Podcasts about renaissance england

Melvyn Bragg and guests explore typology, a method of biblical interpretation that aims to meaningfully link people, places, and events in the Hebrew Bible, what Christians call the Old Testament, with the coming of Christ in the New Testament. Old Testament figures like Moses, Jonah, and King David were regarded by Christians as being ‘types' or symbols of Jesus. This way of thinking became hugely popular in medieval Europe, Renaissance England and Victorian Britain, as Christians sought to make sense of their Jewish inheritance - sometimes rejecting that inheritance with antisemitic fervour. It was a way of seeing human history as part of a divine plan, with ancient events prefiguring more modern ones, and it influenced debates about the relationship between metaphor and reality in the bible, in literature, and in art. It also influenced attitudes towards reality, time and history. WithMiri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of LondonHarry Spillane, Munby Fellow in Bibliography at Cambridge and Research Fellow at Darwin CollegeAnd Sophie Lunn-Rockliffe, Associate Professor in Patristics at Cambridge. Producer: Eliane GlaserReading list:A. C. Charity, Events and their Afterlife: The Dialectics of Christian Typology in the Bible and Dante (first published 1966; Cambridge University Press, 2010)Margaret Christian, Spenserian Allegory and Elizabethan Biblical Exegesis: The Context for 'The Faerie Queene' (Manchester University Press, 2016)Dagmar Eichberger and Shelley Perlove (eds.), Visual Typology in Early Modern Europe: Continuity and Expansion (Brepols, 2018)Tibor Fabiny, The Lion and the Lamb: Figuralism and Fulfilment in the Bible, Art and Literature (Palgrave Macmillan, 1992)Tibor Fabiny, ‘Typology: Pros and Cons in Biblical Hermeneutics and Literary Criticism' (Academia, 2018)Northrop Frye, The Great Code: The Bible and Literature (first published 1982; Mariner Books, 2002)Leonhard Goppelt (trans. Donald H. Madvig), Typos: The Typological Interpretation of the Old Testament in the New (William B Eerdmans Publishing Co, 1982)Paul J. Korshin, Typologies in England, 1650-1820 (first published in 1983; Princeton University Press, 2014)Judith Lieu, Image and Reality: The Jews in the World of the Christians in the Second Century (T & T Clark International, 1999)Sara Lipton, Images of Intolerance: The Representation of Jews and Judaism in the Bible Moralisee (University of California Press, 1999)Montague Rhodes James and Kenneth Harrison, A Guide to the Windows of King's College Chapel (first published in 1899; Cambridge University Press, 2010)J. W. Rogerson and Judith M. Lieu (eds.), The Oxford Handbook of Biblical Studies (Oxford University Press, 2008)In Our Time is a BBC Studios Audio production

In Shakespeare's Two Gentlemen of Verona, Proteus says “Here's too small a pasture for such store of muttons.” Proteus is speaking metaphorically here, but the phrase refers to the relationship between animals raised in a field, and then processed for food to be stored away in a cache that can be drawed upon for consuming later. Stephano, in the Tempest, shares the location of his store of wine, saying “The whole butt, man: my cellar is in a rock by the sea-side where my wine is hid.” Indicating that a cellar was one place to store bottles of wine long term. Both of these references demonstrate for us that 16th-17th century society was familiar with the idea of storing fresh food for the winter, but it leaves us with the question of what exactly was a “store of muttons,” for example? I mean, Shakespeare and his contemporaries didn't have refrigeration, so what methods were used to keep fresh meat from going rancid? Back with us again this week, to help us understand Tudor and Renaissance England food preservation methods, as well as storage options, like cellars, is our guest and food historian, Neil Buttery.  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

When Shakespeare was writing plays in the 16th to early 17th century, he was participating in an industry that was both established, as well as rapidly evolving. Shakespeare himself ushered in innovation for the theater industry, while the bard, along with his contemporaries, equally embraced long held traditions that included shamelessly copying one another's work. Acknowledging that copying someone's work was industry standard for Renaissance England raises some questions about plagiarism, as well as who should get the credit for writing a particular story. Our guest this week, Darren Freebury Jones, has visited with us before to look at the influences of Thomas Kyd and even Robert Greene on the works of William Shakespeare, and Darren is back again this week to share with us the theater industry he has uncovered for his latest book, Borrowed Feathers, where he uses you'll remember we called “textual sleuthing” in an earlier episode, to examine production, influence, authorship, and collaboration amongst playwrights such as Lyly, Kyd, Fletcher, and of course, Shakespeare. We are delighted to welcome Darren back to That Shakespeare Life again this week to talk with us about what it looked like to be a colleague in the theater industry for the 16th century, what constituted industry standard when you were writing plays, and how much influence a modern lens looking backwards at history has had on what we think we know about how Shakespeare produced his works.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

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Come with us back to Renaissance England, when writers were playing with ideas of sexuality in interesting ways.How much of a filth bag was Shakespeare? How did he play with the ideas of power dynamics for pleasure in his plays? And what were other writers doing to explore non-traditional ideas of sex, fantasy and desire?Joining Kate today are Joseph Gamble and Gillian Knoll, co-editors of the forthcoming book The Kinky Renaissance, which explore questions of sexual history through modern-day kink cultures. This episode was edited by Tom Delargy. The producer was Stuart Beckwith. The senior producer was Charlotte Long.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code BETWIXT sign up at https://historyhit/subscription/ You can take part in our listener survey here.

How scientists of the Elizabethan age anticipated the discoveries and methods of the Enlightenment (without necessarily publishing them).

https://www.paypal.me/Truelifepodcast?locale.x=en_USWelcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged. https://www.paypal.me/Truelifepodcast?locale.x=en_US

https://paypal.me/Truelifepodcast?country.x=US&locale.x=en_USWelcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged. https://paypal.me/Truelifepodcast?country.x=US&locale.x=en_US

On the Shelf for September 2023 The Lesbian Historic Motif Podcast - Episode 267 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Book ShoppingGoodman, Ruth. 2016. How to be a Tudor: A Dawn to Dusk Guide to Tudor Life. W.W. Norton & Company, New York. ISBN 978-1-63149-253-2 Cleland, Elizabeth & Adam Eaker. 2022. The Tudors: Art and Majesty in Renaissance England. The Metropolitan Museum of Art, New York. ISBN 978-1-58839-692-1 Ball, Krista D. 2012. What Kings Ate and Wizards Drank. Tyche Books, Ltd, Alberta. ISBN 978-0-9878248-9-9 Ndiaye, Noémie & Lia Markey. 2023. Seeing Race Before Race: Visual Culture and the Racial Matrix in the Premodern World. Arizona Center for Medieval and Renaissance Studies Press, Tempe. ISBN 978-0-86698-842-1 Leonardi, Camillo (trans. Liliana Leopardi). 2023. Speculum Lapidum: A Renaissance Treatise on the Healing Properties of Gemstones. The Pennsylvania State University Press, University Park. ISBN 978-0-271-09539-4 Hindley, Katherine Storm. 2023. Textual Magic: Charms and Written Amulets in Medieval England. The University of Chicago Press, Chicago. ISBN 978-0-226-82533-5 Warr, Cordelia. 2023. Medieval Clothing and Textiles 17. The Boydell Press, Woodbridge. ISBN 978-1-78327-598-4 Not Just the Tudors (podcast) Girl Culture in the Middle Ages and Renaissance by Deanne Williams Recent Lesbian/Sapphic Historical FictionEmber of a New World by Ishtar Watson Sanditon: The Lesbian Solution by Garnet Marriott and Jane Austen Where Pleasant Fountains Lie (The New Countess #3) by Lady Vanessa S.-G Haven's End (Daughters Under the Black Flag #2) by Eden Hopewell The Birdwatchers by Louise Vetroff The Haunted Diamond by Becky Black He Who Drowned the World (The Radiant Emperor #2) by Shelley Parker-Chan Carving a New Shape by Rhiannon Grant For Love and Liberty by Eden Hopewell Her Duchess by Brooke Winters Into the Bright Open: A Secret Garden Remix (Remixed Classics # 8) by Cherie Dimaline Other Titles of InterestThe Girl Who Fled the Picture by Jane Anderson The Valkyrie by Kate Heartfield What I've been consumingThe Great Roxhythe by Georgette Heyer Space Opera by Catherynne M. Valente Call for submissions for the 2024 LHMP audio short story series. See here for details. This month we interview Rhiannon Grant and talk about:The appeal of a Neolithic setting Worldbuilding in archaeological settings Exploring spirituality Publications mentioned:Carving a New Shape by Rhiannon Grant Between Boat and Shore by Rhiannon Grant The Dazzle of Day by Molly Gloss Ember of a New World by Ishtar Watson Clan of the Cave Bear by Jean Auel This month we interview Katharine Quarmby and talk about:The historic inspiration for the story The work of turning archives into fiction Finding queer relationships in the historic record Fiction and non-fiction as reflections of each other Reclaiming marginalized histories Publications mentioned:The Low Road by Katharine Quarmby The Secret Diaries of Charles Ignatius Sancho by Paterson Joseph Gentleman Jack (tv series) The Fascination by Essie Fox A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Twitter: @heatherosejones Facebook: Heather Rose Jones (author page) Links to Rhiannon Grant Online Facebook: Rhiannon Grant TikTok (main): @ rhiannonbookgeek TikTok (books): @ sapphicprehistory Twitter: @bookgeekrelng Bluesky: @rhiannonbookgeek.bsky.social Mastodon: >@rhiannongrant@mastodon.org.uk Links to Katharine QuarmbyOnline Website: katharinequarmby.com Twitter: @KatharineQ Facebook: Katharine Quarmby (writer)

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

In Early Modern England, there was a rash of abductions of boys, who were being forced to work as actors. Then a child was taken whose father was in a position to actually do something about it.  Research: Soth, Amelia. “Her Majesty's Kidnappers.” JSTOR Daily. 12/17/2020. https://daily.jstor.org/kidnapping-for-the-queens-choir/ Early Modern London Theaters. “Viewing Event Record: Star Chamber, Clifton v Robinson et al: Clifton States His Case.” https://emlot.library.utoronto.ca/db/record/event/93/ Reynolds, Patricia. “Kidnapped to order: child actors in Shakespeare's day.” The National Archives. 5/12/2016. https://blog.nationalarchives.gov.uk/kidnapped-order-child-actors-shakespeares-day/ Map of Early London. “Blackfriars Theatre.” https://mapoflondon.uvic.ca/BLAC6.htm Shapiro, Michael. “Children of the Revels: The Boy Companies of Shakespeare's Time and Their Plays.” New York: Columbia University Press. 1977. Fleay, Frederick Gard. “A Chronicle History of the London Stage 1559-1642.” New York. G.E. Stechert & Co. 1909. Benet, William Rose. "Blackfriars." Benet's Reader's Encyclopedia, 3rd ed., Harper & Row, 1987, p. 103. Gale General OneFile, link.gale.com/apps/doc/A18034327/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=fefb4932. Accessed 21 June 2023. Munro, Lucy. "Living by Others' Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit." Early Theatre, vol. 23, no. 1, June 2020, pp. 109+. Gale Academic OneFile, link.gale.com/apps/doc/A638900245/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=ce5c9645. Accessed 21 June 2023. Dutton, Richard. “The Revels Office and the Boy Companies, 1600-1613: New Perspectives.” English Literary Renaissance , SPRING 2002, Vol. 32, No. 2. Via JSTOR. https://www.jstor.org/stable/43447637 Wridgway, Neville. "Giles, Nathaniel (c. 1558–1634), choirmaster and composer." Oxford Dictionary of National Biography. Oxford University Press. Date of access 22 Jun. 2023, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-10724   Barrie, Robert. “Elizabethan Play-Boys in the Adult London Companies.” Studies in English Literature, 1500-1900 , Spring, 2008, Vol. 48, No. 2. Via JSTOR. https://www.jstor.org/stable/40071333 Mamujee, Shehzana. “'To serve us in that behalf when our pleasure is to call for them': performing boys in Renaissance England.” Renaissance Studies , NOVEMBER 2014, Vol. 28, No. 5. Via JSTOR. https://www.jstor.org/stable/24423452 Jones, Roger T. “The Role of the Junior English Schools in the Development of the Drama.” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Loyola University September, 1944. Bradbrook, M.C. “'Silk? Satin? Kersey? Rags?' The Choristers' Theater under Elizabeth and James.” Studies in English Literature, 1500-1900 , Spring, 1961. Via JSTOR. https://www.jstor.org/stable/449339 See omnystudio.com/listener for privacy information.

https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. A native of Bronx, NY, he and his wife Kelly and daughter Phoebe now reside in Newport News, VA.

There are many examples of letter writing from Shakespeare's plays, including letters getting lost in transit and even examples of letter forgery! While many of the examples from Shakespeare's plays about letters are amplified to be more entertaining on stage, they represent real history about how letters were written and delivered for the life of William Shakespeare. Here today to help us explore the tools used to write a letter, and special tricks like letter locking and sealing a letter, is our guest and co-curator of the Letterwriting in Renaissance England exhibit at the Folger Shakespeare Library, Alan Stewart.   Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

How did the Tudors, with a shaky claim to the throne and a series of monarchs that didn't fit the mold, evolve into one of the most memorable dynasties in history? They relied on art and majesty to tell their story. Find out how as we visit the Met Museum.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydwww.metmuseum.orghttps://www.metmuseum.org/exhibitions/listings/2022/tudors Exhibition Catalogue: The Tudors: Art and Majesty in Renaissance England, by Elizabeth Cleland and Adam Eakerwith contributions by Marjorie E. Wieseman and Sarah Bochicchio.Creative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast License

A king. A cope. And a faith under siege. Intrigued? Today's episode covers all this and more. Our guest, Dr. Jan Graffius, the curator of collections at Stonyhurst College in the UK – the oldest surviving Jesuit school in the world – is our guide through a riveting history that traces the rise and fall of the Catholic Church in England through the lens of a single piece of art: a cope commissioned by Henry VII. Copes are common liturgical vestments. But this one – one of the most expensive items commissioned by a king – was meant to unite the power of Church and State to strengthen a dubious claim to the throne but ultimately became a symbol of Catholic resistance and was smuggled out of the country. This cope and the stories that surround it remind us of the power of art to point to both spiritual and temporal power – and the dangers therein. You can see this cope and more as it travels across the United States in the exhibition, “The Tudors: Art and Majesty in Renaissance England.” The dates below let you know when the exhibition is in your area: • New York: 3 October 2022 – 8 January 2023 • Cleveland: 21 February 2023 – 14 May 2023 • San Francisco: 26 June 2023 – 24 September 2023 Learn more: • The Met: https://www.metmuseum.org/exhibitions/listings/2022/tudors • The Cleveland Museum of Art: https://www.clevelandart.org/exhibitions/tudors-art-and-majesty-renaissance-england • About Stonhurst: https://www.stonyhurst.ac.uk/about-us/stonyhurst-college-historic-collections/contact-us

This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions. We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris. And this episode's Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York's exhibition The Tudors: Art and Majesty in Renaissance England. The show's curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023 Hosted on Acast. See acast.com/privacy for more information.

In this episode of All Things Tudor, the curators of The Met Museum, discuss the exhibit The Tudors: Art and Majesty in Renaissance England. Exhibition co-curator Elizabeth Cleland and co-curator Adam Eaker join Deb to review this experience. On view at The Met from October 10, 2022, to January 8, 2023, The Tudors: Art and Majesty in Renaissance England will trace the transformation of the arts under the Tudor dynastic rule through more than 100 objects—including iconic portraits, spectacular tapestries, manuscripts, sculpture, and armor—from both the Museum collection and international lenders.  Special thanks to Jennifer Isakowitz. Twitter: @metmuseum This episode was produced by Ben Williams, Rokkwood Audio, U.K. Music developed by Rokkwood. Cover art by The Happy Colour Studio, U.K. Voiceovers by Paul Hunter. Written by Deb Hunter and The Metropolitan Museum of Art, NYC. Please follow me at @thingsTudor on Twitter and @officialAllThingsTudor on Instagram. For more about Tudor history, join my Facebook group and follow my website.

Dr. David A. Salomon holds a Ph.D. in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion, and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of the study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017. His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. A native of Bronx, NY, he and his wife Kelly and daughter Phoebe now reside in Newport News, VA.

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In a mere four years, England's monastic tradition—one of the richest in all of Europe—came to an end. The Dissolution of the Monasteries, as it's come to be known, stands in popular consciousness as a token of religious reformation and muscular government. But the Dissolution is wrapped up in partisan narratives that have obscured the role of the religious in their own day, their perception of events, others' perceptions of them, and the meaning and impact of their demise. In a searching, compendious yet eminently readable study, James Clark rewrites the history of this most pivotal moment in England's past. The Dissolution of the Monasteries: A New History (Yale University Press, 2021) traces in magnificent granularity the world of monastic England, the critical events of 1536-40, and the landscape left behind when the last monastic bells rang across country granges and city throughways. Jonathan Megerian was a doctoral candidate in history at Johns Hopkins University. He worked on late medieval and Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we will be talking about Anne Boleyn, the second wife of Henry VIII, and some of the misconceptions that are associated with her.Contact infoeffeduphistory@gmail.com@effeduphistory on all socialsBook a Tour of Salem, MAhttps://www.viator.com/tours/Salem/Curses-and-Crimes-Candlelight-Tour/d22414-325232P2Buy Me A Coffee:buymeacoffee.com/effeduphistoryMusicMedieval Loop One, Secret Garden, and Celebration by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Henry VIII Horrible History Sketch: https://www.youtube.com/watch?v=PS0u2qUl6p8Henry VIII Wives Song: https://www.youtube.com/watch?v=rTdTDCRKvvMSources:https://bit.ly/3vSBBTkhttps://www.theanneboleynfiles.com/bios/anne-boleyn-chronology/https://bit.ly/3LYka9uhttps://bit.ly/398mMmMhttps://bit.ly/3smDxRFhttps://bit.ly/3KWOYpyhttps://www.theanneboleynfiles.com/bios/anne-boleyn-chronology/https://www.theanneboleynfiles.com/19th-may-1536-i-have-a-little-neck-the-execution-of-anne-boleyn/https://youtu.be/bNb473eMt8Uhttps://youtu.be/RQT9Y8vWPuAhttps://youtu.be/y0egLNh6B94https://www.theanneboleynfiles.com/1st-june-1533-the-noble-triumphant-coronation-of-queen-anne-boleyn/https://tudorfaces.blogspot.com/2017/04/anne-boleyn-as-lady-of-garter.htmlhttps://bit.ly/3w49hgZhttps://www.british-history.ac.uk/letters-papers-hen8/vol10/pp64-81https://bit.ly/3Fw1D1YFurther resourceshttps://bit.ly/3wdtL5zhttps://bit.ly/3w6e67Whttps://bit.ly/3w49hgZSupport the show

This week we head back to Renaissance England to immerse ourselves in the world of John Donne, one of Britain's most ingenious poets. We visit playhouses, bear-fighting pits and the poet's marital bed to better understand Donne's life and work.  John Donne led many lives, from a young rake in his early years to archdeacon of St Paul's in his old age. Born into a grand Catholic family who had suffered persecution under Protestant monarchs, he was intimately acquainted with the cruelty of sixteenth-century England. In particular, the tragic death of his younger brother who, aged just nineteen, was thrown into prison for hiding a Jesuit priest and subsequently caught the plague.  However Donne's poetry isn't defeatist – he was famous in his time for his unusual, intelligent and imaginative work, which used fleas to talk about sex and violence to talk about God. And in the view of my guest today, Katherine Rundell, Donne should be considered alongside William Shakespeare as one of the finest wordsmiths this country has ever produced. That's why she has written a sparkling new biography of the poet: Super-Infinite: The Transformations of John Donne.  Katherine Rundell is a Fellow of All Souls College, Oxford. Her bestselling books for children have been translated into more than thirty languages and have won multiple awards. She has written for, amongst others, the London Review of Books, The Times Literary Supplement and The New York Times: mostly about books, though sometimes about night climbing, tightrope walking, and animals. Show Notes Scene One: 1601. John Donne composing rakish poetry as a man about town - including almost certainly Love's Growth - attending bear baiting  Scene Two: 1601. The first performance of Hamlet - which Donne would, perhaps, as a great attender of plays, have gone to see Scene Three: 1601. John Donne marries the 17 year old Anne and is thrown in the Fleet prison by her father, amid ice-cold winds and lice Momento: John Donne's Commonplace book.  People/Social Presenter: Artemis Irvine Guest: Katherine Rundell Production: Maria Nolan Podcast partner: Ace Cultural Tours Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1601 fits on our Timeline

Today we will be discussing the story of Agnes Waterhouse, the first witch of England and the fantastical story surrounding her and her life. Contact infoeffeduphistory@gmail.com@effeduphistory on all socialsBook a Tour of Salem, MAhttps://www.viator.com/tours/Salem/Curses-and-Crimes-Candlelight-Tour/d22414-325232P2Buy Me A Coffee:buymeacoffee.com/effeduphistoryInterested in starting a podcast of your own? I highly suggest using buzzsprout to list and post! If you use my affiliate link, you get a $20 amazon gift card after 2 paid months.https://www.buzzsprout.com/?referrer_id=1630084Music:Medieval Loop One, Headless Horseman, and Celebration by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Support the show (https://www.patreon.com/effeduphistory)

Long before Herodotus told the story of the Greeks, the ancient Mediterranean teemed with what the Greeks themselves would recognize as hallmarks of civilization: trade and commerce, cities and colonies, luxury goods and craftsmanship, cults and votives, inscriptions and their prerequisite, written language. Behind this vast network, stretching as it did across hundreds of miles and years, were a group of canny Levantine urbanites, the Phoenicians. But, due to a dearth of surviving literature and, more directly, western investment in the charmed “miracle” of Greek civilization, this is a story few of us know. In an incisive study that ranges over as many miles and centuries as the Phoenicians themselves, Carolina López-Ruiz corrects the record. The Phoenicians and the Making of the Mediterranean (Harvard University Press, 2021) puts the Phoenicians back into the spotlight where they belong. We see them as merchants and artisans who shaped—and were shaped by—the interconnected world of the Iron Age Mediterranean. It is an index of this study's strength that López-Ruiz manages both to assert their agency in stitching together this Levantine “koine” and capture the unique contours of this hybridity everywhere it appeared—from Iberia to Sicily, Etruria to Assyria. The Phoenicians is thus not merely the history of a particularly industrious group of seafarers. It is also a glimpse into colonization and coexistence, indigenous response and adaptation, cultural innovation, and the foundations of a shared past. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Long before Herodotus told the story of the Greeks, the ancient Mediterranean teemed with what the Greeks themselves would recognize as hallmarks of civilization: trade and commerce, cities and colonies, luxury goods and craftsmanship, cults and votives, inscriptions and their prerequisite, written language. Behind this vast network, stretching as it did across hundreds of miles and years, were a group of canny Levantine urbanites, the Phoenicians. But, due to a dearth of surviving literature and, more directly, western investment in the charmed “miracle” of Greek civilization, this is a story few of us know. In an incisive study that ranges over as many miles and centuries as the Phoenicians themselves, Carolina López-Ruiz corrects the record. The Phoenicians and the Making of the Mediterranean (Harvard University Press, 2021) puts the Phoenicians back into the spotlight where they belong. We see them as merchants and artisans who shaped—and were shaped by—the interconnected world of the Iron Age Mediterranean. It is an index of this study's strength that López-Ruiz manages both to assert their agency in stitching together this Levantine “koine” and capture the unique contours of this hybridity everywhere it appeared—from Iberia to Sicily, Etruria to Assyria. The Phoenicians is thus not merely the history of a particularly industrious group of seafarers. It is also a glimpse into colonization and coexistence, indigenous response and adaptation, cultural innovation, and the foundations of a shared past. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Long before Herodotus told the story of the Greeks, the ancient Mediterranean teemed with what the Greeks themselves would recognize as hallmarks of civilization: trade and commerce, cities and colonies, luxury goods and craftsmanship, cults and votives, inscriptions and their prerequisite, written language. Behind this vast network, stretching as it did across hundreds of miles and years, were a group of canny Levantine urbanites, the Phoenicians. But, due to a dearth of surviving literature and, more directly, western investment in the charmed “miracle” of Greek civilization, this is a story few of us know. In an incisive study that ranges over as many miles and centuries as the Phoenicians themselves, Carolina López-Ruiz corrects the record. The Phoenicians and the Making of the Mediterranean (Harvard University Press, 2021) puts the Phoenicians back into the spotlight where they belong. We see them as merchants and artisans who shaped—and were shaped by—the interconnected world of the Iron Age Mediterranean. It is an index of this study's strength that López-Ruiz manages both to assert their agency in stitching together this Levantine “koine” and capture the unique contours of this hybridity everywhere it appeared—from Iberia to Sicily, Etruria to Assyria. The Phoenicians is thus not merely the history of a particularly industrious group of seafarers. It is also a glimpse into colonization and coexistence, indigenous response and adaptation, cultural innovation, and the foundations of a shared past. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Long before Herodotus told the story of the Greeks, the ancient Mediterranean teemed with what the Greeks themselves would recognize as hallmarks of civilization: trade and commerce, cities and colonies, luxury goods and craftsmanship, cults and votives, inscriptions and their prerequisite, written language. Behind this vast network, stretching as it did across hundreds of miles and years, were a group of canny Levantine urbanites, the Phoenicians. But, due to a dearth of surviving literature and, more directly, western investment in the charmed “miracle” of Greek civilization, this is a story few of us know. In an incisive study that ranges over as many miles and centuries as the Phoenicians themselves, Carolina López-Ruiz corrects the record. The Phoenicians and the Making of the Mediterranean (Harvard University Press, 2021) puts the Phoenicians back into the spotlight where they belong. We see them as merchants and artisans who shaped—and were shaped by—the interconnected world of the Iron Age Mediterranean. It is an index of this study's strength that López-Ruiz manages both to assert their agency in stitching together this Levantine “koine” and capture the unique contours of this hybridity everywhere it appeared—from Iberia to Sicily, Etruria to Assyria. The Phoenicians is thus not merely the history of a particularly industrious group of seafarers. It is also a glimpse into colonization and coexistence, indigenous response and adaptation, cultural innovation, and the foundations of a shared past. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

Long before Herodotus told the story of the Greeks, the ancient Mediterranean teemed with what the Greeks themselves would recognize as hallmarks of civilization: trade and commerce, cities and colonies, luxury goods and craftsmanship, cults and votives, inscriptions and their prerequisite, written language. Behind this vast network, stretching as it did across hundreds of miles and years, were a group of canny Levantine urbanites, the Phoenicians. But, due to a dearth of surviving literature and, more directly, western investment in the charmed “miracle” of Greek civilization, this is a story few of us know. In an incisive study that ranges over as many miles and centuries as the Phoenicians themselves, Carolina López-Ruiz corrects the record. The Phoenicians and the Making of the Mediterranean (Harvard University Press, 2021) puts the Phoenicians back into the spotlight where they belong. We see them as merchants and artisans who shaped—and were shaped by—the interconnected world of the Iron Age Mediterranean. It is an index of this study's strength that López-Ruiz manages both to assert their agency in stitching together this Levantine “koine” and capture the unique contours of this hybridity everywhere it appeared—from Iberia to Sicily, Etruria to Assyria. The Phoenicians is thus not merely the history of a particularly industrious group of seafarers. It is also a glimpse into colonization and coexistence, indigenous response and adaptation, cultural innovation, and the foundations of a shared past. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Stephen Greenblatt, 2004 Stephen Greenblatt, in conversation with Richard Wolinsky about his book Will in the World: How Shakespeare Became Shakespeare, recorded in 2005. Stephen Greenblatt is a literary historian and an expert on Shakespeare. Among his other books on Shakespeare are  Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Hamlet in Purgatory, Shakespeare's Freedom, and most recently Tyrant: Shakespeare in Politics, set in motion by his feelings about the Trump presidency. Host Richard Wolinsky interviewed Stephen Greenblatt twice afterward, for his award-winning best-seller, The Swerve: How the World Became Modern, and in 2016 for The Rise and Fall of Adam and Eve. Will in the World focuses on William Shakespeare's life, and how that life and the events in his world affected his work. The interview looks at, among other plays, Hamlet, Romeo and Juliet, MacBeth and Richard III and gives a brief overview of London in the waning days of the 1500s.   The post Stephen Greenblatt, “Will in the World,” 2005 appeared first on KPFA.

This episode isn't really about Salem but it is related to Salem. Salem's foreign cousins if you will.  Today we will be talking about a brief history of Witchcraft in the 150 years or so leading up to Salem in England and Scotland. This is in no way a complete history nor is it inclusive of all major events.So sit back, relax, and practice your oh good god what the fuck faces.Also, note, when I am speaking about the Pendle Witches, I misspeak and say that Alyson is Demdike's daughter when I meant to say her granddaughter.  Whoops. Subject me to the water test, I suppose.Contact infoeffeduphistory@gmail.com@effeduphistory on all socialsBook a Tour of Salem, MAhttps://www.viator.com/tours/Salem/Curses-and-Crimes-Candlelight-Tour/d22414-325232P2Buy Me A Coffee:buymeacoffee.com/effeduphistoryInterested in starting a podcast of your own? I highly suggest using buzzsprout to list and post! If you use my affiliate link, you get a $20 amazon gift card after 2 paid months.https://www.buzzsprout.com/?referrer_id=1630084Sources:https://www.haaretz.com/archaeology/thou-shalt-not-suffer-a-witch-to-live-a-murderous-mistranslation-1.5443682?v=1629987984939https://www.history.com/this-day-in-history/mary-queen-of-scots-beheadedhttps://www.history.com/news/king-james-bible-most-popularhttps://www.mtholyoke.edu/courses/rschwart/hist257/stephwhit/final/malleus.htmlhttps://hermeneutics.stackexchange.com/questions/29049/what-does-thou-shalt-not-suffer-a-witch-to-live-meanhttps://www.bbc.com/news/magazine-14490790https://www.britannica.com/biography/Matthew-Hopkinshttps://www.historic-uk.com/HistoryUK/HistoryofEngland/Matthew-Hopkins-WitchFinder-General/https://historyofmassachusetts.org/margaret-jones-first-person-executed-for-witchcraft-in-massachusetts/https://www.historic-uk.com/CultureUK/The-Pendle-Witches/https://historyofmassachusetts.org/the-curse-of-giles-corey/Music:Medieval Loop One, Headless Horseman, and Celebration by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Support the show (https://www.patreon.com/effeduphistory)

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In Festive Enterprise: The Business of Drama in Medieval and Renaissance England (University of Notre Dame Press, 2021), Dr. Jill Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. By analyzing a wide range of genres and a diverse range of venues, Ingram demonstrates how early moderns borrowed medieval money-gatherers' techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Dr. Jill Ingram is associate professor of English at Ohio University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

When we study court in Shakespeare history the phrase “appeared at court” or “performed at court” frequently gets used to describe what Shakespeare was doing at various points of his life. However, the overlap between “court” legally (as in, where you go for a legal trial) and the social phenomenon of Renaissance England where the monarch gathered their “court” together can make it hard to know what it means to go to court. This week we've set out to rectify this gap in knowledge with our guest, Natalie Mears, who is here to share her research into Courts, Courtiers, and Culture in Tudor England, an article which she published in The Historical Journal back in 2003. In that paper, Natalie cites a play by Thomas Norton and Thomas Sackville called Gorboduc that was performed in 1561-1562 at court, and that play is an example of how performances were used to not only comment on events of the day by the performers (similar to what you might think of today as an editorial cartoon) but in the case of Gorboduc, the play commented directly to Elizabeth I to try and influence her decision to marry and to comment on Robert Dudley as a potential candidate. Natalie's work goes on to cite sermons selected by James VI and I to scold the Scottish Presbyterians at Hampton Court in 1606, as well as a sermon by Edward Dering in 1570 that “lambasted the Queen” for perceived failures at political reform. These examples have us wondering if the instances of Shakespeare appearing at court were more than just event entertainment. Were plays like Shakespeare's similar political weapons in the same way as Gorboduc? Would Shakespeare's plays have been brought to court for their power to influence politics and if so, does that explain why Shakespeare wrote so frequently about political issues?  Natalie Mears joins us today to answer some of these questions about Shakespeare and Court Life

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker's remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker's remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this week's episode, we'll be discussing the elements of tyranny and treason as they appear in Shakespeare's play Macbeth as well as modern parallels to the plot and character of Macbeth and the implications of tyranny and treason in the Early Modern Era.  Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp. Our theme music is "Neverending Minute" by Sounds Like Sander. Works referenced: Coddon, Karin S. “‘Unreal Mockery’: Unreason and the Problem of Spectacle in Macbeth.” ELH, vol. 56, no. 3, 1989, pp. 485–501. JSTOR, www.jstor.org/stable/2873194. Accessed 29 Jan. 2021. Frye, Roland Mushat. “Hitler, Stalin, and Shakespeare's Macbeth: Modern Totalitarianism and Ancient Tyranny.” Proceedings of the American Philosophical Society, vol. 142, no. 1, 1998, pp. 81–109. JSTOR, www.jstor.org/stable/3152266. Accessed 27 Jan. 2021. Lemon, Rebecca. “Scaffolds of Treason in ‘Macbeth.’” Theatre Journal, vol. 54, no. 1, 2002, pp. 25–43. JSTOR, www.jstor.org/stable/25069019. Accessed 24 Jan. 2021. Meron, Theodor. “Crimes and Accountability in Shakespeare.” The American Journal of International Law, vol. 92, no. 1, 1998, pp. 1–40. JSTOR, www.jstor.org/stable/2998059. Accessed 24 Jan. 2021. Mullaney, Steven. “Lying Like Truth: Riddle, Representation and Treason in Renaissance England.” ELH, vol. 47, no. 1, 1980, pp. 32–47. JSTOR, www.jstor.org/stable/2872437. Accessed 31 Jan. 2021. Paul, Richard. Shakespeare Unlimited Podcast, performance by Stephen Greenblatt, et al., episode 100, Folger Shakespeare Library, 12 June 2018. Accessed 25 Jan. 2021. “Sovereignty, Treason Law, and the Political Imagination in Early Modern England.” Treason by Words: Literature, Law, and Rebellion in Shakespeare's England, by Rebecca Lemon, 1st ed., Cornell University Press, ITHACA; LONDON, 2006, pp. 1–22. JSTOR, www.jstor.org/stable/10.7591/j.ctt7zgxv.4. Accessed 25 Jan. 2021. “The Smell of Gunpowder: Macbeth and the Palimpsests of Olfaction.” Untimely Matter in the Time of Shakespeare, by Jonathan Gil Harris, University of Pennsylvania Press, Philadelphia, 2009, pp. 119–140. JSTOR, www.jstor.org/stable/j.ctt3fj17b.10. Accessed 25 Jan. 2021.

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors' own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors’ own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors’ own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors’ own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors’ own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Take a look at a globe. Europe is there in big letters, and, to us, this hardly merits a passing thought. But Europe is a concept, a construct, an idea. So too is modernity. These categories have rich and contested histories.  It is to their lineage that Robert Launay looks in Savages, Romans, and Despots: Thinking about Others from Montaigne to Herder (University of Chicago Press, 2018). In this lucid and discerning volume, Professor Launay explores how a host of European luminaries used others to think about themselves and their worlds.  Prior to the nineteenth century, discourses about the New World and China were much less about domination than about understanding their authors’ own social and political milieus. The figure of the Native America, the political life of China, the character of classical antiquity—all these “others” assumed different significances to different thinkers depending on the critique they sought to make about contemporary society.  Ranging as it does from Mandeville to Montaigne, Montesquieu, Kant, and many others, this book synthesizes an immense—and immensely complex—body of political thought into an accessible narrative that is doubtless of interest to specialists and non-specialists alike. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia's groundbreaking new study, Time's Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia's groundbreaking new study, Time's Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia's groundbreaking new study, Time's Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia’s groundbreaking new study, Time’s Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia’s groundbreaking new study, Time’s Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia’s groundbreaking new study, Time’s Monster: How History Makes History (Harvard University Press, 2020). Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

This November sees the 25th anniversary of the UK Disability Discrimination Act. As we consider what contemporary progress has been made we'll uncover the long history of disabled people’s political activism, look back at the treatment of disabled people in Royal Courts and at fictional portrayals of disability in 19th-century novels from Dickens and George Eliot to Charlotte M Yonge and Dinah Mulock Craik. Eleanor Rosamund Barraclough presents. Professor David Turner is the author of Disability in Eighteenth-Century England: Imagining Physical Impairment which won the Disability History Association Outstanding Publication Award for the best book published worldwide in disability history. He teaches at Swansea University and was advisor on the BBC Radio 4 series Disability: A New History. His latest book is Disability in the Industrial Revolution: Physical Impairment in British coalmining 1780-1880 (co-authored with Daniel Blackie). Dr Clare Walker Gore has just published Plotting Disability in the Nineteenth-Century Novel. She teaches English at the University of Cambridge and is a BBC/AHRC New Generation Thinker. This episode of Free Thinking is put together in partnership with the Arts and Humanities Research Council, part of UKRI as one of a series of discussions focusing on new academic research also available to download as New Thinking episodes on the BBC Arts & Ideas podcast feed. You can find the whole collection here https://www.bbc.co.uk/programmes/p03zws90 Jessica Secmezsoy-Urquhart is at the University of St Andrews. They look at the disabled history of the royal court in Renaissance England and Scotland and the role of the Court Fool. They also make films and broadcasts for The Social on BBC Scotland.

On the Shelf for June 2020 The Lesbian Historic Motif Podcast - Episode 161 with Heather Rose Jones Your monthly update on what the Lesbian Historic Motif Project has been doing. In this episode we talk about: What does historical fiction have to do with racial justice? The 2020 Pride Storybundle Recent and upcoming publications covered on the blogGarber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Halberstam, Judith (Jack). 1997. Female Masculinity. Duke University Press, Durham. ISBN 978-1-4780-0162-1 Herrmann, Anne. 1992. "Imitations of Marriage: Crossdressed Couples in Contemporary Lesbian Fiction" in Feminist Studies vol. 18 no. 3 609-624. Hindmarch-Watson, Katie. 2008. "Lois Schwich, the Female Errand Boy: Narratives of Female Cross-Dressing in Late-Victorian London" in GLQ 14:1, 69-98. Boyd, David Lorenzo & Ruth Mazo Karras. 1995. "The Interrogation of a Male Transvestite Prostitute in Fourteenth-Century London" in GLQ vol. 1, 459-465. Roberts, Anna Klosowska. 2005. Queer Love in the Middle Ages. New York: Palgrave Macmillan. Goldberg, Jonathan, ed. 1994. Queering the Renaissance. Duke University Press, Durham. Bray, Alan. 1995. Homosexuality in Renaissance England. Columbia University Press, New York. Announcing this month's author guest, Amy Hoff New and forthcoming fictionThe Empress of Salt and Fortune (The Singing Hills Cycle Book 1) by Nghi Vo Lovers & Dancers by Heather Ingman Heart of Gold (Heart Series Book 1) by Luci Dreamer Leather and Lace (Gold Sky Series Book 5) by Rebel Carter The Queen Takes All (Part 1, Book 1) by Clarissa Somers A Matter of Time (The Unlikely Adventures of Mortensen & Spurlock Book 1) by Lucy True (aka Jea Hawkins) Like a Tornado by Lauren Abosamra Belladonna: A Novel by Anbara Salam Her Lady's Honor by Renee Dahlia My Heart's in the Highlands by Amy Hoff The Voyages of Cinrak the Dapper by A.J. Fitzwater No Man's Land by A.J. Fitzwater Vera Kelly is Not a Mystery (A Vera Kelly Story) by Rosalie Knecht A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Twitter: @heatherosejones Facebook: Heather Rose Jones (author page)

Society for Renaissance Studies Lecture by Jane Grogan (UCD). This paper introduces a long-forgotten Tudor figure, William Barker, and argues for his significance to our understanding of post-Reformation English Renaissance culture. Sometime Cambridge scholar, traveller to Italy, and accomplished translator from ancient Greek, Barker became a key figure in the ill-fated Ridolfi plot (which sought to put Mary Queen of Scots on Elizabeth's English throne). But quite apart from the interest of his own story, his life and works cast light on unnoticed intellectual networks operating in Renaissance England, and point to the need to rethink our understanding of its social and political world, as well as its literary history.

On the Shelf for June 2020 The Lesbian Historic Motif Podcast - Episode 47a with Heather Rose Jones Your monthly update on what the Lesbian Historic Motif Project has been doing. In this episode we talk about: What does historical fiction have to do with racial justice? The 2020 Pride Storybundle Recent and upcoming publications covered on the blogGarber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Halberstam, Judith (Jack). 1997. Female Masculinity. Duke University Press, Durham. ISBN 978-1-4780-0162-1 Herrmann, Anne. 1992. "Imitations of Marriage: Crossdressed Couples in Contemporary Lesbian Fiction" in Feminist Studies vol. 18 no. 3 609-624. Hindmarch-Watson, Katie. 2008. "Lois Schwich, the Female Errand Boy: Narratives of Female Cross-Dressing in Late-Victorian London" in GLQ 14:1, 69-98. Boyd, David Lorenzo & Ruth Mazo Karras. 1995. "The Interrogation of a Male Transvestite Prostitute in Fourteenth-Century London" in GLQ vol. 1, 459-465. Roberts, Anna Klosowska. 2005. Queer Love in the Middle Ages. New York: Palgrave Macmillan. Goldberg, Jonathan, ed. 1994. Queering the Renaissance. Duke University Press, Durham. Bray, Alan. 1995. Homosexuality in Renaissance England. Columbia University Press, New York. Announcing this month’s author guest, Amy Hoff New and forthcoming fictionThe Empress of Salt and Fortune (The Singing Hills Cycle Book 1) by Nghi Vo Lovers & Dancers by Heather Ingman Heart of Gold (Heart Series Book 1) by Luci Dreamer Leather and Lace (Gold Sky Series Book 5) by Rebel Carter The Queen Takes All (Part 1, Book 1) by Clarissa Somers A Matter of Time (The Unlikely Adventures of Mortensen & Spurlock Book 1) by Lucy True (aka Jea Hawkins) Like a Tornado by Lauren Abosamra Belladonna: A Novel by Anbara Salam Her Lady's Honor by Renee Dahlia My Heart's in the Highlands by Amy Hoff The Voyages of Cinrak the Dapper by A.J. Fitzwater No Man's Land by A.J. Fitzwater Vera Kelly is Not a Mystery (A Vera Kelly Story) by Rosalie Knecht A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Twitter: @heatherosejones Facebook: Heather Rose Jones (author page) If you enjoy this podcast and others at The Lesbian Talk Show, please consider supporting the show through Patreon: The Lesbian Talk Show Patreon The Lesbian Historic Motif Project Patreon

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Damn Dirty Drive-In is proud to present, in radio play form, Part Two of our encore performance of Ed Wood's "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from, "Manos: Hands of Fate."

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Damn Dirty Drive-In is proud to present, in radio play form, an encore performance of Ed Wood's "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from, "Manos: Hands of Fate." And be sure to tune in next week for Part 2, with more alien menaces, more undead ghouls, more stupid humans, and much more Dana Gould!

Ramie Targoff, author of "Renaissance Woman: The Life of Vittoria Colonna", in conversation with Lakshya Datta, recorded live at the Jaipur Literature Festival 2020 on Jan 26. Ramie Targoff’s scholarly area of interest is the English Renaissance with a strong secondary interest in the Italian Renaissance. An award-winning writer, she is the author of three books on Renaissance English literature titled Common Prayer: The Language of Public Devotion, John Donne, Body and Soul and Posthumous Love: Eros and the Afterlife in Renaissance England. Most recently, she has written a biography of the 16th century Italian poet Vittoria Colonna titled Renaissance Woman: The Life of Vittoria Colonna and has completed the first English translation of Colonna’s 1538 book of sonnets, entitled Sonnets of Widowhood. Her forthcoming book, Shakespeare’s Sisters, is a group biography of four women writers in Renaissance England: Mary Sidney Herbert, Aemilia Lanyer, Elizabeth Cary and Anne Clifford.

While Shakespeare is name is the most well known of the playwrights from Renaissance England, he was hardly the only famous artist working during that time period. Christopher Marlowe, Ben Jonson, John Fletcher, and John Lyly are just a few of the names we can mention of excellent theater practitioners working alongside the bard, and it turns out, William Shakespeare apparently had at least a high professional respect for these gentlemen personally, as he is known to have collaborated with several of them on plays like Pericles, Henry VIII, and Timon of Athens.  But knowing that Shakespeare collaborated with fellow playwrights, even with members of rival playing companies, brings up some questions about the practicality of collaborating in the Renaissance. Who owned the plays that they wrote? Why weren’t the collaborative plays published with all of the contributing authors? There are so many questions about what collaboration looked like for William Shakespeare, and this week we have the man who literally wrote the book on Shakespeare’s Collaborative Works, Dr. Eric Rasmussen, here to walk us through 16th century playhouses and the world of collaborative Renaissance theater.

Sophie learns about the most famous King of England, Henry VIII. We see how Henry's desire for a son led him to desperate measures. Heads tumble, scandal erupts and a new religion takes hold in Renaissance England. Finally, we see how even though Henry thought only sons could rule, it was actually his daughter who brought in a Golden Age for England.

There is only one author to whom the TLS devotes an issue every year: William Shakespeare. Michael Caines talks us through the latest theories, research and reviews; Ian McEwan discusses his new novel, Machines Like Me ‘Still a giddy neighbour’ – Shakespeare’s parish in the 1590s, by Geoffrey Marsh, the TLSThe Bible on the Shakespearean Stage: Cultures of interpretation in Renaissance England, edited by Thomas Fulton and Kristen PooleBelieving in Shakespeare: Studies in longing, by Claire McEachernReligious Conversion in Early Modern English Drama, by Lieke StellingWhat Blest Genius?: The Jubilee that made Shakespeare, by Andrew McConnell StottShakespeare’s Rise to Cultural Prominence: Politics, print and alteration, 1642–1700, by Emma DepledgeShakespeare: The theatre of our world, by Peter ConradMachines Like Me by Ian McEwan (Cape) See acast.com/privacy for privacy and opt-out information.

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Revival League is proud to present, in radio play form, a classic production of Ed Wood's "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from "Manos: Hands of Fate." And be sure to tune in next week for Part 2, with more alien menaces, more undead ghouls, more stupid humans, and much more Dana Gould!

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Revival League is proud to present, in radio play form, a classic production of Ed Wood's "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from "Manos: Hands of Fate." And be sure to check out Part 1, with more alien menaces, more undead ghouls, more stupid humans, and more Dana Gould!

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Revival League is proud to present, in radio play form, a classic production of Ed Wood's, "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from, "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from, "Manos: Hands of Fate." And be sure to check out Part 1, with more alien menaces, more undead ghouls, more stupid humans, and more Dana Gould! (This podcast does not represent Alternaversal, Shout Factory or the Kickstarter campaign in any official capacity). EDITOR’S NOTE: In June 2019, this podcast merged with the Damn Dirty Geeks Podcast and became The Damn Dirty Drive-in. These are our classic back catalog episodes, dating back to March 2016. Please enjoy! The new Drive-In podcast opens for business with original sketches, movie discussions, interviews, weird food tastings and more at Episode 168.

Hearken back to Renaissance England, when Queen Elizabeth I ruled, and Sir Francis Drake circled the globe, and the great playwright and Immortal Bard Edward D. Wood Jr. dominated the stage. The Revival League is proud to present, in radio play form, a classic production of Ed Wood's, "The Tragicall Historie of Plan the IX," with Dana Gould; original theme song by Greg "Storm" DiCostanzo of Paul and Storm; Tim Blaney from, "Men In Black" and "Short Circuit," Frank Dietz from "Zombie Nightmare," and Jackey Raye Neyman Jones from, "Manos: Hands of Fate." And be sure to tune in next week for Part 2, with more alien menaces, more undead ghouls, more stupid humans, and much more Dana Gould! (This podcast does not represent Alternaversal, Shout Factory or the Kickstarter campaign in any official capacity). EDITOR’S NOTE: In June 2019, this podcast merged with the Damn Dirty Geeks Podcast and became The Damn Dirty Drive-in. These are our classic back catalog episodes, dating back to March 2016. Please enjoy! The new Drive-In podcast opens for business with original sketches, movie discussions, interviews, weird food tastings and more at Episode 168.

In this episode, especially for Valentine's Day, we talk to Cassidy Cash of That Shakespeare Girl about what Shakespeare can tell us about love in Renaissance England. Grab show notes, and Cassidy's free guide, at englandcast.com.Remember, if you like this show, the number one thing you can do is leave a rating or review on iTunes. It's free, and it makes a huge difference in people being able to find us. Thank you, in advance! See acast.com/privacy for privacy and opt-out information.

In part two, we discuss her professional career interest in law and violence in the plays of William Shakespeare. Her research into the theatricality of public executions. Description of the Greek & Roman execution known as the Brazen Bull. The political staging of executions. Theatrical nature of execution by quartering in Renaissance England. The political climate of Shakespeare’s time. Cultural implications of the law through the eyes of an artist such as Shakespeare. How the theory of cultural anthropologist Clifford Gertz is applicable to interpretation of constitutional law. Her other Shakespeare interest: gender. She examines the play Measure for Measure. The magic of writers who seem to transcend time. How over the centuries humanity has recurring issues because we cannot solve the complexity of them absolutely. Finally, the art she adores, such as painter Edward Hooper (e.g. Nighthawk, Early Sunday Morning, Railroad Sunset, Seven A.M.), Mark Rothko and the sculpture of David by Michelangelo.

On the first part of my conversation with English Professor Karen J. Cunningham, she tells me about her early interests in books about horses and sulky racing. Books she read in her free time as a kid like Nancy Drew as well as books in her adulthood such as Michael Connelly's character Heironymus Bosch. She tells me about her affection for Southern California and what she finds profound about it. Her childhood moving around Southern California and Astoria, Oregon. Undergraduate life in Sacramento and living in San Francisco. Stories about her motorcycle riding, cable car driving husband. Her professional career at Pacific Bell in a sink-or-swim program managing circuit provisioning. Other jobs teaching English to Japanese business people and library assistant. The epiphany to enroll in graduate school. Learning from her life the capacity to manage obstacles. She recalls job discrimination at Pac Bell. Enduring sexism as one of the few women at her company. The short term and long term consequences of taking action. Our bewilderment on Harvey Weinstein and the culture that allows his behavior to persist. The public obligation to prevent future injustices by taking action. We discuss her professional career interest in law and violence in the plays of William Shakespeare. Her research into the theatricality of public executions. Description of the Greek & Roman execution known as the Brazen Bull. The political staging of executions. Theatrical nature of execution by quartering in Renaissance England. The political climate of Shakespeare's time. Cultural implications of the law through the eyes of an artist such as Shakespeare. How the theory of cultural anthropologist Clifford Gertz is applicable to interpretation of constitutional law. Her other Shakespeare interest: gender. She examines the play Measure for Measure. The magic of writers who seem to transcend time. How over the centuries humanity has recurring issues because we cannot solve the complexity of them absolutely. Finally, the art she adores, such as painter Edward Hooper (e.g. Nighthawk, Early Sunday Morning, Railroad Sunset, Seven A.M.), Mark Rothko and the sculpture of David by Michelangelo.

James I was a teeny bit obsessed with witches. In this episode I look a bit at the state of witchcraft and magic in Renaissance England, how that changed during the Protestant Reformation, and how James jumped on it and took it to a whole new level. Show notes at Englandcast.comIf you like this show, please consider leaving a rating on iTunes, which is the best way you can support us! You can support for $1/episode on Patreon (patreon.com/nomadchick) or purchasing super awesome holiday gifts at the Englandcast Tudor Shop where there's gorgeous Christmas decor - http://shop.englandcast.com See acast.com/privacy for privacy and opt-out information.

Tiffany Werth from Simon Fraser University delivers a talk titled “‘Unwelcome stones’ and Mineralizing the Human in Renaissance England.” This talk was included in the session titled “Body.” Part of “Early Modern Literary Geographies,” a conference held at The Huntington Oct. 14–15, 2016.

Four centuries after Shakespeare's death, young scholars share new evaluations of his work - in a series of essays recorded in front of an audience in Shakespeare's old classroom at the Guildhall in Stratford-upon-Avon.3.Joan Fitzpatrick with "Wolf All?- Shakespeare and Food in Renaissance England"Joan Fitzpatrick explains her new research on what people ate in Shakepeare's England, and what food and the consumption of food signifies in his plays. She starts with details of enormously popular Dietary books, such as William Bullein's Government of Health, (first printed in 1542) and goes on to explore why eating is about far more than nourishment, shedding important new light on the old, the young, the thin, the fat, women, foreigners, the poor and social elites in Shakespeare's plays. Joan Fitzpatrick is Senior Lecturer in English Literature at Loughborough UniversityBBC Radio 3 is marking the 400th anniversary of the death of Shakespeare with a season celebrating the four centuries of music and performance that his plays and sonnets have inspired. Producer : Beaty Rubens.

Institute of Classical Studies Warburg Institute Speaker: Dr Fred Schurink (Northumbria University) This conference addressed the uses of Plutarch’s historical and philosophical works by late antique, medieval and early modern scholars, writer...

Institute of Classical Studies Warburg Institute Speaker: Dr Fred Schurink (Northumbria University) This conference addressed the uses of Plutarch’s historical and philosophical works by late antique, medieval and early modern scholars, writer...

A brief introduction to the painters who painted the portraits we still look at today. See acast.com/privacy for privacy and opt-out information.

These lectures explore the rich tradition of English metrical psalmody in the sixteenth and seventeenth centuries. The first lecture contextualises psalm versions by Wyatt and others into the literary, political and theological context of Renaissance England and focuses in particular on the Psalms' complex relationship with monarchy.