Podcasts about East Asian Buddhism

Bright on Buddhism - Kōan Series Episode 11 - Jōshū's "Wash Your Bowls" Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

In this roundtable episode, host Ellie Woodacre is joined by a panel of five experts on monarchy in premodern Asia--including the Indian subcontinent, China and Southeast Asia. This episode captures a vibrant discussion on the impact of Buddhism on the ideals and practice of monarchy in the region, drawing on their respective research.Speaker Bios: Stephanie Balkwill is Associate Professor of Chinese Buddhism at the University of California Los Angeles, where she is also the Director of the Center for Buddhist Studies. She publishes broadly on the connection between women, Buddhist affiliation, and political opportunity in early medieval China. She is the author of The Women Who Ruled China: Buddhism, Multiculturalism, and Governance in the Sixth Century (UC Press 2024) as well as the co-Editor of Buddhist Statecraft in East Asia (Brill 2022)--both are Open Access.Megan Bryson is Associate Professor of Religious Studies and Chair of the Asian Studies program at the University of Tennessee. Her work focuses on gender, ethnicity, and kingship in East Asian Buddhism, specifically in the regimes of Nanzhao (653–903) and Dali (937–1253) that were based in what is now China's Yunnan province. Bryson is the author of the book Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford UP, 2016), co-editor of the volume Buddhist Masculinities (Columbia UP, 2023), and she is currently finishing a book about Buddhist transmission along the Southwestern Silk Road.Alice Collett: Prior to joining St Andrews, Professor Collett worked at several universities around the world, in teaching, research and senior management roles, including a period as Acting Dean at Nalanda University in India. Her research specialism is ancient Indian religions, with a focus on women. Her publications include Women in Early Indian Buddhism: Comparative Textual Studies (OUP, 2013) and Translating Buddhism: Historical and Contextual Perspectives (SUNY, 2021).  Bruno Shirley is a historian of medieval Sri Lanka, interested in ideas about and practices of religion, politics, and gender. He is currently a research fellow in Buddhist Studies at Heidelberg University. Trent Walker is assistant professor of Southeast Asian studies and Thai Professor of Theravada Buddhism at the University of Michigan. Prior to moving to Ann Arbor, he completed postdoctoral fellowships at Chulalongkorn University in Thailand and the Ho Center for Buddhist Studies at Stanford University. A specialist in Southeast Asian Buddhist music, literature, and manuscripts, he is the author of Until Nirvana's Time: Buddhist Songs from Cambodia (winner of the 2024 Khyentse Foundation Prize for Outstanding Translation) and co-editor of Out of the Shadows of Angkor: Cambodian Poetry, Prose, and Performance through the Ages. 

Bright on Buddhism - Kōan Series Episode 10 - Hyakujō and The Fox Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

The Abhidharmakośabhāṣya (Treasury of Metaphysics with Self-Commentary) is a pivotal treatise on early Buddhist thought composed around the 4th or 5th century by the Indian Buddhist philosopher Vasubandhu. This work is a complete and systematic account of the Abhidharma, and is the peak of scholarship in the Fundamental Vehicle. It elucidates the Buddha's teachings as synthesized and interpreted by the early Buddhist Sarvāstivāda school. Vasubandhu (4th to 5th century CE) was an influential Buddhist monk and scholar from Gandhara or Central India. He was a philosopher who wrote commentary on the Abhidharma, from the perspectives of the Sarvastivada and Sautrāntika schools. After his conversion to Mahayana Buddhism, along with his half-brother, Asanga, he was also one of the main founders of the Yogacara school. Vasubandhu's Abhidharmakośakārikā ("Commentary on the Treasury of the Abhidharma") is widely used in Tibetan and East Asian Buddhism, as the major source for non-Mahayana Abhidharma philosophy. Vasubandhu is one of the most influential thinkers in the Indian Buddhist philosophical tradition. Because of their association with Nalanda university, Vasubandhu and Asanga are amongst the so-called Seventeen Nalanda Masters. In Jōdo Shinshū, he is considered the Second Patriarch; in Chan Buddhism, he is the 21st Patriarch.

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Xuanzang (600/602–664) was one of the most accomplished and consequential monks in the history of East Asian Buddhism. Celebrated for his sixteen-year pilgrimage from China to India, his transmission and translation of hundreds of Buddhist texts, and his training of a generation of masters in China, Korea, and Japan, Xuanzang's life and legacy are the stuff of legend. In the centuries after his death, stories of his epic adventures and extraordinary accomplishments circulated in texts, images, songs, and plays. These mythic accounts recast the erudite pilgrim, translator, and court cleric as a magical monk who traveled not between China and India but between heaven and earth. Beset by bloodthirsty demons, this deified version of Xuanzang navigates the perilous paths of the netherworld to reach a pure land in the west. His purpose is to acquire a cache of sacred scriptures with the power to safeguard the living and deliver the dead. Along the way, he is guided and protected by a mischievous monkey, a lazy pig, a demonic monk, and a dragon horse. This imaginative and compelling tale received its fullest and most influential treatment in the famous sixteenth-century novel Journey to the West.  In this engaging exploration of the confluence of myth, narrative, and ritual, Benjamin Brose uncovers the hidden histories of Xuanzang's many afterlives. Beginning in the eleventh century and continuing to the present day, devotees have summoned Xuanzang and his band of misfit pilgrims to perform exorcisms, guide the spirits of the dead, and possess the bodies of insurgents. Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim (U Hawaii Press, 2023) traces the postmortem travels of China's greatest pilgrim and reveals the narrative and performative roots of China's best-known novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Bright on Buddhism - Kōan Series Episode 9 - What is the Buddha? Three Pounds of Flax Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Gender fluidity may be part of the current zeitgeist, but it's not a wholly new topic. Megan Bryson, Lindsay Young associate professor of religious studies and chair of Asian studies at the University of Tennessee, examines one historical example. Dr. Megan Bryson's research focuses on gender and ethnicity in East Asian Buddhism. She has published […]

Bright on Buddhism - Research Project Series - Chōgen's Tōdaiji Campaign: Reconstruction and Reimagination Hello and welcome to a new type of episode of Bright on Buddhism. In this series, I will be presenting and discussing some of my own original research, which covers a broad range of topics in Japanese Buddhism, and discussing it in the context of East Asian Buddhism and other disciplines broadly Resources: Andreeva, Anna. “Buddhist Temple Networks in Medieval Japan.” Japanese Journal of Religious Studies 47, no. 1 (2020): 11–41.; Bushelle, Ethan. “The Mountain as Mandala: Kūkai's Founding of Mt. Kōya.” Japanese Journal of Religious Studies 47, no. 1 (2020): 43–83.; Collection of Benevolent Deeds (Sazenshū 作善集). By Chōgen 重源 (1121–1206).In Shunjōbō Chōgen shiryō shūsei 俊乗房重源資料集成, ed. Kobayashi Takeshi小林 剛.Tokyo: Yoshikawa Kōbunkan, 1965.; Dobbins, James C. Jōdo Shinshū: Shin Buddhism in Medieval Japan. Religion in Asia and Africa Series. Bloomington: Indiana University Press, 1989.; Goodwin, Janet R. “The Buddhist Monarch - Go-Shirakawa and the Rebuilding of Tōdai-Ji.” Japanese Journal of Religious Studies, The Emperor System and Religion in Japan, 17, no. 2/3 (1990): 219–42.; Horton, Sarah (2004). The Influence of the Ōjōyōshū in Late Tenth- and Early Eleventh-Century Japan, Japanese Journal of Religious Studies 31 (1), 29-54; Inagaki, Hisao. “Esoteric Meaning of Amida.” Pacific World Journal New Series, no. 10 (1994).; Ingram, Evan. “Chōgen's Vision of Tōdaiji's Great Buddha as Both Mahāvairocana and Amitābha.” Japanese Journal of Religious Studies 46, no. 2 (2019): 173–92.; Johnson, Peter Lunde. Land of Pure Bliss: Sukhavati, 2021.; Kainuma, Yoshiko. “Chōgen's Jōdoji Amida Triad and Its Environment: A Theatrical Effect of the ‘Raigō' Form.” Artibus Asiae 74, no. 1 (2014): 97–127.; Kuroda, Toshio. “The Development of the Kenmitsu System as Japan's Medieval Orthodoxy.” Translated by James C Dobbins. Japanese Journal of Religious Studies, The Legacy of Kuroda Toshio, 23, no. 3/4 (1996): 233–69.; Rosenfield, John. “Introduction: Todaiji in Japanese History and Art.” In The Great Eastern Temple: Treasures of Japanese Art From, edited by Yutaka Mino, 17–31. Bloomington, IN: Indiana University Press, 1986.; Rosenfield, John M. Portraits of Chōgen: The Transformation of Buddhist Art in Early Medieval Japan. Japanese Visual Culture ; Volume 1. Leiden, the Netherlands ; Brill, 2011.; Stone, Jacqueline I. Right Thoughts at the Last Moment–Buddhism and Deathbed Practices in Early Medieval Japan. University of Hawai'i Press, 2016.; Tōdaiji zōryū kuyōki 東大寺造立供養記. Anonymous. In Dai Nihon Bukkyō zen-sho 121, Tōdaiji sōsho 1, ed. Bussho Kankōkai, 47–57. Tokyo: Bussho Kankōkai,1912–1922.; Yen-Yi, Chan, and 晏怡詹. “Revealing the Miraculous: Objects Placed inside the Statue of the Kōfukuji Nan'endō Fukūkenjaku Kannon.” Japanese Journal of Religious Studies 49, no. 1 (2022): 45–88. Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

This episode we are looking at some of the earliest temples to be built in Japan.  Namely: Asukadera and Shitennoji.  These have pretty good claims to be some of the earliest temples, and they are mentioned in this reign, both in relation to the Soga-Mononobe War. For photos and more, check out https://sengokudaimyo.com/podcast/episode-97  Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 97: Asukadera and Shitennouji. First off, quick shout out to Craig for supporting us on Ko-Fi.com.  We'll have more information on how you can help support the show at the end of the episode. To recap so far, we are still in the reign of Kashikiya Hime, aka Suiko Tennou, in the 6th and early 7th centuries—though for this episode we are going to step back a little bit as much of this has origins in the 6th century, looking at the early spread of Buddhism and the founding of some of the first permanent temple complexes—specifically Asukadera in, well, Asuka, and Shitennouji in the area of modern Ohosaka. As we've seen, Yamato was in the process of importing various things from the mainland—both material culture and immaterial things as well, including philosophy and religion.  By religion, of course, we are talking about Buddhism, which we've already covered to some extent in Episodes 85 and 88, but let's go over a little bit of the history, shall we, and catch up with what has been happening since. Buddhism had likely been coming over to the archipelago since the arrival of Buddhist immigrants from Baekje and elsewhere, though their religion is not much discussed.  After all, the Nihon Shoki is focused largely on the Yamato royal family and the court, and so other than groups of immigrants beings settled and possibly organized into family groups, there wasn't much call to look into their day to day practices. It is also difficult to know just how far Buddhism had penetrated into the lower ranks of society on the continent, as well.  Certainly the courts had adopted Buddhism, but to what extent it was part of the daily lives of the common person, I don't know that I could say with any certainty.  Still, we can imagine that there were likely those who came over to the archipelago with an extant belief in the Buddha and some inkling of the rites and other aspects of Buddhist worship.  Did they set up small temples in their villages?  Or convert a house into a shrine?  Or did they just keep private practice and worship?  We don't know, and as far as I've come across we don't seem to have any conclusive evidence via the archaeological record, either.  And so we are left with the written record and what it has to say on the subject. The Nihon Shoki notes the first official mention of Buddhism in the archipelago as the arrival of a Buddhist statue from Baekje.  The official record puts this in the year 552, in the reign of Amekunioshi, aka Kinmei Tennou, and credits Soga no Iname with taking and building the first temple and setting up the first temple by repurposing his own house—or at least some part of his property.  Other families, however, opposed the Soga's attempts at bringing in and establishing this new religion and ultimately ended up destroying that first temple, tossing the image into the river. This whole thing repeated itself in 584, about 32 years later—Silla had given Yamato a Buddhist image in 579, and then an image of Miroku, aka Maitreya, and an image of the Buddha, aka Shakyamuni, were both found.  Soga no Umako, Iname's son and successor to his role as Oho-omi, took the two images and had a temple once again built, importing specialists and setting up three nuns to attend to the appropriate rituals.  Once again, the Soga's opponents, led by the powerful Mononobe family, cried foul and had the temple destroyed and the nuns stripped of their robes. There are a few things about this account that are more than a bit sus, however.  First, there is mention of that first Buddha image in both the Joguki, the record of the life of Prince Shotoku Taishi, as well as a record from Gangoji Garan Engi, a record from Gangoji temple—which is to say Asukadera, one of the temples we'll be talking about, today.  In those records we find a different date for the first Buddha image, with its arrival coming in 538, not 552.  That would have put its arrival a year before Amekunioshi, aka Kinmei Tennou, took the throne.  It is also rather interesting at just how much the two stories parallel each other, and one has to wonder if they were really two separate stories or if they were one story that got attributed to different members of the Soga family, for some reason.  It is also possible that they are different stories, but with similar elements that got conflated across each other.  Or it really was a matter of déjà vu, with the experience of Soga no Umako paralleling that of his father, Iname.  We also cannot discount some massaging of the text.  For one thing, they put it in the reign of Amekunioshi, who had a different maternal line than his previous two successors and elder half-brothers.  There may have been political reasons to keep the stories as they were and, hopefully, keep the story relatively tidy. Regardless of why, the implication seems clear that by 585 there were people in Yamato with some knowledge of Buddhism, as well as the necessary artisans and craftspeople to create a continental style temple complex. In the following years, the fight between the Soga and the Mononobe escalated with the death of sovereign and the ensuing succession dispute.  The Mononobe and their candidate, Prince Anahobe, were destroyed by forces in league with the Soga family.  During that conflict, which we covered in Episodes 90 and 91, there was a point where both Soga no Umako and his nephew, the young Prince Umayado, each prayed to the Buddha for victory, promising to erect a temple if they succeeded.  Indeed, they did succeed, and based on their vows, two temples were eventually created. The first temple is known as Asukadera, or the Temple of Asuka, although it also is known by its official name of Hokoji, and later Gangoji.  Construction of Hokoji started in 588, and is attributed to Soga no Umako. The second temple is Shitennoji, or the Temple of the Four Heavenly Kings.  We'll talk about them a bit more, later, but the Four Heavenly Kings are four gods, who appear to pre-date Buddhism, who were co-opted into the Buddhist pantheon as protectors of Buddhism, each one representing a cardinal direction.  Shitennouji's traditional founding is given to us as 593. Both of these temples still exist, in one form or another.  If you go to Asuka, today, you can find a small Asukadera on the site of the previous temple, but it is much reduced from its original form.  When it was built, Asukadera would have been at the center of the political heartland of Yamato.  It was the land of the Soga, but also the location of the palace of Kashikiya Hime, and it likely rivaled her palace for pride of place in Asuka.  However, when the capital eventually moved away from Asuka—first to nearby Kashihara, but then across the Nara basin to Heijo-kyo, modern Nara city—the temple buildings were removed to Nara, to modern day Gankouji, though the site of Houkouji continued to be used as a small, local temple.  The modern temple in Asuka does have a Buddha statue, however, that they believe to have been the original Daibutsu, or Giant Buddha, known as the Asuka Daibutsu.  It changed hands many times over the centuries, but has since come back to Asuka, though a little worse for wear. Shitennouji, on the other hand, is in the heart of modern Ohosaka, in the Tennoji ward.  The buildings of Shitennouji have been rebuilt numerous times, although supposedly by the same construction company, one of the oldest businesses in the world, and they remain in their original configuration.  Since they've been rebuilt, however, this is why you will often hear of another temple, Horyuji, also associated with Prince Shotoku Taishi, as being the oldest temple in Japan, as it has the oldest extant buildings.  Make no mistake, however—Asukadera and Shitennouji were founded first, and both still survive in some manner. These two temples do a lot to help us better understand Buddhism and its influence, but also helps us understand more than that.  They help us look into the politics of the time, and even illuminate some of the apparent tensions between different immigrant groups from Baekje and Silla that were becoming more and more prominent in Yamato. Of the various early temples that were built, Asukadera is perhaps one of the most well-documented, both in the historic record as well as the archaeological evidence.  Donald McCallum, in his book, “The Four Great Temples”, notes that serious study of Asukadera began around the Meiji and into the Taisho era, in particular calling out the work of Fukuyama Toshio, published in 1934.  Up to that point, it was mostly looking at the histories—both the Nihon Shoki and also works like the Gangouji Engi, the record of Gangouji, the later name for Asukadera.  He determined that much of the record, though it claimed to have been written by Shotoku Taishi himself, was actually written later than the Nihon Shoki, based on linguistic analysis.  However, there were some sections that appear to be earlier or contemporaneous with the Nihon Shoki, likely pulled from other works, which the Nihon Shoki may have been pulling from as well, including inscriptions on the extant temple buildings at the time.  This was determined by things like the grammar and Sinitic characters used, as well as the lack of terms like “Tennou”, which still were not in use until later periods.  It is also interesting to note that Shotoku Taishi is referred to in the document by the name “Prince Umayado no Toyotomimi” Based on that analysis, it seems fairly certain that Soga no Umako was, indeed, largely responsible for donations to build Asukadera, although the Nihon Shoki gives credit to Kashikiya Hime as well.  That and certain other features of the Nihon Shoki account were probably added later, possibly at the urging of the Gangouji priests themselves, to stress a stronger connection with the Yamato royal family rather than just Soga no Umako. The text gives a brief history of Buddhism, which is where we see Buddhism being introduced as early as 538, though it seems to suggest this was still in the reign of Amekunioshi, aka Kinmei Tennou, rather than his predecessors.  Soga no Iname is still given much of the credit, though there is a note about Kashikiya Hime also installing a Buddhist icon in her own quarters at one point—something not mentioned in the Nihon Shoki.  It does mention the various pro- and anti-Buddhist arguments and steps that the various sides took, including Umako having three nuns ordained and them being eventually defrocked—though without mention of them being whipped, which may have been too much or could be sensationalist additions to the Nihon Shoki text. One thing that is notably missing in the Gangouji Engi, at least as McCallum summarizes it, is mention of the Mononobe and Soga conflict, and so there is no mention of any special vow that was made to build Asukadera if they were victorious—let alone anything about the vow to build Shitennouji.  Instead, it is instigated by the three nuns, who request both a nunnery and a monastery, each with at least 10 ordained nuns or priests, as that was the number required for many of the rites and to ensure proper ordination could take place in the future, thus allowing them to grow the religion.  These two temples would need to be close enough so that they could each hear the bells from the other. Although priests were requested from Baekje, too few came over in response, which is why the nuns themselves were sent over to get a proper ordination.  They return in 590 and urge the completion of the two temples—Asukadera and Toyouradera, the latter using the land that was previously Kashikiya Hime's palace prior to her moving to the Oharida palace site, nearby. All of that was based on the extant texts, but there were also archaeological excavations that took place in 1956 to 1957, as well as later investigations in and around Asuka Temple and the general area.  Even today, excavations in the regions are ongoing, and in a recent visit I saw them excavating nearby palace ruins.  Fortunately, the area has not seen the kind of heavy urban development, whether in the modern or pre-modern period, that many other areas have gone through, with much of the land having been returned to farmland, and the importance of the area, today, is well understood. The initial excavations were a bit surprising.  Based on extant temples such as Shitennoji, it was expected that Asukadera would have been planned out in such a way that there was a straight line from the central gate, to the pagoda and the kondou, or golden hall, sometimes called an image hall, with the koudou, or lecture hall, in back.  Often there is some separation of the lecture hall from the other two.  These buildings are both connected and separated by gates, walls, and pathways, including covered cloisters along the wall, which conforms to the pattern of temples on the Korean peninsula as well.  This is very reminiscent of the Baekje layout for temples, and may include other elements such as belfries or similar. The three main buildings each serve a purpose.  As we noted back in Episode 84, the Pagoda had replaced the Stupa, and was often a reliquary, holding relics of some kind.  Then there is the Kondou—literally golden halls, as many of the statues and other artwork would be gilded and designed to reflect light, often shining out from the darkness with the goal of leading more people to consider enlightenment.  These are the halls where images are placed—hence the other term, “image hall”—whether metal, wood, stone, et cetera. The pagoda and the kondou may be areas of personal worship, with believers coming to visit them, perhaps to venerate a particular aspect of the Buddha or contemplate something, and images or particular relics are often ascribed particular spiritual power.  Often these are included together or near one another. On the other hand the koudou, or Lecture Hall, also known as the Ordination Hall, would be the place for sermons and various ceremonies.  In many ways these are the “working” areas of a temple, and while they often have images and are ornately adorned, they have, in some ways, a more utilitarian function, and in many early temple layouts they are often held apart from the pagoda and kondou in some way. At Asukadera, the excavations revealed that it was not planned out in the standard three building model, all lined up, as had been expected.  Instead, there was a walled courtyard, with cloisters around the sides and a central gate that led to a pagoda in the middle of the area.  Then there were three buildings, identified as individual kondou, or image halls, spaced equally to the left, right, and behind the pagoda.  A larger building was then found behind the walled courtyard area, determined to be the temple's lecture hall.  All of this was enclosed in another wall, which seems to have defined the larger area of the temple. This layout is fairly unique.  It doesn't exactly fit anything we've seen in Baekje or Silla temples of the period, and most closely resembles something out of Goguryeo.  It may be worth noting that there are records that claim the King of Goguryeo provided funds to help build temples in Japan, and that some of the monks involved, including the monk Eben, or Hyephyeon, who helped initially ordain the Zenshin and her fellow nuns, was said to be a man from Goguryeo, and so may have had some influence on the design. On the other hand, the rooftiles found at the Asukadera site are very much in the Baekje tradition.  Up to this point, there is no indication that the Japanese were using rooftiles in their construction, and were likely using thatching, much as many Shinto shrines continue to use to this day.  The use of rooftiles is thought to have started with Buddhist temples, and occurred much earlier than their use in other buildings, including palace buildings.  Since rooftiles were ceramic, they required different construction techniques so that the roof could support the weight, which would further explain the need to import craftsmen from the continent to help build these structures. Rooftiles are not necessarily the most exciting thing for people wandering through a museum.  Often one is looking at weapons, jewelry, or haniwa statues, and suddenly you come across a plethora of tiles from different buildings, and it can be easy to just glance past.  Without understanding what you are looking at, the rooftiles often seem the same—or same-ish.  The majority of the tiles are plain, without much distinction.  End tiles—whether round or flat—often have similar decorations, such as lotus flowers, and they are often very similar to one another.  Furthermore, these are rarely refined works of art—tiles were meant to be mass produced and were often created quickly to meet the demands of construction. Despite all of this, I think it is worth recognizing that the rooftiles are often important to helping archaeologists, especially when the rest of the building is no longer extant.  Rooftiles often would fall off and get buried, or even be reused in some way to edge a gutter or something similar.  However, how they are made, the molds that were used, the composition of the clay, etc. can all be analyzed to provide information about the age and size of a structure, helping to know when different buildings may have been built or rebuilt, as well as providing some information on where the materials were coming from.  And for those who want to learn more, you can be sure that every part of a tile has its own specialized name and vocabulary—it is something that you can really delve deep into if that is your thing. The rooftiles at Asukadera are somewhat odd in that they are not as uniform as one might expect, and this may come from the fact that they had imported different tile makers from Baekje, and so each one set up their workshop with slightly different standards.  Later, as Yamato as more temples and other continental style buildings were built, these would become larger, more standardized industries.  Still, that they seem to conform to the general patterns found in Baekje speaks, again, to the location that the craftsmen were likely from, as well as the connections mentioned in the texts. And so we see at least Baekje and possibly Goguryeo influence on the design of this temple. One other thing that has been found is the stone pedestal for an image in the central image hall.  We know that at some point a large image was crafted, and the Asuka Daibutsu, or Giant Buddha Image of Asuka, is still extant, and the stone pedestal was likely where it or a similar image sat at some point.  However, just when this image was created and installed is still unknown—there are references to various images, but nothing that can be directly attributed to the current Asuka Daibutsu, though various scholars have identified it as being consistent with the Asuka style from at least the 7th century. The earliest information talks about the stone Miroku, or Maitreya, image that Kafuka no Omi brought back.  It was probably not that large, and it seems that it was eventually enshrined at Asukadera in some form.  There are mentions of various icons made in the early 7th century as well, which could refer to this.  It is said that it was made in 609 by Kuratsukuri no Tori, though that is not without controversy.  It was damaged in a fire in 1196, which was originally thought to have destroyed everything.  Indeed, an examination of the image has shown that it appears to have been reconstructed, though there is some evidence that the face and right hand are likely original, while the rest of the body was refashioned, probably from the burnt and melted pieces that were damaged in the fire.  It still sits in the Angoin at the modern site of Asukadera, for anyone who wants to come and see it. Taken together, this can give us some idea of what it took to build the temple.  Previous so-called temples appear to be conversions of local buildings, with perhaps some work on building a proper pagoda, but at Asukadera they went full-out to build according to the continental standards.  That said, there has been a significant amount of ink spilled over just how this process went. Based on the Nihon Shoki, it would almost appear that everything arrived, fully formed, at the end of 588.  As I've noted previously, the way that the Nihon Shoki records read it can sometimes be difficult to figure out exactly what happened when, as a single entry will often contain details that must have happened before or after the date of the entry itself, and it isn't entirely clear exactly what happened on the referenced date, in many cases.  Furthermore, since the Chroniclers were pulling from other sources, there is always the possibility that they, themselves, misinterpreted something.  Finally, I would note that their primary goal was to give readers and idea of what happened that conformed with what was known as true and what supported the state institutions.  Would it have mattered to them exactly when Asukadera was built, as long as it was generally right and in the regards to the appropriate sovereign and nobles?  Probably not. It likely would have taken some time to pull everything together.  There would have been planning sessions, and drawings.  They would have to harvest the right kind of wood and shape it based on the designs, and an entire industry of tile-making would have to be set up, likely with local hands learning the process.  Similarly, woodcarvers would have already existed, but they would likely need to learn new techniques to account for the continental design.  And then there were the various rituals that would need to be carried out.  This is all in addition to any stonework, special metalwork, or other such things that had not been previously done in the archipelago.  On top of that, there would have been issues of translation, with immigrant artisans directing their various groups of craftsmen. It is possible that work for planning the temple began as early as 588—which may have just been the request for more craftsmen—and then in 596, when we have textual evidence that some part of the temple was “finished”, that may have been nothing more than the pagoda by that time.   It is then unclear whether the other buildings were finished together or in separate phases—perhaps the central image hall was finished, and then the two on the sides of the pagoda were added at a later date.  Images may have also been shifted around as new images, like the Asuka Daibutsu, were completed.  Many scholars have argued for different interpretations based on their readings of the texts, but none of the evidence is so clear as to be incontrovertible. What is clear is that this was a grand temple, and that would have been equally clear to everyone who viewed it.  Furthermore, this temple was connected directly to Soga no Umako and the Soga family.  Something to consider:  Just as the giant tomb mounds helped demonstrate the power of various clans based on the work and resources that went into them, a temple like Asukadera would have provided similar cache for the Soga family.  This is more than just religious devotion, it was a political statement, made in the heart of the region that Kashikiya Hime was ruling from.  Visitors to her palace—not to mention later palaces in the area—would have hardly been able to miss the pagoda and the tiled rooves, and locals would have likely heard the toll of the bell, assuming that both they and Toyouradera had them as the sources mention. Speaking of Toyouradera, I have less information on that compound, but it seems to have been built sometime later.  Kashikiya Hime moved to the new Woharida palace around 603, which would have freed the Toyoura palace buildings to be used for the nunnery.  While there is evidence of a pagoda being built, I suspect that it originally reused the old palace buildings, repurposing them, and then would have been built out as time allowed.  There is still a temple in Toyoura, and some remains that have been examined, but I am not aware of anything as extensive as the work on Asukadera. In comparison—and perhaps contrast—to Asukadera is the other temple of this episode: Shitennouji, the temple of the Four Heavenly Kings.  Now while many later texts certainly involved both Kashikiya Hime and Prince Umayado in the building of Asukadera, it is clear that Soga no Umako played a leading role—and was probably the primary patron for that temple.  In contrast, Shitennouji is directly associated with none other than Prince Shotoku Taishi.  It claims to have been founded in 593, based on the account of the Nihon Shoki, and it is said to have been commissioned by Crown Prince Shotoku, aka Prince Umayado, in response to the Four Heavenly Kings' intervention in the Soga-Mononobe war. To put some of this in perspective:  Prince Umayado is said to have been born in 574, and he would have been a teenager during the Soga-Mononobe war, and would have been about 20 years old or so in 593.  Granted, this is Shotoku Taishi we are talking about, and all of the history about him claims that he was quite precocious.  It is said that when he was born, his hands were clasped together.  Two years later, he opened his hands and it was revealed that he had been born holding a relic of the Buddha, which was later enshrined at the temple of Houryuji. Speaking of Houryuuji, I'm sure we'll spend more time on it in a future episode, but here's what you probably should know for context.  Houryuuji was built on the site of Prince Umayado's Ikaruga palace, and is also said to have been directly patronized by Umayado, aka Shotoku Taishi.  Furthermore, it has the oldest extant wooden buildings in the world, let alone in Japan.  And yet, the Shitenouji temple appears to get more air time in the Chronicles, which may be a factor of several different things, but primarily indicating that Shitenouji and its patrons were ascendant at court at the time that everything was being written down, whereas it appears that Houryuuji may have been rebuilding after a fire, and therefore was not as prominent as it would later be.  Either way, I encourage people to visit both to get a better idea of this period. There is less textual evidence—or perhaps there has simply been less scrutiny—for the founding of Shitenouji, and its position is hardly central to the Yamato court.  Nonetheless, it is in a place of prominence, as it was near Naniwa, the port to the Seto Inland Sea and beyond.  This was also an area that had a high number of immigrants from the mainland, which I'll be returning to in a bit. As I mentioned earlier in this episode, Shitenouji follows what we might consider a more traditional design.  Entering through the central gate, one comes upon the five storied pagoda, behind which stands the kondou, or image hall.  All of this is surrounded by a cloistered wall, which encircles both until you get to the north end, where the wall terminates at the koudou, or lecture hall.  The buildings are brightly painted and decorated in red, green, and white—colors that would have likely adorned Asukadera's posts as well, and which we see in many later temples and images.  In fact, the image of a Buddhist temple as brown and plain comes later, likely originating with just the ravages of time and the lack of funding to keep up with the paint, which was originally said to help preserve the wood and prevent damage from insects.  Eventually, some sects would come to prefer the more subdued image brought about by natural wood, creating a new aesthetic that continues to be popular.  Today you can find a variety of different temple buildings from different eras, some of which maintain the bright colors that would have likely been part of any early temple. There have been some excavations around Shitenouji, which appear to confirm that the shape has remained roughly the same over the centuries, from what I can tell.  The buildings themselves have been rebuilt over the years, but maintain a certain characteristic that seems appropriate to the early temple period.  This may be due to the fact that the temple has retained the services of a family of temple builders that continue to operate as a business, even today.  Kongou Gumi claims that it was founded in 578, when craftsmen were brought from Baekje to help build temples in Japan, making it the oldest company in the world, though it is now a subsidiary company of the Takamatsu Construction Group.  They continue to specialize in traditional temple, shrine, and castle construction, preserving ancient techniques, but also employing modern materials, such as concrete and rebar, where appropriate. While they were specific to Shitennouji, they were not exclusive, and in the 16th century they helped rebuild Osaka castle.  They have repeatedly rebuilt Shitennouji and maintained it through the years, even after it has, at times, been completely destroyed by fire or even typhoon. The story of Shitennouji's founding we talked about in the episode on the Soga-Mononobe War, but to quickly recount:  The young Shotoku Taishi crafted figures of the four Heavenly kings and prayed for a Soga victory, promising to build a temple if they won.  The Soga did win, and so he followed through by building this temple, using land taken from the Mononobe during the war. So who were the Four Heavenly Kings?  Why didn't he just pray to the Buddha? The Four Heavenly Kings are gods from India that were transmitted along with Buddhism as Buddhist Deities.  They are: Vaisravana, aka Tamonten, in the north Virudhaka, aka Zouchouten, in the south Dhrtarastra, aka Jikokuten, in the east  And Virupaksa, aka Koumokuten, the west. In general, if you are at a Japanese temple, and you see the name end with “Ten” it may be referring to one of the various Heavenly Kings. The four heavenly kings are devas, and included as four of the 20 or 24 devas who manifest to protect the Dharma.  Given their role in protecting the various cardinal directions, they became popular in East Asian Buddhism, and show up in various Mahayana texts, but they also appear in Theravada traditions as well.  It is unclear exactly when and how they became associated with Buddhism, though it wasn't uncommon for Buddhism to co-opt various gods and deities and turn them into aspects of the Buddha, Boddhisatvas, or, as in this case, protectors of Buddhism.  We see similar things happen in the archipelago as various kami are, on occasion, given Buddhist aspects and accepted as defenders of Buddhism. It appears that they have a particular place in the Konkoumyou Sutra, or Sutra of Golden Light, which is where they appear to have entered East Asian Buddhism.  This sutra may have been translated as early as the 5th century, though the Nihon Shoki uses quotes that appear to come from a translation likely made around the 7th or 8th century, which was likely popular at the time that the Nihon Shoki was being compiled.  Not only that, but later in the 8th century, various Kokubunji, or provincial temples, would be set up under state sponsorship, in part to create spiritual protection for the realm, and these were specifically set up as temples of the Four Heavenly Kings.  So we can see that belief in the efficacy of the Four Heavenly Kings was important around the time that the Chronicles were being compiled. In addition, Shitennouji is heavily influenced by what some call the “Cult” of “Shotoku Taishi”.  Again, by the time that the Nihon Shoki was being compiled, Prince Umayado had already been lifted up on a pedestal and turned into something more than just a Prince—however influential he may have been.  He became known as the Father of Buddhism, and the Father of the Nation, having also played a part—we are told—in the creation of the first ever 17 article constitution.  He was a Soga relative but he was not, importantly, a member of the direct Soga line, which would land on hard times just a few generations later and be on the political outs. Michael Como, in his book on Shotoku Taishi, also points out that Shitennouji was associated with the Abe family and with various lineages with ties specifically to Silla, including groups like the Hata—although the layout of the temple still accords with Baekje temple design, as far as I can tell.  Still, by the 8th century in particular, Shitennouji and similar temples claiming sponsorship or connections to Shotoku Taishi appear to have had connections with lineages descending from or with connections to Silla.  Spoiler alert:  Silla would eventually take over the entire Korean Peninsula, and therefore, by the 8th century, there were no new “Baekje” or “Goguryeo” immigrants—anyone coming over was from Silla.  And Michael Como points out that there seems to have been a bit of a political rift and distinction between Silla descended lineage groups and Baekje descended lineage groups.  Asukadera and the Soga family—and even Shotoku Taishi's temple of Houryuuji—appear to have been firmly attached to the Baekje lineages, whom they had sponsored to come over to help them promote Buddhism, but by the 8th century, Silla-backed groups were more dominant.  He points to a “split” in the Shotoku Taishi worship, with the Silla-backed temples dominating the narrative in the 8th century and beyond. This may also play into the story of the founding of Shitennouji, as there is a similar story in the Samguk Yusa, as Como points out.  In it, the King prays to the Heavenly Kings for victory against the Tang, and that same King is said to have built the Sacheonwang Temple in the Silla capital of Gyeongju.  This temple would become a model for later temples in Silla, and introduced a layout with two pagodas, rather than one.  We see this pattern arrive in the archipelago, influencing temples like Yakushiji, in modern Nara. Unfortunately, this all seems to just muddy the waters.  I think we can probably say that the founding of Shitennouji by a young Shotoku Taishi, while possible, seems a bit sus.  Sure, I guess they could have built a temple on the land taken from the Mononobe—it would have been quite the statement given that the Mononobe had been so anti-Buddhism, at least according to the textual records.  But was it originally dedicated to the Four Heavenly Kings?  Or did that part come later, as the texts on the Four Heavenly Kings grew more popular? I suspect that the temple, which seems laid out in the standard Baekje style, was no doubt one of the early temples, and it may even have been built on Mononobe property.  But the association with Shitennouji—and the legend of Shotoku Taishi—probably came later.  It was in a great position, however, to gain patronage from newly arrived immigrants, as the port of Naniwa would have been one of the more cosmopolitan locations, and after the downfall of Baekje and Goguryeo, most of those people crossing the sea would have identified with Silla. Regardless of the legends behind it, Shitennouji does appear to have a claim to be one of the oldest temples in Japan, and shortly after it was built—or at least they started work on the temple—we are told that Kashikiya Hime told Shotoku Taishi to aggressively promote Buddhism, which seems to have kicked off a temple-building fad.  No doubt the prestige that came from being connected with a temple like Asukadera or Shitennouji had some small part to play in that. Temples would become another source of spiritual, and thus political, power, for various kinship groups, much as shrines and kofun were as well.  In fact, the temple building craze is often seen as the beginning of the end of the Kofun period.  All of the money and resources that were poured into temple building—whether as private projects or as state sponsored projects—would put a huge drain on the labor pool for things like monumental tombs.  In addition, as Buddhist theology took hold, a dedicatory temple was, in many ways, more useful, as it could be a way of building merit for the dead, as opposed to simply building giant tomb mounds.  That doesn't mean it ended immediately, but as I've mentioned before we start to see the tomb sizes shrink.  Nothing would rival the middle kofun era building projects, and there would be a greater focus on building things like temples. I also suspect that this new style of construction may have had other knock on effects as well.  Grand buildings such as those built for temples, and later palaces, were not quite so easy to dismantle and reassemble elsewhere.  These were major construction projects and the materials were now heavier, especially those tiled roofs.  Not that it was “easy” to just build a palace in the older style, but it was clearly something that could be done quickly if necessary, as shown with the construction of various temporary buildings for envoys and the like—or even the decision to move to a new palace part way through a reign.  These new buildings weren't the same, and we can see how, when Asukadera was moved up to Nara—where it is known as Gankouji—they clearly left many of the buildings and materials behind and likely built new buildings in the new capital.  Giant images would also have been difficult to transport, and probably easier to just commission a new one.  Had Asukadera, aka Houkouji, not burned down and been generally neglected by the court, which by then had moved on to Heian-kyo, then perhaps it would have retained some of the buildings, as Houryuuji, did.  Unfortunately, it did burn down, and so today is only a shadow of what it once was—though still worth a visit, in my opinion. And that's where we'll wrap things up for now.  Until next time, then, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.   

In this episode, Jason gives a dramatic reading of the Diamond Sutra. The Diamond Sutra, a Mahāyāna Buddhist text, is notable for its influence on East Asian Buddhism, especially within the Chan or Zen tradition. Translated across a wide geographic range, it's revered for its teachings on "perfection of wisdom." Historically significant, it's recognized as one of the earliest dated printed books, with its discovery tracing back to 868 AD; it was also the first book ever released with complete open rights, allowing it to be shared, distributed or copied by anyone. The text's cultural impact is mirrored in a rich tradition of commentary and veneration within East Asian Buddhist cultures, embodying a legacy of religious thought and practice that continues to resonate across the globe​. The sutra's title metaphorically relates to the Vajra, a powerful weapon, symbolizing wisdom that cuts through illusions to attain ultimate reality. The text's essence, promoting a deeper understanding of reality through wisdom, along with its historical value as an early example of printed literature, highlights its enduring relevance and esteemed position within the Buddhist tradition and world religion​. The Diamond Sutra had fostered a rich cultural milieu of artwork, veneration, and over 80 commentaries by the end of China's Tang dynasty, indicating a vibrant intellectual engagement with the text. Its teachings continue to inspire Buddhist practitioners and scholars, affirming its timeless value in exploring profound religious and philosophical themes.  The recording at the opening of the show is of monks chanting at the Buddhist stupa Swayambhunath in Kathmandu, Nepal. Show Notes Diamond Sutra (full text free online) Magick.Me

Bright on Buddhism - Kōan Series Episode 8 - A Woman Comes Out of Samadhi Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Welcome to our enlightening podcast, where we explore the profound and diverse world of East Asian Buddhism. We delve into its key principles, teachings, and its influence on the spiritual journey of its practitioners. We learn about the concept of interdependence, the potential for enlightenment in all beings, and the doctrine of emptiness. We also explore the concept of “seeing original nature” in Chinese Chan Buddhism, the unique characteristics of Japanese Buddhism, and the doctrine of innate enlightenment in Tendai Buddhism. Join us on this journey towards enlightenment! source:https://en.wikipedia.org/wiki/Hongaku

Bright on Buddhism - Kōan Series Episode 7 - The World-Honored One Ascends the Platform Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Bright on Buddhism - Kōan Series Episode 6 - No Mind, No Buddha Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 6 - https://anchor.fm/brightonbuddhism/episodes/What-is-non-attachment-and-the-Middle-Way-e17gp0u Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Bright on Buddhism Episode 61 - Who was Nichiren? What were some of his views, works, and accomplishments? What is his significance to East Asian Buddhism? Resources: Christensen, J. A. (2000). Nichiren. Fremont, CA: Jain Publishing Co. ISBN 978-0875730868.; Ikeda, Daisaku (July 2013). The opening of the eyes: Commentaries on the writings of Nichiren. Newick. ISBN 9781938252341. OCLC 1063697629.; Ikeda, Daisaku (2013). Learning from Nichiren's Writings: The teachings for victory. Santa Monica, CA. ISBN 9781938252433. OCLC 867769732.; Montgomery, Daniel B. (1991). Fire in the lotus: the dynamic Buddhism of Nichiren. London: Dai Gohonzon. ISBN 978-1852740917.; Stone, Jacqueline Ilyse (1 May 2003). Original Enlightenment and the Transformation of Medieval Japanese Buddhism. University of Hawaii Press. ISBN 978-0-8248-2771-7.; Tamura, Yoshiro (2000). Japanese Buddhism : a cultural history (1st English ed.). Tokyo: Kosei Publ. ISBN 978-4333016846.; Tanabe, George, ed. (2002). Writings of Nichiren. Tokyo: Nichiren Shū Overseas Propagation Promotion Association. ISBN 978-0824825515.; The Major Writings of Nichiren. Soka Gakkai, Tokyo, 1999.; Heisei Shimpen Dai-Nichiren Gosho (平成新編　大日蓮御書: "Heisei new compilation of Nichiren's writings"), Taisekiji, 1994.; The Writings of Nichiren, Volume I, Burton Watson and the Gosho Translation Committee. Soka Gakkai, 2006, ISBN 4-412-01024-4.; The Writings of Nichiren, Volume II, Burton Watson and the Gosho Translation Committee. Soka Gakkai, 2006, ISBN 4-412-01350-2.; The Record of the Orally Transmitted Teachings, Burton Watson, trans. Soka Gakkai, 2005, ISBN 4-412-01286-7.; Writings of Nichiren, Chicago, Middleway Press, 2013, The Opening of the Eyes.[1]; Writings of Nichiren, Doctrine 1-6, University of Hawai'i Press, 2003, ISBN 0-8248-2733-3.; Letters of Nichiren, Burton Watson et al., trans.; Philip B. Yampolsky, ed. Columbia University Press, 1996 ISBN 0-231-10384-0.; Selected Writings of Nichiren, Burton Watson et al., trans.; Philip B. Yampolsky, ed. Columbia University, Press, 1990,ISBN 0-231-07260-0.; Sōka Gakkai in America: Accommodation and Conversion By Phillip E. Hammond and David W. Machacek. London: Oxford University Press, ISBN 0-19-829389-5; "The Sōka Gakkai: Buddhism and the Creation of a Harmonious and Peaceful Society" by Daniel A. Metraux in Engaged Buddhism: Buddhist Liberation Movements in Asia. Christopher S. Queen and Sallie B. King, eds. SUNY Press, 1996.; Sōka Gakkai kaibō ("Dissecting Sōka Gakkai") by the editors of Aera (Asahi Shimbun, 2000). ISBN 4-02-261286-X (Japanese); A Public Betrayed: An Inside Look at Japanese Media Atrocities and Their Warnings to the West. Adam Gamble & Takesato Watanabe. Regnery Publishing, Inc., 2004. ISBN 0-89526-046-8; Westward Dharma: Buddhism beyond Asia. Charles S. Prebish and Martin Baumann, eds. 2002.; Igami, Minobu. 1995. Tonari no Sōka Gakkai [The Sōka Gakkai Next Door], Tokyo: Takarajima.; Proselytizing and the Limits of Religious Pluralism in Contemporary Asia. By Juliana Finucane, R. Michael Feener, pages 103 122. Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Bright on Buddhism - Kōan Series Episode 5 - Mind is Buddha Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 6 - https://anchor.fm/brightonbuddhism/episodes/What-is-non-attachment-and-the-Middle-Way-e17gp0u Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

We start with a grounding Aum and then drop into how you start your day and the breath of life. Crystal goes over some of the Vayus, and then, ultimately, we speak on our last breath and death. The mantra this week is a healing mantra the ‘Prajnaparamitra Mantra'// The Heart Sūtra and it is "the single most commonly recited, copied and studied scripture in East Asian Buddhism." It is recited by adherents of Mahayana schools of Buddhism regardless of sectarian affiliation. Crystal calls it the serenade to the soul. Enlightenment. And we sang it to those we loved and wished white light around them.

Bright on Buddhism - Kōan Series Episode 4 - Gutei's One Finger Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 6 - https://anchor.fm/brightonbuddhism/episodes/What-is-non-attachment-and-the-Middle-Way-e17gp0u Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://anchor.fm/brightonbuddhism/message

Bright on Buddhism Research Series episode 2 - Philosophy and Ecology in "The World of Living Things" by Imanishi Kinji 今西錦司 Hello and welcome to a new type of episode of Bright on Buddhism. In this series, I will be presenting and discussing some of my own original research, which covers a broad range of topics in Japanese Buddhism, and discussing it in the context of East Asian Buddhism and other disciplines broadly. Resources: Asquith, Pamela. “Imanishi's Impact on Japan.” Nature 323, no. 6108 (October 1986): 676–676.；Asquith, “Sources for Imanishi's Views of Sociality and Evolutionary Outcomes.” Journal of Biosciences 32, no. 4 (2007): 635–41.; Buswell, Robert E., ed. Encyclopedia of Buddhism. New York: Macmillan Reference, USA, 2004.; Gethin, Rupert. “Cosmology.” In Encyclopedia of Buddhism, edited by Robert E. Buswell, 809–10. New York: Macmillan Reference, USA, 2004.; Girard, Frederic. “Crisis and Revival of Meiji Buddhism.” International Inoue Enryo Research 2 (2014): 19.; Godart, G. Clinton. Darwin, Dharma, and the Divine. Honolulu, HI: University of Hawai'i Press, 2017.; Godart, Gerard Clinton. “‘Philosophy' or ‘Religion'? The Confrontation with Foreign Categories in Late Nineteenth-Century Japan.” Journal of the History of Ideas 69, no. 1 (2007): 71–91. https://doi.org/10.1353/jhi.2008.0008.; Hajime, Tanabe, David Dilworth, and Taira Satō. “The Logic of The Species as Dialectics.” Monumenta Nipponica 24, no. 3 (1969): 273–88. https://doi.org/10.2307/2383635.; Halstead, Beverly. “Anti-Darwinian Theory in Japan.” Nature 317, no. 6038 (October 1985): 587–89. https://doi.org/10.1038/317587a0.; Kinji, Imanishi. The World of Living Things, edited by Pamela Asquith, translated by Pamela Asquith, Shusuke Yagi, Heita Kawakatsu, and Hiroyuki Takasaki, i–xxv. London: RoutledgeCurzon, 2001.; Klautau, Orion. “(Re)Inventing ‘Japanese Buddhism': Sectarian Reconfiguration and Historical Writing in Meiji Japan.” The Eastern Buddhist 42, no. 1 (2011): 75–99.; Kopf, Gereon. “Between Identity and Difference Three Ways of Reading Nishida's Non-Dualism.” Japanese Journal of Religious Studies 31, no. 1 (2004): 73–103.; Of Heretics and Martyrs in Meiji Japan, 1993. https://press.princeton.edu/books/paperback/9780691024813/of-heretics-and-martyrs-in-meiji-japan.; Smuts, Jan Christian. “General Concept of Holism.” In Holism and Evolution, 3rd ed., 84–120. London: MacMillan and Co, 1936.; 今西錦司. 生物の世界, 1941.; 日本哲学史フォーラム. 日本の哲学・第3号・特集・生命. 日本の哲学 3. Tokyo: 昭和堂, 2002.; 野家啓一. “主体と影響の生命論.” In 日本の哲学・第3号・特集・生命, 29–51. 日本の哲学 3.Tokyo: 昭和堂, 2002. Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Bright on Buddhism - Kōan Series Episode 3 - Huìnéng asked Hui Ming, "Without thinking of good or evil, show me your original face before your mother and father were born." Hello and welcome to a new type of episode of Bright on Buddhism, called the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 6 - https://anchor.fm/brightonbuddhism/episodes/What-is-non-attachment-and-the-Middle-Way-e17gp0u Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23). Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press Shimomissé, Eiichi (1998), THE GATELESS GATE Heine, Steven (2008), Zen Skin, Zen Marrow McRae, John (2000), The Platform Sutra of the Sixth Patriarch. Translated from the Chinese of Zongbao (PDF), Berkeley: Numata Center for Buddhist Translation and Research Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885 Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166 Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202 Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791 Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit) Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013 Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Welcome to the new season of the Imperfect Buddha Podcast. After a well-earned and challenging summer filled with drought, war, political strife and ridiculous heat, we're back in the saddle and raring to go with some intellectual stimulation aimed at the practicing life. Four episodes are lined up with Buddhist scholars, philosophers and practitioners. First off we have Jin Y. Park. She is Professor and Department Chair of Philosophy and Religion at the American University and also served as Founding Director of the Asian Studies Program from 2013-2020. She specializes in East Asian Buddhism, Buddhist and comparative ethics, intercultural philosophy, and modern East Asian philosophy. We touch on Derrida, non-western philosophy, Merleau-Ponty, and two fascinating figures from Korea she has carried out research on; Kim Iryop and Pak Ch'iu, philosopher-practitioners well-worth taking a look at for their unique engagement with Buddhism. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices

Bright on Buddhism Research Series episode 1 - Killing Mosquitoes: Kobayashi Issa's Buddhist Literary Practice Hello and welcome to a new type of episode of Bright on Buddhism. In this series, I will be presenting and discussing some of my own original research, which covers a broad range of topics in Japanese Buddhism, and discussing it in the context of East Asian Buddhism and other disciplines broadly. Resources: 長野郷土史研究会 小林一郎編. “一 茶 発 句 全 集.” JANIS ホームページ. 長野郷土史研究会 小林一郎編, August 14, 2005. http://www.janis.or.jp/users/kyodoshi/issaku.htm. Abé, Ryūichi. “Word” in Critical Terms for the Study of Buddhism, (Chicago: Chicago University of Press, 2005), pp.291-310. Blyth, Reginald H. “Buddhism and Haiku.” Monumenta Nipponica 7, no. 1/2 (1951): 311. https://doi.org/10.2307/2382960. Flores, Ralph. “Fictions of Reading,” in Buddhist scriptures as Literature: Sacred Rhetoric and the Use of Theory (Albany, SUNY Press, 2008), pp. 1-16. Harr, Lorraine Ellis. “Haiku Poetry.” The Journal of Aesthetic Education 9, no. 3 (July 1975): 112–19. https://doi.org/https://www.jstor.org/stable/3331909. Hass, Robert, ed. Essential Haiku: Versions of Bashō, Buson and Issa. Translated by Robert Hass. Northumberland, UK: Bloodaxe Books Ltd, 2013. Hudson, Robert. "Compassion: Kobayashi Issa." In The Poet and the Fly: Art, Nature, God, Mortality, and Other Elusive Mysteries, 65-86. 1517 Media, 2020. Accessed March 28, 2021. doi:10.2307/j.ctvzcz2qp.7. Huey, Robert N. "Journal of My Father's Last Days. Issa's Chichi No Shūen Nikki." Monumenta Nipponica 39, no. 1 (1984): 25-54. Accessed April 13, 2021. doi:10.2307/2384479. LaFleur, William R. The Karma of Words: Buddhism and the Literary Arts in Medieval Japan. Berkeley, CA: University of California Press, 2011. Lanoue, David G. "The Haiku Mind: Issa and Pure Land Buddhism." The Eastern Buddhist, NEW SERIES, 39, no. 2 (2008): 159-76. Accessed March 28, 2021. http://www.jstor.org/stable/44362411. Lanoue, David G. Haiku of Kobayashi Issa, 2021. http://haikuguy.com/issa/index.html. Marshall, Ian, and Megan Simpson. “Deconstructing Haiku: A Dialogue.” College Literature 33, no. 3 (2006): 117–34. https://doi.org/https://www.jstor.org/stable/25115369. Ramirez-Christensen, Esperanza U. “Poetics of Renga.” Essay. In Emptiness and Temporality: Buddhism and Medieval Japanese Poetics. Stanford, CA: Stanford University Press, 2008. Russell, Bruce David. “Reaching Haiku's Pedagogical Nature.” Counterpoints Vol. 193, Curriculum Intertext: Place / Language / Pedagogy (2003), pp. 93-102 193 (2003): 93–102. https://doi.org/https://www.jstor.org/stable/42978057. Stalker, Nancy K. "Edo Popular Culture: The Floating World and Beyond: (Late 17th to Mid-19th Centuries)." In Japan: History and Culture from Classical to Cool, 174-208. Oakland, California: University of California Press, 2018. Accessed April 28, 2021. http://www.jstor.org/stable/10.1525/j.ctv2n7fgm.10. Bright on Buddhism Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Bright on Buddhism Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Trailer for Bright on Buddhism! This will be a podcast where we discuss and explain topics of Buddhism in a casual, conversational, question and answer setting. My name is Nick Bright, scholar of East Asian Buddhism. I am currently studying for my Master's degree in East Asian Languages and Cultures at the University of Illinois Urbana Champaign, where I am specializing in early modern Japanese Buddhism. I have written and researched topics such as Japanese Buddhist responses to the Covid-19 pandemic, Buddhist Haiku poetry, and Japanese religious themes in martial arts. I will be joined by my friend Proven Paradox, who is also deeply interested in Buddhism. We hope you enjoy! Resources Siddhartha by Herman Hesse The Dhammapada translated by Gil Frondsal The Life of The Buddha by Ashvaghosa, translated by Patrick Olivelle Buddhism: An Illustrated Guide by Kevin Trainor Norton Anthology of World Religions: Buddhism by Donald Lopez Encyclopedia of Buddhism by Robert E Buswell Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha https://discord.gg/tEwcVpu! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Introduced to Korea during the first millenia, Buddhism has a long history on the Peninsula and remains until today a major influence on the Korean society. This is nothing, however, compared to the clout it enjoyed as state religion during the Koryo period, from the 10th until the end of the 14th century. What caused the downfall of Buddhism in Korea? A popular argument is that Buddhism had become so powerful and corrupt that the state needed to suppress it. Professor Juhn Ahn opposes this Confucian critique and we had the pleasure of interviewing him on the matter. After an overview of the current narrative, he told us about the societal shifts of the late Koryo dynasty, the problematic integration of newcomers into the Korean elite and how these factors led to the fall of Buddhism’s popularity. Professor Juhn Ahn is Assistant Professor of Buddhist and Korean Studies at the University of Michigan. In addition to various articles on East Asian Buddhism, he also has a forthcoming book on the subject: Buddhas and Ancestors: Religion and Wealth in Fourteenth-Century Korea. Professor Ahn received his PhD in Buddhist Studies from the University of California, Berkeley.

The Kenneth Mark Drain Lecture: Dr. Brad Park's talk: "Open and Mindful: The Deference of Consciousness and the Dawn of Moral Comportment."  Plus, exclusive music from Ian Tamblyn.Prof. Park earned his Bachelor’s degree from Trent in Philosophy and holds a Ph.D. from the University of Hawaii. He is an associate professor of Philosophy at St. Mary's College of Maryland, specializing in East Asian philosophies and religions, including classical Confucianism, Lao-Zhuang Daoism, East Asian Buddhism, and contemporary Japanese philosophy.

In Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (University of California Press, 2011), Charlotte Eubanks examines the relationship between Mahāyāna Buddhist sÅ«tras and the human body, using Japanese tale literature (setsuwa) as a lens through which to understand this particular aspect of Buddhist textual culture and the way in which text and body are not as separate as we usually assume. Two of the questions she wants to answer are “What do sÅ«tras want?” and “What do sÅ«tras get?” She examines Buddhist scriptures of continental origin to answer the former, while she turns to Japanese tale literature (setsuwa) to answer the latter. Two ideas central to the book are that bodies can become texts, and that texts can become bodies. Concerning the first, through reciting, reproducing, and in some sense embodying a sutra, an individual can in effect turn his or her body into the text itself (a result that the sÅ«tras themselves encourage through various admonishments, a move that can be seen as their own quest for survival). As for the second–the idea that texts can become bodies–Eubanks shows that in the Japanese context sÅ«tras literary materialize, becoming independent actors in their own right. While it was largely through setsuwa and other such filters that medieval Japanese understood Buddhist scripture, the ease with which sÅ«tras and bodies moved back and forth along what Eubanks terms “the text-flesh continuum” was dependent upon Mahāyāna sÅ«tras' concealment of their authorship. Indeed, certain sÅ«tras went so far as to suggest that their origins are to be found prior to the Buddha himself, the figure who in traditional Buddhism would have been considered the author of these texts. This move allowed Mahāyāna sÅ«tras to claim agency for themselves, and thus for Japanese setsuwa to later depict sÅ«tras as willful, motivated actors rather than mere containers for the teachings of the Buddha. Besides using setsuwa as a source for understanding the Japanese reception of Buddhist sÅ«tras, Eubanks examines the prefaces and colophons of setsuwa collections in order to understand how the compilers or authors of these tales intended this didactic literature to interact with human bodies (e.g., as food or medicine), showing that in the ideal relationship between setsuwa and reader/listener, the latter not only received ideas and ethical norms but also came to embody (both literally and figuratively) those very ideas and norms. Beside being rewarded with a stimulating reinterpretation of the way in which sÅ«tras and setsuwa make their messages heard and felt, the reader will be treated to a plethora of fascinating accounts from nine medieval setsuwa collections. In addition, Eubanks addresses gender at various points throughout the work, showing how Japanese and non-Japanese scholars alike have treated this genre as an erotic object, and the way in which setsuwa were conceived by their own authors and compilers as elderly female matchmakers (to give but two examples). And in the final chapter Eubanks discusses the relationship between material form and the practice of reading, seeking to understand the development of the revolving sÅ«tra library and the persistence of the scroll in East Asian Buddhism long after the codex has come into use. This book will be of particular interest to those researching medieval Japanese Buddhism, Mahāyāna sÅ«tras as a genre, setsuwa, Buddhist textual culture, gender symbolism in Japanese Buddhism, medieval traditions of preaching and proselytization, and the body in religious thought and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (University of California Press, 2011), Charlotte Eubanks examines the relationship between Mahāyāna Buddhist sÅ«tras and the human body, using Japanese tale literature (setsuwa) as a lens through which to understand this particular aspect of Buddhist textual culture and the way in which text and body are not as separate as we usually assume.  Two of the questions she wants to answer are “What do sÅ«tras want?” and “What do sÅ«tras get?”  She examines Buddhist scriptures of continental origin to answer the former, while she turns to Japanese tale literature (setsuwa) to answer the latter. Two ideas central to the book are that bodies can become texts, and that texts can become bodies.  Concerning the first, through reciting, reproducing, and in some sense embodying a sutra, an individual can in effect turn his or her body into the text itself (a result that the sÅ«tras themselves encourage through various admonishments, a move that can be seen as their own quest for survival). As for the second–the idea that texts can become bodies–Eubanks shows that in the Japanese context sÅ«tras literary materialize, becoming independent actors in their own right. While it was largely through setsuwa and other such filters that medieval Japanese understood Buddhist scripture, the ease with which sÅ«tras and bodies moved back and forth along what Eubanks terms “the text-flesh continuum” was dependent upon Mahāyāna sÅ«tras’ concealment of their authorship.  Indeed, certain sÅ«tras went so far as to suggest that their origins are to be found prior to the Buddha himself, the figure who in traditional Buddhism would have been considered the author of these texts.  This move allowed Mahāyāna sÅ«tras to claim agency for themselves, and thus for Japanese setsuwa to later depict sÅ«tras as willful, motivated actors rather than mere containers for the teachings of the Buddha. Besides using setsuwa as a source for understanding the Japanese reception of Buddhist sÅ«tras, Eubanks examines the prefaces and colophons of setsuwa collections in order to understand how the compilers or authors of these tales intended this didactic literature to interact with human bodies (e.g., as food or medicine), showing that in the ideal relationship between setsuwa and reader/listener, the latter not only received ideas and ethical norms but also came to embody (both literally and figuratively) those very ideas and norms. Beside being rewarded with a stimulating reinterpretation of the way in which sÅ«tras and setsuwa make their messages heard and felt, the reader will be treated to a plethora of fascinating accounts from nine medieval setsuwa collections.  In addition, Eubanks addresses gender at various points throughout the work, showing how Japanese and non-Japanese scholars alike have treated this genre as an erotic object, and the way in which setsuwa were conceived by their own authors and compilers as elderly female matchmakers (to give but two examples).  And in the final chapter Eubanks discusses the relationship between material form and the practice of reading, seeking to understand the development of the revolving sÅ«tra library and the persistence of the scroll in East Asian Buddhism long after the codex has come into use. This book will be of particular interest to those researching medieval Japanese Buddhism, Mahāyāna sÅ«tras as a genre, setsuwa, Buddhist textual culture, gender symbolism in Japanese Buddhism, medieval traditions of preaching and proselytization, and the body in religious thought and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (University of California Press, 2011), Charlotte Eubanks examines the relationship between Mahāyāna Buddhist sÅ«tras and the human body, using Japanese tale literature (setsuwa) as a lens through which to understand this particular aspect of Buddhist textual culture and the way in which text and body are not as separate as we usually assume.  Two of the questions she wants to answer are “What do sÅ«tras want?” and “What do sÅ«tras get?”  She examines Buddhist scriptures of continental origin to answer the former, while she turns to Japanese tale literature (setsuwa) to answer the latter. Two ideas central to the book are that bodies can become texts, and that texts can become bodies.  Concerning the first, through reciting, reproducing, and in some sense embodying a sutra, an individual can in effect turn his or her body into the text itself (a result that the sÅ«tras themselves encourage through various admonishments, a move that can be seen as their own quest for survival). As for the second–the idea that texts can become bodies–Eubanks shows that in the Japanese context sÅ«tras literary materialize, becoming independent actors in their own right. While it was largely through setsuwa and other such filters that medieval Japanese understood Buddhist scripture, the ease with which sÅ«tras and bodies moved back and forth along what Eubanks terms “the text-flesh continuum” was dependent upon Mahāyāna sÅ«tras’ concealment of their authorship.  Indeed, certain sÅ«tras went so far as to suggest that their origins are to be found prior to the Buddha himself, the figure who in traditional Buddhism would have been considered the author of these texts.  This move allowed Mahāyāna sÅ«tras to claim agency for themselves, and thus for Japanese setsuwa to later depict sÅ«tras as willful, motivated actors rather than mere containers for the teachings of the Buddha. Besides using setsuwa as a source for understanding the Japanese reception of Buddhist sÅ«tras, Eubanks examines the prefaces and colophons of setsuwa collections in order to understand how the compilers or authors of these tales intended this didactic literature to interact with human bodies (e.g., as food or medicine), showing that in the ideal relationship between setsuwa and reader/listener, the latter not only received ideas and ethical norms but also came to embody (both literally and figuratively) those very ideas and norms. Beside being rewarded with a stimulating reinterpretation of the way in which sÅ«tras and setsuwa make their messages heard and felt, the reader will be treated to a plethora of fascinating accounts from nine medieval setsuwa collections.  In addition, Eubanks addresses gender at various points throughout the work, showing how Japanese and non-Japanese scholars alike have treated this genre as an erotic object, and the way in which setsuwa were conceived by their own authors and compilers as elderly female matchmakers (to give but two examples).  And in the final chapter Eubanks discusses the relationship between material form and the practice of reading, seeking to understand the development of the revolving sÅ«tra library and the persistence of the scroll in East Asian Buddhism long after the codex has come into use. This book will be of particular interest to those researching medieval Japanese Buddhism, Mahāyāna sÅ«tras as a genre, setsuwa, Buddhist textual culture, gender symbolism in Japanese Buddhism, medieval traditions of preaching and proselytization, and the body in religious thought and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (University of California Press, 2011), Charlotte Eubanks examines the relationship between Mahāyāna Buddhist sÅ«tras and the human body, using Japanese tale literature (setsuwa) as a lens through which to understand this particular aspect of Buddhist textual culture and the way in which text and body are not as separate as we usually assume.  Two of the questions she wants to answer are “What do sÅ«tras want?” and “What do sÅ«tras get?”  She examines Buddhist scriptures of continental origin to answer the former, while she turns to Japanese tale literature (setsuwa) to answer the latter. Two ideas central to the book are that bodies can become texts, and that texts can become bodies.  Concerning the first, through reciting, reproducing, and in some sense embodying a sutra, an individual can in effect turn his or her body into the text itself (a result that the sÅ«tras themselves encourage through various admonishments, a move that can be seen as their own quest for survival). As for the second–the idea that texts can become bodies–Eubanks shows that in the Japanese context sÅ«tras literary materialize, becoming independent actors in their own right. While it was largely through setsuwa and other such filters that medieval Japanese understood Buddhist scripture, the ease with which sÅ«tras and bodies moved back and forth along what Eubanks terms “the text-flesh continuum” was dependent upon Mahāyāna sÅ«tras’ concealment of their authorship.  Indeed, certain sÅ«tras went so far as to suggest that their origins are to be found prior to the Buddha himself, the figure who in traditional Buddhism would have been considered the author of these texts.  This move allowed Mahāyāna sÅ«tras to claim agency for themselves, and thus for Japanese setsuwa to later depict sÅ«tras as willful, motivated actors rather than mere containers for the teachings of the Buddha. Besides using setsuwa as a source for understanding the Japanese reception of Buddhist sÅ«tras, Eubanks examines the prefaces and colophons of setsuwa collections in order to understand how the compilers or authors of these tales intended this didactic literature to interact with human bodies (e.g., as food or medicine), showing that in the ideal relationship between setsuwa and reader/listener, the latter not only received ideas and ethical norms but also came to embody (both literally and figuratively) those very ideas and norms. Beside being rewarded with a stimulating reinterpretation of the way in which sÅ«tras and setsuwa make their messages heard and felt, the reader will be treated to a plethora of fascinating accounts from nine medieval setsuwa collections.  In addition, Eubanks addresses gender at various points throughout the work, showing how Japanese and non-Japanese scholars alike have treated this genre as an erotic object, and the way in which setsuwa were conceived by their own authors and compilers as elderly female matchmakers (to give but two examples).  And in the final chapter Eubanks discusses the relationship between material form and the practice of reading, seeking to understand the development of the revolving sÅ«tra library and the persistence of the scroll in East Asian Buddhism long after the codex has come into use. This book will be of particular interest to those researching medieval Japanese Buddhism, Mahāyāna sÅ«tras as a genre, setsuwa, Buddhist textual culture, gender symbolism in Japanese Buddhism, medieval traditions of preaching and proselytization, and the body in religious thought and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (University of California Press, 2011), Charlotte Eubanks examines the relationship between Mahāyāna Buddhist sÅ«tras and the human body, using Japanese tale literature (setsuwa) as a lens through which to understand this particular aspect of Buddhist textual culture and the way in which text and body are not as separate as we usually assume.  Two of the questions she wants to answer are “What do sÅ«tras want?” and “What do sÅ«tras get?”  She examines Buddhist scriptures of continental origin to answer the former, while she turns to Japanese tale literature (setsuwa) to answer the latter. Two ideas central to the book are that bodies can become texts, and that texts can become bodies.  Concerning the first, through reciting, reproducing, and in some sense embodying a sutra, an individual can in effect turn his or her body into the text itself (a result that the sÅ«tras themselves encourage through various admonishments, a move that can be seen as their own quest for survival). As for the second–the idea that texts can become bodies–Eubanks shows that in the Japanese context sÅ«tras literary materialize, becoming independent actors in their own right. While it was largely through setsuwa and other such filters that medieval Japanese understood Buddhist scripture, the ease with which sÅ«tras and bodies moved back and forth along what Eubanks terms “the text-flesh continuum” was dependent upon Mahāyāna sÅ«tras’ concealment of their authorship.  Indeed, certain sÅ«tras went so far as to suggest that their origins are to be found prior to the Buddha himself, the figure who in traditional Buddhism would have been considered the author of these texts.  This move allowed Mahāyāna sÅ«tras to claim agency for themselves, and thus for Japanese setsuwa to later depict sÅ«tras as willful, motivated actors rather than mere containers for the teachings of the Buddha. Besides using setsuwa as a source for understanding the Japanese reception of Buddhist sÅ«tras, Eubanks examines the prefaces and colophons of setsuwa collections in order to understand how the compilers or authors of these tales intended this didactic literature to interact with human bodies (e.g., as food or medicine), showing that in the ideal relationship between setsuwa and reader/listener, the latter not only received ideas and ethical norms but also came to embody (both literally and figuratively) those very ideas and norms. Beside being rewarded with a stimulating reinterpretation of the way in which sÅ«tras and setsuwa make their messages heard and felt, the reader will be treated to a plethora of fascinating accounts from nine medieval setsuwa collections.  In addition, Eubanks addresses gender at various points throughout the work, showing how Japanese and non-Japanese scholars alike have treated this genre as an erotic object, and the way in which setsuwa were conceived by their own authors and compilers as elderly female matchmakers (to give but two examples).  And in the final chapter Eubanks discusses the relationship between material form and the practice of reading, seeking to understand the development of the revolving sÅ«tra library and the persistence of the scroll in East Asian Buddhism long after the codex has come into use. This book will be of particular interest to those researching medieval Japanese Buddhism, Mahāyāna sÅ«tras as a genre, setsuwa, Buddhist textual culture, gender symbolism in Japanese Buddhism, medieval traditions of preaching and proselytization, and the body in religious thought and practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr Michael Radich of Victoria University of Wellington gives a lecture on the subject of “How the Mahāparinirvāna-mahāsūtra Won the Heart of East Asian Buddhism, and the Quixotic Quest for Essence in Asian Religions”. 19 October 2012.

Dr Michael Radich of Victoria University of Wellington gives a lecture on the subject of “How the Mahāparinirvāna-mahāsūtra Won the Heart of East Asian Buddhism, and the Quixotic Quest for Essence in Asian Religions”. 19 October 2012.

Dr Michael Radich of Victoria University of Wellington gives a lecture on the subject of “How the Mahāparinirvāna-mahāsūtra Won the Heart of East Asian Buddhism, and the Quixotic Quest for Essence in Asian Religions”. 19 October 2012.

In their project titled “Religion in Conflict: Modern East Asia," Dr. Huaiyu Chen and Dr. Zhange Ni examine the tremendous changes that have occurred in East Asia. In the early twentieth-century, there were many conflicts between China, Japan, and Western powers, such as the conflict between Confucianism and Western religions, the conflict between Japanese Buddhism and other religious traditions, and the conflict between Chinese tradition and Japanese tradition. Even today, some of these conflicts are still troubling East Asia and also confusing the scholars from the West who observed the ongoing changes found in these regions. Certain questions arise from these ongoing interactions such as: How did Protestant Christianity fail to become a dominant power in modernized Japan? How does China respond to the rapid expansion of Christianity in urban areas and Catholicism in rural areas? How have East Asian thinkers constructed “religion?” How does China deal with the revival of Confucianism, Buddhism, and new religious movements? Huaiyu Chen (Ph. D. Princeton University) is an Assistant Professor of Chinese Religions in the School of History, Philosophy and Religious Studies at Arizona State University. His research interests span Buddhism and Nestorian Christianity, as well as medieval Chinese social and cultural history. Currently, Chen is interested in modern intellectual history, in particular, the cultural construction of religious studies as an academic discipline in modern China. Along with his research on religion and conflict in modern East Asia, he is working on two books related to the roles played by animals in medieval Chinese religious life, and a socio-cultural history of East Asian Buddhism through Buddhist canonical sources, inscriptions, and gazetteers. Zhange Ni (Ph. D University of Chicago Divinity School) is an Assistant Professor of Religion & Culture in Asia in the Department of Religion and Culture at Virginia Polytechnic Institute and State University. Her research interests include theories of religion and gender, modern and contemporary fiction, lyric poetry (English and Chinese), and history of Christianity in modern China. Along with these interests, Ni recently published an article in The Journal of Religion titled, “Rewriting Jesus in Republican China: Religion, Literature, and Cultural Nationalism.” This publication follows along the same vein as her work on “Religion in Conflict: Modern East Asia” and focuses on topics such as religion and Chinese nationalism.