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12 episodes with when i paint my masterpiece
3 episodes with when i paint my masterpiece
2 episodes with when i paint my masterpiece
4 episodes with when i paint my masterpiece
2 episodes with when i paint my masterpiece
2 episodes with when i paint my masterpiece
2 episodes with when i paint my masterpiece
The Proper Way on Van Sessions! Sponsor the program: https://t.ly/KsrVL Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | The Proper Way FULL SET LIST Song 1 - Good Love, Mike Clark & the Sugar Sounds COVER Song 2 - Ophelia, The Band COVER Song 3 - When I Paint My Masterpiece, Bob Dylan COVER Song 4 - Brokedown Palace, Grateful Dead COVER Song 5 - A Song for You, Leon Russell COVER ARTIST LINKS INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ WEBSITE: https://theproperwayband.com/ TIP: https://account.venmo.com/u/theproperwayband?catchAll=u&catchAll=theproperwayband CONTACT/BOOK: https://theproperwayband.com/contact SHOWS: https://www.bandsintown.com/a/13337733-the-proper-way?came_from=242&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist LISTEN: https://songwhip.com/theproperway WATCH: https://www.youtube.com/c/theproperway BUY: https://theproperwayband.com/merchandise STUDIO: https://theproperwayband.com/studio SUPPORTERS The Monarch Building: https://themonarchogden.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson: https://www.instagram.com/avery_atkinson_/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
The Proper Way on Van Sessions! Sponsor the program: https://t.ly/KsrVL Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | The Proper Way FULL SET LIST Song 1 - Good Love, Mike Clark & the Sugar Sounds COVER Song 2 - Ophelia, The Band COVER Song 3 - When I Paint My Masterpiece, Bob Dylan COVER Song 4 - Brokedown Palace, Grateful Dead COVER Song 5 - A Song for You, Leon Russell COVER ARTIST LINKS INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ WEBSITE: https://theproperwayband.com/ TIP: https://account.venmo.com/u/theproperwayband?catchAll=u&catchAll=theproperwayband CONTACT/BOOK: https://theproperwayband.com/contact SHOWS: https://www.bandsintown.com/a/13337733-the-proper-way?came_from=242&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist LISTEN: https://songwhip.com/theproperway WATCH: https://www.youtube.com/c/theproperway BUY: https://theproperwayband.com/merchandise STUDIO: https://theproperwayband.com/studio SUPPORTERS The Monarch Building: https://themonarchogden.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson: https://www.instagram.com/avery_atkinson_/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
When I Paint My Masterpiece – Josh Turner The Painter – Neil Young Vincent – Don McLean Mona Lisa – Nat “King” Cole Andy Warhol – David Bowie Sir Duke – Stevie Wonder Kansas (feat. Steve Earle) – The Waterboys Picasso’s Last Words (Drink to Me) – Paul McCartney & Wings Romeo And Juliet – Indigo Girls
This week on the Deadpod we have a very nice latter day show from Spring 1993. This comes to us from the Nassau Coliseum on April 4, 1993, and it is a Sunday night show. Some of the highlights of the first set include a very nice Sugaree (Jerry's voice is a bit frail at times but he carries it off the entire show). 'When I Paint My Masterpiece' is always welcome in my book. Jerry does an excellent version of 'So Many Roads' and the 'Bird Song' after 'Eternity' is a sweet way to wind up the first set. Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 4/4/1993 - Sunday One In The Midnight Hour Sugaree > Walkin' Blues Dire Wolf When I Paint My Masterpiece So Many Roads Eternity > Bird Song You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod041224.mp3 "So many roads, I tell you New York to San Francisco So many roads I know All I want is one to take me home"
Singles Going Around- The WantingNew records and a new episode of the podcast!The Beatles- "If I Needed Someone"Otis Redding- "Loving By The Pound"The Band- "When I Paint My Masterpiece"Love- "Emotions"The Bar-Kays- "Soul Finger" (45 version)Tony Joe White- "Roosevelt And Ira Lee"The Small Faces- "Itchycoo Park"Frank Zappa- "Peaches En Regalia"Love- "Can't Explain"The Rolling Stones- Live With Me"Them- "Mystic Eyes"The Mar-Keys- "Last Night" (45 version)The Beatles- "I Want You (She's So Heavy)"Love- "A House Is Not A Motel"The Black Crowes- "Sometimes Salvation"*All Selections taken from Lp's and 45's
"From Chicago to Egypt: Collecting Dead Memorabilia and Memories with Jay Blakesburg"Larry Mishkin features a nostalgic recounting of a Grateful Dead concert from March 11th, 1993, at the Rosemont Horizon in Rosemont, Illinois. The discussion covers various aspects of the event, including the venue's challenges, the band's performance, and reflections on specific songs played during the show. Larry also touches on recent music events, such as Phil Lesh and Friends' performances and upcoming Phish summer tour dates. It also highlights an exhibition by photographer Jay Blakesburg and his collection of Grateful Dead memorabilia, along with personal anecdotes related to Dead history. Grateful DeadMarch 11, 1993 (31 years ago)Rosemont HorizonRosemont, Illinois (Chicago)Grateful Dead Live at Rosemont Horizon on 1993-03-11 : Free Borrow & Streaming : Internet ArchiveFinal night of 3 show run March 9 – March 11 (Tuesday – Thursday) INTRO: Help On The Way Track #1 :20 – 2:06 Released on Blues For Allah (1975) Played 111 times First time: June 17, 1975 at Winterland, S.F. Last time: June 22, 1995 at Knickerbocker Arena, Albany, NY SHOW No. 1: When I Paint My Masterpiece Track #6 1:36 – 3:12 "When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971. Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar, appeared on Bob Dylan's Greatest Hits Vol. II, released November 17, 1971, with Russell credited as the producer. Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages. Douglas Brinkley, while interviewing Dylan for the New York Times in 2020, noted that "When I Paint My Masterpiece" was a song that had grown on him over the years and asked Dylan why he had brought it "back to the forefront of recent concerts". Dylan replied, "It's grown on me as well. I think this song has something to do with the classical world, something that's out of reach. Someplace you'd like to be beyond your experience. Something that is so supreme and first rate that you could never come back down from the mountain. That you've achieved the unthinkable. That's what the song tries to say, and you'd have to put it in that context. In saying that though, even if you do paint your masterpiece, what will you do then? Well, obviously you have to paint another masterpiece". According to his official website, Dylan played the song live 182 times between 1975 and 2019.[4] Five live performances of the song from Dylan's 1975 Rolling Thunder Revue tour were released on the box set The Rolling Thunder Revue: The 1975 Live Recordings in 2019. The live debut occurred at the War Memorial Auditorium in Plymouth, Massachusetts on October 30, 1975 and the most recent performances occurred on the Rough and Rowdy Ways World Wide Tour in 2023. Played 146 timesFirst: June 13, 1987 at Ventura County Fairgrounds, Ventura, CALast: July 9, 1995 at Soldier Field, Chicago My favorite Dylan cover. Would rotate in first set with other Dylan covers including Queen Jane Approximately, Stuck Inside of Mobile With Memphis Blues Again and Desolation Row. SHOW No. 2: So Many Roads Track #7 :39 – 2:21 So Many Roads was first performed by the Grateful Dead on February 22, 1992. It was then played regularly through to the last performance of the song on July 9, 1995. In total the song was played just over 50 times.Jerry Garcia spoke about So Many Roads in an interview with Dave DiMartino in 1992;“It's Hunter writing me from my point of view, you know what I mean? We've been working together for so long that he knows what I know. The song is full of references to things that have to do with me.... “....Hunter is the only guy that could do that. He can write my point of view better than I can think it, you know what I mean? So that's the kind of relationship we have. And he frequently writes tunes from my point of view that are autobiographical. There actually biographical I guess. He's the one writing them, but even so they express my point of view - and more than that they express the emotional content of my soul in a certain way that only a long-term and intimate relationship with a guy as brilliant as Hunter coughs up ... I can sing that song, feel totally comfortable with it.” Robert Hunter's comments on the origins of this song in the notes in Box Of Rain: Lyrics 1965-1993; “One afternoon, Jerry was playing some unstructured changes on the piano. Figuring they might be forgotten otherwise, I clicked on my tape recorder. Ten years later I found the tape and listened to it, liked it, and set these words to it. Listening to the pitifully recorded and time-degraded tape, Jerry protested that, although he liked the words, his changes were not very good and unfinished besides. This didn't seem to be the base and I requested that he at least give it a run through. The result was one of the better received new GD songs and one that almost got away.” Never released on a Dead studio album but was a centerpiece of the Dead's first Box Set: So Many Roads, 5 disc retrospective of the band from 1965 to 1995. Many commentators said this was the best one ever. When I saw the show, we were still just all hearing the song fort the first few times and getting used to it. Over time, it has become a favorite thanks to Hunter's lyrics and Jerry's playing and singing. Very emotional. SHOW No. 3: Iko Iko Track No. 9 4:04 – 5:38 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The story tells of a "spy boy" (i.e. a lookout for one band of Indians) encountering the "flag boy" or guidon carrier for another "tribe". He threatens to "set the flag on fire". Crawford set phrases chanted by Mardi Gras Indians to music for the song. Crawford himself states that he has no idea what the words mean, and that he originally sang the phrase "Chock-a-mo", but the title was misheard by Chess Records and Checker Records president Leonard Chess, who misspelled it as "Jock-a-mo" for the record's release. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko". Second set opener. From intro, it was hard to tell if they were going into Women Are Smarter to Iko. Really enjoyed Women Are Smarter, but always extra happy when it turns out to be Iko. Great version. Jerry very energetic and really getting into it. Played 185 times First: May 15, 1977 at The Arena in St. Louis Last: July 5, 1995 at Riverport Amphitheater in St. Louis (first and last time in St. Louis!!) SHOW No. 4: Space Track #15 (note that there are 2 “Space” tracks, this is the first one, Track 15) 4:25 – 5:42 (The Island – Ken Nordine) Ken Nordine (April 13, 1920 – February 16, 2019) was an American voice-over and recording artist, best known for his series of word jazz albums.[2] His deep, resonant voice has also been featured in many commercial advertisements and movie trailers. One critic wrote that "you may not know Ken Nordine by name or face, but you'll almost certainly recognize his voice.” In 1955, he provided the voiceover on Billy Vaughn's version of "Shifting Whispering Sands", which peaked at number 5 on the Billboard Hot 100. He subsequently attracted wider attention when he recorded the aural vignettes on Word Jazz (Dot, 1957). Love Words, Son of Word Jazz (Dot, 1958) and his other albums in this vein feature Nordine's narration over cool jazz by the Fred Katz Group featuring Chico Hamilton recording under an alias. Nordine began performing and recording such albums at the peak of the beat era and was associated with the poetry-and-jazz movement. However, it has been observed that some of Nordine's writings "are more akin to Franz Kafka or Edgar Allan Poe" than to the beats.[8] Many of his word jazz tracks feature critiques of societal norms.[9] Some are lightweight and humorous, while others reveal dark, paranoid undercurrents and bizarre, dream-like scenarios. Nordine's DVD, The Eye Is Never Filled was released in 2007.[9]Nordine hosted the weekly Word Jazz program on WBEZ, also carried on other stations, from the 1970s for over forty years.In 1990, Nordine was approached by Jerry Garcia of The Grateful Dead to be the anchor for their New Year's Eve radio broadcast from Oakland, California.[13] For the broadcast he recorded some improvisations with Garcia, drummer Mickey Hart and Egyptian musician Hamza El-Din.[13] This subsequently led to an album Devout Catalyst, released on the Grateful Dead's own label in 1991[13] and Upper Limbo in 1993[14] and an appearance with the band live at a show at Rosemont, Illinois, in March 1993. Ken Nordine died February 16, 2019. OUTRO: Days Between Track No. 18 4:51 – 6:51 “Days Between,” a late song in the Robert Hunter / Jerry Garcia songbook, was perhaps their last collaboration on a big, significant song, one that ranks with “Dark Star” and “Terrapin Station” as ambitious and intentionally grand. (I was talking the other day with a friend, about Garcia's playing and songwriting, and the thought came up that Garcia, like few others, was unafraid of grandeur, and could successfully pull it off. Same with Hunter.) It appeared like the ghostly ships it describes, as if gradually from a fog and only slowly revealing itself as something very big, towering above everything around. It's hard to say it any better than Phil Lesh did in his autobiography, Searching for the Sound:“Achingly nostalgic, ‘Days Between' evokes the past. The music climbs laboriously out of shadows, growing and peaking with each verse, only to fall back each time in hopeless resignation. When Jerry sings the line ‘when all we ever wanted / was to learn and love and grow' or ‘gave the best we had to give / how much we'll never know,' I am immediately transported decades back in time, to a beautiful spring morning with Jerry, Hunter, Barbara Meier, and Alan Trist—all of us goofing on the sheer exhilaration of being alive. I don't know whether to weep with joy at the beauty of the vision or with sadness at the impassable chasm of time between the golden past and the often painful present.” Each verse in the song contains fourteen lines, and each evokes a different season of the year, although not in sequence. The first verse contains the lines “Summer flies and August dies / the world grows dark and mean.” I can't hear that line without thinking about August West, in Wharf Rat, and, by extension, Garcia himself. “The singing man is at his song / the holy on their knees.” Who is the singing man, if not Garcia, when it comes to Hunter and his words? Played 42 times by the band, always in the second set, almost always out of drums First: February 22, 1993 at the Oakland Alameda County Coliseum in Oakland, CA Last: June 24, 1995 at RFK Stadium, Washington, D.C. This was just the second time it was ever played “Gave the best we had to give, how much we'll never know” No chorus in this song, just verses that keep building on each other. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
1. The W.S. Walcott Medicine Show 2. The Shape I'm In 3. Don't Do It 4. The Weight 5. I Shall Be Realesed 6. Up on Cripple Creek 7. Down in the Flood (with Bob Dylan) 8. When I Paint My Masterpiece (with Bob Dylan) 9. Chest Fever Bonus Track: 10. Rag Mama Rag
Our engagement with the late work of Bob Dylan continues with a track-by-track analysis of Shadow Kingdom, the newly-released soundtrack album to the pandemic-era film of the same name, in which Dylan reimagines thirteen of his early songs. To help us is Allison Rapp, assistant editor of Ultimate Classic Rock magazine and among the zoomers offering a new interpretation of the great boomer artists. Support us at Patreon.com/ThePopularPod for part 2 ('hitting the harder stuff'), plus the complete video version of our discussion with Alison. Bob Dylan recordings featured in this episode: Most Likely You'll Go Your Way (and I'll Go Mine) (Shadow Kingdom version) When I Paint My Masterpiece (Shadow Kingdom version) When I Paint My Masterpiece (live bootleg, 1997) Most Likely You'll Go Your Way (and I'll Go Mine) (live bootleg 2022) Queen Jane Approximately (live bootleg 1993) I'll Be Your Baby Tonight (live bootleg 2023) Tombstone Blues (Shadow Kingdom version) To Be Alone with You (live bootleg, 1991)
Singles Going Around- Waiting For The SunT Rex- "Telegram Sam"Beastie Boys- "Son of Neckbone"Bo Diddley- "You Can't Judge A Book By It's Cover"The Beach Boys- "Salt Lake City"Roger Miller- "My Uncle Used To Love Me, But She Died"The Doors- "Love Me Two Times"The Fury's- "Little Queenie"The Rolling Stones- "Everybody Needs Somebody To Love"Creedence Clearwater Revival- "My Baby Left Me"Bob Dylan- "When I Paint My Masterpiece"Booker T & The MG's- "Get Ready"Neil Young- "Don't Cry No Tears"The Satisfactions- "Girl Don't Tell Me"The Beach Boys- "Lttle Pad"The Beatles- "Yer Blues"The Doors- "Spanish Caravan"John Fahey- "Night Train of Valhalla"*All selections taken from the original lp's.
Thanks for dropping by the podcast, now a healthy 119 episodes old. Once a week, the task is to stop to notice having noticed three things from my life that left behind tracks of happiness and gratitude. In case I ever, like, tomorrow, need markers for the way back. This week: 1. The Stoics – I spent some time talking to our son Alex about our game, hockey. 2. The winter – What are you doing next February? Consider riding your bicycle here! 3. The dead – Mid-afternoon musings of mortality at MacEwan. The original music in the podcast is the work of Edmonton pianist and composer, Brendan McGrath. The end bells are courtesy of Edmonton metal artist and humanitarian Slavo Cech. I am at glenn.kubish@gmail.com Other sounds in the podcast came from: Ref's whistle: https://www.youtube.com/watch?v=hboA_JXKslc The Band, When I Paint My Masterpiece – https://www.youtube.com/watch?v=wq2e7DPhyHg&t=3s Hockey Night in Canada
As Christmas approaches, Hanukkah continues, and the big snowstorm closes in on many of us, I hope that this week's Deadpod brings you some joy this week! I bring you the first set of what is a really great show from December 30, 1989 in Oakland California. The opening 'Bertha' flows into a rare first-set 'Good Lovin' which then flows into an excellent version of 'Sugaree'. The entire set is quite well played, and while Airto joins at 'Sugaree' and remains the rest of the show, his contributions are a bit hidden most of the time. The set-closing 'Music Never Stopped' features some interesting Midi Horns from Garcia, but the entire set is energetic and a pleasure to hear. I hope you enjoy it. Grateful Dead Oakland-Alameda County Coliseum Arena Oakland, CA 12/30/1989 - Saturday One Bertha [6:22] > Good Lovin' [4:02] > Sugaree [9:30] Walkin' Blues [6:42] Jack-A-Roe [4:10] When I Paint My Masterpiece [5:02] West L.A. Fadeaway [6:58] The Music Never Stopped [7:32] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122322.mp3 My best wishes for a Happy Hanukkah, and a very Merry Christmas!
“It could have been a last waltz,” Bill Flanagan wrote, “instead, it turned out to be rock & roll's greatest half time show." Thirty years ago, Sony Music hosted Columbia Records Celebrates the Music of Bob Dylan at Madison Square Garden on October 16, 1992. A double-CD concert album and a concert film, both titled Bob Dylan: The 30th Anniversary Concert Celebration were released to memorialize the event. This episode will memorialize the memorialization, contextualize the concert within the lineage of other great multiact, multiheaded concerts and festivals, and it will also strip bare some of the event's mythologization. In "20 Pounds of Headlines," we round up news from the world of Bob Dylan as it was in 1992 and today, including a brief clip of Dylan reading from his forthcoming THE PHILOSOPHY OF MODERN SONG, an update on his current tour itinerary, and a special guest review of another much more recent Bob Dylan Tribute Concert that took place at Town Hall in New York City, this review written by our listener Jon Olson of Arlington. In "Who Did It Better?" we ask you who did "When I Paint My Masterpiece" better live, Jerry Garcia and John Kahn or The Band (minus Robbie Robertson) with Richard Bell and Jim Weider on the stage of Madison Square Garden for Columbia Records Celebrates the Music of Bob Dylan? For past episodes featuring the music of the Columbia Records Celebrates the Music of Bob Dylan concert, look up the following episodes of HARD RAIN & SLOW TRAINS: BOB DYLAN & FELLOW TRAVELERS: 10/29/2020: “All Those Who've Sailed with Me: Bob Dylan & His Bands part 3,” 6/10/2021: “The Great Pretender: The Music of Chrissie Hynde,” 11/11/2021: “Bloomington,” and 11/25/2021: “Playing to the Big Crowds, Playing to the Cheap Seats: Bob Dylan & The Beatles part 2.” You might also like to listen to 10/8/2020: “The Rock Era” for some more context concerning multiact and multiheaded concerts and festivals.
We turn the mic around today and Katherine is interviewed by the host of Narrative Species, music creator and engineer for the show Rick Kleffel. Katherine starts by talking about her history first growing up in a family of six scientists and then as an astrophysicist getting her PhD from UCSC and working at NASA in Mountain View for 11 years. We talk about the evolution of her focus from thoughts to feelings as she moved from science to dreams. Katherine describes her experience of almost dying in 2005 because she was able to successfully suppress her feelings until her appendix ruptured and how this lead her to go deeper into her dreams. Katherine recommends accessing emotions through bodily sensations rather than using labels and describes the parts of the brain that are active during dreams. She encourages listeners to set up their own dream groups and describes how difficult it can be to distill the chaos of dreams into a concrete dream report. We take a call from Chris from Felton who was a member of Katherine's original dream group which started in the 1990s. Chris asks Katherine about her vision for the future. She finishes by talking about the book about dreams that she is working on. Katherine is going to start up her Monday afternoon group again by mid-January. Contact her if you'd like to join. BIO: Katherine has worked with dreamers and dream groups for 25 years and has presented in venues ranging from local to international. She works with the international association for the study of dreams where she is on the Board of Directors and the Ethics Committee. Also she is the conference planning co-chair. Katherine is working on a book about dreams. She came to Santa Cruz as an astrophysicist in 1985 and earned a a PhD, after which she worked for NASA in Mountain View for 11 years. Find her at ExperientialDreamwork.com Books that are mentioned: How Emotions Are Made by Lisa Feldman Barrett The Body Keeps the Score by Bessel van der Kolk Slapstick by Kurt Vonnegut Where People Fly and Water Runs Uphill by Jeremy Taylor We play clips from the following two guest-selected songs: Reina del Cid and Toni Lindgren cover Bob Dylan's "When I Paint My Masterpiece" and Achilles Wheel plays "This Is Life". Ambient music created by Rick Kleffel new every week. Many thanks to Rick Kleffel for engineering the show and to Tony Russomano for answering the phones. Show aired on December 18, 2021. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM, streaming live at KSQD.org 10-11am Saturday mornings Pacific time. Catch it live and call in with your dreams or questions at 831-900-5773 or at onair@ksqd.org. If you want to contact Katherine Bell with feedback, suggestions for future shows or to inquire about exploring your own dreams with her, contact katherine@ksqd.org, or find out more about her at ExperientialDreamwork.com. The complete KSQD Dream Journal podcast page is found here. You can also check out The Dream Journal on the following podcast platforms: Rate it, review it, subscribe and tell your friends. Apple Podcasts Google Play Stitcher Spotify
Join Mike Hermes of Ocean City, Maryland as he reflects on the three (about to be four) shows that he has caught from Dylan's Fall 2021 tour; of course, we will play for you a heaping helping of some of the Fall tour performances from the past week-and-a-half: New York City from 21 November, Boston from 27 November, and Philadelphia from 30 November in particular. In "20 Pounds of Headlines," we remind you about the American opening of RETROSPECTRUM, Dylan's first, five-decade-spanning retrospective of his visual art in Miami that we told you about in the October 7th and May 13th editions of "20 Pounds of Headlines." In "Who Did It Better?" we ask you to tell us which 2021 version of "When I Paint My Masterpiece" is better: the SHADOW KINGDOM version from earlier in the year or the live version from Philadelphia on November 30, 2021.
This episode we're thrilled to be joined by friend of the show Louis Bennett (insta @louisben1995) for a special on painters on screen. We discuss some old favourites, some new discoveries, a couple of real stinkers and much more in a wide-ranging discussion about screen representations of fictional, contemporary and historical painters' lives, work and times. Check below for the full filmography! Louis' latest show, ‘Ariel', is exhibiting at the Kristin Hjellegjerde Gallery (https://bit.ly/3znSUuf) in Wandsworth, London until 31st July and includes the cover image of this episode, 'It Was Written'. Featuring covers of ‘When I Paint My Masterpiece' by Bob Dylan & The Band, ‘When I Was a Painter' by The Breeders, ‘Painter in Your Pocket' by Destroyer and ‘Painter Man' by The Creation. Filmography (in order of appearance): Mrs. Lowry and Son (Adrian Noble, 2019) Miss Potter (Chris Noonan, 2006) Lust For Life (Vincente Minnelli, 1956) The Horse's Mouth (Ronald Neame, 1954) The Rebel (Robert Day, 1961) The Square (Ruben Ostlund, 2017) Dinner for Schmucks (Jay Roach, 2010) The Draughtsman's Contract (Peter Greenaway, 1982) Dont Let The Riverbeast Get You! (Charles Roxburgh, 2012) Mr. Turner (Mike Leigh, 2014) After Hours (Martin Scorsese, 1985) Life Lessons (Martin Scorsese, 1989) Portrait of a Lady on Fire (Celine Sciamma, 2019) The Belly of an Architect (Peter Greenaway, 1987) The Agony and The Ecstasy (Carol Reed, 1964) Final Portrait (Stanley Tucci, 2017) Nightwatching (Peter Greenaway, 2008) The Da Vinci Code (Ron Howard, 2007) The Mill & The Cross (Lech Majewski, 2011) La Kermesse Heroique (Jacques Feyder, 1936) Andrei Rublev (Andrey Tarkovsky, 1968) The Seventh Seal (Ingmar Bergman, 1957) Rembrandt (Alexander Korda, 1936) Rembrandt fecit 1669 (Jos Stelling, 1977) A Bigger Splash (Jack Hazan, 1973) The Quince Tree Sun (Victor Erice, 1992) The Mystery of Picasso (Henri-Georges Clouzot, 1958) Caravaggio (Jarman, 1986) Artemisia (Agnes Merlet, 1997) Frida Still Life (Paul Deluc, 1983) Frida (Julie Taymor, 2002) At Eternity's Gate (Julian Schnabel, 2018) Basquiat (Julian Schnabel, 2000) Vincent & Theo (Robert Altman, 1991) Van Gogh (Maurice Pialat, 1991) Loving Vincent (Dorota Kobeila & Hugh Welchmann, 2017) Csontvary (Zoltan Huszarik & Ferenc Olasz, 1980) Klimt (Raul Ruiz, 2006) The Hypothesis of the Stolen Painting (Raul Ruiz, 1978) Pirosmani (Giorgi Shengelaia, 1969) Arabesques on the Pirosmani Theme (Sergei Parajanov, 1985) Schalken the Painter (Leslie Megahey, 1979) Pollock (Ed Harris, 2000) Love is the Devil (John Maybury, 1998) Edvard Munch (Peter Watkins, 1974) Montparnasse 19 (Max Ophuls & Jacques Becker, 1958) Bibliography: John A. Walker, Art and Artists on Screen (1993) David Bovey, The artist biopic: a historical analysis of narrative cinema, 1934-2010 (unpublished 2015 PhD thesis). Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey
Sign on the Window isn't the Bob Dylan podcast you need, but it's definitely the one that you want! Each week we select a Dylan song at random, live with the song for a week (or two) and then get together to discuss. This week is quite special as we review Dylan's Shadow Kingdom. In this episode, we talk about each song and each vignette Initial Thoughts (1:00) Credits (10:00) When I Paint My Masterpiece (22:00) Most Likely You'll Go Your Way (And I'll Go Mine) (26:30) Queen Jane Approximately (33:00) I'll Be Your Baby Tonight (38:00) Just Like Tom Thumb's Blues (43:45) — and a shoutout to the actors Tombstone Blues (50:15) To Be Alone With You (54:00) What Was It You Wanted (56:30) Forever Young (1:00:30) Pledging My Time (1:06:00) Wicked Messenger (1:08:30) Watching the River Flow (1:13:00) It's All Over Now, Baby Blue (1:16:00) Does this work in 2021? (1:20:30) As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on the usual suspects: Twitter, Facebook, Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Next episode: Music Video Month V
50 years ago Bob Dylan was turning 30. He recorded four new songs in the studio, and a total of eight original songs (four were from previous years), but did not release a studio album, only Greatest Hits Vol. II. He performed in both Madison Square Garden performances for the Concert for Bangladesh, and joined The Band on stage at the New York Academy of Music at the end of the year, but did not tour. He had his own studio he operated for a year near Greenwich Village, he recorded on a David Bromberg record and he recorded with Barry Goldberg when Goldberg used Dylan's studio to record. He arranged the recording of 15 of Allen Ginsberg's songs and played guitar, piano, and organ on them. He even appeared on public television with Ginsberg. And 1971 was the year Macmillan finally published TARANTULA. Yet, despite this activity, he was not ready to tour yet. It's the golden (50th) anniversary of this interesting year, so we are pausing half-way through our own calendar year of 2021 to look back. In "20 Pounds of Headlines," we round up news from the world of Bob Dylan as it was in 1971 and in "Who Did It Better?" we ask you who did "When I Paint My Masterpiece" better back in 1971: The Band or Bob Dylan?
This week on the Deadpod we feature a Kentucky Derby Day performance by the band back in 1991. This was at Cal Expo, in Sacramento California on May 4, 1991. The band starts out hard and tight with a roaring 'Hell In a Bucket'. They are without Hornsby here, and in some ways sound tighter and more together (although I'm well aware that opinions differ on how Vince sounds here). The 'Sugaree' that follows is very good, with Garcia really ramping it up in the solo. I think that the version of 'The Race Is On' here is a real winner. 'Row Jimmy' is always fun to hear and they also feature 'New Speedway Boogie' which they broke out during the Spring tour that year. Grateful Dead Cal Expo Amphitheater Sacramento, CA 5/4/91 - Saturday One Hell In A Bucket ; Sugaree ; New Minglewood Blues ; Loser ; The Race Is On ; Row Jimmy ; When I Paint My Masterpiece ; New Speedway Boogie ; The Music Never Stopped You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod043021.mp3 Hoping you have a fine Derby weekend, and a fine May to follow! thanks for your support
CEO/Founder L.C. Crowley of Trioscope Studios -- which produces hybrid live action/animated content for Netflix and others -- joins Peter for a live CREATV University Q&A about developing your own system to realize your creative, professional, and personal/life goals and potential. L.C. also lays out new content and programming possibilities in our streaming-first entertainment world. He also explains why he chose the song "When I Paint My Masterpiece" by The Band to be his pre-session song as the online audience waited for his interview to begin. To go deeper and learn more, visit www.creatv.media.
This week's Deadpod features the anniversary of a show that took place 32 years ago at Town Park in beautiful Telluride Colorado. It was the weekend of the celebrated 'Harmonic Convergence' which marked a globally synchronized mediation event as well as an exceptional alignment of planets. Needless to say it did not bring about an era of world peace or contentment. Nonetheless, the boys played an interesting show which was a request from a friend of the Deadpod who is marrying his finance there this summer! All the best wishes, Frank! The first set which we will hear this week, features some nice work by Brent, as well as a snappy Mississippi Half Step opener and a 'Big Railroad Blues', always a favorite of mine.. Grateful Dead Town Park Telluride, CO 8/16/87 - Sunday One Mississippi Half-Step Uptown Toodeloo [7:15] > Little Red Rooster [8:15] ; Iko Iko [4:59] ; Beer Barrel Polka Tuning ; Far From Me [3:59] ; West L.A. Fadeaway [6:49] ; When I Paint My Masterpiece [4:07] ; Big Railroad Blues [4:02] > The Promised Land [3:53] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod081619.mp3 "Summers fade and roses die.. " thank you for your support my friends.
This months's podcast takes us back to The Grateful Dead, and Little Feat, in Eugene, OR during the Summer of 1990. This show is Brent Mydland's last show on the West Coast and it is a whole lotta fun. Little Feat was the opening act, and we give you a healthy dose of them at half-time. Keep on enjoyin' the ride! GRATEFUL DEAD June 24, 1990 Autzen Stadium Eugene, OR SET 1: Help on the Way > Slipknot! > Franklins Tower, When I Paint My Masterpiece, Loose Lucy, Just a Little Light, Picasso Moon, Candyman, Let it Grow HALF TIME: Little Feat (Eugene, OR 6/24/90) SET 2: Foolish Heart, Women Are Smarter, Standing on the Moon, Box of Rain, Estimated Prophet > He's Gone > Drums > Space > Other One > Wharf Rat> Sugar Magnolia ENCORE: Brokedown Palace SOURCE: Ultra Matrix / Analog Master
This week the Deadpod will take you back to December 4th 1990 at the Oakland County Coliseum for a fine show that showcased the energy that Bruce Hornsby brought to the band when he joined them after the death of Brent Mydland. Highlights here for me include the Mississippi Half-Step and a wonderful Bird Song. While 'Walkin' Blues' is on no ones list of favorites, it is balanced out by a great set closing 'Valley Road'. I wish the band would've chosen to practice some of these Hornsby tunes, I know that was one of Bruce's frustrations that led him to leave later on, but this one is spot on and has some great energy. Grateful Dead Oakland-Alameda County Coliseum Arena Oakland, CA 12/4/90 - Tuesday One - [1:10:58] Jack Straw [5:38] ; Mississippi Half-Step Uptown Toodleloo [8:46] > Walkin' Blues [5:44] ; Candyman [6:24] ; Me And My Uncle [3:08] > Big River [5:36] ; Brown Eyed Women [4:46] ; When I Paint My Masterpiece [5:02] ; Bird Song [12:26] ; Valley Road [4:57] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod120718.mp3 Peace to all of you this holiday season and thanks for listening and your support.
Mixed Up Confusion is our vehicle to discuss the culture that surrounds our weekly conversation about Bob Dylan. And because you're here on Patreon, you're getting this early! This is the fourth episode of November's Band Month! It is Night 4 and everyone's getting a bit sleepy but the The Band is here to perform 1973's Moondog Matinee and 1971's Cahoots. Who doesn't like covers? Well... we begin with Moondog: - "Ain't Got No Home" (6:30) - "Holy Cow" (9:00) - "Share Your Love With Me"(10:45) - "Mystery Train" (13:30) and an aside on the film, Ghost Dog - "Third Man Theme"(19:00) - "Promised Land" (22:16) - "The Great Pretender" (23:30) - "I'm Ready" — "Saved"(unlistenable, but not enthused) - "A Change is Gonna Come" (25:20) After a brief pause, it's time for Cahoots: - "Life is a Carnival" (30:00) - "When I Paint My Masterpiece" (33:45) - "Last of the Blacksmiths" (37:00) - "Where Do We Go From Here?" (41:10) - "4% Pantomime" (43:00) - "Shootout in China Town" (47:30) - "Moon Struck One" (52:00) - "Thinkin' Out Loud" (55:45) - "Smoke Signal"(56:15) - "Volcano" (59:45) - "The River Hymn" (1:02:00) As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Have a wonderful Thanksgiving folks, we'll be back for our encore: Rock of Ages. We'll save The Last Waltz for another time. See you then!
POD DYLAN Episode 77 - WHEN I PAINT MY MASTERPIECE Rob welcomes his long time friend, artist/writer/musician Sean Tiffany to discuss "When I Paint My Masterpiece", one of the new songs included on 1971's BOB DYLAN'S GREATEST HITS VOL.2. This episode brought to you by Coca-Cola. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net SEAN TIFFANY - http://oilcandrive.com Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy this song on iTunes: https://itunes.apple.com/us/album/biograph/158575020 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!
POD DYLAN Episode 77 - WHEN I PAINT MY MASTERPIECE Rob welcomes his long time friend, artist/writer/musician Sean Tiffany to discuss "When I Paint My Masterpiece", one of the new songs included on 1971's BOB DYLAN'S GREATEST HITS VOL.2. This episode brought to you by Coca-Cola. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net SEAN TIFFANY - http://oilcandrive.com Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy this song on iTunes: https://itunes.apple.com/us/album/biograph/158575020 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!
You've probably heard that Phil Lesh and Bob Weir have been playing some wonderful 'duo' shows together this month.. while I'm still contemplating playing one of the audience tapes of one of these gems, I decided to bring you another 'Phil & Friends' acoustic show that started the genre - this took place back on September 24th, 1994 at the Berkeley Community Theater in Berkeley CA, a benefit for music in the local schools. It was of course the last 'acoustic' Dead performance, and for the most part is quite sweet and wonderful to hear. I hope you enjoy this performance, and I do envy those of you lucky enough to see Phil & Bob this tour! Phil Lesh and Friends Live at Berkely Community Center on 1994-09-24 Acoustic Set ( 95:31 ) 01 Bob Weir VH1 Unplugged Intro 02 Walking Blues 03 Lazy River Road 04 K.C. Moan 05 Dupree's Diamond Blues 06 Childhood's End 07 When I Paint My Masterpiece 08 Attics Of My Life 09 Cassidy > 10 Bird Song > 11 Throwing Stones Jerry Garcia Phil Lesh Vince Welnick Bob Weir Notes This was the very First Phil Lesh and Friends You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod030918.mp3 Be kind to one another. Thank you so much for your support.
Usually in the month of August I'm drawn to playing some latter day Dead simply because the power of Garcia's ballads seemed to grow as his other abilities diminished. I also enjoy hearing some of the songs that the band debuted in the latter phase of their existence. Many listeners of the Deadpod only had the chance to see the band live in these latter day concerts as well, so its great to revisit them occasionally. I think the show I've chosen this week is one of the better ones. This occurred on August 22nd, 1993 at Autzen Stadium in Eugene Oregon. While as usual during this time, the first set is not as long as we'd like it is pretty well played. It starts with an interesting Jack Straw - Weir has equipment problems and is absent for most of it, leaving it up to Jerry and Phil to create some interesting interplay. Broken Arrow is a later day Phil addition I always enjoyed, and this is a fine version. The set-closing 'Music Never Stopped' is probably the highlight of this set as it features some nice moments. Next week we'll feature the quite good second set of this show. Grateful Dead Autzen Stadium - University of Oregon Eugene, OR 8/22/93 - Sunday One Jack Straw ; Bertha ; Little Red Rooster ; Broken Arrow ; Althea ; When I Paint My Masterpiece ; Tennessee Jed ; The Music Never Stopped You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod082517.mp3 Thank you for your kind support of the Deadpod, which makes its' continued existence possible.
Here we are already at the end of June.. summer is flying by and for alot of people this is the start of a big 4th of July celebration.. I decided to bring you what I consider a very good show from the summer solstice of 1989 - June 21st, 1989 from the Shoreline Ampitheater. This was originally offered as a Pay Per View broadcast so some of you may have watched it. Despite playing this first set in a hot, sunny afternoon (to accommodate East Coast viewers), I think they put on a fine performance here of first set standards.. Grateful Dead Shoreline Amphitheatre Mountain View, CA 6/21/89 One Jam [0:47] ; Hide Away [1:39] ; Touch Of Grey [6:10] ; New Minglewood Blues [7:04] ; Ramble On Rose [6:00] ; Box Of Rain [4:47] ; Dire Wolf [#3:07] ; When I Paint My Masterpiece [5:07] ; Row Jimmy [9:55] ; Cassidy [6:20] ; Deal [10:16] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod063017.mp3 I hope you all have a very enjoyable and safe 4th of July holiday! Thanks for your financial support of the Deadpod! I really appreciate it.
Playlist: Professor Louie & The Crowmatix, Fine Little Mama, JIm Roberts And The Resonants, Dog Done Bit My Baby, Monster Mike Welch And Mike Ledbetter, Big Mama, Janiva Magness, I Love You More Than You’ll Ever Know, Mike Zito, Crazy Legs, Paul Dougherty, Honky Tonkin’, Jeffrey Halford, Elvis Shot The Television, Albert Castiglia, Let The Big Dog Eat, John McNamara, One, Two Of A Kind, Ivor S.K., Don’t Say Goodbye, Laura Tate, Nobody Gets Hurt, Mick Kolassa & Mark Telesca, I’ll Cry Instead, The Kate Lush Band, Easy Mistake, Low Society, Raccoon Song, Polly O’Keary And The Rhythm Method, Hard Hearted World, Straw, Family And Friends, Balkun Brothers, New Rocket, Mr. Sipp, Juke Joint, John Primer & Bob Corritore, Hold Me In Your Arms, Vintage #18, Circles, Bobby Messano, If The Phone Ain’t Ringin’, It’s Me Not Callin’, Chris Antonik, Hungry Ghost, Hector Anchondo Band, Face It Down, Anthony Rosano & The Conqueroos, You Don’t Know Me, Megan Flechaus, The Expanse, Ray Goren, Don’t Know Better, Samantha Fish, Chills And Fever, Chris Bergson Band, When I Paint My Masterpiece, Brian Charette, Late Night Tv, Mojomatics, Soy Baby Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services,American Showplace Music, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, Miss Jill at Jill Kettles PR and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much!
Trigger Warning: You will hear the actual “N Word” in this podcast, and not just once…and never as a racial epithet or indicator of hate or white supremacy. It’s conversational, and it’s included because it needed to be there. If you can’t handle the word, then you might want to either skip this altogether or be prepared for some fast forwarding. Have you ever felt afraid to vote, inadequate? Like you haven’t done your research as well as you know you should have but you feel an obligation to complete the one civic duty that is reportedly the foundation of our constitutional republic of sorts? Yeah, me too. And RJ. I’m giving you Levon Helm today. The Band. First, “I Shall Be Released.” At the end, “When I Paint My Masterpiece.” I really do wish you’d listen to this, but I understand if you choose otherwise. Love yinz! -G
Episode 049 - November 2016 Set 1Man Of Peace[1] (1987-07-04)Dead Man, Dead Man[1] (1987-06-01)Tomorrow Is a Long Time[1] (1987-06-01)Roll in My Sweet Baby's Arms[1] (1987-06-01)John Hardy[1] (1987-06-01)Tangled Up in Blue (1987-06-01)I Want You[1] (1987-06-01)The Ballad of Ira Hayes[1] (1987-06-01)It Takes A Lot To Laugh, A Train To Cry[1] (1982)Just Like Tom Thumb's Blues (1993-06-11)When I Paint My Masterpiece (1993-06-11)Señor (Tales of Yankee Power)[1] (1994-04-25)Desolation Row (1986-05-10)Simple Twist Of Fate (1977-12-04)Stuck Inside of Mobile with the Memphis Blues Again[1] (1988-10-16)Forever Young (1988-11-26)The Wicked Messenger[1] (1987-07-12)Heart of Mine[1] (1987-07-19)Shelter from the Storm[1] (1987-07-26)He Was a Friend of Mine-> China Cat Sunflower-> The Eleven-> Death Don't Have No Mercy (1969-05-24)It's All Over Now, Baby Blue[1] (1974-02-24)[1] Dead Fantasy Debut
Episode 039 - June 2016 Set 2Arabia[1] (1991-12-08)Dark Star (1989-10-09)Cassidy-> Uncle John's Band-> Cassidy (1993-05-27)How Sweet It Is (To Be Loved by You)[1] (1973-07-11)Peggy-O (1978-04-16)Jack-A-Roe (1977-05-18)Run for the Roses (1982-04-10)It Must Have Been The Roses (1975-09-28)Rubin and Cherise (1991-04-07)Looks Like Rain (1977-06-07)Bird Song (1990-07-21)Till The Morning Comes (1970-10-31)Eyes Of The World (1974-08-06)Sugar Magnolia (1972-08-27)Brown Eyed Women (1977-05-28)Tangled Up In Blue (1990)That's What Love Will Make You Do (1980-03-01)They Love Each Other (1975-12-31)When I Paint My Masterpiece (1985-10-16)Standing On The Moon (1990-03-30)Ramble On Rose (1977-05-19)Midnight Moonlight (1978-03-28)Shining Star (1993)To Lay Me Down (1974-06-24)Brokedown Palace (1971-12-07)The Stranger (Two Souls in Communion) (1972-05-10)If I Had The World To Give (1978-08-01)Attics of My Life (1970-06-06)Scarlet Begonias-> Fire On The Mountain (1985-07-01)Not Fade Away-> St Stephen (1977-03-18)And We Bid You Goodnight (1989-10-26)[1] Dead Fantasy DebutMuch love Silas+Ava!
Episode 021 - October 2015 Set 1Wake Up Little Susie 1970-02-14Don't Ease Me In 1970-03-24I'm A King Bee 1969-02-28When I Paint My Masterpiece 1991-06-17Desolation Row 1988-02-17I Second That Emotion 1971-04-29Stir It Up Jam 1991-03-21The Mighty Quinn 1985-12-30Werewolves of London 1978-07-08Baba O'Riley-> Tomorrow Never Knows 1992-05-31Knockin' On Heaven's Door 1990-10-28Dear Mr. Fantasy-> Hey Jude Reprise 1988-03-17Lucy In The Sky With Diamonds 1995-03-17All Along The Watchtower 1989-06-19The Weight 1990-04-02Man Smart (Woman Smarter) 1990-03-16Iko Iko 1990-12-12Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away 1971-11-15As always, all date information for all tracks used in all episodes can be found on the setlists page on the site -> http://deadfantasypodcast.blogspot.com/p/setlists.html
Episode 008 - April 2015 Set 1Alabama Getaway->Promised LandWalkin' BluesDupree's Diamond BluesWest L.A. FadeawayMe & My Uncle->Big RiverJust A Little LightJust Like Tom Thumb's BluesWhen I Paint My MasterpieceMr. CharlieDoin' That Rag->Cryptical EnvelopmentFeel Like A StrangerPassengerSaint Of CircumstanceHey Jude->Dear Mr. Fantasy->Hey JudeBuilt To LastCosmic Charlie
After having watched “The Last Waltz” (…this link is for the actual concert, not the movie. The movie is also worth your time…and on Netflix…) and then “Ain’t In It for My Health,” also easily obtainable, Greg became mildly obsessed with Levon Helm, drummer and lead singer for “The Band.” On this evening, Greg punched up “The Band” on Pandora and let the vibe roll. Unfortunately, that vibe carried him straight on to a soap box, which Jen entertained…until she didn’t. Sometimes she deserves a congressional medal of patience. This episode is the genesis for both the “Protect the Badge” (Part 1,Part 2, Part 3) and “Grill Skill” posts. On this evening, Jen punched up “The Departed” (De-pahh-ted) and Greg was taken by the alignment of two disparate Martin Scorsese flicks. But mostly, he said, “microprocessors” a lot. (My-crow-prahw-cessuhs) This episode’s beer of choice is Duclaw “Sweet Baby Jesus,” and sweet baby Jesus is it good. This episodes highlighted music includes: “Tupelo Honey” by Van Morrison, “The Weight” covered by Joe Cocker, “Up on Cripple Creek” and “When I Paint My Masterpiece” both by The Band and both spotlighting Levon Helm, and “Mean Old World” by Duane Allman and Eric Clapton. Have fun, kids. Good, clean, responsible…oh fuck all that, have fun! -G
This week marks the 25th anniversary of the show I selected to play this week, and it clearly is one of the better later-day Dead shows. This comes to us from September 18th, 1987 at Madison Square Garden New York. It starts out with Weir refering to their appearance on Letterman the night before and then kicks into a great Hell In a Bucket... The Sugaree that follows is no slouch.. This first set also has a wonderful version of Candyman and When I Paint My Masterpiece. Its a short but solid set one that ends with a very nice Birdsong.. We'll listen to set 2 next week, which has some real meat to its bones, but I thought I'd close out this week's Deadpod with a cut from the newly released 'Spring 1990: So Glad You Made It' set with the Blow Away from the Cap Center in Landover MD, March 16th, 1990. If you're a fan of Brent's you'll enjoy hearing this one.. 9/18/87 - Grateful DeadMadison Square Garden, New York, NYSet 1:Hell In A Bucket > Sugaree > Walkin' Blues ; Candyman ; When I Paint My Masterpiece ; Bird Song ; from Spring 1990, So Glad You Made ItBlow Away Cap Center Landover MD 3/16/90You can listen to this week's Deadpod here:http://traffic.libsyn.com/deadshow/deadpod092112.mp3 Thank you so kindly for your support of the Deadpod, I could not bring this to you each week without it!
In this episode: Greg meets AC/DC's Brian Johnson at Barnes and Noble in NYC, Brian Johnson's new memoir Rockers and Rollers, difficulties getting a picture taken at a book singing, a celebrity death (Osama bin Laden), Rob's quest for the perfect portable headphones, headphone web sites (headphone.com and head-fi.org), Sony MDR-ZX700 headphones, Rob's story about a customer puking in the Electronics Boutique video game store, Sean Penn playing a feminine-looking hair band rocker in This Must Be the Place (2011), our movie review of Bridesmaids (2011) starring Kristen Wiig and Maya Rudolph, tattoo controversy involving The Hangover 2 (2011), happy 70th birthday to Bob Dylan!, and The Band's cover of Dylan's "When I Paint My Masterpiece." 37.5 minutes - http://paunchstevenson.com
This week would have marked the 56th Birthday of Brent Mydland - so I decided to play something from the late 80s- a period where I really enjoy Brent's contributions. An interesting set list and some inspired playing from both Brent and Jerry (especially in the 2nd set which I'll be bringing you next week).. Grateful Dead The Centrum Worcester, MADate 4/9/88 - SaturdayOne Big Boss Man [4:52] ; Walkin' Blues [8:01] ; Far From Me [5:37] ; Candyman [6:51] ; Me And My Uncle [2:41] > Mexicali Blues [5:53] ; Tennessee Jed [7:50] ; When I Paint My Masterpiece [4:59] ; Deal [7:07]Two Hell In A Bucket [7:10] > Iko Iko [5:42]You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod102408.mp3Thanks for all the good wishes sent to me on my surgery - I'm getting a little better each day :) Also of note, I just sent out the copies of 'Rockin' The Cradle' - if you don't receive yours in a week and are expecting it get in touch... Thanks as always for all your support !! Have a great week!
Hello friends ! I've had a longstanding request to play a Bruce Hornsby show and while this *is* an atypical one, nevertheless its a good one.. his very first show with the Dead, 9/15/90 from Madison Square Garden in New York. We'll play the first set this week, and I think you'll agree its loaded with energy. Jerry really enjoyed playing with Bruce right from the start as is evident in this recording.. Grateful Dead Madison Square Garden New York , NY 9/15/90 - Saturday One Touch Of Grey > Walkin' Blues ; Candyman ; Mama Tried > Mexicali Blues ; West L.A. Fadeaway ; When I Paint My Masterpiece ; Bird Song ; Box Of RainAs always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod052308.mp3Have a safe and happy Memorial Day everyone!
This week we have a wonderful show from the Summer of 1988, PLUS a chance for you to win a great book! First off, we're going to hear the first set from 7/31/88, Laguna Seca. This set features David Hildago of Los Lobos sitting in on Little Red Rooster and a very hot West LA Fadeaway, then a rare 'Gentlemen Start Your Engines'.. Next week I'll bring you the second set..Grateful Dead Laguna Seca Raceway Monterey , CADate 7/31/88 - SundayOne Mississippi Half-Step Uptown Toodleloo ; Little Red Rooster [1] ; West L.A. Fadeaway [1] ; Me And My Uncle > Big River ; Ramble On Rose ; Gentlemen Start Your Engines ; When I Paint My Masterpiece ; Bird SongAs always you can hear the Deadpod here:http://www.libsyn.com/media/deadshow/deadpod060807.mp3But that's not all! I've been fortunate enough to receive 10 copies of the wonderful book by David Dodd: The Complete Annotated Grateful Dead Lyrics.Not only does this 500+ page book contain the lyrics of all of the original GD compositions (and many of the covers), but it also contains a huge wealth of background information on the sources and meaning of the characters and references in the songs. Its a hugely fun read, and all you have to do to have a chance to win your copy is to send me an email at: j.henrikson@gmail.comI'll pick the winners at random next week! More information on The Complete Annotated Grateful Dead Lyrics can be found here.
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