Podcasts about electric guitars

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Andy Bennett had his first break with his band The Elements (formerly known asSargent) which included Tim Jacques, Lee Burn and Dave Casswell. The Elementsregularly gigged throughout Birmingham and supported Ocean Colour Scene. Theband released their first album, The Elements, on Acid Jazz Records music labeland the album charted at #7 in the indie music charts.Andy joined Ocean Colour Scene on 8 April 2004 (when he participated in the RoyalAlbert Hall concert). He has featured on the following albums: One for the Road (2004) (Guitar, Background Vocals) A Hyperactive Workout for the Flying Squad (2005) (Guitar) Live Acoustic at the Jam House (2006) (Acoustic and Electric Guitar,Background Vocals) Live at Birmingham Academy (2006) On the Leyline (2007) (Acoustic and Electric Guitar) Live at the Town Hall (2008) Saturday (2010) (Composer) 21 (2010) (Guitar, Composer)Bennett co-wrote the song "Old Pair of Jeans" which was onthe Saturday album. According to The Digital Fix, "It just gets better with every songa winner. The jaunty ‘Old Pair Of Jeans' is rollicking fun: "I wish you didn't get hungup so easily / When you're bound fall apart you always fall apart at the seams / Soworn and so torn..like an old pair of jeans." The song also featured on the 21 album.Bennett has toured with Ocean Colour Scene since 2004, but left in February 2015to focus on his solo material.You can see Andy Bennett live at The Regency Hotel in Solihull on Mondaynights with his great musician partner Simon Foster – Benny & The Foz!BENNY & THE FOZ (Andy Bennett formerly of Ocean Colour Scene) | Facebook

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Elliot Jay O'Neill & BT Calloway are joined by David James Young, Adam Buncher, Nathan Harrison, & Jack R Reilly to review; S.32 E.15 “Do Pizza Bots Dream Of Electric Guitars” S.32 E.19 “Panic On The Streets Of Springfield”   This is a Side Quest Studios Production Huge THANK YOU to our Heroes over at Patreon  Grant Prusi // 16_oz_mouse // Philip Wolf // Timothy Burleson // Stephanie // Chris Tar // AlmightyK // Kaleb982 // nickibis // Teresa // David James Young // Paul Walsh   You too can become a Hero by supporting us on our Patreon page and you'll unlock a bonus podcast EVERY WEEK plus access to our back catalogue of over 200 exclusive podcasts! http://www.patreon.com/sidequeststudios    STARRING SPRINGFIELD is our new podcast where we review movies that star the cast of The Simpsons Check it out here -- https://pod.link/1773418376     PLUGS   Listen to Jack R Reilly's new album “After The Parade” https://linktr.ee/jack_r_reilly   Check out Nathan Harrison's theatre show “Birdsong Of Tomorrow” https://griffintheatre.com.au/whats-on/birdsong-of-tomorrow/   Follow DJY on Insta https://www.instagram.com/djywrites/?hl=en   Listen to their podcast Hottest 100s & 1000s https://pod.link/1523245919   Pulp Fury Radio; our fiction anthology podcast. http://www.pulpfuryradio.com  Do webs dream of electric series? http://www.daveplusone.com   We reviewed Game of Thrones in reverse order at “Thrones Of Game”  https://thronesofgame.podbean.com  SOCIALS! https://bsky.app/profile/thesimpsonsindex.bsky.social https://www.facebook.com/TheSimpsonsIndex/ https://www.instagram.com/simpsonsindex/ https://www.threads.net/@simpsonsindex   This podcast is dedicated to Andrew. We miss you and we'll always love you.

Today's Object Worship is a chit-chat among hosts about pedals that do "the thing." Andy has a new song he's obsessed with, there's a bit of recent pedal news discussed, but mostly they take voicemails and ponder the question: what is the thing? Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

In this episode I explore the benefits of having an acoustic pickup in an electric guitar.

Today Object Worship is joined by Angelo Mazzocco and Terry Burton of Meris! Many a Meris pedal has come up in conversation on the cast, so the hosts were glad to welcome two of the company's founders to talk about their music gear journeys. We begin with Terry's Marshall 6100 amp, then discuss Angelo's Ibanez RG570 guitar, and trace various parallels of their development as musicians, tinkerers, and now engineers at the forefront of guitar pedals. Buy yourself some Meris pedals: https://www.meris.us/See the first episode of Cooking With Meris: https://www.youtube.com/watch?v=cxhGQPWQmxQBuy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @andy.pitcher, @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Rob and Mark sit down with Baxter and talk ALL things guitars and MORE!

Today our hosts are joined again by Andy Pitcher! Longtime listeners may remember his first appearance discussing the DL-4, and today he returns to discuss his second place object: The Mutt (How To Skateboard And Not Kill Yourself) by Rodney Mullen and Sean Mortimer. They talk about its influence in Andy's adolescence and the new lessons it holds in adult life, many of which manifest in his recent debut solo album, Dot. A number of topics both musical and personal appear along the way, both very heavy and very light - much like the album itself.Check out Dot on Bandcamp: https://andypitcher.bandcamp.com/album/dotBuy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @andy.pitcher, @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Object Worship is BACK! After an unplanned hiatus (make your own pun about being delayed), your hosts return to report on the new Black Fountain Oil Can Delay, which we also call Black Fountain V4, Black Fountain Stereo, or The Final Black Fountain. We're joined again by Brady Smith, cofounder of Old Blood Noise Endeavors, to give some more insight into the delay pedal that even people who don't like delay pedals like. We take some questions, we make some noises, and we just get back into the swing of things.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Richtig gelesen. Auf Michelle Zauners viertem Album «For Melancholy Brunettes (& sad women)» singt doch tatsächlich Schauspieler Jeff Bridges («The Big Lebowski») mit. Tiefe Reibeisen-Stimme trifft auf zarten Indie-Pop. Passt das? +++ PLAYLIST +++ · 22:54 – TREAT MODE von AVALON EMERSON · 22:49 – HUMAN NATURE von DESIRE · 22:45 – DIGITAL LOVE von DAFT PUNK · 22:40 – TARDIS von GREENTEA PENG · 22:34 – NOWHERE MAN von GREENTEA PENG · 22:31 – FAMILY AFFAIR von SLY & THE FAMILY STONE · 22:28 – WOES OF THE WORLD von SABA & NO I.D. · 22:23 – CRASH von SABA & NO I.D. FEAT. RAPHAEL SAADIQ & KELLY ROWLAND · 22:19 – I LOVE YOU von KT GORIQUE & RIGA · 22:13 – SINGULIER von KT GORIQUE · 22:10 – MERLOT & GRIGIO von YAYA BEY FEAT. FATHER PHILIS · 21:55 – BRUISED LUNG von SUPERCHUNK FEAT. ROSALI · 21:51 – RUNNING/PLANNING von CMAT · 21:46 – DOWN ON THE FREEWAY von LAEL NEALE · 21:41 – AGE OF CONSENT von NEW ORDER · 21:37 – CLEAN HEART von PERFUME GENIUS · 21:33 – QUEEN von PERFUME GENIUS · 21:30 – REDONDO BEACH von PATTI SMITH · 21:23 – VILLAIN von ANNAHSTASIA · 21:21 – IF NOT NOW, IT'S SOON von SELF ESTEEM · 21:15 – I DO THIS ALL THE TIME von SELF ESTEEM · 21:12 – STAY von SEA LEMON · 21:08 – GHOSTS & ALIENS von CLAIRE MY FLAIR · 21:05 – APPEAR DISAPPEAR von THE YOUNG GODS · 20:56 – FLIGHT SIMULATOR von PRUNE CARMEN DIAZ · 20:53 – LEMME KNOW von MY MORNING JACKET · 20:48 – BEGINNING FROM THE ENDING von MY MORNING JACKET · 20:41 – MAHGEETAH von MY MORNING JACKET · 20:37 – COUNTRY HOUSE von BLUR · 20:33 – MEN IN BARS von JAPANESE BREAKFAST FEAT. JEFF BRIDGES · 20:30 – PICTURE WINDOW von JAPANESE BREAKFAST · 20:25 – HONEY WATER von JAPANESE BREAKFAST · 20:22 – MEGA CIRCUIT von JAPANESE BREAKFAST · 20:18 – BE SWEET von JAPANESE BREAKFAST · 20:15 – MY LOVE MINE ALL MINE von MITSKI · 20:11 – THIS BOY IS TOCOTRONIC von TOCOTRONIC · 20:07 – ELECTRIC GUITAR von TOCOTRONIC

"Samples of the original field recording were layered and looped using the wonderful ciat lonbarde, cocoquantus. A wooden, modular, duel 8 bit looper and multi oscillator synth. Voices, bells and passages of room ambiance all turned into drone symphonies, pushed pulled and layered. 3 brief snippets of open tuned guitar, re sampled and slowed fitting perfectly, creating the central drones and sonic responses to the human voice and glorious reverb heavy bell toll.  "I wanted to invoke the passage of time, fragility of sound and ritualistic elements of what we may now class as mundane. The sound of the bell from the street, the snatched moment of reverb drenched choir as we pass the door of the church (or press a key on our samplers). "The passage of time, how we use these sonically rich sites, how we connect and think about them as they age with us are fascinating. As are the layers of experience and the human response we stand as part of. The shared experience, conscious and unconscious reactions that occur as we stand as one with sonic heritage in the present, our shared past and the future." Alexander Nevsky Cathedral, Tallinn reimagined by Andy Billington. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Episode 384 Dante Villagomez: Percussion, Vocals, Electric Guitar and Effects Steve Lipe: Electric Guitar and Effects Check out Lipe's band "The Deep Casual" here thedeepcasual.bandcamp.com/ Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

For decades, Nels Cline carved out a career on the fringes of rock, jazz, and experimental music, balancing day jobs with an uncompromising artistic vision. Then, at nearly 50 years old, everything changed—he joined Wilco, bringing his avant-garde sensibilities into a beloved band and reaching a global audience. But Cline's story isn't one of sudden success; it's about persistence, reinvention, and creative restlessness. In this episode, he reflects on his journey—from growing up in Los Angeles with his twin brother, drummer Alex Cline, to navigating the punk and avant-garde jazz scenes, to his latest album, Consentrik Quartet (Blue Note Records), which explores the tension between stillness and chaos, structure and improvisation. Cline speaks candidly about collaboration, musical identity, and the ever-evolving nature of his work, proving that there's no single timeline for artistic success—only the drive to keep going. www.third-story.com www.leosidran.substack.com https://www.wbgo.org/podcast/the-third-story

Thanks for listening! Follow us on Facebook or YouTube.

Your hosts with the most return from a trip to California where many discussions were had about Old Blood's future plans, lunch was had with Wes Borland, and all ended in the Effector Market Anaheim popup. So, they wanted to catch you up and also catch up with you: this one's full of listener voicemails and all about the year ahead.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

We return from our holiday break with Tyler Gilmore, who you may know as BlankFor.ms! Tyler is most known as an electronic artist, using tape loops, pedals, synths, and other textural elements to create evocative slow-moving songs. It may surprise the listener, then, that his object is the trumpet! It's the instrument that started it all for him, and we all learn about his journey with it, then away from it, and perhaps back to it? Only time will tell. In the meantime, we talk about the bodily experience of instruments, some different things our listeners bought over the holidays, Andy's rabbithole of servicemen strats, and a lot of other things along the way. Enough reading start listening! Check out BlankFor.ms: https://www.blankfor-ms.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @blankfor.ms, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Today we're joined by Sean Mackowski of Tallon Electric. Before the episode, we thought his object was going to be an amp, but as we get into it, we realize it's all about The Noise, his new pedal collaboration with the band Alpha Wolf. We talk about pedal usage in modern medal and heavy music in general, and various approaches to gain, octaves, and momentary bursts of sound. This one's inspired by the new wave of players using pedals as instrumental elements of the heaviest riffs around. Also, Andy and I are taken aback when we find out what band Sean used to be in. It's a fun one, so dive in!Check out Tallon Electric: https://tallonelectric.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @tallonelectric, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Today's all about Dark Star! After many cagey teasers, we reveal all about the new pedal and what it means for Old Blood. We take your voicemails, we tell tales of what it took to make the thing, and we get consistently distracted. Hope you like your hosts as much as you like our latest lofi reverb instrument!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

To honor Taylor Guitar's 50th Anniversary Chris McKee had the opportunity to interview Bob Taylor about the companies history, the new legacy series and who he admires in the business.  ★ Support this podcast on Patreon ★

Welcome to episode 125 of Holly Jolly X'masu! In this episode, I talk about Takeshi Terauchi's Christmas music from the 1960's. I hope you enjoyed this first episode about the God of Electric Guitar. His records were some of my favorites early on, and I still listen to them whenever I get the chance. Although I managed to get back on pace at the end of last month, things got really hectic again and I'm once more way behind schedule. I'm doing my best to get these three episodes out before the end of the month, and then I'll dive into my December episodes. Join me next time as I continue my look at Takeshi Terauchi. I'll be talking about his 1979 album, “Let's Go! Terry X'mas.” Then listen in for my third episode about Terry when I'll be discussing his 1983 album, “Electric Merry Christmas.” They both great albums you're sure to enjoy. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!

That's right, this week it's just your hosts with the mosts talkin ghosts. Just kidding, this episode's pretty low on tricks and treats and frights and whatnot, but we did get some voicemails about spooky gear and we go off on some tangents from there. We're pretty confident this is the only podcast in the world that links discussion of what makes for a scary sound with the specifics of the treadle action on a Danelectro Shift Daddy, so if that's up your alley, boy have you landed in the right place. We also talk about dreams and other inevitabilities. Dive in!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Welcome to episode 124 of Holly Jolly X'masu! In this episode, I talk about Hiroko Williams' 2016 album, “My Room For Christmas.” I hope you enjoyed “My Room For Christmas” as much as I do. It's such a fantastic album, and Hiroko Williams is absolutely amazing. She's had a fascinating career, and learning about it really kept me engaged while working on this episode. Be sure to listen in next month for my trio of episodes about the God of Electric Guitar, Takeshi Terauchi. I'll start out with his 1960s Christmas EP's, then talk about his 1979 album, “Let's Go! Terry X'mas,” and finish up with his 1983 album, “Electric Merry Christmas.” He's truly a legend in Japan and you're sure to enjoy his music. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks! And don't forget to order your limited-edition Kringle Krew ornament. All of us at the Christmas Podcast Network wanted to do something special this year, so we came together to offer our listeners the chance to help us spread some holiday cheer. Not only do you get the beautiful ornament pictured below, but 100% of the proceeds go to the Red Sled Santa Foundation, a nonprofit organization dedicated to helping low-income, at-risk, medically-challenged, and terminally ill children during the holiday season. We have a limited number of these ornaments available, so be sure to order yours now, and help us bring a little love and magic to some children in need. From all of us at the Christmas Podcast Network, thank you for your generosity and support. Together, we can help create unforgettable Christmas memories.

The Fretboard Confessional Podcast Season 2, Episode 5In this episode Chris and Cooper talk about their trip to Taylor, incoming custom guitars, the impact dock strikes can have, debate import guitars and the future of tube amps.  ★ Support this podcast on Patreon ★

Today we're joined by Chris Benson of Benson Amps. We're catching up with him after a busy year of releases and Benson Fest, and talking with him about the Bogen Challenger PA that became the first Monarch. This one's a casual conversation, where we take roughly an hour before we get to the object, distracted along the way by discussion of how we interact with the internet, breaking assumptions about the sound of any given component, taking time to play the devices we've created, hot soldering, and getting some absolute gems of wisdom from Chris. It's a great time with our favorite amp builder, now dive on in!Check out Benson Amps: https://www.bensonamps.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @bensonamps, @molterband, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

https://youtube.com/live/rhs_Ufif2aM In this video, we're exploring the brand new Firefly FFST Relic Electric Guitar in the eye-catching Black and White Stripes finish! Join me as we take a closer look at its features, including the roasted mahogany body, maple fretboard with a 9.5"-14" compound radius, high-quality Korean bridges, stainless frets, and customized Alnico 5 pickups. We'll find out together what this guitar has to offer in terms of sound and playability. Let's see if this guitar lives up to the hype! Thank you "Bay Area Rich" for gifting me the guitar!

The electric guitar and rock and roll go together like chocolate and peanut butter.... so much so, that many of the most important moments in rock history are also some of the most important in the history of the electric guitar. On this week's Loudini Rock & Roll Circus Podcast we discuss 10 important and defining moments in the history of the electric guitar   Topics Discussed:   What we did this week: Loudini: The Blue Rose, Starve Acre, What the artists really thought of we are the world, Sincerity vs Irony in modern media,  The Van Halen album we never go to hear, RAYGUN & breakdancing in the Olympics,  is tone chasing a waste of time? Gibson's Junior Strategy, Milli Vanilli biopic,  How Prince set up the studio, Marcus King covering Workin' Man Blues, Make Weird Music Mr. Pittsburgh: Boondock Saints, TikTok   10 defining Electric guitar moments Charlie Christian w/ his Gibson ES 150 Les Paul's "log" Muddy Waters The Telecaster Buddy Holly on Ed Sullivan with Strat Johnny B. Goode, Mabeline etc... Chuck Berry Hendrix... Monterey and Woodstock Beatles on Ed Sullivan Dylan goes electric Van Halen I   https://www.guitarworld.com/features/the-50-greatest-moments-in-electric-guitar-history     New & Notable: Mr. Pittsburgh: Loudini: Andy Wood; Would?

Episode 352 Dante Villagomez: Pocket Piano, Percussion, Electric Guitar and Effects Ryan Salisbury: Electric Guitar and Effects www.ryansalisburymusic.com/ Night at Sea is an avant-garde music podcast aiming to shift the mind towards a meditative state. Collaborating with Pittsburgh and Denver musicians, Spices Peculiar presents a weekly improvised instrumental deep listening journey. Turn On, Tune In, Drop Out Produced by Dante Villagomez New episode uploaded every Tuesday @ 9 P.M. Eastern Explore the full array of music, videos, and art at www.spicespeculiar.com/ spicespeculiar.bandcamp.com/ Instagram: @spicespeculiar -true wisdom is only heard in silent darkness

Ok wow, what an episode for you here. Hope you're not easily spooked!! Anyway, Dan is in Europe, so in lieu of the normal format we will be listening to voice messages dispatched from Dan himself during his travels to Guitar Summit in Germany. A few very special guests are featured! Andy is joined by our first returning guest, Jeremy SH Griffith. Jeremy talked about a TEAC reel-to-reel on a previous episode, but he's learned some new things about it since then. Jeremy has such good stories. God I hate writing these, Dan please come back.Shouts out to Dave Mantel for some sick RX on Jeremy's recording.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Welcome back to a new episode of The Fretboard Confessional. In this episode Chris and Cooper get into some unexpected used guitar concerns, what's going on with guitar reddit posts, fake guitars Fender CPO guitars and more.  ★ Support this podcast on Patreon ★

Today we're joined by one of the founders of Old Blood Noise Endeavors: Brady Smith! You may know his history with Keeley, Walrus, and Old Blood, but today we're here to talk about his history with a particular amp you may know as Marsnall: the Marshall JMP that's been his mainstay for decades. We start with a lot of discussion of the Eastside Music Supply 10 Year Anniversary party and the fun people and gear we encountered there, then take some voicemails aimed specifically at Brady, then finally get into his object and how it's informed not only his playing but his ear as a pedal designer, through both its presence and its absence. This is a fun one folks!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today's all about the Old Blood Noise Endeavors Pardner! Well, mostly at least. We begin with the very exciting conclusion of Andy's Wes Borland saga and give confirmation that sometimes you should meet your heroes. Then we throw it to the hogs for questions about the latest pedal from Old Blood Noise Endeavors: an oddball fuzz with an overdriven effects loop referred to as PARDNER. From there we talk about some of our favorite uses of the pedal, naturally meander a bit, and end with some chatter about the upcoming Dark Star.Find PARDNER and other OBNE pedals: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @relicmusicshop, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today we're joined by Michael Nicosia, purveyor of incredible tone and owner of one of our favorite brick and mortar shops: Relic Music in Red Bank, New Jersey. We start with some of our most disappointing pedal purchases, talk about dream collaborations and the new EHX POG3, then get to Mike's object: the Hiwatt DR103. We talk about his journey toward finding a vintage example, pairing it with various cabs and speakers, and how it's been a central part of his sound for the last two decades. This one's about good gear and good people - get into it!Buy yourself some carefully curated gear from Relic: https://relicmusicshop.com/Or some pedals direct from OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @relicmusicshop, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Brian, Blake, and Richard are back for Episode 527 of the Chasing Tone Podcast - The most important electric guitar performance ever? Also New Guitar Day! Brian teases a "special private show" and Richard discovers something about his American brethren and it has upset him - but then a lot has this week. More importantly Brian has a brand new guitar! He tells us all about it and some of the unexpected features it has and the guys notice a special twinkle in Brian's eye. Brian also said something outrageous about a classic Fender design and Richard is disturbed. On the 55th anniversary of the Woodstock festival, Richard got a chance to re-watch that infamous Jimi Hendrix performance, and he has views which the guys debate. He also managed to learn something from the master of the Stratocaster and is very proud of himself. Brian also has learned something new - about Pink Floyd - and admits to being a foolish individual and there is talk of school-day shenanigans. Blake has issues. Blake has a very special Metalzone and he tells us all about it and the guys talk about pedal naming schema before getting defeated by a classic pedal name. Brian is expanding his barn and Richard has a new pedal which he thinks is one of the most fun pedals ever. Do fancy IEC cables make a difference to your amps tone? This was a question asked on the tone group so the guys dig in. Giant Cases, Clown Shoes, Jimi Hendrix, Vintage guitar stickers, Chapman Guitars, Randall Smith...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the Show.

Rhett and Zach are joined on this Dipped In Tone by country and bluegrass aficionado Andy Wood. Wood grew up in Knoxville with Appalachian bluegrass musics shaping his view of the world, and even though he's celebrated for his guitar playing, he reveals that he didn't pick up an electric until he was 17.Mandolin was his home turf, where lightning-quick alternate picking was the norm rather than a shredding strategy—there's no “nuclear arms race of chops” in bluegrass, Wood reveals. The real key to playing fast? Simply learning songs. Because of the different approaches, Wood shares how to spot an electric guitar player who started on bluegrass. Wondering where to start with American roots music? Wood has you covered there, too.When he finally got around to guitar, Wood studied the playing of Nashville session weapons like Brent Mason alongside players like John Petrucci. Now, Wood throws an annual four-day retreat for guitar players called the Woodshed Guitar Experience, where you can learn from some of music's greatest modern players.Plus, learn about how Andy catches great electric tones in the studio, and stayed tuned for his new solo record, Charisma, which dropped on August 9.Check out Andy's new album: https://www.andywoodmusic.com/Get 10% off your order at http://stewmac.com/dippedintoneSubscribe, like, and leave us a commentSign up on our mailing list: http://eepurl.com/iaCee5Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintoneMERCH: https://teespring.com/stores/dipped-in-toneFollow us on Instagram: https://instagram.com/dippedintone Dipped in Tone is:Rhett Shull https://www.rhettshull.com/Zach Broyles / Mythos Pedals https://mythospedals.comPremier Guitar https://www.premierguitar.com/

In this episdoe of The Fretboard Confessional Chris and Cooper discuss the many choices for Stratocasters - are there too many? Gibson lawsuits and guitars get political! ★ Support this podcast on Patreon ★

In this episode of DIY Guitar Making, I answer YOUR questions!Questions/Topics:- tonewood suppliers- Electric Guitar neck angles- Rosette cutting jigs- What material to use for molds forms and jigs- What do you use to oil or polish up the fretboard?

Today we're joined by Matt Kidd of Slow Meadow, longtime friend of Andy's, ambient composer, and solo artist whose journey from guitar through piano eventually leads us to a very modern instrument, the Expressive E Osmose. We talk a lot about physical interaction between player and instrument, the magic of squishy keys, and the variety of elements that give us control over sonic textures. Also we get into Andy's Big Day, wherein he goes viral and gets a message from none other than Wes Borland.Listen to Slow Meadow: https://slowmeadow.bandcamp.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @slowmeadow, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

In this episode we discuss our recent trip to the Furch Factory in the Czech Republic, Chris' Customs issues, upcoming Fender launches and the Sam Ash purchase.  ★ Support this podcast on Patreon ★

The suspense is killing us: will they have a guest this week? Finally, we can confidently say, no! But at the same time, kind of, yes? Here's the deal folks. This is an episode of Andy and Dan catching up and answering some questions from the hogline. We talk about recent and upcoming pedal shows, the new Old Blood Noise Expression Ramper, the etiquette of pinging someone on Discord, folk-punk, and of course we check in with Clint, who we will see in December.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to be to much of a difference in tension between the two sets. Finally, a friend clued me into the 9.5-44 D'Addario set, and I found to be the perfect happy-medium between the 9 and 10 gauges.    To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0V2023 Danocaster single cut in Duco red2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-ampMirage compressor pedal#askzac #guitarstrings  #daddariostringsSupport the Show.

How low can, and should, you go? Today we're joined by Nick Diener of Oneder Effects and Oneder Guitar Company to talk about notes below the standard six string. We start with the early magic of a Strat in E flat and follow it through baritone guitars and his recently acquired seven string, learning about his influences and creative processes with projects like The Swellers and The Apology Tour along the way. There's a lot of 90s music talk and a lot of modern pedal talk. At this point, if we don't mention nu metal and parallel routing, is it even Object Worship? Anyway quit readin and get to listenin!Check out Oneder Effects: https://www.onedereffects.com/And Oneder Guitar Company: https://www.onederguitarcompany.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @onedereffects, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Padres catcher Kyle Higashioka joins the guys in-studio and Woodsy hands over his electric guitar for Higgy to play for us all!

It's Outer Wilds round two as we're joined by composer Andrew Prahlow. We start with some of our favorite video game soundtracks, then get into Andrew's object, a Fender Dual Professional. We go deep on how using an amp in a room can help create memories of music-making, what it means to access the history of a piece of musical equipment while creating your own history with it, and how non-traditional compositions like Jon Brion's Eternal Sunshine of the Spotless Mind inspired Andrew's approach to emotion in a soundtrack.For more info and to find Andrew's live dates: http://www.andrewprahlow.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @andrewprahlow, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

In this new episode of The Fretboard Confessional, Chris and Cooper dive into the hard hitting questions - what's up the Taylor Taylor Swift guitar?, Is Gibson copying Rolex's business model? What is going to happen int he vacuum of Sam Ash closing and what are the best movies about music?  ★ Support this podcast on Patreon ★

Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeThe Food Stamps have been cooking onstage behind the redheaded songwriter pretty much since he left Appalachia and began touring as a full unit. These loyal road dogs have worn the rubber off the tires touring with Mr. Childers. First, they were strictly a live band enlisted to recreate and recharge the material from his first three studio albums Bottles and Bibles (2011), Purgatory (2017), and Country Squire (2019). But with the last two studio records—the triple-album, gospel-country opus Can I Take My Hounds to Heaven? and last year's classic-meets-contemporary Rustin' in the Rain—the Food Stamps went from being his road-warrior comrades to eating big time alongside their leader onstage and in the studio. During Childers' headlining arena run and before his second sold-out night at the Bridgestone Arena in downtown Nashville, the Food Stamps' CJ Cain (acoustic/electric guitar/mandolin), Jesse Wells (electric guitar/mandola/banjo/baritone/fiddle), James Barker (guitar/pedal-steel), and Craig Burletic (electric bass/double bass) invited PG's Perry Bean inside their “living room” stage set. When we last chatted with them in 2019, the boys were burning through the small-club circuit with many of the same tone tools still in their rig today, but as venues grow and tours extend, gear needs change and the arsenal capacity increases. In this hour-long Rundown, we cover all their fresh friends, old standbys, and everything else these four buckaroos require to make music that matters. Thumbnail photo by Emma Delevante: https://www.instagram.com/emmadelevante/Fender Vintera II '60s Stratocaster: https://sweetwater.sjv.io/k0YVB0Amplified Nation Overdrive Reverb 50-watt Tube Head: https://sweetwater.sjv.io/eKYaV1Dunlop EP103 Echoplex Delay Pedal: https://sweetwater.sjv.io/LX7gb0Keeley Katana Mini Clean Boost Pedal: https://sweetwater.sjv.io/DK7BXbJHS Pulp 'N' Peel V4 Compressor Pedal: https://sweetwater.sjv.io/bayxMkPeterson Strobostomp: https://sweetwater.sjv.io/rQLdLjStrymon El Capistan: https://sweetwater.sjv.io/k0MG20L.R. Baggs Venue DI: https://sweetwater.sjv.io/Qy70m6Grace Design ALiX Acoustic Instrument Preamp: https://sweetwater.sjv.io/rQYR6DMorley ABC Pro 3-button Switcher/Combiner Pedal: https://sweetwater.sjv.io/Py7B3RFender Custom Shop Time Machine '68 Thinline Telecaster: https://sweetwater.sjv.io/5goK91Fender Stories Collection Eric Johnson 1954 "Virginia" Stratocaster: https://sweetwater.sjv.io/jrYVkMGretsch G6128T-GH George Harrison Duo Jet: https://sweetwater.sjv.io/eKYaVQDanelectro 59X12 12-string Electric Guitar: https://sweetwater.sjv.io/an7PaYFender '64 Princeton Reverb 1x10": https://sweetwater.sjv.io/Gm7Ez2Grace Designs Felix preamp: https://sweetwater.sjv.io/VmPOEEL.R. Baggs acoustiseries Reverb: https://sweetwater.sjv.io/1rJ2qzL.R. Baggs Para acoustic DI: https://sweetwater.sjv.io/Vm7gqjUniversal Audio UAFX Golden Reverberator Pedal: https://sweetwater.sjv.io/1rD3xgTC Electronic PolyTune: https://sweetwater.sjv.io/k0oEQVMXR Phase 90 script: https://sweetwater.sjv.io/g1YJZXStrymon Flint: https://sweetwater.sjv.io/QyAKk9Wampler Tumnus: https://sweetwater.sjv.io/eKggxrRadial Engineering Headlight: https://sweetwater.sjv.io/oqYVEWGibson Custom 1959 Les Paul Standard Reissue Electric Guitar: https://sweetwater.sjv.io/0ZV2LNFull Rig Info:Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter:...

On this day in 1965, in a fit of nocturnal inspiration, Rolling Stones guitarist Keith Richards wrote “(I Can't Get No) Satisfaction.” See omnystudio.com/listener for privacy information.

While Jonathan works on a new episode about stage lighting systems, take a listen to this classic episode in which he and his old cohost Chris Pollette talk about the history and workings of electric guitars.See omnystudio.com/listener for privacy information.

Henry takes a trip to What If World to help Alabaster Zero master his Rock and Roll skills as we celebrate ICAN radio's 5th anniversary. Lessons include: Practice makes progress; there's nothing more Rock and Roll than being yourself! Henry has a trailer up for his new audio drama for kids, Time Warp: The First Season. What If World has been on ICAN radio for five years and you can listen at: icanradio.org Join our Patreon for ad-free stories, monthly bonus episodes, a shout-out on the show, bi-annual mailings, and more! patreon.com/whatifworld Subscribe to What If World wherever you listen: link.chtbl.com/whatifworld. Share questions & submissions with a grownup's help via email at whatifworldpodcast@gmail.com, voicemail at 205-605-WHAT (9428), Instagram @whatifworldpodcast, or snail mail: What If World (or Mr. Eric) P.O. Box 4905 Panorama City, CA 91412 Eric and Karen O'Keeffe make What If World. Our character art is by Ana Stretcu, and our episode art is by Lynn Hickernell. A big thanks to our producer Miss Lynn. Our podcast art is by Jason O'Keefe, and our theme song is by Craig Martinson. Advertise on What If World: advertising@airwavemedia.com

We are joined by returning and highly qualified guest singer/songwriter J.Maya to talk about the score of Percy Jackson Season 1! This conversation ran so long, we've split it into two episodes, so enjoy part two as we discuss Annabeth and Grover's theme, the future of #Lukronos's theme, our overall favorite pieces from the soundtrack, and of course, ELECTRIC GUITARS! Bear McCreary's blog post with Brian Claeys: ⁠https://bearmccreary.com/percy-jackson-and-the-olympians/⁠ You can find J.Maya... Instagram: ⁠⁠@J.Maya https://www.instagram.com/j.maya/?hl=en⁠⁠ Twitter: ⁠⁠@naniwootwoot1 https://twitter.com/naniwootwoot1⁠⁠ Spotify: ⁠⁠https://open.spotify.com/artist/6uFYqDeLIwfURuF1yxVqJU⁠⁠ Substack: ⁠⁠https://fallouttheotherside.substack.com/subscribe⁠ Listen to Dior's single! https://open.spotify.com/album/5xTu93rjr9OWJasKdUmW7E?si=j0dgeOThTsCmmEr5XFRn0A Follow our show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and on TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO OUR PATREON to enjoy monthly special episodes as well as our back catalogue of weekly Disney+ Watch-Alongs! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Episodes 1&2 Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/live/RoNsTTI2whQ?si=tsJGQVlK_clrcyqL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Finale + Documentary Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=XiLZmDic4PQ&t=5429s⁠⁠⁠⁠⁠⁠⁠ Check out our merch shop! (one of our designs can be spotted in the documentary, lol!) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠