Data Transmission Podcast

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Draxx (ITA) steps up for DT Radio with a rolling, percussive workout Fresh off his link-up with Nick Francis on Sound D'Elite, Draxx (ITA) lands on Data Transmission with a tight, club-focused mix that does exactly what you want it to. No filler, just movement. The Italian has been building this lane for a while now. Releases on Desolat, Nervous and Trick, plus that ‘Future of Dance' nod, have put him in the right circles. The ‘I Needa' EP shows where he's at right now, groove-led, rhythmic and built for busy floors This mix leans straight into that energy. Latin pressure from Evelio Escobar's ‘Mi Tierra', rolling cuts like Twolate's ‘Afrolatino', and that low-slung swing on Lotten and Delatorre's ‘Gata Celosa'. His own ‘Pa Miami' with Cvmpanile slots in clean, while ‘Believe' with Nick Francis keeps things driving late on. It's heads down, hips moving stuff. The kind that works in basements and doesn't let up. Lock in and run it back. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

DRSJ steps up with a mix that mirrors her double life, NHS shifts by day, dancefloors by instinct. Ahead of Data Transmission Presents landing at The Horse & Groom this May, she leans into a sound she's been quietly building across London. She's not come up the usual way. A working GP first, then a DJ and producer carving out her own lane. Co-founder of Foxtrotalpha Recordings alongside Hybrid's Jamie Griffiths, she's been putting in the hours behind the scenes as much as in the booth. The sets have followed, Ministry of Sound, Egg, Horse & Groom, plus bills alongside Bob Sinclar, Majestic, Mark Knight and Todd Terry. That tells you enough. This mix lands right in that pocket. Clean drums, rolling low-end, and tracks that do the job without overthinking it. Proper selections for close rooms and late moments. Big up the relaunch of Data Transmission Presents. This is exactly the kind of artist you want on a lineup like that. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

JUST2 steps up for Data Transmission Radio with a Solid Grooves-ready selection Romanian groove operator JUST2 joins us on the latest Data Transmission Radio mix, fresh from his return to Solid Grooves Raw with the new single ‘Close Your Eyes'. A steady name within the Solid Grooves orbit over the last few years, JUST2 has built his reputation on tight, rolling club tools. No gimmicks. Just groove. His productions have landed in the bags of DJs like The Martinez Brothers, Marco Carola, Luciano and Richie Hawtin, and his sets carry the same heads-down energy that's made him a reliable name across underground dancefloors. The new single ‘Close Your Eyes' continues that run on SG Raw, leaning into darker territory with punchy drums, crisp percussion and a low-end built for late-night rooms. For this week's mix, JUST2 brings that same energy straight into the Data Transmission booth. Expect rolling house, stripped-back tech grooves and a few underground weapons aimed squarely at sweaty basements and packed club floors. Lock in and turn it up. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

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Born Dirty steps up for the latest Data Transmission podcast with a mix that moves through the many corners of his sound. The Dirtybird artist has been part of the global club circuit for over a decade, releasing on labels like Mad Decent, OWSLA, Fool's Gold and Armada while building a catalogue that slips between house, techno, breaks and bass. The mix feels like a snapshot of that journey. It's packed with Born Dirty originals, remixes and collaborations, including cuts with option4, Shift K3Y, Bellecour and Alina Pash, alongside reworks of Valentino Khan, Go Freak and Will Clarke. His new Dirtybird single ‘Trippy Boys Trippy Girls' also lands in the tracklist, sitting neatly among a run of exclusive IDs and club cuts that show the hybrid energy he talks about in the interview. Think throwback flavours, club heat and a few unreleased surprises along the way. Exactly the kind of ride you'd expect from someone who's spent years bending house music into his own shape. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

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Chicago's Très Mortimer lands on the Data Transmission podcast this week, fresh from dropping his ‘PRADA' release on his own Optics Records and bringing a mix packed with unreleased fire. The Optics boss has been carving out his own lane in recent years, pushing groove-led house rooted in Chicago tradition but built for modern floors. With releases across labels like Ministry of Sound, Mad Decent and Three Six Zero, plus support from the likes of Seth Troxler, BLOND:ISH and Diplo, Mortimer's records have been doing damage from rooftops to sweaty basements. His mix for DT gives a proper snapshot of where his head's at right now. The opener sets the tone straight away with his unreleased collaboration with Geo Smith, ‘Bass Controller', a track he recently tested in New York and describes as “dancefloor certified.” It's a chunky, groove-heavy start that rolls straight into cuts from Life on Planets and Jansons, DMX Krew, CASSIMM and Kolter. There are a couple more unreleased moments in there too, including JAKKOB's ‘DO YOU UNDERSTAND ME?', while the middle section lifts off with a mash-up of Maori and OMRI's ‘Levitate' layered with Future, Metro Boomin, Playboi Carti and Travis Scott's ‘Type Shit'. Naturally, Très Mortimer's own ‘PRADA (Hans Extended Mix)' makes an appearance. It's his favourite moment in the mix and a darker flip of the record, driven by heavy basslines and late-night pressure. That bassline approach is a big part of his style too, he prefers grooves that skip the first beat, leaving space for the drums to punch through and keep the floor moving. The mix wraps with club-ready cuts from Gabss, Méssous and Kolter, keeping the groove locked all the way through. Next up, Mortimer is gearing up for a big hometown moment with ARC Festival in Chicago, with the announcement landing soon. Hit play below and dive into Très Mortimer's Data Transmission mix. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

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Josh Hvaal steps up for DT Podcast 946 with a 100% JHV Mix, and it lands heavy. Eight releases deep with Jamie Jones and his Hot Creations camp, Josh Hvaal has moved from breakthrough name to reliable club weapon. From ‘The Sound EP' through to a steady run of dancefloor records, he's earned backing from heads like Patrick Topping, Joseph Capriati, Solomun and Pete Tong. Not by accident. The tunes work. This week's mix says it plainly. A journey through the sound of a 100% JHV Mix. Fourteen tracks. All Josh Hvaal. Around 75% unreleased. No filler, no detours. Just rolling drums, tight low end and that clipped vocal energy he's dialled in over the last few years. There's weight in the IDs. You can hear the next six months taking shape. ‘Where Ya Been Baby' and ‘Rhythm Of House' bring that direct, peak-time bounce. ‘Want 2 Feel' locks into a groove that feels built for low ceilings and warm rooms. And then there's ‘Hustlers Dance', the standout and Josh Hvaal's personal favourite in the mix. ‘Hustlers Dance' drops Friday 13th February on Trick, the label run by Patrick Topping. It's one he's been working towards for a while, and you can hear why. It's sharp. Confident. Built for those moments when the floor is already moving and you just need to push it further. Josh Hvaal has been steadily building his own lane too with Gibberish, unveiled by Pete Tong on BBC Radio 1, and that same drive runs through this hour. It feels focused. No hype. Just club music made by someone who spends time in clubs. DT Podcast 946 is a marker. A snapshot of where Josh Hvaal is right now, and where he's heading next. Lock into the full 100% JHV Mix, and keep ‘Hustlers Dance' on your radar this Friday. ⚡️Like the Track? Click the [Repost] ↻ button so more people can hear it!

HOLL3 lands on d0ted with the ‘Transcend EP', out 27 February 2026, but this drop is really about context. Because alongside the release, she steps up for a Data Transmission Spotlight Mix, and that's where the picture fills in properly. The EP itself is tight and direct. Three tracks that pull from UKG pressure and techno weight without getting stuck in either lane. ‘Never Be The One' leans vocal and punchy. ‘Fresca' goes low and murky. ‘Space Duck' keeps things restless and wired. It's club music built from a DJ's instincts, not studio habits. That mindset runs straight through the mix. This is high-energy, no-dead-air selection. UKG, rave, bass, techno and hard-edged club cuts stitched together with purpose. Originals, unreleased bits, and proper curveballs. It moves fast, but it's controlled. Exactly how her sets land. HOLL3's been building this quietly for a while. Dame Game, grassroots parties, serious support slots, and now production that backs up the reputation. This mix feels like a marker moment. Lock into the Spotlight mix first. Then circle back to the EP. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

There's a certain type of mix that doesn't shout. It just locks in and keeps things moving. This one lands exactly there, with HASKELL stepping up with a fresh Data Transmission session as he opens 2026 on Strangelove. No gimmicks, no filler, just club music played by someone who understands pacing, pressure, and when to let a groove breathe. HASKELL's rise has been steady rather than noisy. Releases across Toolroom Records, Nervous Records, Myth Of NYX, IN/Rotation and Strangelove Records have built a catalogue that works where it counts. In the booth. On proper systems. The records sit between house and stripped-back club cuts, rolling rather than racing, focused on movement and control. That mindset runs through this mix. His new Strangelove cut Ice sets the tone early, cold drums, tight low-end, no wasted energy. From there it's a selector's run. Lipstick brings swing and weight, DOUBLE C does what PAWSA does best, pressure without shouting. Cuts like El House and Power Of Love keep things ticking with that late-night bounce, the kind that works just as well in a low ceiling basement as it does on a warm rooftop. There's a strong run of HASKELL originals woven through the set too. Shake That, unreleased IDs, and the collaboration energy hinted at with the I Need You Baby cut all reinforce a clear point of view. This is club music made by someone who plays clubs regularly, not theory, not trends. A lot of that discipline comes from outside music. Before records and road life, HASKELL competed internationally in rugby, and you can hear that mentality here. Repetition, timing, restraint. Knowing when to push and when to hold. It's the same logic that made Go Deep with Mark Knight and Gene Farris such a strong Toolroom moment last year, functional, confident, built to last past first plays. This mix feels like a proper marker for the year ahead. No rush, no rebrand, just someone doubling down on what works and delivering it clean. Get locked in and listen via SoundCloud, Mixcloud or Apple Podcasts. This one's built for long blends and late finishes. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!

From acid tapes and jungle MCs to sweaty tech house basements, Cizzzla's journey has always been about energy. Real energy. The kind that rattles walls and keeps floors moving long after lights should be up. Coming up on pirate radio and cutting his teeth as MC EKO on stations like Delight FM and Rinse, he built his name the old way. Mic skills sharp. Presence loud. Reputation earned. From Ayia Napa to Garage Nation, Sidewindah and stages shared with Dizzee Rascal, EZ, So Solid Crew and Heartless Crew, this is proper scene graft. Fast forward and the reload is heavy. Cizzzla is back with a tech house edge that hits hard. Percussion-led grooves. Choppy vocals. Bass that swings low and punches back. Influences nod to James Hype, Skrillex and Chris Lake, but the flavour is his. Fast mixes. Quick transitions. No filler. Right now he returns to DT Weapons with “Boomerang”, a raw, floor-ready weapon built for late nights and low ceilings. Deep bass. Tight groove. No nonsense. It snaps back every time and leaves the dancefloor begging for one more spin. Straight into the USB. To mark it, Cizzzla steps up for the Spotlight Mix Series with a set that doesn't mess about. His own cuts sit front and centre. Best Kinda Drug, How Ya Like It, One Time For Ya Mind, Boomerang, We Run Sound, The Fcuk Up. All killers. No dead space. Around them you'll catch heat from Ship Wrek & Disco Lines, Valentino Khan, Don Diablo, Alok, Luke Alexander and Raffi Habel. Club tools built for basements, rooftops and those proper sweaty warehouse moments where phones stay down and hands stay up. This one's all bounce. All pressure. All dancefloor. Lock in. Turn it up. Listen now on SoundCloud. ⚡️Like the Mix? Click the [Repost] ↻ button so more people can hear it!