Podcasts about indian buddhist

Nāgārjuna (c. 150 – c. 250 CE) was an Indian Buddhist monk and philosopher, regarded as the founder of the Madhyamaka (Middle Way) school of Mahāyāna Buddhism. His most famous work, Mūlamadhyamakakārikā (Root Verses on the Middle Way), presents the concept of śūnyatā (emptiness) and the two truths doctrine, emphasizing dependent origination and rejecting inherent existence. Nāgārjuna's philosophy has profoundly influenced Mahāyāna thought and continues to shape Buddhist studies and practice today.

This is a reading of Manjushrimitra's the Bodhicittabhavana, a seminal early text of Ati Yoga.Mañjuśrīmitra (d. 740 CE) was an Indian Buddhist scholar. He became the main student of Garab Dorje and a teacher of Dzogchen. He was a resident at Nalanda University where he became a respected Yogācāra scholar and practitionerAs explained by Yeshe Donden, "Manjushrimitra wrote the Bodhicittabhavana, in order to explain Ati Yoga to the Mahayana Buddhists who were in the majority in India at that time, and in particular to his fellow scholars from Nalanda University. Experts have determined that the work is written in the style of a learned Indian scholar, using the philosophy of post sixth century A.D. Mahayana Buddhism. Meditation on the Bodhichitta presents the Ati Yoga Semde teachings in a logical, intellectually cogent way with a high level of scholarly coherence. In this work, Manjushrimitra emphasized that intellectualism and logic do not bring about enlightenment and that “Those who seek the Truth should embrace direct experience if they hope to acquire realization.” We can see that Manjushrimitra has gone far beyond the concept of Bodhichitta found in Buddhist sutra and tantric writings and arrived at an understanding of Bodhichitta as presented in Ati Yoga (where it means the essential nature of mind, or awareness)."

Podcast: This week on the show we feature a pre-recorded conversation with Roger Jackson, author of Saraha – Poet of Blissful Awareness, published this year by Shambhala as part of its Lives of the Masters series. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohas) that are enlightening, shocking, and confounding by turns. Saraha's poetic verses served as a basis for the exposition, in Tibet, of mahamudra, the great-seal meditation on the nature of mind that permeates every tradition of Buddhism on the Tibetan plateau. This is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. Roger Jackson is Professor Emeritus of Asian Studies and Religion at Carleton College. He has nearly 50 years of experience with the study and practice of Buddhism, particularly in the Tibetan Buddhist tradition. His special interests include Indian and Tibetan Buddhist philosophy, meditation, and ritual; Buddhist religious poetry; religion and society in Sri Lanka; the study of mysticism; and contemporary Buddhist thought. Roger is a highly respected and beloved scholar, Dharma teacher, and writer. He has authored many scholarly books and articles, and is a frequent contributor to Lion's Roar, Buddhadharma, and Tricycle magazines. More information about Roger Jackson's work can be found at:   Saraha at Shambhala Publications: www.shambhala.com,   Roger Jackson at Lion's Roar: www.lionsroar.com,   Roger Jackson at Tricycle: tricycle.org,   Roger Jackson at Carleton College: apps.carleton.edu,   Roger Jackson on The Mystical Positivist #398: mysticalpositivist.blogspot.com,   Roger Jackson on The Mystical Positivist #348: mysticalpositivist.blogspot.com.

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The life and works of the mysterious Indian yogin, Saraha, who has inspired Buddhist practitioners for over a thousand years. Saraha, “the Archer,” was a mysterious but influential tenth-century Indian Buddhist tantric adept who expressed his spiritual realization in mystic songs (dohās) that are enlightening, shocking, and confounding by turns.  Saraha: Poet of Blissful Awareness (Shambhala, 2024) is the first book to attempt a thorough treatment of the context, life, works, poetics, and teachings of Saraha. It features a search for the “historical” Saraha through evidence provided by our knowledge of the medieval Indian context in which he likely lived, the biographical legends that grew up around him in Tibet, and the works attributed to him in Indic and Tibetan text collections; a consideration of the various guises in which Saraha appears in his writings (as poet, social and religious critic, radical gnostic thinker, and more); an overview of Saraha's poetic and religious legacy in South Asia and beyond; and complete or partial translations, from Tibetan, of over two dozen works attributed to Saraha. These include nearly all his spiritual songs, from his well-known Dohā Trilogy to obscure but important expositions of mahāmudrā, as well as several previously untranslated works. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Stephen Harris is a Lecturer of Indian and Comparative Philosophy at Leiden University. Studying Indian philosophical texts, in particular Buddhist moral philosophy, and their conceptual relationship to issues investigated in contemporary philosophy. Current interests include moral demandingness in the writing of the 8th century Indian Buddhist philosopher, Śāntideva, and cross-cultural study of well-being. In this episode we discuss his book Buddhist Ethics and the Bodhisattva Path: Śāntideva on Virtue and Well-Being. Book link: https://www.bloomsbury.com/uk/buddhist-ethics-and-the-bodhisattva-path-9781350379534/ ---Become part of the Hermitix community:Hermitix Twitter - / hermitixpodcast Support Hermitix:Patreon - / hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

A number of converts to Buddhism report paranormal experiences. Their accounts describe psychic abilities like clairvoyance and precognition, out-of-body experiences, near-death experiences, and encounters with other beings such as ghosts and deities, and they often interpret these events through a specifically Buddhist lens. Paranormal States: Psychic Abilities in Buddhist Convert Communities (Columbia UP, 2024) is a groundbreaking exploration of these phenomena and their implications for both humanistic and scientific study of the paranormal. D. E. Osto examines accounts of paranormal phenomena experienced by convert Buddhists from around the world collected through an online survey and interviews, placing them in the context of Indian Buddhist sources and recent scientific research. They focus in detail on the life stories of two interviewees and the important role the paranormal has played in their lives. These contemporary first-person narratives demonstrate the continued importance of the psychic and paranormal within the Buddhist tradition, and they can be interpreted as a living Buddhist folklore. Osto considers the limitations of both traditional religious views and Western scientific studies of the paranormal and proposes instead a new Buddhist phenomenological approach. Ultimately, Paranormal States contends, these deeply mysterious and extraordinary experiences exceed current understandings--and they can help bridge the gap between religious and scientific worldviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A number of converts to Buddhism report paranormal experiences. Their accounts describe psychic abilities like clairvoyance and precognition, out-of-body experiences, near-death experiences, and encounters with other beings such as ghosts and deities, and they often interpret these events through a specifically Buddhist lens. Paranormal States: Psychic Abilities in Buddhist Convert Communities (Columbia UP, 2024) is a groundbreaking exploration of these phenomena and their implications for both humanistic and scientific study of the paranormal. D. E. Osto examines accounts of paranormal phenomena experienced by convert Buddhists from around the world collected through an online survey and interviews, placing them in the context of Indian Buddhist sources and recent scientific research. They focus in detail on the life stories of two interviewees and the important role the paranormal has played in their lives. These contemporary first-person narratives demonstrate the continued importance of the psychic and paranormal within the Buddhist tradition, and they can be interpreted as a living Buddhist folklore. Osto considers the limitations of both traditional religious views and Western scientific studies of the paranormal and proposes instead a new Buddhist phenomenological approach. Ultimately, Paranormal States contends, these deeply mysterious and extraordinary experiences exceed current understandings--and they can help bridge the gap between religious and scientific worldviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

A number of converts to Buddhism report paranormal experiences. Their accounts describe psychic abilities like clairvoyance and precognition, out-of-body experiences, near-death experiences, and encounters with other beings such as ghosts and deities, and they often interpret these events through a specifically Buddhist lens. Paranormal States: Psychic Abilities in Buddhist Convert Communities (Columbia UP, 2024) is a groundbreaking exploration of these phenomena and their implications for both humanistic and scientific study of the paranormal. D. E. Osto examines accounts of paranormal phenomena experienced by convert Buddhists from around the world collected through an online survey and interviews, placing them in the context of Indian Buddhist sources and recent scientific research. They focus in detail on the life stories of two interviewees and the important role the paranormal has played in their lives. These contemporary first-person narratives demonstrate the continued importance of the psychic and paranormal within the Buddhist tradition, and they can be interpreted as a living Buddhist folklore. Osto considers the limitations of both traditional religious views and Western scientific studies of the paranormal and proposes instead a new Buddhist phenomenological approach. Ultimately, Paranormal States contends, these deeply mysterious and extraordinary experiences exceed current understandings--and they can help bridge the gap between religious and scientific worldviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

A number of converts to Buddhism report paranormal experiences. Their accounts describe psychic abilities like clairvoyance and precognition, out-of-body experiences, near-death experiences, and encounters with other beings such as ghosts and deities, and they often interpret these events through a specifically Buddhist lens. Paranormal States: Psychic Abilities in Buddhist Convert Communities (Columbia UP, 2024) is a groundbreaking exploration of these phenomena and their implications for both humanistic and scientific study of the paranormal. D. E. Osto examines accounts of paranormal phenomena experienced by convert Buddhists from around the world collected through an online survey and interviews, placing them in the context of Indian Buddhist sources and recent scientific research. They focus in detail on the life stories of two interviewees and the important role the paranormal has played in their lives. These contemporary first-person narratives demonstrate the continued importance of the psychic and paranormal within the Buddhist tradition, and they can be interpreted as a living Buddhist folklore. Osto considers the limitations of both traditional religious views and Western scientific studies of the paranormal and proposes instead a new Buddhist phenomenological approach. Ultimately, Paranormal States contends, these deeply mysterious and extraordinary experiences exceed current understandings--and they can help bridge the gap between religious and scientific worldviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

A number of converts to Buddhism report paranormal experiences. Their accounts describe psychic abilities like clairvoyance and precognition, out-of-body experiences, near-death experiences, and encounters with other beings such as ghosts and deities, and they often interpret these events through a specifically Buddhist lens. Paranormal States: Psychic Abilities in Buddhist Convert Communities (Columbia UP, 2024) is a groundbreaking exploration of these phenomena and their implications for both humanistic and scientific study of the paranormal. D. E. Osto examines accounts of paranormal phenomena experienced by convert Buddhists from around the world collected through an online survey and interviews, placing them in the context of Indian Buddhist sources and recent scientific research. They focus in detail on the life stories of two interviewees and the important role the paranormal has played in their lives. These contemporary first-person narratives demonstrate the continued importance of the psychic and paranormal within the Buddhist tradition, and they can be interpreted as a living Buddhist folklore. Osto considers the limitations of both traditional religious views and Western scientific studies of the paranormal and proposes instead a new Buddhist phenomenological approach. Ultimately, Paranormal States contends, these deeply mysterious and extraordinary experiences exceed current understandings--and they can help bridge the gap between religious and scientific worldviews.

The Abhidharmakośabhāṣya (Treasury of Metaphysics with Self-Commentary) is a pivotal treatise on early Buddhist thought composed around the 4th or 5th century by the Indian Buddhist philosopher Vasubandhu. This work is a complete and systematic account of the Abhidharma, and is the peak of scholarship in the Fundamental Vehicle. It elucidates the Buddha's teachings as synthesized and interpreted by the early Buddhist Sarvāstivāda school. Vasubandhu (4th to 5th century CE) was an influential Buddhist monk and scholar from Gandhara or Central India. He was a philosopher who wrote commentary on the Abhidharma, from the perspectives of the Sarvastivada and Sautrāntika schools. After his conversion to Mahayana Buddhism, along with his half-brother, Asanga, he was also one of the main founders of the Yogacara school. Vasubandhu's Abhidharmakośakārikā ("Commentary on the Treasury of the Abhidharma") is widely used in Tibetan and East Asian Buddhism, as the major source for non-Mahayana Abhidharma philosophy. Vasubandhu is one of the most influential thinkers in the Indian Buddhist philosophical tradition. Because of their association with Nalanda university, Vasubandhu and Asanga are amongst the so-called Seventeen Nalanda Masters. In Jōdo Shinshū, he is considered the Second Patriarch; in Chan Buddhism, he is the 21st Patriarch.

For Episode 9 of the Dakini Conversations podcast I am delighted to welcome Deepak Anand, an Indian explorer, writer and researcher and author of several books on Indian Buddhist heritage sites and Buddhist relics, and founder of a remarkable project to film and document important Buddhist sites by personally retracing by foot, the route of the Chinese Buddhist pilgrim, 7th CE monk scholar Xuanzang's epic journey of over 10,000 miles from China to India and back, to throw fresh light on the routes and sacred places of the Buddhist pilgrimage and create awareness about the importance of Xuanzang in preserving the Buddhist pilgrimage legacy. Anand's walk took six months going through Haryana, Uttar Pradesh and parts of southern Nepal, and ended at Nālandā in Bihar, which was Xuanzang's final destination in his journey, covering a distance of roughly 2000 kilometres. This pilgrimage was no hyper-expensive luxury spa/hotel trip with privately arranged cars and tour guides. It involved Anand walking long distances, sleeping wherever he was offered a place to stay in local villages and institutes, crossing many rivers during the monsoon season and along precarious paths and routes. Making his pilgrimage as close experientially to Xuanzang's (and Buddha's) footsteps as possible. Although Anand has been working on this project since 2020, I only recently discovered his work on his excellent website, Nalanda-Insatiable in Offering (http://nalanda-insatiableinoffering.blogspot.com/), while researching pilgrimage sites of Buddhism myself in relation to my own current andongoing pilgrimage travels around Asia. Part of the project is also to include local communities in their heritage by raising awareness within them but also using their unique local knowledge about the places themselves that have been passed on for generations. In this interview we discuss Anand's background and interest in Buddhism in India and Xuanzang, inspired by the Xuanzang Memorial project built in Nālanda in 2007 (https://artsandculture.google.com/story/xuanzang-memorial-n%C4%81land%C4%81-xuanzang-memorial-nava-nalanda-mahavihara/-gXx1Bey76EHJA?hl=en) his work on reviving walking pilgrimage in India (Cetiya Cārikā), motivation for starting the project, the highlights and challenges of his journey so far, and plans and aspirations for the future.

We are sitting in an East End art studio talking about death. The London tube rolls by outside, surfacing momentarily from tunnels dark as Hades, trundling its occupants inexorably on to somewhere. You can hear at intervals its soothing, almost womb-like background rumble and hush as a reminder of sorts - fitting sound as backdrop to this conversation with Buddhist artist Hugh Mendes, whose celebrated series ‘Obituaries' we are exploring in a new online ‘Story' space: ‘The Impermanence of Everyone'. Explore the work of Hugh Mendes and watch the accompanying film about the Buddhist aspects of his work Far from being grim or at all didactic, these canvases light us up when we see them: whether with recognition of a famous face; startled apprehension that this is the artist's dead father not long after the moment of death; or fascination at the mysterious techniques of oil painting and how on earth it survives and thrives as a medium in the contemporary art world. Mendes - ordained Buddhist name, Paramabodhi (“Supreme Enlightenment“) - loves painting, loves meditating, and loves teaching both. His practice - as artist and Buddhist - is fused in the ongoing contemplation of impermanence as a core aspect of whatever it is we mean when we say “reality”.  Equally at ease immersing himself in the Satipatthana Sutta, with its exercises contemplating the decomposition of our own body as a corpse, or becoming deeply absorbed in the physical act of painting for hours on end every day, Mendes is usually in touch with something both intimate and detailed, vast and universal. We hear about his time teaching art in in San Francisco, where he also co-founded the San Francisco Buddhist Center in the city's Mission District. His years of training and counter-cultural experiment at Chelsea Art school in the 1970s, where he booked the Sex Pistols for one of their first ever gigs. And his return to London following the death of his father to focus on art practice and, latterly, public Buddhist teaching at the London Buddhist Centre.  We also discuss the challenges for both Buddhism and art of reaching a more diverse group of people - finding ways to cross class, racial, gender and financial boundaries. One of Mendes' great heroes in this is the Indian Buddhist leader and author of the Indian Constitution, Dr. Bimrao Ambedkar. It's fascinating to watch the artist very much at home in his studio, surrounded by inspirational figures mythic and human, all looking back at him as he tries to capture both their own versions of themselves and our culture's gaze as they exit life and are being memorialized. We get to dwell with Mendes as he continues his decades-long meditation on the elusive nature of selfhood and identity that slips in and out of light and shadow yet may - sometimes - be beautifully and usefully reflected in the eye of the beholder. Show Notes The Impermanence of Everyone: In Studio With Buddhist Artist Hugh Mendes (Paramabodhi)  + Follow Hugh Mendes on Instagram Visit Hugh Mendes' website Satipatthana Sutta: The Foundations of Mindfulness Find out more about Dr. Ambedkar Follow us on YouTube and Instagram *** Visit The Buddhist Centre Live (events year-round on Buddhism, mindfulness, meditation, and culture) Come meditate with us online six days a week! Theme music by Ackport! Used with kind permission.

This session gives an introduction to why it is important to study philosophy and an overview of the course.

Georges Dreyfus is  Professor of Religion at Williams College, Massachusetts. His focus is in the fields of Indian Buddhist philosophy, philosophy of mind, and cognitive processes. At the age of 20, Dreyfus left his native home of Switzerland and backpacked across Eastern Europe through Turkey, Iran, Afghanistan, and Pakistan to India. He traveled to Dharamsala where he first encountered Tibetan Buddhism. Captivated by its philosophy, he entered a monastery and began the studies that lasted for 15 years. In 1985 he would be the first Westerner to receive the Geshe Lharampa degree, the highest available within the Tibetan scholastic tradition.He is author of several books including, The Sound of Two Hands Clapping: The Education of a Tibetan Buddhist Monk, and Recognizing Reality: Dharmakirti's Philosophy and Its Tibetan Interpretations.Dr. Dreyfus and Bryson discuss:His journey from Switzerland to IndiaHow he came to be a Buddhist monkThe daily life of a Buddhist monkThe Philosophy of Conscious in BuddhismMeeting the Dalai LamaThe Path of Meditation vs. ScholarshipTibetan Debating Systemand much more...Remember to subscribe to the Somatic Primer Podcast  for more engaging conversations. Please give us a 5-star rating in Apple Podcasts if you enjoy our show. Thank you for listening!Support the show

367 BCE - 205 BCE   “When a defining moment comes along, you define the moment, or the moment defines you.”  Kevin Costner    A modest mystery immediately greets the hard pressed historian on encountering the death of Sri Lanka's first and possibly greatest king, Pandu Kabhaya.  His impossibly long reign – some 70 years ( - and that following an extended youth tormenting and eventually killing his uncle)  – defies all reasonable expectation of life expectancy at the time. Some scholars, fretting at the impossible arithmetic athleticism of the great king, helpfully suggest an extra king at this point – a shadowy name emerges from antique mists: Ganatissa, said to be a son of Pandu Kabhaya. Or was he a grandson?  Or just a royal blind alley?  It is a mystery that is never likely to be cleared up, but if Ganatissa was an invisible king, Mutasiva, said to have been Pandu Kabhaya' son, emits at least the glimmer of glorious light.  His existence is not in question.  His reign was long, and he is said to have enlarged Anuradhapura creating Mahamevnāwa, an enormous park noted for its flowering trees and fruits. And mindful of his dynastic obligations, Mutasiva also produced 9 sons, 5 of whom would rule after him.  Certainly, something went very right during the reigns of Pandukabhaya, (?Ganatissa) and Mutasiva for during this period, civil war, that had rocked the reigns of Panduvasdeva's sons, draws not even the merest whisper in the chronicles.  This period of calm government would have enabled the state to become increasingly centralised, and in so doing, embedded Vijayan rule and the ascendency of the Anuradhapura Kingdom across the island.  Mutasiva's peaceful death, in 307 BCE, made clear that the Vijayans were there to stay. It turned out that this was the best of all possible times to take stock of the kingdom, and lift its game.  And it was fortunate that when Sri Lanka's paramount defining moment occurred, it had a king talented enough to make best sense of it, though in the decades after his death, all was nearly lost by feeble heirs and violent invaders.  Devanampiya Tissa, old King Mutasiva's second son, is described by The Mahavaṃsa as being "foremost among all his brothers in virtue and intelligence". To get anywhere close to this remarkable king (307 – 267 BCE)  you should take yourself off to a mountain in Mihintale, 16 kilometres east of Anuradhapura.  There stands a modest, much weathered, armless stone statute of Devanampiya Tissa, just over six feet high, gazing out across the grand ruins and remains of the religious citadel. It marks the very spot where Sri Lanka became Buddhist. Gaze into the stoney eyes of the king – for, unlike so much other statutory, this one, argue the scholars, actually dates from very close to the death of this Buddhist welcoming monarch. Like the Vijayans, Buddhism also came from India - and it has naturalised so completely across the island that it is impossible grasp any aspect of the country's past or present, without first comprehending the centrality of this, its main religion.  It arrived through a series of intimate stories in which faith follows friendship – for King Devanampiya Tissa had struck up a pen-pal relationship with the celebrated Indian Buddhist emperor, Ashoka. Gifts followed letters, and a missionary followed the gifts when Ashoka despatched his own son, Mahinda, to Sri Lanka. The young missionary prince was to live on the island for 48 years, out-living Devanampiya Tissa, and dying, aged 80 after a lifetime spent promoting Buddhism, the beneficiary of a state funeral at which his relics were interred in a stupa in Mihintale. For it was at Mihintale that Mahinda first met Devanampiya Tissa. The king, it was said, was out hunting. Expecting a stag, the ruler instead found himself a missionary. A testing exchange on  the nature of things followed, and then a sutra was preached. The rest, as they say, is history. The conversions began, and the country's history took the most definitive turn in its long journey, becoming - and remaining to this day - a Buddhist country first and foremost, with all that this entailed.  So great were the number of conversions that the king especially built the Maha Vihare (The Great Monastery) in the pleasure gardens of Anuradhapura to house the growing number of Buddhist monks; and for centuries afterwards, the building was to become the centre of Theravada Buddhism in Sri Lanka. The evidence for all this comes, of course, from The Mahāvaṃsa Chronicle.  But it is very likely that Buddhism penetrated the island much earlier.  Even so, it took the backing of a king to ensure that the religion became so dominant so fast.  And as it did so, it accrued some of the many rituals and ceremonies of the pre Buddhist cults, especially those associated with agriculture and demons.  It also helped spread a common language and script, and with it, the power of the centre for the king was also the formal guardian of the Sanga – the religious organization. Clearly, Mahinda, the young missionary had painted a compelling picture of his new island home in his letters home for he was soon joined by his sister, the nun, Sanghamitta.  She brought with her a golden vase in which grew a sapling of Bodhi-Tree taken from the very one under which Buddha himself is said to have attained enlightenment. Accompanied by a number of other nuns, Sanghamitta landed in the north of the island and was met by King Devanampiya Tissa himself. The party were ceremonially escorted to Anuradhapura along a road softened with white sand.  The Bodhi sapling was planted in the Mahameghavana Grove in Anuradhapura, where it still grows. Saṅghamitta later ordained Queen Anula and the women of the court in Buddhism and stayed on in the island, promoting the religion. She died in 203 BCE aged 79, her death prompting national mourning. A stupa was erected over her cremation site in front of the Bodhi-Tree in Anuradhapura. The king himself built a monastery and temple caves at Mihintale, a site that over successive years grew and grew. Indeed temple caves rapidly became the architectural hit of the time with ordinary people funding a stone mason to do all the necessary work.  Between the third century BCE and the first century CE nearly 3,000 such caves were recorded. Other notable buildings followed: monasteries, palaces, the 550 acre Tissa Wewa water tank, still in use today; and the Thuparamaya of Anuradhapura, the county's first stupa - which enshrined the right collarbone of Lord Buddha and whose remains today stretch out over 3 ½ acres.  Devanampiya Tissa's death after a long reign brought to a gradual end a golden period of Vijayan peace and prosperity.The illustration is from a painting by Rajni Perera, one of Sri Lanka's leading contemporary artists; based in Canada.The Ceylon Press currently produces three podcast shows.1. The Jungle Diaries (www.theceylonpress.com/thejunglediariespodcast)2. The History of Sri Lanka (www.theceylonpress.com/thehistoryofsrilankapodcast)3. Poetry from the Jungle (www.theceylonpress.com/poetryfromthejunglepodcast)The recording is read by David Swarbrick; and all disappointing, inexact and incomplete renderings of Sinhala and Tamil names are entirely of this own unintentional and apologetic making, for which your forgiveness is a...

This episode of the Wisdom Podcast, recorded live as a Wisdom Dharma Chat features special guest Thupten Jinpa and host Daniel Aitken in a discussion about the series Science and Philosophy in the Indian Buddhist Classics series. The two pay special attention to the newest and last volume in the series, Volume 4: Philosophical Topics. Jinpa […] The post Thupten Jinpa: Science and Philosophy in the Indian Buddhist Classics (#168) appeared first on The Wisdom Experience.

The mind is the creator of everything—all happiness and suffering. Thus, gaining control over the mind is the only real and reliable way to live a happy, peaceful life. Buddha said that "we make our destiny, “therefore, control yourself.”   To tame the mind, a practitioner relies on mindfulness. Although "mindfulness" is a broadly used term, its original meaning in Buddhist texts means remembering the right actions and avoiding the wrong ones. During meditation, this involves remembering and remaining on the meditation objective you've chosen. For example, when doing a breathing meditation like counting the breath, mindfulness means maintaining a moment-by-moment awareness of the breath. However, in daily life, mindfulness means remembering our planned practice and staying aware of what our body, speech, and mind are up to!  Mindfulness refers to knowing what's going on in your body, speech, and mind and being mindful of your actions, words, and thoughts. When we're mindful, we're not acting on autopilot. How does controlling the mind protect us from suffering? The purpose of mindfulness is to control our minds and, therefore, our actions. According to Buddhist teachings, our harmful past actions, or karma, lead to misfortunes and dangers. An intention in the mind always precedes these actions, so negative karma comes from an uncontrolled mind. On the other hand, a disciplined mind restrains us from harmful actions and encourages virtuous behavior, keeping us safe. The Indian Buddhist master Shantideva said that taming our minds won't necessarily save us if we are attacked by a tiger, lion, or elephant. But it will prevent us from accumulating the karma that would lead to such dangers in the future.  How does controlling the mind lead to all happiness? All good qualities come from the mind, including the six perfections of a Bodhisattva: generosity, ethical discipline, patience, joyful effort, concentration, and wisdom. From good habits in the mind, like these, arise good intentions, so we give to others. We are patient and kind. We make an effort to meditate and so forth, creating good actions or karma. From good karma comes every happiness we experience, as Taylor Swift sings in her song “Karma:” “Karma is the breeze in my hair on the weekend Karma's a relaxing thought Aren't you envious that for you it's not? Sweet like honey, karma is a cat Purring in my lap 'cause it loves me” Good karma ripens as anything from having a mind predisposed to happiness, generosity, or patience, to pleasant experiences like seeing a beautiful sunset. Training our minds in good habits leads to positive actions, which directly leads to our moments of happiness and their causes. Admonish yourself.  Control yourself.  O bhikkhu, self-guarded and mindful,  You will live happily. (379)    Oneself, indeed, is one's own protector.  One does, indeed, make one's own destiny.  Therefore, control yourself  As a merchant does a fine horse. (380) --Buddha, The Dhammapada Links to References Buddha.The Dhammapada. Translated by Gil Fronsdale. (Kindle). Shambala, Boston and London, 2011 (Link) Buddha (1986).The Dhammapada: Verses and Stories. Translated by Daw Mya Tin, M.A. (Website). Edited by Editorial Committee, Burma Tipitaka Association Rangoon. Courtesy .of Nibbana.com. For free distribution only, as a gift of dhamma. https://www.tipitaka.net/tipitaka/dhp/verseload.php?verse=379 Find us at the links below:  Facebook:https://www.facebook.com/Buddhismforeveryone Facebook Group:Join our private group at: https://www.facebook.com/groups/sanghatalk/ Instagram: https://www.instagram.com/buddhism.with.joann.fox Website: Buddhismforeveryone.com

THE TEN STAGES: An Introduction to the Bodhisattva Path Thursdays, 6:00 - 7:30pm (Pacific) June 29 - August 31, 2023 Tuition: $300 The Ten Stages (bhūmi) describe the process of awakening (or ‘enlightenment'), from the initial determination to do so all the way to the attainment of Buddhahood. This ten-step rubric is the foundation of the Bodhisattva Path and it comes from an early Mahāyāna sutra simply known as the Ten Stages Sutra, in which each stage is associated with different practices, teachings, and contemplation exercises. This course is a ten-week exploration of each Stage of the Path. We will read portions of the Ten Stages Sutra, explore commentaries of The Stages, and consider its relevance to our lives today. EMPTINESS: The Wisdom of Nāgārjuna Sundays, 9:00am - 10:30am (PT) July 9 - August 26, 2023 Tuition: $250 Śūnyatā, translated most often as 'emptiness,' is possibly the most difficult Buddhist concept to understand. In early Buddhist writings, the term is often synonymous with the concept of ‘no-self' (anattā), or it is described as a meditative experience completely devoid of sensory perception. In Mahāyāna Buddhism, however, śūnyatā is more closely associated with the teaching of dependent-origination (pratītyasamutpāda) and is interpreted as the lack of inherent nature (svabhāva) of any individuated phenomena, self or otherwise. The primary teacher of Emptiness in this sense, and its broader implications, is undoubtedly the Indian Buddhist philosopher Nāgārjuna. This course is a line-by-line reading of Nāgārjuna's commentarial poem the Śūnyatāsaptatikārikā ('Seventy Verses on Emptiness'). For more information or to register go to www.LotusUnderground.com

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Ching Keng about his book Toward a New Image of Paramartha: Yogacara and Tathagatagarbha Buddhism Revisited (Bloomsbury, 2022). Yogacara and Tathagatagarbha are often regarded as antagonistic Indian Buddhist traditions. Paramartha (499-569) is traditionally credited with amalgamating these philosophies by translating one of the most influential Tathagatagarbha texts in East Asia, the Awakening of Faith in Mahayana, and introducing Tathagatagarbha notions into his translations of Yogacara texts. Engaging with the digitalized Chinese Buddhist canon, Ching Keng draws on clues from a long-lost Dunhuang fragment and considers its striking similarities with Paramartha's corpus with respect to terminology, style of phrasing, and doctrines. In this cutting-edge interpretation of the concept of jiexing, Keng demystifies the image of Paramartha and makes the case that the fragment holds the key to recovering his original teachings.  Further readings mentioned in our interview: Funayama, Toru 船山徹. The Work of Paramārtha an Example of Sino-Indian Cross-cultural Exchange. Journal of the International Association of Buddhist Studies; 2009; 31, pp. 141-83. Radich, Michael. The Doctrine of *Amalavijñāna in Paramārtha (499–569), and Later Authors to Approximately 800C.E. Zinbun; 2008; 41, pp. 45-174. Listeners and readers interested in further discussions, please feel free to contact Prof. Ching Keng, ckeng@ntu.edu.tw Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

In Part 3 of this multipart series, Joan Dunne delves into ancient Indian Buddhist philosopher Nagarjuna's work The Ratnavali or The Jewel Garland which offers counsel to kings or all […]

In Part 3 of this multipart series, Joan Dunne delves into ancient Indian Buddhist philosopher Nagarjuna's work The Ratnavali or The Jewel Garland which offers counsel to kings or all who are king-like. Roshi Joan Halifax and John take questions from the Zoom participants at the end. To access the resources page for this program, […]

Talking about Vipassana technique, ancient Indian/Buddhist way to meditate and how quantum physics and modern trauma healing are catching up up to it.

Ann has been practising yoga and meditation for nearly 20 years and has since completed her Masters in the Traditions of Yoga and Meditation from SOAS University with ongoing Sanskrit training. Ann was inspired from an early age by her father's anecdotal experiences with Kuṇḍalinī and his involvement in experiments with Zen priest and transpersonal scientist, Dr Motoyama. Her own experiences have pointed her towards a phenomenological investigation of the parallels between spontaneous Kuṇḍalinī awakenings and Buddhist paths to enlightenment. Her previous research focuses on the phenomenology of Buddhist and Yogic experiences through practice. Ann is currently researching spontaneous Kuṇḍalinī arousals and how these experiences map onto the path of realisation within Indian Buddhist and Yogic traditions as well as cutting-edge consciousness theory. Her mission is to gain a deeper understanding of the psychological processes that can arise from spontaneous transpersonal experiences or deep meditation practice and how we can safely support others walking this path towards greater wholeness. Website: annmathie.com Discussion of this interview in the BatGap Community Facebook Group. Transcript of this interview Interview recorded October 8, 2022 Video and audio below. Audio also available as a Podcast.

Bright on Buddhism - Guest Appearance - Rebecca Stover Disclaimer: Nick's audio is very low quality due to some technical difficulties. We apologize. This week, Bright on Buddhism welcomes our 3rd special guest, Rebecca Stover! Rebecca is an MA student in Library and Information Sciences at the University of Illinois Urbana-Champaign. She specializes in the curation of Buddhist materials for Western, English-speaking audiences. She has travelled to India, where she spent a week as a Buddhist nun, as well as where she made several pilgrimages to important Buddhist sites, and she has also lived in Japan for a brief period. She has studied Japanese Buddhism and Indian Buddhist commentarial literature, such as that of Nagarjuna. In today's conversation, we discuss these experiences in depth. We hope you enjoy! Resources: https://guides.library.illinois.edu/c.php?g=983579 https://guides.library.illinois.edu/buddhism Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha https://discord.gg/tEwcVpu! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

In this episode, we speak with Dr. Stephen Jenkins about his beginnings as a scholar of Buddhism, his research on the place of compassion in Buddhism, and how he thinks this fundamental idea has been overlooked in many contemporary discussions of Buddhism. Plus, we discuss the relation between compassion and wisdom, the role of imagination in Buddhist practice, and the reasons Buddhist traditions argue that compassion benefits the practitioner!We also preview Dr. Jenkins' upcoming online course,  BSO 108 | Buddhism and Compassion, which will history and development of this key idea in Buddhist thought and practice. Speaker BioDr. Stephen Jenkins is Professor of Religious Studies at Humboldt State University. He received his doctorate from Harvard University in 1999. Much of his career has been spent in Asia serving study abroad programs in India, Tibet, Nepal, Sri Lanka, and Japan. His research has been primarily focused on Indian Buddhist concepts of compassion, their philosophical grounding, and their ethical implications. LinksBSO 108 | Buddhism and Compassion

David Gray talks about revelatory or "treasure" texts from Indian and Tibetan perspectives in a comparative framework. This presentation will attempt to shed some light on the process by which tantras are believed to have been revealed in the world in Indian Buddhist tantric traditions. Unfortunately, we have very little information about the actual revelation process, unlike in the Nyingma “Treasure” gter ma traditions, for which we have numerous sources describing this process. Surveying some of the available sources, I will argue that in India, as in Tibet, we find both accounts of discovery of physical texts as well as accounts of purely visionary revelation. However, even in the case of the former, we find that visionary experiences seem to play an important role in the revelation process. Drawing on these accounts, the work of Tanya Luhrmann and my own experience, I will suggest that visionary experiences likely triggered by intensive visualization practice likely played a central role in the revelation of tantric Buddhist scriptures in India.

David Gray talks about revelatory or "treasure" texts from Indian and Tibetan perspectives in a comparative framework. This presentation will attempt to shed some light on the process by which tantras are believed to have been revealed in the world in Indian Buddhist tantric traditions. Unfortunately, we have very little information about the actual revelation process, unlike in the Nyingma “Treasure” gter ma traditions, for which we have numerous sources describing this process. Surveying some of the available sources, I will argue that in India, as in Tibet, we find both accounts of discovery of physical texts as well as accounts of purely visionary revelation. However, even in the case of the former, we find that visionary experiences seem to play an important role in the revelation process. Drawing on these accounts, the work of Tanya Luhrmann and my own experience, I will suggest that visionary experiences likely triggered by intensive visualization practice likely played a central role in the revelation of tantric Buddhist scriptures in India.

David Gray talks about revelatory or "treasure" texts from Indian and Tibetan perspectives in a comparative framework. This presentation will attempt to shed some light on the process by which tantras are believed to have been revealed in the world in Indian Buddhist tantric traditions. Unfortunately, we have very little information about the actual revelation process, unlike in the Nyingma “Treasure” gter ma traditions, for which we have numerous sources describing this process. Surveying some of the available sources, I will argue that in India, as in Tibet, we find both accounts of discovery of physical texts as well as accounts of purely visionary revelation. However, even in the case of the former, we find that visionary experiences seem to play an important role in the revelation process. Drawing on these accounts, the work of Tanya Luhrmann and my own experience, I will suggest that visionary experiences likely triggered by intensive visualization practice likely played a central role in the revelation of tantric Buddhist scriptures in India.

Georges Dreyfus is  Professor of Religion at Williams College, Massachusetts. His focus is in the fields of Tibetology and Buddology, with a particular interest in Indian Buddhist philosophy, philosophy of mind, and cognitive processes. At the age of 20, Dreyfus left his native home of Switzerland and backpacked across Eastern Europe through Turkey, Iran, Afghanistan, and Pakistan to India. He traveled to Dharamsala where he first encountered Tibetan Buddhism. Captivated by its philosophy, he entered a monastery and began the studies that lasted for 15 years. In 1985 he would be the first Westerner to receive the Geshe Lharampa degree, the highest available within the Tibetan scholastic tradition.He is author of several books including, The Sound of Two Hands Clapping: The Education of a Tibetan Buddhist Monk, and Recognizing Reality: Dharmakirti's Philosophy and Its Tibetan Interpretations.Dr. Dreyfus and Bryson discuss:His journey from Switzerland to IndiaHow he came to be a Buddhist monkThe daily life of a Buddhist monkThe Philosophy of Conscious in BuddhismMeeting the Dalai LamaThe Path of Meditation vs. ScholarshipTibetan Debating Systemand much more...Remember to subscribe to the Somatic Primer Podcast  for more engaging conversations. Please give us a 5-star rating in Apple Podcasts if you enjoy our show. Thank you for listening!

Rinzai or Soto?It does not make much diff'rence —if you are sincere.* * *In the last segment, we ended with Matsuoka Roshi's cautionary tale about overreacting to the menu of Zen and other meditation teachers on offer today:In all the world now there are many genuine teachers and many more pretenders. The popular Zen teachers of today may fade in a year or two.He goes on to point out that with Master Dogen, and other teachers in the so-called unbroken face-to-face lineage from Shakyamuni on down, many of their stories are subject to revisionist history, which further amplifies his point on history as a great deceiver:Of course, if you were a slightly dishonest scholar of the Sung era who wanted to justify the Lin Chi sect's use of koans, it would be handy to make a venerable canon testify to that prior practice. This story, and that of Dogen, are just two specifics from modern Zen research to remind you to distrust historians a little. With bad information, it is easier to let yourself believe some embellished legends, and then wonder why they do not make sense in your own life.Why should the history of Zen Buddhism be any different, after all? As soon as any record is written down, as usual by the victors, it is subject to error, intentional or accidental. While we have the ideal of the separation of church and state as a contemporary meme, it was not always so. Those who do not study history may be doomed to repeat it, but we cannot take for granted that the written record is any more than an approximation of what actually happened, and why. The who, how, where and when are often questionable as well. Not to be too paranoid, but Zen Mind is one of few things we can trust:There is of course a second thing to distrust. There is nothing that is static, so do not look for an unchanging Zen tradition any more than you would look for an unchanging you. In examining Zen as it has been taught in all the different times and places in the last 2,500 years or so, the form has changed, and changed, and changed again. The original vinaya, or monastic rules, as set down by Shakyamuni Buddha to his disciples are no longer all practiced in the monasteries of modern China and Japan, and yet, the Zen practice is as authentic as the first practice of the historic Buddha.Here is a fundamental koan on the history of Zen: its form changes but its essence does not. It is based on the innate quality of the buddha, or awakened, nature, as being natural, the birthright of all humans. The method, that is the only concrete thing that is transmitted in Zen, is what fosters this realization. It does not matter, in this sense, what the historical details really were. We do not claim the performance of miracles, for instance, other than awakening to the miracle of existence itself.After going into tighter focus on the history of Zen in 9th century China, mentioning some of the standout “monsters” of Zen, as we like to refer to them, and remarking their differences, Sensei includes verbal and visual pedagogy:Each of the three schools [Ikyo; Ummon Zen; and Hogen Zen sects] was based upon meditation practice and upon the use of verbal or diagrammatic means to reveal the light of inherent wisdom. Wei Yang of Ikyo Zen and his disciples used a series of circular figures that they would draw in the sand. By means of these illustrations and the terse descriptions that accompanied them, and by question-and-answer, called “mondo,” the Ikyo masters worked for the liberation of their disciples.Socrates was not the only master innovating non-traditional teaching approaches. We are challenged to do likewise today.Wrapping up his brief survey of this century-plus of Ch'an, Sensei summarizes:Of the five schools of Zen, these three vanished. What is ironic is that Yun Men, founder of the Ummon sect, was the most popular of all the founders of the five houses of Zen in that century. And yet, the Ummon sect vanished. The two Chinese houses of Zen that lasted, and later crossed the shore to Japan, were Rinzai and Soto. These two I will discuss in a little more depth.Matsuoka Roshi, like many of the early pioneers of Zen in America, was steeped in the history of Zen, developing a near-encyclopedic memory of teachings and the exchanges between the great ancestors. But for our immediate ancestors, the history of Zen was inseparable from the history of the country, Japan, itself. In our case, they may appear as interesting — if somewhat irrelevant — stories from a remote part of the world. Imagine what it would be like if they were intertwined with the story of America, from its founding to the Revolution, and the subsequent establishment of the Republic. Master George Washington. Fully enlightened Thomas Jefferson, Zenji. James Madison, dai osho. John Adams, Roshi. Brother Ben Franklin, that iconoclast rogue monk. Householders all. But I digress:The Master I Hsuan (Gigen in Japanese) of Lin Chi Temple is credited with being the founder of the Lin Chi or Rinzai Zen sect. Lin Chi, as I Hsuan is also known, was a very intense, driven and severe disciple of Huang Po (Obaku Kiun in Japanese). He used beatings, shouting and other severe discipline in conjunction with koan practice to open the eyes of his followers. Although others before Lin Chi used these methods, under Lin Chi's guidance, they became a most skillful means of teaching to obtain immediate enlightenment. Lin Chi also discoursed on more doctrinal issues, like the four propositions of Indian Buddhist logic; but such discussions were the common interest of Zen disciples in China at the beginning of the Five Dynasties period. Despite his strict and somewhat brutal methods, Lin Chi was also well able to discourse on the dharma in public debate, a teaching method now sometimes called “dharma combat.” After Lin Chi, however, the teaching style of the sect became more formalized, and less spontaneous. Nonetheless, it has proved itself to be a vital and effective teaching.Where others see and tend to stress difference over sameness — the current political term of art being “divisiveness” — Sensei, and Zen teachers in general, tend to stress sameness over difference. The ultimate resolution of this binary is found in Sekito Kisen's Sandokai — Harmony of Sameness and Difference. Matsuoka Roshi had friends who were priests in the Rinzai sect, one of whom visited the Zen Buddhist Temple of Chicago, and was the guest speaker. Since it was in Japanese, I do not remember the content. But afterward, if memory serves, we began striking both shoulders with the kyosaku, the “wake-up” stick, instead of only the right shoulder. Sitting with a Rinzai group in Japan in 1987, I asked for the stick, and they struck down the back on both sides of the spine, rather than on the shoulders. I suspect that Matsuoka Roshi adopted the double strike as an influence of Rinzai, but do not know for sure.He goes on to compare Rinzai with Soto, the tradition in which he trained at Sojiji, Keizan's monastery:The original Ts'ao Tung sect does not bear much resemblance to the modern Soto sect. In fact, old Lin Chi Zen is closer to modern Rinzai than Ts'ao Tung is to modern Soto. The masters Liang Chiai of Tung Shan monastery, and Pen Chi of Ts'ao Shan monastery are credited as being cofounders of the Soto sect, although Liang Chiai died thirty-one years before Pen Chi. Again the main practice was zazen, but the “finger pointing to the moon of enlightenment” took the form of the teaching of the five ranks.The five ranks were a system of symbols used to differentiate among the levels of enlightenment. The ranks were the prince; the minister; the prince looking at the minister; the minister returning to the prince; and the prince and minister in harmony. Additionally, the idea of “host and guest” were used interchangeably with those of the “prince and minister.” Circular symbols in black and white as well as kua from the I Ching were also used to try to communicate this abstruse and complicated scheme of teaching. As those of you who have practiced Soto Zen know, we do not discuss the five ranks. Instead, we practice zazen-only Zen.So here we find the reduction to zazen-only, the hallmark of simplicity of Soto praxis. Tozan's Five Ranks constitute one of many such models that the ancestors designed to help their students visualize the big picture, while putting their main effort into the reality before their faces. The next sentence is a classic of stating the obvious, but with the resonance of Zen's encompassing worldview:Time passed, and change occurred. The Soto and Rinzai sects also changed. By the middle of the twelfth century AD, Rinzai had become the more popular Chinese Chan sect. The koan system became a regular feature of Rinzai practice. The word “koan” (kung-an in Chinese) translated literally means a “public case,” in this instance a public discussion of the truth of Zen. The koan were alogical problems which were given to disciples to solve. The solution of the koan could only be arrived at with an experience of satori, or some realization of enlightenment.Sensei goes on to demystify this thing, the koan, explaining that,…no intellectual solution to the koan is acceptable to the Rinzai masters because mental antics or logic are the chatter of the superficial self. Only after a hundred and eight thousand or more surface mind answers is the logical mind brought to a frustrated impasse. Then, and most suddenly at that moment, the eye of enlightenment sees with all certainty the solution to the koan.Sensei traces the origin of the schism that developed between the two systems:Two great Zen masters lived in the twelfth century China: Rinzai Master, Ta Hui (1189–1163 AD) and Soto Master, Tien T'ung (1091–1157 AD). These two contemporaries criticized each other's version of Zen teaching. You will hear their positions repeated today, so it is instructive to know what they said.And concludes his gloss on the history with a reconciliation of the conflict on the personal level:When Tien T'ung died, his Rinzai dharma combatant, Ta Hui, hastened to attend his funeral rites. Soto and Rinzai Zen of the Sung dynasty ending time is fairly much how Rinzai and Soto are practiced today.Puts one in mind of other famous contemporaries and their deaths, such as Huineng and Shenxui, of the so-called Southern and Northern schools of Ch'an. And, more recently, that of John Adams and Thomas Jefferson, who famously passed within hours of each other on July 4th, 1826.Sensei then brings us to our present lineage founder:It was not too long after Tien T'ung's death that Dogen Zenji was born in 1200 AD in Japan.We will not be able to fully cover this in-depth exegesis on the ways of Zen in the time we have available. I will share a few of the nuggets, with the hope that you will follow by studying the whole chapter and book. In concluding his remarks on Soto versus Rinzai pedagogy, Sensei uses some striking imagery:Rinzai Zen moves from the outer world to the inner world like a fearless hunter questing for an elusive quarry. If, however, you can understand… Dogen's “practice and enlightenment are the same”; and my “Five minutes of practice, five minutes a Buddha!”; you will know that Soto is just the opposite Zen of Rinzai.The original nature is already present and shining… In Soto Zen, when we sit, we let this original nature shine as it is. When we simply stop interfering, this original nature will melt all our hardness; will untangle our confusion; will blunt all our sharp and jutting angles; and will balance us perfectly without any effort of the small self directing an assault on the great and enlightened self.I think that this sudden enlightenment of the old Rinzai masters seemed so sudden because the way of koan inquiry into the original nature is not the way that the original nature is and acts. The practice of koan Zen applies an extra and angular energy to the primal radiant nature. It pits the small self's desire for peace and harmony with all its own turbulence against the great and silent original mind. Only when the Rinzai practitioner succeeds in exerting a 180 degree polar opposite and artificial energy, does the seat of consciousness turn about on its axis. Suddenly, like two out-of-phase magnets that flip and lock together with inseparable force, the original nature and worldly nature become one, fused inseparably. It seems sudden and violent because koan Zen moves against the outward and outpouring current of radiant enlightenment.All the while, the gradual Soto practice of zazen allows the original nature to dissolve the small, suffering and separated self, breath by breath. The end result does not seem, perhaps, as striking; but it is more sure as a Dhyanayana. No matter whether gradual or sudden, first remembering, then bringing the enlightened nature back into pre-eminence is the way of Zen.Sensei concludes with an exhortation for Americans to practice the gentler approach of Soto Zen:Today, I can absolutely recommend Soto Zen to you as the upaya and Dhyanayana of our time. If you are half-hearted, it will produce no ill effects; and, in fact, will improve some areas of your life physiologically, emotionally, or mentally. If you are sincere and determined to the end, Soto Zen will lead you surely, safely, and most harmoniously, to the supreme realization and to the subtlest Samadhi in this life.Note the definition of zazen Samadhi as the “subtlest,” Master Dogen's “fine mind of Samadhi,” or “subtle mind of Samadhi.”Please take Sensei's compassionate plea to heart. Just sit still enough, long enough, to let your true colors come shining through.* * *Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Kyōsaku Jon Mitchell

This episode of the Wisdom Podcast, recorded live as a Wisdom Dharma Chat, features a conversation with Lama Migmar Tseten. In this episode, we celebrated the launch of Lama Migmar's first major book, The Play of Mahamudra. In it, Lama Migmar provides essential commentary on the mystical songs of the Indian Buddhist rebel-saint Virupa. One […] The post Lama Migmar Tseten: The Play of Mahamudra (#114) appeared first on The Wisdom Experience.

The slogan ‘Three objects, three poisons, and three seeds of virtue.   Some feelings are painful, like hate, but we often don’t recognize that feelings are suffering. We are busy focusing on an object that appears to be causing the hate or the lust, rather than understanding that feelings are manifestations of our karma. Positive feelings like happiness are the product of good karma. Feelings can be endured, transformed into virtue, or be a trigger to react in a way that causes more negative karma. The three poisons are anger, attachment, and ignorance, the delusions- or uncontrolled states of mind at the root of all delusions. Objects are the objects of our attachment, anger and delusion: the people and things we lust over, crave, or become angry with,   “Three objects, three poisons, three roots of virtue.” This slogan of the mind training practice, called Lojong in Tibetan, was prescribed by the great Indian Buddhist master Atisha to transform difficulties into the path to awakening.  The objects of the three poisons are not innately desirable or undesirable. The experience of the three poisons also do not have to lead to creating negative karma. In this episode, we use the meditation practice called Taking and Giving to use our experiences of anger, lust, or craving as a cause of awakening.   There’s no fire like lust,      No grasping like hate, No snare like delusion,      No river like craving. (252) —Buddha, the Dhammapada   Links and References Buddha.The Dhammapada. Translated by Gil Fronsdale. Shambala, Boston and London, 2011, pp.63-64.  

When we think about Buddhism, we don’t often think about monks and nuns conjuring spells or curses to break up lovers, exorcise demons, prevent unwanted pregnancies, or kill enemies. But for over two and a half millennia, magic and healing rituals have been an integral part of everyday Buddhism. They were also key to Buddhism becoming a cosmopolitan religion, flourishing in areas beyond the Indian Buddhist heartland. The magical aspects of Buddhist history, however, have been ignored or dismissed by scholars of Buddhism and by Buddhists themselves, resulting in a distorted view of the traditions we may study and practice today. In his new book, Buddhist Magic: Divination, Healing, and Enchantment Through the Ages, Sam van Schaik, a textual historian and practitioner of Tibetan Buddhism, makes a compelling case for why we should pay attention to Buddhism’s magical heritage—and what we lose by casting it aside. Having previously worked for the International Dunhuang Project, van Schaik currently heads the Endangered Archives Programme at the British Library in London. He is the author of Tibet: A History, Tibetan Zen, The Spirit of Zen, and The Spirit of Tibetan Buddhism. In our latest podcast episode with Tricycle’s Editor and Publisher James Shaheen, van Schaik debunks misperceptions about early Buddhism by showing how magical literature can offer a more holistic and realistic view of Buddhism from the ground up. He also paints a vivid picture of the role monks and nuns may have played in the magical-gig economy as well as how we can view mindfulness meditation in a comparable way—as the magic of our current age.

For this, our 100th episode of the Wisdom Podcast, we have the honor and privilege of being joined by His Holiness the Dalai Lama and other important guests celebrating the release of Science and Philosophy in the Indian Buddhist Classics, Volume 2: The Mind. During this special live event, His Holiness is presented with a […] The post His Holiness the Dalai Lama: Science and Philosophy in the Indian Buddhist Classics (#100) appeared first on The Wisdom Experience.

Description  Dr. Luther Obrock from the University of Toronto shares about teaching an undergraduate course on bodies and embodiment in early Indian Buddhist texts. He wants to use his course, a seminar, to help students understand how theories are not just modern constructions, but instead can also emerge from ancient religious texts. He leads his students through ways to mine data and information about how the writers of ancient Indian texts, themselves embodied, understood and spoke about their (gendered) bodies. From analyzing the representation of the "hyper-masculine" Buddha's body, or the status of the female body as attested in literature by or about nuns, a theory, or an "imaginary relationship to a real problem" of the body, can emerge.  Quotes  "Let's imagine these texts as coming from embodied people." Luther Obrock  "We can use the Buddhist texts as theory to think about our own positionality." Luther Obrock Links and References  Dr. Luther Obrock  https://www.utm.utoronto.ca/historical-studies/people/obrock-luther Therigatha  https://www.accesstoinsight.org/tipitaka/kn/thig/index.html  John Powers, A Bull of a Man: Images of Masculinity, Sex, and the Boyd in Indian Buddhism  https://www.hup.harvard.edu/catalog.php?isbn=9780674064034&content=reviews Charles Hallisey, Therigatha: Selected Poems of the First Buddhist Women https://www.hup.harvard.edu/catalog.php?isbn=9780674427730 I.B. (Isaline Blew) Horner – https://en.wikipedia.org/wiki/Isaline_Blew_Horner  

Dr. John Powers is a Professor of Asian studies, Buddhism & Religion. His books deal with Ancient Indian Buddhism, Indian Philosophy - as dealt with "A Bull of a Man" the work we are dealing with today - and several others on Tibetan Buddhism. Links below. The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. I loved this chat and his excellent book brought me a great deal of enjoyment: https://www.amazon.com/John-Powers/e/B001IQWJPO%3Fref=dbs_a_mng_rwt_scns_share Music & Mixing Credit: Chris Kelly - for all music enquiries, including original music and editing services please contact shipoffoolscast@protonmail.com Find out more at https://ship-of-fools-podcast.pinecast.co Support The Ship of Fools Podcast by donating to their Tip Jar: https://tips.pinecast.com/jar/ship-of-fools-podcast Find out more at https://ship-of-fools-podcast.pinecast.co Support SOF Cast by contributing to their Tip Jar: https://tips.pinecast.com/jar/ship-of-fools-podcast Find out more at https://ship-of-fools-podcast.pinecast.co This podcast is powered by Pinecast.

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Naomi Appleton's new book Many Buddhas, One Buddha: A Study and Translation of Avadānaśataka 1-40 (Equinox Publishing, 2020) introduces a significant section of the important early Indian Buddhist text known as the Avadānaśataka, or “One Hundred Stories”, and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvāstivāda or Mūlasarvāstivāda, and thus provides important evidence of the ideas and literatures of lost non-Mahāyāna schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadāna texts. The book introduces the first four chapters of the Avadānaśataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Śākyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40. From tax-dodging merchants, to monks fretting about their sewing skills, the stories offer a rich and entertaining slice of Indian Buddhist literature and teaching. Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s Dharma Talk is entitled “Shantideva and the Path of Love, Part 2”  by Lama Kathy Wesley. In the 8th Century, the Indian Buddhist saint Shantideva said that “except...

In our last +1, we tapped into some wisdom from Brené Brown’s Braving the Wilderness as we wrote ourselves a permission slip and then hopped on the bus.   Today we’re going to spend some more time with Brené. And, we’ll invite Pema Chodrön to the party.   Brené tells us: “I love Pema Chodrön’s ‘Lousy World’ teaching on this topic. In it, Chodrön uses the lessons of the Indian Buddhist monk Shantideva to make a very powerful analogy about moving through the world constantly pissed off and disappointed. ...   [She says]: ‘‘We’re laughing, but that’s what we all do. That is how we approach things. We think, if we could just get rid of everything and cover it with leather, our pain would go away. Well, sure, because then it wouldn’t be cutting our feet anymore. It’s just logical, isn’t it? But it doesn’t make any sense, really. Shantideva said, ‘But if you simply wrap leather around your feet.’ In other words, if you put on shoes then you could walk across the boiling sand and the cut glass and the horns, and it wouldn’t bother you. So the analogy is, if you work with your mind, instead of trying to change everything on the outside, that’s how your temper will cool down.’”   As you may know, Pema Chodrön is a Buddhist monk and teacher. (We have Notes on two of her great books: When Things Fall Apart and The Places That Scare You.)   You can watch that wonderful 2.5-minute YouTube video of her “Lousy World” teaching here.   Short story: We complain about everything and everyone. All the time.    It’s too hot. It’s too cold. He smells bad. She’s wearing too much perfume.    All day every day.   We think the answer is to change the world—to lay leather over all the thorns and rocks in our way. The answer, of course, is to simply wrap a little leather over our feet and voila!    Problem solved.    btw: Here’s how Shantideva puts it The Way of the Bodhisattva:   “To cover all the earth with sheets of leather—  Where could such amounts of skin be found?  But with the leather soles of just my shoes It is as though I cover all the earth!”   That’s Today’s +1.   Let’s wrap some leather (vegan alternatives available) around our feet (and brains) and joyfully walk through the wilderness of life.   TODAY!!!

In our last +1, we tapped into some wisdom from Brené Brown’s Braving the Wilderness as we wrote ourselves a permission slip and then hopped on the bus.   Today we’re going to spend some more time with Brené. And, we’ll invite Pema Chodrön to the party.   Brené tells us: “I love Pema Chodrön’s ‘Lousy World’ teaching on this topic. In it, Chodrön uses the lessons of the Indian Buddhist monk Shantideva to make a very powerful analogy about moving through the world constantly pissed off and disappointed. ...   [She says]: ‘‘We’re laughing, but that’s what we all do. That is how we approach things. We think, if we could just get rid of everything and cover it with leather, our pain would go away. Well, sure, because then it wouldn’t be cutting our feet anymore. It’s just logical, isn’t it? But it doesn’t make any sense, really. Shantideva said, ‘But if you simply wrap leather around your feet.’ In other words, if you put on shoes then you could walk across the boiling sand and the cut glass and the horns, and it wouldn’t bother you. So the analogy is, if you work with your mind, instead of trying to change everything on the outside, that’s how your temper will cool down.’”   As you may know, Pema Chodrön is a Buddhist monk and teacher. (We have Notes on two of her great books: When Things Fall Apart and The Places That Scare You.)   You can watch that wonderful 2.5-minute YouTube video of her “Lousy World” teaching here.   Short story: We complain about everything and everyone. All the time.    It’s too hot. It’s too cold. He smells bad. She’s wearing too much perfume.    All day every day.   We think the answer is to change the world—to lay leather over all the thorns and rocks in our way. The answer, of course, is to simply wrap a little leather over our feet and voila!    Problem solved.    btw: Here’s how Shantideva puts it The Way of the Bodhisattva:   “To cover all the earth with sheets of leather—  Where could such amounts of skin be found?  But with the leather soles of just my shoes It is as though I cover all the earth!”   That’s Today’s +1.   Let’s wrap some leather (vegan alternatives available) around our feet (and brains) and joyfully walk through the wilderness of life.   TODAY!!!

This is a 15-minute guided meditation in which we engage in the practice of settling body, speech and mind in their natural states. This practice is a wonderful preparation for any meaningful endeavour and can be used as a meditation in itself or as a preliminary practice to a longer meditation session. The purpose of the practice is to settle the body, speech & mind with the three qualities of relaxation, stillness & clarity. By practising in this way, our mind will settle, and it's luminous, peaceful, blissful and nonconceptual nature will reveal itself. [This short session is an adaptation of the practice as taught by B. Alan Wallace, and has its roots in the great Indian Buddhist master Padmasambhava.]Support the show (https://samadhi.org.uk/support/)

“To cover all the earth with sheets of leather. Where could such amounts of leather be found? But simply wrap some leather around your feet and it is as if the whole earth had been covered!   Likewise we can never take and turn aside the outer course of things, but only seize and discipline the mind itself and what is there remaining to be curbed? “  Today, we reflect on old Buddhist wisdom: remain like a log. Yes, perhaps the man is behaving like an idiot, and what he said is exaggeration, if not an all-out lie. Perhaps he is behaving like a weak-willed and cowardly, disloyal cheat.  So will I publicly point out the obvious evidence to conclude the man is behaving like an idiot? Or will I decide to remain like a log? She asks:  “does this make me look fat?”.  She asks you to listen, when you want to offer advice.  What to do? Remain like a log. What is the greater wisdom? What is the greater act of strength? Often, we know how to act because we know when and how to refrain from acting, not because we are afraid to act – because we somehow repress what we are unable to say or to do – but rather because we are wise and strong enough not to act. Do you have the steady strength of mind to remain like a log? The advice is that of the eighth century Indian Buddhist monk Shantideva. He is credited as author of the Bodhisattvacharyavatara, “The Way of the Bodhisattva”. Shantideva was born a prince in a kingdom of present day Gujarat in India. Moved by the Buddha's teachings, and inspired by the bodhisattva of wisdom Manjushri, he renounced his royal life and become a monk at the famous Nalanda Buddhist university, located in the state of Bihar near sites where the Buddha taught. Shantideva was believed to be lazy.  His fellow monks thought he was good for nothing but eating, sleeping and shitting.  So, they decided to try to shame him into leaving the university.  Every week at Nalanda, a public teaching was given, usually by a senior monk.  The monks decided to ask Shantideva to give the teaching.  He denied several requests, but one day – to their surprise – he agreed, and, at the appointed time, he sat in the teaching seat and asked those who were gathered:  would they like to hear a well-known teaching or to hear something new?  They asked to hear something new, and so Shantideva began to teach what has become among the most influential texts in Mahayana Buddhist tradition. I was asked to answer the questions: how to work with guilt, anger and aggression? One way is to have sufficient self-awareness and mental strength to prevent the next thing we will feel badly about from happening:  know when and how to remain like a log. Yes, perhaps the man is behaving like an idiot, both rude and ridiculous. What to do? As offered in the translation by the Padmakara Translation Group, Shantideva says:   “When the urge arises in the mind to feelings of desire or wrathful hate, do not act! Be silent, do not speak! And like a log you should remain.   When the mind is wild with mockery and filled with pride and haughty arrogance, and when you want to show the hidden faults of others, to bring up old dissensions or to act deceitfully,   And when you want to fish for praise, or criticize and spoil another's name, or use harsh language, sparring for a fight, it's then that like a log you should remain.   And when you want to do another down, and cultivate advantage for yourself, and when the wish to gossip comes to you it’s then like a log you should remain.   Impatience, indolence, faint-heartedness and likewise prideful speech and insolence, attachment to your side - when these arise, it is then that like a log you should remain.   Examine thus yourself from every side. Note harmful thoughts and every futile striving. Thus it is that heroes in the spiritual path Apply the remedies to keep a steady mind.   With perfect and unyielding faith, with steadfastness, respect, and courtesy, with modesty and conscientiousness, work calmly for the happiness of others.   Thus with a free and untrammeled mind, put on an ever-smiling countenance. Rid yourself of scowling, wrathful frowns. And be a true and honest friend to all.”   The man is behaving like an idiot.  Will I tell him this? Will I remain like a log…which, strictly speaking, is probably the best way to show him he is behaving like an idiot…because he will see it in the contrast. He is rude. Will I also be rude? He is aggressive. Will I also be aggressive? She is disrespectful. Will I also be disrespectful? She is demeaning. Will I also be demeaning? Do I know how to remain like a log? Can I choose when to act, and when not to act, what to say and how to say it? Not repressing, nor keeping silent, because I have been silenced, but do I have the strength and steadiness of mind to choose? Action and reaction are two ends of a same stick. If he jabs me, must I jab him back with that stick? Do we have the steadiness of mind to let go and relax. Can we be still and silent, not because we are weak, but because we are strong? If I were to cover the whole world in leather, where could that much leather be found? But wrap leather around my feet, and it is as if the whole earth is covered. Try to manage all of the outside things - the hurts and the shamings, the pride, and the pettiness, the bitterness -  it is as if we were to try to cover the whole earth in leather. Learn how to be calm and steady of mind – practice the mental discipline of training the mind to be able to be still - it will be as if we covered the whole earth in leather, because we will have wrapped leather around our own feet.   “To keep a guard again and yet again upon the state of actions of our thoughts and deeds -. This and only this defines the nature and the sense of mental awareness.   But all this must be acted on in truth, for what is to be gained by mouthing syllables? What invalid was ever helped, by merely reading in the doctor's treatises?”   Yes, demonstrably the man is behaving like an idiot. Do I need to do the same? Do I have the patience, mental strength, kindness and disciplined awareness of my actions and thoughts to make choices that I can live with, without regret? Know when to hold them, know when to fold them, know when to walk away and when to run.  Know when and how to remain like a log. The quality of the relationship that you have with the outside world directly relates to the quality of relationship you have with yourself.  Come see us at “justbreatheyouareenough.com” and join the JBYAE community. I'm Adela, and you've been listening to Just Breathe....You Are Enough™.  You can follow us on Instagram, Facebook and Twitter. If you haven't yet, please subscribe, rate and review this podcast. Join us next time, and thank you for listening.   Copyright © 2019, Adela Sandness    

Second in a two-part series on Indian philosophy. Buddhism teaches that the self is an illusion—so what do we do with self-conscious emotions like guilt and shame, which can put useful brakes on ethical misconduct? If there's no self to be ashamed of, how should we understand the emotion? The answer lies in an ancient series of Indian Buddhist texts: the Abhidharma.

Living a life of love and compassion is an ideal for us all, but how do we even start on such a path? The great Indian Buddhist master Atisha gives...

This story, The Great Maudgalyayana Rescues his Mom from Hell, is one of the earliest in Chinese vernacular fiction. The version we are reading was found in Dunhuang by Aurel Stein, the Hungarian Britisher who discovered the world's oldest known book. Today's story looks at Maudgalyayana, the Indian Buddhist who travels into the depths of hell to rescue his misbehaving mother and is one of the most successful advertisements for Buddhism in China.

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha's life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reiko Ohnuma‘s Unfortunate Destiny: Animals in the Indian Buddhist Imagination (Oxford University Press, 2017) is a masterful treatment of animals in Indian Buddhist literature. Although they are lower than humans in the paths of rebirth, stories about animals show them as virtuous and generous—and often the victim of human failings. In the life stories of the Buddha, animals serve as “doubles,” thereby adding nuance and complexity to various episodes in the Buddha’s life. Ohnuma, in this groundbreaking study, argues that animals in Indian Buddhist literature serve to illuminate what it means to be a human being. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Definitely a classic. One of the best. Very simple. Originating in the Indian Buddhist tradition, Vipassana meditation has a long and illustrious history. Most recently, it has had a powerful influence in the Thai and Burmese Buddhist traditions in the 20th Century. Vipassana is a Pali word meaning "insight" and by insight it is referring to our ability to directly experience reality and truth without thoughts or feelings distorting things. Through this unmediated experience of the truth, we are said to have been liberated or to have "awakened." Through the practice, we become liberated from the three core misunderstandings about the nature of reality: 1) that life and everything in the phenomenal world is impermanent; 2) until we learn to master letting go of attachments (especially to the self), we will always be plagued by suffering and unsatisfactoriness; and 3) even though we think there is a self and we are that self, this isn't true. You are guided through this ancient technique in the recording but in essence it involves contemplation and observation of our bodily sensations, usually our breath. We could also say that it fits into the modern tradition of mindfulness.For the companion podcast covering the theory behind why these meditations work, check out the Serena system podcast at https://goo.gl/Dxu4eo. See acast.com/privacy for privacy and opt-out information.

Sokuzan’s talk is inspired by Yogacara teachings on The Three Natures: the imaginary, the dependent, and the fulfilled. He references a verse from “The Teachings of the Three Own Beings” by Vasubandhu, a fourth century Indian Buddhist scholar-monk: “The constant state of not being found of “how it appears” in that which appears, can be known as the fulfilled own being…” https://www.youtube.com/watch?v=MDt3rbC3iBY

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai'i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism's self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China's relationship to Shakyamuni's India, and of Chinese Buddhists' confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni's times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni's ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni's India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva's Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism’s self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China’s relationship to Shakyamuni’s India, and of Chinese Buddhists’ confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni’s times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni’s ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni’s India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva’s Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism’s self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China’s relationship to Shakyamuni’s India, and of Chinese Buddhists’ confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni’s times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni’s ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni’s India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva’s Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism’s self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China’s relationship to Shakyamuni’s India, and of Chinese Buddhists’ confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni’s times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni’s ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni’s India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva’s Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of... Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism’s self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China’s relationship to Shakyamuni’s India, and of Chinese Buddhists’ confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni’s times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni’s ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni’s India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva’s Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of Chinese Buddhism’s self-awareness of its own position within Buddhist history and its growing confidence that Buddhism could flourish in China despite the distance between the middle kingdom and the land of the Buddha. On the one hand, this project traces these three legendary figures as they are portrayed first as exemplars of how to revive the Dharma in a world without a Buddha, then as representatives of a lineage stretching back to Shakyamuni, and finally as scholar types who transmitted the Dharma to China via their exegetical and doctrinal works. More broadly, however, Young uses this transformation as an index of changing views of medieval China’s relationship to Shakyamuni’s India, and of Chinese Buddhists’ confidence in their own ability to realize the Buddhist soteriological path and firmly establish the Indian tradition on Chinese soil. One theme running throughout the book is the way in which these three patriarchs bridged the Sino-Indian divide.This was particularly important for those Chinese Buddhists who were unsettled by the geographical and historical distance that separated them from the India of Shakyamuni’s times. The Chinese found Asvaghosa, Nagarjuna, and Aryadeva particularly attractive because while their Indian origins lent them authority, they were, like the Chinese who peered down the well of history at them, living in a time without a Buddha and thus faced a dilemma not so dissimilar from the predicament in which medieval Chinese found themselves. Unlike the arhats, who experienced Shakyamuni’s ministry first-hand, and unlike the celestial bodhisattvas, who were not bound by history, these three Indian patriarchs occupied a temporal position between Shakyamuni’s India and medieval China. In addition, as Young shows, the Chinese attributed qualities to and highlighted aspects of these Indian patriarchs that were in accord with the values of Chinese literati, Buddhist and otherwise. In so doing, the Chinese rendered the Indian patriarchs familiar and made them into models that Chinese literati could realistically and willingly emulate.This point is related to another theme linking the chapters together: the Chinese Buddhist appropriation of Indian Buddhist and Chinese religious elements so as to claim them as their own. Young notes, however, that even as the patriarchs developed into models to be emulated, they were also transformed into objects of veneration. Besides being scholarly-types who sat around writing doctrinal treatises, Nagarjuna came to be associated with Pure Land thought and practice (and even had his own pure land, according to some,) and was worshipped for his apotropaic powers and ability to provide this-worldly benefits, while Asvaghosa became a silkworm deity and served as the protagonist in myths that provided a Buddhist justification for the killing of silkworms, to give but a few examples. And in a final chapter, Young shows how Buddhists co-opted Chinese conceptions of sanctity and sainthood so as to show that these qualities that were in reality of Chinese provenance were in fact Indian and Buddhist through-and-though. Readers will thus learn not only the details of Asvaghosa, Nagarjuna, and Aryadeva’s Chinese careers over a five-and-a-half-century period, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving the Indian Buddhist Patriarchs in China (University of Hawai’i Press, 2015), Stuart Young examines Chinese hagiographic representations of three Indian Buddhist patriarchs–Asvaghosa (Maming), Nagarjuna (Longshu), and Aryadeva (Sheng tipo)–from the early fifth to late tenth centuries, and explores the role that these representations played in the development of... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The 88th Joint Session of the Aristotelian Society and the Mind Association was held at the University of Cambridge from 11 to 13 July 2014. The Joint Session is a three-day conference in philosophy that is held annually during the summer by the Aristotelian Society and the Mind Association. It has taken place at nearly every major university across the United Kingdom and in Ireland. Since 1910, the Joint Session has grown to become the largest gathering of philosophers in the country, attracting prestigious UK and international speakers working in a broad range of philosophical areas. Inaugurated by the incoming President of the Mind Association, the Joint Session includes symposia, open and postgraduate sessions, and a range of satellite conferences. This podcast is a recording of the fourth symposium at the Joint Session - "The Ethical Significance of Persistence" - which featured Amber Carpenter (York) and Stephen Makin (Sheffield). Amber Carpenter has been Lecturer in Philosophy at the University of York since 2007; she has taught at St. Andrews, Cornell and Oxford. She has published in Ancient Greek philosophy, especially the ethics, epistemology and metaphysics of Plato, and is the co-founder of the Yorkshire Ancient Philosophy Network. She was an Einstein Fellow at the Einstein Forum, which enabled her to begin work in Indian Buddhist philosophy, and subsequently held an Anniversary Lectureship from the University of York. Her book on metaphysics as ethics in Indian Buddhism appeared in 2013. Her interests include the nature of pleasure and reason and their respective places in a well-lived life; the implications of metaphysics for ethics; and the nature of knowledge, our striving for it, and the effects this has on our character. Stephen Makin took his first degree at Edinburgh University, and then moved to Gonville and Caius College, Cambridge, to study for a PhD. His research was originally on the philosophy of the early Wittgenstein, but his interests rapidly turned to ancient philosophy. His doctoral thesis was on pre-Socratic atomism. He was a research fellow at Magdalene College, Cambridge, before being appointed to a lectureship in Sheffield in 1984. Stephen has published papers on philosophy of religion, Democritean atomism, method in ancient philosophy, the metaphysics of Aristotle, and Aquinas’ philosophy of nature. His book on principle-of-insufficient-reason arguments in ancient philosophy was published by Blackwell in 1993 under the title Indifference Arguments. His translation of Aristotle’s Metaphysics Book 9, along with a substantial commentary, was published in the Clarendon Aristotle Series in 2006. His research interests also include various topics in contemporary metaphysics.

This week: A PULITZER PRIZE WINNER! Holy crap. San Francisco once again brings it with an amazing guest, Holland Cotter. Holland Cotter has been a staff art critic at The New York Times since 1998. In 2009, he won the Pulitzer Prize for Criticism, for coverage that included articles on art in China. Between 1992 and 1997 he was a regular freelance writer for the paper. During the 1980s he was a contributing editor at Art in America and an editorial associate at Art News. In the 1970s, he co-edited New York Arts Journal, a tabloid-format quarterly magazine publishing fiction, poetry, and criticism. Art in New York City has been his regular weekly beat, which he has taken to include all five boroughs and most of the city's art and culture museums. His subjects range from Italian Renaissance painting to street-based communal work by artist collectives. For the Times, he has written widely about "non-western" art and culture. In the 1990s, he introduced readers to a broad range of Asian contemporary art as the first wave of new art from China was building and breaking. He helped bring contemporary art from India to the attention of a western audience. Born in Connecticut in 1947, and raised in Boston, Cotter received an A.B. from Harvard College, where he studied poetry with Robert Lowell and was an editor of the Harvard Advocate. He later received an M.A. from the City University of New York in American modernism, and an M. Phil in early Indian Buddhist art from Columbia University, where he studied Sanskrit and taught Indian and Islamic art. He has served on the board of directors of the International Association of Art Critics. He is under contract with Alfred A. Knopf for a book on New York City modernism. He is also working on a study of contemporary Indian art, and on a poetry manuscript.  

Yes, this is an ambitious title but as always the podcast episode does not fail to deliver the goods. However, I really won't even try to summarize all of Buddhist Philosophy in two paragraphs. I know I always say that but really, this time there is just no point and not enough space for me to do that. However, I will give you a few things :) The lecture started with what to do when we encounter strong negative emotions, attitudes, and mental states after the retreat, and this was weaved with a question about the relationship of Chitamattra and Dzogchen. Instead of giving a brief conceptual comparison, Alan rolls back and looks at a sequence of ways of viewing reality, fully engaged with a way of practice. He works with Sanskrit-language based schools: Vaibhashika, Sautrantika, Chittamatra, and Madhyamaka, and ends with a brief overview of The Great Perfection (Dzogchen).Alan makes this very relevant regardless of personal interest in Buddhism, and clearly explains the ways of viewing the physical, appearances, systems of measurement, qualia, references, perception, the mind, awareness, "what do you really know," and just all of reality from evolving points of view. Somewhere in the middle, there is a brief detour into the "lack of competition" that resulted in materialism taking over the mind sciences. I will honestly say that I do not consider myself well-versed in Buddhist philosophy, and this episode was extremely enlightening and helped me clearly understand the different views of the Indian Buddhist schools, culminating in the beauty of the Dzogchen view.So that's all you'll get from me! I very highly recommend this episode.