Podcasts about Thomaz

Oxford University Associate Professor Felipe Thomaz was a runaway Mi3 hit last year with a peer-reviewed paper that smashes the economics and relevance of audience reach. His analysis – based on 1,000 campaigns and a million customer journeys via Kantar and Wavemaker data – finds blunt use of reach will not deliver business outcomes, because not all reach is equal. Business outcomes was all the talk at the Future of TV Advertising last week, with industry backing the build of a real-time dashboard via Adgile Media to map and measure impressions delivered to hard results close to real-time. Thomaz thinks it’s a start but warns industry risks falling into a “trap” of short-term skew, essentially applying performance metrics to a brand channel. “That worries me,” per Thomaz. “We know from decades of existing research that the long-term impact of advertising is twice the short-term impact of advertising.” But that doesn’t mean industry shouldn’t build it. Per Thomaz, “It's definitely the right path, and we can do this, but we cannot stop there. This is low hanging fruit. You start there, start measuring and say, ‘look, I'm getting outcomes’ … But you cannot ignore the fact that the future exists.” However, he thinks if industry builds it – and keeps building – it could pay off. “If you're eating low hanging fruit and everybody else is eating off the floor, you're golden.” Meanwhile Thomaz thinks agencies could be the key to cracking the code on moving beyond reach and into outcomes because they have enough visibility on pool of clients and, potentially, their data. He says one big global brand owner that has in-housed most of its media is finding exactly the same thing as his paper suggests – and making major gains as a result. Thomaz says that code is all outlined in his paper – and any agency can lift it. “They literally can just go steal the code and run.” Now he’s working on another paper – aiming to prove the impact of different media channels and beyond – including touchpoints like “customer service and salespeople and their effectiveness in driving different outcomes” within different categories. “This is interesting for the people that own those channels, because suddenly they're not competing just on audience size – they're competing on value derived from that audience,” says Thomaz. “That is what media owners are going to be really interested in: Can I charge more for an impression on my platform for this client because they'll get 6x the return [versus another channel].”See omnystudio.com/listener for privacy information.

Ps Greg Thomaz - MIRACLE OF RESTORATION by Dr Theo And Beverley Wolmarans Ministries

Ps Greg Thomaz - WHAT DO I DO WHEN THINGS SEEM TO GO WRONG? by Dr Theo And Beverley Wolmarans Ministries

Nesse episódio. pela primeira vez. temos um convidado. O Critico e Pesquisador de Cinema Carlos Thomaz Albornoz, em um longo, caótico e hipnotizante bate papo onde mergulhamos no borbulhante universo do Mestre do Cinema Italiano Mario Bava. Preciosas memórias vintage do fascinante mundo dos Euro Cult Movies.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mondogiallopodcast/⁠

Quero Passagem e o Futuro do Transporte: O Papel Estratégico de Caio Thomaz e Lukasz | #podcast #empreendedorismo #podcastbrasil

Ps Greg Thomaz - THE ANCHORED SOUL - Part 1 by Dr Theo And Beverley Wolmarans Ministries

Ps Greg Thomaz - I Have Decided by Dr Theo And Beverley Wolmarans Ministries

O Café PT desta sexta-feira (20) recebe a coordenadora-geral de Memória e Verdade da Escravidão e do Tráfico Transatlântico de Pessoas Escravizadas, do Ministério dos Direitos Humanos e Cidadania, Fernanda Thomaz.

What if your marketing campaigns could achieve more with less? Dr. Felipe Thomaz, Associate Professor of Marketing at Oxford's Saïd Business School, challenges the widespread belief that maximising reach guarantees success. Drawing insights from his ground breaking peer-reviewed paper, Felipe reveals why overemphasising reach could be costing brands both money and effectiveness.What you'll learn:Why maximising reach doesn't guarantee brand growth or profitability.How different channels uniquely impact consumer behaviour.The role of archetypes in creating effective marketing campaigns.Common mistakes marketers make in media buying and channel selection.Why differentiation drives growth while distinctiveness protects it.Don't miss this essential conversation redefining modern marketing science!About Felipe ThomazFelipe Thomaz is an Associate Professor of Marketing at the University of Oxford, where he is also Director of the Oxford Future of Marketing Initiative, and Director of the Diploma in Artificial Intelligence for Business. Felipe is a research faculty member, with published peer-reviewed works in Marketing, Mathematics, and Conservation Science. He is also Managing Director of Augmented Intelligence Labs, an Oxford spinout based on his research, specializing in long-range forecasting, trend analysis and anomaly detection algorithms. His pioneering research on illicit markets has informed countries and international agencies on novel ways to counter everything from cyberweapons to wildlife trafficking. He has authored policy documents on the decarbonization of advertising with international industry bodies, on progressive advertising with the United Nations, and practical ethics in AI with the International Chamber of Commerce.LinksFull show notes: Unicorny.co.ukWatch the episode: https://youtu.be/0Nc_UPMnilALinkedIn: Felipe Thomaz | Dom HawesWebsite: Augmented Intelligence LabsSponsor: Selbey AndersonOther items referenced in this episode:Schweidel, D. A., Bart, Y., Inman, J. J., Stephen, A. T., Libai, B., Andrews, M., Rosario, A. B., Chae, I., Chen, Z., Kupor, D., Longoni, C., & Thomaz, F. (2022). How consumer digital signals are reshaping the customer journey. Journal of the Academy of Marketing ScienceOxford Future of Marketing InitiativeKantarStochastic frontier analysis

What if your marketing campaigns could achieve more with less? Dr. Felipe Thomaz, Associate Professor of Marketing at Oxford's Saïd Business School, challenges the widespread belief that maximising reach guarantees success. Drawing insights from his ground breaking peer-reviewed paper, Felipe reveals why overemphasising reach could be costing brands both money and effectiveness.What you'll learn:Why maximising reach doesn't guarantee brand growth or profitability.How different channels uniquely impact consumer behaviour.The role of archetypes in creating effective marketing campaigns.Common mistakes marketers make in media buying and channel selection.Why differentiation drives growth while distinctiveness protects it.Don't miss this essential conversation redefining modern marketing science!About Felipe ThomazFelipe Thomaz is an Associate Professor of Marketing at the University of Oxford, where he is also Director of the Oxford Future of Marketing Initiative, and Director of the Diploma in Artificial Intelligence for Business. Felipe is a research faculty member, with published peer-reviewed works in Marketing, Mathematics, and Conservation Science. He is also Managing Director of Augmented Intelligence Labs, an Oxford spinout based on his research, specializing in long-range forecasting, trend analysis and anomaly detection algorithms. His pioneering research on illicit markets has informed countries and international agencies on novel ways to counter everything from cyberweapons to wildlife trafficking. He has authored policy documents on the decarbonization of advertising with international industry bodies, on progressive advertising with the United Nations, and practical ethics in AI with the International Chamber of Commerce.LinksFull show notes: Unicorny.co.ukWatch the episode: https://youtu.be/0Nc_UPMnilALinkedIn: Felipe Thomaz | Dom HawesWebsite: Augmented Intelligence LabsSponsor: Selbey AndersonOther items referenced in this episode:Schweidel, D. A., Bart, Y., Inman, J. J., Stephen, A. T., Libai, B., Andrews, M., Rosario, A. B., Chae, I., Chen, Z., Kupor, D., Longoni, C., & Thomaz, F. (2022). How consumer digital signals are reshaping the customer journey. Journal of the Academy of Marketing ScienceOxford Future of Marketing InitiativeKantarStochastic frontier analysis

Continuing our series on the microbiota-gut-brain axis, we are highlighting Episode 34 from our archives. In this episode, the ISAPP hosts discuss a new study on how the gut virome affects the host during stress, with Nathaniel (Nate) Ritz from the Institute for Systems Biology in Seattle, USA and Thomaz Bastiaanssen from APC Microbiome Ireland. […] The post Archive Highlight: New evidence on the virome in gut-brain communication and stress, with Nathaniel Ritz and Thomaz Bastiaanssen appeared first on International Scientific Association for Probiotics and Prebiotics (ISAPP).

Ps Greg Thomaz - The Book of Acts by Dr Theo And Beverley Wolmarans Ministries

CFC Youth - Ps Greg Thomaz - " What are you thinking? by Dr Theo And Beverley Wolmarans Ministries

Nos dias 8 e 9, 22 e 23 de novembro de 2024 acontece, em Santa Cruz do Sul, os Encontros Imaginários, uma iniciativa do coletivo Imaginário das Artes Visuais de Santa Cruz do Sul. O evento contará com palestras, mesas redondas, oficinas e bate-papos, focados em proporcionar desenvolvimento profissional para artistas visuais. As atividades ocorrem na Casa das Artes Regina Simonis, no Coworking Cultural e no Memorial Unisc.

Nos dias 8 e 9, 22 e 23 de novembro de 2024 acontece, em Santa Cruz do Sul, os Encontros Imaginários, uma iniciativa do coletivo Imaginário das Artes Visuais de Santa Cruz do Sul. O evento contará com palestras, mesas redondas, oficinas e bate-papos, focados em proporcionar desenvolvimento profissional para artistas visuais. As atividades ocorrem na Casa das Artes Regina Simonis, no Coworking Cultural e no Memorial Unisc.

Ps Greg Thomaz - The Holy Spirit by Dr Theo And Beverley Wolmarans Ministries

Ps Greg Thomaz - The Holy Spirit - Part 2 by Dr Theo And Beverley Wolmarans Ministries

Obras básicas e complementares da Doutrina Espírita. Aniversário de fundação do Grêmio Espírita Atualpa Barbosa Lima (live no YouTube). Palestrante: Ruy Barbosa Meireles e Lânio Thomaz - palestra lít

Associate Professor Felipe Thomaz, of University of Oxford's Saïd Business School, suggests Professor Byron Sharp's best known book, How Brands Grow, is a misnomer – it's actually about how big brands keep big marketshare, not how they got there. He also says it's based on flaws within Andrew Ehrenberg's earlier work, primarily static markets and a requirement not to differentiate. Thomaz suggests that's why big FMCG firms adhering to those rules were caught napping by more nimble differentiated start-ups. Reach “sufficiency”, or optimising media for reach, no longer works, he suggests, because all reach is not equal – and reach alone doesn't deliver business outcomes. “There is a missing dimension,” per Thomaz. He's out to prove it with a peer-reviewed paper that analyses 1,000 campaigns and a million customer journeys via Kantar and WPP. The upshot? “None of it holds … I'm seeing that 1 per cent of campaigns are actually getting exceptional money, while the vast majority are choosing to get some really mediocre outcomes.” That's partly because audience reach doesn't account for their ability to be influenced - and different media, different categories and consumer types have varying degrees of impact in different moments. Reach, he says, is proving a misleading media proxy for business impact - the variances of consumer receptivity to switching is different by category. Personal care, for instance, has less consumer preparedness to trial alternatives once they've established their preference - they're harder to “manipulate”, Thomas posits, but some media channel characteristics stand a better chance. TV versus influencers in lower funnel strategies will likely surprise many. Which has knock-on impacts on channel effectiveness and weighting. Thomaz says that's good news for media owners – if they can stop selling on impressions and start selling on functionality. “For some categories, there might be a premium they can charge.” The need to reach all potential buyers in the category, he says, “has not changed in the least … Reach is important, and you still need that scale. However, you also need [to optimise to] the business outcome. But he still thinks it's “really bad to waste your money on people who will never buy you”. In short: “If you're managing your company's marketing on simplistic and reductive laws, you might want to revisit those, because you're leaving money on the table or leaving yourself open to very simple counter-plays. It's dangerous.”See omnystudio.com/listener for privacy information.

Thomaz Toledo é o diretor-presidente da CETESB desde janeiro de 2024. Com mais de 20 anos de experiência, ele passou por cargos importantes no IBAMA e no Ministério do Meio Ambiente, além de ter atuado no Ministério de Minas e Energia. Tivemos a honra de recebê-lo aqui para conversar sobre Sustentabilidade, Regulação, pautas ESG e muito mais! Compartilhe este episódio e siga também o Infracast nas redes!

Ele é mentor de negócios digitais, especialista em criação de ofertas lucrativas, funis de aquisição e processos de vendas de alta conversão e veio ensinar um pouco do que ele sabe no Kiwicast. O nome dele é Guilherme Thomaz e ele conversou com a gente sobre: -Encontrando um nicho para fazer mentoria -As primeiras mentorias criadas -Ele ensina como identificar o cliente dos sonhos -Como definir valores para a sua mentoria -Criar um produto inovador ou o básico funciona? -Tornando um infoproduto em uma mentoria de sucesso -Como vender uma mentoria sem ter uma base de seguidores -Estruturando funil de vendas para mentorias E muito mais! Quer saber tudo que o Guilherme Thomaz disse pra gente? Dá o play no Kiwicast de hoje. E conta pra gente nos comentários o maior insight que você tirou do episódio. Nosso Instagram é @Kiwify

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Ps Greg Thomaz - Finding Strength In Stress by Dr Theo And Beverley Wolmarans Ministries

Crise nas eleições da Venezuela, Analise da política na América Latina e o papel do Brasil como líder regional Impactos nas eleições municipais

Executivo também deu detalhes sobre como será a terceira edição do (IN) MOTION, evento que se estabeleceu como o principal fórum de discussão desse setorSee omnystudio.com/listener for privacy information.

Duda Dello Russo e Thiago Theodoro comentam fofocas da internet, dos famosos e da audiência. No ar, toda segunda, quarta (apoiadores) e sexta. Nestlé ChocoCookies Brownie Toda a cremosidade do Chocolate Nestlé, em formato de Cookie. Experimente! https://www.goldenpill.com.br/ad/dc-c... Seja um apoiador do podcast: ⁠Orelo⁠ Em caso de dúvidas, ou se precisar de ajuda do suporte, escreva para ⁠alo@orelo.cc⁠ Conte sua fofoca pra gente: ⁠meconteumafofocapodcast@gmail.com⁠ Ei, fofoqueira, conheça nossa lojinha: https://umapenca.com/meconteumafofoca/

Ps Greg Thomaz - The Marks Of A Shifting Culture by Dr Theo And Beverley Wolmarans Ministries

Welcome to Season 3 of The J Curve, a podcast about entrepreneurship in Latin America. My guest today is Geraldo Thomaz, founder and co-CEO at NYSE-traded enterprise e-commerce platform VTEX. VTEX is an incredible example of Brazilian company that grew to become a global player in a digital commerce with Walmart, Coca-Cola and L'Oreal among customers. Prior tp going public in 2021 VTEX raised over $360m in capital from the likes of Softbank, Riverwood Capital, Tiger Global and Endeavor Catalyst. In our conversation, we dive into the importance of intentionally targeting your customer segment, the transformative journey of a CEO leading a publicly traded company, and the critical need to maintain core fundamentals, even in the toughest times. In today's episode we discuss: 1. From zero to Walmart: key strategies for landing enterprise customers 2. Optimize for scalability: key trade-offs VTEX made for global growth 3. Building a high-performing partnership: trust, complementary skills, and a divide-and-conquer management approach 4. From Founder to Public Company CEO: main lessons on leadership transformation 5. Take LatAm to the World: how to inspire global entrepreneurial ambitions in the region? If you would like to get more insight from LatAm's leading tech founders and investors, subscribe to our new ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Follow Olga on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Olga is an entrepreneur, venture capital investor, mentor at Techstars and founder at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The J Curve⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Latin America's leading English speaking podcast about tech builders. She's been investing in the USA, SEA and Latin America for over 13 years. Companies she backed include tech unicorn ClassPass (acquired by Mindbody) and Vitalk (acquired by Gympass). --- Send in a voice message: https://podcasters.spotify.com/pod/show/olgamaslikhova/message

Ps Greg Thomaz - Winter At CFC by Dr Theo And Beverley Wolmarans Ministries

No Fórum Onze e Meia de hoje: Julgamento do senador Jorge Seif (PL-SC) no TSE prossegue hoje. É um ensaio para a cassação de Moro. Participam do programa a professora Ivana Bentes e o jornalista Rogério Thomaz. Apresentação de Cynara Menezes e Felipe Pena.Become a supporter of this podcast: https://www.spreaker.com/podcast/forum-onze-e-meia--5958149/support.

Ps. Greg Thomaz - What's Next by Dr Theo And Beverley Wolmarans Ministries

Entre duendes e polêmicas e fadas o Daniel Zapata, da novela Carrossel cresceu, e hoje já tá até trocando soco no Fight Music Show. Esse nome já passou pelo Reality A Fazenda, FMS e muuuuuitas vezes na Choquei, isso mesmo, estamos falando de Tomaz Costa. Vem com a gente acompanhar essa conversa dele com nossos queridos Muca MuriCoke e Gordox. --- Send in a voice message: https://podcasters.spotify.com/pod/show/groselhatalk/message Support this podcast: https://podcasters.spotify.com/pod/show/groselhatalk/support

Ps Greg Thomaz - Extraordinary Relationships - Financial Unity by Dr Theo And Beverley Wolmarans Ministries

Ps. Greg Thomaz - Pray First - Keep On Praying by Dr Theo And Beverley Wolmarans Ministries

Coming at you from the world capital of the flute, Paris, my guest this week is soloist, chamber musician and personal mate; Thomaz Tavares. I sat down with Thomaz in the Galway Irish Pub at Saint Michel to talk about everything from our shared studies at The École Normale de Musique de Paris, to his new solo ventures, Ensemble IMAGO, world premieres and musician drinking games. If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it xwww.paypal.me/garethhouston92Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit. Smooches xChapters: 0:00 - Intro 3:32 - Thomaz Tavares and Straubinger Flutes6:22 - The Goldenrod Flute Sonata8:12 - Ensemble I M A G O13:14 - Studying in Paris and The French Flute School17:00 - Fluting in Brazil21:06 - The Rocky Horror Galway Show25:02 - Studying with Thomas Robertello29:50 - Meeting Jean Ferrandis32:06 - French Flute Teaching System37:17 - Redeveloping Sound and importance of singing42:37 - Thomaz Tavares goes solo 46:40 - Wuhan, Jan 202048:32 - Can you feel the love tonight?55:45 - Quick Fire Questions1:02:04 - Musician Drinking Games Hosted on Acast. See acast.com/privacy for more information.

Se uma mulher adulta pode se sentir sozinha ao longo da maternidade, imagine o que sente uma criança de 10 ou 14 anos ao descobrir que está grávida?  No Brasil, a cada 30 minutos, uma menina de até 14 anos dá à luz. Como não se revoltar?  Neste episódio, eu recebo Barbara Thomaz que vem nos falar de luta contra a gravidez na infância, de educação sexual e de redes sociais. Mas também da vulnerabilidade das mães no mercado de trabalho particularmente expostas à discriminação.  O link do nosso microcast está na bio.  — A série de microcasts faz parte do movimento #FalaMãe, um movimento contra a solidão materna.  Faça também parte desse movimento, acesse o nosso Instagram Onda.podcast e compartilhe o manifesto! Graças ao diálogo, nunca estamos sozinhas!

Na estante desta semana, uma recolha de contos de uma das maiores escritoras portuguesas vivas: Hélia Correia; um ensaio histórico de Luís Filipe Thomaz sobre os ‘Namban-Jin', os portugueses que levaram o mundo ao Japão; a poesia de um autor ucraniano premiado, Ilya Kaminskinky, publicada pela Cutelo, uma pequena editora de Guimarães; e um ensaio - Regenesis - sobre a exaustão agrícola que está a devorar a Terra.See omnystudio.com/listener for privacy information.

November 8th, 2023: Andrea Thomaz, CEO and co-founder for Diligent Robotics, joins Bill for the news. They dive deep into the transformative world of robotics and AI, with a specific focus on their impacts on healthcare. This episode raises some thought-provoking questions about the future. How are hospitals using robotics like the transport robot Moxi to alleviate workforce shortages and improve efficiency? What is the role of AI in these developments, and how are the fields of robotics and AI merging? They also discuss the financial realities and cost savings opportunities that robotics and AI bring to healthcare. Ultimately, what do such advances mean for the healthcare industry?Key Points:Robotic TechnologiesAI DevelopmentsWorkforce ShortagesHealthcare EfficiencyCost SavingsNews articles:Kaufman Hall: Workforce Issues Remain Key Challenges for Hospital Performance2023 Healthcare Provider IT Report: Doubling Down on Innovation4 Ways Investors Think the Health Tech World Will Change in 2024This Week Health SubscribeThis Week Health TwitterThis Week Health LinkedinAlex's Lemonade Stand: Foundation for Childhood Cancer Donate

Following the flow, living authentically and building connections have guided tattooist and contemporary artist Thomaz Cauchi to much success and joy in life. Thomaz is a living embodiment of his encounters and experiences, an ever-evolving work in progress. Uncovering transformational moments and midlife reflections, Thomaz is on a quest to leave a positive impact and legacy. Always challenging assumptions and to fuel his insatiable curiosity of life, Thomaz knows the importance of why we ask WHY.   KEY TAKEAWAY “Do what's right, not what's easy.”   ABOUT THOMAZ CAUCHI Thomas, a 40-year-old tattoo artist, specializes in the intricate world of fine line and black and grey tattoos. With a career spanning almost ten years, he has honed his craft to new heights. His journey into tattoo artistry was a natural progression, having spent the previous five years mastering the principles and techniques of pencil art.   In addition to his meticulous tattoo work, Thomas has a deep passion for contemporary art. While his tattooing demands precision and technical expertise, his exploration of contemporary art allows him to experiment freely and embrace the possibility of failure. This dual artistic identity defines him as an artist who thrives on diversity and embraces the full spectrum of creative expression.   Beyond his professional pursuits, Thomas is a naturally curious individual. He approaches life with an insatiable thirst for knowledge, pursuing his interests with fervour and dedication. Some curiosities become lifelong passions, while others are archived or set aside, but each experience contributes to his ongoing evolution as both an artist and an individual.   CONNECT WITH THOMAZ CAUCHI https://thomazcauchi.com/ https://www.instagram.com/thomazmalta/   ABOUT THE HOST - AMY ROWLINSON Amy is a Life Purpose Coach, Podcast Strategist, Top 1% Global Podcaster, Speaker and Mastermind Host. Amy works with individuals to improve productivity, engagement and fulfilment, to banish overwhelm, underwhelm and frustration and to welcome clarity, achievement and purpose.   WORK WITH AMY Amy inspires and empowers entrepreneurial clients to discover the life they dream of by assisting them to focus on their WHY with clarity uniting their passion and purpose with a plan to create the life they truly desire. If you would to focus on your WHY or launch a purposeful podcast, then please book a free 20 min call via www.calendly.com/amyrowlinson/enquirycall   KEEP IN TOUCH WITH AMY Sign up for the weekly Friday Focus - https://www.amyrowlinson.com/subscribe-to-weekly-newsletter   CONNECT WITH AMY https://linktr.ee/AmyRowlinson   HOSTED BY: Amy Rowlinson   DISCLAIMER The views, thoughts and opinions expressed in this podcast belong solely to the host and guest speakers. Please conduct your own due diligence. 

Neste episódio da rubrica A Itália dos Brasileiros recebemos a especialista em cidadania italiana, Paola Thomaz da Zanlorenzi Cidadania que se divide entre Montecatini na Toscana e Dublin (Irlanda). Além da cidadania a conversa mergulha profundamente nas dificuldades do dia-a-dia que passam por documentos, obtenção de um imovel imóvel para alugar e oferece orientação valiosa sobre como se preparar para fazer este passo tão cobiçado por muitos brasileiros.Paola compartilha insights sobre os desafios e recompensas de morar na Itália, destacando as nuances do estilo de vida europeu em comparação com a vida no Brasil.O sonho dela seria voltar a morar na Toscana que é o sonho de tantos brasileiros que estão fazendo o reconhecimento da cidadania italiana.

Petterson Thomaz fez o caminho tradicional do surfista profissional. Circuitos, competição, resultados, títulos, viagens. Pelo meio do caminho, bastante proximidade com fotógrafos e videomakers e a Internet ainda criança se estabelecendo como meio de expressão pessoal, foi instintivo começar a criar em um blog. Depois de vencer duas etapas europeias do Pro Junior, entre os 18 e os 19 tomou a decisão de deixar as competições.Na transição, que durou mais ou menos entre 2008 e 2011, cogitou gastronomia, mas seguiu pelo marketing e direcionou os rumos para o que hoje podemos descrever como um caminho natural: a vida de freesurfer embalada na produção própria de conteúdo.De lá pra cá, muito mudou. Os contextos, tanto no cenário do surf quanto no cenário editorial e de conteúdo, passaram por transformações avassaladoramente velozes. Quem soube se adaptar, saiu na frente, e Petterson construiu seu próprio ecossistema de produção.Neste episódio do Surf de Mesa, a conversa com Rapha Tognini e Carol Bridi segue por uma análise do estado da arte quando se fala em surf e criação de conteúdo. Diante de ciclos cada vez mais curtos de tendências e de aventureiros de toda sorte, seguir sobrevivendo de criação e surf não é para amadores.Dá o play aqui pra acompanhar essa conversa tão sincera quanto apaixonada pela intersecção entre o surf e a comunicação.

A fabricante de produtos de limpeza Limppano fez uma verdadeira ‘faxina' no seu portfólio nos últimos anos.Saíram as vassouras e lãs de aço e entraram novos produtos da marca Odd, uma velha conhecida dos brasileiros que estava fora das prateleiras dos mercados há muitos anos.Os direitos de uso da marca pertenciam à multinacional P&G e foram negociados por valores não divulgados.O investimento da Limppano deu um grande impulso para a empresa, que mais que dobrou seu faturamento de R$ 160 milhões em 2019 para uma estimativa de R$ 450 milhões neste ano – e dê olho no primeiro bilhão. Tudo isso começou com Alfredo Buchheim, um judeu alemão que veio para o Brasil na década de 1930 fugindo da perseguição na Europa.Por aqui, no centro do Rio de Janeiro, ele fincou as bases do que viria a ser uma das maiores indústrias de produtos de limpeza do país e deixou um grande legado para seu filho, Thomaz, que assumiu a empresa na sequência, e para seu neto, Alex Buchheim que, hoje, ocupa o cargo de CEO da companhia, é o responsável pela estratégia de renovação da empresa e o convidado do episódio de hoje do podcast Do Zero ao Topo.Assine nossa NEWSLETTER: https://www.infomoney.com.br/newsletters/do-zero-ao-topo/Inscreva-se no nosso YOUTUBE: https://www.youtube.com/c/DoZeroaoTopoSiga nosso INSTAGRAM: https://www.instagram.com/dozeroaotopo_oficial/Nosso TWITTER: https://twitter.com/dozeroaotopo_SOBRE O DO ZERO AO TOPO: O #podcast conta a história dos empreendedores e empresários por trás das maiores empresas do país. Em cada episódio, a jornalista Mariana Amaro entrevista um fundador ou fundadora, em uma conversa franca sobre como iniciou os negócios, os desafios enfrentados ao longo dos anos, as incertezas e os momentos decisivos para a empresa.

Boco Roso e Larissa em crise; “Hackeado”: Thomaz posta foto com Tati Zaqui; Bia expõe Gabriel Roza

Marina Ruy Barbosa bate-boca apos críticas; Guimê reencontra ex-bbs; Thomaz X Tati Zaqui

Duda Dello Russo e Thiago Theodoro comentam fofocas da internet, dos famosos e da audiência. No ar, toda segunda, quarta (apoiadores) e sexta. Seja um apoiador do podcast: https://apoia.se/meconteumafofoca. Conte sua fofoca pra gente: meconteumafofocapodcast@gmail.com

Tati Zaqui denuncia Thomaz Costa; Lary nega surto; Bafuda? Deolane processa Google e leva invertida

Exposed: Shay X Thomaz; Pai de Xeratoba na Conquista; Fofoqueira causa discórdia entre ex-peões

Tati Zaqui é internada e Thomaz desmente término; Flagra falso? Maiara estaria brava com Matheus

Previously: War! After negotiations with Hilda prove fruitless, Jenkins launches a full-scale offensive on the Committee. He tells them that the exits to Koschei the Deathless are all sealed, and his men have the ride surrounded. But Jenkins has a problem. Margot is here. Jenkins goes into the fray to retrieve Margot and escape before the final phase of his plan - explosives. As he leaves the control room, Jenkins gives Parker a message to read on the tannoy if he does not return with Margot. It will help her escape, but it's something only she would understand. Meanwhile - JJ, Bette, Gretchen, Thomaz and Davina are all still trapped in the building. Watching on the monitors, Parker is horrified to see the twins looking at one of Jenkins' bombs. Speaking into the tannoy, he cries out to them. But before he can be understood... ka-boom. In this episode: More ka-boom... Want to check out Laurence & Lindsay's other podcast, The Ballad of Anne & Mary? Click this link! Want to browse the Long Cat Media shop? Head on down here! Mockery Manor is written and directed by Lindsay Sharman. Music, sound design and editing by Laurence Owen. Hayley Evenett was JJ and Bette, Lindsay Sharman was Hilda, Margot and Davina, Laurence Owen was Parker, Jenkins, Giuseppe, Antoine and additional voices, John Henry Falle was Spanish Dave, Abbie Eastwood was Gretchen, Alasdair Beckett King was Thomaz. Mockery Manor is part of the Fable and Folly network. Visit their website for more info. For transcripts and more information about Mockery Manor, and our two other podcasts Madame Magenta and The Ballad of Anne & Mary, visit www.longcatmedia.com Or follow us on Twitter, Facebook and Instagram @MockeryManor and also @LongCatMedia This podcast is supported by our wonderful Ko-fi patrons. If you'd like to support the show and help us keep going, visit our website, or go to www.ko-fi.com/longcatmedia Learn more about your ad choices. Visit megaphone.fm/adchoices

Previously: as the Committee arrives at Koschei the Deathless for Hilda's meeting, JJ and Bette sneak in via a side entrance to try and rescue Gretchen. They stumble into the ride, and find themselves in a creepy but familiar kitchen, occupied by an animatronic witch. To her horror, JJ realises that the witch is modelled on Dorothy - Margot's mother, and the twins' grandmother. JJ recalls the Dreamland dollhouse, shown to her by Dorothy moments before she was murdered by Matty. This kitchen is identical to that of the dollhouse. It's Mockery Manor. The twins hop on a passing Egg Buggy, and discover that each room is a distorted, nightmarish reflection of the rooms of Mockery Manor. As they near the grand ballroom, the twins hop out of the Buggy to stay unnoticed. They are shocked to see Margot and Davina among the Committee members. Why are they there? And who's looking after baby Freddie? Meanwhile, Hilda is losing communication with her security unit as they are each taken out by Jenkins' men. "We're under attack" she radios to the others. "Retreat to Koschei and seal it. No-one gets in, no-one gets out. And if you see anyone you don't recognise... execute on sight." In this episode: Party time. Want to check out Laurence & Lindsay's other podcast, The Ballad of Anne & Mary? Click this link! Want to browse the Long Cat Media shop? Head on down here! Mockery Manor is written and directed by Lindsay Sharman. Music, sound design and editing by Laurence Owen. Hayley Evenett was JJ and Bette, Lindsay Sharman was Hilda, Margot and Davina, Laurence Owen was Parker, Jenkins, Giuseppe, Antoine and additional voices, John Henry Falle was Spanish Dave, Abbie Eastwood was Gretchen, Alasdair Beckett King was Thomaz. Mockery Manor is part of the Fable and Folly network. Visit their website for more info. For transcripts and more information about Mockery Manor, and our two other podcasts Madame Magenta and The Ballad of Anne & Mary, visit www.longcatmedia.com Or follow us on Twitter, Facebook and Instagram @MockeryManor and also @LongCatMedia This podcast is supported by our wonderful Ko-fi patrons. If you'd like to support the show and help us keep going, visit our website, or go to www.ko-fi.com/longcatmedia Learn more about your ad choices. Visit megaphone.fm/adchoices