Podcasts about free angela

In this episode of Blacklisted Conversations, we sit down with award-winning filmmaker and historian Shola Lynch, celebrated for her powerful documentaries centring Black voices and untold histories. With a legacy that includes Free Angela and All Political Prisoners and Chisholm '72: Unbought & Unbossed, Lynch brings a distinct, truth-driven approach to storytelling.We dive into her latest work as director of the Leading Women in Hollywood segment of the Apple TV+ docuseries Number One on the Call Sheet. Lynch shares the care and craft behind building trust with initially hesitant icons like Angela Bassett, Halle Berry, and Gabrielle Union — ultimately capturing deeply personal reflections on navigating stardom as Black women in the industry.From the politics of representation to the pursuit of creative freedom, this conversation explores the resilience, legacy, and quiet power that fuel both her subjects and her own journey as a filmmaker.

On hitting Rock Bottom, de-armoring, and worthiness.Jada Pinkett Smith is a multifaceted artist whose career spans over 30 years. Raised in Baltimore, she studied dance and theater at the Baltimore School for the Arts before moving to Los Angeles to pursue acting. Her breakthrough came in with the NBC series A Different World, followed by her first feature film, Menace II Society. From there, Pinkett Smith became a global star, appearing in numerous films like The Nutty Professor, Set It Off, The Matrix franchise and the comedic hit Girls Trip.In addition to her acting work, Pinkett Smith has also executive produced projects such as Karate Kid, Free Angela and All Political Prisoners, The Queen Latifah Show, Red Table Talk, Red Table Talk: The Estefans, as well as Queen Cleopatra and Queen Njinga for Netflix. She expanded her skills further as the host of the Emmy award-winning talk show, Red Table Talk, where she engages in multigenerational discussions about social and cultural issues with her daughter, Willow Smith, and mother, Adrienne Banfield-Norris. She is now heading out on a worldwide book tour to promote her memoir, Worthy (a NYT Bestseller).Related Episodes:Non-Negotiables PlaylistSign up for Dan's weekly newsletter hereFollow Dan on social: Instagram, TikTokTen Percent Happier online bookstoreSubscribe to our YouTube ChannelOur favorite playlists on: Anxiety, Sleep, Relationships, Most Popular EpisodesFull Shownotes: https://www.tenpercent.com/tph/podcast-episode/jadaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Originally released in 1971, the album Free Angela was sold to raise money for the National United Committee to Free Angela Davis. This is a sample of just some of the songs, including the title track Free Angela by Larry Saunders. Fun fact: Larry Saunders is the father of the multi Grammy nominated artist Ledisi.SOURCES: https://www.discogs.com/master/614033-Various-Free-Angelahttps://www.funkmysoul.gr/larry-saunders-the-prophet-of-soul-strangers/https://www.discogs.com/artist/371682-Larry-SaundersBUY REMASTERED COPY OF ALBUM HERE: https://shop.secretstashrecords.com/products/free-angela?variant=829399363 all materials presented by The Make Your Damn Bed Podcast and Julie Merica LLC is for educational purposes only. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Ramon Hervey II, who's worked as a highly regarded entertainment manager, brand consultant, and public relations specialist with a diverse and impressive roster of entertainers that encompass a wide spectrum of contemporary music genres, ranging from pop/rock, rhythm & blues, hip-hop, jazz, and gospel.  The list includes Richard Pryor, Bette Midler, Little Richard Lenny Kravitz, Don Cornelius, Paul McCartney, Herb Alpert, Vanessa Williams, Kenny "Babyface" Edmonds, Peter Frampton, Andrae Crouch, Nick Nolte, and James Caan, and many more.  He has also served as an Executive Producer for several films, television and live events, including the Peabody Award-winning documentary, "Chisholm '72: Unbought & Unbossed," the anniversary album, "NBA AT 50," and was a Music Supervisor for the NAACP Award-winning film "Free Angela and All Political Prisoners. Ramon recently wrote about his experiences in a book entitled “The Fame Game: An Insider's Playbook For Earning Your 15 Minutes.” During the interview we spoke about promoting the great Motown acts, managing Little Richard, working with Mohammed Ali, what it takes to be successful in the entertainment business, dealing with celebrity egos, and much more. I spoke with Ramon from his office in New York via zoom. On the intro I'll take a look at why you can't rely on social media as your online presence, and dancing more when there's more very low frequencies. var podscribeEmbedVars = { epId: 84224726, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

What if you were raised by a village of strong Black women at time when folks wore Free Huey and Free Angela t-shirts in a place that was known world-wide for it's activism? Bridgid Coulter Cheadle, grew up in Oakland and moved to Los Angeles where she pursued her first love, acting, before going back to school in order to pursue her second love, design. So what would you do if you if as an adult, your design business was flourishing, you were a Tony-award-winning producer, and you were married to an Avenger. But when you walked into a workspace looking for faces like the ones in that village you grew up with, you found that you were the only one in the room? Would you move back to a place where you knew you belonged? Or would you create a gathering space for women of color and allies alike? More From Bridgid Coulter Cheadle: Visit: www.blackbird.house Finding Bridgid Coulter Cheadle: LinkedIn: Bridgid Coulter Cheadle Twitter: @bridgidcoulter Instagram: @simplybridgid Special thanks to our sponsors: Thrive: Thrive Causemetics is a best-selling product, it has more than 20,000 five-star reviews. They also have over 300 giving partners across the country supporting numerous causes. Now is a great time to try Thrive Causemetics for yourself! You can get 15% off your first order when you visit Thivecausemetics.com/ONE that's Thrive C-A-U-S-E-M-E-T-I-C-S dot com slash ONE for 15% off your first order. PATREON SHOUT OUTS: Mercedes Cusick LMFT, Website: www.mercedescusick.com, IG: @recoverhealbloom Check Out How To Do The Pot Thanks to Kathleen Hahn Cute Booty Lounge is made right here in the USA, by women and for women. The company is incredible, female, and minority-owned and all of their leggings make makes your booty look amazing. Go to https://cutebooty.com/ today! Embrace your body, love your booty! Join our Patreon: Become an Only One In The Room patron by joining us on Patreon! Starting at only $5.00 per month, you'll get bonus content, access to outtakes that the general public will NEVER see, extremely cool merch, and depending on what tier you get, monthly hang time with Scott and Laura. Join our Patreon today at https://www.patreon.com/theonlyonepodcast Be sure not to miss Scott Talks on Wednesdays, our Sunday release called Sunday Edition & our brand new series On My Nightstand releasing on Fridays by subscribing to the show wherever you listen to podcasts.  Join our Only One In The Room Facebook Group if you'd like to ask a question of any of our upcoming guests for this series.  Also visit the website www.theonlyonepod.com for the latest from our host Laura Cathcart Robbins like featured articles and more. We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! All of us at The Only One In The Room wish you safety and wellness during this challenging time. Learn more about your ad choices. Visit megaphone.fm/adchoices

A look back at the trial of Angela Davis. All power to the people! Documentary film by Shola Lynch, Free Angela and All Political Prisoners: https://amzn.to/3zJYZUY Shola Lynch: https://sholalynch.com

In this episode, Eric sits down with accomplished musician, composer, essayist and abstract artist Todd Cochran. They discuss how he was born in San Francisco and raised in a household of deep love for the arts; filled with music and conversations about art and culture. Growing up in the Lakeview district; a largely Black but racially mixed neighborhood and community.. and the influential role that his maternal grandmother, an ordained minister, evangelist and protofeminist played throughout Todd's childhood. They discuss his musical training and private study in piano and performing arts in classical music and theory; to eventually attending Trinity College of Music in London. He sheds light on his experience of living in San Francisco during the 60s and 70s, his exposure to jazz and how his musical development was impacted by the cultural, political and community atmosphere of the civil rights movement; which fueled his passion for creating art that mirrored the socio-cultural moment and set the path for his prolific and inspiring musical career. They discuss Todd's fascination with the visual arts; the interconnectivity between art forms.. the power that art has to make a difference and the responsibility that comes with being an artist.For more visit: www.ericsperspective.comGuest Bio: Todd Cochran is an American pianist, composer, keyboardist, essayist and conceptual artist. Early in his career he was also professionally known as Bayeté. Cochran started his career as a teenager with saxophonist John Handy. Two years later he joined vibraphonist Bobby Hutcherson's Quartet, and made his jazz recording debut composing and performing on a benchmark album for Hutcherson, "Head On" (on Blue Note Records) that featured a nineteen-piece ensemble. The recording was critically hailed as cross-pollinating the evolving contemporary modal jazz, avant-garde sound of the 1970s. Cochran's first solo project "Worlds Around the Sun" became a #1 jazz album and marked his entree into the jazz discussion. From the mid 1970s forward Todd has experimented with and incorporated synthesizers, electronic and mixed-media concepts in his creative projects while collaborating with a wide range of artists in the genres of jazz, art rock, pop, R&B, and twenty-first-century classical. Cochran's best-known jazz compositions include "At The Source" (Bobby Hutcherson), "Free Angela" (Bayeté Todd Cochran, Santana), "Eternal Worlds" Julian Priester, "My Pearl", "Geni-Geni" (Automatic Man), "Monte Carlo Nights" Grover Washington Jr., "Spanish Rose", "Back To Lovin' Again" (Freddie Hubbard), and "Secret Places" (Todd Cochran). He released two albums on Prestige Records in 1972 and 1973. He was keyboardist and lead singer of Automatic Man from 1976 - 1978. He was also a member of Fuse One, a coalition of jazz musicians who released two albums on CTI Records in 1980 and 1981.About Eric's Perspective: A podcast series on African American art with Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more on Eric's Perspective, visit www.ericsperspective.com SUBSCRIBE: http://bit.ly/2vVJkDnLISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us ONLINE: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33  www.mhanksgallery.com

A review of "Free Angela and All Political Prisoners", a 2013 documentary directed by Shola Lynch about the events that led to Angela Davis' arrest and prosecution.   Show notes are available at http://noirehistoir.com/blog/free-angela-and-all-political-prisoners-movie-review.  

The movement to Free Angela and All Political Prisoners begins, while Shirley Chisholm warns Congress about Attica Prison. Featuring: Jeff Van Dreason as Judge Arnason John Sebastian La Valle as Attorney General Harris Jai Diaz as the Black Panther Speaker Jeanette Berry as Fania Davis TK Dutes as Sallye Davis Jac'leen Smith as Angela Davis Michael Sinclair as George Jackson Morgan Givens as Howard Moore Jimmy Mehiel as President Nixon Joshua Rubino as John Mitchell Jordan Higgs as Franklin Alexander Journey Brown -Saintel as Assata Shakur Ronald Young, Jr. as Reverend Cecil Williams Steven Hylton as Wesley Peter Killey as Governor Reagan Gabrielle Adkins as Margaret Burnham Special thanks to Tom Smith, Bob Raymonda, Chi Williams and Kristen DiMercurio Sound Design by Xperience J. Producer and Recording Engineer - T.H. Ponders Art by Neville Harvey Written, directed and edited by Yhane Washington Smith Support the show by purchasing an Angela Davis and/or Shirley Chisholm notebook! Go to Blackbirdletterpress.com Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the world knew what intersectionality was, the scholar, writer and activist was living it, arguing not just for Black liberation, but for the rights of women and queer and transgender people as well. In 1969, when Davis, then an assistant professor in the philosophy department at the University of California, Los Angeles, was fired at the beginning of the school year for her membership in the Communist Party, and then, after a court ruled the termination illegal, fired again nine months later for using “inflammatory rhetoric” in public speeches. She had recently become close to a trio of Black inmates nicknamed the Soledad Brothers (after the California prison in which they were held) who had been charged with the murder of a white prison guard in January 1970. One, George Jackson, was an activist and writer whom Davis befriended upon joining a committee challenging the charges. In August 1970 — after Jackson's younger brother, Jonathan, used firearms registered to Davis in a takeover of a Marin County courthouse that left four people dead — Davis immediately came under suspicion. In the aftermath of that bloody event, she was charged with three capital offenses, including murder. Overnight, she became an outlaw. Within two weeks of the shootout, J. Edgar Hoover placed Davis on the F.B.I.'s Ten Most Wanted list, making her the third woman ever to be included. A national manhunt ensued before she was detained two months later in a New York motel. President Nixon congratulated the bureau on capturing “the dangerous terrorist Angela Davis.” After her arrest, the chant “Free Angela!” became a global battle cry as the academic — who had studied philosophy in East and West Germany in the late '60s and had been a vocal supporter of the Black Panthers and the anti-Vietnam War movement — became widely viewed on the left as a political prisoner. She spent 18 months in jail before being found not guilty on all charges. During the trial, Davis's profile transformed. Before, she had been a noted scholar. After, she became an international symbol of resistance. In a period when images of Black women in major newspapers or on network television were scarce, Davis's was both ubiquitous and unique. Whether in journalistic photos, respectful drawings or disrespectful caricatures, her gaze was uniformly stern — as if focused on her offscreen accusers — and unbowed. No matter the platform or the publication, she radiated rebellion and intelligence. The consistent theme is a woman both radical and chic. Davis was more likely to be seen than read or heard at the time, but her very existence complicated the white and Black male gaze of what Black women could be. The impact of this representation has lingered in the culture. Consider this: For 50 years, Davis has existed as a pop-cultural reference point as well as a serious academic, one whose ideas were once thought of as extreme but are now part of the popular discourse. TODAY, DAVIS'S HAIR is gray, though it still circles her head like a crown. From the garden of her modest eucalyptus-tree-shaded second home in Mendocino, Calif., she expresses a relaxed optimism about the country's direction. As befits a professor who has taught history of consciousness, critical theory and feminist studies for five decades. --- Support this podcast: https://anchor.fm/unlabeled/support

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On this episode of Magical Moments Jill interviews Eisa Davis.  Eisa is a creative powerhouse who's work has incredibly inspired people across multiple mediums.  Eisa and Jill chat about inspiration, heart centered work and the spirit that drives her.  Eisa Davis is an award-winning actor, writer, and singer-songwriter working on stage and screen. She was a finalist for the Pulitzer Prize in Drama for her play Bulrusher, and wrote and starred in Angela's Mixtape, named a best of the year by The New Yorker. Other plays include Ramp (Ruby Prize winner), The History of Light (Barrymore nomination), Paper Armor, Umkovu, Six Minutes, Warriors Don't Cry, Mushroom, and ||: Girls :||: Chance :||: Music :||.  Works in progress include a sound art installation/performance piece entitled The Essentialisn't, and a musical version of Devil In A Blue Dress. Eisa wrote for both seasons of the Netflix series She's Gotta Have It, and is creating a limited series based on the memoir by Carlotta Walls LaNier.As an actor, she is an Obie Award winner for Sustained Excellence in Performance. Eisa's recent work includes a microplay by Lynn Nottage in the virtual series Theatre For One, the role of June in the musical adaptation of The Secret Life of Bees (AUDELCO award, Lortel nomination), Kings at the Public (Drama League nomination), and the acclaimed Broadway rock musical Passing Strange, captured on film by Spike Lee. Current television work includes Betty, Bluff City Law, God Friended Me, Rise, Condi Rice on The Looming Tower, and Succession. Eisa played Cynthia Driscoll on House of Cards, was Bubbles' sister on The Wire, and Alexandra on Blindspot. She has guest starred on Falling Water, The Family, Elementary, Madam Secretary, American Odyssey, Gotham, The Blacklist, The Good Wife, Mercy, and Damages, and recurred on Soul Food, Smash and Hart of Dixie. Film work includes After The Wedding, First Match, Free Angela, Welcome to the Rileys (opposite James Gandolfini), In The Family, Robot Stories, The Architect, Confess, Happenstance and many more!As a singer-songwriter, music from her albums Something Else and Tinctures is available through iTunes and Soundcloud. Eisa is a member of The Actors Studio, a Usual Suspect at New York Theater Workshop, and was an artist-in-residence at Symphony Space. A graduate of The New School and Harvard, she lives in Brooklyn, NY.Follow Eisa and see more of her work here ! 

In correspondence with Black August, we track the path of Dr. Angela Davis from childhood through or infamous trial against the US state. We discuss the extent of her involvement with the Black Panther Party, the origins of the Black Panther Party, and the events that led up to her trial involving George and Jonathan Jackson. More importantly, we debunk the idea that Black radical Aesthetics are synonymous with revolutionary action (Angela Davis should not be reduced to an Afro). Free Angela and All Political Prisoners https://thoughtmaybe.com/free-angela-and-all-political-prisoners/ Patreon - https://www.patreon.com/blackmyths Twitter - @blackmythspod Instagram -blackmythspod Facebook- The Black Myths Podcast Black Power Media - https://www.youtube.com/playlist?list=PL7_X-VeroWRvx6b9iD0BOZrvAOieHbb8p RUCHELL CINQUE Magee https://www.thejerichomovement.com/profile/magee-ruchell-cinque  

Documentary editor Lewis Erskine died last week at age 64. He was cherished by colleagues as a storyteller and a teacher. His Twitter handle was @editorsavant and his credits include Miles Davis: Birth of the Cool, Freedom Riders and Jackie Robinson. In the days after his death, Pure Nonfiction host Thom Powers spoke to three of Lewis' colleagues. Filmmaker Stanley Nelson describes first meeting Lewis when they worked for WNET public television and how they collaborated for over two decades starting with The Black Press: Soldiers Without Swords. Sabrina Schmidt Gordon, who was Lewis' assistant editor on The Black Press, celebrates his legacy as a mentor. Shola Lynch describes how she met Lewis working together on Ken Burns' Jazz series, then later turned to him for help on her films Chisholm 72: Unbought and Unbossed and Free Angela and All Political Prisoners.Further links referenced in the conversation:Black Documentary CollectiveThe Creative Power of BIPOC Editors panelBIPOC Editors DatabaseMaster Class with Lewis Erskine and City College (2019)Lewis Erskine at Sundance 2017 “Examine Your Privilege"

Documentary editor Lewis Erskine died last week at age 64. He was cherished by colleagues as a storyteller and a teacher. His Twitter handle was @editorsavant and his credits include Miles Davis: Birth of the Cool, Freedom Riders and Jackie Robinson. In the days after his death, Pure Nonfiction host Thom Powers spoke to three of Lewis' colleagues. Filmmaker Stanley Nelson describes first meeting Lewis when they worked for WNET public television and how they collaborated for over two decades starting with The Black Press: Soldiers Without Swords. Sabrina Schmidt Gordon, who was Lewis' assistant editor on The Black Press, celebrates his legacy as a mentor. Shola Lynch describes how she met Lewis working together on Ken Burns' Jazz series, then later turned to him for help on her films Chisholm 72: Unbought and Unbossed and Free Angela and All Political Prisoners.

The new Hollywood film “Judas and the Black Messiah” is based on the lives of Black Panther leader Fred Hampton and the person who betrayed him, FBI informant William O'Neal. The film's director Shaka King has credited documentaries for playing a key role in his research. One of his main influences was “Eyes on the Prize II” (1990) that scored the journalistic feat of interviewing O'Neal after he had gone into a federal witness protection program. Pure Nonfiction host Thom Powers interviews four members of the “Eyes” team - directors Louis Massiah and Terry Kay Rockefeller along with researchers Noland Walker and co-director Bennett Singer. They describe how they got O'Neal to talk, why questions still linger about his reported suicide, and the legacy of the Black Panthers.Further resources:- Learn more about our guests: Louis Massiah (executive director, Scribe Video Center), Terry Kay Rockefeller, Bennett Singer (co-director, Brother Outsider: The Life of Bayard Rustin and Cured), Noland Walker (co-programmer, ITVS's Independent Lens)- Watch all 14 episodes of Eyes on the Prize on Kanopy This podcast conversation touches upon episode 9 “Power!” about the Black Panthers and especially focuses on episode 12 “A Nation of Law?” both co-directed by Louis Massiah and Terry Kay Rockefeller. Read the book Voices of Freedom, an oral history based on interviews from "Eyes on the Prize,” edited in part by Bennett Singer.- Watch the raw footage of William O'Neal's interview on Vimeo or read the transcript from the "Eyes on the Prize" archives at Washington University. Browse the full collection.- Watch The Murder of Fred Hampton (1971), directed by Howard Alk and Michael Gray, on Vimeo from the Chicago Film Archives.- Read the TruthOut article by Fred Hampton's attorney Flint Taylor on recent revelations about J. Edgar Hoover's connection to William O'Neal.- Read articles from 1990 about the death of William O'Neal in the Chicago Tribune and Chicago Reader.- Listen to the Pure Nonfiction interview with Jon Else discussing his book True South about the making of "Eyes on the Prize.”- For more on COINTELPRO, watch Sam Pollard's MLK/FBI about surveillance of Martin Luther King Jr; Johanna Hamilton's 1971 about the break-in to a FBI office that revealed the counter intelligence program.- Watch Stanley Nelson's Black Panthers: Vanguard of the Revolution.- In the podcast, Noland Walker mentions the COINTELPRO plan to disrupt the 1972 National Black Political Convention in Gary, Indiana. Watch William Greaves' recently restored film Nationtime covering that event.- For further viewing related to this era, watch Shola Lynch's Free Angela and All Political Prisoners and Sam Green and Bill Siegel's Weather Underground.- For more recent documentaries on FBI surveillance and informants, see Lyric Cabral and David Felix Sutcliffe's (T)ERROR, Assia Boundaoui's The Feeling of Being Watched, Katie Galloway and Kelly Duane de la Vega's Better This World and Jamie Meltzer's Informant.

The Study and Struggle program is the first phase of an ongoing project to organize against incarceration and criminalization in Mississippi through four months of political education and community building. Our Critical Conversations webinar series, hosted by Haymarket Books, will cover the themes for the upcoming month. Haymarket Books is an independent, radical, non-profit publisher. The fourth webinar theme is Movement Building and Transnational Freedom Struggles and will be a conversation about how we can build a global movement for abolition, and the types of shared knowledge, strategies, and organizing an internationalist movement to abolish police and prisons will require. For more on Study and Struggle: https://www.studyandstruggle.com/ ————————————————————— Speakers: Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She is the author of several books, including Women, Race, and Class, Freedom is a Constant Struggle and Are Prisons Obsolete? She is the subject of the acclaimed documentary "Free Angela and All Political Prisoners" and is Distinguished Professor Emerita at the University of California, Santa Cruz. Lorgia García Peña is a public facing scholar, activist, and the co-founder of Freedom University Georgia, a non-profit organization that provides college instruction to undocumented students. She is the author of The Borders of Dominicanidad: Race, Nations and Archives of Contradictions and the co-director of Mind the Gap, Archives of Justice. Currently she is an untenured associate professor at Harvard University. Medhin Paolos is a filmmaker, researcher, musician and an activist working for LGBTQ and citizenship rights in Italy. She is the director of the acclaimed documentary film "Asmarina" (2015), the co-founder of the Milano Chapter of Rete G2 (the largest citizenship rights organization in Italy) and the creator of the G2 Lab. Her work with immigrant, refugee and LGBTQ communities in Milan, Italy is internationally recognized. Leti Volpp is a law professor at UC Berkeley who has published multiple pieces on immigration and citizenship law with a particular focus on how law is shaped by ideas about culture and identity. She currently directs the campus-wide Center for Race and Gender. Makani Themba (moderator) is Chief Strategist at Higher Ground Change Strategies based in Jackson, MS. A social justice innovator and pioneer in the field of change communications and narrative strategy, she has spent more than 20 years supporting organizations, coalitions and philanthropic institutions in developing high impact change initiatives. ————————————————————— Order copies of Angela Y. Davis's books: Women, Race, & Class: https://bookshop.org/a/1039/9780394713519 Are Prisons Obsolete?: https://bookshop.org/a/1039/9781583225813 Order The Borders of Dominicanidad: https://bookshop.org/a/1039/9780822362623 Watch the live event recording: https://youtu.be/58ivOoKv9-E Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Career Q&A with Jada Pinkett Smith on June 16, 2015. Moderated by Pete Hammond, Deadline. A talented actress, producer, director, author, singer-songwriter and businesswoman, Jada Pinkett Smith has approached her career with the utmost poise and versatility, capturing the hearts of fans and colleagues in the industry with every new project. Born and raised in Maryland, Pinkett Smith studied dance and acting at Baltimore School of the Arts and North Carolina School of the Arts. Her resourcefulness and determination led her to a variety of professional opportunities, most notably the “The Cosby Show” spin-off series, “A Different World,” which launched her acting career on television. Pinkett Smith produced and starred in the critically acclaimed cable medical drama series “HawthoRNe,” which earned her a 2010 NAACP Image Award for Outstanding Actress in a Drama Series. She currently stars on FOX's GOTHAM as imposing gang boss Fish Mooney. In 1993, she landed her first feature film role in “Menace II Society.” Her role opposite comedian Eddie Murphy in “The Nutty Professor” made her a household name. Pinkett Smith’s acting career continued with her participation in “The Matrix: Reloaded” and “The Matrix Revolutions.” In 2004, she won the Academy of Interactive Arts and Sciences, USA Award for Outstanding Achievement in Character Performance – Female for her role in the video game “Enter The Matrix.” In 2005, she was featured in the animated movie “Madagascar” as the voice of “Gloria,” the hippo. She was also featured in the franchise’s two subsequent films, “Madagascar: Escape 2 Africa” and “Madagascar 3: Europe’s Most Wanted.” She earned global praise for writing the children’s book “Girls Hold Up The World,” which landed on the New York Times Best Sellers list. She and husband Will Smith founded The Will and Jada Smith Family Foundation, dedicating their organization to education. Her executive producer credits include the 2010 film “The Karate Kid,” which starred her son, Jaden, and Jackie Chan, and the documentary “Free Angela and All Political Prisoners,” about political activist Angela Davis. She currently is an executive producer on the highly successful syndicated talk show “The Queen Latifah Show,” which will premiere its second season in September 2014. Along with her husband, and mogul Shawn “Jay-Z” Carter, she was an executive producer on the Broadway musical hit “Fela.” Smith’s Overbrook Entertainment and Carter’s Roc Nationjoined forces again on the highly anticipated remake of the 1982 musical film “Annie.” Pinkett Smith contributes much of her free time to humanitarian efforts, helping to raise awareness on issues such as human trafficking in the United States. Her social initiative, “DontSellBodies.org,” has been recognized by the U.S. Department of State, and she was invited bySecretary of State John Kerryto testify against human trafficking before the U.S. Congress in 2012. She also serves on the advisory board of Gucci’s empowerment initiative, “Chime for Change,” which campaigns for improved education, health and justice for women and girls worldwide.

In this episode, I present the story behind the adversities Angela Davis had to endure during the early 1970s against the U.S. government, and how she overcame that and turned it into her fight for freedom for the oppressed. --- Support this podcast: https://anchor.fm/yusuf-hersi/support

How do protests - both non-violent and violent - impact the public's voting behaviors?  How does the media filter messages about protests to the public?  Princeton professor Omar Wasow joins the show to discuss his research on protests, violence and voting.  We discuss all of the above, as well as how can we compare the protests of the 1960s to today's protest movements. Further reading:  Agenda Seeding: How 1960s Black Protests Moved Elites, Public Opinion and Voting - https://www.cambridge.org/core/journals/american-political-science-review/article/agenda-seeding-how-1960s-black-protests-moved-elites-public-opinion-and-voting/136610C8C040C3D92F041BB2EFC3034C# The Loud Minority - https://press.princeton.edu/books/hardcover/9780691181776/the-loud-minority Can Violent Protest Change Local Policy Support? - https://scholar.harvard.edu/files/renos/files/enoskaufmansands.pdf Why Civil Resistance Works: The Strategic Logic of Nonviolent Conflict - http://cup.columbia.edu/book/why-civil-resistance-works/9780231156820 Free Angela and all Political Prisoners - https://www.imdb.com/title/tt2350432/ Blood in the Water - https://en.wikipedia.org/wiki/Blood_in_the_Water_(book) To make sure you hear every episode, join our Patreon at https://www.patreon.com/neoliberalproject. Patrons get access to exclusive bonus episodes, our sticker-of-the-month club, and our insider community Slack.  Become a supporter today! Got questions for the Neoliberal Podcast?  Send them to mailbag@neoliberalproject.org Follow us at: https://twitter.com/ne0liberal https://www.facebook.com/groups/1930401007051265/   Join a local meetup group at https://neoliberalproject.org/chapters

Lisbet Tellefsen is an activist, publisher, producer and archivist that has served the Bay Area's LGBT community for over 3 decades. In 1989 she co-founded Aché: a Black Lesbian Journal —which served as an cultural, political and social nexus for LGBT communities of color both nationally and internationally. As a producer her production credits include over 50 events ranging from drag king shows to the landmark 2006 production “Sister Comrade” celebrating the lives of Black lesbian icons Audre Lorde and poet Pat Parker. She was a co-founding committee member of the Sistahs Steppin' in Pride Festival & Dyke March which ran for 10 years in Oakland, CA. A former board member of the GLBT Historical Society, during her tenure helped oversee the opening of the GLBT History Museum in San Francisco's Castro district where she co-curated the exhibitions: “From Feminists to Feministas” (2017), and “Angela Davis OUTspoken” (2018). In 2012 the Lisbet Tellefsen Papers—including the Aché journal archives, were acquired by Yale University and in 2018 were featured in “The Art of Collaboration” exhibit at Yale's Beinecke Library. These days her primary work is as an archivist and collector. As an archival consultant she has worked on numerous projects including the documentary films “Black Panthers: Vanguard of the Revolution” and “Free Angela and All Political Prisoners”. Her collections have been exhibited most recently in “Get With the Action: Political Posters from the 1960s to Present” at SFMOMA (2017-18); “All Power to the People: Black Panthers at 50” at the Oakland Museum of CA (2016); and the Smithsonian National Museum of African American History and Culture (NMAAHC) where a dozen pieces from the Tellefsen collection were included in their inaugural 2016 exhibit. Over 100 objects from her collection now reside in the permanent collections of SFMOMA, the Oakland Museum of CA, and the Smithsonian NMAAHC. Currently she is working on an Angela Davis retrospective opening in the Fall of 2020 at the Zimmerli Gallery at Rutgers then traveling to the Oakland Museum of CA in 2021.

To understand the music of John Coltrane you must understand the long genealogy of the genre of African Diasporic cultural expression—called Black (or American) Classical Music or jazz as it is often labeled particularly, as it moves back and forth on the time/space continuum. From the Now moment. To the Future moment as yet seen. To the complexities of the past. Back to Now. Never in a linear path. You must listen to Sun Ra. Diz. Bird. Sonny. Brother Ah. Abdullah Ibrahim, Celia Cruz, Tito. Hugh Masekela. Abby. Max. Ella. Nina. Holiday. De La. Tribe. Guru. Heavy. The birds. The Wind. The rain. You must be able to map the material and non-material experiences…often improvised in response to the conditions within which Africana peoples found themselves. You must understand the deep ancestral, historical, and spiritual memory of a people to simultaneously be aware of these conditions while also seeing a world beyond those conditions. John Coltrane—the person, the musician—is a vital link in the long chain of humanity—a representation of an African vibration of humanity. Amiri Baraka in his article John Coltrane: Why His Legacy Continues? writes: “Why does his legacy continue to influence our lives, our music, and the arts?...Trane emerges as the process of historical clarification itself, of a particular social/aesthetic development…When we see him standing next to Bird and Diz, an excited young inlooker inside the torrent of the rising Bop statement, right next to the chief creators of that fervent expression of new black life, we are seeing actual point and line, note and phrase of the continuum. As if we could also see Louis and Bechet hovering over them, with Pres hovering just to the side waiting his entrance, and then beyond in a deeper yet to be revealed hover, Pharoah and Albert and David and Wynton or Olu in the mist, there about to be, when called by the notes of what has struck yet before all mentioned. Trane carried the deepness in us thru Bird and Diz, and them, back to us. He reclaimed Bop fire, the Africa, Polyrhythmic, Improvisational, Blue, Spirituality of us…the Free Jazz! Was parallel to Free Angela! Free Huey! The Ballot or the Bullet! Free Black People!” (192: Digging: The Afro American Soul of American Classical Music) ---Amiri Baraka adds more clarity---I love Music (For John Coltrane)-- For Amiri Baraka, and others, “Trane still sounds inside us as the freedom we seek, the total expression of our lives as the expression of the Human headed soul, teaching that the flaming paradise of his music is in us to create the world we live in” (194: Digging: The Afro American Soul of American Classical Music) But above all of this…more than any of this…to understand Trane you must understand his wife, Alice Coltrane. You must listen to her organized vibrational melodies that seek in their own space to free people, who did not know they needed to be freed, and as of yet still not know they need to be freed. Today, we will listen to a radio documentary produce by the Pacifica Archives, titled Trane Lives. We hear Alice on Trane…and Trane, less than a year before he moved beyond. For complete program: https://www.pacificaradioarchives.org/recording/pz065901-02 Our show was produced today in solidarity with the native, indigenous, African and Afro-descended communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana; and other places who are fighting for the protection of our land for the benefit of all people. Image: Alice and John Coltrane: no copyright infringement is intended

The tale is a parable for the resistance generation as it broaches subjects such as socialism, Palestinian rights, male privilege, prisons, systemic racism — issues that were once the crux of the radical Angela Agenda but are now liberal talking points. It reveals a crucial question about how we respond to activists: When should we push back — and when should we wait and see where they lead us?She’s someone who, from a very young age, has provoked enormous controversy over whether her ideas were good or bad,” says Jane Kamensky, director of Harvard University’s Schlesinger Library on the History of Women in America. “She cast herself as a revolutionary. And we have liked our civil rights activists firmly in the reform tradition, and we have liked our revolutionaries male.”“She inspired a lot of black intellectuals, in addition to being a person about whose fate we were concerned in how the criminal justice system was treating her,” says Henry Louis Gates, director of Harvard’s Hutchins Center for African & African American Research. He recalled that Davis, who studied philosophy, was the reason he enrolled in a philosophy course and that he had once had hung a “Free Angela” poster on his wall.WP

Bishop Thompson highlights the rescent decision by the Birmingham Civil Rights museum to rescind its offer of the Fred Shuttlesworth Humans Rights Award from Angela Davis.

A look at some of the great examples of Activist Cinema from 2013: No,99%: The Occupy Wall Street Collaborative Film,Fruitvale Station,Free Angela and All Political Prisoners,A Fierce Green Fire,The East,GLOW: Gorgeous Ladies of Wrestling,Dallas Buyers Club,Let the Fire Burn,The Ghosts in Our Machine,GMO OMG,A Place at the Table[Click to Listen]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Angela Davis visited UC Santa Barbara for a screening of "Free Angela and All Political Prisoners," a documentary by Shola Lynch that chronicles Davis's life as a young, outspoken UCLA professor. Angela Davis and producer Sidra Smith answer questions from the audience. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 25917]

Tune in Friday, April 12 at 9PM EST / 6PM PST, as Stacey Brewer reviews "Free Angela & All Political Prisoners" a documentary that chronicles the life of young college professor Angela Davis, and how her social activism implicates her in a botched kidnapping attempt that ends with a shootout, four dead, and her name on the FBI's 10 most wanted list. The documentary is produced by Sidra Smith, Will Smith, Jada Pinkett-Smith, and Jay-Z. Check out the trailer here: FREE ANGELA We will also discuss the latest hot topics involving Jay-Z's "Open Letter" song and LL Cool J's "Accidental Racist" song with Brad Paisley. We will also do a brief review on Episode 4 of "The Game" on BET. Call in number is 646-716-8544 http://facebook.com/hamptonblu http://twitter.com/hamptonblu http://hamptonblu.com http://bloghamptonblu.com  

Mark Anthony Neal sits down with Shola Lynch to talk about her latest documentary project, "Free Angela and All Political Prisoners".

This week on the BIG show, we'll sit down with the co-star of the hit NBC fantasy drama, Grimm, Russell Hornsby. Plus, we'll have entertainment news and reviews of the latest films including The Place Beyond the Pines and Free Angela and All Political Prisoners all on Episode 180 of Keeping It Reel with FilmGordon.

This week on the BIG show, host Tim Gordon sits down writer/director Juan Diego Solanas who will discuss his visual masterpiece, the romantic fantasy, Upside Down and we'll also talk with producer/director Shola Lynch about her riveting documentary, Free Angela and All Political Prisoners. Plus, we'll have entertainment news and reviews of several movies including The Call and The Incredible Burt Wonderstone all on Episode 177 of Keeping It Reel with FilmGordon!