Podcasts about Jive Records

Episode 400 Rob makes an international call to England for the most recent interview. Musician Craig Joiner takes a seat at the microphone to talk about music and fishing. Craig is no novice at the microphone; in 1987, his band Romeo's Daughter signed with Jive Records and released their first album the following year. Craig's music has appeared in blockbuster films such as Jack Reacher and has been covered by artists like Heart and Eddie Money. He has recently made an appearance on the BBC weekend morning program. When he's not performing, you can find Craig along England's renowned chalk streams. However, the streams are currently facing some challenges. Raw sewage has been permitted to enter the once pristine waterways. You'll learn about this and more as Rob chats with Craig.   Wild Trout Trust Learn more about your ad choices. Visit megaphone.fm/adchoices

Unglossy presents a new podcast from Merrick Studios.Mixed and Mastered is the podcast where the untold stories of the music industry come to life. Hosted by Jeffrey Sledge, a veteran music executive and former VP of A&R at Atlantic Records and Jive Records, each episode dives deep into the journeys, challenges, and triumphs of the people shaping the sound of today. From label executives and producers to artists, songwriters, and managers, Jeffrey brings you behind the scenes to meet the minds driving the industry forward. There's a gap in the marketplace for these voices, and Mixed and Mastered is here to fill it—one conversation at a time. Because the best stories are told by those who lived them.Mixed and Mastered is produced and distributed by Merrick Studio, and hosted by music industry veteran, Jeffrey Sledge. Tune in to the discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @MixedandMasteredPod to join the conversation and support the show at https://mixedandmasteredpod.buzzsprout.com/Send us a textSupport the show

My guest today Urmi Hossain and I dive into the 1999 Britney Spears debut smash album "...Baby One More Time"! We cover the earliest days of her solo career, how Jive Records used her album to promote the latest BSB release, why it oddly says "Hit Me", the Don Philip incident, and a track-by-track review.

This is it. Today we present you a massive special episode full of wisdom, which answers your final pressing questions. Listeners wrote in from around the world — from Perth to Virginia to Prague — asking about music, cooking, careers, home, fashion and how to live a good life. Lilah invites her colleagues and friends on to explore them. And now, all there is left to say is a big, loud, wholehearted, vigorous thank you.-------Please keep in touch – Lilah loves hearing from you and will still be posting about culture, food, art and more on Instagram @lilahrap. Email her at lilahrap@ft.com.You can read Globetrotter at ft.com/globetrotter and follow along @ftglobetrotter on Instagram.-------Links (all FT links get you past the paywall): – Tim Harford's podcast is called Cautionary Tales, and his column is The Undercover Economist. He references Adam Gopnik and Oliver Burkeman, and if you want to lead a better life by spending less time on the internet, he recommends Cal Newport's book Digital Minimalism.– Here are the cookbooks Harriet Fitch Little and Lilah mentioned: Fuchsia Dunlop's The Food of Sichuan, Fadi Kattan's Bethlehem, Maria Bradford's Sweet Salone, and Pati Jinich's Treasures of the Mexican Table. Harriet is on Instagram at @hufffffle.– Isabel Berwick's Working It newsletter is here, and her book is called The Future-Proof Career.– Eric Platt, at the time of recording, was wearing a heather gray turtleneck and navy corduroys from Officine Générale and black Prada combat boots. If you're interested in corporate finance, he's on X and Bluesky @EricGPlatt.– Ludovic Hunter-Tilney mentions Gang Starr's 1994 song “Mostly tha Voice”, A Tribe Called Quest, Public Enemy's first album Yo! Bum Rush the Show (1987), and Migos. One of his most listened to songs of 2024 was “Bande organisée”, by Marseille rap group 13'Organisé. Here's another episode we love with Ludo, on Taylor Swift (Apple, Spotify).– Enuma Okoro is an FT Weekend columnist. Here's her most recent column, on new ways to think about the new year.-------Special FT subscription offers for Life and Art listeners are here: http://ft.com/lifeandart-------Music credits: Jive Records, Chrysalis and EMI Records, Quality Control MusicRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Casual x Albert Jenkins EP Release Party, Jan. 16 at Crybaby Oakland - Ticket link: https://www.ticketweb.com/event/the-return-casual-from-the-crybaby-tickets/13963893 Casual is a founding member of the legendary Hieroglyphics crew. Coming up under the mentorship of Del The Funky Homosapien, he produced Hiero's debut track "Burnt" and signed with Jive Records for his debut album "Fear Itself." Casual made hip-hop history when he and Hiero battled Saafir (RIP) and Hobo Junction live on the Wake Up Show in 1994. Besides being recognized as one of the best lyricists to ever come out of Oakland, he is a prodigious student of Egyptology and uses his platform to host debates and lectures on Kemetic language, archaeology, and history. -- For promo opportunities on the podcast, e-mail: info@historyofthebay.com -- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 00:00 Intro 02:01 Growing up in Oakland 06:22 Hip-hop influences 09:54 Meeting the rest of Hiero 15:33 Del & Ice Cube 18:54 Hieroglyphics Logo 22:35 Becoming known as a rapper 25:27 Signing to Jive 36:27 “Fear Itself” album 39:30 Gangsta rap vs Backpack rap? 50:49 Saafir 56:52 The Battle 1:11:30 Competition and aggression 1:14:02 Tash of Alkaholiks dis 1:17:36 Debating Hebrew Israelites 1:28:37 Egyptology 1:33:24 Ancient Egyptians & Modern Egyptians 1:38:58 “Negro Intuition”

SEBASTIAN KAHLICH ist Commercial Director bei „Mytic Myticket AG”. Nach diversen Stationen und Führungspositionen in der Entertainment-Branche, u.a. Jive Records, RTL Enterprises, MTV Networks, ProSiebenSat.1, landet er zunächst bei Ticketmaster und nun bei myticket.Wir sprechen mit SEBASTIAN KAHLICH über seine Leidenschaft für die Live-Branche, smarte Ticketlösungen für die Zukunft, hohe Ticketpreise für Mega- Acts, was ein gutes Netzwerk ausmacht, privilegierte Erlebnisse und wie er Big Brother & Dschungel – Stars zum Singen brachte.Es geht um dymamic pricing, wie es der Live-Branche nach Corona geht, den Ticket-Schwarzmarkt, Herausforderungen für Festivals und nationale Artists und den Support von female artists,Wenn SEBASTIAN KAHLICH nicht gerade an die guten alten MTV-Partys zurückdenkt, hört er am liebsten seinen all-time-favorite-artist Bryan Adams oder überlegt, wie er an Tickets für Oasis nächstes Jahr kommt.Bühne frei für Sebastian Kahlich: He´s HERE TO GET HEARD!Dies ist eine Produktion von SENTAHOOD in Zusammenarbeit mit THOMANN supported by SHURE.LINKS:CYBERWEEK THOMANN:https://www.thomann.de/de/special_cyberweek.htmlSEBASTIAN KAHLICH:https://www.instagram.com/sebastiankahlich?igsh=Zzk0dTdrYTE1YmNnhttps://de.linkedin.com/in/sebastian-kahlich-09131717THOMANN:https://www.thomann.de/de/index.htmlhttps://www.tiktok.com/@thomann.musichttps://www.instagram.com/thomann.musichttps://www.youtube.com/@ThomannMusicBLOG:https://www.thomann.de/blog/de/here-to-get-heard-de/ (DEUTSCH)https://www.thomann.de/blog/en/here-to-get-heard-en/ (ENGLISCH)SHURE:https://www.thomann.de/de/social_shure-gear-fuer-podcaster-und-creator.htmlSENTA-SOFIA DELLIPONTI:https://sentamusic.de/SENTAHOOD:https://www.sentahood.de/ Hosted on Acast. See acast.com/privacy for more information.

From Huddersfield to Bangkok, pop fans - are you ready for an adventure? Join Joel and David as they kick start a new ‘Discovering' series where they each pick a hidden gem of an artist from the 2000s and select 5 songs from their catalogue for a taste test! Signed to Jive Records and launched in 1999, British pop starlet Ellie Campbell looked and sounded like a ready-made pop star here for the GMTV and Smash Hits audience! Despite having no formal singing or dance training, Ellie's warm soulful tone and star quality was undeniable. The Yorkshire songstress worked with same hitmakers behind Steps (Pete Waterman, Mark Topham, Karl Twigg), launched a handful of singles - including the UK Top 30 smash ‘So Many Ways' - and even found herself performing at the Sydney Gay & Lesbian Mardi Gras! Though she wasn't in the pop game for long, Ellie's bops are forever - and her self-titled album “Ellie” is a real gem!  Before LISA from BLACKPINK, in the 2000s, the world had Thai pop princess Tata Young. Her crossover success in Japan, India, China and across Southeast Asia was pretty much unheard of. Thanks in huge part to her fun signature banger and your new favourite bratty anthem: ‘Sexy, Naughty, Bitchy' (co-written by legendary pop songwriter Savan Kotecha, who has worked with Ariana Grande, Britney, One Direction, and Dannii Minogue).   Tata's catalogue of English tunes is top-tier, as she brings her Main Pop Girl Energy to songs that would be released in the West by Ashley Tisdale, The Cheetah Girls, Play and more. The writing credits on her three English albums read like a ‘who's who' of RBAY! royalty - Jamelia, Leona Lewis, Natasha Bedingfield, Samantha Jade etc.  If you're liking this ‘Discovering' concept - let Joel and David know in the comments who you'd like us to cover next!  Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

Serena Kim got bit by the hip hop bug early, and dove into the culture completely. So how did she wind up the co-owner of the Swift House Inn and the popular bar in it? After a stint at Jive Records (among several hip hop labels) and serving as the features editor at Vibe magazine, Serena took her turntables and pens to Middlebury, Vermont to take over the Swift House Inn and start Fancy Fridays at their bar, which has an acclaimed wine list and has become a cocktail stop in the state. She's educating her clientele about dance music, and created this amazing Dance Map playlist for us too: https://open.spotify.com/playlist/1c7xS37d1aqjXK0wjLqP98?si=Y3aZ50BRT06LmMW6firG6A

Catch B-Legit at History of the Bay Day, Oct. 19th at the Midway SF with Souls of Mischief, Mob Figaz, Kamaiyah & more - tickets: https://www.tixr.com/groups/midwaysf/events/history-of-the-bay-113087 -- History of the Bay Podcast Ep. 82: B-Legit is a certified West Coast legend who helped pave the way for Bay Area rap as a member of The Click with his cousins E-40, Suga T, and D-Shot. Growing up in Vallejo's Hillside neighborhood, B-Legit talks about his early days being influenced by the D-Boy culture of the 80s while also discovering hip-hop. While attending Grambling University for a year with E-40, they started rapping and decided to come back to Vallejo and form a group. From there, they created Sick Wid It Records and innovated business strategies to take independent rap music to the next level. This led to a deal with Jive Records and B-Legit has been a fixture in rap music ever since. In this episode he also discusses 2pac, Mac Dre, C-Bo, and many other highlights from his career. -- Sponsored by Christopher's Bakery @christophersbakery420 -- For promo opportunities on the podcast, e-mail: info@historyofthebay.com -- Produced by DEO @deo415, videography by @mvp_kingced --- Hat and hoodie by REBEL 8 https://rebel8.com -- History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aa Online Store: https://dregsone.myshopify.com Follow Dregs One: Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlA Instagram: https://instagram.com/dregs_one TikTok: https://tiktok.com/@dregs_one Twitter: https://twitter.com/dregs_one Facebook: https://facebook.com/dregsone415 00:00 Intro 01:39 Growing up in a musical family 04:52 Vallejo in the 70s-80s 08:29 The D-Boy Era 13:49 Grambling University 17:05 MVP “The Kings Men” (first album) 24:09 The Click & mobb music 27:38 Sick Wid It Records 31:17 B-Legit the Savage “Tryin To Get A Buck” 33:33 Sick Wid It deal with Jive Records 38:28 Levitti 39:55 Bay Area rap scene 43:10 “Ghetto Smile” with Daryl Hall 45:33 “City 2 City” 47:30 Working with 2pac 53:49 Mac Dre 58:28 “Hempin Ain't Easy,” leaving Jive 1:03:27 The Bela Blunt 1:06:17 Longevity --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebay/support

How did a CCO, a music industry veteran, and a hip-hop artist come together to explore the intersection of branding and culture? In this episode, discover the invisible thread that connects hosts Tom Frank, Jeffrey Sledge, and Mickey Factz, forming the foundation of Unglossy.First, we dive into Jeffrey Sledge's remarkable career. Known as one of "Hip-Hop's Most Impactful Black Music Executive," Jeffrey recounts his transformative years at Jive Records, where his broadened perspective beyond New York artists, helped diversify his reach across the country. Hear how Jeffrey scouts talent, nurtures emerging artists, and makes bold moves—like recognizing the potential in the viral hit "Stanky Leg" and helping Shaquille O'Neal transition from the basketball court to the music studio.Mickey shares his own perspective, detailing his initial encounter with Jeffrey and reflecting on his experiences touring with Nas and crossing paths with Lupe Fiasco while working as an editor for Laced Magazine. Although Mickey eventually signed with Jeffrey, the experience was far from the Hollywood depiction.Tom adds his story, recounting a pivotal assignment that brought him face-to-face with Lupe Fiasco at SXSW. The encounter sparked a long-lasting creative partnership and led to Tom working with Lupe as the creator, producer, and co-host of the popular Lupe and Royce podcast. The show facilitated deep discussions on everything from music to social issues and laid the groundwork for the formation of Unglossy.Tune in to hear the journey that brought these three hosts together, the surprising connections, and their favorite episodes to date."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/.Send us a textSupport the show

In this episode of Cloudlandia, Our stories highlighted agricultural aspects of central Florida and comparisons of population densities in the U.S. and Canada. We also reminisced on television's evolution from shows like Romper Room to the first color programs. We reflected on limited past options versus today's unlimited streaming and the importance of managing screen time given continual new choices. Additionally, the discussion explored social dynamics considering Dunbar's number theory contrasted against digital reach on platforms. SHOW HIGHLIGHTS Dean discusses the strategic advantages of living in Central Florida, particularly in Winter Haven, which is centrally located and offers easy access to both coasts. We delve into Winter Haven's rich agricultural heritage, highlighting cattle ranches, orange groves, and other rural aspects of Central Florida. There's an interesting comparison between the population densities in the U.S. and Canada, including reflections on Ontario's geographic size and its southern location relative to many U.S. cities. We take a nostalgic look at the evolution of television, from classic shows like "Romper Room" to the advent of color TV with hits like "The Price is Right," and how this contrasts with today's streaming culture. The episode includes reflections on how past limited screen choices have evolved into today's endless streaming possibilities, and the impact of this shift on modern screen time habits. We explore the concept of social reach and relationships in the digital age, discussing the Dunbar number and how platforms like TikTok and Instagram have changed the dynamics of personal connections. Insights are shared from the new book "Casting, Not Hiring," which introduces the VCR formula—Vision, Capability, and Reach—as a framework for modern success. Through real-life examples and personal stories, we emphasize the importance of aligning vision, capability, and reach to achieve significant accomplishments, using figures like Safali Shabari and Max Martin as case studies. The episode also discusses the importance of choosing the right tools and staying committed to ongoing exploration and self-improvement. Finally, the conversation underscores the necessity of conceptual ability to see how one can be useful to others and leverage their capabilities, vision, and reach for collaborative success. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, mr Jackson, you got through Hurricane Week. Dan: Not quite Hurricane Week, Tropical Storm Week, but we did oh. Dean: Tropical Storm A notch down in the hierarchy. Dan: That's one of the good things about living in Winter Haven. It is actually a haven from winter. We are in the center. We are perched on high dry, sandy land, so there's no storm surges, nothing like that yeah, so you're a long way from the coast, aren't you? Well, I'm actually an hour and 15 minutes from either coast. We can get to either side and we can get to virtually almost every beach in two hours. Like it's such a centrally located, we're almost in the exact geographic center of peninsular Florida, so I can get to Jacksonville in three hours and Miami in three hours and pretty much everywhere you want to be within an hour. So it's good. Dean: So I have a question because I've been there. Where is the big cattle ranching country? Is that south of you or north? Dan: It's surrounding us, but sort of north and south in the central. If you think about the middle of Florida, basically aside from the Orlando-Tampa corridor which is like this swath that goes all the way across the state from Tampa to Cocoa Beach, that area is very developed but above and below that the center is much like the Australian outback in terms of the density of population. And north of I-4. In that area there is equestrian and rolling hills and there's a lot of equestrian properties there and ranches. South of that is where you'd find a lot of the cattle ranches, sod ranches, orange groves. All of that is in the center and then you get all the way down to the Everglades and then the Everglades is one of the big national parks, it's the Everglades. Dean: Yeah, alligators I was actually on something that was described as the biggest cattle ranch, not only in Florida, but one of the bigger ones in the United States. Yes, and we drove at least 20 miles on the ranch before we got to buildings. Dan: And it was interesting. Dean: It was interesting. They had a lot of pigs wandering around and I asked them were they in the pig business? And they said no. It's just that every week or so the trail hands would like something besides beef. Dan: Right, go out and wrestle them up a hog Right. Dean: Yeah, yeah, have a barbecue, have a. Dan: Yeah, well, you can actually not too far from here you can do hog hunting, where you can go and hunt hogs in the forest, yeah, all natural. Dean: It's not. So. It's not silicon valley that we're talking about here no, we're really not. Dan: We're talking about, you know, rural florida. This is why I know, yeah, you know you look at Florida and you know people talk about population density and stuff, but there's a lot of land in Florida that is undeveloped. I mean there's a whole south of I-4, there's another highway that goes all the way across the state, called Highway 60, and through Lake Wales, and it's very undeveloped. I mean there's really nothing. All the way from Tampa to Vero Beach is where it goes and it's virtually. It's the only place I've been in Florida where you can, on certain parts of it, look as far as you can see in any direction and see nothing. I mean it's that. And somebody has bought up like 80,000 acres around what's called Yeehaw Junction, which is where the Florida Turnpike intersects with Highway 60. Where the turnpike, the Florida turnpike, intersects with Highway 60. And you could see easily that you could duplicate the entire I-4 corridor, like Tampa and Orlando, along Highway 60 with plenty of room to spare. So I'm not worried about the you know population increase in Florida. Dean: Yeah, it's really interesting. Peter Zion and one of his frequent you know he has his. You know he has videos every three days. Yeah, and you. But he was talking about all the developed countries, which would be mostly European countries, and you know Australia, new, zealand. You know he said that the US is by far the country with the least population density. I agree with that. Dan: Most any state, even Ontario you look at as densely populated as the GTA is. Once you get beyond the GTA it's pretty sparse in Ontario. Dean: Oh yeah, oh yeah I mean, yeah, there's an interesting thing. Just to give you a sense of how big Ontario is. First of all, ontario is a province in Canada, for those listening, and it's roughly about from north to south it's about 1200 miles, and from east to west it's 1400 miles. It's actually it's as big as mainland. It's almost as big as mainland Europe Isn't that amazing Without Russia when I found out. Not counting Russia. Dan: I heard when I found out you could drive north from Toronto the entire distance from Toronto to Florida and still be in Ontario. That's pretty amazing. Dean: Yeah, that gives you a context for it and most people don't realize that Toronto itself is further south than almost 20% of the United States. Dan: People don't realize that Ontario dips down no below that. Dean: No, it wouldn't be that much, but it is south of Minneapolis, south of Seattle, I think, it's south of Portland, you know, and then it's quite a bit south. I think it's south of Boston, it's south of you know everything like that. Yeah, maine all of it. It's about as south as you can get actually, yeah, but I think it's the most populated large city in the world, furthest north large city in the world oh, wow I think it's further south. I think it's further north than moscow oh, wow interesting. Yeah, yeah and yeah, and it's getting bigger, it's getting bigger. Well, there you go. Dan: Well, everyone. I'm waiting with bated breath to hear the great air fryer experiment from the Four Seasons beaches. Dean: Has your air fryer arrived. Dan: Oh, it's on the counter. Dean: Okay, it's on the counter. It's on the counter, it's been plugged in, but it hasn't been used yet. Okay, okay, we sort of inch our way into these new technologies. Dan: I got it, just unpack it and set it there for a little bit and just kind of let it live with it. Dean: Well, it's been a week now and we haven't used it. Why don't we use it? So anyway, but it is sitting on the counter. It's a ninja. Is that the kind you have? Dan: I think I have a breville is the name of uh mine. But did you get the one then? Did you get the one that steven palter posted? I have no idea. Oh okay, that's uh. Dean: So, oh yeah, that's fab you have to appreciate how little I take into this sort of thing, exactly right. Dan: I love that. Dean: There will be a who who's between me and the air. Dan: That's right? Dean: Oh, dan, that's the best Any technology in the world. I can guarantee you there will be a who between me and the technology. And I said what do you think? And I look for people who really love interacting with technology. I want that person between me and the technology and I'll ask them what's it do? What's it do? Dan: I'll tell you what I'm working on. Dean: What will it do for the thing I'm working on? Yeah, yeah, I love that and I've been pretty constant on that. I mean, you know, I was constant on this when I was six years old. I just always let some other human investigate the new technology. Dan: Yeah, and yeah. Dean: So I've lived a disconnected life when it comes to technology. What explains that? Dan: Well, I was thinking, you know about you, and I was thinking how you have the gift of being kind of brought into an era where television wasn't even a thing Like your earliest childhood was electronic free, I thought. But were you like? So you were born in 1944. And so it was six years. Probably Do you remember when you got exposed to your first television. Dean: Yeah, I think I was maybe. Yeah, I think it was around 52. I mean I had seen it, I'd been in other people's houses right they had television, but actually having our own television, I think it's maybe eight years. I was eight, so you got all the way to you. Dan: Think about this. You got all the way to eight years without being exposed to anybody else's visual bombardment of electronic propaganda or otherwise. Right, your visual input into your mind was largely formed through your own imagination. Yeah, you. You had to work, you had to create these visual pictures in your mind. Yeah, did you guys, did you? Dean: listen to radio, and I was assisted by radio. Dan: I remember radio had a big impact on me. Dean: And yeah, oh yeah, sorry, sergeant King of the Yukon. And yeah, there was Amos and Andy. We listened to Amos and Andy, andy, we listened to Edgar Bergen and Charlie McCarthy and then there was one that my siblings, my older siblings, listened to at night, which was called the dark museum, which scared the daylights out of me and the shadow. Dan: We listened to the shadow so was that the family activity no, no. Dean: Here you have to get the full impact okay, sorry sorry. Who knows what evil lurks in the hearts of men. The shadow knows. And then you had a 30 minute. 30 minute example of human evil. You know it was great but you had to do all the visuals. You know I, you were the visual director of all these radio programs. Dan: So was this? Everybody in the family gathered in the living room sitting on the couch listening to the radio like this. Is that what was going on? Dean: Yeah, there was sort of a. Yeah, there was sort of a dining room actually where you could listen. There were a number of radios. There was a radio in the kitchen, there was a radio, I think, someplace else, and it was a big house, a farmhouse, yeah, and I remember listening, imagining, you know, imagining. There was another series called Sky King, sky King, which became a TV station you know, and the Lone Ranger. We had the Lone Ranger. Dan: So there was a lot of variety, uh-huh and so, and then, in 1952, eight years old, you get your first television set. Dean: I think, so I think that would have been about then, yeah. Yeah, because I remember the first presidential election was 52. And I can remember that being on television. Who was the? Dan: president, was that Ike Eisenhower? Dean: Yeah, I like Ike, that was Eisenhower's first term. I like Ike. Dan: Now you know that's a really interesting thing. Do you remember, like your new routine when the television came? Were you watching TV every day from that period on? Or were your parents limiting the TV, or was everybody gathered around and limiting the TV, or was everybody around? Dean: and watch the TV. Yeah, I mean it was a frequent. It was a frequent activity once came in, that's all I can say I don't know, I don't know if I watched every day, but there you know, there were favorite shows. I think Arthur Godfrey was one of the early shows, the variety hour, and yeah, no, children's. I think there wasfrey was one of the early shows, the Variety Hour, and yeah, no, so Children's. I think there was Howdy Doody. Howdy Doody was. Dan: I think one of them Doody time. Dean: Yeah, and I think Soupy Sales was on and yeah. Dan: Yeah, I'm just thinking how. Yeah, I remember Romper Room. I just saw a video of Joe and I at the I Love Marketing event and I was saying we had all the people streaming from all over the world and I was doing a little Romper Room and about half the people in the audience knew about Romper Room and half didn't. Dean: That was kind of interesting. Dan: I remember I see Bobby and Johnny in their magic mirror. I used to hide behind the sofa so she wouldn't see me miss joan miss joan, miss joan. Yeah, so I was thinking about it was good, I mean I mean it was good, but it wasn't. Dean: It wasn't the major part, you know, of your you know it was only during weekdays, it was only at night and uh yeah, and on weekends I don't really there was. I don't know what the years were, but you know you got. You know, somewhere along the line you had jackie gleason and you had ed sullivan and you had other things like that, you know. But I wasn't. I can't say I was captivated because I was usually out. You know, I was outside, we lived in the country and I was out and I had really gotten hooked on reading. So I was doing a lot of reading back then. Yeah, interesting, but it is kind of what about yourself? Dan: I mean, you were born in the television age. I was born in the television age, you're right. And so every day, you know, I mean, yeah, tv was part of every day. And I was just the reason. The context for me thinking about this was thinking about how recent, you know, as each layering availability of content became unlocked kind of thing, our, you know, screen time has dramatically increased. And I was thinking all the way back to you. That's why I was thinking about you is, you know, literally your first six or eight years there were no screens, there were the only, you know, the cinema of the mind. That was your, that was your entertainment, your imagination. But I remember, so when I remember when we got our first color television right Around 19 or some early like that, and I remember the first show that I saw in color was the Price is Right with Bob Barker, and then All in the Family with Archie Bunker. That was, so you know, in the 70s. It was the Jefferson and Sanford and Sand and then all these. You know, the 70s, I think, was the golden era of television, you know, with all these shows becoming. You know, I remember Star Trek and you know all these, the Rockford Files and Starsky and Hutch, all the Love Boat, all these shows, these iconic shows in the seventies. But you only had, you know, basically the three networks was Canada, we had the CBC and TV Ontario. So those were the things and I remember as a kid, when the TV guide would arrive, we subscribed to the Saturday Star, the Toronto Star, that would arrive on Saturdays and that would have the TV guide in there, and I remember they would have it laid out like a you know a. Gantt chart, or whatever the time, the grid of times, to show you what was on. Dean: It was like a matrix. Dan: It was like a matrix you could see yeah, so it would list there were, you know. Dean: Every day had a matrix from yes till night 13 but you only had the three. You only had the three. Dan: There were 13 13 channels, yeah, to choose from three networks. And I remember the you know organizing my saturdays in the winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that or newly introduced or whatever to our household, but I would have the highlighter and I would like highlight my. I would do my programming. You know I'm going to watch. I'm going to watch the Justice League at you know eight o'clock and then I'm going to watch the Justice League at you know eight o'clock, and then I'm going to watch Batman at nine, and then I'm going to watch Shazam and then Scooby-Doo, and then it was the we're all about why CBS or ABC's wide world of sports. That was like a big thing. And I remember now how much of my childhood was around synchronous and scheduled programming Because there was no other option. If you wanted to see that show, if you wanted to watch the Waltons that was on my mom's favorite show you had to watch that on Thursday nights or whenever the Waltons were on, you know, and Little House on the Prairie, and it was like your selection, your decisions were made. It wasn't like what should we watch tonight? Of the like now, infinite choices available to us, but we actually spend probably more as a percentage of our time not you, but collectively watching, consuming screen content. It's just been an observation. I've had some of these conversations. I'm getting really conscious of really being aware of my screen time and trying to be more discerning. Dean: I was just thinking now that you've got me thinking about it. I left home in 62 when I was 18. And I can't remember until I was 40 actually having a television during that 20 years or 22 years. I went 22 years and you know I don't remember. I remember people having televisions that I would go and watch things, sports things like that but, I went 22 years so, and then, of course, I haven't watched it in the last six years, so I've got pretty close to 40 years of my life when I didn't watch television Half, almost half my life. So I think it's never been a big deal for me. Dan: Right, think now like I look at kids now, like you think about the technological sophistication and facile nature of technology to eight-year-olds today, compared to Dan Sullivan at eight, you know is pretty amazing. But your experience in the outdoors to the average eight-year-old you know? Dean: it's so funny. I never see very rare. Dan: It's very rare, even in the 70s. Like growing up, you know the whole period of my childhood like from you know, six to 12. Six to 12. You don't see the same sort of pack of kids roaming around on the street that we saw when we were, when I was growing up anyway. I mean, you know, I grew up in the suburbs so we had like a very active, you know social ecosystem. We were outside all day, every day. You know social ecosystem. We were outside all day, every day you know, playing and making things up and riding our bikes and exploring the ravines and the sewers, and our parents never really knew where we were either. I mean we were. The idea was you got up and you had breakfast and you got out and you came home when you got hungry or when the streetlights came on at night. That's the deadline, you know I heard a comedian talking about that that it was so laissez-faire when we were growing up that they had to run ads on TV at night that said it's 1030. Do you know where your children are? Had to remind our parents that they had kids. Oh, so funny and true, you know. Dean: Yeah, it was really interesting, Really interesting. We in London we have our favorite hotel where we stay in London. Dan: And across. Dean: They've taken a whole old industrial area and they've completely transformed it. So they have a hotel and then they have condos and then they have shops and there's a courtyard in the middle and you cross one of the courtyards and there's a Japanese restaurant there. I remember being in there one night and there were six teenage girls, Japanese girls 16, 16, 17. And there were six of them at the table and each of them was on their phone during the entire meal. Dan: Yeah they're all talking in direct with other people. Yeah, so funny, right? Dean: They're not even there even when they're in the presence. It struck me that their world is actually inside the phone. Well, that's my point. Dan: That's the whole point of Cloudlandia. Cloudlandia is the real world. That's where we all live in. Cloudlandia. Dean: Not me. Dan: No, when I say we all, I mean society, everything. I have to have a permanent disclaimer. Dean: You're saying a large number, a large percentage, a large percentage, a large percentage, and Sullivan excluded A large percentage of people. Yeah, yeah. And it's honestly a different world. I mean, yeah, I can't make too many comments on it because I've never really experienced that you know. Dan: So we've got a young guy in our, in our go-go agent platform. He's a young realtor in Guelph, ontario. He's in his mid twenties, just getting started on his career and stuff. He's lived in Guelph his whole life and one of the strategies that we teach people. Dean: Nice city. Dan: Yeah, guelph is a is beautiful, yeah, so he's grown up there. You know, really, you know good looking young guy, very personable. I think he's got a big future. But one of the strategies that we encourage people is to gather their top 150 relationships, the people that if they saw them at the grocery store they'd recognize them by name and stop and have a conversation with them. Right, and the hardest thing, the funniest thing is he, after racking his brain, could only come up with 88 people on his list of 150 people. And I thought to myself like the population of Guelph must be 150,000 people right In the Guelph area I mean, it's pretty good size city. I thought you know you look at this right that there's a kid who has grown up largely in the internet world, right, like largely on in Cloudlandia, and that's the real thing. The reality is that if you go outside of his bedroom and walk around on the street, he only knows 88 mainland people and he's surrounded. I was teasing him that I said are you telling me that you've lived your entire 26 years in Guelph and all you know is 88 people and you're walking around surrounded by 149,920? Npc is a gaming term, dan for non-playing characters, because all of these online video games GTA or Grand Theft Auto and all these things that are kind of photorealistic things. All the people that walk around in the background are called non-playing characters or NPCs. Ground are called non-playing characters or NPCs. And I said that's really what you're telling me is, you've spent your whole life in Guelph and you only when you step outside your bedroom, know 88 people. That's a problem If you're in a business that is a mainland business. Mainland business right. Dean: All houses are 100% firmly planted on the mainland, as are the people that inhabit those homes. Dan: So it only makes sense that you need to get an outpost on the mainland, not in Cloudlandia, you know. Dean: Yeah, I was just thinking, I was just caring of my company company, my team members. There may be some new ones that I don't know, but I certainly know 100. And then my free zone program. I've got 105 in there and you know, some of them. I have to check the list to get their name, but you know I'd be over. I'd be over 150 with those two groups. Dan: Yeah, but there's. Dean: And then there'd easily be another 100 with the 10 times group, and then there would be 20 with Genius Network. Yeah, I'd probably be 300 or 400 anyway. Dan: And it's a really interesting thing. There's a lot of thing around that. Like Robin Dunbar, the evolutionary psychology anthropologist from Oxford, he is the one that coined that or discovered that information that the 150 is the magic number. You know, that's the number of relationships that we can manage where we recognize people and have, you know, a current status in their life kind of thing, in their life kind of thing. And that goes back to our first kind of days of playing the cooperation game where we would be tribal and have 150 people and that was a security thing. If you didn't know the people around you, that was a threat. Right, you had to know everybody. So, that's part of it. If it got to 150 150 what would happen is they would split up and go off and, you know, form other tribes. But that was. There's so many naturally occurring ways that that happens, but I just noticed you know how so much of it is for me personally. Like my Cloudlandia reach is a hundred times or more my mainland reach. Like if you just think about the number of people that I know or know me from in Cloudlandia it's way bigger than the number of people that know me in Winter Haven, florida, in my own backyard, you know. Dean: Yeah, well, it's very interesting. You know good FreeZone partner Peter or Stephen Poulter. You know, with TikTok he's got he's probably got 100,000 people who believe that he's their friend, he's their guide, he's their friend, yeah, yeah, but he wouldn't know any of them. Dan: Right, that's exactly right. Dean: So it's very. Taylor Swift probably has 100 million easy, probably more who know her? Dan: Mr Beast has 350 subscribers. You think about that. That's a measurable percentage of every person on the planet. When you think about that, almost that's, yeah, more than. Dean: It'll be interesting to see what he's like at 40. I wonder he's pushing 30. He's pushing 30, now right. Dan: Yeah, I think 26 or 7. Dean: Yeah, yeah, it'd be interesting to see what that does, because we only have really interactive relationships with a very small. I mean you talk about Dunbar's 150, but actually if you see who it is you hang out with, you know in the course of a year. I bet it's less than 15. Yeah, that's less, yeah, but yeah, yeah that's less, yeah, but yeah, I think, these numbers, you know, these huge numbers that come with quadlandia, do they mean anything? Do they actually mean anything, though, you know? Dan: um, well, I think that what I mean to that? Dean: do they have any? If you have that large of a reach, does it actually mean anything to you? Dan: It certainly from a monetary standpoint it does. From a relationship standpoint it's sort of a one-way thing, yeah, I was talking to one of our social media. Dean: We have a social media team here and I said can you bring me up to date? We have a social media team here and I says can you bring me up to date? I'm out there a lot every day, aren't I On Facebook and TikTok and Instagram and everything I said? I'm out there. And LinkedIn I'm out there a lot. And she says oh, yeah, every day there's probably about you know, five to ten new messages are going out from you and I said, that's interesting Because every once in a while I run into someone and someone says boy, I really liked your Instagram the other day and I said yeah, well, I aim to please. That's your whole thing, yeah, but I have no idea what's going out. Dan: And that's, you know, that's only going to be amplified when you take, when AI starts creating or, you know, repackaging a lot of the let's face it, you've got a lot of content out there. You've spoken a lot of words, You've been, you know, if we capture, everything you say basically is captured digitally right. Dean: Yep, Danny's got a lot to say. You do. Yeah that's right and you've got your. Dan: You've got the whole organization. You're the happiest. He's very expressive. Dean: Yeah, he's very expressive. You got a lot of milk, yeah, yeah. Well, anyway we're. I think we're going to start our next big book. We did the three with Ben Hardy, which have been a huge success. And I sent Ben a note. I said it was your idea to do these things, so without your initiative none of this would have happened. And of course you wrote the three books, so without your writing none of this would have happened and we've had really good results from hot leads coming in to coach from the books. It wouldn't have happened if you hadn't done that. But you know the publisher is giving us a call every month Say do you have a new book, do you need a new writer and everything. But we're ready to go. Dan: We're ready. Dean: And I think so it's going to be. I think it's going to be the one that we're doing with Jeff Madoff casting, not hiring. Yeah, it's a nice punchy, you know, it's another one of the punchy titles and so that will come out in coach form in the first week of September. Dan: So that'll be all printed. Dean: I think it went. I think it goes tomorrow to the printer and it'll be printed up. And you know, I don't know what it is, but I think a lot of people are fooling themselves about reach because they're lacking vision and capability. They think if you have reach, you've got something. But I think, if you don't have all three, you don't have. If you don't have all three, you don't have anything. Dan: Well, I think it's, if you have capability if you have capability. Dean: If you have capability but no vision, no reach, you have nothing. If you have vision but you have no capability and reach, you have nothing. You got to have all three. Dan: Yeah, you know it's very interesting. Chad Jenkins and I were talking, you know he's one of the bigger advocates for the VCR formula vision, capability, reach, about the you know the secret of that for people that you know whether we were to express them in capital V or lowercase v and capital C, lowercase c, capital R, lowercase r to see that where somebody self I see a lot of situations where people have a capital C capability that gets discovered and all of a sudden they're thrust into reach that they have no idea, no vision of what to do with. And it's very interesting. So someone that comes to mind. There's a woman, safali Shabari, who I met in Toronto through Giovanni. She was a guest or speaker at one of his Archangel events capital C capability for parenting and that kind of advice and she got discovered by, you know, Oprah and all the mainstream. So she was kind of thrust into the spotlight that was now shining a light on her capability, which brought her tremendous, acute onset reach that she really doesn't have, in my observation, a vision for how to navigate, you know, or what to do with that. They're an abundant reach asset with no vision. You know, to connect the two and I think that happens a lot. I think that happens a lot, that people get thrust into a spotlight and they, you know, have. And often you can have reach without capability too, and that's a problem too, and that's a problem. But if your reach is a result of somebody discovering your capability, that is a big. That's the formula I was. you know I've often talked about Max Martin as a role model you know the guy who's written all the number one songs on the radio that when I really started looking a little bit deeper into it, what I found out was that it was really through the reach of of Clive Davis that Max Martin's capability became. You know that he became Max Martin capability became. You know that he became Max Martin and because he was just a guy in Sweden producing great music, with a capital C capability of making pop songs, you know, and Clive Davis, when he discovered that he, as the president of Columbia Records and the founder of Arista and Jive Records, all of these subsidiaries, he had tremendous reach to both artists and their audiences. Visionary, to pair his artists with this Max Martin capability to create this capital VCR outcome of you know, all the success that Max Martin has had. And it was only through that pairing of a capital C capability with a capital R reach and a capital V vision then it all really became a big thing. Dean: This is my observation. Dan: This is all like live, you know developing, you know thoughts here around it, because I constantly. I run that filter constantly in background, filter constantly in background. But that VCR formula is, I think, a very relevant collaboration tool, that if people were really aware of their capabilities and had transparency to other people's vision, capabilities and reach, that's where the big connections happen, you know. Dean: Yeah, I think it requires a fair amount of conceptual capability that you can. You can sort of depersonalize your situation enough to understand what your capability would mean to somebody else. And you have to have a conceptual ability to see what reach would mean. For example, I was on a podcast on Friday. I was a guest of someone who is a key player in the land development industry across the United States and he's in COACH. So he asked me a lot of questions about coach and I went through and I explained. He's got 10 years in coach and he talked about what each of those concepts meant to him and everything else. And then his podcast is going to go out to 5,000 key players in the land development land development business in you know probably 25 or 30 states and everything else. And so at the end he says you know, I'm going to send this out and I'll send all the coach information, everything else. And I got off the call and I said that was easy. Dan: That was easy. Yes, that all you had to do was stay in your C lane of your capability. Dean: I just stayed in my lane and said what we had done. And then I talked about where I thought we would be with Coach when I was 100. I'm 80 and Coach was 100. And that's kind of a significant statement. It's not the sort of thing you would hear every day from an 80-year-old of what things were going to be like when they were 100 and much bigger at 100 than at 80. And it was really interesting, but that was like an hour middle house and you know I'm just talking, you know really good conversation, a lot of back and forth and you know, both of us asking the other questions and everything else and I said that's pretty cool that goes out immediately to five thousand. That's immediately goes out to five thousand people. Dan: Uh, yeah, yeah I mean that's pretty mean, you know, when you think about this, so of staying in your, in your lane of that's. Part of the great thing is that these things are largely plug and play, you know, like, and it happens. That's why I say a multiplier. You know, with the formula vision plus capability multiplied by reach, that reach is a multiplier. Dean: Well, they're actually. Yeah, I think what it is that two of them are addition, but the third one's a multiplier. Dan: Yes, that's exactly right. Dean: In other words, you can have vision plus reach multiplied by capability. You can have vision plus capability multiplied by capability. You can have vision and capability, vision plus capability multiplied by reach. You can have vision plus reach multiplied by yeah, yeah, yeah but, I, think it's like two of them are inside of our parentheses. You have, you know yeah, then the other that's multiplied by the third one. Dan: Yeah so it's very. Dean: I'm convinced it's three yes From the triple play. So I'm thinking about a tool right now where I said who's got the big idea, who's got the big idea, who's got the ready-to-use capability, who's got the ready-to-use capability? Dan: And who's? Dean: got the ready-to-use reach? Dan: Yes, you know that's fantastic. That would be a very useful tool. I think that's a really useful framework for collaboration. Yeah, it fits so well with our whole free zone operating system, you know? Dean: yeah, because we're surrounded by those those capabilities. Dan: Everybody's got a capability in the form of, uh, their self-multiplying company that they've already kind of established. To get to that point right, most people undervalue. They mostly undervalue their own capabilities and reach. They don't see them as assets in most cases. Dean: Well, even when they have vision, the vision isn't really useful to anyone else. It's only useful to them Right. Dan: Vision isn't really useful to anyone else. It's only useful to them, right yeah? Dean: I mean your vision has to have a lot of room for other people. Dan: That's what. So, chad and I've been talking about this there's the horizontal vision is within your own capability channel. You know they see vision, maybe within how to improve their capability, or internally. All their vision is within the walls of their own company. But where the real benefit comes is with horizontal vision. I said vertical vision is within your own company vision. I said vertical vision is within your own company. Horizontal vision is being able to see what your capabilities paired up with, recognizing someone else's vision that your capabilities could help or how someone else's reach could enhance your capabilities. You know all of those that vertical or the horizontal vision is where the collaborative creativity comes yeah, yeah, there's so much yeah I think you're right that there's, you know, articulating, the thinking tool that helps you recognize and assess what your unique probably unique ability fits within a capability right. That's a thing in your organizational unique ability and your unique teamwork all fit within that capability channel. Dean: Yeah, it was really funny. I was when was it Thursday? I think I was. When was it Thursday? I think I was invited into a workshop here in Toronto and it was the lead master's group. Okay, so the lead master's group is the lead group of all the people who are still at the signature level after 20, 25 years. Okay, and they haven't jumped to the 10 times. They haven't, you know. Their next group would be 10 times. Dan: And they're a long way. Dean: They're a long way off from free zone Anyway, but we're introducing the triple play straight across the program. This quarter. So everybody's getting the triple play. And there was a group, probably about 40, maybe 40 in the room and I would say, three got it, three got the triple play Understood, yeah. And they said, yeah, well, why would I do this? And I said well to differentiate yourself from everybody else. Yeah well, I'm not sure why I would do that and everything else, and so this is why I put the emphasis you have to have a conceptual ability that's apart from you. You're just seeing something that exists, that's big and it's powerful, but it exists outside of you. It's not you. Somebody else's capability exists outside of you. Somebody's vision exists outside of you. And somebody's reach exists outside of you. And you've got to be able to see this as a reality that exists in the world, whether you want to use it or not. These abilities, these capabilities, vision and reach is outside of yourself. Vision and reach is outside of yourself. And then you have to say if I'm going to use what other people have, how do I have to be useful to them, that they would be agreeable to that, and I think that takes a lot of conceptual ability to see how you could be useful to other people. Dan: Yeah, I agree with that, that's true. Dean: Yeah, I think there's. I mean, if you can only see within your own framework, you're not going to be VCRing anything. Dan: Right, exactly, you're only going to be trying to increase, you know, or improve your own limited vision within your own situation and working on your own capabilities, and only with your own reach. It's real. That's where it's like linear. That's linear, yeah, and you know exponential is plugging in to ready to implement reach, vision and technology or capability. Dean: It's really funny because huh, well, yeah, it's who, not how. But you have to see the who's as existing, completely independent of you. They just exist. They're out there, they're doing their thing and they're not going to be interested in you unless there's a big payoff. In other words, they have to see and it was very interesting because when I talked to like first year and strategic coach, you know first or let's say, signature level first or second and people will say well, you have such great people here at coach, how do you find great people? Dan: And I said you know where I live, you know I live in such and such place. Dean: We don't have great people like you find great people. And I I said you know where I live, you know I live in such and such place. We don't have great people like you have great people. And I said I suspect you do have great people, they're just not looking for you. Yeah right, how? How do you have to be such that other great people would be interested in you as an opportunity? Dan: Yeah, yeah, amazing you have to have something compelling you do you? Dean: have to have something compelling. Yeah, not convincing, but compelling. Dan: That's right, you know, shaped with a what's in it for them. Yeah, viewpoint, you know that's. I think Joe's book is amazing to set. I can't. It's one of those things that I can't believe nobody has written that book until now, you know. But just that whole idea of thinking about your vision, capabilities and reach from a what's in it for them perspective, with other people, what you can do for other people, it's almost one of those things that it's so powerful. Dean: That's true. That's true of all new things, though. Dan: Yeah. Dean: I can't believe somebody hasn't thought about this before. Uh-huh. Right right, right yeah. Dan: Oh man, that was. So there was George Carlin. He had a thing, a little you know comment where he was saying how the English language is so incredible that you'd think everything that's possible to say has already been said, you know. But he said I'm going to say things tonight here that have never been spoken in the history of the world. For instance, he said hey, marge, after I finish sticking this red hot poker in my eye, I'm going to go out and barbecue some steaks. Nobody's ever said those words in the history of the world. So it's not. Everything hasn't been said. I thought that was pretty funny actually. So there, yeah, Well we've spent an hour. Dean: We did a good hour, I think so. Dan: I always enjoy these conversations. Dean: Yeah, and. I'm going to, I think yeah you ought to zero in on the tools. You know that, yeah, and I'm going to. Dan: I think, yeah, you ought to zero in on the tool. Dean: You know that I'll give some thought to it, but this is your tool, not my tool. I'll give some thought to it. I love it, All right. Dan: Okay, talk to you next week. Bye. Dean: Okay, bye.

Joy is one of our basic needs, and yet it eludes many. When we experience life's challenges and turmoil it may difficult to live in joy. Grace Harry learned how to see her pain as a gift that created a pathway for joy. She discusses how we find joy, re-discover it, and incorporate it into our daily lives. Grace worked for 30 years as a music industry executive at Island Def Jam and Jive Records. Today, she helps people welcome joy back into their lives. Her new book is The Joy Strategist: Your Path to Inner Change.   Follow CYACYL:Website: www.cyacyl.comDigital: www.cyacyl.com/digitalUpcoming shows: www.cyacyl.com/showsFacebook: www.facebook.com/changeyourattitudechangeyourlifeMusic: www.purple-planet.com

FULL AUDIO - We end the year of 2022 by welcoming a New Orleans Pioneer DJ & Producer Leroy Precise Edwards to the broadcast to explore the Human Experience, Forming Big Big Records, Working with J Prince and Rap-A-Lot Records, Mind of Mystikal Album, Dealing with Jive Records, Relationship with Juvenile & So Much more... SPONSORED BY https://www.instagram.com/supremeoftheuk/?hl=en https://www.instagram.com/cfr_news/?hl=en https://www.tiktok.com/@cfrnetwork https://rumble.com/user/CFRNetwork --- Support this podcast: https://podcasters.spotify.com/pod/show/cfr-network/support

Mark "Taco" Annino, originally from Miami, FL is the Drummer/Music Director for country artist "Morgan Wallen" (Big Loud Record). "Taco", is currently touring full time as Morgan continues his rise in country music. Morgan received his first #1 on the country radio charts with the song “Up Down” (feat. Florida Georgia Line). Other top songs include, "Whiskey Glasses", "Chasin You", "More Than My Hometown" and "7 Summers". Morgan's sophomore album titled, "Dangerous" is Out NOW!, with lead off single "Sand In My Boots. Taco started working with Morgan after relocating to Nashville, TN in 2015. Prior to the big move, he was drumming for a well established active rock band called "Atom Smash” Previously of (Jive Records). Atom Smash released their debut album “Love is in the Missile” in 2010. This sparked a full touring schedule promoting the records single “Do Her Wrong". When not on the road, Taco offers "for hire" services including drum tracking sessions both locally and remotely, as well as setting up live backing tracks for your next show or tour . He can be recognized for his hard hitting and energetic performance style, yet demonstrating versatility and consistent technique. His performance influences anywhere from John Bonham, Dave Grohl, Taylor Hawkins, Chad Smith to Buddy Rich, Dave Weckl and Dennis Chambers.     Some Things That Came Up:  -2:18 On Tour with Rich 2020, 2021 -3:17 Caddis Readers. See Stuff!  -4:45 Mark's Origin Story -5:40 Blink 182 in the house!  -7:20 “That Thing You Do” Movie  -8:15 Yamaha Stage Custom  -9:00 DW, Sonor, Yamaha  -10:15 Atom Smash on Jive Records -12:20 Mark has the CRASH Concept down!  -16:00 Versatility of Morgan Wallen Records -24:30 Controversy! Pandemic! -27:45 “Mechanics Wanted” side project  -32:50 The Pendulum Theory and Cancel Culture -34:20 Jo Koy and the Golden Globes  -39:20 Nascar and Football!  -49:50 MD=Master Delegator -56:30 1st Drumeo Award Nomination  -1:05:40 Don't let money be the driving force -1:14:40 The “Taco” nickname  -78:30 “The Fave 5”  -1:28:50 Saturday Night Live!    Follow:  www.marktacodrums.com IG: @marktacodrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

In 2004, after taking off from *NSYNC megastardom and spending over a year writing, JC released his one and only solo album: Schizophrenic. Ignore the name, let's focus on the content: a gripping, honest, diverse mixture of whatever musical style JC wanted to try that day, in the studio with his buddies. Rather than take advice from his label, Jive Records, JC went in his own direction. This resulted in one of the unique and, in my opinion, one of the best albums of the time. Not everyone seemed to think so, though, the album received mixed reviews and did not perform well on the charts. It could have done a lot better, though, if not for an unfortunate combination of events that I'm here to break down for you. This is actually just part 1 of the story of this album -- next week, I will welcome Christine from Chasez Daily to deep dive into each individual track off Schizophrenic, so stay tuned! PATREON Subscribers heard an extended version of this episode 10 days early! Join our community at Patreon.com/AshleeAndJessicast for bonus episodes, videos, and more... all ad free. Starts at $5 a month, cancel anytime. FOLLOW THE PODCAST Instagram: @ashleeandjessicast Twitter: @ashleejessicast  Send an email at ashleeandjessicast@gmail.com  FOLLOW LIA  Lia-Russo.com  Instagram & Twitter: @capriamoon  TikTok: @liarussonyc  --- Send in a voice message: https://podcasters.spotify.com/pod/show/lia677/message

Exclusive Interview: Steve Lunt, Britney Spears former A&R from Jive Records on the creation of this song and the collaboration between Britney and Penelope Magnet. Iconography unpackages music with artists, songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Exploramos la intrigante historia de JC Chasez en nuestro último episodio. Descubre como las decisiones cuestionables de Jive Records arrojaron sombras sobre su talento. Desde los éxitos de *NSYNC hasta los obstáculos impuestos, exploramos como la maquinaria de la industria musical puede, a veces, trabar el ascenso de un artista brillante.

Joy is one of our basic needs, and yet it eludes many. When we experience life's challenges and turmoil it may difficult to live in joy. Grace Harry learned how to see her pain as a gift that created a pathway for joy. She discusses about how we find joy, re-discover it, and incorporate it into our daily lives. Grace worked for 30 years as a music industry executive at Island Def Jam and Jive Records, and was once married to Usher. Today, she helps people welcome joy back into their lives. Her new book is The Joy Strategist: Your Path to Inner Change.   Music: www.purple-planet.com Show site: www.cyacyl.com

We sit down on this episode with the East Bay Gangsta himself Spice 1. We discuss his start with Bay area legend Too Short's Dangerous Crew and how his indie album got the attention of Jive Records leading him to sign a faulty record deal. He also details his relationship with the late Tupac and Spice also say's he may be responsible for Pac beating down movie producer Allen Hughes and much more.  HAPPY THANKSGIVINGSee omnystudio.com/listener for privacy information.

How do you define joy? Is it something that you feel, something that you experience, or something that you create? Grace Harry joined the podcast today to chat about her debut book, ‘The Joy Strategist, ' a compilation of her own experience and knowledge on bringing joy back into your life and keeping it a recurring feeling day in and day out! About the Guest:Grace Harry is an artist, entrepreneur, creative muse, pleasure instigator, and speaker. After an illustrious 30-year career in entertainment, Grace, “The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community, “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. In her thirty years working as a music industry executive at Island Def Jam and Jive Records, Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long-forgotten but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done.In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives.Sometimes lighthearted and always real, The Joy Strategist shows readers how to break through creative or emotional ruts that keep them from tapping into their innate ability to feel true and unfettered joy. Grace coaches readers with meaningful autobiographical anecdotes and her toolbox of playful activities.https://www.instagram.com/graceharry/?hl=enhttps://thejoystrategist.com/https://books.disney.com/book/the-joy-strategist/https://calendly.com/gracevoler/playwithgrace?month=2023-12About the Host: Following the crumbs in the chaos is a full-time job as a Productivity Coach. As a busy mom of three and the founder of Chaos N' Cookies, keeping moms from crumbling is my main objective. After gaining 10+ years of experience as a Director of Marketing helping build multiple 6 & 7-figure businesses for other women I've created the Chaos Control System to equip moms to overcome their own objections so they can live the life they want to live and start that business they have always wanted. The Family Playbook, or standard operating procedure, is the tool every mama needs to save time and stress-less when chaos ensues at home. For new biz owners, I also help simplify systems on social media and other business platforms to automate processes to get their business up and running quickly and efficiently with how-tos and hands-on coaching. I have helped hundreds of women to be more productive and self-sufficient in their homes and businesses allowing them to reclaim control of the chaos. www.chaosncookies.comhttps://www.instagram.com/chaosncookies/https://www.instagram.com/theheathergreco/https://www.facebook.com/Chaos-n-Cookies-111324364538688https://chaosncookies.com/shophttps://linktr.ee/hsteinker Thanks for listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode? Leave a comment in the section...

Jared Gomes of (həd)p.e. joins Joshua Toomey and Ro Kohli to discuss the upcoming record, Detox. Jared dives into being a nu metal lifer. Does Jared have any regrets? The guys talk about the early days of (həd)p.e. and living the rock star lifestyle. Signing a huge record deal and playing the game. Jared speaks on Jive Records courting them and the work Music For Nations did for the band. Was there a Jive Christmas party with Britney and NSYNC? Old preshow rituals are brought up. Jared talks about his collaboration with Primer 55 on the song "Set It Off" and then dives into his Strait Up contributions. The guys talk Lynn Strait hooking up Jared with a bunk on the Snot bus and working with Morgan and Serg on "Feel Good". Is Nu Metal still a derogatory term? The Nu Metal Madness tour with Crazy Town is discussed. What's the hardest part of switching out members? Jared talks about stopping and smelling the roses during lockdown and then getting a livestream setup. Detox was written from the perspective of his teenage son and the guys talk parenting in the 2020s. Jared talks working over the internet with his bandmates and his lyric writing process. The term "Nu Metal" is broken down and its ethos. Jared looks back on seeing Korn and Deftones before they were signed and how he stopped everything and formed (həd)p.e.. Strippers and band members go together like peanut butter and jelly! Catch (həd)p.e. out with Nonpoint in December!!

In her thirty years working as a music industry executive at Island Def Jam and Jive Records, Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long forgotten, but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done. In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives. Sometimes lighthearted and always real, The Joy Strategist shows readers how to break through creative or emotional ruts that keep them from tapping into their innate ability to feel true and unfettered joy. Grace coaches readers with meaningful autobiographical anecdotes and her toolbox of playful activities

Chris sits down with Andy Cato & Tom Findlay, otherwise known as Groove Armada. In this conversation, Andy & Tom share stories about the first time they met, signing with Jive Records and growing Lovebox from a club night to one of the countries biggest music festivals. This episode is sponsored by Flare Audio. How to DJ is a Listening Dog Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How happy are you? Do you battle anxiety and depression, and wonder if your life has meaning? Enter Joy Strategist author Grace Harry to help change your life! Grace had an illustrious 30-year career as an exec at Def Jam and Jive Records, she managed Usher, and she's worked with some of the top names in the music and entertainment industry. And now she's turned her mind and heart towards helping people find joy. We'll find out what we can do to start the process of finding joy, and how doing the thing that scares us the most might just be the thing to change our life.

Top music executive, GRACE HARRY, who guided the careers of legendary hip-hop, R&B, and pop singers, shares her insights on how to get inspired and reconnect with our purpose. In her thirty years working as a music industry executive at Island Def Jam and Jive Records.Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long forgotten, but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done. In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives.“The Joy Strategist,” found her calling leading what she calls “the Revolution of JOY.” Through her popular playdate community “Play with Grace,” she helps everyday people welcome joy back into their lives. Her work has been featured in The New York Times, HelloGiggles, Vogue Online, The Times UK, The London Evening Standard, and many more. THE JOY STRATEGIST YOUR PATH TO INNER CHANGE https://thejoystrategist.com/ The Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.com If you have a comment about this episode or any other, please click the link below. https://ratethispodcast.com/douglascolemanshow Please help us to continue to bring you quality content by showing your support for our show. https://fundrazr.com/e2CLX2?ref=ab_eCTqb8

Music Industry Executive Grace Harry wants to show you how to break through whatever creative or emotional rut is keeping you from tapping into your ability to feel true joy in your life.  She knows how to guide creative people because that's what she did for 30 years while guiding musicians and artists at Island Def Jam and Jive Records.  Now Grace Harry is “The Joy Strategist' - sharing her authentic self and what she learned to help you get you to where she had to get herself… back to center, dismantling your ego and culturally conditioned limiting beliefs.  Grace said,   “I realized I had to get off the ride. And it wasn't the ride to penalize anyone else, it was more where I wasn't taking full responsibility for my own, you know, being the chief energy officer of my own life. And so if I have gotten this place in life where I've achieved all these things from other people's version of success, why did I feel so joyless? And what kind of strategy could I put in place to change that? Because I believe very clearly that your children do as you do, not as you say, and I would never want them to have even more crap in their family karma backpack than I'd already given them.” I thought Grace's comment about ‘family crap in the backpack ‘ was a loud one. Giving yourself permission to see yourself in a new way is what Grace is trying to get at. I think we all have struggled with this at some point, We have preconceived notions of who our parents want us to grow up to be, our friends expect us to be, and who we expect ourselves to be. When in fact it may not be who we are supposed to be, and at what point do you realize you have permission to change…and can you? Because there are always relationships involved, finances involved, other people involved that your choices will affect. Which is exactly why I don't own a Tiki Bar on some island!...Yet. LOL Good thought provoking book and conversation you might want to explore. Meet Grace Harry in this podcast of our live conversation on  The Debbie Nigro Show on  WGCH Radio. If you want to catch the show it airs Weekdays 11-12noon ET in the NY/CT area on 1490 on the dial. But you can listen from anywhere, just hit the ‘Listen Live' button on WGCH.com  

Beating Addiction & Chasing Your Dreams Wesley Geer is a professional guitar player, songwriter, recording artist, and producer, who signed his first record deal to Jive Records with the band he founded, (Hed) P.E. Wes toured the world for nearly a decade, and the band sold over 1 million records worldwide. What many didn't know at the time was while he was masterminding, and leading his band to the member's first-ever record deal, Wes was a full-blown drug addict, using alcohol, methamphetamines and other drugs, daily, for years. Subscribe for more recovery livestreams and information!     / @pejtheaddictioninterventionist   As a progressive disease, no matter the efforts to quell his addiction and control it, things continually got worse. After nearly a decade of touring the world, with the biggest names in rock, Wes' life was imploding, and he finally left in 2003, for a ‘lifestyle change' that ultimately ended him up in rehab in 2004. In rehab, he learned tools for recovery and latched onto the stories of others that had overcome their addictions, stories of people being so far down in a deadly hole, but somehow not only got sober but achieved great things. The following years found Wes as an instructor at Fusion Academy & Learning Center, an alternative school where he taught music to 6th through 12th graders who had struggled in more traditional academic settings. These same troubled students often succeeded in Fusion's adaptive one-on-one learning environment. Geer's love of teaching blossomed during his time. His classes served as the earliest prototype for R2R; he and one student at a time would write and play songs together. Geer said he quickly noticed “the engagement and the buy-in” the students had in these sessions was much greater than a typical ‘lesson' as the student's energy was transformed with hope and self-esteem while songwriting and playing music together. In 2010, Wes decided he wanted to get back into music and started praying and meditating on what that would look like. Not long after, and only because he was sober, Geer was offered the gig as a guitarist with the legendary rock band Korn. He traveled the world, performing in more than 40 countries with the multi-platinum stars, as well as appeared numerous live televised and studio recording sessions. Geer was then moved to give back, wanting to create something that could help people who struggled the same way he had. He then founded Rock to Recovery (R2R), a non-profit organization created on 12/12/12 with the purpose of providing those in various types of treatment and recovery programs the cathartic, uplifting, healing experience of connectivity through playing music. It's a therapy Geer himself turned to after years of abusing drugs and alcohol. During his stay in rehab, he admits that music was his “most intimate friend” during his darkest days, allowing him to cope with the rollercoaster of emotions that consumed his early days in treatment. My name is Pej and I am a drug and alcohol interventionist! I am 15 years sober from Marijuana, Meth, Heroin, and a whole lot more. It has become my life's mission to help inspire and save as many lives as I can. Please call or text me any time if I can help you or a loved one get help. (949)751-7761 Subscribe to Peji's Recovery Corner podcast: On Itunes: https://podcasts.apple.com/us/podcast/pejis-recovery-corner/id1554963303 On Google: https://podcasts.google.com/feed/aHR0cHM6Ly9waW5lY2FzdC5jb20vZmVlZC9wZWppLXMtcmVjb3ZlcnktY29ybmVy On Spotify: https://open.spotify.com/show/7mdmZQ6D7nNmrbYEOvkJL8 Stay connected on Social! TikTok: tiktok.com/@pejinterventions IG: https://www.instagram.com/drug_intervention/

In her thirty years working as a music industry executive at Island Def Jam and Jive Records, Grace Harry has lived her many creative lives at the intersection of music, art, and the passionate pursuit of joy—a long forgotten, but vital birthright. Many of us have no idea what joy truly is, and capturing it is often easier said than done. In The Joy Strategist, Grace takes readers on a journey to explore all dimensions of joy: how we find it, how we can re-discover it, and how we can incorporate it into our daily lives. Sometimes lighthearted and always real, The Joy Strategist shows readers how to break through creative or emotional ruts that keep them from tapping into their innate ability to feel true and unfettered joy. Grace coaches readers with meaningful autobiographical anecdotes and her toolbox of playful activities

Worldwide Exclusive: Recording Artist, Producer and Songwriter Steve Lunt recalls a meeting he had with Taylor Swift at the age of 12. The reasons why she didn't get signed to Jive Records and more. Iconography unpackages music with artists, songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Jonathan Butler is a singer-songwriter and guitarist who leads a life few can imagine. Born in South Africa under the shadow of apartheid and raised in poverty, Butler was the first non-white artist to be played on South African radio and appear on national television. Though his musical abilities would take him away from the world he grew up in, Jonathan would neither forget the plight of his fellow South Africans, nor the man that led them to freedom. It is for this reason Nelson Mandela credits Butler's music as having inspired him during his imprisonment. In more ways than one, Jonathan Butler is representative of South Africa. Jonathan's story begins at a very young age when his father presented him with a homemade one-string guitar. Little did his father realize that he was giving way to a musical phenomenon. From then on, Jonathan's musical gifts grew by leaps and bounds. In his early teens Butler won a local talent contest, affording him the opportunity to perform with a touring musical company throughout South Africa. On occasion he would perform at lavish concert halls for whites only, where he would not be allowed to use the bathroom, and the very next night he would perform in a dilapidated local township. Ultimately, his ticket to a new life was music.  At thirteen, Jonathan's talents caught the eyes and ears of the British record producer Clive Caulder. He was signed to Caulder's Jive Records and the rest is history. Jonathan's first single broke down racial barriers becoming the first song by a black artist played by white radio stations in South Africa and won the South African equivalent to a GRAMMY®. His commitment to his craft came to fruition with his self-titled debut album, which received a GRAMMY® nomination for the pop hit “Lies.” An instrumental “Going Home” earned him another GRAMMY® nomination and the mid-tempo ballad “Sarah, Sarah” confirmed Butler's place in popular music. However, to Jonathan Butler, success is measured on a higher plane. A religious and spiritual man, Butler dedicates his life to being a devoted father and grandfather, and a caring citizen to his homeland, South Africa. And in spite of all the hardships, Jonathan Butler has an air of playfulness and quiet resilience that is easily visible in his passionate performances.   Things That Came Up:  1:55 -taking a break after tours 4:00-being deeply in love with music  9:15-accepting yourself and believing in your own ability to succeed. 12:15-The NEW record Ubuntu, produced by Marcus Miller.  14:00-Stevie Wonder featured on harmonica as well as Keb Mo and Tommy Simms. Debuted at #1 on the Itunes Jazz Charts.  16:00-Growing up in the shadow of Apartheid 19:00-the creations of God 21:00-sign up for Safaris and Desert Jazz Fest.  22:40-bandleader Dan Lutz  24:00-bandleader Arlington Jones  31:00-Using generosity to feature the band members and create moments   Follow:  www.jonathanbutler.com IG: @jonathankennethbutler FB: @jonathanbutler     The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

If you think that Britney Spears is actually being represented by AI on the internet in a massive conspiracy cooked up by her handlers at CAA and Jive Records to continue to generate revenue while the real Britney Spears is MIA, then you'll be absolutely fascinated by this amazingly intriguing episode of Sh*t. TikTok / YouTube References: Hand Weirdness Part 1: https://www.tiktok.com/@theconspiracybestie/video/7266603367655279915 Hand Weirdness Part 2: https://www.tiktok.com/@theconspiracybestie/video/7260734129954671914 Tattoos disappearing and reappearing, and moving around body https://www.tiktok.com/@theconspiracybestie/video/7270503151701167403  Britney impersonator Ashley Pitzer getting called to do Will I. am video., shows screen shots of the convo that they wanted her to deep fake as Britney for music video: https://www.tiktok.com/@britneysmystery/video/7255014087451675950 Myah Marie Song: https://www.youtube.com/watch?v=wzW_XjtckZk Nails not matching https://www.tiktok.com/@thisninjan3rd/video/7229225398683454762 Follow the podcast on Insta: @shttheydonttellyou Follow Nikki on Insta: @NikkiLimo Follow Steve on Insta: @SteveGreeneComedy To watch the podcast on YouTube: http://bit.ly/STDTYPodYouTube Don't forget to subscribe to the podcast for free wherever you're listening, or by using this link: http://bit.ly/ShtTheyDontTellYou If you want to support the show, and get all our episodes ad-free go to: https://stdty.supercast.tech/ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ShtTheyDontTellYou To submit your questions/feedback, email us at: podcast@nikki.limo To call in with questions/feedback, leave us a voicemail at: (765) 734-0840 To visit our Patreon: https://www.patreon.com/stikki To watch more Nikki & Steve on YouTube: http://www.youtube.com/nikkilimo To watch more of Nikki talking about Poker: https://www.twitch.tv/trickniks To check out Nikki's Jewelry Line: https://kittensandcoffee.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

#mamasboys #powerandpassion #needleinthegroove #ifthekidsareunited #mamaweerallcrazeenow #straightforwardnolookingback #patmcmanus #theprofessor #tommymcmanus #johnmcmanus #screamsfromthegrave #ratsaladreview #ireland #unitedkingdom #metal #hardrock #podcast #nwobhm #motorhead #fasteddieclarke #thinlizzy #daveking #fastway #northernireland #jiverecords Greg and Lou return with Screams From The Grave, where we go into metal and hard rock's long-forgotten bands and albums. This episode covers the great Mama's Boys from Northern Ireland. The Brothers McManus (John, Pat, and Tommy) released two classic hard rock records on Jive Records (their 1984 self-titled album and their 1985 follow-up Power and Passion) after independently releasing their first 3 albums (the Original 1980 Bootleg, Turn It Up, and Plug It In). The bottom line - this band had the chops, the songs, the skills, and the looks to be one of the biggest bands of the 1980s, and earned their credibility opening for Thin Lizzy, Rush, Ratt, and Bon Jovi. RIP Tommy McManus Don't forget to subscribe, like and comment, and click the notification button for new updates from Rat Salad Review. https://ratsaladreview.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/rat-salad-review/message

In the Zone is the fourth studio album by American recording artist Britney Spears. It was released on November 16, 2003, by Jive Records. Following the end of the Dream Within a Dream Tour in July 2002 and her break-up with Justin Timberlake, Spears announced she would take a six-month break from her career. She started working on the album in November 2002, with producers such as Bloodshy & Avant, R. Kelly, Tricky Stewart, Moby, Guy Sigsworth and The Matrix. Musically, In the Zone is a dance-oriented album that incorporates elements of various genres, such as house, trip hop and hip-hop. It features instrumentation from guitars, drums, synthesizers, strings and Middle Eastern instruments

Lesley Roy is an Irish singer-songwriter from Dublin. Roy was signed to an independent Irish label in 2006 followed by a record deal with US label Jive Records and then she represented Ireland in the Eurovision. She chats with me about not being able to be seen as gay when she first worked in the states. Meeting her wife shortly after coming out and being in a 15 year long relationship and advice for successful longterm monogamous relationship. We also talk about mental health here verses home. Such a great ep make sure to follow: @lesroy https://youtu.be/z6ZUBzqPxdsNext 2 eps and Video is up on https://patreon.com/theshiftpodcast My album is out on iTunes: https://music.apple.com/us/album/ill-do-it-myself/1688301086or other streaming services: https://tr.ee/2BdLSLdveY tysm for listening and supporting dm or email: contacttheshift@gmail.com@katieboylecomichttp://www.katieboylecomic.comhttps://linktr.ee/Katieboylecomic (for solo show/headlining dates: (NYC August, DC, AZ, SD Sept and Ireland Oct)thanks for listening

On this episode, Maxxx and the Reverend have a chat about ICP's third album and many OG Juggalos favorite Jokers Card: The Riddlebox. This album was what solidified ICP in the cultural lexicon as a force to be reckoned with, releasing the project on Jive Records, a major record label that ICP signed with in the 90's. From orange cassette tapes to pigs popping out of pies, this album has all kinds of deep cut Juggalo lore to dive into, so get to it shitty lips!

Guest: Steve Lunt talks about the creation of Britney Spears' cover of I'LL NEVER STOP LOVING YOU and about J'son's original version as well as the RNB Remix. The Original Doll with James Rodriguez; Iconography unpackages music with the songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheOriginalDoll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Twitter.com/JamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Instagram.com/The.Original.Doll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Beating Addiction & Chasing Your Dreams Wesley Geer is a professional guitar player, songwriter, recording artist, and producer, who signed his first record deal to Jive Records with the band he founded, (Hed) P.E. Wes toured the world for nearly a decade, and the band sold over 1 million records worldwide. What many didn't know at the time was while he was masterminding, and leading his band to the member's first-ever record deal, Wes was a full-blown drug addict, using alcohol, methamphetamines and other drugs, daily, for years. Subscribe for more recovery livestreams and information!     / @pejtheaddictioni...   As a progressive disease, no matter the efforts to quell his addiction and control it, things continually got worse. After nearly a decade of touring the world, with the biggest names in rock, Wes' life was imploding, and he finally left in 2003, for a ‘lifestyle change' that ultimately ended him up in rehab in 2004. In rehab, he learned tools for recovery and latched onto the stories of others that had overcome their addictions, stories of people being so far down in a deadly hole, but somehow not only got sober but achieved great things. The following years found Wes as an instructor at Fusion Academy & Learning Center, an alternative school where he taught music to 6th through 12th graders who had struggled in more traditional academic settings. These same troubled students often succeeded in Fusion's adaptive one-on-one learning environment. Geer's love of teaching blossomed during his time. His classes served as the earliest prototype for R2R; he and one student at a time would write and play songs together. Geer said he quickly noticed “the engagement and the buy-in” the students had in these sessions was much greater than a typical ‘lesson' as the student's energy was transformed with hope and self-esteem while songwriting and playing music together. In 2010, Wes decided he wanted to get back into music and started praying and meditating on what that would look like. Not long after, and only because he was sober, Geer was offered the gig as a guitarist with the legendary rock band Korn. He traveled the world, performing in more than 40 countries with the multi-platinum stars, as well as appeared numerous live televised and studio recording sessions. Geer was then moved to give back, wanting to create something that could help people who struggled the same way he had. He then founded Rock to Recovery (R2R), a non-profit organization created on 12/12/12 with the purpose of providing those in various types of treatment and recovery programs the cathartic, uplifting, healing experience of connectivity through playing music. It's a therapy Geer himself turned to after years of abusing drugs and alcohol. During his stay in rehab, he admits that music was his “most intimate friend” during his darkest days, allowing him to cope with the rollercoaster of emotions that consumed his early days in treatment. My name is Pej and I am a drug and alcohol interventionist! I am 15 years sober from Marijuana, Meth, Heroin, and a whole lot more. It has become my life's mission to help inspire and save as many lives as I can. Please call or text me any time if I can help you or a loved one get help. (949)751-7761 Subscribe to Peji's Recovery Corner podcast: On Itunes: https://podcasts.apple.com/us/podcast/pejis-recovery-corner/id1554963303 On Google: https://podcasts.google.com/feed/aHR0cHM6Ly9waW5lY2FzdC5jb20vZmVlZC9wZWppLXMtcmVjb3ZlcnktY29ybmVy On Spotify: https://open.spotify.com/show/7mdmZQ6D7nNmrbYEOvkJL8 Stay connected on Social! TikTok: tiktok.com/@pejinterventions IG: https://www.instagram.com/drug_intervention/

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song FROM THE BOTTOM OF MY BROKEN HEART. We learn about the creation of this song, radio debut and chart stats.  We learn how remixes can play a part in the marketing of an artist. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! ⁠⁠www.Patreon.com/TheOriginalDoll⁠⁠  ⁠⁠www.TheOriginalDoll.com⁠⁠   ⁠⁠www.Instagram.com/The.Original.Doll⁠⁠   ⁠⁠www.Twitter.com/JamesRodriguez⁠⁠  ⁠⁠www.TikTok.com/@TheJamesRodriguez⁠⁠

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song DON'T LET ME BE THE LAST TO KNOW. We learn about the creation of this song, radio debut and chart stats.  We clear up misinformation about the song, when it was recorded and more. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! ⁠www.Patreon.com/TheOriginalDoll⁠ 1) Don't Let Me Be The Last To Know - Britney Spears Giving facts and flowers to these songs, including radio, iTunes and chart stats! B-Side) He Doesn't Know I'm Alive - Janet Jackson Bonus Track) Nothing Fails - Madonna  ⁠www.TheOriginalDoll.com⁠   ⁠www.Instagram.com/The.Original.Doll⁠   ⁠www.Twitter.com/JamesRodriguez⁠  ⁠www.TikTok.com/@TheJamesRodriguez⁠

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person, the person who helped cultivate the music and sounds for Britney's first 4 albums! We break down Britney Spears' song BORN TO MAKE YOU HAPPY. We learn why there are two versions of the song with the original being on BABY ONE MORE TIME album! We clear up misinformation about when the song was recorded and re-recorded. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! On Patreon there is an exclusive look into different versions of the song! www.Patreon.com/TheOriginalDoll www.TheOriginalDoll.com www.Instagram.com/The.Original.Doll www.Twitter.com/JamesRodriguez www.TikTok.com/@TheJamesRodriguez --- Support this podcast: https://anchor.fm/theoriginaldoll/support

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! Get insight why the song wasn't included on the original standard version of BABY ONE MORE TIME. Returning guest recording artist and background vocalist Myah Marie. We breakdown her introduction to Britney Spears' discography. We also talk with producer of the AUTUMN GOODBYE (Nick Remix) Remixed by Nick. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We also chat with producer of the official THINKIN ABOUT YOU (Pink Bubblegum Mix) Alex Greggs. Also included is information about the album version of THINKIN ABOUT YOU charting on Apple Music. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

Exclusive interview with JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We break down Britney Spears' song SODA POP. We learn that this song was pivotal in the creation of the remainder of the BABY ONE MORE TIME album! We also hear a snippet of the alternative version of the song that was featured on the Sabrina The Teenage Witch Soundtrack. Audio ripping, stealing and leaking is prohibited in every country in the world. Every question a guest answers we get items donated to charity! www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguezwww.Patreon.com/TheOriginalDoll

Today's Five-Star Guest is Paul Katz, CEO of Entertain Impact, a social impact agency whose singular aim is to advance the collective good.  As the founder of the music advisory firm Eye2Ear, Paul continues to guide creative, production, and distribution of the music for culturally significant film and TV projects. His portfolio includes the Oscar winning movies Green Book, 12 Years A Slave, and American Factory. Paul also serves as senior advisor to Made In Memphis Entertainment, an independent group of music publishing, distribution and record labels, whose social mission is to give opportunities to young people through music.Prior to becoming a social entrepreneur, Paul was an attorney and senior executive at Jive Records and Zomba Music, where he worked with renowned artists, including A Tribe Called Quest, Britney Spears, Justin Timberlake, Donnie McClurkin, P!nk, and Outkast. For his production work on the franchise Twilight, Paul earned multiple GRAMMY nominations. Learn More About Paul/Buy His Book: https://www.paulmkatz.com/Learn More About Entertain Impact:  https://www.entertainimpact.com/about/Get on our waiting list for our new nonprofit & fundraising community filled with on-demand courses and live webinars that are exclusive to members! Learn all about what's in store to support you and your leadership team at www.DoGoodYOUniversity.com!Support This Podcast! Make a quick and easy donation here:https://www.patreon.com/dogoodbetterSpecial THANK YOU to our sponsors:Donor Dock - The best CRM system for your small to medium sized nonprofit, hands down! Visit www.DonorDock.com and use the Promo Code DOGOODBETTER for a FREE month!Brady Martz - The Nonprofit Audit Specialists! Visit www.BradyMartz.com to connect with folks to make your fiscal life a heckuvalot easier!iTunes: https://apple.co/3a3XenfSpotify: https://spoti.fi/2PlqRXsYouTube: https://bit.ly/3kaWYanTunein: http://tun.in/pjIVtStitcher: https://bit.ly/3i8jfDRFollow On Facebook: https://www.facebook.com/DoGoodBetterPodcast/Follow On Twitter: @consulting_do #fundraising #fundraiser #charity #nonprofit #donate#dogood #dogoodBETTER #fargo #fundraisingdadAbout Host Patrick Kirby:Email: Patrick@dogoodbetterconsulting.comLinkedIN: https://www.linkedin.com/in/fundraisingdad/Want more great advice? Buy Patrick's book! Now also available as an e-book!Fundraise Awesomer! A Practical Guide to Staying Sane While Doing GoodAvailable through Amazon Here: https://www.amazon.com/dp/1072070359

Exclusive interview JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We break down Britney Spears' second single SOMETIMES and learn about the lyrical changes that were made before Britney Spears recorded the song. Audio ripping, stealing and leaking is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguezwww.Patreon.com/TheOriginalDoll

Exclusive interview JIVE RECORDS' Steve Lunt, who was Britney Spears' A&R person! We learn about the song that helped land Britney her full recording contract. Audio ripping and leaking is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez www.Patreon.com/TheOriginalDoll

Legendary producer behind all of your favorite R&B hits, Bryan-Michael Cox, is here to discuss his tenure in the industry and crazy stories behind the music. Hear B. Cox's take on the day T-Pain signed to Jive Records, and hear how Usher stripped down in the booth while recording “Burn.” From producing hits by Jagged Edge, Mary J. Blige, DVSN, and more, you don't want to miss B. Cox on Nappy Boy Radio! Thanks to our sponsors: Kikoff = Kikoff is the easiest way to build credit, fast. Plans start at just $5 a month, and every on-time payment you make with Kikoff is reported to the major credit bureaus. Start today at Kikoff.com . Pluto TV - Drop in. Watch Free. Watch 250+ channels of free TV and 1000's of on-demand movies and TV shows.

Seth Schachner is Managing Director of Strat Americas, a Los Angeles-based consultancy that provides strategic guidance and helps clients with media and technology partnerships.  Strat Americas has worked with clients in digital & social music, Web 3, live streaming, beauty subscriptions, AI and enterprise software. Recent clients include Microsoft, NFT-maker Vivid Labs, IPSY, live streamer Dream Stage, Ness Digital Engineering, and social music community Smule.   Seth is an experienced business development executive who spent eleven years with Sony Music, where he held senior digital leadership roles in Latin America and for Sony's Jive Records label in North America.  At Sony Music Latin America, Seth created multi-million selling mobile handset partnerships for the artists Shakira and Ricky Martin and helped Spotify and Apple Music launch internationally. Seth talks shop with Lou Diamond on Thrive LouD. ***CONNECT WITH LOU DIAMOND & THRIVE LOUD***

Olori Swank is a Serial Entrepreneur, Celebrity Fashion Stylist and Author known for her electric blue hair and fearless style. A former pre-med student with a bachelor's degree in Psychology from The University of Georgia, her next step, after graduating with honors, was to apply for medical school. However, a chance meeting with the VP of A&R at Jive Records, who wanted her to style one of his artists, quickly morphed into an entirely different career path. --- Send in a voice message: https://anchor.fm/hopedisguised/message Support this podcast: https://anchor.fm/hopedisguised/support

Spice1 shares legendary stories with T-Rell, accompanied by his boy Ginx. --- 00:00 Intro 1:16 - Working on his w**d strains “Goon K*sh” and his clothing line 2:55 - Spice1 blows up responding to Akademiks comments that old rappers are dusty 5:00 - Getting sh*t outside of his parents' house 7:50 - Spice1 on being close with Tupac and reacting to Wack100's g** accusations 9:45 - Spice1 explains Tupac's energy and encourages everyone to maintain that mindset 11:01 - Spice1 explains why you couldn't be a fake one back then 12:39 - Not naming names of rappers that got slapped up back in the day 13:26 - Staying relevant by mixing comedy and his other persona 14:26 - Spice1 spits his legendary Michael Jackson remix “Street General” 18:09 - Overcoming struggles after getting out of his deal, being homeless, sleeping in his car with his platinum plaques 22:10 - Bumping into Ice T while pulling up on Jive Records. Ended up recording a whole album at his house 24:07 - Being upset with E-40 and other industry friends for not reaching out when he was broke 25:28 - Spice1 on gangster rappers' lyrics being used during cases 33:28 - Being born in Texas. Finding out Scarface was his cousin 34:58 - Spice1 on how the Bay felt after Tupac abandoned them for LA. Moving around LA with Tupac 42:40 - Spice1 was supposed to be on “All Eyez On Me” 44:18 - Hearing Tupac blame Bad Boy for getting him sh*t in New York 45:15 - Spice1 on getting sh*t by jackboys and the effects that has on your brain and body 48:00 - Being ready to ride for Tupac after he got shot 51:25 - Spice1 says Lil Cease still needs to clear up his story of what happened the night Tupac got sh*t 53:15 - Spice1 recounts the day Tupac was k*lled and regrets not going with him to Vegas 56:20 - Never telling Tupac to tone down. Spice1 does his impression of a turnt-up Tupac telling the driver to run a red light 1:00:13 - Always wanted to get the chance to work with Dr. Dre and Ice Cube 1:04:11 - Spice1 tells DJ Quik to drop the songs they have together 1:06:52 - Spice1 says Tupac was trying to show everyone the consequences of being a real one 1:12:08 - Spice1 lists his top 5 greatest artists of all time 1:17:52 - Spice1 on his current favorite artists from the Bay --- NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5te... FOLLOW US ON SNAPCHAT FOR THE LATEST NEWS & UPDATES https://www.snapchat.com/discover/No_... CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz  Follow us on SPOTIFY: https://open.spotify.com/show/4ENxb4B... iTunes: https://itunes.apple.com/us/podcast/n... Follow us on Social Media: https://www.snapchat.com/discover/No_... http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/NOJUMPEROFFI... http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22hoe on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices