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This show has been flagged as Clean by the host. 01 This is the third in a four part series on simple podcasting. 02 In this episode we will cover the following topics: Analysis of audio noise problems and filtering methods used to deal with specific problems that we may find. Command line recording. Command line playback. Getting information about an audio recording. 03 Introduction When I did my first couple of podcasts I didn't notice that there was a quiet high pitched whine or buzz in the background. Nobody complained about it, but I thought I could do better in subsequent episodes. 04 Creating an Audio Sample If you have a similar problem, the first step is to find out where it is coming from. If there is no audible noise where you are recording, there is a good chance the problem is in the microphone or another part of the audio system. Plug in your microphone and record 2 or 3 seconds of quiet audio where you do not speak into the microphone or make other noise. 05 You will need a minimum amount of data in order to analyze it. For a flac file sampled at 44.1 kHz, 2 to 3 seconds of data should be enough. To get a sample of just electronic noise you can put the microphone in a drawer or somewhere like that if you want to be sure of getting a quiet signal. Any sound recorded in this way should be mainly from the microphone or other electronic elements in the analogue pathway. To get a sample of possible ambient noise, such as fans, make sure the microphone is in the open air in an area which is representative of where it will be when you are recording. -------------------- 06 Analyzing using Fourier Transforms Next you need to look at the wave form. At this point I will describe this using Audacity. I will show other ways later, but Audacity is actually the easiest if you are starting from nothing. You don't need to become an expert in Audacity to use it, just follow the steps I will describe. I myself don't know how to use Audacity beyond using this one feature. 07 We are going to analyze the sound spectrum in our sample. The technique being used is a Fourier Transform. A Fourier transform, often called an "FFT" for fast fourier transform, is a mathematical method of showing a signal in terms of frequency along the x axis instead of time. This allows us to spot troublesome noise frequencies which appear when we don't want them to. The FFT is a very common mathematical technique which is widely used in signal processing, not just in audio. 08 There is software which will create pretty coloured animations of sound waves, but this is not what you want. These are simply decorative patterns and won't tell us what we want to know. -------------------- 09 Using Audacity Install Audacity if you haven't already. Start Audacity. Select file > import > audio, then navigate to your sample and select "open". The file should load. 10 In the wave form part of the window, click anywhere and then type Ctrl-S to select all data points. The chart should turn a slightly darker colour. From the menu, select Analyze > Plot Spectrum. A new window will open, showing magnitude in db on the Y axis, and frequency in hertz on the x axis. For "algorithm" be sure it is set to "spectrum" 11 There are now two settings that we need to play with while we look for problems. One is "size" The default for this is 1024. The other is "axis". The default for this is "log frequency". -------------------- 12 What to Look For What we are looking for are large obvious spikes that stand out in the data. Since our test signal has very little to no actual audio data, any spikes should represent electrical or other noise that doesn't belong there. 13 I have found two combinations of settings to be most helpful in finding problems. These are Size 2048, axis linear frequency. Size 32768, axis log frequency. 14 A small size value can help very narrow spikes stand out from the background more, while a large size value can help separate spikes from surrounding noise. A linear frequency axis can help with seeing all spikes across the full frequency range, while a log frequency axis can help to better see what is happening in the often very crowded lowest frequency range. -------------------- 15 A Real Example of an Audio Problem If you have good audio equipment you may find nothing obvious. If you cannot hear any noise in the signal, there may be none of any consequence and there is nothing for you to do. 16 However, in my case I found two main problems and one lesser one. One problem was a spike at 60 Hz, which is the AC line frequency. There is also a lesser problem of a collection of a broad frequency range of noise below 60Hz. Both of these however will be taken care of by the basic filtering that we looked at earlier so we do not need to worry about them here. 17 The other main problem is I had a large spike at every 1 kHz interval from 1 kHz to 19 KHz. This was noise generated within the head set electronics, or the result of noise on the USB power supply. This is the product of a cheap headset. 18 These spikes are not very large compared to the volume of my voice, but if I do the same sort of analysis of samples where I am speaking, they appear in the intervals between words. This results in a high pitched whine or buzz. This was the source of the background noise or buzz in my first two podcast episodes. I need to get rid of this. 19 One option would be to get a better microphone, but, well, that wouldn't be any fun would it. It would also cost money and I don't want to spend any of that if I don't have to. If you analyze your own signal, you may find a different pattern, or even no noise at all. If you did not find anything when shielding your microphone from ambient audio noise, repeat the same test but with the microphone exposed to acoustic noise in the room. -------------------- 20 Advanced Filtering The next step is to figure out how to get rid of this noise. I have called this section "advanced filtering", but we are actually just making use of a technique that was already covered in basic filtering. 21 To deal with the remaining spikes we can use additional "band reject" filters, each of which removes a specific frequency at 1 kHz intervals from 1 kHz to 12 kHz. We will use this in combination with the filtering that we have already done previously, so we don't need to worry about anything above 12 kHz as we already remove that with a low pass filter. After a small amount of experimenting I came up with the following. 22 Because I am applying a total of 16 filters, 4 for basic filtering and 12 to deal with the specific microphone problems that I have, I have broken up the filters into separate strings. I then generate the 12 new band reject filters from a template. Note that I don't show the "de-esser" filter here. I would recommend adding it as a separate step after doing the sort of filtering we are talking about here. 23 Rather than reading out multiple lines of bash script, I will post them in the show notes. I will give a brief description of them here which you can refer to when reading the show notes. The FFMPEG and Sox versions are very similar in concept so I don't need to go over the Sox version in detail. See the show notes for it. FFMPEG Version Here's the FFMPEG version. # The high and low pass filters. hlpfil="highpass=f=80, lowpass=f=12000" # Band reject filters filter for 60Hz and another for 50Hz. linefil="bandreject=f=60:width_type=h:w=20, bandreject=f=50:width_type=h:w=20" # Create a series of band reject filters, from 1 kHz to 12 kHz. # Change or remove this part if your recording hardware does not require it. ftemplate="bandreject=f=%s000:width_type=h:w=100" kilospikefil=$( seq 1 12 | xargs printf "$ftemplate," ) # Using ffmpeg ffmpeg -i input.flac -af "$hlpfil, $linefil, $kilospikefil" output.flac 24 There are a total of 5 lines of bash script. In the first line, we create a string called "hlpfil" which is just the high and low pass filters copied from our previous discussion on basic filtering. In the second line, we create a string called "linefil" which is just the simple bandreject filters to cover 50 and 60 hertz AC line noise filters also from basic filtering. 25 In the third and fourth lines, we create a string called "kilospikefil" containing the new filters. The "f" parameter represents the frequency we are targeting. The "w" parameter represents the "width" of the frequency range we are filtering in terms of hertz. The filter is applied gradually rather than with a sharp cut-off, so to get more filtering action we need to have larger width. In this case I decided to hammer the spike quite aggressively and so used a relatively wide width of 100 hertz. Testing with a voice file did not show any noticeable distortion, so it's an acceptable solution. 26 For this filter we need to create a dozen filter command so we use the shell "seq" command to generate a sequence of numbers from 1 to 12. We then pipe that into the xargs command which applies each number to the next command. The next command is "printf", which takes the number it gets from xargs and applies it to the "ftemplate" string template in a manner very similar to C programming printf string templates. 27 We also have a comma in there to separate each of the individual filters. We then surround this with a $ and () so we can run the command and capture the output into a variable. Then we call ffmpeg and pass it the filters we created by putting the variable names inside a double quoted string, separated by commas. All of this will be in the show notes, so don't worry about trying to get the exact details right now. Sox Version Here's the Sox version. # The high and low pass filters. sxhlpfil="highpass 80 lowpass 12000" # Band reject filters filter for 60Hz and another for 50Hz. sxfilter="$sxhlpfil $sxkilospikefil bandreject 60 20 bandreject 50 20" # Create a series of reject filters filters, from 1 kHz to 12 kHz. sxftemplate="bandreject %s000 100" sxkilospikefil=$( seq 1 12 | xargs printf "$sxftemplate " ) # Using SOX. sox input.flac output.flac $sxhlpfil $sxfilter $sxkilospikefil 28 The Sox version is very similar with the exception that the command arguments representing the filters must not be in quoted strings as Sox wants to see them as separate arguments instead of parsing a string. -------------------- 29 Confirming the Effect If we apply the above filters and look at this headset noise output file in the Audacity spectrum analyzer we will now see that these noise spikes are almost completely gone. We can now confirm how well this works by using a test audio file. Any normal short voice audio file will do for this. Just talk into the microphone normally and create a voice sample file that is 5 or 10 seconds long, or whatever you feel comfortable with. 30 With the original unfiltered voice audio I can hear a distinct high pitched whine overlaying the voice. With the filtered audio that whine or hum is not detectable. If we then look at the voice file in the Audacity spectrum analyzer, we can see distinct "notches" at the 50 Hz and 60 Hz frequencies, and at every 1 kHz from 1 kHz to 12 kHz. These notches are narrow enough that they won't cause a noticeable problem with voice signals. If we apply this filter to voice samples, the buzz or whine is gone and the voice signal sounds fine. Despite using a very cheap microphone, I now have acceptable quality audio for a podcast. 31 Again I want to emphasize that in this instance I am dealing with deficiencies with my hardware instead of buying a better microphone. These additional filters are intended to deal with the specific hardware problem I am facing. You don't need these additional filters if you cannot detect an audible problem. On the other hand, if you have a different problem you may wish to deal with a different set of frequencies. Finding these problems is the reason for using a spectrum analyzer. 32 FFMPEG has other filtering methods as well. However, as I didn't end up using them I can't really do an adequate job of describing them. If anyone has used them successfully, they are welcome to make a podcast on the subject. -------------------- 33 Completing the Process With these new filters added into the middle of the processing steps, you can now complete the processing by doing the de-essing, normalizing, and review steps as described in the previous episode. -------------------- 34 Command Line Recording I will now cover a separate topic, which is recording using command line programs. I am covering it in this episode as it is a short topic and it is convenient to talk about it here. 35 As well as using GUI based recording programs such as Gnome Sound Recorder, it is possible to record podcast episodes using command line tools such as FFMPEG. As for why you may wish to use command line tools to record audio, there are several reasons. One is that you may simply prefer to do it this way because it pleases you to do so. Another is that it allows the recording step to be included in a script that encompasses other parts of the process, automating what may have otherwise been separate manual steps. 36 However, if you don't find these arguments particularly compelling, then I'm not going to attempt to persuade you to use the command line to record audio. I am doing this part of this episode out of a desire to have a bit of fun and I probably won't be using it much myself. I will however use one of these methods to record this part of this episode. 37 Recording with FFMPEG - The Basics One of the common command line tools you can use is FFMPEG, a package which I have previously mentioned with respect to filtering audio files. Here is an example of how to record using FFMPEG. We call FFMPEG specifying the audio input system as the FFMPEG input, and then specify a file to output to. 38 # Record audio. ffmpeg -f pulse -i default ff.flac 39 Press 'q' to stop. This uses pulse audio on Linux for input "-f pulse", and the default input "-i default". However, this does not specify the the sample rate or mono recording. To do that we need to add a few more parameters as in the following 40 ffmpeg -f pulse -i default -ac 1 -ar 44100 ff.flac 41 "-ac 1" specifies mono output "-ar 44100" specifies 44.1 khz bit rate. 42 Playback with FFMPEG - The Basics FFMPEG can also play back music. In this case however we need to call the "ffplay" program rather than FFMPEG itself. To play an audio file, simply call ffplay and give it the name of the audio file as an argument to the command. For example: 43 # Play an audio file. ffplay podcast.flac 44 We can also call it with the "autoexit" option, which tells ffplay to automatically exit when the audio file has finished playing. ffplay -autoexit ff.flac 45 -autoexit means Exit when the audio file is done playing. 46 To exit in the middle of the recording, press "q' or ESC. To pause the playback, press "p" or space bar. To decrease the volume press "9" or "/". To increase the volume press "0" or "*". 47 To seek forward 10 seconds, press the right cursor button. To seek backward 10 seconds, press the left cursor button. To seek forward 1 minute, press the up cursor button. To seek backward 1 minute, press the down cursor button. 48 The "0" and "9" keys mentioned above are those on the top row of the keyboard, not the ones on the separate numeric pad. 49 While the recording is playing, a graphical window will open which shows a cascading waveform based on the current content. This is purely decorative and does not serve any particularly useful purpose. -------------------- #!/bin/bash # Record a podcast episode segment. # Get the next file name. # First we check if any matching file patterns exist. If they don't, # then we create the first one starting counting at 1. fcount=$( ls [0-9][0-9].flac 2>/dev/null | wc -l ) if (( $fcount < 1 )); then fname="01.flac" else # If there are any matching file patterns, we find the highest number # and increment it by 1. filenum=$( ls [0-9][0-9].flac 2>&1 | cut -d. -f1 | sort | tail -1 ) newfilecount=$(( 10#$filenum + 1 )) fname=$( printf "%02d.flac" $newfilecount ) fi echo "Recording to: $fname" # Record using ffmpeg. # This makes use of pulse audio and the input is the default audio input. # The sample rate is set to 44.1 kHz, and it is recorded as mono (1 channel). ffmpeg -f pulse -i default -ar 44100 -ac 1 $fname echo "Recorded audio to: $fname" # Report on basic information about the audio file that was just recorded. ffprobe -hide_banner $fname -------------------- 50 Sox - Not so Good I did not find the recording or playback features of Sox to be as useful as those of FFMPEG, so I won't bother to cover them here. -------------------- 51 Getting Information About an Audio Recording There are also command line tools which can be used to retrieve information about audio recordings. 52 FFMPEG Version With FFMPEG this is called "ffprobe". For example: 53 ffprobe hpr4566.mp3 54 This will print out a lot of information about FFMPEG itself. To skip that use the hide_banner option. 55 ffprobe -hide_banner hpr4566.mp3 56 This will print out information about the audio recording. This will include things like the duration, bit rate, sample rate, stereo or mono, etc. If the author added metadata tags to the file, it will also show those. HPR add things like the title, author, copyright license, comment, etc. You can extract the ones you want using something like grep and cut. 57 Sox Version Sox has a similar feature, called "soxi". 58 soxi ff.flac 59 However, it may not work on mp3 files if you do not have an mp3 handler for it installed. -------------------- 60 Conclusion In this episode we took a brief look at an example of how to solve an audio problem through filtering. We looked at how to use Audacity to find where the problems were. We then looked at how to apply filters to remove these sources of noise. We also looked at how to record podcasts and get information about audio files using command line tools. 61 In the next episode we will look at alternatives to Audacity for analyzing audio. While Audacity works just fine, this is an opportunity to have a bit fun with some gratuitous hackery. 62 This has been the third episode in a four part series on simple podcasting. -------------------- -------------------- Full Audio Processing Pipeline This version includes the special filters used to fix my headset problems. Use the version from the previous episode if you do not have the same audio hardware problems. #!/bin/bash # Full processing pipeline for making simple podcasts. # ====================================================================== # Concatenate multiple flac files into a single flac file. # This is used to combine podcast recorded segments into a single # flac file for uploading to HPR. concataudio () { outputname="$1" # First create the list file. printf "file '%s'n" [0-9][0-9].flac > podseglist.txt # Now concatenate them ffmpeg -f concat -safe 0 -i podseglist.txt "$outputname" rm podseglist.txt } # ====================================================================== # Basic and advanced filters. filter () { inputfile=$1 outputname=$2 # Using ffmpeg. # The high and low pass filters. hlpfil="highpass=f=80, lowpass=f=12000" # Band reject filters filter for 60Hz and another for 50Hz. linefil="bandreject=f=60:width_type=h:w=20, bandreject=f=50:width_type=h:w=20" # Create a series of band reject filters, from 1 kHz to 11 kHz. ftemplate="bandreject=f=%s000:width_type=h:w=100" kilospikefil=$( seq 1 11 | xargs printf "$ftemplate," ) # Using ffmpeg ffmpeg -i $inputfile -af "$hlpfil, $linefil, $kilospikefil" $outputname } # ====================================================================== # De-Essing. deessing () { inputfile=$1 outputname=$2 option=$3 # De-essing filter. ffmpeg -i $inputfile -filter_complex "deesser=i=0.5:m=0.5:f=0.5:s=$option" -b:a 336k -sample_fmt s16 $outputname } # ====================================================================== # Normalizing the audio to EBU R128 standard for review using ffmpeg. normffmpeg () { inputfile=$1 outputname=$2 # Normalize to EBU R128 standard. ffmpeg -i $inputfile -af loudnorm=I=-17:TP=-2.0:LRA=4.0 -ar 44.1k $outputname } # ====================================================================== # Output an MP3 version to help with reviewing. mp3convert () { inputfile=$1 # Get the name of the file and then create the output file name. j=$( basename $inputfile ".flac" ) outputname="$j"".mp3" # Convert to MP3. ffmpeg -i $inputfile $outputname } # ====================================================================== # Concatenate the separate audio files. concataudio fullpod-unfiltered.flac # Basic filtering. filter fullpod-unfiltered.flac filtered.flac # De-essing. This is the version to send for publishing. # The third argument should be "o" for de-essing, or "i" for pass through without de-essing. deessing filtered.flac fullpod.flac o # Normalized for review. normffmpeg fullpod.flac fullpod-norm.flac # Output an MP3 copy for review. mp3convert fullpod-norm.flac -------------------- -------------------- Provide feedback on this episode.
Avec les invitées : - Christine Debray, jeune retraitée, tu as été déléguée au numérique responsable au Ministère de la Culture - Camille Pène, Co-fondatrice du collectif Les Augures, tu accompagnes les organisations culturelles dans leur transition écologique - Romane Clément, Co-fondatrice de l'agence d'Innovation et de design Ctrl S qui accompagne entreprises et secteur public dans leurs stratégies numériques plus soutenables. Au sommaire : - Poursuivre en justice un vendeur informatique - Transition écologique dans le monde de la culture et comment mettre en action les organisations - Quels sont les enjeux environnementaux et sociaux du numérique pour l'administration publique et comment y remédier ? - Les Augures et l'Augures Lab - Quels sont pour toi les défis d'un numérique plus soutenable dans le domaine culturel en tant que designer ? - À l'heure des enjeux géopolitiques pregnants et des relations qui se tendent, comment les sujets de numérique responsable rejoignent des enjeux de cybersécurité, de souveraineté et de résilience ? - Quels sont les prochains défis écologiques auxquels les institutions et acteurs culturels devront faire face ? En savoir plus - Stratégie numérique responsable du ministère de la Culture : https://www.culture.gouv.fr/thematiques/transition-ecologique/strategie-numerique-responsable-du-ministere-de-la-culture - Le dispositif Augures Lab : https://www.culture.gouv.fr/thematiques/transition-ecologique/le-dispositif-augures-lab-un-programme-pour-un-numerique-responsable-dans-la-culture) - Les Augures : https://lesaugures.com/
For the past few years, Microsoft has basically carried the carbon removal industry on its shoulders. The software company has purchased 72 million tons of carbon removal, more than 40 times what any other organization has financed, according to third-party sources.Now it's pulling back. As we reported last week, Microsoft has told suppliers and partners that it's pausing new purchases. Though the company says that its program “has not ended,” even a temporary pullback will have significant implications for the nascent carbon removal industry. What happens next for these companies? And is a bloodbath on the way? On this week's episode of Shift Key, Rob speaks to Jack Andreasen Cavanaugh from Columbia University's Center on Global Energy Policy about Microsoft's singular importance and what could come next.Shift Key is hosted by Robinson Meyer, the founding executive editor of Heatmap News.You can find a full transcript of the episode here.Mentioned:Our initial Friday story: Microsoft Is Pausing Carbon Removal PurchasesJack's take: The Private Sector Built the Market, Time for Us to Scale ItHeatmap's Emily Pontecorvo on Ctrl-S, the startup trying to save CDR intellectual property--This episode of Shift Key is sponsored by ...Lunar Energy is building the technology to turn homes into active participants in the power system. Learn more about Lunar's vision of the future at lunarenergy.com.Music for Shift Key is by Adam Kromelow. Hosted on Acast. See acast.com/privacy for more information.
8 grudnia 2025 na Gali Kursory Roku, stanęłam na scenie z prelekcją, która była dla mnie najtrudniejsza w całej mojej historii wystąpień. Nosiłam ją w sobie długo. Bardzo długo.W grudniu minęło dokładnie 10 lat od momentu, gdy założyłam Jestem Interaktywna. Przez te lata wiele osób widziało efekty: projekty, konferencje, społeczności, liczby, sukcesy.Ale mało kto widział to, co jest pod powierzchnią.Ta prelekcja nosi tytuł:„Ctrl + S: zapisane lekcje po 10 latach w sieci”.To opowieść o górze lodowej. O decyzjach, które bolały. O momentach zwątpienia, odpowiedzialności, samotności, zmęczenia. O hejtach, przez które prawie zamknęłam działalność. O tym, czego nie widać na Instagramie, w podsumowaniach roku ani w statuetkach.Na Gali wiele osób płakało. Ja też. Dziś ta prelekcja jest już dostępna jako podcast, żebyś mogła posłuchać jej w swoim tempie i w ciszy.Udostępniam ją nie bez powodu. Paczka GIRLBOSSKICH powstała właśnie po to, żeby nie iść przez ten proces w pojedynkę. Żeby budować markę, która zarabia, ale bez udawania, że zawsze jest lekko.Żeby mieć przestrzeń na ambicję, rozwój, projekty… i na momenty, kiedy pod górą lodową jest po prostu ciężko.Jeśli czujesz, że ta historia z Tobą rezonuje, to możesz dołączyć za 9 zł na pierwszy miesiąc i sprawdzić, czy to miejsce jest dla Ciebie.
Les pratiques du design sont mobilisées pour relever des enjeux de transformation, autant dans le domaine privé que public. Cependant, il convient de tenir compte d'un contexte plus global : celui des crises sociales, politiques, économiques et environnementales en cours. Le terme “anthropocène” désigne l'ère géologique au sein de laquelle l'activité humaine influence son environnement. Si l'anthropocène est “l'ère de l'être humain”, le “capitalocène”, désigne l'ère du capitalisme. Une dénomination plus à même de refléter la complexité de ces questions. Afin d'explorer le rôle du design et les modalités de réponses qu'il propose, ce cycle d'épisodes est consacré aux enjeux de transformation, par le design. Le premier épisode explore la posture du design face au capitalocène. Comment comprendre le capitalocène du point de vue du design ? Quelles sont les responsabilité du design au sein de ce système ? Comment relever les défis qui en découlent ? Nos invité•es Marie-Cécile Godwin est designeuse indépendante en UX et design critique. Elle intervient également en tant que professeure à l'école Strate Design Lyon et tente de déconstruire le design moderne en incluant les limites planétaires. Florian Guillanton est UX designer, co-fondateur du studio Ctrl S. L'agence œuvre pour un numérique responsable et travaille principalement pour des projets publics. Au sommaire de cet épisode Chapitre 1 : nous définissons le capitalocène et questionnons la responsabilité du design en son sein. Chapitre 2 : nos invité•es évoquent des projets auxquels ils et elle ont contribué en lien avec une transformation des pratiques de design. Chapitre 3 : nous interrogeons la posture à adopter face au système capitaliste. Cet épisode a été réalisé par Juliette Marie et Naëlle Frega avec l'aide de Anthony Adam. Les voix off sont de Zoé Pasquier.
יש ארכיון דיסקים והדיסקטים (שחר: יעני תא הכפפות באוטו? אהוד - לא, הפאוץ' הזה שמלבישים על המגן שמש). וגם פעם היה צ'יינגר באוטו בבגאז' והרגשת כמו קינג. או צ'יינג'ר של 3 דיסקים במערכת של aiwa, שהיה אפשר להחליף בהם דיסקים, בזמן שאחד מנגן. וגם איך אהוד פעם כמעט קנה 100 דיסקטים בדולר, וגם פרץ קופסאות דיסקטים, ובכלל אייטם נוסטגליה על היותנו חטיארים. לרלרת אתם חייבים לשמוע את אלבום הפאנק של שוגר זאזא ורון מיניס "למה אני חי?" https://bit.ly/3hdWyU3 עם להיטים כמו אם יש SEEN אז למה ת'לא עונה?, אבוקדו האם אתה בשל ומה אתה שולח לי JPG מה אתה ילד? ואיך אפשר בלי שלאגר השאנטי שנקרא למה לא עשיתי CTRL-S? ומיד אחריו "הלוואי הייתי עושה CTRL-S?" בפרק שחר ציין בטעות שהשיר המקורי הוא Wellerman, הכוונה הייתה לשיר Old Maui. לשיר זה יש כמה ביצועים יחסית מודרניים מהמאה האחרונה, המפורסם שבהם הוא של Stan Rogers ולאחרונה גם The Longest Johns. גם Sean Dagher עשה עליו פרק בתוכנית היוטיוב השבועית שלו Shanty Of The Week. יש צ'טבוט חדש. האם הטרלנו אותו? ברור שכן. https://twitter.com/ehudk/status/1599445961498980352 אהוד חגג יום הולדת של "זו שקית טובה, חבל לזרוק" שנים. הוא גם חגג את יום ההולדת שממנו אפשר להגיד בגילי". המעצבת הזו עשתה משהו מדהים בשיפוץ הבית הזה: היא בו זמנית הרימה לעצמה והוכיחה כמה שהיא לא טובה בעבודה שלה. ההורים של שחר לעומת זאת עיצבו את הכל בעצמם ושכרו קבלן ופועלים והבית היה מוכן בדיוק בזמן הזמן.https://www.ynet.co.il/architecture/article/hjffhoqli הקיץ של ה-VR https://twitter.com/ehudk/status/1599480062964690944 המלצה בדקה - אהוד: מסעדה בשם "הגן הטבעוני", שיש שם אחלה ברוסקטה, נאגטים של סויה, פיצה, ניוקי וריזוטו טבעוניים ודי טעימים. שחר: הדוקומנטרי העצמאי של האיש שלקח את ההורים שלו לברנינג מן https://www.youtube.com/watch?v=6CYCw7WSNNQ
Esteja consciente de todas as suas ações, de todos os pensamentos que passam por sua mente, de todos os desejos que se apoderam de ti. - Osho Estar consciente de si mesmo é um grande desafio. Parece simples, mas não é! Nossa mente agitada e barulhenta não é uma grande aliada nessa questão. Tendemos a caminhar pelo vale da inconsciência, realizando ações automáticas como a querer demonstrar nossa agilidade e destreza em realizar inúmeras atividades ao mesmo tempo. Estamos conscientes das nossas realizações? Talvez você possa dizer que sim, mas não. Essa não é uma realidade que vivemos. Osho em um breve texto: Torne-se Mais Consciente e Menos Inconsciente, diz: Esta é a beleza da consciência: aquilo que é certo é reforçado através dela. Aquilo que é errado é destruído através dela. A consciência funciona como energia vital para o que é bom e como energia mortal para o que é mau. A consciência funciona como uma benção para o bom e uma maldição para o mau. Se você perguntar a minha definição para pecado, esta é minha definição: o que pode ser feito com consciência plena não é pecado; o que não pode ser feito com consciência plena é pecado. Ou aquilo que somente pode ser feito em inconsciência é pecado, e aquilo que somente pode ser feito em consciência é virtude. Então esqueça a respeito de pecado e virtude. Lembre-se de consciência, inconsciência… Todo o ponto de evolução está entre consciência, inconsciência. Torne-se mais consciente e menos inconsciente. Traga sua energia para ser mais ardente com consciência, isso é tudo.” Osho, Yoga: The Path to Liberation, Capítulo #2 Então para superar a inconsciência precisamos de estar consciente de nós mesmos. E como podemos fazer isso? Para responder a essa pergunta eu trago um outro texto que nos fala: Seja Consciente de Si Mesmo Texto Completo - https://bit.ly/ep144sejaconscientedesimesmo O Podcast Café com Osho é apresentado e produzido por Alexandre Abreu e tem o apoio do Núcleo de Estudo Sapienza. Uma inciativa para que todos possam ouvir e refletir as mensagens das cartas do Tarot Zen do Osho, Osho -Tarô da Transformação bem como outros textos que nos auxiliam na busca do autoconhecimento. Acompanhe as publicações pelo Spotify, Podcast Addict, Apple Podcast ou Google Podcast — Acesse — https://linktr.ee/cafecomosho Assinando o podcast você receberá as atualizações em seu player Instagram como @cafecomosho Grupo Telegram t.me/cafecomosho Créditos - Musicas Licenciadas Late Bloomer by CTRL S (https://artlist.io/song/108999/late-bloomer---instrumental-version) Tales of the Mind por Yonatan Riklis - https://artlist.io/song/112356/tales-of-the-mind --- Send in a voice message: https://podcasters.spotify.com/pod/show/cafecomosho/message
Emma Blake is, musically, something of a nomad. She made her name—Solid Blake—that is, in Copenhagen, where she cofounded the influential Apeiron Crew alongside Mama Snake and Smokey. They were responsible in establishing the city's "fast techno" sound, which blended sleek techno and trance influences into something colourful and retro-futuristic. But Blake's side of things was always more rooted in electro, with a party-starting flair that you might be tempted to pin to her Glaswegian upbringing. (Her first release, Mario, came out on the label of the legendary Glasgow taps-aff basement nightclub La Cheetah.) And she's also spent time in Berlin, so she has those techno bona fides, too. Another EP, released on Modeselektor's Seilscheibenpfeiler, further fleshed out her electro-techno hybrid sound, also explored in her Historical Repeater project with Danish artist Ctrls. DJing has been her major focus, though—she has an excellent Rinse FM show—and you'll hear a refined approach on her excellent RA Podcast, which is like a club set in miniature, starting out midtempo and rushing towards a heady climax with tracks like Pariah's "Squishy Windows." It's loaded with creative grooves, toothsome textures and the kind of sleek melodies that helped define her stint in Copenhagen since the beginning. @solid_blake Read more at https://ra.co/podcast/873
C'est déjà le troisième épisode de la saison 3 de l'Octet Vert, et il était grand temps que j'invite une femme au micro. Romane a 25 ans (et je lui souhaite toutes ses dents aussi). Avec elle, on parle de vélo (un peu, obligé), mais surtout décarbonation du numérique, car c'est là dedans qu'elle s'est engagée. Là où beaucoup d'entreprises vont faire du conseil pour décarboner une entreprise puis une autre puis une autre, Romane et la belle équipe de Ctrl-S (prononcer "Control S") voit différemment et plus grand : et pourquoi ne pas décarboner un secteur tout entier ? Et c'est ainsi que Ctrl-S, en partenariat avec l'association Les Augures s'attelle au problème, avec derrière la tête de faire de même pour d'autres secteurs économiques dans le futur. Romane nous explique aussi comment elle a fait la promotion du vélo à la télévision, (avec un plot twist digne des meilleures productions audiovisuelles), comment elle a obtenu gain de cause en justice face au constructeur de son PC qui l'a lâché trop tôt et comment elle a inventé le concept de "pré-burnout", ce moment où en tant qu'étudiant, te sentant sur des rails fonçant vers un bullshit job, "tu sens que ça ne va pas le faire". Ah, il faut aussi dire que la dame répare les smartphone de tout son entourage pour les faire durer plus longtemps et ainsi réduire leur empreinte carbone ! Elle m'a montré son antique iPhone 6S, au début j'ai cru que c'était l'enfant naturel de Sylvester Stallone sous botox et du monstre de Frankenstein... (désolé pour l'image mentale ainsi induite). Bref, des anecdotes, du sourire à la pelle, une vie qui s'oriente vers un job éthique avant même d'avoir fini ses études, et un épisode qui vient titiller les 35 minutes. C'était tellement bon qu'avec l'ami Bilook de BisouProd (c'est lui qui fait le montage et la musique de l'Octet Vert), on s'est fait plaisir et on a sorti deux vidéos pour l'occasion : Un teaser de 5 mn qui raconte comment nous sommes allés enregistrer l'épisode (spoiler : à vélo, forcément !) ; Une version vidéo intégrale de l'épisode (oui, c'est une première pour l'Octet Vert !). Laissez des commentaires sur les plateformes si ça vous plaît, qu'on sache si ça vaut le coup de continuer ou pas. Les bonnes lectures de Romane Clément : Technologies partout, démocratie nulle part d'Irénée Régnauld et Yaël Benayoun — aussi sur Place des libraires ; Le Meilleur des mondes d'Aldous Huxley ; Bonus pas mentionné dans l'épisode mais proposé par Romane : la pièce de théâtre Coupures de Paul-Eloi Forget et Samuel Valensi.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.27.514043v1?rss=1 Authors: Tays, G., Hupfeld, K., McGregor, H., Beltran, N., Kofman, I., DeDios, Y., Mulder, E., Bloomberg, J., Mulavara, A., Wood, S., Seidler, R. Abstract: Altered vestibular signaling and body unloading in microgravity results in sensory reweighting and adaptation. Microgravity effects are well-replicated in head-down tilt bed rest (HDBR). Artificial gravity (AG) is a potential countermeasure to mitigate effects of microgravity. We examined the effectiveness of daily AG for mitigating brain and/or behavioral changes in 60 days of HDBR. One group received AG for 30 minutes daily (AG; n=16) and a control group spent the same time in HDBR but received no AG (CTRL; n=8). All participants performed a sensorimotor adaptation task 5 times during fMRI scanning: twice prior to HDBR twice during HDBR, and once following HDBR. The AG group showed similar behavioral adaptation effects compared with the CTRLs. We identified decreased brain activation in the AG group from pre to late HDBR in the cerebellum for the task baseline portion and in the thalamus, calcarine, cuneus, premotor cortices, and superior frontal gyrus in the AG group during the early adaptation phase. The two groups also exhibited differential brain-behavior correlations. Together, these results suggest that AG may result in a reduced recruitment of brain activity for basic motor processes and sensorimotor adaptation. These effects may stem from somatosensory and vestibular stimulation from AG. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC
Don't let @solid_blake's diminutive stature fool you: she plays with a ferocity and precision that flips Europe's most tasteful dance floors inside out. Born in Glasgow but operating out of Copenhagen, she was a founding member of the Apeiron Crew DJ collective, has produced as Historical Repeater with Ctrls and often plays with Mama Snake as she did at our own festival a few years ago. Her Rinse FM radio show is always packed with new sounds that have you desperate to find out more, as is this week's mix. It's built on bold, body-shaking rhythms that are elastic and acrobatic. They're loose and roomy to start before the kinetic energy builds through jungle cuts, thumping deep techno and unhinged club music. Though squarely aimed at the dance floor, these selections are detailed with freaky monologues or wild vocalisations that bring them to life outside the club. They're both deep but lively and run through with a subtle sense of party-starting fun.
Our first premiere of the week comes from Ctrls on DJ Stingray's imprint, Micron Audio. Ctrls experiments electro and bass heavy tracks on this release to great effect. The Danish producer unpicks the deepening complexity brought on by our pervasive digital lives. The Ctrls project came to life in 2012 and the Danish artist immediately made his mark on the techno scene. His fast paced and futuristic techno based sound has now been well established with a stream of respected music on labels such as Token Records, Earwiggle, and Key Vinyl. The Danish artist has held it down at a number of high-profile venues throughout the world, including Tresor, Fold, Berghain, Khidi, Fabric, Kit Kat, Fold, and Club Drugstore, as well as a residency at Ved Siden Af, Copenhagen's purest electronic dance music club. For his next release the formidable techno artist releases on DJ Stingray's imprint Micron Audio as it opens its doors to an external artist for the first time. Across four tracks, the Danish producer unravels a dark and funky electro core, taking inspiration from the rapidly intertwining codependence between technology and society. As digital twins, metaverses or humanoid robots lodge themselves deeper into our surroundings, Ctrls unpicks the deepening complexity brought on by our pervasive digital lives. Encouraged by Micron Audio boss Stingray to delve into the darker productions as a means of exploring a contemporary electro sound, Ctrls fixes a hypnotic heft with fresh industrial sound. ‘Subroutines' is a dark and heavy bass exploration, as Ctrls experiments with sub heavy drums and glitchy synths. Alarming drones play off inky reverb swells. Ctrls captures a cataclysmic atmosphere with profound groove. SC: https://soundcloud.com/ctrls IG: https://www.instagram.com/_ctrls/ FB: https://www.facebook.com/controeller Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/
2021-07-06 Weekly News - Episode 110Watch the video version on YouTube at https://youtu.be/DCyA2nSjtrc Hosts: Gavin Pickin - Senior Developer for Ortus SolutionsEric Peterson - Senior Developer for Ortus SolutionsThanks to our Sponsor - Ortus SolutionsThe makers of ColdBox, CommandBox, ForgeBox, TestBox and almost every other Box out there. A few ways to say thanks back to Ortus Solutions: Like and subscribe to our videos on YouTube. Sign up for a free or paid account on CFCasts, which is releasing new content every week Buy Ortus's new Book - 102 ColdBox HMVC Quick Tips and Tricks on GumRoad (http://gum.co/coldbox-tips) Patreon SupportWe have 38 patreons providing 100% of the funding for our Modernize or Die Podcasts via our Patreon site: https://www.patreon.com/ortussolutions. If you love our podcasts and all we do for the #coldfusion #cfml community considers chipping in, we are almost there!https://www.ortussolutions.com/blog/we-need-your-help News and EventsFusionReactor 8.7.2 releasedJust a quick note to report that FusionReactor 8.7.2 has been released, on July 5 2021. You can see the changes (new features/improvements) and bug fixes (there are just several rather modest ones this release) in the release notes doc for all FR 8 versions.https://www.fusion-reactor.com/support/kb/frs-456/ ICYMI - Lucee 5.3.8 ReleasedThis has been a very long release cycle, a massive thank you to everyone who has been helping us test and address regressions and performance problems…We have done a lot of work in 5.3.8 to optimise memory usage, the main two areas being improved was the template cache handling and parallel functionality.Highlights: structValueArray Array methods: shift(), unshift(), push(), pop(), splice() Reevaluate performance of locking overhead in pc.initApplicationContext() for every request Query of Query performance is very bad and single threaded for complex SQL https://dev.lucee.org/t/new-stable-release-5-3-8-189/8484ICYMI - Ortus Webinar for June - Eric Peterson - Topic - Build a Blog in 30 minutes with QuickWednesday, June 30th at 11:00 AM CTIn this webinar, Eric will: give us an overview of ColdBox and Quick, give us reasons why we would use this library, he'll show us an example app to explore how it works and we'll have tons of live coding!Webinars Page: https://www.ortussolutions.com/events/webinars Recording: https://cfcasts.com/series/webinars-2021/videos/eric-peterson-on-how-to-build-a-blog-in-30-minutes-with-coldbox-and-quick Reminder - State of the CF Union SurveyHelp us find out the state of the CF Union – what versions of CFML Engine do people use, what frameworks, tools etc. We will share the summary results with everyone who completes the survey so that you can see how you compare with other CF developers.Spread the news so we can get as many responses as possible.https://teratech.com/state-of-the-cf-union-2021-survey CFCasts Content Updateshttps://www.cfcasts.com Just Released Object-Oriented Programming with Nolan Erck (https://cfcasts.com/series/oop-series) NOW WITH CAPTIONS! Clean Code Code Smells Intro to Refactoring Don't forget - the first 4 videos in this series are FREE Up and Running with Quick - Quick Workshop Series Coming this weekObject-Oriented Programming with Nolan Erck (https://cfcasts.com/series/oop-series) CFC Docs with DocBox for Documentation Coding Guidelines and CFFormat Last videos of the series. Coming up soon More What's new with ColdBox 6 More What's new in qb 8 More Using DocBox LogBox 101 Send your suggestions at https://cfcasts.com/supportConferences and TrainingInto the Box 2021 - live in Person in Texas.September 23rd and 24th.No workshops this year.Call for speakers coming this week now we know we're in person.Deadline for Call for Speakers June 30 - so submit ASAP - https://docs.google.com/forms/d/e/1FAIpQLScXkZe7W-frEV5M4Id28Cz0wSr7meyJQfOnYEXgj7lzhcEA6g/viewformhttps://intothebox.orghttps://itb2021.eventbrite.comITB Latam 2021 - live in personDecember 2nd or 3rd 2021 (confirming dates asap)More conferencesNeed more conferences, this site has a huge list of conferences for almost any language/community.https://confs.tech/CFML is now on the list - https://confs.tech/conferences/new Into the Box PR - https://github.com/tech-conferences/conference-data/pull/3617Blogs, Tweets and Videos of the WeekBlog - Ben Nadel - Using The Directory Attribute To Invoke CFExecute From A Working Directory In Lucee CFML 5.3.8.189At InVision, I generate a lot of ZIP files using the CFExecute tag and the zip command-line utility. And, in most cases, I need to execute that zip CLI from a "working directory" in order to maintain the input directory's local folder structure. Historically, I've had to execute the zip command through a proxy command in order to use a working directory. However, with the release of Lucee CFML 5.3.8, the CFExecute tag now has a directory attribute! I'm super excited about this; so, I wanted to take a quick look at how it works.https://www.bennadel.com/blog/4074-using-the-directory-attribute-to-invoke-cfexecute-from-a-working-directory-in-lucee-cfml-5-3-8-189.htmBlog - Julian Halliwell - Copying Windows file permissions in LuceeThere is a currently unresolved regression bug in Lucee affecting file uploads, which is worth being aware of.When you upload a file using Lucee it isn't saved directly to the destination path, but is first stored in the server's GetTempDirectory() location before being moved to where you've specified it should be.Having this intermediate step is a sensible security measure as it allows the OS to detect viruses before the file is placed anywhere it might do damage.https://blog.simplicityweb.co.uk/126/copying-windows-file-permissions-in-lucee Blog - Nerd Vision - Java and ColdFusion variablesAt NerdVision we are always open to your feedback, and we want to make NerdVision the best it can be for you! Recently we received some feedback about how we were presenting variables from our Java agent (which is also used for ColdFusion, Groovy, Scala and Kotlin). We are excited to announce a change has been released that addresses this feedback and changes the way some variables are displayed from these environments. Specifically, we have changed the way maps are processed in the agent to handle simple keys in a more intuitive manner.https://www.nerd.vision/post/java-and-coldfusion-variables Blog - Charlie Arehart - FusionReactor 8.7.2 releasedJust a quick note to report that FusionReactor 8.7.2 has been released, on July 5 2021. You can see the changes (new features/improvements) and bug fixes (there are just several rather modest ones this release) in the release notes doc for all FR 8 versions.If you may lose track of that link, note that a link to it is also offered on the FR downloads page, where it appears as a "release notes" link in the blue banner shown above the available downloads.https://www.carehart.org/blog/client/index.cfm/2021/7/6/fusionreactor_8.7.2_released Blog - Charlie Arehart - Proposal: cached queries should have “fromCache” and “wasCached” indicatorsIf you've used CF's query caching features, you almost surely know that when you run a query (or stored proc call) that uses cachedwithin or cachedafter, there will be a “cached” indicator in the resulting query metadata (if you dump it), or the debug output (if you've enabled it), or the RESULT struct (if you named one for the query).And that's always indicated (true or false) whether the result of the query result came from the query cache or not.But the phrase “cached” is actually misleading, as it can be interpreted (especially by a newcomer to query caching) to indicate “whether the query WAS cached” (its results saved TO the query cache). That's NOT its current purpose, of course.https://coldfusion.adobe.com/2021/07/proposal-cached-queries-fromcache-wascached-indicators/ CFML JobsSeveral positions available on https://www.getcfmljobs.com/Listing over 147 ColdFusion positions from 67 companies across 100 locations in 5 Countries.4 new jobs listed this weekFull-Time - Sr Software Engineer/ColdFusion Developer (Remote) at Reston.. - United States Posted Jul 03https://www.getcfmljobs.com/jobs/index.cfm/united-states/Sr-Software-EngineerColdFusion-Developer-Remote-at-Reston-VA/11294 Full-Time - Sr Software Engineer/ColdFusion Developer (Remote) at Reston.. - United States Posted Jul 03https://www.getcfmljobs.com/jobs/index.cfm/united-states/Sr-Software-EngineerColdFusion-Developer-Remote-at-Reston-VA/11293 Full-Time - Coldfusion Developer at Texas - United States Posted Jul 02https://www.getcfmljobs.com/jobs/index.cfm/united-states/Coldfusion-Developer-at-Texas/11292 Full-Time - Coldfusion Developer at Bengaluru, Karnataka - IndiaPosted Jul 01https://www.getcfmljobs.com/jobs/index.cfm/india/Coldfusion-Developer-at-Bengaluru-Karnataka/11291 Ortus Jobshttps://www.ortussolutions.com/about-us/careers Senior ColdFusion CFML Developer (USA TEAM) Desarollador Web (EL SALVADOR TEAM) ForgeBox Module of the WeekCommandBox FusionReactorThis module adds support to enable FusionReactor on the servers you start inside CommandBox.For full docs on this module, go here:https://commandbox.ortusbooks.com/embedded-server/fusionreactor https://www.forgebox.io/view/commandbox-fusionreactor VS Code Hint Tips and Tricks of the WeekSave / Auto SaveBy default, VS Code requires an explicit action to save your changes to disk, Ctrl+S.However, it's easy to turn on Auto Save, which will save your changes after a configured delay or when focus leaves the editor. With this option turned on, there is no need to explicitly save the file. The easiest way to turn on Auto Save is with the File > Auto Save toggle that turns on and off save after a delay.https://code.visualstudio.com/docs/editor/codebasics#_save-auto-save Thank you to all of our Patreon SupportersNew Supporter: Dean MaunderNew Top Supporter: John Wilson - SynaptrixThese individuals are personally supporting our open source initiatives to ensure the great toolings like CommandBox, ForgeBox, ColdBox, ContentBox, TestBox and all the other boxes keep getting the continuous development they need, and funds the cloud infrastructure at our community relies on like ForgeBox for our Package Management with CommandBox. You can support us on Patreon here https://www.patreon.com/ortussolutions Bronze Packages and up, now get a ForgeBox Pro and CFCasts subscriptions as a perk for their Patreon Subscription. All Patreon supporters have a Profile badge on the Community Website All Patreon supporters have their own Private Forum access on the Community Website Our Patreons John Wilson - Synaptrix Don Bellamy Eric Hoffman David Belanger Dean Maunder Gary Knight Giancarlo Gomez Jonathan Perret Mario Rodrigues Jeffry McGee - Sunstar Media Yogesh Mathur Joseph Lamoree Ben Nadel Brett DeLine Carl Von Stetten Charlie Arehart Dan Card Daniel Garcia Didier Lesnicki Edgardo Cabezas Jan Jannek Jason Daiger Jeff McClain Jeremy Adams Jonas Eriksson Jordan Clark Kai Koenig Laksma Tirtohadi Leon Seremelis Matthew Darby Matthew Clemente Mingo Hagen Patrick Flynn Ross Phillips Scott Steinbeck Shawn Oden Stephany Monge Steven Klotz You can see an up to date list of all sponsors on Ortus Solutions' Websitehttps://ortussolutions.com/about-us/sponsors ★ Support this podcast on Patreon ★
Lundi 3 mai 2021, les élèves de la classe de Frédéric Molina de l'école de Saint Michel L'Observatoire étaient en direct sur Reillann'Air pour interpréter deux histoires pressées de Bernard Friot en mode radio cousue main. C'est quoi la radio cousue main ? Bienvenue chez les radiocouturistes ! Ici on tricote de la radio avec ce qu'on a dans le studio… on bruit-colle avec nos bouches, nos oreilles, parfois quelques objets divers, en utilisant qu'un seul micro pour tous. Comme aux premiers temps de la radio, tout est joué direct, sans montage, ni effets, sans Ctrl K, Ctrl Z, Ctrl S, Ctrl RHZPODHEHIZHDKHL… Bref sans ordi quoi. Des compositions improvisées pour quelques bouches, un micro et une enceinte quelque part ailleurs, peut être chez vous…? Cet atelier est animé par Chloé Sanchez avec la participation de la Miroiterie de Forcalquier, le Festival Numéro Zéro et l'APESMOLALA.
If you like the show so far and would like to support us, we’d be happy for you to sponsor a cup of coffee! Season 3 is a wrap! We are a little late with this one but you know what they say: “Better late than - what? You forgot to hit Ctrl+S??? F**k!!” A little SNAFU resulted in us losing an entire episode. But that’s ok! That just means you were never meant to hear that one :) Thank you to all of our listeners who continue to hang with us every week. Also a special thanks to our guests this season. We will be back in a few weeks, refreshed and recharged and hopefully with a couple of surprises. Happy Ēostre! Fun Facts: Easter Upper case / Lower case Media: Intro Outro Outro 2 IG / Twitter / Coffee Quote: “In all the world there are only two kinds of people - those who know and those who do not know.” - J. Krishnamurti
Prismacast is a series of audiovisual broadcasts signed by Prisma Techno, containing guest DJs presentations in beautiful locations around the world. TRACKLIST: 00:00:00 Wacko e Leedman - Retribution [Prisma Techno] 00:05:04 Routher, DV1SION - No Reality [Prisma Techno] 00:09:58 Andre Crom - Phoebe [Sleaze Recordings] 00:14:10 Chappier - The Magician I [Prisma Techno] 00:19:24 Affkt - Vertigo [Octopus Black Label] 00:25:15 Dogma (BR) - Under Dome [Prisma Techno] 00:31:10 Dellucht - Fly Away [Prisma Techno] 00:35:16 Aree - Six Degrees [Prisma Techno] 00:40:10 Cosmin TRG - Fret [Etruria Beat] 00:43:25 Carlos Pires, Hopper - Acid Heartcore [Prisma Techno] 00:48:50 Somoz - Persistance [Uxoa Dutxa Elite] 00:55:00 MOB e Gustavo Peluzo - Choices [Prisma Techno] 01:00:07 Ctrls, Kr!z - Comets [Token] 01:05:25 Waltervelt - Invisible Frequency [ELLUM] 01:10:10 Somoz - Human Power [Uxoa Dutxa Elite] 01:16:26 Mila Journée - The Magician III [Prisma Techno] RECORDING INFORMATION: Venue: Inferninho SC City: Joinville/SC, Brazil Artist: Kalmakorj Filming and Editing: Uze Music Credits: Clubber and Adriano Soul KALMAKORJ: Instagram: https://www.instagram.com/kalmakorj/ Facebook: https://www.facebook.com/Kalmakorj Soundcloud: https://soundcloud.com/kalmakorj PRISMA TECHNO: Website: https://www.prismatechno.com Instagram: https://www.instagram.com/prismatechno Facebook: https://www.facebook.com/prismatechno Youtube: https://www.youtube.com/prismatechno Mixcloud: https://www.mixcloud.com/prismatechno Soundcloud: https://www.soundcloud.com/prismatechno #kalmakorj #joinville #brazil #prismacast #prismatechno #melodictechno #hypnotictechno #esoterictechno #technoevolution #techno
From the dangerous part of the city of Montevideo, Uruguay in the late ’90s, William started his journey in music at the early age of 11 helping programming music and DJing for a pirate radio station. Since that moment, he never stopped to define his own style and taste of music while improving his technical skills. In 2009 he started to release his own productions under different monikers, releasing several works in digital and physical format. In 2017 things changed when the decision was made to focus exclusively on his new project called William Arist and also the launch of his own record label Perseverancia Records. Since then, he has played with artists such as Anastasia Kristensen, CTRLS, Adriana Lopez, Aleja Sanchez, Dax J, DVS1, Eduardo De La Calle, Ellen Allien, Kolpos, Mekas, Pfirter, P.E.A.R.L., Setaoc Mass, Vinicius Honorio and many more. His eclectic productions have seen his music land on a variety of labels such as Animal Farm (UK), DEAD CERT. Records (UK), Tauten (SRB), Abstraction (CUB), Liberta (UK), Knowledge Imprint (ZA) amongst others. His music has been supported by artists like Richie Hawtin, Charlotte de Witte, Joris Voorn, Truncate, Ben Sims, Cari Lekebusch, Tensal, Dave Clarke, Drumcomplex etc etc… -- 007: William Arist from Montevideo, Uruguay William Arist @ SoundCloud: https://soundcloud.com/williamarist William Arist @ Facebook: https://www.facebook.com/williamaristofficial
#DigitālāsBrokastis tehnoloģiju ziņu TOP 10 augšgalā šonedēļ: Dubaijā vīrs paceļas rekordaugstumā ar reaktīvo raķešu spārniem; Latvijā 1. reizi elektrokartinga čempionāts bērniem; Indiešu politiķis izmanto deepfake video vēlēšanu kampaņā. Tehnoloģiju ziņu topu šoreiz pasniedz Artis, Rihards un brokastu viesis Kaspars Salenieks no podkāsta “Ctrl+S”.
Petri Petro returns for his fourth spot on Bonzai Basik Beats, delivering a super tight set filled with a plethora of gems. An epic set is on the cards this week and you can enjoy the sounds of Jeff Rushin, Abstract Man, Henning Baer, Gel Abril, Nematic, Alex Randal, Gardens Of God, Larix, Wlack, Slam and many, many more. 1º Jeff Rushin - Ordinary People (Original Mix) 2º Concept of Thrill - Contrahant (Original Mix) 3º Abstract Man - Curiosity (Mike Parker Remix) 4º Phara - TTT (Original Mix) 5º Henning Baer - Code Buster (Original Mix) 6º Kas-st - Endless Exodus (Takaaki Itoh Remix) 7º Are_gone - This Is What Happens (Original Mix) 8º Ryogo Yamamori Panorama (Original Mix) 9º Gel Abril - Monsoon (Jeff Rushin Remix) 10º Nematic - Time Capsule (Original Mix) 11º Alex Randal - Unstableness (Original Mix) 12º Gardens Of God - Bek (Original) 13º H4L - Sahara Pump Theory (Original Mix) 14º Ctrls, Antigone - The Hardest Part (Original Mix) 15º Andre Buljat - Planets Aligned (Atoll Remix) 16º Larix - Ratio (Original Mix) 17º Wlack - Slvs (Original Mix) 18º Emil De La Cruz - Liquid Gas 19º UBX127 - Grids I (Original Mix) 20º Slam - Morass (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Petri Petro returns for his fourth spot on Bonzai Basik Beats, delivering a super tight set filled with a plethora of gems. An epic set is on the cards this week and you can enjoy the sounds of Jeff Rushin, Abstract Man, Henning Baer, Gel Abril, Nematic, Alex Randal, Gardens Of God, Larix, Wlack, Slam and many, many more. 1º Jeff Rushin - Ordinary People (Original Mix) 2º Concept of Thrill - Contrahant (Original Mix) 3º Abstract Man - Curiosity (Mike Parker Remix) 4º Phara - TTT (Original Mix) 5º Henning Baer - Code Buster (Original Mix) 6º Kas-st - Endless Exodus (Takaaki Itoh Remix) 7º Are_gone - This Is What Happens (Original Mix) 8º Ryogo Yamamori Panorama (Original Mix) 9º Gel Abril - Monsoon (Jeff Rushin Remix) 10º Nematic - Time Capsule (Original Mix) 11º Alex Randal - Unstableness (Original Mix) 12º Gardens Of God - Bek (Original) 13º H4L - Sahara Pump Theory (Original Mix) 14º Ctrls, Antigone - The Hardest Part (Original Mix) 15º Andre Buljat - Planets Aligned (Atoll Remix) 16º Larix - Ratio (Original Mix) 17º Wlack - Slvs (Original Mix) 18º Emil De La Cruz - Liquid Gas 19º UBX127 - Grids I (Original Mix) 20º Slam - Morass (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
How many expletives have you unleashed during the act of podcast editing. I’m guessing a lot. I still let them fly and I’ve been editing audio for almost three decades. Editing is no joke. It can be frustrating, time consuming and if you let it get to you, it can be the death of your podcast-affair. Lots of podcasters decide to edit their own podcast when they start out. And they should. I’m a firm believer that you need to understand the process if you are going to be a podcaster. And, if nothing else, it forces you to listen to your own podcast. Once you’ve done that, if you can afford to hire a professional, then definitely do. It will save a tonne of time and frustration (and maybe even your marriage). That really should be tip #1. Outsource your editing. That could be the only tip you need. Okay… I guess we’re done here. All right, if you insist on editing your own podcast - I have three really good tips that will save your bacon for sure. Tip 1 - Save Your Original File This is just good file hygiene. After your record, BEFORE you start editing, save the original file then copy it and work with the second file. I go over my actual file saving protocol in this episode but I can tell you that if you were to get a peek at my filing system, you would see in THIS episode folder 090-editing-tips_RAW and 090-editing-tips_EDIT. The RAW file is the original recording and it is sacred. I never touch it - except in an emergency and even then, that is only to duplicate it again. Tip 2 - Editing is a Two-Hander If you are only using one hand when you edit, you’re functioning at half-speed. That other hand can be working two. Don’t let half your work force slack off! I explain in this episode exactly what your two hand should be doing but I’ll give you a hint - it involves a mouse and a shortcut key. Tip 3 - Save Your Work Obsessively If you saw me editing, you’d think that I have OCD about saving. It’s automatic for me. I don’t wait until a break in the action, I save as I go. Constantly. And you should too. You never know when a power outage or some kind of computer gremlin will cut your session short. Saving as you go will save so much more than your work. I’m talking sanity, time, and money (that you won’t have to put in the swear jar!). Say it with me. Ctrl S, Apple S, Ctrl S. You don’t want creating your awesome podcast to become a total pain in the butt just because editing it is a nightmare that you dread. Use these super simple, sanity-saving editing tips to keep the podcast love alive (and your podcast too). Want to know what programs I use? Check out my Resources page. Still in the podcast gates and want to start right? Hit me up for free coaching call and let’s talk about your podcast-to-be. Click here to find a time that works for you.
Profesionālis un amatieri. Šoreiz “Cita Shēma" ciemos bija Dāvis Freibergs - aktīvs latviešu podkāsteris un satura mārketinga speciālists. Dāvis, darbojoties "paga ko", "Bize Vaļā" un "CTRL+S" podkāstos, varētu būt darbīgākais šajā lauciņā Latvijā. Parunājām, protams, par podkāstiem, par sociālo mediju paradumiem un sporta kultūru Latvijā.
This month on PoleGroup radio we are going to listen to a mix from Reeko, one of the members of the PoleGroup team. Reeko has prepared us a mix flowing from techno to electro, including tracks from Donato Dozzy, Surgeon, Cosmin TRG, CTRLS, Rhyw, Stefan Vincent, Tv.Out, Seleccion Natural, W1b0, Adapta and Meanad Veyl. You can see Reeko playing as "Seleccion Natural" together with Exium and Oscar Mulero, on march 22 in Barcelona at Razzmatazz, on april 21 in Amsterdam for Awakenings and on april 27 in London at FOLD, another date to highlight is on march 30 in Fabrik Madrid with a b2b together with Jonas Kopp, with whom he has released an EP on Semantica end 2018. Further on the releases side Reeko will release in march a re-edition of the track "the gravedigger and his bitch" track released for the first time in 2009, on his label Mental Disorder and he has a new release coming up on the Avian imprint around may this year Enjoy the listening and see you all next month on Polegroup radio. www.polegroup.net www.facebook.com/polegroup www.twitter.com/PoleGroup
目次 INDEXおすすめのコーナー編集後記収録環境 INDEX スマホがあればカーナビ不要 Excelで任意の文字があればセルの色を変える方法 考え中、離席するときはCtrl+Sでこまめに保存しよう 「イッピ」って何？い […]
Mais um lindo e maravilhoso Ctrl+S no ar hoje iremos falar sobre todas as loucuras que envolve dormir, com uma visão e colocação totalmente "Cássio" do assunto Dormir pra que ? Dormir pra que ? Se você conhece o Cássio mesmo que só um pouco sabe das suas dificuldades com o ato de dormir mesmo que seja um ato simples e comum do ser Humano Moderno, para o nosso Host e Narrador de protestos trabalhistas nas horas não é nada fácil ter uma noite de sono que já não se acorde exausto. Existem diversas coisas que poderiam explicar o cansaço do nosso lindo Host mas nada é tão complicado quanto a sua mente (Nem Froid Explicaria) mas nada que desanimaria ele a continuar o seu trabalho árduo sem ter um sonho não ao dormir mas na vida para realizar. LINKS Episodio sobre insonia Hey Fala Direito Não deixa de dar sua opinião Mande seu feedback pelo e-mail contato@ctrlclick.com.br, pelos comentário aqui no post ou pela pagina de CONTATO seus lindos. Não esqueça de nos seguir em nossas redes sociais
Mais um lindo e maravilhoso Ctrl+S no ar hoje iremos falar sobre todas as loucuras que envolve dormir, com uma visão e colocação totalmente “Cássio” do assunto Dormir pra que ? Dormir pra que ? Se você conhece o Cássio mesmo que só um pouco sabe das suas dificuldades com o ato de dormir mesmo que seja um ato simples e comum do ser Humano Moderno, para o nosso Host e Narrador de protestos trabalhistas nas horas não é nada fácil ter uma noite de sono que já não se acorde exausto. Existem diversas coisas que poderiam explicar o cansaço do nosso lindo Host mas nada é tão complicado quanto a sua mente (Nem Froid Explicaria) mas nada que desanimaria ele a continuar o seu trabalho árduo sem ter um sonho não ao dormir mas na vida para realizar. Links Imagens e vetores retiradas de: Freepik – https://br.freepik.com/home IconFinder- https://www.iconfinder.com Wikipedia- https://en.wikipedia.org/wiki/Palmer_(film) Não deixa de dar sua opinião Mande seu feedback pelo e-mail livectrlclick@gmail.com, pelos comentário aqui no post ou pela pagina de CONTATO seus lindos. Não esqueça de nos seguir em nossas redes sociais.
IMAGEM No episodio de hoje do Ctrl+S você ira entender melhor como funciona a teia chamada internet, com uma bela comparação entre o nosso dia a dia e a internet fica milhares de vezes mais fácil entender como uma coisa que não vemos funciona e o que ela trás de diferente em nossas vidas. Não deixa de dar sua opinião Mande seu feedback pelo e-mail livectrlclick@gmail.com, pelos comentário aqui no post ou pela pagina de CONTATO seus lindos. Não esqueça de nos seguir em nossas redes sociais.
No episodio de hoje do Ctrl+S você ira entender melhor como funciona a teia chamada internet, com uma bela comparação entre o nosso dia a dia e a internet fica milhares de vezes mais fácil entender como uma coisa que não vemos funciona e o que ela trás de diferente em nossas vidas. Não deixa de dar sua opinião Mande seu feedback pelo e-mail contato@ctrlclick.com.br, pelos comentário aqui no post ou pela pagina de CONTATO seus lindos. Não esqueça de nos seguir em nossas redes sociais
Sejam bem vindos ao PRIMEIRO LINDO E MARAVILHOSO EPISÓDIO PILOTO do nosso novo podcast da família CTRLCLICK o Ctrl+S, sim apos uma serie de reformulação e mudança que ocorreram na minha vida juntamente com isso veio a mudança no podcast também sem muita enrolação bora pro episódio. E aqui estamos com mais um projeto engatilhado e sendo feito de forma árdua, o nosso novo projeto Ctrl+S consiste unica e especificamente em trazer um podcast mais natural e ainda mais curto no que diz respeito a informação rápidas e de forma mais diretas ainda no modelo FULL CASSIO DE PODCAST, por isso espero que tenham gostado desse aperitivo audível que mostrei aqui a vocês. Não deixa de dar sua opinião Mande seu feedback pelo e-mail contato@ctrlclick.com.br, pelos comentário aqui no post ou pela pagina de CONTATO seus lindos. Não esqueça de nos seguir em nossas redes sociais
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
Liza Aikin - Mind Cave [Decoy] Progression - The Ishimura [Mord] Ctrls & Antigone - The Hardest Part [Token] Liza Aikin -Lonely Quiet (Itoh Remix) [Decoy] Myler - Shutter Windows [South London Analogue Material] Locked Club & RLGN -Tsukare [Private Persons] Cleric - Formation [Clergy] Clouds - Overflow Ya [Headstrong Records] JK Flesh - Caveman [Downwards] D-Omen - Beady [Russian Techno] Marla Singer - Methodica [Nachstromm Schallplatten] Antonio - Follia [Deeptrax] Christian Wunsch - Senseless Acts [Tsunami] Rommek - Forbidden Planet [Blueprint] Cliche Morph - Escape From Himself [Midgar] Alonzo ft. Anasia - Up All Night [W.T. Records] JK Flesh - Exit Stance [Downwards] Developer - Horizon [Olympian] Valentin Mase - Mislead your Enemies [Archivio 01] Order Of The Muffin - Frequences [Digital Distortions] Blush Response - Tesselate [Sonic Groove] Dustin Zahn - Bringing God Down A Notch [Internal Error] Ansome - Cold Harbour (Joe Farr remix) [South London Analogue Material] Stenny - 3KK-CB SAT [Ilian Tape] Special Request - Make It Real (Gerd Janson & Shan Prance Mania Mix) [Houndstooth] Obi Blanche - Meaty Beats (Assembler Code Remix) [RAAR] Habgud - Dialectic [EarToGround] FSG - In Abeyance [Ravage] FU-5 - Oculus [Subsist] Perc - Rat Run (Matrixxman Remix) [Perc Trax] Perc - Unelected (Dax J Remix) [Perc Trax] Ossian - Necessary Illusions [South London Analogue Material] Vertical Spectrum - Witch Hunt [Tsunami] Stenny - Fortress [Ilian Tape] Farron - C.I.T.G [Shaw Cuts] Kamikaze Space Programme - Half Life A [Mord] Jokasti & Nek - Kalam On [Mord] Kamikaze Space Programme - Quarks [Mord] Daniel Avery - Radius (Surgeon Remix) [Phantasy Sound] Dint - Skewer Shovel (Codex Empire Remix) [Horo] Ossian - Sickly Inhibition [South London Analogue Material] Savier - Cast Him In [Darkfloor Sound]
August 2017 Techno set incl. recent tracks from Nina Kraviz, Phiel Kieran, Joel Mull, Kolde, Jon Hester, Yan Cook, Mark Henning, Ctrls, Vu, Mod3rn, Moteka, Tensal and Boston 168! Enjoy!
Cadencia 079 Sejon | sejon.co.uk | 01. Lewis Fautzi - Diagonal 02. Oscar Mulero - Inclination 03. Lex Gorrie - Concealed Position (Jonas Kopp Remix) 04. Markus Sucket - Your Body 05. Karl Bult - System 06. Museum - Raider 07. Pfirter - DIE GLOCKE 08. Stefan Vincent - Blue Orgyn 09. Developer - Key Maker 10. Birth Of Frequency - The Spelling (Zadig Remix) 11. Arnaud Le Texier - Adenine 12. Pascual - Encore 13. Jonas Kopp - Fu Factor 14. Oscar Mulero - Suborbital Trajectories 15. Lewis Fautzi - Eerie (Sleeparchive Remix) 16. Monoloc - Muted
Cadencia 078 Sejon | sejon.co.uk | 01. J?Burg - Summit 02. Oscar Mulero - Hyperbolic Paths 03. Kwartz - Her Green Eyes 04. ArchivOne, Diagonal - Consecutio Temporum 05. Philip Row - Slope (Jonas Kopp Remix) 06. Lewis Fautzi - Blood (Exium Remix) 07. Pfirter - DIE GLOCKE 08. Arnaud Le Texier - Adenine 09. Christinne - Utopian Impulse 10. Oscar Mulero - Reduction and Synthesis (Lewis Fautzi Remix) 11. Ben Klock, Marcel Dettmann - No One Around 12. Ø[Phase] - This Absent Mind 13. Kessell - Ecliptica 5 14. P.E.A.R.L. - HOG II 15. Ctrls - The Shortest Path 16. Pacou - 9616 17. Christian Wunsch - Reactive Patterns (Jonas Kopp Remix) 18. Adriana Lopez - Intuiciones 19. Zadig - Solar Wind 20. Kitkatone - Aidas
Discussion: Now that you have downloaded and set preferences, you need to become familiar with the Arduino Integrated Development Environment, or IDE for short. It works just like a text editor program. I'm only going to cover what I think is important for us to know right now. We do a deeper dive on an as needed basis as we progress through the course. Specifically, in this lesson we'll cover: Selecting an Arduino Board and Serial Port Saving an Arduino File The Editor, Message Area, and Console A Few Other “Good to Know” Items So let's open the Arduino Integrated Development Environment (IDE) and get started. Do this by clicking the Arduino icon. Which Board and Serial Port Should I Use? The first thing we're going to discuss is selecting the correct board. We have to let the Integrated Development Environment know what Arduino board you're using. Go to the “Tools” tab, and then go down to where it says “Board”. You'll notice I selected the Arduino Uno since that is what I will use throughout the course. I recommend that you use an Uno or an Uno derivative throughout the course, as well. This will standardize our work in these lessons. Once you've selected the board, next you need to select your serial port. People can sometimes be intimidated by this technical term, but you don’t have to be. Serial ports are just the different things connected to your computer. The easiest way to find out which of the ports listed is your Arduino is to first unplug the Arduino from the computer. Go to the ports list under the “Tools” tab, and write down the names of these ports. You only need to write enough to differentiate one from the next - maybe the last word or last few letters. Then, close your Arduino IDE. Plug your Arduino board back in via the USB cable to your computer. Open the Arduino IDE. You should now be able to see an additional serial port not on the list you originally wrote down. That will be the serial port to which your Arduino is connected. For Mac, you'll usually see cu or tty after the “dev/”. Those are the common ways Arduino will show up on the serial port for a Mac. For a PC, it shows up as a COM port, but it's hard to know which one it will be. It could be one, two, four, etc. That’s why the best method, although primitive, is just to unplug and plug the Arduino back into that port. Once you’ve chosen the board and port the first time, these settings will stay the same for any subsequent times you reopen the Arduino IDE. The reason I point this out is that if you happen to get a different board at some point, you will have to remember to change the board that is selected. The Arduino File When you open the Arduino IDE for the first time, it will open up a file for you, giving it a default name. That default is sketch, underscore, and the current date. That name also appears at the top of the IDE, along with the version of Arduino you're using. To save this, go to the “File” tab and then to “Save”. It's just like saving any other file. Notice it asks you to save the file in “Documents”. Remember that in Arduino, files are referred to as sketches. So, the collection of our sketches is known as the sketchbook. The sketchbook folder is where all of the sketches we write will be saved. Of course, you can also nest your files in that folder just like you could in any other program where you're saving files. It's really no different. Take a look at the name I chose for my file. There are certain rules you must follow when choosing a name for your sketch. When you're naming a file, you can't use any spaces between the words. One common method is to use an underscore where you would have normally preferred a space. You can't use special characters, either. You can use numbers in the name, but you can't have a number as the first character. Lastly, the names are limited to 64 characters. So, using these rules, name your sketch and save it. You'll see that the name on the tab and at the top of the screen now displays the name of your newly saved sketch. So, saving is really easy. The shortcut command is Ctrl S. There is also a down arrow that you can click. The Editor, Message Area, and Console There are three main areas of the Integrated Development Environment: the editor, the message bar, and the console. The editor is the big white space. It’s where you type the Arduino code. It has number lines down the side - as long as that was one of the preferences you checked from our last lesson on choosing your settings. Right now it shows one through nine. If we were to add more code or move our cursor down further, it would adds numbers as lines are added. I want to point out one thing in this name here. Do you see the little funky looking “s”? Every time you make a change to the sketch that has not been saved, that s will be displayed. If I save the file, it goes away. If I were to type something in the sketch again, the funky little s would come back. It’s just a visual reminder to save your changes. Personally, I am a save fanatic. For just about every single line of code I write, I use the shortcut key Control S to save before I go on to the next line. I want to make sure I don't lose anything in the event that I have an issue with either the Arduino IDE, my computer, unexpected interruptions, or whatever might happen. There is something interesting you might have noticed when you open a new sketch in Arduino. It auto-populates two of the mandatory functions for coding in Arduino. This is why you see void setup an void loop. We'll talk about these in depth later, but it's perfectly normal for these to show up. It’s just a way of helping you save time when you code. On top of the editor area are two very important buttons. The first one is a check mark. It is the Verify button. When you click this, the code gets compiled. Compiling, as discussed before, is taking the human readable code that we've written and translating it into machine code. As it compiles, the program will point out any errors found in that code. It also does some optimization. This is a way behind the scenes concept that you don't have to worry about right now, though. You constantly want to check for errors in your code. I like to verify my code at almost every line of code I write along the way. The more you verify, the more quickly you can identify where you might have introduced an error into the code, i.e. find and fix a bug. We'll be using this verify button all the time. The shortcut key for verify is Command R or Control R. You can also verify by going to the “Sketch” tab. That other button is the Upload button. That takes all of the code that we've written and uploads it to the Arduino board. When you click that button and look at your Arduino board (assuming that it’s hooked up to your computer via the USB cable), you'll see two lights blinking rapidly. That is the TX and RX buttons. This is a good visual indicator that you have a good connection between the Arduino board and the computer. The IDE is recognizing that you have a board hooked up. In other words, the lights tell you that the code is successfully being uploaded to the board. The shortcut key to upload is Control U or Command U. It is available in the dropdown under the “Sketch” tab, as well. The second main area of the IDE is this blue bar. It is the message bar. It will display information about what you've done recently in the program. For example, I just uploaded. You can see that it says, “Done Uploading.” If I press Control S to save, it would say, “Done Saving.” There are other pertinent messages that display while you are using the program. The third main area of the IDE is the black space below the message bar. It is called the Console. Now, you probably won't hear it referred to as the console very often. Many people just call it the error section, or some other generic term. If you want to increase the console’s space, there is a bar you can drag up. It may be hard to see, so I put a box around it. The console displays the error messages. It will tell you information about the current operation that you did. For illustration purposes, let me introduce an error into the code and verify it. I’ll just type a crude, uncoded line somewhere in the editor area. You can see that we get definitely get a reaction out of the Arduino IDE. First, the message bar gives us a quick note saying that you wasn’t declared. Again, don't worry about understanding the error itself or any of the terminology displayed. I just want you to see where different types of information shows up. Then, in the console much more detailed information about the error is displayed. It tells you what file it was in, what function it was in, and even the line of code. Here it says the error was in line three. If we look back up at line three in the editor, we can see that it gets highlighted. That's where we can start looking for our error. Unfortunately, it will not always point out the correct line of code for the error. You might have to do a little searching around, but that is a discussion for another time and another lesson. You now know the three big pieces of the Arduino IDE. We walked through the editor, the message bar, and the console. Miscellaneous Tidbits There are a few final items we should discuss that are good to know. At the very bottom of the IDE is a number. Currently ours shows the number three. That simply refers to the line of code where your cursor is located. It seems like such a small detail, but it is very handy. Once you begin to work with larger and larger sketches, it may be harder to keep track of your cursor. This is especially true if you decide not to display line numbers down the side. Also, in the far right corner you'll see some additional information. It is the name of the Arduino board and which serial port that you identified earlier that you’re using. In the top right, there is a little magnifying glass. This is for the Serial Monitor. If you click it, a window like this opens: The Serial Monitor window allows us to see communication occurring between the Arduino and the computer, and vice versa. We'll have an entire lesson later down the road about the Serial Monitor and communications. For now, just know that the button is there. The shortcut key for the Serial Monitor is Shift-Control(or Command)-M. Now Get Going! You now know enough information to start using the Arduino IDE. You can see it's not too complex. The IDE is very simple and streamlined. Arduino was designed for ease of use. There's not a bunch of bells and whistles that can sometimes get in your way. I have no doubt you’ll be an Arduino pro in no time.
What a wicked show we have for you folks! Our next guest, hailing from Copenhagen via Moscow, is a young artist who has been making quite a name for herself over the past couple of years, ANASTASIA KRISTENSEN. Having released on Monasterio's debut release from Moscow and now co-running Count 0 alongside Ctrls and Funeral Future out of Copenhagen, Anastasia is definitely a tour de force that's only getting started. Her eclecticism in musical taste is wide-reaching and encompassing, and is always elegantly manifested in all of her techno journeys, be it inside the club playing live feeding off the energy from the crowd or in the studio mixing, producing borrowing from her knowledge on electronic music amassed during her teenage years. For us, she put together a smashing hour of top-notch techno, full of superb and unreleased cuts that will surely keep your heart-rate in check. Coming up for Anastasia on the production front, is a remix on BLD Tape due next month and an original work for the Black V/A series on Nous Disques due in October. And that same month you can catch this fine laureate in action, where she's been billed to wreak havoc at the Culture Box in the Danish capital for the Perc Trax showcase. Without further adieu, here's Anastasia live in the mix. Enjoy! www.facebook.com/anastasiakristensen3 www.residentadvisor.net/dj/anastasiakristensen www.monasteriorecords.bandcamp.com/track/bsc www.discogs.com/artist/4604787-Anastasia-Kristensen - Erratic is comprised of a small team of passionate curators hosting proper Techno parties in New York City. www.ErraticNYC.com | www.fb.com/ErraticNYC
Vi fortsetter feiringen av Ctrls 10 årsjubileum med flere innblikk i programmets historie. Det andre volumet gir deg generasjonen som bevegde seg ut av kollektivet de tidligere medlemene bodde i, og som fødde søsterprogrammet Internettet.
Vi fortsetter feiringen av Ctrls 10 årsjubileum med flere innblikk i programmets historie. Det andre volumet gir deg generasjonen som bevegde seg ut av kollektivet de tidligere medlemene bodde i, og som fødde søsterprogrammet Internettet.
Hailing from Copenhagen, Denmark, our next guest is one heck of a DJ and a terrific producer, with a history in electronic music dating back to the 2000s. Since a few years ago though, he has been delivering top-notch, no-nonsense techno under his CTRLS alias for Token. Also, having dabbled as one-half the Northern Structures duo, Troels' background is versatile and extensive (including a long affair with Drum & Bass). It is due to all this history that his mixes are unique and quite extraordinary. What he put together for us is no doubt an astounding 80-minute journey rich with all kinds of multifaceted techno. Cursing the raw, the harsh, and the pounding - it is a distinct pleasure to have Troels be part of the podcast. Without further adieu, this is Ctrls. Enjoy! TRACKLIST Shifted - Story of Aurea Jonas Kopp - Message from Solaris Zeitgeber - Totemism Sedvs - Protect and Serve Donor - Counter Dino Sabatini & Edit Select - Terpsichore Adam X - Binary Possession Samuli Kemppi - Agitated Svaag - Sade Arcing Seas - Incal Kangding Ray - Luna Makaton - Lead You Astray Milton Bradley - Divergence BNJMN - Blown Sendai - Martens Deficit Mike Parker - Flying Nerves Stanislav Tolkachev - Like No One Is Watching Karenn - Ballast Shifted- Pulse Incomplete Reeko & Exium - Circuit 3 Perc - Tri-City Guise - Cyclepoint (Ctrls remix) Ctrls - Charge (Rich Oddie remix) Deapmash - Formal ? - ? Jamie Curnock - Transportation (Truss remix) Lag - Trema (Clouds remix) Ctrls - X.Y Makaton - Night #1 AnD - Photon Visibility Donor - In Your Place - Erratic is comprised of a small team of passionate curators hosting proper Techno parties in New York City. www.ErraticNYC.com | www.fb.com/ErraticNYC
Troels Knudsen lives in Copenhagen, Denmark and has been immersed in music for most of his life. This focus has mostly been fixed on the club world. And he spent the last 10+ years producing, performing, engineering and dj'ing various electronic genres around Europe and beyond. This activity generated the excentric Pyro drum'n'bass moniker, house works as part of 2400 Operator on Underground Quality and the industrial tinged techno project Northern Structures on Sonic Groove. After a few years of working in groups it was time to get back to solo work. In 2012 the Ctrls project was iniated with the release of the Interface EP on the new homebase Token Records. A remix of Ø/[Phase]'s Binary Opposition was the follow up, and by then Ctrls tracks had worked their way into the sets of some of the most notable techno djs across the world. Troels continues to develop his fast paced and futuristic style, seeking out the various nuances of techno and the surrounding genres. Future plans for the project hold more Token Records output as well as dedication to engaged and detailed dj'ing. Tracklist: 1. Lucy - All that Noise 2. Mike Parker - Lustration 4 3. Irradiation - Black Body Radiation (Milton Bradley Remix) 4. Israel Vines - precipice 5. Ron Costa - Erteneve 6. Relay - Untitled A 7. Diagenetic Origin - Question 8. Developer - Indigenous 9. Cassegrain - Yokai 10. Donato Dozzy - Sotto Ma Sotto 11. Pris - If She Cracks She bears 12. Regis - Baptism Extended 13. DJ Spider - Northern Abyss (Ctrls Remix) 14. Spherical Coordinates - SCFGM-19 15. Donato Dozzy - Terzo Giorno 16. Christian Wünsch - Radioactive Decay 17. Sigha - Purification Loop 4 18. ? - ? 19. Ctrls - Charge (RRose Remix) Token Records http://www.tokenrecords.com/ Token Soundcloud https://soundcloud.com/tokenrecords Container Video Podcast 05 http://goo.gl/eNb94h Music: Ctrls - Social Vector - TOKEN 22 [Token Records] Video: Lanvideosource
Episode - 045 CTRLS in the mix Genre : Techno Tracklist 01. Diamond version - Empowering Change - [Mute] 02. Exium - Parallel Computing - [Pole Group] 03. Rrose - Pointilism (Variation One) - [Sandwell District] 04. Mike Parker - Mnajdra (Shifted remix) - [Geophone] 05. Headless Horseman - Graveyard (Perc remix) - [Headless Horseman] 06. SHXCXCHCXSH - LLDTMPS (SGH VSN edit) - [Avian] 07. Northern Structures - Session 4 - [Sonic Groove] 08. Rødhåd - Spomeniks - [Token] 09. Unam Zetineb - Blackout (Groof remix) - [Resiliens] 10. Sleeparchive - 1 - [Tresor] 11. Spherical Coordinates - SCMWY - [Pole Group] 12. Matt Saderlan - The Catcher - [Krill Music] 13. Exium - The 12th Planet - [Pole Group] 14. Ø|Phase - On the Edge - [Token] 15. Filip Xavi - Anti-Nod - [Subsist] 16. Oscar Mulero - Transversal (Sleeparchive remix) - [Modularz] 17. SHXCXCHCXSH - RSRRCTN (SHFTD RCNSTRCN) - [Avian] 18. J. Tijn - Hammerhoofd - [Penny Royal] 19. CTRLS - Encrypted Sex - [Token] 20. Gunnar Lockwood - Crowded Mouth - [K] 21. Boner M - Poke - [Penny Royal] 22. Innigo Kennedy - Persist - [Prosthetic Pressings] Less n Less http://lessnless.com http://facebook.com/lessnless
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