Podcasts about cool edit pro

The Mogollon culture was an indigenous culture in the Western United States and Mexico that ranged from New Mexico and Arizona to Sonora, Mexico and out to Texas. They flourished from around 200 CE until the Spanish showed up and claimed their lands. The cultures that pre-existed them date back thousands more years, although archaeology has yet to pinpoint exactly how those evolved. Like many early cultures, they farmed and foraged. As they farmed more, their homes become more permanent and around 800 CE they began to create more durable homes that helped protect them from wild swings in the climate. We call those homes adobes today and the people who lived in those peublos and irrigated water, often moving higher into mountains, we call the Peubloans - or Pueblo Peoples. Adobe homes are similar to those found in ancient cultures in what we call Turkey today. It's an independent evolution. Adobe Creek was once called Arroyo de las Yeguas by the monks from Mission Santa Clara and then renamed to San Antonio Creek by a soldier Juan Prado Mesa when the land around it was given to him by the governor of Alto California at the time, Juan Bautista Alvarado. That's the same Alvarado as the street if you live in the area. The creek runs for over 14 miles north from the Black Mountain and through Palo Alto, California. The ranchers built their adobes close to the creeks. American settlers led the Bear Flag Revolt in 1846, and took over the garrison of Sonoma, establishing the California Republic - which covered much of the lands of the Peubloans. There were only 33 of them at first, but after John Fremont (yes, he of whom that street is named after as well) encouraged the Americans, they raised an army of over 100 men and Fremont helped them march on Sutter's fort, now with the flag of the United States, thanks to Joseph Revere of the US Navy (yes, another street in San Francisco bears his name).  James Polk had pushed to expand the United States. Manfiest Destiny. Remember The Alamo. Etc. The fort at Monterey fell, the army marched south. Admiral Sloat got involved. They named a street after him. General Castro surrendered - he got a district named after him. Commodore Stockton announced the US had taken all of Calfironia soon after that. Manifest destiny was nearly complete. He's now basically the patron saint of a city, even if few there know who he was. The forts along the El Camino Real that linked the 21 Spanish Missions, a 600-mile road once walked by their proverbial father, Junípero Serra following the Portolá expedition of 1769, fell. Stockton took each, moving into Los Angeles, then San Diego. Practically all of Alto California fell with few shots. This was nothing like the battles for the independence of Texas, like when Santa Anna reclaimed the Alamo Mission.  Meanwhile, the waters of Adobe Creek continued to flow. The creek was renamed in the 1850s after Mesa built an adobe on the site. Adobe Creek it was. Over the next 100 years, the area evolved into a paradise with groves of trees and then groves of technology companies. The story of one begins a little beyond the borders of California.  Utah was initialy explored by Francisco Vázquez de Coronado in 1540 and settled by Europeans in search of furs and others who colonized the desert, including those who established the Church of Jesus Christ of Latter-day Saints, or the Mormons - who settled there in 1847, just after the Bear Flag Revolt. The United States officially settled for the territory in 1848 and Utah became a territory and after a number of map changes wher ethe territory got smaller, was finally made a state in 1896. The University of Utah had been founded all the way back in 1850, though - and re-established in the 1860s.  100 years later, the University of Utah was a hotbed of engineers who pioneered a number of graphical advancements in computing. John Warnock went to grad school there and then went on to co-found Adobe and help bring us PostScript. Historically, PS, or Postscript was a message to be placed at the end of a letter, following the signature of the author. The PostScript language was a language to describe a page of text computationally. It was created by Adobe when Warnock, Doug Brotz, Charles Geschke, Bill Paxton (who worked on the Mother of All Demos with Doug Englebart during the development of Online System, or NLS in the late 70s and then at Xerox PARC), and Ed Taft. Warnock invented the Warnock algorithm while working on his PhD and went to work at Evans & Sutherland with Ivan Sutherland who effectively created the field of computer graphics. Geschke got his PhD at Carnegie Melon in the early 1970s and then went of to Xerox PARC. They worked with Paxton at PARC and before long, these PhDs and mathematicians had worked out the algorithms and then the languages to display images on computers while working on InterPress graphics at Xerox and Gerschke left Xerox and started Adobe. Warnock joined them and they went to market with Interpress as PostScript, which became a foundation for the Apple LaswerWriter to print graphics.  Not only that, PostScript could be used to define typefaces programmatically and later to display any old image.    Those technologies became the foundation for the desktop publishing industry. Apple released the 1984 Mac and other vendors brought in PostScript to describe graphics in their proprietary fashion and by 1991 they released PostScript Level 2 and then PostScript 3 in 1997. Other vendors made their own or furthered standards in their own ways and Adobe could have faded off into the history books of computing. But Adobe didn't create one product, they created an industry and the company they created to support that young industry created more products in that mission.  Steve Jobs tried to buy Adobe before that first Mac as released, for $5,000,000. But Warnock and Geschke had a vision for an industry in mind. They had a lot of ideas but development was fairly capital intensive, as were go to market strategies. So they went public on the NASDAQ in 1986. They expanded their PostScript distribution and sold it to companies like Texas Instruments for their laser printer, and other companies who made IBM-compatible companies. They got up to $16 million in sales that year. Warnock's wife was a graphic designer. This is where we see a diversity of ideas help us think about more than math. He saw how she worked and could see a world where Ivan Sutherland's Sketchpad was much more given how far CPUs had come since the TX-0 days at MIT. So Adobe built and released Illustrator in 1987. By 1988 they broke even on sales and it raked in $19 million in revenue. Sales were strong in the universities but PostScript was still the hot product, selling to printer companies, typesetters, and other places were Adobe signed license agreements.  At this point, we see where the math, cartesian coordinates, drawn by geometric algorithms put pixels where they should be. But while this was far more efficient than just drawing a dot in a coordinate for larger images, drawing a dot in a pixel location was still the easier technology to understand.  They created Adobe Screenline in 1989 and Collectors Edition to create patterns. They listened to graphic designers and built what they heard humans wanted. Photoshop Nearly every graphic designer raves about Adobe Photoshop. That's because Photoshop is the best selling graphics editorial tool that has matured far beyond most other traditional solutions and now has thousands of features that allow users to manipulate images in practically any way they want.  Adobe Illustrator was created in 1987 and quickly became the de facto standard in vector-based graphics. Photoshop began life in 1987 as well, when Thomas and John Knoll, wanted to build a simpler tool to create graphics on a computer. Rather than vector graphics they created a raster graphical editor.  They made a deal with Barneyscan, a well-known scanner company that managed to distribute over two hundred copies of Photoshop with their scanners and Photoshop became a hit as it was the first editing software people heard about. Vector images are typically generated with Cartesian coordinates based on geometric formulas and so scale out more easily. Raster images are comprised of a grid of dots, or pixels, and can be more realistic.  Great products are rewarded with competitions. CorelDRAW was created in 1989 when Michael Bouillon and Pat Beirne built a tool to create vector illustrations. The sales got slim after other competitors entered the market and the Knoll brothers got in touch with Adobe and licensed the product through them. The software was then launched as Adobe Photoshop 1 in 1990. They released Photoshop 2 in 1991. By now they had support for paths, and given that Adobe also made Illustrator, EPS and CMYK rasterization, still a feature in Photoshop.  They launched Adobe Photoshop 2.5 in 1993, the first version that could be installed on Windows. This version came with a toolbar for filters and 16-bit channel support. Photoshop 3 came in 1994 and Thomas Knoll created what was probably one of the most important features added, and one that's become a standard in graphical applications since, layers. Now a designer could create a few layers that each had their own elements and hide layers or make layers more transparent. These could separate the subject from the background and led to entire new capabilities, like an almost faux 3 dimensional appearance of graphics..  Then version four in 1996 and this was one of the more widely distributed versions and very stable. They added automation and this was later considered part of becoming a platform - open up a scripting language or subset of a language so others built tools that integrated with or sat on top of those of a product, thus locking people into using products once they automated tasks to increase human efficiency.  Adobe Photoshop 5.0 added editable type, or rasterized text. Keep in mind that Adobe owned technology like PostScript and so could bring technology from Illustrator to Photoshop or vice versa, and integrate with other products - like export to PDF by then. They also added a number of undo options, a magnetic lasso, improved color management and it was now a great tool for more advanced designers. Then in 5.5 they added a save for web feature in a sign of the times. They could created vector shapes and continued to improve the user interface. Adobe 5 was also a big jump in complexity. Layers were easy enough to understand, but Photoshop was meant to be a subset of Illustrator features and had become far more than that. So in 2001 they released Photoshop Elements. By now they had a large portfolio of products and Elements was meant to appeal to the original customer base - the ones who were beginners and maybe not professional designers. By now, some people spent 40 or more hours a day in tools like Photoshop and Illustrator.  Adobe Today Adobe had released PostScript, Illustrator, and Photoshop. But they have one of the most substantial portfolios of products of any company. They also released Premiere in 1991 to get into video editing. They acquired Aldus Corporation to get into more publishing workflows with PageMaker. They used that acquisition to get into motion graphics with After Effects. They acquired dozens of companies and released their products as well. Adobe also released the PDF format do describe full pages of information (or files that spread across multiple pages) in 1993 and Adobe Acrobat to use those. Acrobat became the de facto standard for page distribution so people didn't have to download fonts to render pages properly. They dabbled in audio editing when they acquired Cool Edit Pro from Syntrillium Software and so now sell Adobe Audition.  Adobe's biggest acquisition was Macromedia in 2005. Here, they added a dozen new products to the portfolio, which included Flash, Fireworks, WYSYWIG web editor Dreamweaver, ColdFusion, Flex, and Breeze, which is now called Adobe Connect. By now, they'd also created what we call Creative Suite, which are packages of applications that could be used for given tasks. Creative Suite also signaled a transition into a software as a service, or SaaS mindset. Now customers could pay a monthly fee for a user license rather than buy large software packages each time a new version was released. Adobe had always been a company who made products to create graphics. They expanded into online marketing and web analytics when they bought Omniture in 2009 for $1.8 billion. These products are now normalized into the naming convention used for the rest as Adobe Marketing Cloud. Flash fell by the wayside and so the next wave of acquisitions were for more mobile-oriented products. This began with Day Software and then Nitobi in 2011. And they furthered their Marketing Cloud support with an acquisition of one of the larger competitors when they acquired Marketo in 2018 and acquiring Workfront in 2020.  Given how many people started working from home, they also extended their offerings into pure-cloud video tooling with an acquisition of Frame.io in 2021. And here we see a company started by a bunch of true computer sciencists from academia in the early days of the personal computer that has become far more. They could have been rolled into Apple but had a vision of a creative suite of products that could be used to make the world a prettier place. Creative Suite then Creative Cloud shows a move of the same tools into a more online delivery model. Other companies come along to do similar tasks, like infinite digital whiteboard Miro - so they have to innovate to stay marketable. They have to continue to increase sales so they expand into other markets like the most adjacent Marketing Cloud.  At 22,500+ employees and with well over $12 billion in revenues, they have a lot of families dependent on maintaining that growth rate. And so the company becomes more than the culmination of their software. They become more than graphic design, web design, video editing, animation, and visual effects. Because in software, if revenues don't grow at a rate greater than 10 percent per year, the company simply isn't outgrowing the size of the market and likely won't be able to justify stock prices at an inflated earnings to price ratio that shows explosive growth. And yet once a company saturates sales in a given market they have shareholders to justify their existence to. Adobe has survived many an economic downturn and boom time with smart, measured growth and is likely to continue doing so for a long time to come.

Good morning, Gus! We're back with a new episode at ANMA from Palomino Coffee at Givens Park. This week Gus and Geoff talk about Gus lost his voice, Big Bopper, Going to the hospital, TV we're just around, RvB behind the scenes, Cool Edit Pro and Adobe Audition, Video game development, PAX's Gabe & Tycho panel music. Sponsored by ExpressVPN http://expressvpn.com/anma BetterHelp http://betterhelp.com/anma and Shady Rays http://shadyrays.com Already a FIRST Member and need your Private RSS feed for this show? Go here: http://bit.ly/FIRSTRSS. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 4th Emergency Satellite Broadcast from the Future. Well- all I can say about this episode is that one evil dastardly villain manages to destroy another evil dastardly villain- and I am okay about that. The 5th Emergency Satellite Broadcast will hopefully appear before the Autumn Solstice- Gaia willing that I manage to give up using Cool Edit Pro which even I now admit is very ancient software in deed. As I am an ancient analogue dog trying to learn new tricks like Ardour6 Give me 2 tape decks- splicing tape- a china-graph pencil and a razor blade and I'm a puppy chasing after a rubber ball. So keep your fingers crossed- Reality may still hold a few pleasant surprises yet. df.

VOICE OVER BODY SHOP TECH-TALK #71 COVERS ALL THE VO TECH BASES!   Dan and George are the VO Home studio Tech Masters! They live it every day, facing the challenges you face and giving you the answers you need to sound your best:   On this weeks nonstop VO Tech jamboree:   * Can YOU use a 4K TV as a monitor? * Testing the Yellowtec PUC2 LEA interface. * Long-term test update: Presonus Revelator io24. * “Real-time” noise reduction options * Audition 2022 Ghost audio issue. * NAMM Show 2022? * Clubhouse on desktop?   We discusses: Why are people still using ProTools? Or even Cool Edit Pro? And should they?   Plus all YOUR great questions interfaces, DAW issues, consulting, front-end hardware and processing!   catch it all week on  Facebook @ https://www.facebook.com/voiceoverbodyshop/, our homepage, VOBS.TV, and our podcast for those of you who love to listen on the go!  We love our supporters and donors for your continued support. VOBS can't be here without YOU and our other great supporters:   Voiceoveressentials.com,  VOHeroes.com  Sourceelements.com,  VoiceOverXtra.com,  VOICEACTORWEBSITES.com  and JMC Demos jmcvoiceover.com/demo-production

What do you do when you're locked in your house for 6 months? Record an EP of course! Inspired by the sound of 80s Post-Punk and Darkwave, this musical duo loves to take a look back at the past “to see how genres intertwine.”  This episode was recorded in late 2020: we were looking back on quarantine and how it allowed more time to make music. Before that, the duo says “the only time we had to make music was on vacation.” We talk about the evolution of a song in the writing process, the recording process, having opposite schedules, Depeche Mode, celebrity overdoses and the demands of celebrity… maybe why the Rubicon would like to be undercover in the first place. We also hear about Steve's original band and their child-prodigy nine year-old drummer and get a glimpse into the evolution of a song. Rebec… I mean Rubicon shares her perspective about why the pandemic was good (in some ways) and how she was hesitant to release a song that could be considered political. “I'm not built to live through a Revolution” she says quoting the meme. Guest: Undercover Rubicon (Rebecca Leavitt / Raul Hernandez) Spotify Apple Music Instagram - @undercoverrubicon Facebook   Featured Music:  Living A Lie by Undercover Rubicon Time by Undercover Rubicon “I Don't Know How To Write” (In Too Deep sketch) written by Rebecca Leavitt and Steven Leavitt In Too Deep by Undercover Rubicon The 12th Hour by Transfiguration Forever Somewhere by Eric Kennedy, Jo Blinman and Steven Leavitt “Smooth Beat V2” by Undercover Rubicon   Mentioned in the episode: Mason Gold Oliver Tree Oliver Tree - I'm Gone (music video) The Oceanographers "After Quarantine" - Spotify Molachat Doma Depeche Mode - Wikipedia Tom Petty - Wikipedia   Tags: music, recording, Zoom Recorder, AirbNb, mixing consoles, Trident, Oram, multitracking, tape, mp3.co, ebaumsworld, Homestar Runner, music video, Cool Edit Pro, Adobe, fire, Oliver Tree, DTLA, album release, release party, VEGAS!, release date, promotion, social media, publicity stunts, Snapchat, Instagram, filters, plastic hair, scandalous, hair and makeup, poorly-kept secrets, DIY, cheapskates, quarantine, time to create, shooting locations, studios, roadie, vacation, too much work, Mammoth, Lake Tahoe, Spotify, listen numbers, cowriting, Time, Living A Lie, In Too Deep, monikers, siblings, live music production, no time, freetime, creative time, The Office, Netflix, DVD box-sets, VHS tapes, bootlegs, Goodwill, Salvation Army, scotch-tape, copy-protection, experimentation, 4-track, cassette, Hipsters, AKAI, reel-to-reel, Tascam, Wavesfactory, drum tones, 80s, kick, snare, tapes, Mom, The Oceanographers, “After Quarantine”, Pearl drums, drum tuning, guitars, singing, Hawaii, Studio City, grounding, breakfast burritos, Rich Mouser, producing, vibe, Venus Illuminato, hard-disk recorder, punch-ins, micromanaging, mindset, 2020, post-punk, darkwave, lyrics, ideas, vision, documentaries, genre studies, music history, Dropbox, riff, chord, melody, sketch, demo, Bon Iver, 17 years old, Jonie Blinman, childhood bands, Depeche Mode, Mitch's Java and Jazz, Christian bands, creative arguments, St. Vincent Language of Creativity's host Steven Leavitt enjoys discussing the ins and outs of all aspects of creating, creativity, and life with his fellow creators, artists, inventors, designers, and producers. Along the way he gains perspective and multiplies his understanding of our universal potential for creating, living, and learning.   Site: https://www.icreatesound.com/ Portfolio: http://stevenleavitt.com/   Please review this podcast on Google Play, iTunes and Stitcher and help other creatives find their tribe!

Commençons par un proverbe français qui pose les bases du sujet : "Les bons outils font les bons ouvriers". Ça fonctionne pour tous les métiers et pour tous les ouvriers. Je préfère utiliser le mot métier au mot "profession". Le métier, c'est un savoir-faire et une technicité. Le métier, c'est pour la vie. On n'en a qu'un seul. D'ailleurs, on le répète souvent "Douze métiers, treize misères". Autant donc disposer des bons outils pour faire du bon travail. Les bons outils sont indissociables du bon travail. Alors, on peut toujours réaliser un travail avec des morceaux de sparadrap... Sauf que, le résultat, fait de bric et de broc, ne brillera pas forcément dans son aboutissement et sa finalité. C'est pourquoi, on met généralement toutes les chances de son côté lorsque l'on dispose des bons outils mais, plus largement, des bonnes personnes, des bons réflexes et d'un bon savoir-faire. Alors qu'est-ce qu'on trouve dans votre caisse à outils ? D'abord, je vais vous parler du contenu de la mienne pour produire du son. D'abord, je travaille avec un Zoom H5. Je ne l'ai pas choisi, on me l'a conseillé. Je ne suis pas un spécialiste mais ce Zoom H5 a le mérite de faire le job, dans toutes les conditions, c'est ce qu'on lui demande et il le fait. Il est très simple d'utilisation et n'est pas encombrant (l'encombrement, c'est vraiment un souci). Il faut compter environ 250 euros pour acquérir un Zoom H5. Ensuite, j'utilise un casque. Un DT 770 Pro. Il est extrêmement hermétique et très confortable mais très encombrant. Il faut compter environ 130 euros. Ensuite, il vous faut un micro. Vous pouvez utiliser le micro prémonté sur votre Zoom. Sauf que, en ce qui me concerne, j'utilise un micro spécifique pour les interviews (un LEM 21B par exemple qui coûte aux alentours de 300 euros) et un micro parabole pour les ambiances extérieures dont l'investissement est, approximativement, de 700 euros. Grosso modo pour un investissement de 1 500 euros, vous pouvez commencer à enregistrer. À cela, vous devrez ajouter un logiciel de montage : SounForge ou Samplitude. Personnellement, j'utilise Audobe Audition que j'ai découvert il y a plus de 20 ans sous l'appellation Cool Edit Pro. Ce n'est pas très compliqué. Vous pouvez enregistrer, mixer et exporter du contenu audio pour un podcast par exemple. Sur une session multipiste, vous pouvez couper, ajouter, effacer, recommencer, raccourcir le son, le travailler… Bref, il y a 1 001 possibilités. Mais si vous débutez, Adobe n'est pas forcément le meilleur choix. Je conseille d'abord de vous faire la main sur Audacity… Voilà ! Est-ce qu'on a fait le tour ? Et bien non !   Vous pouvez retrouver ce texte en intégralité à cette adresse :

In this episode, Wendy tells you everything you need to know to get into voice-overs. V.O is a great way to make money on the side while still being an actor, listen to this episode if you'd like to know how! Coaches mentioned: Pat Fraley, Maria Tobias, Jeff Howell, Bob Bergen, BZ Cullins Equipment mentioned: Sony Sound Forge Pro, Adobe Audition, Audacity, Cool Edit Pro 2.0, GarageBand SAG-Aftra V.O. Lab: https://sagaftra.foundation/facilities/dlf-vo-lab/about/ Join Talent Managers for Actors on Facebook here: https://www.facebook.com/groups/843656639050766/ Take the HWC Masterclass: https://hollywoodwinnerscircle.com/products/master-course/

In this special episode. I reconnect with an old friend and Khmer Hip Hop legend, Khmer Kid. We talked about his humble beginnings and what is was like growing up in Chicago in the early 90s. He was born in 1984 at Khao-I-Dang refugee camp and was named after it. Soon after, his family immigrated to the Uptown neighborhood of Chicago. Khao's story is very interesting because I've learned so much about him that I never knew before. He shared so many experiences in his life that made him the man he is today. He developed a passion for making music at the age of 15 and credits Willy for inspiring him to rap in Khmer. Willy, was the first person we both heard at the time rap in our native tongue. His song "Khmer Pride" was recorded and released in 1996 and somehow circulated nationwide. Immediately, Khao started to write and rap in Khmer and his first recording studio was his sister's computer and a recording software called Cool Edit Pro. Having close friends who supported his music and one of them gave him the name "Khmer Kid" and the rest was history. His first song ever recorded was "Represent Khmer Pride for the 99" and that same year he recorded his instant classic "Smoke Weed" during Khmer New Year while everyone was a the temple. He did expect it to go viral in the era of dial up internet. I remember seeing the song on P2P softwares like Limewire, Kazaa, and Napster. Currently "Smoke Weed," has over 4.3M views on youtube from a random fan who uploaded it. Khmer Kid just now re-released the song on all streaming platforms because someone uploaded the song and pretended to be him on reverb nation which caused a lot of frustration for him because was unable to claim the songs at the time. Aside from the music, Khmer Kid had a run in with the law where he had to do prison time. His prison experiences are surprisingly positive because he was well respected, he kept it real with everyone and was drawing artwork for inmates and got along with everyone. He kept writing lyrics, had a spiritual awakening, read the bible, and got released early for good behavior. Long story short, Khmer Kid is revamping his independent record label Khmer Entertainment Records and has signed his first artist, Young Spyder of Cambodia. We plan on collaborating together so be on the look out for new music and visuals! --- Support this podcast: https://anchor.fm/chluytalk/support

Nick has taken a real liking to anything Sonny Rollins is willing to share publicly. Mr. Rollins is back again with some thoughts on current events, including what the he expects to see following the Coronavirus, as well as his thoughts on the death of George Floyd & the subsequent protests. [New Yorker]Song: Ambrose Akinmusire - Moon (the return amplifies the unity)Greg is really missing summer concerts, so he’s a sucker for any headline alluding to live music. Luckily this was a good one: Name a band whose best album is a live album. This article comes from Louder Sound and we discuss their 10 picks & then move right onto our own additions. It was a fun one. [Louder Sound]Songs:Motörhead - Ace of SpadesHawkwind - Born to GoJay brings us our newest segment, NERD ALERT! (theme song included). The premise, thus far, is that someone takes a deep dive into a technical subject surrounding music. This week, Jay’s strolling down memory lane to share a story about the first multi-track recording software he ever fell in love with, & it’s name was Cool Edit Pro (thanks again Peter Quistgard). [Sound On Sound]Song: Can - Vitamin C

Solid-state disk drives still cost more that comparably sized mechanical drives, but prices have dropped enough that upgrading a computer's boot drive to a solid-state device is now the fastest and easiest way to accelerate the machine. In Short Circuits: A new point-and-shoot Nikon camera that costs $800 and has an 83-times zoom lens was a big hit at the consumer electronics show. There are good reasons to want one and a couple of reasons not to. • Used carefully, PC Decrapifier is a handy tool, but it's all too easy to use the wrong way. • No matter what camera you own, every photograph that it makes can be improved and the process may take only a few minutes. In Spare Parts (only on the website): How much of your personal data are you willing to surrender to get better service from companies? • This may be a surprise, but it seems that crooks take vacations, too. • Twenty years ago: I didn't use Audition because it didn't yet exist. Instead, I used Cool Edit Pro, and later it became Audition.

David Johnston is a Principal Software Design Engineer with the Audio and Acoustics Research Group in Microsoft Research Labs, which he joined in 2011. He received his B.S. degree in Computer Science from the University of Washington in 1992. In 1995 Mr. Johnston co-founded Syntrillium Software and developed the multitrack studio audio editor Cool Edit Pro, a stereo audio editor for Windows. He sold the company to Adobe Systems in 2003 and continued working on what became Adobe Audition until 2010. David's current work includes spatial audio for HoloLens and Windows. The post David Johnston: Cool Edit Pro, Machine Learning, and Future Audio Technologies appeared first on the Music Radio Creative.

David Johnston is a Principal Software Design Engineer with the Audio and Acoustics Research Group in Microsoft Research Labs, which he joined in 2011. He received his B.S. degree in Computer Science from the University of Washington in 1992. In 1995 Mr. Johnston co-founded Syntrillium Software and developed the multitrack studio audio editor Cool Edit Pro, a stereo audio editor for Windows. He sold the company to Adobe Systems in 2003 and continued working on what became Adobe Audition until 2010. David’s current work includes spatial audio for HoloLens and Windows. The post David Johnston: Cool Edit Pro, Machine Learning, and Future Audio Technologies appeared first on the Music Radio Creative.

Jason Levine is the Principal Worldwide Evangelist for Adobe. He travels the globe inspiring and educating on Adobe Creative Cloud focusing on workflows in video, audio and on mobile. He also live streams for Adobe on the Facebook page and YouTube channels and talks to the next gen of editors, vloggers and VFX artists showing tips and tricks in real time. Jason was also employee number 9 at Syntrillium during the Cool Edit Pro days. The post Jason Levine: Cool Edit Pro, Analogue Audio and Digital Audio Editing History appeared first on the Music Radio Creative.

Jason Levine is the Principal Worldwide Evangelist for Adobe. He travels the globe inspiring and educating on Adobe Creative Cloud focusing on workflows in video, audio and on mobile. He also live streams for Adobe on the Facebook page and YouTube channels and talks to the next gen of editors, vloggers and VFX artists showing tips and tricks in real time. Jason was also employee number 9 at Syntrillium during the Cool Edit Pro days. The post Jason Levine: Cool Edit Pro, Analogue Audio and Digital Audio Editing History appeared first on the Music Radio Creative.

This week on A Waste of Time with ItsTheReal, we welcome the amazing rapper, actor, producer, podcaster, and personality Phonte - whose new album No News is Good News is available for streaming everywhere now - to the Upper West Side! We discuss Phonte's youth in Greensboro, North Carolina, his East Coast musical influences, what Biggie's Ready to Die album and Snoop Dogg's Doggystyle album meant, being bused to a mostly white high school, focusing on sports, performing with his first rap group, The Fu-Tang Clan, making beats on a TASCAM four-track recorder in his room, how his creative writing developed significantly in 11th grade, and attending college, where he met Big Pooh and 9th Wonder. Phonte talks about how he and 9th and Pooh were friends way before they were making music, giving up football, joining the school's drama program, starting a college rap group G.I.M.M.E. (God, I Murder Many Emcees), watching in awe as 9th made beats on Cool Edit Pro, and making records on records on records until they felt their song "The Finest" was about to hit. Phonte speaks on having a child right out of college and balancing his 9-5 at Blue Cross, Blue Shield with the freedom that his budding music career brought, moving forward as Little Brother, the power of the internet and specifically Okayplayer, touring California, taking meetings with Jive Records, ultimately signing with Atlantic Records, what it's like to turn in an album like The Minstrel Show, and how quickly their support system at the label fell apart. We get into the expectations, the environment, the fallout, the bounce back, and ultimately the dissolution of Little Brother, and how Phonte found himself in a place in 2011 where he was ready to create and release a solo album. Phonte talks Foreign Exchange, doing 80's covers, losing loved members of his family, getting married, producing music and TV, writing music and TV, and championing others, finally determining that he had a second solo record ready for public consumption in 2018, and the overwhelmingly positive reactions it's garnered. All that, plus stories about Kanye, Drake, Jeezy, Combat Jack, Oprah, Danny Glover, South of the Border, Petey Pablo, The Source, BET, The Breaks, Sesame Street, and so much more! See acast.com/privacy for privacy and opt-out information.

Fun Education Tech Lessons Episode 8This week on We Know More About Technology Than You Do, Josh Jak and Bee Lion talk about the ways technology can be used as a creative tool. Josh still uses Cool Edit Pro, a program that has been discontinued for about a decade. Bee talks about Adobe Premiere Pro and other video editing programs he has used over the years. They both complain the mediocrity of YouTube tutorials and Bee even considers making his own. It’s the show that makes you feel less ashamed about being a dummy. It’s Fun Education Tech Lessons!

-SEGMENTOS- -04:20- Comienza Fede leyendo El sabor del champagne -08:51- Comentarios -12:29- Pablo lee Lo arcaico -19:21- Comentarios recontra manijeados hasta el fin Intro (Movidas Nocturnas) y Outro (Entrando al Templo) : Diego Carnal (https://www.youtube.com/user/carnalhiphop) Blogs de Pablo: Perdido En la Aurora (https://pablocesarborja.wordpress.com/) Y tumblr http://pablocesarborja.tumblr.com/ Y un instagramu: @pcesarborja Para la grabación usamos Audacity, y para la edición Cool Edit Pro, Audacity y Freac (Free Audio Converter).

-INICIO- -02:08- Pablo lee un cuento sin título. Cuento fue escrito para nuestro taller literario. -05:41- Comentarios. -09:36- Germán lee otro cuento sin título. También dirigido por la misma consigna. -13:55- Comentarios. -18:54- Siguiente desafío de piratería. -19:22- Escritores y escritoras emergentes ¡uníos! (a nuestro taller. O entre ustedes). Intro (Movidas Nocturnas) y Outro (Entrando al Templo) : Diego Carnal (https://www.youtube.com/user/carnalhiphop) Blogs de Pablo: Perdido En la Aurora (https://pablocesarborja.wordpress.com/) Y tumblr http://pablocesarborja.tumblr.com/ Y un instagramo: @pcesarborja Para la grabación usamos Audacity, y para la edición Cool Edit Pro, Audacity y Freac (Free Audio Converter).

-INICIO- Intro: Movidas nocturnas (versión corta) Hacemos una corta recapitulación del programa en su totalidad hasta ahora. -03:42- Preparamos a Pablo para leer. Hablamos de Julio Inverso. -06:15- Pablo lee un capítulo de su novela inedita n° diez mil ochocientos dos -09:38- Comentarios -16:49- Preparamos a Germán para leer. Él habla de un taller literario. -17:42- Germán lee un cuento sin título -24:00- Comentarios -27:06- Muestra del reto de piratería Sigan a pcesarborja en instagram Intro (Movidas Nocturnas) y Outro (Entrando al Templo) : Diego Carnal (https://www.youtube.com/user/carnalhiphop) Blogs de Pablo: Perdido En la Aurora (https://pablocesarborja.wordpress.com/) Y tumblr (http://pablocesarborja.tumblr.com/) Para la grabación usamos Audacity, y para la edición Cool Edit Pro.

-INICIO- Hablamos de libros -06:22- Pablo introduce el desafío de piratería -08:03- Pablo lee Azure -11:56- Comentarios -17:57- Germán lee más sueños y los comentamos -25:58- Pablo lee cuento de fantasía sin título -30:11- Comentarios -31:50- Siguiente desafío Intro (Movidas Nocturnas) y Outro (Entrando al Templo) : Diego Carnal (https://www.youtube.com/user/carnalhiphop) Blogs de Pablo: Perdido En la Aurora (https://pablocesarborja.wordpress.com/) Y tumblr (http://pablocesarborja.tumblr.com/) Para la grabación usamos Audacity, y para la edición Cool Edit Pro. Atribuciones (Freesound.org) Record_scratch.wav de nixphoeni [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)] “cutting power.mp3 ” de IFartInUrGeneralDirection está licenciado bajo "CC BY 2.0"

In this episode, were talking vulnerability, honesty, and finding your truth through song; with musician Jameson Rider Sand. Guest Bio: I remember seeing a video of Portishead playing Live with an orchestra in the late 90’s. The beat dropped. Followed by an angelic voice and subtle scratching from a turntable. I had never heard anything like it. This was the moment that changed my life. I grew up heavily influenced by what my family was listening to. Neil Young, Jimi Hendrix, Led Zeppelin, and the Gipsy Kings from my parents. Snoop Dogg, Cypress Hill, Tom Waits, and Rage Against The Machine from my siblings. I was hooked on hip hop since ’93 when I heard Tupac’s Keep Ya Head Up, Snoop Dogg’s Doggystyle, and Dr. Dre’s The Chronic. It all seemed to come together with Portishead. The tempo of a slow Neil Young song, the edge of Rage Against The Machine and Led Zeppelin, and the hard hip-hop beat of a tupac instrumental slowed down 50%. PLUS an orchestra! Having no idea what I was doing, I started researching how cheaply I could get a set of turntables. Saved my pennies and purchased a really shitty set. Returned them, saved more and bought some better ones so that I could learn how to scratch. A couple years later, bought an SP-303 sampler. Then, got a copy of Reason 2.0 from a friend, Daimon, and a copy of Cool Edit Pro. Taught myself how to use the programs. No musical training whatsoever. Kept experimenting, started writing lyrics when my friend Hanz introduced me to underground hip hop such as Sole and Atmosphere. It suddenly seemed possible that I could one day make something from the music I was creating. Ditched sports in college to focus on music. Eventually ditched my undeclared/Psychology degree after 2.5 years to go to school for music. Took a huge risk, and a certified shit-ton of loans out, packed my shit up (including about 1,500 vinyl records) and moved to FL to go to Full Sail University for Recording Arts and Music Business. Graduated. Drove back to NH, then across the country to CA to live with my brother, Austin, in Sacramento. 2 months later, visited my friend Dan in LA, first time ever being there. Amazing time. Back in Sacramento, found an apartment with no pics on craigslist, sold my car for $2,600 to get the money for the deposit, got a U-Haul and moved to LA. That was in early 2009. For more information, please visit Jameson’s website: jrsfdbk.com In this episode, we discuss: Books: The Alchemist Music: Ed Sheeran 2Pac John Lennon Documentary: Cowspiracy // Think Outside the Lines Podcast Subscribe / Leave a review on iTunes Subscribe on Soundcloud Subscribe on Player.FM Subscribe on Stitcher (Must have an account) // If you would like to stay updated on all things podcast-related, click here to sign up for the mailing list. // Return to main podcast page //

We present our Monthly Radioshow "Mykonian Sessions" for the month of June 2015. From Deep House to Techno, Every Friday a new 120'min Mixtape on HeavyG Super Paradise Web-Radio Station with Vinyl Mode. This week we are glad to present a new Mixtape live with tracks by (Hour 1)Mixed By Vinyl Mode: Gardens Of God (Ellum), Carmelo Gargaglione (DubGestion), Dirty Culture, Sunju Hargun (Bla Bla), Sascha Kloeber (SOSO), Donatello (Click Records), Sunju Hargun, Forrest (VIVa LIMITED), Kiko, Olivier Giacomotto (Noir Music), Sunju Hargun, Forrest (Turbo Recordings), Vinyl Mode [WEEK 56] is a special episode...Episode 19 of our (Guest Mix) every first week of each month we will be hosting talented and well established House and Techno DJ's to spin an exclusive one hour set for you! It is our pleasure to present you our guests for June, 05, 2015. Glowrec. Our brother fro the Glowrec. family ZaVen (DJ - Producer) all the way from Heiloo , Netherlands. Sven Dekker, also known as ZaVen is a dj and producer that has been a noticeable figure in the party scene of the Netherlands since 1989. His sound appealed to chillout & lounge lovers. ZaVen was born in 1973 in Alkmaar where he lived for 24 years. At the age of 20, his musical journey started and he walked in with his first set of Technics 1200SL, an amplifier, a Datec Mixer and two big speakers. Though it was a challenging learning experience, through volume restrictions, family complaints and neighbours’ objections, ZaVen refused to quit his learning curve of mixing skills. On the contrary, he persisted his path to creating his own tracks and his own signature sound. He started production on PC programs like Screamtracker and Madtracker. Those tracks were based on styles TripHop and experimental Breakbeat. In 1998, ZaVen moved to a small village called Heiloo where he still resides today. His first gig started in 2001 when he played at an underground party called 'Alice in Wonderland' at 'De Raad' Alkmaar. He presented the crowd with some of his own tracks and others with an underground taste of ambient records. 2005 marked a milestone for ZaVen when his mixing and production talent didn’t stay unnoticed and he was invited to play at prominent festivals, like Dance Valley in the Chill Out area. Following his success, he was inspired to divert from his usual chillout sound and started exploring arising sounds like techno, deep and tech house. This affected his production as he was still using Madtracker, while modern programs like Cubase, Ableton, Pro-Logic were available. People were amazed with what ZaVen could do with trackerprogram in combination with Cool Edit Pro for sampling, yet convinced him that using modern programs will result in much better productions. In 2014, ZaVen started to use Fruity Loops 10 interface and within couple of weeks he got his first demo tracks on Soundcloud. Lucas Fox and DMC World placed his track 'Sky Castle' on 'LFSTyle in Ibiza, vol.1' cd and Glowrec offered ZaVen his first EP 'Roomservice' with 3 tech house tracks. His EP is a combination of warm groovy beats with melodies now known to be a typical ZaVen sound. Official Website: http://www.dj-zaven.com Facebook Page: https://www.facebook.com/pages/ZaVen-DJ-Producer/130851200340361?pnref=story SoundCloud: https://soundcloud.com/sound-vision-ing-nl Beatport Releases: Label Support: Glowrec. : http://glowrec.com Tribe: https://www.facebook.com/tribe.emc Itom Records Offical Page Intensive Music Records

Quick Episode Summary: Intro 6 Foot Mama Promo On the Libsyn Blog Shout out to The Business Side of Music Great comment about Adam Carolla and the patent troll from Max Flight Small Business IT Show The awesome conversation over on the Libsyn blog about co-hosts The Scifi Diner Podcast Promo Rob and Elsie Conversation The newest update to Libsyn4 - editing categories! Rob's recap of NAB - all about Skype TX How to listen to podcasts from Eric and Stacey Jon from KB Insider asks about audio editing software for a PC Question from a listener about your back catalogue Traffic from bogus bots? via Danny Pena from Gamertag Radio Question about keywords within episodes via Ashley from Swiftcast The real time frame of those featured in New and Noteworthy (not what you think) Request for getting the stats out about the non-anglo countries of Marian Pierre Louis Not saying music is podsafe if you have music podcast and getting rejected from iTunes Update on the RECAP to record iOS Where have Rob and Elsie been in the podosphere Featured Podcast Promos + Audio 6 Foot Mama The Small Business IT Show The Scifi Diner Podcast Newest Articles on the Libsyn Blog, Podcasting Links and mentions Rockin' Libsyn Podcasts: The Outlaws of Health Show Rockin' Libsyn Podcasts: aBabe Music Podcast Tom Sabella from The Business Side of Music Mac Flight from The Airplane Geeks Podcast Full comment re: Adam Carolla: "The Mark Maron and Adam Carolla piece really concerned me. Carolla showed how little he knows about patent litigation - which is a surprise, given his situation. There is no “loophole” being exploited, as they claimed several times. This is exactly how it works in the U.S. where you can own a patent like any other piece of property. You don't have to be the inventor and you don't have to actually create anything based on the patent. Typically, patent trolls are entities who buy patents from patent holders (usually the inventor, but not necessarily) for the express purpose of squeezing license fees out of others. It's not extortion. It's how the law works. In this case, the patent holder is the inventor, which is why some feet the “troll” moniker is a little forced in this case. Carolla seems to think our collective indignation gives us the power to prevail in this case. Maybe it makes him feel better, but that's not how its done. There are two main routes to a solution: (1) Winning the court case, typically by invalidating the patent (arguing prior art or that the idea is an obvious extension of something else), or (2) enacting legislation that removes the plaintiff's ability (or desire) to prosecute. That's it. Running around saying “this is terrible” is wasted energy unless it's directed at those two paths above. Oh, and the reason for the case being tried in that East Texas Court is that they have a long history of being pro-plaintiff in patent litigation. Some Troll companies have even set up offices there to be close to the Court. Every good Patent Troll knows to bring suit there because the success rate is high and so are the awards. Don't get me wrong - I believe the patent system in the U.S. is seriously broken, and we podcasters, like many others, are feeling the pain of that. But if you want to do something effective to change that, either send your money to the EFF or lobby your Federal representatives to change patent law, or both. Moaning about how wrong it is will not accomplish anything. We have to play the game to change the game." Podcasting Articles and Links mentioned by Rob and Elsie Our SpeakPipe Feedback page! Leave us feedback :) Libsyn on Facebook! If you have a co-host what is your workflow? Skype TX Frankeskype set up for iOS Eric and Stacey Talking Rubbish - How To Listen Jon asks about audio editing software Possible traffic from bogus bots! via Danny Pena from Gamertag Radio Question about keywords in your podcast episodes via Andrea from the Swiftcast Request to share numbers of non English speaking countries consuming podcasts via Marian Pierre Louis from Fieldstone Common Uptaded RECAP Rob on Clark Buckner's show Technology Advice Podcast Rob on Podcasting 101 on why every podcaster needs an app Elsie on the Yogahealer Podcast: Yoga Teachers Gone Techie Part 2 Elsie on the Gass House Podcast Rob's tutorial on moving off of your Wordpress feed onto the Libsyn feed - email him at rob(at)libsyn(dot)com! The Podcast Movement accomodations! The first UK Podcasting Conference will be in Birmingham this summer! Podcasting Audio Editing Software List for PC (Windows) Adobe Audition $19.99 per month Propaganda $49.95 on time fee. Pro-Tools from Avid $699 Reaper Has a 30 day trial $225: full commercial license. $60 discounted license. You may use the discounted license if any of the following is true: you are an individual, using REAPER only for personal use. You are an individual or business, using REAPER for commercial use, and the yearly gross revenue does not exceed USD $20,000. You are an educational or non-profit organization. Vegas Pro $599.95 SoundForge Audio Studio $59.99 Cakewalk Sonar different versions starting at $99 and up Logic pro is only for mac but Sony ACID Pro is for Windows and it starts at $149.99 PodProducer free!!! Gold Wave. One year license is $19 Lifetime license is $59 Studio One $99.95 & 199.95 different versions Cool Edit Pro which is now Adobe Audition HELP US SPREAD THE WORD! We'd love it if you could please share #TheFeed with your twitter followers. Click here to post a tweet! If you dug this episode head on over to iTunes and kindly leave us a rating, a review and subscribe! Ways to subscribe to The Feed: The Official Libsyn Podcast Click here to subscribe via iTunes Click here to subscribe via RSS You can also subscribe via Stitcher FEEDBACK + PROMOTION You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download the FREE The Feed App for iOS and Android (you can send feedback straight from within the app) Call 412 573 1934 Email thefeed@libsyn.com Use our SpeakPipe Page!

Quick Episode Summary: Intro 6 Foot Mama Promo On the Libsyn Blog Shout out to The Business Side of Music Great comment about Adam Carolla and the patent troll from Max Flight Small Business IT Show The awesome conversation over on the Libsyn blog about co-hosts The Scifi Diner Podcast Promo Rob and Elsie Conversation The newest update to Libsyn4 - editing categories! Rob's recap of NAB - all about Skype TX How to listen to podcasts from Eric and Stacey Jon from KB Insider asks about audio editing software for a PC Question from a listener about your back catalogue Traffic from bogus bots? via Danny Pena from Gamertag Radio Question about keywords within episodes via Ashley from Swiftcast The real time frame of those featured in New and Noteworthy (not what you think) Request for getting the stats out about the non-anglo countries of Marian Pierre Louis Not saying music is podsafe if you have music podcast and getting rejected from iTunes Update on the RECAP to record iOS Where have Rob and Elsie been in the podosphere Featured Podcast Promos + Audio 6 Foot Mama The Small Business IT Show The Scifi Diner Podcast Newest Articles on the Libsyn Blog, Podcasting Links and mentions Rockin' Libsyn Podcasts: The Outlaws of Health Show Rockin' Libsyn Podcasts: aBabe Music Podcast Tom Sabella from The Business Side of Music Mac Flight from The Airplane Geeks Podcast Full comment re: Adam Carolla: "The Mark Maron and Adam Carolla piece really concerned me. Carolla showed how little he knows about patent litigation - which is a surprise, given his situation. There is no “loophole” being exploited, as they claimed several times. This is exactly how it works in the U.S. where you can own a patent like any other piece of property. You don't have to be the inventor and you don't have to actually create anything based on the patent. Typically, patent trolls are entities who buy patents from patent holders (usually the inventor, but not necessarily) for the express purpose of squeezing license fees out of others. It's not extortion. It's how the law works. In this case, the patent holder is the inventor, which is why some feet the “troll” moniker is a little forced in this case. Carolla seems to think our collective indignation gives us the power to prevail in this case. Maybe it makes him feel better, but that's not how its done. There are two main routes to a solution: (1) Winning the court case, typically by invalidating the patent (arguing prior art or that the idea is an obvious extension of something else), or (2) enacting legislation that removes the plaintiff's ability (or desire) to prosecute. That's it. Running around saying “this is terrible” is wasted energy unless it's directed at those two paths above. Oh, and the reason for the case being tried in that East Texas Court is that they have a long history of being pro-plaintiff in patent litigation. Some Troll companies have even set up offices there to be close to the Court. Every good Patent Troll knows to bring suit there because the success rate is high and so are the awards. Don't get me wrong - I believe the patent system in the U.S. is seriously broken, and we podcasters, like many others, are feeling the pain of that. But if you want to do something effective to change that, either send your money to the EFF or lobby your Federal representatives to change patent law, or both. Moaning about how wrong it is will not accomplish anything. We have to play the game to change the game." Podcasting Articles and Links mentioned by Rob and Elsie Our SpeakPipe Feedback page! Leave us feedback :) Libsyn on Facebook! If you have a co-host what is your workflow? Skype TX Frankeskype set up for iOS Eric and Stacey Talking Rubbish - How To Listen Jon asks about audio editing software Possible traffic from bogus bots! via Danny Pena from Gamertag Radio Question about keywords in your podcast episodes via Andrea from the Swiftcast Request to share numbers of non English speaking countries consuming podcasts via Marian Pierre Louis from Fieldstone Common Uptaded RECAP Rob on Clark Buckner's show Technology Advice Podcast Rob on Podcasting 101 on why every podcaster needs an app Elsie on the Yogahealer Podcast: Yoga Teachers Gone Techie Part 2 Elsie on the Gass House Podcast Rob's tutorial on moving off of your Wordpress feed onto the Libsyn feed - email him at rob(at)libsyn(dot)com! The Podcast Movement accomodations! The first UK Podcasting Conference will be in Birmingham this summer! Podcasting Audio Editing Software List for PC (Windows) Adobe Audition $19.99 per month Propaganda $49.95 on time fee. Pro-Tools from Avid $699 Reaper Has a 30 day trial $225: full commercial license. $60 discounted license. You may use the discounted license if any of the following is true: you are an individual, using REAPER only for personal use. You are an individual or business, using REAPER for commercial use, and the yearly gross revenue does not exceed USD $20,000. You are an educational or non-profit organization. Vegas Pro $599.95 SoundForge Audio Studio $59.99 Cakewalk Sonar different versions starting at $99 and up Logic pro is only for mac but Sony ACID Pro is for Windows and it starts at $149.99 PodProducer free!!! Gold Wave. One year license is $19 Lifetime license is $59 Studio One $99.95 & 199.95 different versions Cool Edit Pro which is now Adobe Audition HELP US SPREAD THE WORD! We'd love it if you could please share #TheFeed with your twitter followers. Click here to post a tweet! If you dug this episode head on over to iTunes and kindly leave us a rating, a review and subscribe! Ways to subscribe to The Feed: The Official Libsyn Podcast Click here to subscribe via iTunes Click here to subscribe via RSS You can also subscribe via Stitcher FEEDBACK + PROMOTION You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download the FREE The Feed App for iOS and Android (you can send feedback straight from within the app) Call 412 573 1934 Email thefeed@libsyn.com Use our SpeakPipe Page!

Admin Vs Admin - Admin With Upgrades (Edit Mix)   Part 1: DJ Teddy T Bobby Delante - De Ja Vue Joe Zangie - U Came When Joie Mae - Promise Me Your Heart Johnny O - Runaway Love Maribell - Don't Make Me Promises Olga Rivera - Looking Through My Window. Programs Used: Mixed on: Serato Scratch Live Edits done with: HZ37 Effects done with: Sony Sound Forge Clips assembled with: Adobe Audition Part 2: Da Unknown Admin Chrissy I Eece - You & Me Liaisons Dangereuses - Heart & Soul Coro - Do Unto Me Victoria Angeles - I'll Give You Everything Artie Rodriguez - Now That It's Over Programs Used: Mixed on: MixMeister Fusion Edits done with: HZ37 Effects done with: Sony Sound Forge, Cool Edit Pro, Serato Scratch Live Special Shoutouts to Hens Zimmerman for his great software!

Para iTunes. De vez en cuando, como ya les avisé, iremos resubiendo los podcasts para que estén todos disponibles en el invento ese del infierno de Steve Jacobs. Participantes; Lila; Iridiscente, Rojo y una servidora. Duración: 2 horas y media. Peso del archivo: 133 Megas Música de Fondo: Loaded, Extreme, Guns n Roses, Motley Crüe, Red Hot Chili Peppers; Marc Ford, Stuck Mojo, Aerosmith, AC/DC. Horas de Edición: Unas 12. Intentos de subirlo a Rapidshare: 3 Programa de grabación: Audacity Programa de Edición: Cool Edit Pro. Sinopsis: A qué juegos estamos jugando. Las noticias recientes que más nos han impactado. Nuestros truños favoritos. Defendiendo lo indefendible: Las 3 luces rojas. De todos los podcast que hemos hecho, unos salen mejores y otros peores. Este no sabría cómo calificarlo porque es enormemente indescriptible, porque es el que menos “Podcast de Videojuegos” es porque es más “Podcast de humor”. Nunca habíamos desbarrado tanto como en este episodio, tocando temas como ¿Realmente se folla tan poco en Bilbao? o ¿Es la TDT la plataforma de videojuegos del futuro?. Por ello, no busquen información en este podcast, porque no van a encontrar mucha. Más bien diría que es lo de siempre amplificado por 100; unos cuantos amigos que se juntan para charlar, desvariar y reirse durante un buen rato. Por cierto, no busquen ustedes a Mr Black; aunque lo presentamos al principio, se le complicó la tarde y no aparece en el desastre este. Los que tengan un sentido del humor similar al nuestro, creo que pasarán un buen rato; los que busquen seriedad y rigor informativo es mejor que se descarguen otro podcast. Está pensado para una tarde de playa con cervecita en mano y ganas de pasar un rato entretenido. La edición ha sido un infierno de “reverbs”, “echos”, “delays”; “filtros” y descompensaciones varias de audio, pero creo que la calidad es medianamente buena. Hubo un sabio que dijo que es mejor permanecer callado antes que abrir la boca para confirmar que se es un idiota; nosotros hace mucho que confirmamos que lo somos, así que la prudencia y el miedo no nos acompañan. Disfrútenlo y si les ha gustado (o no) díganoslo en los comentarios; nuestro único y verdadero sustento a día de hoy.

Well, who would have thought it possible? A Christmas North South Divide special, what were the chances eh?So while you are tucking into the last mince pie, why not turn off the Queen and listen to our podcast instead? We promise that there are no guest appearances, no huge budgets allowing us to do much the same jokes, but in a different country. None of that here, our budget doesn't stretch even to a mince pie.Listen online If you cannot see the audio controls, your browser does not support the audio element - please click below to listen or download. Download (right-click, Save As)NSD-05-thereckoning-96k.mp3 (11.5MB MP3)I would like to take this chance to thank all of the people that make this podcast possible:james, without whom... (Well without him, this wouldn't happen, I may have a lot of the ideas, but he makes me do it. Can I come out of the writing cell now please?) Seriously he has slaved away over a hot copy of Cool Edit Pro to do this in time for Christmas, a round of applause please.Beth, for all of the help and support. And mainly for putting up with james and me in hysterics at inappropriate moments.Also to all of the other people who have given us support over this first year of NSD's, from the other voice actors, to the people who gave us ideas for sketches, to the lovely listeners many of whom have been very supportive. Thank you, and I cannot believe that I am typing this, Merry Christmas. I hope that this helps get you through the Festive period.Trev