down and sketch something, but once I start to make it, it turns into something completely different because I get ideas as I go. As I said, the materials speak to you. I create as I go along. If I have something in my mind from the start, when I finish it, it's something completely different. I don't really have a creative process. It sounds silly, but I just play. That's what I do. I play.   I have to be honest. There are pieces I've created over the years that I don't like, but a lot of times, those are the pieces that sell first. It's like, “Oh my gosh, I don't think anyone will ever buy that.” That's the piece that goes first. I've sold a lot of pieces off of my neck. That's happened quite a bit over the years. I remember once being at a party at a hotel in Toronto. I was in the washroom, and a woman said, “I love your necklace,” and I said, “Thank you,” and she was like, “I want that necklace.” I didn't want to sell it, but she insisted. She wrote me a check in the washroom and I sold it to her. I actually regret it because it was one of those pieces I could never make again, but I find that people always want what I'm wearing. I've regretted selling a couple of pieces over the years because I could never make them exactly the same again.   Sharon: That's interesting. You're your own best model in a sense.   Colette: Well, I make them for me, to be honest. If I wouldn't wear it, I couldn't make it. I think that's one of the reasons why I started creating my own leather accessories. I felt very restricted when I was working for—it was a company called Princeton Leathers. I always felt like I was in a box, and I just found it very difficult creating. There were two lines, one that was a luxurious line and one that was more simple. They would give me two findings and say, “O.K., now come up with something.” I was doing a dozen of these, and I found it very restrictive. If I won't wear it, I can't make it.   Sharon: Where do you get your ideas, if it's not from somebody who shows you something and says, “I want something done this way”? Where do you get ideas from?   Colette: I don't actively look for ideas. It's just things you see and it's collected in your subconscious. A lot of times, when I go and buy materials, I buy what I love, just pieces that I like. Sometimes they might be sitting on my desk for weeks and I have no idea what I'm going to do with them. Then one day, you might walk by and an idea just pops up in your head. I don't actively look.   That's one of the things I don't like about social media. You're seeing all of these things. I try not to look at other people's jewelry, but you see it and it does influence your work when you're looking at so many different things. I try not to look at it too much because I always want to be true to myself when I create. I don't like looking at other people's work too much because I find that it does influence you, whether you know it or not.   Sharon: Where do you look? Do you walk in the stores? Do you go downtown?   Colette: You know what? I was actually speaking to a friend the other day—he has a manufacturing company in India—saying that we should go out and see, because I have no idea what's in the stores. I don't pay attention to what's in or what's not in. Even at George Brown, in speaking with the students I'm working with, they were telling me that minimalism is back in style. I have no clue. I really don't. I don't know what's in or what's not. I don't pay attention to any of that. I never really liked rules. If you love something, then wear it. Who cares if it's in or if somebody else likes it? It doesn't matter. You're the one that's wearing it. It's how you feel in it. What other people think has no bearing. I've never understood that. This is in style or that isn't in—if you like something, if you love it, then wear it. Who cares? I've never paid attention to rules.   Sharon: What was the context of them saying that minimalism is back in style?   Colette: I can't remember what we were speaking about, but they were saying that maximalism is out and minimalism is in. You know how fashion goes in waves. I think that's like when I was doing the belts. I guess we were going into a period where belts weren't in style anymore, so people weren't really buying. Eventually I started doing more and more jewelry pieces. That's the thing; if you like belts, then wear belts. I guess with the wave of fashion and the way the system works, then the buyers aren't buying. But I never really paid attention to what's in.   Sharon: You closed your store. Now do you work out of your home or your studio?   Colette: I have a home studio, yes. I work out of my home.   Sharon: Do you have to go out and sell?   Colette: No, but I'm planning on opening up a showroom where people can actually buy things. I'm thinking about coming full circle and doing a line of leather belts and accessories and a little bit of jewelry as well, but I'm thinking about creating some leather pieces.   Sharon: Is that for stylists or is that for anybody who wants to come and look?   Colette: For anybody who wants to come in.   Sharon: Do they give you an idea of what they're looking for most of the time? Sometimes they do and sometimes they don't, as you said. But do most people coming in say, “I want something big,” or “I want something more muted”? What do they say?   Colette: You mean if someone came in and they wanted me to create something for them?   Sharon: Yes.   Colette: Sometimes they might come with a picture from a magazine or something and say, “I really like this,” in terms of style or size or whatever. So, I would create something with that feeling or those colors. Sometimes they bring a swatch of fabric to match, or sometimes they have an actual garment they want me to create something to go with. They might see something on my Instagram or on another person, something they saw someone else wear. It works in many ways. But if I were to create belts and bags again, I would do a line of pieces and people would just buy from what's already created.   Sharon: Because it's easier?   Colette: Yeah, because it's easier. It would be easier. With the belts and bags, they would just buy from a line that's already created.   Sharon: I can see how that would be easier than picking out jewelry or creating something to go with a garment.   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.  

Après sa sortie de prison, George Brown continue ses engagements. Il se marie à Annie, française. Tous les deux ne cesseront de lutter pour la cause noire-américaine.Une série de Jessica Gordon Braye, coproduite par Sybel et Binge Audio en 2019.Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Quentin Bresson. Production et édition : Juliette Livartowski, Olivia Lapierre et Candice Mullet. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Épilogue : Sur les traces du fils George Brown a laissé derrière lui, aux États-Unis, un fils qu'il n'a jamais pu connaître. Un fils qui, ironie de l'histoire, est aujourd'hui en prison et n'a aucun souvenir de son père. Une série de Jessica Gordon Braye, coproduite par Sybel et Binge Audio en 2019.Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Quentin Bresson. Production et édition : Juliette Livartowski, Olivia Lapierre et Candice Mullet. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Prologue : 31 juillet 1972Un soir, en vidant l'appartement de sa mère, Jessica Gordon Braye tombe sur cet article : « 31 juillet 1972, un DC8 qui fait la liaison Detroit-Miami est détourné, destination Alger ». Qui sont les auteurs de ce détournement ? Cinq Black Panthers. Et parmi eux : George Brown, son parrain.Une série de Jessica Gordon Braye, coproduite par Sybel et Binge Audio en 2019.Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Quentin Bresson. Production et édition : Juliette Livartowski, Olivia Lapierre et Candice Mullet. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In Part 2, Funky George Brown of Kool & The Gang explains the group's transition and super success at the turn of the 1980s. He discusses the songwriting process, personnel changes, and the challenges of touring with Van Halen.See omnystudio.com/listener for privacy information.

Funky George Brown of Kool & The Gang tells Questlove Supreme about an upbringing in Jersey City that made him fearless and creative at the same time. George recalls the band's early years, and describes what made this group so versatile, gifted, and cutting-edge.See omnystudio.com/listener for privacy information.

Dave Contarino was Bill Richardson's 2002 gubernatorial campaign manager, his first term Chief of Staff, and manager of his 2008 presidential campaign. Very few are better equipped to remember the life and legacy of Governor Richardson than Dave. In this conversation we talk Dave's own path to politics and mine his expertise specifically about New Mexico, then go in depth about the inspiration, impact, and influence of Bill Richardson...from his unconventional lifestory, to his time as a rising star in the House, stint in the Clinton cabinet, two terms as Governor, groundbreaking presidential campaign, and his focus over the past decade helping to free Americans held hostage in foreign countries (including the recent release of Britt ney Griner). This is a wide-ranging conversation about a truly original and transformational figure, the late Governor Bill Richardson. IN THIS EPISODE…Dave's roots near Boston and path to politics via a couple of interesting internships…One of Dave's early jobs as a DCCC staffer under then-operative Rahm Emanuel…How Dave's career took him to New Mexico and his 101 for understanding New Mexico Politics…Dave talks the early life and political origin story of Bill Richardson…The role Richardson's Hispanic heritage played in his political career…Congressman Richardson's ascent in the House and how he started to become known as an international hostage negotiator in the 1990s…Why the ambitious Richardson waited 20 years after he was first elected before he ran statewide…Dave remembers some of the high points of Bill Richardson's tenure as Governor…Dave talks Richardson's decision to run for President in 2008 and memories of what went right & what went wrong…Some of the story behind Richardson's surprise decision to endorse Barack Obama over Hillary Clinton in 2008…Dave goes in depth on the work Governor Richardson has done over the past 30 years to help free American hostages from foreign countries…Dave closes by speaking to Governor Richardson's political legacy… AND ANWR, Madeline Albright, Andover, Bruce Babbitt, the big seat, Jeff Bingaman, The Boston Globe, Richard Branson, George Brown, the Cape Cod League, Bob Carr, James Carville, the Catholic Church, Henry Cisneros, Cornell University, Warren Christopher, Pete Domenici, Friends of Bill, Geronimo's attorney, grazing fees, Brittney Griner, the Harriman Center, the head of Denver Transit, Saddam Hussein, James Inhofe, Lyndon Johnson, Judas, Sergey Lavrov, David Letterman, Manuel Lujan, Michelle Lujan Grisham, Susanna Martinez, Paul Maslin, Terry McAuliffe, Roberto Mondragon, Steve Murphy, NAFTA, Ollie North, Pasadena, Federico Pena, Mark Penn, Mark Putnam, radio actualities, the Rio Grande Corridor, Ed Romero, Pat Schroeder, the Science and Technology Committee, Hillary Tompkins, Tufts, Tom Udall, The War on the West & more!