Podcast appearances and mentions of Anne Cheng

durée : 01:00:08 - Anne Cheng, universitaire et sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » du Collège de France - par : Priscille Lafitte - Professeur au Collège de France à la chaire "Histoire intellectuelle de la Chine", Anne Cheng s'intéresse à la circulation des idées. Elle-même a un parcours singulier, fille du poète François Cheng devenue sinologue de renom. Son rapport à la musique raconte avant tout son ouverture au monde... - réalisé par : Claire Lagarde

Anne Cheng joins Let's Talk Memoir for a conversation about pivoting from writing scholarly works on race and gender to writing in first person and quite personally, teaching herself how to say the things that had remained unspoken in her life, her cancer diagnosis and treatment, the rise in anti-Asian violence during the pandemic, the ways Chinese femininity dovetails with Southern femininity, what we don't know about those closest to us, sharing work about our partner with our partner, the cumulative effect of an essay collection, allowing our voice to come through in our writing, and her new book Ordinary Disasters: How I stopped Being a Model Minority.    Also in this episode:  -feeling braver in writing than in person -thorny mother-daughter relationships  -father loss   Books mentioned in this episode: Minor Feelings by Cathy Park Hong Trick Mirror by Jia Tolentino  Stay True by Hua Hsu Docile by Hyeseung Song   Anne Anlin Cheng was born in Taiwan, grew up in the American South, and is author of three books on American racial politics and aesthetics. Her writing has appeared in The Atlantic, The Los Angeles Review of Books, The New York Times, and The Washington Post. She is professor of English and former director of American Studies at Princeton University and lives in Princeton. She is currently Scholar-in-Residence at the Museum of Modern Art in New York.  Connect with Anne: Instagram: https://www.instagram.com/anneanlincheng Facebook: Anne A. Cheng Website: https://english.princeton.edu/people/anne-cheng   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches and edits memoir and is working on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

What if you could revolutionize your digital agency's operations with the latest cutting-edge technology? Digital agencies today face the challenge of managing complex workflows while maintaining efficiency and delivering high-quality results. Traditional methods often prove inadequate in handling the increasing demands of clients and the dynamic nature of digital marketing. Inefficient workflows lead to bottlenecks, resource wastage, and subpar client experiences. Agencies struggle to keep up with the fast-paced digital landscape, resulting in missed opportunities and declining competitiveness. Today, we are joined by Anne Cheng, an award-winning executive and CEO of Supercharge Lab. Anne will share her insights on how digital agencies can leverage AI and machine learning to streamline operations, optimize workflows, and deliver more personalized services. With her extensive experience in business and marketing strategy, Anne will guide us through the methodologies and technologies that can revolutionize the way digital agencies operate. The MarTech Show hosts Robin Dimond and Mike Allton will talk to Anne Cheng about:

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2023-2024Colloque - Despotismes orientaux, du proche à l'extrême : IntroductionColloque coorganisé par la Pr Anne Cheng, chaire Histoire intellectuelle de la Chine, et le Pr Henry Laurens, chaire Histoire contemporaine du monde arabe.Avec le soutien de la Fondation Hugot.Anne Cheng, Professeur du Collège de FranceHenry Laurens, Professeur du Collège de FrancePour les Grecs, le despotisme était le mode de gouvernement rencontré chez les barbares asiatiques qui, parce qu'ils étaient esclaves par nature, se soumettaient volontairement à un souverain héréditaire absolu. La tyrannie en revanche était un moment temporaire dans l'histoire des cités. Le concept de despotisme oriental est repris par les Européens pour décrire l'Empire ottoman d'abord sur le mode d'une menace organisée et implacable, ensuite comme un système au rendement toujours décroissant. Les descriptions du système soviétique au XXe siècle ont suivi ces deux étapes. Bien souvent, au XVIIIe siècle la référence au despotisme est une critique plus ou moins voilée de la monarchie absolue européenne. En revanche, le « despotisme éclairé » sert à justifier un passage en force pour établir des réformes jugées indispensables. Dans le dernier tiers de ce siècle, il sert de justification aux projets de conquête coloniale dans l'Ancien Monde. Cette conquête, qui voudrait se poser comme libératrice, trouve finalement sa justification dans le despotisme éclairé (fardeau de l'homme blanc, mission civilisatrice). La modernisation autoritaire de ces pays reprend ainsi tout ce discours tout en utilisant une référence identitaire de nature essentialiste. Ainsi un discours produit pour justifier la domination de l'autre peut servir aujourd'hui la perpétuation de régimes autoritaires par les pouvoirs qui régissent les pays concernés en rejetant comme étrangères les doctrines libérales.

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Ébauches d'une esthétique du double et de la disparition : quelques références « chinoises » chez BorgesColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s) :Stéphane Feuillas, Université Paris Cité

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Discussion et conclusionColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s)Anne Cheng, Professeur du Collège de France

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : La muraille et les livres : un mythe complexe repensé par BorgesColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s)Hassan Fathi, université Moulay Ismaïl, Meknès, Maroc

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Borges lecteur des sinologues : Arthur Waley et Timothy RichardColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s)Enrique Larreta, université Candido Mendes, Rio de Janeiro

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Borges and Buddhism: Voice, Reading and Audience Colloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s) :Juan Pablo Canala, université de Buenos Aires

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Jardins, encyclopédies, labyrinthes, Chine : tout se tientColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s) :Andrew Hui, Yale-NUS, Singapour

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Borges and China: A Bond that the Universe NeedsColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s) :Sun Haiqing, Texas Southern University

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Le Corbeau et les Ménards : réécriture, traduction, modernité. Segalen, Cavafy, BorgesColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant(s) :Haun Saussy, Professeur à l'Université de Chicago (USA)

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Présentation et introductionColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Anne Cheng, Professeur du Collège de FranceWilliam Marx, Professeur du Collège de France

Anne ChengCollège de FranceHistoire intellectuelle de la ChineAnnée 2022-2023Colloque - Borges et la Chine : Borges invente la ChineColloque organisé le 21 juin 2023 par Anne Cheng, chaire Histoire intellectuelle de la Chine.Intervenant :Alberto Manguel, Professeur invité, Collège de France

Antoine LiltiCollège de FranceHistoire des Lumières, XVIIIe-XXIe siècleAnnée 2022-2023Colloque - Lumières multiples - Table rondeIntervenant(s)Anne Cheng, Professeur du Collège de FranceRomain Bertrand, CERI/Sciences Po-CNRSEmmanuel Lozerand, INALCO/IFRAESilvia Sebastiani, EHESS

durée : 00:58:56 - Le Cours de l'histoire - par : Xavier Mauduit - Au cours des derniers siècles avant notre ère, les routes de la soie se multiplient et lient entre eux les empires romains, parthe, kouchan et chinois. D'un bout à l'autre de cet axe commercial, Romains et Chinois s'imaginent et s'idéalisent avant même d'établir le moindre contact direct. - invités : Anne Cheng sinologue, professeure au Collège de France, titulaire de la chaire "Histoire intellectuelle de la Chine"; John Scheid historien, épigraphiste et archéologue, spécialiste de l'Antiquité romaine, professeur honoraire au Collège de France

durée : 00:53:05 - L'Heure bleue - L'Heure bleue reçoit une des grandes sinologues de notre temps, Anne Cheng, Professeure au Collège de France. Portrait

Anne Cheng is the Founder and CEO of Supercharge Lab, a leading US-incorporated Artificial Intelligence company, applying their cognitive AI technologies to client acquisition and marketing strategies for their clients globally. Anne is a serial entrepreneur who sold two of her previous startups and is all about innovation, social enterprise and humanitarian causes. She spends her time helping small businesses improve their efficiency and build sustainable innovations that can impact humanity. Today, Anne joins the show to talk about AI technologies, predictive science and analytics, and the critical role human connection remains to play in Artificial Intelligence.Episode SponsorSmall Fish, Big Pond – https://smallfishbigpond.com/ Use the promo code ‘SaaSFuel'Champion Leadership Group – https://championleadership.com/Key Takeaways01:18 – Jeff introduces today's guest, Anne Cheng, who joins the show to share her experience as a serial entrepreneur and what inspired her to launch Supercharge Lab08:51 – Anne explains the technology behind Sigmund AI12:28 – Prediction science and avoiding self-fulfilling prophecies14:31 – How SaaS companies can use predictive analytics to help grow their businesses18:33 – Return on ad spend and understanding algorithms22:22 – Working in different geographies and with different cultures and how Anne's adaptability has aided her as an entrepreneur25:23 – Is AI going to take over the world?26:45 – Jeff takes a moment to thank one of today's sponsors, Small Fish, Big Pond27:25 – The most important lesson Anne has learned during her career29:26 – The role mentors have played in Anne's success and how Anne is paying it forward32:07 – Advice Anne would give to her younger self and what the future of technology will look like34:58 – Jeff thanks Anne for joining the show and lets listeners know where to learn more about Supercharge LabTweetable Quotes“So, what's missing here? What's missing is data. What's missing is intelligence. What's missing is the ability to peer into the future. And so, how I started Supercharge Lab was literally this fascination with what triggers the cognitive process of decision-making behavior.” (07:23) (Anne)“At the end of the day, if you're not solving a problem, you're not going to make any sales. And vice versa, if you have all the solutions but you cannot engage with a person on their level, you're going to fail.” (12:12) (Anne)“AI is ninety percent data and ten percent actual programming. So, I think one of the biggest problems with AI is people not understanding how to do data engineering. So, I think it's important to connect the dots with data and help people to see that it's not that difficult when it comes to data.” (17:27) (Anne)“I think that's something that diverts from the first platform-to-platform. So, I'm sure you know that Facebook and Google's algorithms have been changing. Particularly in the last couple of weeks and months you see a whole lot of changes in the traffic and in the way things work on Facebook from the new iOS APIs. At the end of the day, it diverts from platform-to-platform... and boils down to one thing called experimentation.” (19:01) (Anne)“I think [my adaptability] has served me well. I think it's helped me to connect with people on a very human level. As much as I am such a purveyor of what AI can do for understanding why we make decisions, at the end of the day, without...

Toni Morrison's novels have been the subject of book bans for decades. Today, we look at why her books are a target and how there censorship impacts the United States education system.

This week's guest is a serial entrepreneur who was born into a working class family, and has held executive positions in the financial services industry prior to working on numerous startups before founding Supercharge Lab. Anne Cheng is this week's guest on “The Jake Dunlap Show”Going back into Anne's early years, some of her fondest memories were around the dinner table, where her mother would tell stories of her times setting up churches and providing education in the jungle. Anne is a first generation university student who has fought through learning disabilities on her way to massive success. Anne studied Banking and Finance at The London School of Economics and Political Science, before later completing graduate studies at the University of Adelaide for both her MBA, as well as a Master of Engineering. During her studies in Engineering, she learned the valuable skill of thinking in a process oriented manner. She was a Finance Executive for a number of years prior to starting Start Up Nation, which is a proprietary angel investment vehicle. Anne attributes building her people skills while working at Stand Up Nation. At Supercharge Lab, she specializes in executive strategy, operations management, talent development and building innovative cultures in organizations. It is a primary goal for her to build a moral compass for AI. She considers herself a serial entrepreneur who has started, failed, and exited multiple startups on her roller coaster to success, and is now passionate about innovation, social causes, and mentoring startup founders in the South East Asian Region. Anne's 5 Things To Create A Successful Startup: Know your value propositionEnsure value generation can be repeated, scaled, and taught“A chain is only as strong as it's weakest link”Keep learning and unlearningEmbrace Discomfort(https://medium.com/authority-magazine/anne-cheng-of-supercharge-lab-five-things-you-need-to-create-a-highly-successful-startup-336dbd9aae56) Find out more about Anne and Supercharge Lab in the following links:Website: https://www.superchargelab.com/Facebook: https://m.facebook.com/SuperchargeLab/?__tn__=C-RTwitter (Supercharge Lab): https://twitter.com/superchargelabLinkedIn: https://www.linkedin.com/in/anne-cheng/ Learn more about Jake Dunlap and Skaled by visiting the links below:Jake Dunlap:Personal Site - http://jakedunlap.com/LinkedIn - https://www.linkedin.com/in/jakedunlap/Twitter - https://twitter.com/JakeTDunlap  Instagram - http://instagram.com/jake_dunlap _Facebook - https://www.facebook.com/JakeTDunlap/Skaled:Website - https://skaled.com/  LinkedIn - https://www.linkedin.com/company/skaledYouTube - https://www.youtube.com/channel/UCsw_03rSlbGQkeLGMGiDf4Q

Do you know how using AI and data-driven algorithms could help you save money on inefficient positioning? Anne Cheng is an entrepreneur that started her business with an idea in mind: what if she could get inside the heads of people and understand what information they required to make decisions? Supercharge Lab is a cognitive artificial intelligence company that uses AI and data to try to understand what goes on inside customers' heads, or rather listen to the voice in their head. In this episode, Anne sat down with Jason to explain how this AI technology works, why business owners should embrace that it is the future and use this innovation to their benefit, and how agency owners could use it to create specific targeting and sales and marketing content that resonates with its audiences and find their sweet spot in the market. 3 Golden Nuggets Getting inside people's heads. How can we really understand what goes on inside someone's head? Anne explains that what really gives us away is how we write, instead of what we write. The tones, the structure, the number of emojis, and the type of words we use are giveaways that offer a glimpse into things like our emotional state, personality style, social styles of interaction, and conflict management. Her company uses this data to build algorithms that help them put people in categories of psychological profiles or cognitive styles. “After we applied it to sales and marketing, we've seen a significant lift in our customer ROI,” she says. How the industry will change. Will AI replace what agencies are doing for clients? This technology is becoming quickly democratized. A few years ago artificial intelligence was all about building training models and putting in huge massive slices of data. Today it costs $16 and 39 cents to run a learning model. It can be really quick and easy to train a model with a high level of accuracy. Is the technology strong enough to completely replace a human? “I think not at this point,” Anne told us. There is still a long way to go before that, but it is the future. For now, it's all about not wasting money on inefficient positioning. “Data-driven algorithms are not the enemy,” she adds. Advantages for agencies. We should always use new technologies and innovations to our benefit, and to benefit our clients. We all know that agency owners struggle with their own marketing and have a hard time treating themselves like their own clients. Anne believes this struggle comes from not really knowing where your sweet spot is and that using these technologies could help you experiment. Using algorithms can help you determine the accuracy of your targeting. For example, if you would like to go after medium-sized businesses with revenues between 10 to 50 million, you can test your response rates. Algorithms are great ways to experiment. It's cheap, it's fast, and you're not wasting time. Sponsors and Resources Gusto: Today's episode is sponsored by Gusto, an all-in-one people platform for payroll, benefits, HR where you can unify your data. Gusto automatically applies your payroll taxes and directly deposits your team's paychecks, freeing you up to work on your business. Head over to gusto.com/agency to enjoy an exclusive offer for podcast listeners. Subscribe Apple | Spotify | iHeart Radio | Stitcher | Radio FM Stop Wasting Resources and Use Data-Driven Algorithms to Find Your Sweet Spot in The Market Jason: [00:00:00] What's up, agency owners? Jason Swenk here, and we've got another great episode coming to you. And we're going to talk around AI and what you can do with really kind of targeting the right audience, as well as having the AI tool, write the copy for you to convert faster. So I'm excited to get into this episode. Uh, so let's jump in. Hey, Anne. Welcome to the show. Anne: [00:00:31] Thanks for having me, Jason. Jason: [00:00:32] Yeah. So tell us who you are and what do you guys do? Anne: [00:00:36] Well, my name is Anne and I'm the founder and CEO of Supercharge Lab. Supercharge Lab is a cognitive artificial intelligence company, which means we take AI and a lot of data and we attempt to understand what goes on inside your head, or rather listen to the voice in your head. And we do that for the purpose of applying it to sales and marketing. We try to improve the ROI as far as our clients. And so far it's been quite a ride. Jason: [00:01:04] Cool. And so how did you… how'd you, how'd you all come up with developing this? Anne: [00:01:11] Well, I guess it started with the idea that we said, what if we could get inside the heads of people and understand what information they required to make decisions? Uh, and that way we could make decision-making more predictable, uh, less noise and biased. And, well, improve results across all kinds of positions that are being made. Whether it's medical decisions or diagnosis, whether it's sales and marketing, uh, purchase behavior. Um, so, well we decided to try to figure out how people, what information people take in, in order to make decisions. And we came up with an algorithm that profiles, the information, uh, that people take in the site, the cognitive style of people, what we call or the psychological profile. And, uh, well the rest is history. After we applied it to sales and marketing, we've seen significant lift in our customer ROI. Um, we have had customers who literally renew their campaigns with us so often that they tell us they cannot see a day without, uh, using our solution. Jason: [00:02:20] Awesome. And tell us kind of, how does… How did you guys really kind of write the algorithm in order to get inside our heads? I mean, how does all that work? That's always fascinating. Anne: [00:02:34] So I think that's a great question, Jason. So a lot of people look at what we write because when we, when we write, um, whenever we write the contents of what we write is driven by who audiences is what we want to say. Uh, but a lot of people fail to realize that what, what really gives us away is how we write. The tones, the structure, the number of emojis or bullet points, or the kind of words that we use. That actually is the voice inside our head. That's the tone of the voice inside our head to tell gifts, clues into things like, you know, your emotional state, your, your personality style, your social styles of interaction. Or even your style of conflict management. Um, by understanding how it be right to be basically we're able to take these language models, parse it into an algorithm. And well, uh, we have been able to put everybody in some categories of psychological profiles or what we call cognitive styles, um, and hopefully using rules based and data-driven, uh, algorithms, were able to cut out a lot of the noise that actually, you know, gifts written comes from manual advertising and marketing. Jason: [00:03:57] I feel, I feel dirty. You're profiling me. Anne: [00:04:02] No, I don't do that. Jason: [00:04:04] Um, so. How would someone… As an agency, you know, they, and I'm talking more about not for their clients, but really for themselves, right? So we just got done as we're recording this, this week, our digital agency experience, where we have, you know, 28 of the best agency owners come out, um, to my house in Colorado, when we brainstorm on strategies and what's working. And the common theme, and this is among most digital agency owners. And if… If, uh, if you don't admit this you're supporting terrorism. But we, they struggle with doing their own marketing and creating themselves as their own clients. Um, and a lot of them struggle with just identifying who their audience… Cause they try to go after everybody. So how could, you know, AI really helped them out in order to reach more of the audience? Because they may not know who they're targeting yet. Anne: [00:05:08] Yeah. So I think one of the biggest struggles as a… well a marketing organization is actually understanding where your sweet spot is. And, uh, you know, using algorithms, you can actually do a lot of experimentation. Uh, one of the biggest things that, um, AI does, is that it gives you a score of how much you are able to resonate, how accurate, you know, your targeting is. So if, for example, you think you would like to go after, you know, a medium-sized business with revenues between 10 to 50 million, and you don't really know whether this is really the sweet spot for you. You can actually test, um, the, the targeting and you can test things like, you know, what we call your, your outbound messages as well as your response rates. And if you see that your response rates are lower than another particular industry, you know…  It's possibly time to change and don't throw good money after, you know, a bad result all the time. And so that's what Einstein says is stupidity, you know, expecting a different result by doing the same thing, all, all the time is insanity. So what I would do is use algorithms, use artificial intelligence, or what may be called big data, uh, to understand what your audience is and test the vigor at which they will respond. Now, I've done that a lot with myself, with my own audience. Um, and I've noticed that, you know, we try to grow, uh, our customers by, you know, going after bigger companies. Well, it doesn't work. Um, we, we realized that we were not getting any conversions. We were not getting any customers inquiring. So we said, you know, maybe we should go back to, uh, the smaller businesses. And at the same time, we change up the different industry. So algorithms are great ways to experiment and it's cheap. It's fast. It, it takes me three days to identify whether, you know, this is the right market. You're not wasting time. So yeah. Jason: [00:07:28] Taking care of your employees has never been more important than right now. And while paydays are great, running payroll is a major pain, calculating taxes, deductions, compliance. None of it's easy. Unless of course, you have Gusto. Gusto is a simple online payroll and benefits built for your small business. Gusto automatically applies your payroll taxes and directly deposits your team's paychecks, freeing you up to work on your business. Plus, with Gustos help, you can offer benefits like 401k's health insurance, workers' comp, and a lot more. And because you're a smart agency masterclass listener, you're going to get three months free once you run your first payroll. Go to gusto.com/agency. That's gusto.com/agency for three free months. Very cool. So will AI… Will AI replace what agencies are doing for clients? Like I look at it as, and I've been telling agencies like this for a long time. And if you think about kind of the car industry, you know, many, you know, many, a hundred years ago, I guess, you know, the car industry created dealers or the manufacturer created dealers, and they were the middlemen selling to the public because you can't go to the dealer. Um, and forever, it was that way. And then, you know, Tesla came out and you, you don't go through a dealer… You buy it right from the manufacturer. And I kind of see a lot of this starting to happen with agencies that are just doing a particular service where, you know, Facebook and Google would always promote agencies. But I kind of see them starting to kind of pull back from agencies a little bit because now people can go directly to them and not use the middlemen. Anne: [00:09:33] Yeah, for sure. I think, uh, one of the things about technology is that is becoming very quickly democratized. Artificial intelligence just a few years ago, was all about, you know, building training models, you know, putting in a lot of data, huge massive slices of data. Today it costs me $16 and 39 cents to run a learning model. Uh, it takes maybe about an hour to, to train a model. And you know, it, it can be really, really quick and easy, um, with a high level of accuracy to train a, uh, artificial intelligence model. Is, um, the technology strong enough to completely replace a human? I think not at this point. I think that is still a way to go, uh, where, you know, copy is not going to sound like it's artificially written. Uh, so that's, that's something which I think is going to, uh, have to develop a little bit more. But to understand your audience, to predict the audience with a level of, um, certainty, it's starting to become quite democratized. So I think, yes, logic-based artificial intelligence is going to upend the advertising industry. But that being said, artificial intelligence to going to upend almost every industry, if you let it. Jason: [00:11:01] Yeah, yeah. Well, it's, you know… That's what innovation is. It should always challenge the status quo and make us better. And you know, the one thing I always tell agencies is use the new technology, the new innovations to your benefit, and to benefit your clients, you know, going forward. Um, this has all been great, Anne. Is there anything I didn't ask you that you think would benefit the audience? Anne: [00:11:24] Yeah, I think, you know, the biggest question that we have as marketing organizations is how can we use that wastage? Um, today up to 26% of ad spend… It's wasted on inefficient, uh, positioning and efficient messaging. And I think a lot of us have to try to learn that, you know, data-driven algorithms and rules-based algorithms can… are not the enemy. Our enemy is embracing… um, the, the innovation that is coming. So I think our enemy is truly ourselves. If we get over ourselves, we can definitely grow the business, um, in a massive, in a major way. Jason: [00:12:09] Awesome. What's the website people can go and check you guys out? Anne: [00:12:14] Well, it's superchargedlab.com. Remember as supercharged lab without an S at the end dot com. Jason: [00:12:20] Awesome. Well, thanks so much for coming on the show, Anne. You did great lots of great insights. And if you guys enjoyed this episode, make sure you guys subscribe, make sure you comment. And if you guys want to be around the best agency owners out there and really tap into their heads, because maybe you haven't tapped into the AI yet, um, I want to invite all of you to go to digitalagencyelite.com and apply. And, uh, if we feel that you're right and the group's right for you, we'll have a chat and… So good at digitalagencyelite.com. And until next time, have a Swenk day.

Un nouveau cycle de conférences, « Comment écrire l'histoire aujourd'hui ? », invite historiennes et historiens à exposer leurs méthodes et outils de travail afin d'interroger la façon dont ils écrivent l'histoire, entre faits et interprétation. La séance inaugurale accueille Anne Cheng, Mathilde Larrère et Benjamin Stora pour un échange autour du métier d'historien animé par Jean Lebrun.Avec Anne Cheng, professeure au Collège de France, titulaire de la chaire Histoire intellectuelle de la Chine, Mathilde Larrère, maître de conférences en histoire contemporaine à l'université Gustave Eiffel, et Benjamin Stora, professeur des universités et ancien président du Conseil d'orientation du Musée de l'immigration.Conférence inaugurale animée par Jean Lebrun, agrégé d'histoire, chroniqueur et producteur à France Inter. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Most companies are using AI to automate marketing activities and advertising, but how do you use it to build high level strategy? There is a lot of hype around AI right now. But what does this actually mean for marketers and marketing agencies? It's not just bots taking over the world. In fact, we can use AI tools to streamline our workflows and increase efficiency. This podcast will give you an overview of how one company uses automation software and works with digital marketing agencies just like yours to build marketing strategy for their clients. Come away with a better understanding of: - Today's AI capabilities for creating copy and strategy - How psychology can inform and improve your marketing - How to personalize and create strategy at scale Listen to learn from Anne Cheng, CEO of Supercharge Lab! LINKS Supercharged Lab - https://superchargedlab.com Agency Accelerated Calendar - https://www.agorapulse.com/calendar How To Add Agency Revenue With Social Media Services - https://bit.ly/AddAgencyRevenue Subscribe to Apple Podcasts: https://bit.ly/AgencyAccelerated Listen on Spotify: https://bit.ly/AgencyPodcast Subscribe to Google Podcasts: https://bit.ly/AgencyAcceleratedGoogle Agency Accelerated is the marketing agency podcast for you! Powered by Agorapulse. Hosted by Stephanie Liu. Produced by Mike Allton.

This week, Saran sits down with one of her favorite scholars, Anne Anlin Cheng. They speak at length about racism against the AAPI community, the relationship between grief and unbelonging, the melancholy that comes with racialized embodiment, and the complex politics of assimilation. Anne Cheng is a Professor of English at Princeton University, and affiliated faculty in the Program in American Studies, the Program in Gender and Sexuality Studies, and the Committee on Film Studies. This is a conversation you do not want to miss!

 paru aux éditions Folio

In this episode, your host, Tom Fox talks to Supercharge Lab's Anne Cheng about the diverse world of start-ups, consulting, growth-hacking B2B sales, managing your expectations, transformational management, sales as a service, psychological profiling, and more.

What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "look" but in fact a looking and a looking at? Join author Catherine McKinley (she/her) and host Lee M. Pierce (they) for a discussion of these provocative questions in the context of fashion photography by and about pan-African women from the 1870s to the 1970s. Most of us grew up with images of African women that were purely anthropological—bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty—“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos, spanning the 150-year arc of photography on the continent, to tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods.  Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook: A Visual History of 100 Years of African Womanhood (Bloomsbury, 2021) captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans—most starkly, striking nudes—revealing the relationships between white men and the black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways—even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty. Discussion welcome! Connect with author Catherine McKinley on Instagram @the_african_lookbook and the_mckinley_collection and host Lee M. Pierce on Gmail, Instagram and Twitter @rhetoriclee. Special thanks to Oslo-based Norwegian-Nigerian artist Frida Orupado (nemieppeba) for contributing a series of collages to the work to deepen the way in which we engage the original photos and their histories.  If you enjoyed this interview you may also enjoy New Books Network interviews with Anne Cheng about Second Skin: Josephine Baker and the Modern Surface and Zakiyyah Iman Jackson about Becoming Human: Matter and Meaning in an Antiblack World. Learn more about your ad choices. Visit megaphone.fm/adchoices

The world as we know it is gearing up for more artificial intelligence offerings and automation. From customer experience interactions to order management, AI has already taken a foothold and newer trends are emerging with smarter features.Anne Cheng, Founder of Supercharge Labs, is taking on the AI challenge head-on. She is building her tech company in the sales space, particularly in lead generation.Many sales experts know that lead generation is vital to the lifeblood of any organization's sales process. It is also the most labor intensive, taking up teams who spray and pray their way into brute force prospecting. Cheng's solution uses AI combing through psychological profiles based on numerous Internet footprints to create the highest hitting lead list for businesses.Anyone with a hankering for learning the latest and most innovative in the world of AI will find this video about the related, ever-evolving tech a delightful treat.Superchargelabs.comhttps://www.linkedin.com/company/superchargelab/anne@superchargelabs.comWant to gain fresh, innovative perspectives and insights from captains of the tech industry? Drop by and say hello at LeadersOfB2B.com

durée : 00:58:45 - Les Cours du Collège de France - Comment les Chinois sont-ils devenus, à leur corps défendant, au moment où ils se convertissent au bouddhisme, les barbares des Indiens? Demande la sinologue Anne Cheng. Quels sont les paradoxes d’une Inde autocentrée qui a permis la naissance d’un bouddhisme qui s’est mondialisé ? - réalisation : Emily Vallat - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Quelles sont les difficultés des moines chinois face à la diversités des langues indiennes ? Demande la sinologue Anne Cheng. Comment s’y intéressent-ils en philologues dans les premiers siècles de notre ère? - réalisation : Emily Vallat - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Qu’est ce qui se joue dans le grand saut des langues indiennes vers la langue chinoise et dans le grand saut de l’oral à l’écrit? Comment les traductions bouddhiques s’avèrent-elles un processus complexe et aléatoire dans la Chine des premiers siècles de notre ère? Demande la sinologue Anne Cheng. - réalisation : Emily Vallat - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Comment à partir de l’Inde s’est diffusé le bouddhisme en Chine ancienne? La sinologue Anne Cheng analyse les différences contrastées entre l’Inde et la Chine dans la transmission des textes sacrés et le rapport à l’écrit et l’oral. - réalisation : Emily Vallat - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Comment t s’est diffusé le bouddhisme en Chine ancienne? Quels sont les personnages d’origine étrangères longuement installés en Chine qui ont permis son acculturation ? Demande la sinologue Anne Cheng. - réalisation : Emily Vallat - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Qui était Ying, le demi-frère de l’empereur Ming, celui qui rêvait de Bouddha, sous la dynastie des Han? Quelles sont les régions où l’on pourrait trouver, dès le 1er siècle de notre ère, les premières traces matérielles visibles d’un possible bouddhisme en Chine? s'interroge Anne Cheng. - réalisation : Laure-Hélène Planchet - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - A partir de quand trouve-t-on le nom de Bouddha en Chine et quelles sont les sources qui le citent? Demande la sinologue Anne Cheng. Comment apparaît-il en rêve à l’empereur Ming, volant, tout doré, un éclat de lumière au sommet de son crâne ? - réalisation : Laure-Hélène Planchet - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:58:45 - Les Cours du Collège de France - Comment le monde est-il vu par la centralité chinoise? demande la sinologue, Anne Cheng. Comment les Autres, ceux qui vivent, aux marges de l’Empire du Milieu, ou au loin, en Inde, sont-ils représentés dans la Chine ancienne? Comment la voie du Bouddha se trouve-telle associée au taoïsme? - réalisation : Laure-Hélène Planchet - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

durée : 00:32:58 - La Grande table idées - par : Olivia Gesbert - Omniprésente dans les discussions, la Chine a envahi notre horizon. Mais que pouvons nous vraiment en savoir quand si peu d'images et de mots en ressortent ? On en parle avec la sinologue Anne Cheng, titulaire de la chaire d’ « Histoire intellectuelle de la Chine » au Collège de France. - réalisation : Thomas Beau - invités : Anne Cheng Sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.

Many people have forecast the rise of artificial intelligence in sales. Today we hear from an innovator who has developed a way to use artificial intelligence to customize messaging based on the psychological profiles of individual prospects. Our guest, Anne Cheng is the founder at Supercharge Lab where they are using artificial intelligence in some very creative and powerful ways to drive sales. Anne began wondering if artificial intelligence could be used to solve the problem. She came up with a strategy to scans the internet for a prospect's online voice. Then her team created a profiling engine that matches prospects with customized messages that are targeted at the individual prospect's personality. This increases the likelihood of responding from less than 2% to more than 25%! This is a fascinating conversation that will give you a window into the rapidly evolving world of artificial intelligence related to revenue growth.

Many people have forecast the rise of artificial intelligence in sales. Today we hear from an innovator who has developed a way to use artificial intelligence to customize messaging based on the psychological profiles of individual prospects. Our guest, Anne Cheng is the founder at Supercharge Lab where they are using artificial intelligence in some very creative and powerful ways to drive sales. Anne began wondering if artificial intelligence could be used to solve the problem. She came up with a strategy to scans the internet for a prospect’s online voice. Then her team created a profiling engine that matches prospects with customized messages that are targeted at the individual prospect’s personality. This increases the likelihood of responding from less than 2% to more than 25%! This is a fascinating conversation that will give you a window into the rapidly evolving world of artificial intelligence related to revenue growth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Que retenir de ce qui nous arrive ? Qu’apprenons-nous de cette pandémie ?  Quelle boussole pour l’après ?  Regards croisés et inspirants des professeurs du Collège de France. Interrogeons-nous ensemble sur ce qui nous arrive : quelles leçons tirer,  ici et maintenant, de cette pandémie ? Comment faire avec cette crise sanitaire, sociale mais aussi économique et politique... cette crise existentielle qui nous remet tous et toutes en question. Comment en faire une opportunité pour inventer une autre relation au monde ? AvecPhilippe Sansonetti microbiologiste et professeur au Collège de France et William Marx professeur au Collège de France qui occupe la chaire Littératures comparées depuis 2019.Ces deux invités viennent nous parler du livre collectif Une boussole pour l’après, par 18 professeurs du Collège de France paru chez Humensciences Nous partagerons aussi les éclairages de la sinologue Anne Cheng et des juristes philosophes de notre mondialisation Mireille Delmas Marty et Alain Supiot (au micro de Charlie Dupiot)  

L'autrice, chercheuse et critique Iris Brey est l'invitée du 75e épisode de La Poudre, le sixième et dernier de notre série #ellespensentlapres, mêlant parcours personnel et réflexions sur la situation actuelle comme sur le monde à venir. Avec Lauren Bastide, elles ont parlé de grec ancien, de mères infanticides et de regard féminin.L'édito de Lauren :Je voulais vous écrire un texte super émouvant parce que c'est le dernier épisode de La Poudre produit en confinement. Je voulais vous dire plein de trucs sur la mort, sur la vie, sur la surveillance, sur le contrôle... Je voulais peut-être même vous confier des failles à moi, vous expliquer que j'oscille entre deux mondes, toujours, le très lumineux et le très obscur, que ça m'épuise et que ce qu'on vient de vivre a aiguisé tout ça a un point presque intolérable par moment. Je voulais vous parler des émotions extrêmes qu'on a ressenties collectivement et vous promettre qu'on se remet de tout. Et puis je me suis rendue compte que je faisais que ça, en fait, des textes super émouvants en intro de mes podcasts. Je suis tellement prévisible. Donc pour une fois je vais faire sobre. Et juste vous dire merci. Merci de m'écouter, merci de me suivre, merci de me soutenir. Merci pour vos partages sur les réseaux sociaux. Merci d'avoir suivi les lives Instagram sur le compte de La Poudre. Merci de me dire si souvent merci. Merci aussi à mes invitées Fania Noël, Julia Cagé, Claire Marin, Anne Cheng et Alice Coffin pour leur générosité lors de ces enregistrements à distance, grâce à elles je crois qu'on a vraiment toutes les clés pour le penser, ce fameux monde d'après. Je suis vraiment fière de cette série, qui se termine en beauté avec la chercheuse et critique Iris Brey. Juste avant tout ça, elle était en première ligne de cette révolution féministes menée par les femmes du cinéma français. Vous savez ? Celle qui reprend là, maintenant, tout de suite. Résumé de l'épisode :Iris Brey est chercheuse, journaliste et critique. Elle est aussi l'autrice de deux livres plongeant dans les dessous des images et des représentations produites par nos sociétés, dans les séries d'abord, puis dans le cinéma. Née en 1984 d'un père américain et d'une mère française, elle grandit entre Paris, les États-Unis et le Japon (15:17). Elle développe ainsi un rapport aux langues très particulier, renforcé par ses études en grec ancien (19:40), qui lui donnent une conscience aigüe des systèmes de perception créés par les mots eux-mêmes. Outre le grec, elle étudie aussi littérature (23:13) et cinéma, et travaille ainsi sur la construction des imaginaires, notamment autour de la représentation des corps féminins (26:30). Elle examine dans ses travaux de recherche ces figures féminines, toujours passées au crible d'un regard désirant masculin, ce que la chercheuse Laura Mulvey avait appelé le male gaze. Elle questionne aussi les lieux dévolus aux figures de femmes, toujours punies pour avoir occupé l'espace public sans but précis (28:12), mais aussi les violences qui leur sont faites. Le cinéma, qui rend captif son public (33:10), est peuplé de scènes de viol, quasiment exclusivement filmées du point de vue de l'agresseur et souvent mêlées à des notions de désir (39:49). C'est ce lieu commun qu'Iris Brey dénonce et appelle à faire évoluer pour que chacun·e prenne conscience de ces représentations qui alimentent la culture du viol. C'est parce que le cinéma prend une telle place dans le monde culturel aujourd'hui et parce que ses acteur·ice·s ont une visibilité et parfois un pouvoir économique ayant très peu d'égal, que ce milieu est selon elle aussi lié à la vague féministe actuelle (45:55). Elle y est elle-même engagée pour faire bouger ces lignes, notamment au sein du collectif 50/50 pour 2020 (12:59) qui œuvre à remettre en question la répartition du pouvoir dans ces espaces professionnels de création (11:03). Elle a aussi accompagné l'essentiel témoignage d'Adèle Haenel à Médiapart (49:04), constatant aux premières loges les résistances françaises à faire évoluer les choses (52:48). Sidérée par les résultats des Césars de cette année (58:32), elle espère elle aussi que la révolution féministe ne sera pas arrêtée par la pandémie qui révèle de façon criante les règles du système patriarcal et les inégalités qu'il engendre (01:02:36).Bonne écoute, et continuez de faire parler La Poudre ! La Poudre est une émission produite par Nouvelles ÉcoutesRéalisation et générique : Aurore Meyer-MahieuProgrammation et coordination : Gaïa MartyMixage : Marion Emerit

La sinologue Anne Cheng est l'invitée du 72e épisode de La Poudre, le troisième de notre série #ellespensentlapres, mêlant parcours personnel et réflexions sur la situation actuelle comme sur le monde à venir. Avec Lauren Bastide, elles ont parlé de Confucius, de sinophobie et de vanité.L'édito de Lauren :Cette crise nous oblige à nous demander à quoi on sert. Il y a ceux et surtout celles, qui ont des métiers essentiels à la société. Celles qui sont sur le front, à se battre contre la maladie, à soigner nos ancien·ne·s, à nous nourrir, à nous assurer un environnement propre et sain. Je voudrais remercier ces femmes-là et leur faire la promesse qu'on ne les oubliera pas demain, quand il faudra se battre pour qu'elles soient rémunérées à la hauteur de leur importance et traitées avec le respect qui leur est dû. Moi je fais partie des confiné·e·s, des professions dites intellectuelles, des bullshit jobs, des télétravaillants, des pas essentiel·le·s, des utiles, à la rigueur. Mais j'ai la chance inouïe de faire le travail le plus merveilleux du monde : interviewer des femmes. Je suis plus reconnaissante que jamais d'avoir ce privilège-là. Il me permet de poursuivre avec vous le cycle #ellespensentlapres en compagnie de l'une des plus grandes penseuses que j'ai jamais rencontrées. Anne Cheng est sinologue et professeure au Collège de France. J'avais eu la chance de l'interviewer une première fois pour mon émission Les Savantes, sur France Inter, il y a deux ans de cela. Je voulais qu'elle vienne ici, dans La Poudre, partager avec vous ce savoir immense qu'elle détient sur la Chine. Il m'a semblé que c'était urgent et elle a accepté mon invitation. Bande de veinardes et de veinards !Résumé de l'épisode :Anne Cheng est sinologue et professeure au Collège de France depuis 2008. Directrice de collection et autrice de nombreux ouvrages, sa vision sur les liens entre la France et la Chine est éclairante. Née à Paris en 1955, elle grandit en France avec son père, François Cheng, poète et membre de l'Académie française (11:07). Sa mère, repartie en Chine juste avant la Révolution culturelle, ne pourra à nouveau entrer en contact avec elle que dix ans plus tard. Anne Cheng se réapproprie son lien avec la Chine en s'attaquant à 26 ans à la traduction d'un texte fondateur : les entretiens de Confucius (16:36). Elle crée ainsi des attaches au pays d'origine de ses parents par un biais qui lui est propre (23:00). Au travers de son parcours de chercheuse, elle étudie en profondeur les origines et les reconfigurations diverses du lien entre la France et la Chine : depuis les idées reçues plutôt positives au XVIIe siècle – bien que biaisées par les objectifs des Jésuites (29:50) –, en passant par les premières traces de sinophobie après le XVIIIe, jusqu'aux clichés racistes hérités de la période coloniale. Clichés qui ressortent avec violence aujourd'hui, bien que le racisme contre les personnes asiatiques ne date pas d'hier : elle, comme ses filles en ont d'ailleurs déjà fait les frais par le passé (40:08). Cette histoire ancienne et tortueuse qu'elle étudie depuis longtemps est à présent teintée des effets de la mondialisation, dans laquelle la Chine a une place centrale, ce que la crise actuelle rend incontestable (34:48). Elle observe avec recul et finesse la place de ce pays et de son influence grandissante, notamment dans de nombreux pays d'Afrique (49:36). Elle appelle cependant à sortir de la mise en miroir entre Chine et Occident qui crée une binarité effaçant toute la complexité de ces cultures et de leurs relations (46:40). En ce moment, si son travail de recherche est évidemment perturbé par les circonstances actuelles (07:27), elle est attentive à ce qui se passe ici comme là-bas (06:19) et continue à analyser sans angélisme le rôle de l'Empire du milieu dans la crise en cours (58:11).Bonne écoute, et continuez de faire parler La Poudre ! La Poudre est une émission produite par Nouvelles ÉcoutesRéalisation et générique : Aurore Meyer-MahieuProgrammation et coordination : Gaïa MartyMixage : Charles de Cillia

durée : 00:58:45 - Les Cours du Collège de France - Comment aborder la notion de nature différemment ? Comment intervient la possibilité de penser le monde comme énergie ? Comment la nature a-t-elle été thématisée dans la Chine ancienne ? s’interroge la sinologue Anne Cheng. Comment représenter juridiquement la nature ? demande François Ost. - réalisation : Laure-Hélène Planchet - invités : Anne Cheng sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France.; François Ost Philosophe et juriste.

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:31 - Les Cours du Collège de France - Comment les Chinois sont-ils devenus, à leur corps défendant, au moment où ils se convertissent au bouddhisme, les barbares des Indiens? Demande la sinologue Anne Cheng. Quels sont les paradoxes d’une Inde autocentrée qui a permis la naissance d’un bouddhisme qui s’est mondialisé ?

durée : 00:59:30 - Les Cours du Collège de France - Quelles sont les difficultés des moines chinois face à la diversités des langues indiennes ? Demande la sinologue Anne Cheng. Comment s’y intéressent-ils en philologues dans les premiers siècles de notre ère?

durée : 00:59:33 - Les Cours du Collège de France - Qu’est ce qui se joue dans le grand saut des langues indiennes vers la langue chinoise et dans le grand saut de l’oral à l’écrit? Comment les traductions bouddhiques s’avèrent-elles un processus complexe et aléatoire dans la Chine des premiers siècles de notre ère? Demande la sinologue Anne Cheng.

durée : 00:59:31 - Les Cours du Collège de France - Comment à partir de l’Inde s’est diffusé le bouddhisme en Chine ancienne? Quelles sont les différences contrastées entre l’Inde et la Chine dans la transmission des textes sacrés et le rapport à l’écrit et l’oral ? Demande la sinologue Anne Cheng.

durée : 00:59:31 - Les Cours du Collège de France - Comment t s’est diffusé le bouddhisme en Chine ancienne? Quels sont les personnages d’origine étrangères longuement installés en Chine qui ont permis son acculturation ? Demande la sinologue Anne Cheng.

durée : 00:59:29 - Les Cours du Collège de France - Qui était Ying, le demi-frère de l’empereur Ming, celui qui rêvait de Bouddha, sous la dynastie des Han? Quelles sont les régions où l’on pourrait trouver, dès le 1er siècle de notre ère, les premières traces matérielles visibles d’un possible bouddhisme en Chine? s'interroge Anne Cheng.

durée : 00:59:30 - Les Cours du Collège de France - A partir de quand trouve-t-on le nom de Bouddha en Chine et quelles sont les sources qui le citent? Demande la sinologue Anne Cheng. Comment apparaît-il en rêve à l’empereur Ming, volant, tout doré, un éclat de lumière au sommet de son crâne ?

durée : 00:59:31 - Les Cours du Collège de France - par : Merryl Moneghetti - Comment le monde est-il vu par la centralité chinoise? demande la sinologue, Anne Cheng. Comment les Autres, ceux qui vivent, aux marges de l’Empire du Milieu, ou au loin, en Inde, sont-ils représentés dans la Chine ancienne? Comment la voie du Bouddha se trouve-telle associée au taoïsme? - invités : Anne CHENG - Anne Cheng : sinologue, titulaire de la chaire « Histoire intellectuelle de la Chine » au Collège de France. - réalisé par : Laure-Hélène Planchet

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker's performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng's careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency.

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker's performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng's careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an inimitable work of critique: Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2017). Moving fluidly and with suspense through Baker’s performances, personal journals, museums, architectural designs, and the lyrics of Cole Porter--to name a few--Cheng draws on the oft-studied but little considered Josephine Baker as a figure of articulation for the nuanced contradictions of primitivism, modernism, and theory. Through Baker, Cheng invites us to reconsider the mutual imbrication of object/subject, surface/depth, and exploitation/fascination. Cheng’s careful eye and beautiful command of texture illustrates that dissolving Baker into pure particularity--into pure surface--is the best way to capture her unique agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:56:39 - Les Savantes - par : Lauren Bastide - Professeure au Collège de France, la sinologue Anne Cheng est titulaire de la chaire intitulée "Histoire intellectuelle de la Chine". Portrait d'une briseuse des mythes qui pèsent sur la Chine et la pensée chinoise.

Su Shi (1037-1101) était tout à la fois poète, philosophe, politicien, économiste... Un haut fonctionnaire ministériel, capable d'être tout à la fois un vagabond, un poète et un expert en rapports administratifs de toute nature. Su Shi nous apprend à avoir une "digne vie d'amateur". Il se décrivait lui-même comme faisant partie de ces "hommes épars qui voyagent au-delà des haies", capable d'admirer "tout uniment le vol des poussières à travers les fissures de l’aube…". A travers lui, on peut prendre quelques distances avec "l'intention, la finalité, le plan, le projet... qui sont des réalités occidentales". Ses textes ont été traduits et publiés sous le titre de Commémorations par la Bibliothèque chinoiseque dirigent, aux éditions des Belles Lettres, Anne Cheng et Marc Kalinowski.