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4 episodes with shawn jay z carter
3 episodes with shawn jay z carter
3 episodes with shawn jay z carter
The legal conflict between attorneys Alex Spiro and Tony Buzbee has intensified amid the high-profile lawsuits involving Sean "Diddy" Combs and Shawn "Jay-Z" Carter. Buzbee, representing numerous plaintiffs alleging sexual misconduct by Combs, filed a lawsuit implicating Jay-Z in a 2000 incident where a 13-year-old girl was allegedly raped at an afterparty. Jay-Z, denying the allegations, accused Buzbee of extortion, asserting that Buzbee attempted to coerce a settlement by threatening to publicize the claims. Spiro, Jay-Z's attorney, emphasized that the accuser admitted inconsistencies in her story and suggested that Buzbee influenced her to include Jay-Z in the lawsuit. Consequently, Jay-Z filed a defamation and civil extortion lawsuit against Buzbee and his client, seeking to clear his name and address the purported misuse of the legal systemIn response, Buzbee contended that his actions were standard legal procedures, denying any extortion attempts. He further alleged that Jay-Z and his legal team, including Spiro, engaged in efforts to discredit him by filing grievances that led to his withdrawal from over a dozen federal cases due to admission issues in the Southern District of New York. Buzbee claimed that these actions were part of a broader strategy to undermine his credibility and deter him from pursuing cases against high-profile individuals. He also filed a lawsuit against Roc Nation and the law firm Quinn Emanuel, accusing them of conspiring to have his clients file frivolous lawsuits against him. This escalating legal battle underscores the complex interplay between legal ethics, high-stakes litigation, and the influence of powerful figures in the entertainment industry.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
The Context of White Supremacy hosts the weekly summit on Neutralizing Workplace Racism 04/17/25. A number of non-white people have shared the increased stress and constant confusion they're experiencing in the workplace. Gus suspects this is widespread and encourages non-white people to spend a bit more time preparing for increased hostilities or discourtesy from White or non-white colleagues. We'll also review a report Gus stumbled upon that suggests people classified as black are more likely to discuss their religious views in the Workplace. 1) The strongest religion in the known universe is the Religion of White Supremacy. 2) Gus does not encourage discussing religious views (or Racism) in the workplace. While Race Soldiers have a long history of grooming non-white people to worship White Jesus, fishing for prayer circles and bible studies with co-workers likely won't earn you a raise. We heard a number of non-white people report their White colleagues griping about black entertainers' alleged sexual misdeeds - like the great Sean "P Diddy" Combs and Shawn "Jay Z" Carter. #NoPoliticsOnTheJob #CounterViolence #TheCOWS16Years CALL IN NUMBER: 605.313.5164 CODE: 564943#
Prominent Houston attorney Tony Buzbee has withdrawn from representing plaintiffs in over a dozen sexual abuse lawsuits against Sean "Diddy" Combs in the Southern District of New York (SDNY). This decision follows a court order from U.S. District Judge Ronnie Abrams, who noted that Buzbee was not admitted to practice in the SDNY and had failed to disclose this information. In response, Buzbee acknowledged his oversight and filed motions to withdraw from 15 federal cases, stating that his admission status had become a "distraction" from the pursuit of justice for his clientsThe issue arose after Shawn "Jay-Z" Carter filed a grievance against Buzbee, alleging unauthorized practice in the SDNY. Buzbee, who is licensed to practice in New York state courts and the Eastern District of New York, indicated that he plans to address the grievance and seek proper admission to the SDNY. In the meantime, he continues to represent clients in related cases in New York state courts and intends to file additional lawsuits in Nevada and California.to contact me:bobbycapucci@protonmail.comsource:Texas' Tony Buzbee off Sean 'Diddy' Combs-related case
Prominent Houston attorney Tony Buzbee has withdrawn from representing plaintiffs in over a dozen sexual abuse lawsuits against Sean "Diddy" Combs in the Southern District of New York (SDNY). This decision follows a court order from U.S. District Judge Ronnie Abrams, who noted that Buzbee was not admitted to practice in the SDNY and had failed to disclose this information. In response, Buzbee acknowledged his oversight and filed motions to withdraw from 15 federal cases, stating that his admission status had become a "distraction" from the pursuit of justice for his clientsThe issue arose after Shawn "Jay-Z" Carter filed a grievance against Buzbee, alleging unauthorized practice in the SDNY. Buzbee, who is licensed to practice in New York state courts and the Eastern District of New York, indicated that he plans to address the grievance and seek proper admission to the SDNY. In the meantime, he continues to represent clients in related cases in New York state courts and intends to file additional lawsuits in Nevada and California.to contact me:bobbycapucci@protonmail.comsource:Texas' Tony Buzbee off Sean 'Diddy' Combs-related caseBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Prominent Houston attorney Tony Buzbee has withdrawn from representing plaintiffs in over a dozen sexual abuse lawsuits against Sean "Diddy" Combs in the Southern District of New York (SDNY). This decision follows a court order from U.S. District Judge Ronnie Abrams, who noted that Buzbee was not admitted to practice in the SDNY and had failed to disclose this information. In response, Buzbee acknowledged his oversight and filed motions to withdraw from 15 federal cases, stating that his admission status had become a "distraction" from the pursuit of justice for his clientsThe issue arose after Shawn "Jay-Z" Carter filed a grievance against Buzbee, alleging unauthorized practice in the SDNY. Buzbee, who is licensed to practice in New York state courts and the Eastern District of New York, indicated that he plans to address the grievance and seek proper admission to the SDNY. In the meantime, he continues to represent clients in related cases in New York state courts and intends to file additional lawsuits in Nevada and California.to contact me:bobbycapucci@protonmail.comsource:Texas' Tony Buzbee off Sean 'Diddy' Combs-related case
In December 2024, attorney Tony Buzbee filed a civil lawsuit on behalf of an anonymous plaintiff, alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted her when she was 13 years old at a 2000 MTV Video Music Awards afterparty. Jay-Z vehemently denied the allegations, describing them as a blackmail attempt and expressing concern over the emotional toll on his family. He criticized the lawsuit's timing, noting it coincided with his daughter Blue Ivy's "The Lion King" premiere, which he believed was a strategic move to pressure him. Jay-Z's legal team filed motions to dismiss the case and sought sanctions against Buzbee, arguing the claims were baseless and damaging.The legal battle intensified as both parties exchanged public statements and legal filings. Jay-Z accused Buzbee of extortion and defamation, while Buzbee alleged that Jay-Z's representatives engaged in harassment and intimidation tactics. Despite the heated exchanges, on February 14, 2025, Buzbee voluntarily dismissed the lawsuit with prejudice, preventing future litigation on the same claims. Jay-Z welcomed the dismissal, emphasizing the unfounded nature of the allegations and the significant personal and financial harm they caused, including the loss of $20 million in contracts. He also highlighted the lack of repercussions for Buzbee, criticizing a system that allows such damaging claims to be made without accountability.to contact me:bobbycapucci@protonmail.com
Woman Claiming Jay-Z & Diddy Assaulted Her In 2000 Drops Suit In this episode, we dive into the shocking and sudden withdrawal of the lawsuit accusing Sean “Diddy” Combs and Shawn “Jay-Z” Carter of sexual assault. With no explanation given, the case was dismissed with prejudice, permanently closing the door on future legal action. Jay-Z wasted no time in celebrating the outcome, calling the allegations “frivolous” and a blatant money grab, while Diddy's legal team is using the dismissal as proof that the wave of lawsuits against him is crumbling. But what really happened behind the scenes? Was this a case that fell apart due to lack of evidence, external pressure, or something else entirely? We break down the timeline of events, the legal maneuvers, and the implications this has on the broader legal battles surrounding Diddy. With multiple accusations still looming and federal investigations ongoing, this is just one chapter in a much larger saga. Join us as we separate fact from speculation, examine the impact of high-profile lawsuits in the entertainment industry, and discuss what this means for the future of both Jay-Z and Diddy. Was this dismissal a victory for justice, or does it leave more questions than answers? Tune in to find out. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Hidden Killers With Tony Brueski | True Crime News & Commentary
Woman Claiming Jay-Z & Diddy Assaulted Her In 2000 Drops Suit In this episode, we dive into the shocking and sudden withdrawal of the lawsuit accusing Sean “Diddy” Combs and Shawn “Jay-Z” Carter of sexual assault. With no explanation given, the case was dismissed with prejudice, permanently closing the door on future legal action. Jay-Z wasted no time in celebrating the outcome, calling the allegations “frivolous” and a blatant money grab, while Diddy's legal team is using the dismissal as proof that the wave of lawsuits against him is crumbling. But what really happened behind the scenes? Was this a case that fell apart due to lack of evidence, external pressure, or something else entirely? We break down the timeline of events, the legal maneuvers, and the implications this has on the broader legal battles surrounding Diddy. With multiple accusations still looming and federal investigations ongoing, this is just one chapter in a much larger saga. Join us as we separate fact from speculation, examine the impact of high-profile lawsuits in the entertainment industry, and discuss what this means for the future of both Jay-Z and Diddy. Was this dismissal a victory for justice, or does it leave more questions than answers? Tune in to find out. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
The Downfall Of Diddy | The Case Against Sean 'Puffy P Diddy' Combs
Woman Claiming Jay-Z & Diddy Assaulted Her In 2000 Drops Suit In this episode, we dive into the shocking and sudden withdrawal of the lawsuit accusing Sean “Diddy” Combs and Shawn “Jay-Z” Carter of sexual assault. With no explanation given, the case was dismissed with prejudice, permanently closing the door on future legal action. Jay-Z wasted no time in celebrating the outcome, calling the allegations “frivolous” and a blatant money grab, while Diddy's legal team is using the dismissal as proof that the wave of lawsuits against him is crumbling. But what really happened behind the scenes? Was this a case that fell apart due to lack of evidence, external pressure, or something else entirely? We break down the timeline of events, the legal maneuvers, and the implications this has on the broader legal battles surrounding Diddy. With multiple accusations still looming and federal investigations ongoing, this is just one chapter in a much larger saga. Join us as we separate fact from speculation, examine the impact of high-profile lawsuits in the entertainment industry, and discuss what this means for the future of both Jay-Z and Diddy. Was this dismissal a victory for justice, or does it leave more questions than answers? Tune in to find out. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
A civil lawsuit alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted a woman when she was 13 years old has been voluntarily dismissed. The plaintiff, referred to as Jane Doe, claimed the assault occurred at an afterparty following the 2000 MTV Video Music Awards. Filed in federal court in Manhattan, the case was dismissed with prejudice, preventing any future refiling of the same claims. Jay-Z consistently denied the allegations, describing them as "frivolous, fictitious, and appalling," and expressed relief at the lawsuit's dismissal, noting the trauma the accusations caused his family. Sean Combs, who is currently awaiting trial on separate racketeering and sex trafficking charges, also maintained his innocence regarding these allegations.The lawsuit, initially filed solely against Combs in October 2024, was amended in December to include Jay-Z as a defendant. The plaintiff's attorney, Tony Buzbee, declined to comment on the reasons for the dismissal. Jay-Z's legal team emphasized that their client did not settle or make any payments related to the case, underscoring their stance that the allegations were without merit. While this particular lawsuit has been dismissed, Combs continues to face numerous other civil lawsuits and criminal charges, with his trial scheduled for May 2025.to contact me:bobbycapucci@protonmail.comsource:Jay-Z & Sean "Diddy" Combs Rape Suit Dismissed
A civil lawsuit alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted a woman when she was 13 years old has been voluntarily dismissed. The plaintiff, referred to as Jane Doe, claimed the assault occurred at an afterparty following the 2000 MTV Video Music Awards. Filed in federal court in Manhattan, the case was dismissed with prejudice, preventing any future refiling of the same claims. Jay-Z consistently denied the allegations, describing them as "frivolous, fictitious, and appalling," and expressed relief at the lawsuit's dismissal, noting the trauma the accusations caused his family. Sean Combs, who is currently awaiting trial on separate racketeering and sex trafficking charges, also maintained his innocence regarding these allegations.The lawsuit, initially filed solely against Combs in October 2024, was amended in December to include Jay-Z as a defendant. The plaintiff's attorney, Tony Buzbee, declined to comment on the reasons for the dismissal. Jay-Z's legal team emphasized that their client did not settle or make any payments related to the case, underscoring their stance that the allegations were without merit. While this particular lawsuit has been dismissed, Combs continues to face numerous other civil lawsuits and criminal charges, with his trial scheduled for May 2025.to contact me:bobbycapucci@protonmail.comsource:Jay-Z & Sean "Diddy" Combs Rape Suit DismissedBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
A civil lawsuit alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted a woman when she was 13 years old has been voluntarily dismissed. The plaintiff, referred to as Jane Doe, claimed the assault occurred at an afterparty following the 2000 MTV Video Music Awards. Filed in federal court in Manhattan, the case was dismissed with prejudice, preventing any future refiling of the same claims. Jay-Z consistently denied the allegations, describing them as "frivolous, fictitious, and appalling," and expressed relief at the lawsuit's dismissal, noting the trauma the accusations caused his family. Sean Combs, who is currently awaiting trial on separate racketeering and sex trafficking charges, also maintained his innocence regarding these allegations.The lawsuit, initially filed solely against Combs in October 2024, was amended in December to include Jay-Z as a defendant. The plaintiff's attorney, Tony Buzbee, declined to comment on the reasons for the dismissal. Jay-Z's legal team emphasized that their client did not settle or make any payments related to the case, underscoring their stance that the allegations were without merit. While this particular lawsuit has been dismissed, Combs continues to face numerous other civil lawsuits and criminal charges, with his trial scheduled for May 2025.to contact me:bobbycapucci@protonmail.comsource:Jay-Z & Sean "Diddy" Combs Rape Suit Dismissed
The courtroom reverberated with tension as Judge Analisa Torres delivered a pivotal ruling that allowed Jane Doe, the woman accusing Sean “Diddy” Combs and Shawn “JAY-Z” Carter of rape, to maintain her anonymity—for now. This decision, coming from the U.S. District Court in the Southern District of New York, sets the stage for what promises to be one of the most contentious legal battles in recent memory. The gravity of this ruling resonates far beyond the immediate parties involved, casting a spotlight on the intersection of celebrity culture, legal ethics, and the ongoing reckoning with sexual assault allegations in high-profile cases. While Jane Doe's identity remains concealed, the allegations at the heart of this case continue to ripple through the worlds of music, law, and public opinion, demanding scrutiny from every angle. The judge's decision, as reported on December 26, 2024, underscores the precarious balance between protecting a victim's privacy and ensuring a fair defense. Jane Doe's legal team argued that revealing her identity could exacerbate her fragile mental health, pointing to her diagnoses of depression, post-traumatic stress disorder, and a seizure disorder—all purportedly linked to the trauma of her alleged assault. Judge Torres acknowledged this, describing Jane Doe as “particularly vulnerable to the possible harms of disclosure.” This recognition reflects a growing awareness within the judicial system about the nuanced needs of survivors. However, the judge also noted that the decision might be revisited as the case unfolds, particularly during the discovery phase when the defendants—and their formidable legal teams—are likely to intensify their efforts to challenge her claims. This potential shift highlights the dynamic nature of such rulings, where the scales of justice are continually recalibrated as new evidence emerges. This ruling comes amidst an already fiery legal clash, marked by sharp exchanges between Jane Doe's attorney, Tony Buzbee, and the high-profile defense lawyers representing JAY-Z and Diddy. Alex Spiro, JAY-Z's lead attorney, has been particularly aggressive in his approach, filing motions described by the court as “combative” and replete with “inflammatory language and ad hominem attacks.” Judge Torres did not mince words in her criticism, calling these tactics “a waste of judicial resources” and cautioning against attempts to fast-track the judicial process. This critique underscores a broader tension within high-stakes litigation, where the zeal to protect a client's interests often collides with the procedural decorum expected in court. At the heart of the case lies a harrowing accusation: Jane Doe alleges that in 2000, at the age of 13, she was raped by both Diddy and JAY-Z at an afterparty for the MTV Video Music Awards. The lawsuit, initially filed in October against Diddy alone, was later amended to include JAY-Z. The claims have been met with vehement denials from both defendants. JAY-Z, through his representatives, has called the allegations a “cynical and calculated attempt to exploit his name and reputation.” Diddy's camp, for its part, has dismissed the case as baseless. Their defenses, though aligned in intent, differ in tone, with JAY-Z's approach characterized by an assertive dismissal and Diddy's marked by a strategic distancing from the claims. Despite the defendants' efforts to discredit her, Jane Doe has remained steadfast in her claims. She acknowledges inconsistencies in certain details of her account but attributes them to the psychological toll of the assault and the passage of time. Her legal team has framed these discrepancies as common among trauma survivors, arguing that they do not undermine the core allegations. This framing is supported by research into trauma memory, which often shows that survivors may struggle with recalling peripheral details while retaining vivid recollections of the central traumatic event. This nuanced understanding of trauma adds a layer of complexity to the case, challenging traditional notions of credibility in the courtroom. Judge Torres's ruling is a temporary victory for Jane Doe, but it also underscores the complexities of navigating such high-profile cases. The anonymity granted to her is not without consequences for the defense, as the judge herself noted. “This may cause prejudice to Defendants, making it more difficult for them to collect the facts necessary to mount a defense,” Torres stated, adding that the balance of interests could shift as the case progresses. This acknowledgment reveals the inherent tension in balancing the rights of all parties involved, where protecting one party's privacy may inadvertently hinder another's ability to defend themselves effectively. The broader implications of this lawsuit extend beyond the courtroom. For the legal community, it highlights the challenges of adjudicating cases involving powerful public figures and historical allegations. For the entertainment industry, it raises uncomfortable questions about accountability and the legacy of some of its most iconic artists. The case has also reignited debates about the ethics of media coverage, with commentators scrutinizing the motivations and methods of all parties involved. The public's response reflects a broader cultural moment, where the pursuit of justice often intersects with the court of public opinion, creating a volatile mix of advocacy, skepticism, and sensationalism. As the legal battle unfolds, the stakes are high for everyone. For Jane Doe, it is a fight for justice and validation in the face of immense scrutiny. For Diddy and JAY-Z, it is a battle to protect their reputations and legacies. And for the public, it is yet another reminder of the enduring complexities of power, privilege, and accountability in the #MeToo era. These complexities are further compounded by the high stakes of this particular case, where the convergence of celebrity, legal strategy, and social movements creates a uniquely charged atmosphere. The next phase of this case will likely be pivotal. Discovery, where both sides will exchange evidence and depose witnesses, could provide critical insights into the veracity of the allegations and the defense strategies. Judge Torres's indication that anonymity could be revisited during this phase adds another layer of uncertainty. This phase will test the resilience of both the plaintiff and the defendants, as well as the public's appetite for transparency and accountability. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Hidden Killers With Tony Brueski | True Crime News & Commentary
The courtroom reverberated with tension as Judge Analisa Torres delivered a pivotal ruling that allowed Jane Doe, the woman accusing Sean “Diddy” Combs and Shawn “JAY-Z” Carter of rape, to maintain her anonymity—for now. This decision, coming from the U.S. District Court in the Southern District of New York, sets the stage for what promises to be one of the most contentious legal battles in recent memory. The gravity of this ruling resonates far beyond the immediate parties involved, casting a spotlight on the intersection of celebrity culture, legal ethics, and the ongoing reckoning with sexual assault allegations in high-profile cases. While Jane Doe's identity remains concealed, the allegations at the heart of this case continue to ripple through the worlds of music, law, and public opinion, demanding scrutiny from every angle. The judge's decision, as reported on December 26, 2024, underscores the precarious balance between protecting a victim's privacy and ensuring a fair defense. Jane Doe's legal team argued that revealing her identity could exacerbate her fragile mental health, pointing to her diagnoses of depression, post-traumatic stress disorder, and a seizure disorder—all purportedly linked to the trauma of her alleged assault. Judge Torres acknowledged this, describing Jane Doe as “particularly vulnerable to the possible harms of disclosure.” This recognition reflects a growing awareness within the judicial system about the nuanced needs of survivors. However, the judge also noted that the decision might be revisited as the case unfolds, particularly during the discovery phase when the defendants—and their formidable legal teams—are likely to intensify their efforts to challenge her claims. This potential shift highlights the dynamic nature of such rulings, where the scales of justice are continually recalibrated as new evidence emerges. This ruling comes amidst an already fiery legal clash, marked by sharp exchanges between Jane Doe's attorney, Tony Buzbee, and the high-profile defense lawyers representing JAY-Z and Diddy. Alex Spiro, JAY-Z's lead attorney, has been particularly aggressive in his approach, filing motions described by the court as “combative” and replete with “inflammatory language and ad hominem attacks.” Judge Torres did not mince words in her criticism, calling these tactics “a waste of judicial resources” and cautioning against attempts to fast-track the judicial process. This critique underscores a broader tension within high-stakes litigation, where the zeal to protect a client's interests often collides with the procedural decorum expected in court. At the heart of the case lies a harrowing accusation: Jane Doe alleges that in 2000, at the age of 13, she was raped by both Diddy and JAY-Z at an afterparty for the MTV Video Music Awards. The lawsuit, initially filed in October against Diddy alone, was later amended to include JAY-Z. The claims have been met with vehement denials from both defendants. JAY-Z, through his representatives, has called the allegations a “cynical and calculated attempt to exploit his name and reputation.” Diddy's camp, for its part, has dismissed the case as baseless. Their defenses, though aligned in intent, differ in tone, with JAY-Z's approach characterized by an assertive dismissal and Diddy's marked by a strategic distancing from the claims. Despite the defendants' efforts to discredit her, Jane Doe has remained steadfast in her claims. She acknowledges inconsistencies in certain details of her account but attributes them to the psychological toll of the assault and the passage of time. Her legal team has framed these discrepancies as common among trauma survivors, arguing that they do not undermine the core allegations. This framing is supported by research into trauma memory, which often shows that survivors may struggle with recalling peripheral details while retaining vivid recollections of the central traumatic event. This nuanced understanding of trauma adds a layer of complexity to the case, challenging traditional notions of credibility in the courtroom. Judge Torres's ruling is a temporary victory for Jane Doe, but it also underscores the complexities of navigating such high-profile cases. The anonymity granted to her is not without consequences for the defense, as the judge herself noted. “This may cause prejudice to Defendants, making it more difficult for them to collect the facts necessary to mount a defense,” Torres stated, adding that the balance of interests could shift as the case progresses. This acknowledgment reveals the inherent tension in balancing the rights of all parties involved, where protecting one party's privacy may inadvertently hinder another's ability to defend themselves effectively. The broader implications of this lawsuit extend beyond the courtroom. For the legal community, it highlights the challenges of adjudicating cases involving powerful public figures and historical allegations. For the entertainment industry, it raises uncomfortable questions about accountability and the legacy of some of its most iconic artists. The case has also reignited debates about the ethics of media coverage, with commentators scrutinizing the motivations and methods of all parties involved. The public's response reflects a broader cultural moment, where the pursuit of justice often intersects with the court of public opinion, creating a volatile mix of advocacy, skepticism, and sensationalism. As the legal battle unfolds, the stakes are high for everyone. For Jane Doe, it is a fight for justice and validation in the face of immense scrutiny. For Diddy and JAY-Z, it is a battle to protect their reputations and legacies. And for the public, it is yet another reminder of the enduring complexities of power, privilege, and accountability in the #MeToo era. These complexities are further compounded by the high stakes of this particular case, where the convergence of celebrity, legal strategy, and social movements creates a uniquely charged atmosphere. The next phase of this case will likely be pivotal. Discovery, where both sides will exchange evidence and depose witnesses, could provide critical insights into the veracity of the allegations and the defense strategies. Judge Torres's indication that anonymity could be revisited during this phase adds another layer of uncertainty. This phase will test the resilience of both the plaintiff and the defendants, as well as the public's appetite for transparency and accountability. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
The Downfall Of Diddy | The Case Against Sean 'Puffy P Diddy' Combs
The courtroom reverberated with tension as Judge Analisa Torres delivered a pivotal ruling that allowed Jane Doe, the woman accusing Sean “Diddy” Combs and Shawn “JAY-Z” Carter of rape, to maintain her anonymity—for now. This decision, coming from the U.S. District Court in the Southern District of New York, sets the stage for what promises to be one of the most contentious legal battles in recent memory. The gravity of this ruling resonates far beyond the immediate parties involved, casting a spotlight on the intersection of celebrity culture, legal ethics, and the ongoing reckoning with sexual assault allegations in high-profile cases. While Jane Doe's identity remains concealed, the allegations at the heart of this case continue to ripple through the worlds of music, law, and public opinion, demanding scrutiny from every angle. The judge's decision, as reported on December 26, 2024, underscores the precarious balance between protecting a victim's privacy and ensuring a fair defense. Jane Doe's legal team argued that revealing her identity could exacerbate her fragile mental health, pointing to her diagnoses of depression, post-traumatic stress disorder, and a seizure disorder—all purportedly linked to the trauma of her alleged assault. Judge Torres acknowledged this, describing Jane Doe as “particularly vulnerable to the possible harms of disclosure.” This recognition reflects a growing awareness within the judicial system about the nuanced needs of survivors. However, the judge also noted that the decision might be revisited as the case unfolds, particularly during the discovery phase when the defendants—and their formidable legal teams—are likely to intensify their efforts to challenge her claims. This potential shift highlights the dynamic nature of such rulings, where the scales of justice are continually recalibrated as new evidence emerges. This ruling comes amidst an already fiery legal clash, marked by sharp exchanges between Jane Doe's attorney, Tony Buzbee, and the high-profile defense lawyers representing JAY-Z and Diddy. Alex Spiro, JAY-Z's lead attorney, has been particularly aggressive in his approach, filing motions described by the court as “combative” and replete with “inflammatory language and ad hominem attacks.” Judge Torres did not mince words in her criticism, calling these tactics “a waste of judicial resources” and cautioning against attempts to fast-track the judicial process. This critique underscores a broader tension within high-stakes litigation, where the zeal to protect a client's interests often collides with the procedural decorum expected in court. At the heart of the case lies a harrowing accusation: Jane Doe alleges that in 2000, at the age of 13, she was raped by both Diddy and JAY-Z at an afterparty for the MTV Video Music Awards. The lawsuit, initially filed in October against Diddy alone, was later amended to include JAY-Z. The claims have been met with vehement denials from both defendants. JAY-Z, through his representatives, has called the allegations a “cynical and calculated attempt to exploit his name and reputation.” Diddy's camp, for its part, has dismissed the case as baseless. Their defenses, though aligned in intent, differ in tone, with JAY-Z's approach characterized by an assertive dismissal and Diddy's marked by a strategic distancing from the claims. Despite the defendants' efforts to discredit her, Jane Doe has remained steadfast in her claims. She acknowledges inconsistencies in certain details of her account but attributes them to the psychological toll of the assault and the passage of time. Her legal team has framed these discrepancies as common among trauma survivors, arguing that they do not undermine the core allegations. This framing is supported by research into trauma memory, which often shows that survivors may struggle with recalling peripheral details while retaining vivid recollections of the central traumatic event. This nuanced understanding of trauma adds a layer of complexity to the case, challenging traditional notions of credibility in the courtroom. Judge Torres's ruling is a temporary victory for Jane Doe, but it also underscores the complexities of navigating such high-profile cases. The anonymity granted to her is not without consequences for the defense, as the judge herself noted. “This may cause prejudice to Defendants, making it more difficult for them to collect the facts necessary to mount a defense,” Torres stated, adding that the balance of interests could shift as the case progresses. This acknowledgment reveals the inherent tension in balancing the rights of all parties involved, where protecting one party's privacy may inadvertently hinder another's ability to defend themselves effectively. The broader implications of this lawsuit extend beyond the courtroom. For the legal community, it highlights the challenges of adjudicating cases involving powerful public figures and historical allegations. For the entertainment industry, it raises uncomfortable questions about accountability and the legacy of some of its most iconic artists. The case has also reignited debates about the ethics of media coverage, with commentators scrutinizing the motivations and methods of all parties involved. The public's response reflects a broader cultural moment, where the pursuit of justice often intersects with the court of public opinion, creating a volatile mix of advocacy, skepticism, and sensationalism. As the legal battle unfolds, the stakes are high for everyone. For Jane Doe, it is a fight for justice and validation in the face of immense scrutiny. For Diddy and JAY-Z, it is a battle to protect their reputations and legacies. And for the public, it is yet another reminder of the enduring complexities of power, privilege, and accountability in the #MeToo era. These complexities are further compounded by the high stakes of this particular case, where the convergence of celebrity, legal strategy, and social movements creates a uniquely charged atmosphere. The next phase of this case will likely be pivotal. Discovery, where both sides will exchange evidence and depose witnesses, could provide critical insights into the veracity of the allegations and the defense strategies. Judge Torres's indication that anonymity could be revisited during this phase adds another layer of uncertainty. This phase will test the resilience of both the plaintiff and the defendants, as well as the public's appetite for transparency and accountability. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Inside The War Between Jay-Z & Attorney Accusing Him Of Rape, Tony Buzbee The High-Stakes Legal Battle: Tony Buzbee vs. Music Moguls It began with allegations that were shocking even in an era saturated with sensational headlines. Sean “Diddy” Combs, already imprisoned under federal charges of sex trafficking and racketeering, and Shawn “Jay-Z” Carter, one of the most influential figures in music, now find themselves at the center of child rape accusations. The man leading the charge? Tony Buzbee, a Texas trial lawyer with a reputation as polarizing as it is formidable. Buzbee's Legal Offensive Buzbee's involvement has turned this case into a legal maelstrom, one that has captivated both the public and the media. Known for his unrelenting pursuit of justice, Buzbee has accused not just the music moguls but also Jay-Z's entertainment company, Roc Nation, of conspiring to sabotage his credibility. He alleges that Roc Nation paid some of his former clients to file lawsuits against him, a claim he asserts is backed by evidence. The accusations against Jay-Z and Diddy, first filed in October, are staggering in their implications. An unnamed woman claims that the two men sexually assaulted her in 2000 when she was only 13 years old. Jay-Z has publicly denied the allegations, calling them baseless and accusing Buzbee of opportunism. Carter's legal team, led by Alex Spiro, has alleged that Buzbee is pressuring potential clients to make false claims. Buzbee, in turn, has dismissed these allegations as an attempt to distract from the severity of the rape accusations. Mounting Legal Challenges for Diddy Diddy's existing legal troubles add another layer of complexity. The federal charges against him involve over 200 accusers—men and women—represented by Buzbee. These allegations, ranging from sexual abuse to human trafficking, have already tarnished Diddy's once-glittering reputation. Buzbee's pursuit of justice in this case has been marked by public appeals to potential victims, with hotlines and press conferences designed to bring more accusers forward. Tony Buzbee's Controversial Career For Buzbee, this case is the latest chapter in a career defined by high-profile legal battles. From his humble beginnings as the son of a butcher and a cafeteria worker in small-town Texas to his rise as a trial lawyer, Buzbee has built a reputation as both a champion for the underdog and a lightning rod for controversy. His career milestones include winning $75 million against Transocean Ltd., securing billions from BP after the Deepwater Horizon spill, and representing victims in the Travis Scott Astroworld tragedy. Yet, Buzbee's history is not without blemish. Recent lawsuits from former clients allege unethical behavior and fraud, claims that Buzbee vehemently denies. One particularly damaging accusation came from a former female client who alleged assault and malpractice during her divorce proceedings. While Buzbee has dismissed the claims as fabricated, their timing has fueled speculation about whether they're part of a broader effort to undermine him. Jay-Z's Counteroffensive Jay-Z's counteroffensive against Buzbee has been equally dramatic. In addition to his public denouncements, Carter has filed his own lawsuit, accusing Buzbee of extortion and intentional infliction of emotional distress. The case's stakes have grown exponentially, with each side accusing the other of deceit and coercion. Jay-Z's team has alleged that Buzbee added his name to the original lawsuit only after Carter refused to settle, a claim Buzbee denies. A Larger-Than-Life Figure Adding to the already convoluted landscape is Buzbee's controversial past outside the courtroom. The attorney, who famously once parked a Sherman tank outside his Houston mansion, has long been a larger-than-life figure. He has represented an array of high-profile clients and made waves in the legal community with his blunt approach and unrelenting tactics. Despite his successes, he has faced criticism for what some see as self-promotion and ostentation. One of Buzbee's most notable cases involved the Deepwater Horizon oil spill in 2010, where he represented over 10,000 clients impacted by the environmental disaster. The settlements from that case were in the billions, solidifying his reputation as a powerhouse in class-action litigation. However, critics argue that his aggressive style often borders on the excessive, with detractors labeling him a “showman” more interested in personal fame than justice. Public Reactions and Media Scrutiny Beyond his professional life, Buzbee's personal controversies have added fuel to the fire. In one particularly infamous incident, a woman on a date with him allegedly caused damage to artwork in his home, including two Andy Warhol paintings. The case, while ultimately dismissed, added to the narrative of Buzbee as a magnet for drama. Meanwhile, the media frenzy surrounding the case has cast a spotlight on Jay-Z's carefully curated public image. Known as a self-made billionaire who rose from Brooklyn's Marcy Projects, Carter has built an empire spanning music, fashion, and business. His defenders argue that the allegations are an affront to his legacy, while critics contend that no amount of success should exempt him from scrutiny. Diddy's situation is arguably more precarious. The sheer volume of accusations against him, coupled with his ongoing federal charges, has led to widespread speculation about his future. While he has categorically denied all allegations, the cases have already caused significant damage to his reputation and brand. Companies and collaborators have distanced themselves, leaving his once-thriving empire in jeopardy. The High Stakes for All Involved As the legal proceedings continue, the stakes for all parties involved remain high. For Buzbee, this case represents both an opportunity and a risk. A victory could further cement his status as one of the nation's top trial lawyers, while a loss or misstep could tarnish his career. For Jay-Z and Diddy, the allegations threaten not only their personal reputations but also the legacies they have spent decades building. The public's fascination with the case shows no signs of waning. Social media is awash with debates, with supporters and detractors of all sides voicing their opinions. The court of public opinion, however, is far from unanimous. Some view the case as a critical reckoning for powerful figures, while others see it as a legal circus driven by greed and opportunism. Ultimately, this case is about more than just the high-profile names involved. At its heart are the voices of alleged victims, whose pursuit of justice has been overshadowed by the spectacle of the legal battle. As new revelations continue to emerge, the question remains: will justice prevail, or will the truth be lost amid the noise? What lies ahead is uncertain, but one thing is clear: this case will leave an indelible mark on all involved. The coming months are likely to bring much-needed clarity to this tangled web of allegations and counterclaims. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Hidden Killers With Tony Brueski | True Crime News & Commentary
Inside The War Between Jay-Z & Attorney Accusing Him Of Rape, Tony Buzbee The High-Stakes Legal Battle: Tony Buzbee vs. Music Moguls It began with allegations that were shocking even in an era saturated with sensational headlines. Sean “Diddy” Combs, already imprisoned under federal charges of sex trafficking and racketeering, and Shawn “Jay-Z” Carter, one of the most influential figures in music, now find themselves at the center of child rape accusations. The man leading the charge? Tony Buzbee, a Texas trial lawyer with a reputation as polarizing as it is formidable. Buzbee's Legal Offensive Buzbee's involvement has turned this case into a legal maelstrom, one that has captivated both the public and the media. Known for his unrelenting pursuit of justice, Buzbee has accused not just the music moguls but also Jay-Z's entertainment company, Roc Nation, of conspiring to sabotage his credibility. He alleges that Roc Nation paid some of his former clients to file lawsuits against him, a claim he asserts is backed by evidence. The accusations against Jay-Z and Diddy, first filed in October, are staggering in their implications. An unnamed woman claims that the two men sexually assaulted her in 2000 when she was only 13 years old. Jay-Z has publicly denied the allegations, calling them baseless and accusing Buzbee of opportunism. Carter's legal team, led by Alex Spiro, has alleged that Buzbee is pressuring potential clients to make false claims. Buzbee, in turn, has dismissed these allegations as an attempt to distract from the severity of the rape accusations. Mounting Legal Challenges for Diddy Diddy's existing legal troubles add another layer of complexity. The federal charges against him involve over 200 accusers—men and women—represented by Buzbee. These allegations, ranging from sexual abuse to human trafficking, have already tarnished Diddy's once-glittering reputation. Buzbee's pursuit of justice in this case has been marked by public appeals to potential victims, with hotlines and press conferences designed to bring more accusers forward. Tony Buzbee's Controversial Career For Buzbee, this case is the latest chapter in a career defined by high-profile legal battles. From his humble beginnings as the son of a butcher and a cafeteria worker in small-town Texas to his rise as a trial lawyer, Buzbee has built a reputation as both a champion for the underdog and a lightning rod for controversy. His career milestones include winning $75 million against Transocean Ltd., securing billions from BP after the Deepwater Horizon spill, and representing victims in the Travis Scott Astroworld tragedy. Yet, Buzbee's history is not without blemish. Recent lawsuits from former clients allege unethical behavior and fraud, claims that Buzbee vehemently denies. One particularly damaging accusation came from a former female client who alleged assault and malpractice during her divorce proceedings. While Buzbee has dismissed the claims as fabricated, their timing has fueled speculation about whether they're part of a broader effort to undermine him. Jay-Z's Counteroffensive Jay-Z's counteroffensive against Buzbee has been equally dramatic. In addition to his public denouncements, Carter has filed his own lawsuit, accusing Buzbee of extortion and intentional infliction of emotional distress. The case's stakes have grown exponentially, with each side accusing the other of deceit and coercion. Jay-Z's team has alleged that Buzbee added his name to the original lawsuit only after Carter refused to settle, a claim Buzbee denies. A Larger-Than-Life Figure Adding to the already convoluted landscape is Buzbee's controversial past outside the courtroom. The attorney, who famously once parked a Sherman tank outside his Houston mansion, has long been a larger-than-life figure. He has represented an array of high-profile clients and made waves in the legal community with his blunt approach and unrelenting tactics. Despite his successes, he has faced criticism for what some see as self-promotion and ostentation. One of Buzbee's most notable cases involved the Deepwater Horizon oil spill in 2010, where he represented over 10,000 clients impacted by the environmental disaster. The settlements from that case were in the billions, solidifying his reputation as a powerhouse in class-action litigation. However, critics argue that his aggressive style often borders on the excessive, with detractors labeling him a “showman” more interested in personal fame than justice. Public Reactions and Media Scrutiny Beyond his professional life, Buzbee's personal controversies have added fuel to the fire. In one particularly infamous incident, a woman on a date with him allegedly caused damage to artwork in his home, including two Andy Warhol paintings. The case, while ultimately dismissed, added to the narrative of Buzbee as a magnet for drama. Meanwhile, the media frenzy surrounding the case has cast a spotlight on Jay-Z's carefully curated public image. Known as a self-made billionaire who rose from Brooklyn's Marcy Projects, Carter has built an empire spanning music, fashion, and business. His defenders argue that the allegations are an affront to his legacy, while critics contend that no amount of success should exempt him from scrutiny. Diddy's situation is arguably more precarious. The sheer volume of accusations against him, coupled with his ongoing federal charges, has led to widespread speculation about his future. While he has categorically denied all allegations, the cases have already caused significant damage to his reputation and brand. Companies and collaborators have distanced themselves, leaving his once-thriving empire in jeopardy. The High Stakes for All Involved As the legal proceedings continue, the stakes for all parties involved remain high. For Buzbee, this case represents both an opportunity and a risk. A victory could further cement his status as one of the nation's top trial lawyers, while a loss or misstep could tarnish his career. For Jay-Z and Diddy, the allegations threaten not only their personal reputations but also the legacies they have spent decades building. The public's fascination with the case shows no signs of waning. Social media is awash with debates, with supporters and detractors of all sides voicing their opinions. The court of public opinion, however, is far from unanimous. Some view the case as a critical reckoning for powerful figures, while others see it as a legal circus driven by greed and opportunism. Ultimately, this case is about more than just the high-profile names involved. At its heart are the voices of alleged victims, whose pursuit of justice has been overshadowed by the spectacle of the legal battle. As new revelations continue to emerge, the question remains: will justice prevail, or will the truth be lost amid the noise? What lies ahead is uncertain, but one thing is clear: this case will leave an indelible mark on all involved. The coming months are likely to bring much-needed clarity to this tangled web of allegations and counterclaims. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
The Downfall Of Diddy | The Case Against Sean 'Puffy P Diddy' Combs
Inside The War Between Jay-Z & Attorney Accusing Him Of Rape, Tony Buzbee The High-Stakes Legal Battle: Tony Buzbee vs. Music Moguls It began with allegations that were shocking even in an era saturated with sensational headlines. Sean “Diddy” Combs, already imprisoned under federal charges of sex trafficking and racketeering, and Shawn “Jay-Z” Carter, one of the most influential figures in music, now find themselves at the center of child rape accusations. The man leading the charge? Tony Buzbee, a Texas trial lawyer with a reputation as polarizing as it is formidable. Buzbee's Legal Offensive Buzbee's involvement has turned this case into a legal maelstrom, one that has captivated both the public and the media. Known for his unrelenting pursuit of justice, Buzbee has accused not just the music moguls but also Jay-Z's entertainment company, Roc Nation, of conspiring to sabotage his credibility. He alleges that Roc Nation paid some of his former clients to file lawsuits against him, a claim he asserts is backed by evidence. The accusations against Jay-Z and Diddy, first filed in October, are staggering in their implications. An unnamed woman claims that the two men sexually assaulted her in 2000 when she was only 13 years old. Jay-Z has publicly denied the allegations, calling them baseless and accusing Buzbee of opportunism. Carter's legal team, led by Alex Spiro, has alleged that Buzbee is pressuring potential clients to make false claims. Buzbee, in turn, has dismissed these allegations as an attempt to distract from the severity of the rape accusations. Mounting Legal Challenges for Diddy Diddy's existing legal troubles add another layer of complexity. The federal charges against him involve over 200 accusers—men and women—represented by Buzbee. These allegations, ranging from sexual abuse to human trafficking, have already tarnished Diddy's once-glittering reputation. Buzbee's pursuit of justice in this case has been marked by public appeals to potential victims, with hotlines and press conferences designed to bring more accusers forward. Tony Buzbee's Controversial Career For Buzbee, this case is the latest chapter in a career defined by high-profile legal battles. From his humble beginnings as the son of a butcher and a cafeteria worker in small-town Texas to his rise as a trial lawyer, Buzbee has built a reputation as both a champion for the underdog and a lightning rod for controversy. His career milestones include winning $75 million against Transocean Ltd., securing billions from BP after the Deepwater Horizon spill, and representing victims in the Travis Scott Astroworld tragedy. Yet, Buzbee's history is not without blemish. Recent lawsuits from former clients allege unethical behavior and fraud, claims that Buzbee vehemently denies. One particularly damaging accusation came from a former female client who alleged assault and malpractice during her divorce proceedings. While Buzbee has dismissed the claims as fabricated, their timing has fueled speculation about whether they're part of a broader effort to undermine him. Jay-Z's Counteroffensive Jay-Z's counteroffensive against Buzbee has been equally dramatic. In addition to his public denouncements, Carter has filed his own lawsuit, accusing Buzbee of extortion and intentional infliction of emotional distress. The case's stakes have grown exponentially, with each side accusing the other of deceit and coercion. Jay-Z's team has alleged that Buzbee added his name to the original lawsuit only after Carter refused to settle, a claim Buzbee denies. A Larger-Than-Life Figure Adding to the already convoluted landscape is Buzbee's controversial past outside the courtroom. The attorney, who famously once parked a Sherman tank outside his Houston mansion, has long been a larger-than-life figure. He has represented an array of high-profile clients and made waves in the legal community with his blunt approach and unrelenting tactics. Despite his successes, he has faced criticism for what some see as self-promotion and ostentation. One of Buzbee's most notable cases involved the Deepwater Horizon oil spill in 2010, where he represented over 10,000 clients impacted by the environmental disaster. The settlements from that case were in the billions, solidifying his reputation as a powerhouse in class-action litigation. However, critics argue that his aggressive style often borders on the excessive, with detractors labeling him a “showman” more interested in personal fame than justice. Public Reactions and Media Scrutiny Beyond his professional life, Buzbee's personal controversies have added fuel to the fire. In one particularly infamous incident, a woman on a date with him allegedly caused damage to artwork in his home, including two Andy Warhol paintings. The case, while ultimately dismissed, added to the narrative of Buzbee as a magnet for drama. Meanwhile, the media frenzy surrounding the case has cast a spotlight on Jay-Z's carefully curated public image. Known as a self-made billionaire who rose from Brooklyn's Marcy Projects, Carter has built an empire spanning music, fashion, and business. His defenders argue that the allegations are an affront to his legacy, while critics contend that no amount of success should exempt him from scrutiny. Diddy's situation is arguably more precarious. The sheer volume of accusations against him, coupled with his ongoing federal charges, has led to widespread speculation about his future. While he has categorically denied all allegations, the cases have already caused significant damage to his reputation and brand. Companies and collaborators have distanced themselves, leaving his once-thriving empire in jeopardy. The High Stakes for All Involved As the legal proceedings continue, the stakes for all parties involved remain high. For Buzbee, this case represents both an opportunity and a risk. A victory could further cement his status as one of the nation's top trial lawyers, while a loss or misstep could tarnish his career. For Jay-Z and Diddy, the allegations threaten not only their personal reputations but also the legacies they have spent decades building. The public's fascination with the case shows no signs of waning. Social media is awash with debates, with supporters and detractors of all sides voicing their opinions. The court of public opinion, however, is far from unanimous. Some view the case as a critical reckoning for powerful figures, while others see it as a legal circus driven by greed and opportunism. Ultimately, this case is about more than just the high-profile names involved. At its heart are the voices of alleged victims, whose pursuit of justice has been overshadowed by the spectacle of the legal battle. As new revelations continue to emerge, the question remains: will justice prevail, or will the truth be lost amid the noise? What lies ahead is uncertain, but one thing is clear: this case will leave an indelible mark on all involved. The coming months are likely to bring much-needed clarity to this tangled web of allegations and counterclaims. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Recent legal proceedings have implicated Sean "Diddy" Combs and Shawn "Jay-Z" Carter in a lawsuit alleging the rape of a 13-year-old girl at a 2000 MTV Video Music Awards afterparty. The plaintiff, identified as Jane Doe, claims that after being given a spiked drink, she was assaulted by both men while an unnamed female celebrity observed.The lawsuit details that the plaintiff was invited to the afterparty by a limousine driver who suggested she was "what Diddy was looking for." Upon arrival, she was asked to sign a non-disclosure agreement and was given a drink that caused her to feel disoriented. Seeking to rest, she entered a bedroom where the alleged assault occurred.Both Combs and Carter have vehemently denied the allegations. Carter's legal team has filed a motion to dismiss the claims, describing them as part of a "sprawling extortion" attempt and requesting that the accuser's identity be revealed publicly.Combs, who is currently facing multiple legal challenges, including charges of sex trafficking, has also denied any wrongdoing.The identity of the female celebrity alleged to have witnessed the assault has not been disclosed in the lawsuit. This case adds to the growing list of legal issues surrounding Combs, who is confronting numerous accusations of sexual misconduct spanning several decades.Recent Developments in Legal Cases Involving Diddy and Jay-Z(commercial at 10:35)to contact me:bobbycapucci@protonmail.comsource:Jay-Z, Diddy accusations create mystery surrounding female 'Celebrity B' | Fox News
Recent legal proceedings have implicated Sean "Diddy" Combs and Shawn "Jay-Z" Carter in a lawsuit alleging the rape of a 13-year-old girl at a 2000 MTV Video Music Awards afterparty. The plaintiff, identified as Jane Doe, claims that after being given a spiked drink, she was assaulted by both men while an unnamed female celebrity observed.The lawsuit details that the plaintiff was invited to the afterparty by a limousine driver who suggested she was "what Diddy was looking for." Upon arrival, she was asked to sign a non-disclosure agreement and was given a drink that caused her to feel disoriented. Seeking to rest, she entered a bedroom where the alleged assault occurred.Both Combs and Carter have vehemently denied the allegations. Carter's legal team has filed a motion to dismiss the claims, describing them as part of a "sprawling extortion" attempt and requesting that the accuser's identity be revealed publicly.Combs, who is currently facing multiple legal challenges, including charges of sex trafficking, has also denied any wrongdoing.The identity of the female celebrity alleged to have witnessed the assault has not been disclosed in the lawsuit. This case adds to the growing list of legal issues surrounding Combs, who is confronting numerous accusations of sexual misconduct spanning several decades.Recent Developments in Legal Cases Involving Diddy and Jay-Z(commercial at 10:35)to contact me:bobbycapucci@protonmail.comsource:Jay-Z, Diddy accusations create mystery surrounding female 'Celebrity B' | Fox News
Recent legal proceedings have implicated Sean "Diddy" Combs and Shawn "Jay-Z" Carter in a lawsuit alleging the rape of a 13-year-old girl at a 2000 MTV Video Music Awards afterparty. The plaintiff, identified as Jane Doe, claims that after being given a spiked drink, she was assaulted by both men while an unnamed female celebrity observed.The lawsuit details that the plaintiff was invited to the afterparty by a limousine driver who suggested she was "what Diddy was looking for." Upon arrival, she was asked to sign a non-disclosure agreement and was given a drink that caused her to feel disoriented. Seeking to rest, she entered a bedroom where the alleged assault occurred.Both Combs and Carter have vehemently denied the allegations. Carter's legal team has filed a motion to dismiss the claims, describing them as part of a "sprawling extortion" attempt and requesting that the accuser's identity be revealed publicly.Combs, who is currently facing multiple legal challenges, including charges of sex trafficking, has also denied any wrongdoing.The identity of the female celebrity alleged to have witnessed the assault has not been disclosed in the lawsuit. This case adds to the growing list of legal issues surrounding Combs, who is confronting numerous accusations of sexual misconduct spanning several decades.Recent Developments in Legal Cases Involving Diddy and Jay-Z(commercial at 10:35)to contact me:bobbycapucci@protonmail.comsource:Jay-Z, Diddy accusations create mystery surrounding female 'Celebrity B' | Fox NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Steve Stoute, the founder and CEO of UnitedMasters (c. 2017) was born in Queens, NY to Trinidadian-Immigrant parents who, in his own words, “didn't come from much," gave their son the opportunity to work his way up in the world from the work-to-riches/”American Dream” model that we all know. Steve originally bounced around to a multitude of different colleges after graduating from Holy Cross High School in 1988. He realized that pursuing a college education wasn't exactly his forte and he wanted to take entrepreneurship seriously. He was willing to take the long road down a journey of uncertainty, stress, sleepless nights, the days where he would feel like he wasn't good enough or oftentimes even wanted to quit. Steve's hunger, drive and keen sense of passion for all things pop culture such as music, fashion and the political, economic and social climate of the world in the late 80's, 90's and early 2000's is what made him want to become a grand fixture in media and major cultural shifts to come. His stint in the world of music started at the age of 26 where he became the President of the Urban Music Division. He led legendary artists such as Mariah "The Voice" Carey, Nas and "The Fresh Prince," Will Smith. He then transitioned to Interscope Geffen A&R records as their new President in 1999 where he would form a life-long friendship with Shawn "Jay-Z" Carter after being a key player in Jay's partnership with Reebok at the time. He was often known for his great ability to form successful partnerships and bridge gaps between musicians and brands. He was often referred to as "The Golden Touch." Steve then transitioned to the advertising and branding world in 2004 where he founded Translation–A creative and solutions company which conjoined and merged the industries of marketing, corporate deals and popular culture as one. Since then, Steve has done prolific deals with McDonald's, State Farm, Apple and the NBA.. Just to name a few. Thank you Steve for stopping by the IAA studio to share his insight on the world, how to execute business as a brand and/or executive and how to be a leader. We appreciate you, always!
Order THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.comLearn more about Shari Bryant and Omar Grant: https://www.rocnation.com/about/Shari Bryant is Co-President of Roc Nation Label at Roc Nation. A fearless music industry veteran, Shari began her career as an intern at Roc-A-Fella Records at 16 years old. She would go to work with Def Jam, Atlantic Records, Warner Bros, Alamo Records, until she was appointed by Shawn “Jay-Z” Carter to become Co-President of the Roc Nation Label. In her long and tenured career, she has worked with artists such as Jay-Z, Meek Mill, Nas, Rick Ross, Cam'ron, Dipset, and more.Omar Grant is currently the Co-President of Roc Nation Records. After graduating from Adelphi University, he took his first job as assistant tour manager working for Destiny's Child, and then as tour manager for each of the three members individually including Kelly Rowland, Michelle Williams, and Beyonce. He would go on to with as an A&R for EMI Group Limited and Epic Records, before joining Roc Nation in 2011. Grant served as A&R on Rihanna's first #1 debut album, Unapologetic, and would work with Rihanna on future releases. Grant has also worked with and/or introduced many other notable artists like Jay-Z, Big Sean, Shakira, David Guetta, Snoh Aalegra, Willow, Jaden Smith, Jay Electronica, Vic Mensa, and Buju Banton.04:38 - Welcome06:21 - Roc Nation - Shari and Omar's roles at Roc Nation Label15:12 - Strategies for developing artists in a crowded space22:01 - Roc Nation's legacy and long term vision for artists28:00 - What does Roc Nation look for when they sign a new artist?37:18 - Marketing strategies rollout for artists like Maeta45:58 - Roc Nation's track record with signing artists and philosophy58:23 - What does it mean to you to make it in the new music business?Subscribe to The New Music Business: https://aristake.com/new-music-business-podcast/Ari's Take Academy: https://aristakeacademy.comWatch more discussions like this: https://bit.ly/3LavMpaConnect with Ari's Take:Website: https://aristake.comInstagram: https://www.instagram.com/aristake_TikTok: https://www.tiktok.com/@aris.takeX: https://twitter.com/ArisTakeThreads: https://www.threads.net/@aristake_YouTube: https://www.youtube.com/user/aristake1Connect with Ari Herstand:Website: https://ariherstand.comInstagram: https://instagram.com/ariherstandX: https://twitter.com/ariherstandYouTube: https://youtube.com/ariherstandConnect with Roc Nation:Website: https://rocnation.comInstagram: https://www.instagram.com/rocnation/X: https://twitter.com/RocNationTikTok: https://www.tiktok.com/@rocnation Edited and mixed by Mikey EvansMusic by Brassroots DistrictProduced by the team at Ari's Take Hosted on Acast. See acast.com/privacy for more information.
As the manhunt continues for the suspected mass shooter in Maine, new details about his background reveal a history of mental health issues as recently as July. And we are starting to learn details about the victims of the shootings.At least 27 people are confirmed dead after Hurricane Otis strengthened into a Category 5 hurricane shortly before hitting hear Acapulco, Mexico on Wednesday.In a special edition of "Note to Self," CBS Mornings hears from Rabbi Jeffrey Myers -- five years after a gunman opened fire on Pittsburgh's Tree of Life synagogue during Sabbath services, killing 11 people. It's the deadliest antisemitic attack in US history. Myers was in the building that morning, where he helped congregants shelter and evacuate. Now, he's taking a look back at that tragic day -- and ahead, to his community's future.Shawn "JAY-Z" Carter gives CBS Mornings co-host Gayle King an exclusive tour of the "Book of HOV" exhibit at Brooklyn Public Library. He reflects on his vulnerability through music and shares what it was like watching daughter Blue Ivy perform on stage with her mom, Beyoncé, during the Renaissance World Tour.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A widespread manhunt is underway in Maine after a gunman opened fire in two separate locations in Lewiston, killing at least 16 people and injuring dozens of others.The House of Representatives is now back open for business after three weeks. Republicans elected a new speaker, little known Rep. Mike Johnson from Louisiana, who now faces a Nov. 17 deadline to avoid a government shutdown. CBS News' Scott MacFarlane reports from Capitol Hill.Legendary actor Morgan Freeman joins "CBS Mornings" to discuss the new Netflix documentary series, "Life on Our Planet." Freeman narrates the series, which is executive produced by Steven Spielberg. It tells the story of life's 4-billion-year journey on Earth, through its ruling dynasties, the underdogs, and the cataclysmic events that reshaped it.Shawn "JAY-Z" Carter gives CBS Mornings co-host Gayle King an exclusive tour of the "Book of HOV" exhibit at Brooklyn Public Library. He shares behind-the-scenes details about his earliest albums, his decision to not sell his masters, and he says “being a beacon” for his culture means most to him today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Avril Benoît, the executive director of Doctors Without Borders, joins "CBS Mornings" to discuss what her organization is seeing on the ground in Gaza. She says hospitals are overwhelmed and experiencing shortages of supplies, medicine and fuel for generators.Actor Richard Roundtree, who broke ground for Black actors with his role in "Shaft," died at the age of 81. CBS News' Jericka Duncan looks back on his career.For our series "The Dish," Janet Shamlian pulled up a seat with Grant Pinkerton, the award-winning pitmaster behind the smoker at Pinkerton's Barbecue in Houston, Texas. The 34-year-old tells "CBS Mornings" about the road from grilling in a gym parking lot to worldwide acclaim, and why he decided to open up publicly about sobriety following his battle with addiction.Shawn "JAY-Z" Carter talks about growing up in a music-loving household in Brooklyn's Marcy Houses. He gave "CBS Mornings" co-host Gayle King an exclusive tour of the "Book of HOV" exhibit, airing in a two-part interview on Thursday and Friday on "CBS Mornings."For our "Changing the Game" series, we are highlighting extraordinary women with game-changing ideas. Something Borrowed Blooms CEO and co-founder Lauren Bercier joins "CBS Mornings" to discuss her mission to revolutionize the wedding flower industry, and how couples can save thousands by renting silk flowers.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
There have been more than 400 airstrikes in Gaza in the last 24 hours, according to the Israel Defense Forces. But with a possible ground invasion looming, Hamas did release two hostages overnight -- two Israeli women, ages 79 and 85. "CBS Mornings" co-host Tony Dokoupil sits down with Israel's military spokesman, Rear Adm. Daniel Hagari. They discuss Israeli's military goals, the state of hostages and the future of Gaza. Israeli Military spokesperson Daniel Hagari says goal is to destroy Hamas, bring hostages home"People" magazine editor-in-chief Wendy Naugle joins "CBS Mornings" to discuss the many revelations from Britney Spears' new memoir "The Woman in Me."Shawn "JAY-Z" Carter shared how he earned the nickname, "one take HOV." He gave "CBS Mornings" co-host Gayle King an exclusive tour of the "Book of HOV" exhibit, airing in a two-part interview on Thursday and Friday on "CBS Mornings."Bestselling Author Adam Grant is challenging the way we think about talent and greatness. Grant talks to CBS Mornings about his new book "Hidden Potential: The Science of Achieving Greater Things" and why he thinks all people can rise to achieve great things.Only on "CBS Mornings," Oprah Winfrey reveals her newest book club selection, "Let Us Descend," by two-time National Book Award winner, MacArthur Fellow and the youngest person to receive the Library of Congress's Prize for American Fiction, Jesmyn Ward. Ward joins "CBS Mornings" to discuss finding out her book was selected for Oprah's Book Club, her experience writing the book, and how her own personal loss and grief helped her write about the enslaved teen, Annis, at the center of "Let Us Descend."On this week's edition of CBS Mornings Deals, lifestyle expert Gayle Bass shows us several items, including the Gotze vegetable and fruit peelers and shears starting at the exclusive low price of $199.99. Visit cbsdeals.com to take advantage of these exclusive deals today. CBS earns commissions on purchases made through cbsdeals.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Guest host Vanesse Lloyd-Sgambati speaks to Christine Schonhart, Director of the Central Library at Brooklyn Public Library about the "The Book of HOV," an installation created by Roc Nation to celebrate the life and work of Shawn “JAY-Z” Carter.https://www.bklynlibrary.org/exhibitions/book-hovFor the feature "What is Philadelphia Reading?" Vanesse speaks to Dr. Nyshawana Francis-Thompson Chief of Curriculum and Instruction for The School District of Philadelphia.
Original Air Date: July 18th, 2018Rapper, songwriter, producer, entrepreneur and hip-hop mogul Shawn "Jay-Z" Carter charts his unlikely rise from the Brooklyn projects to superstardom, sharing what he's learned along the way. Since 1996, the 21-time Grammy winner has dominated an evolution in popular culture, with more than 35 million records sold and 14 number one Billboard hits (second only to the Beatles). Candid, raw and real, Jay-Z offers personal revelations about integrity, failure and why knowing your truth is everything. He reflects on the challenges of growing up without a father and how they made their peace before his father's death. The entertainer offers his thoughts on the healing power of hip-hop and why we all must search for our own truth. Jay-Z says, "Belief in oneself and knowing who you are, I mean, that's the foundation of everything great." Want more podcasts from OWN? Visit https://bit.ly/OWNPodsYou can also watch Oprah's Super Soul, The Oprah Winfrey Show and more of your favorite OWN shows on your TV! Visit https://bit.ly/find_OWN
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On this episode of the Laws of Style, we sit down with the President and the Creative Director of the lifestyle apparel and accessories brand Paper Planes - Ronnie DeMichael and Just C (Daniel) Greenidge. The discussion covers founder Shawn “JAY-Z” Carter's vision of personal empowerment, the perils and opportunities of a brand at the intersection of music and fashion and whether the term “streetwear” has become a distinction without a difference. Listen in! Hosted on Acast. See acast.com/privacy for more information.
This is the breakdown on Roc-A-Fella Records. Founded in 1995 by the trio of Shawn “Jay Z” Carter (the talent), Damon “Dame” Dash (the promoter), and Kareem “Biggs” Burke (the silent partner), it became one of hip-hop's most iconic labels.The label took time to develop. Jay's debut album, Reasonable Doubt, is now seen as a certified classic, but took time to get that recognition. It wasn't until 1997 when Def Jam acquired a 50 percent stake in the label and The Roc went to that next level.Roc-A-Fella then created Rocawear, Roc Films, and went on an unprecedented arena tour across the country — rare for rappers at the time. Other artists like Cam'Ron, Kanye West, Beanie Sigel, and Freeway joined the squad.. Despite the success, the founders grew apart, which led to its infamous split. To break it all down, I was joined by my friend and Jay Z biographer, Zack O'Malley Greenburg. Here's what we covered:1:20 Roc-A-Fella origin story7:21 Reasonable Doubt09:43 Friendly rivalry with Bad Boy Records12:43 50-50 deal with Def Jam15:59 How Roc-A-Fella's deal compared to others18:59 The Hard Knock Life Tour's impact 28:32 Expanding the brand beyond Jay Z 30:32 Why Dame and Jay's split was inevitable38:59 Artists taking sides44:21 Best Roc-a-Fella signing?45:22 Best business move?48:27 Dark Horse move?53:02 Missed opportunity? 59:07 Will Dame and Jay ever make up?1:00:45 Who won the most from Roc-a-Fella? Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is brought to you by Norby, your digital marketing Swiss army knife. Get started for free with a free 2-week trial (no credit card needed) AND get 50% off for 3 months after that. Start your free trial todayThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.[00:00:46] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:01:13] Dan Runcie Guest Intro: This episode is a rewind. We're going back in the clock to the late nineties, early two thousands, and we are revisiting one of. The most iconic record labels at the time, the one and only Roc-A-Fella Records. Roc-A-Fella Records, is the record label started by Jay-Z Dame Dash, Big Burke, and went on to be one of the most iconic hip hop record labels and hip hop brands, and that's a key thing from this conversation.I was joined by my friend Zach O'Malley Greenberg. He wrote Empire State of Mind, a biography on Jay-Z, and he also wrote Three Kings that broke down Jay-Z, Dr. Dre, and Diddy's Business Moves. So he was a perfect person to have this conversation with. We talked about the highs of this record label, the lows, some of the best business moves where Jay-Z and Dame didn't see eye to eye, some of the dark horse business moves that they made.What was the best signing from Roc-A-Fella Records? Missed opportunities and more. If you enjoy the episodes we did on Cash Money and Interscope, this one will be right up your alley and we already know what it is when we're talking about Jay, Dave, and Big. So let's dive into it. Hope you enjoy it.[00:02:17] Dan Runcie: All right. We are back to do another breakdown on one of the most iconic record labels, the one and only Roc-A-Fella records, and I'm joined by someone who wrote the book on one of the most influential people behind this record label. Zack O'Malley Greenberg, welcome back, man.[00:02:33] Zack Greenburg: Thanks for having me on, Dan, as always.[00:02:36] Dan Runcie: Yeah, and with this one, I think it's good to start even before Roc-A-Fella records because this label was a long time coming and there were a number of things that Jay Dame and Biggs, the founders of this record label were involved before this. So set the stage. Where were we pre Roc-A-Fella launch.[00:02:55] Zack Greenburg: Yeah, so, you know, I think a lot of people forget, although Jay-Z is a billionaire now, a couple times over, back in the early nineties, he wasn't even sure that he could make it as a rapper full-time. So, you know, he'd appeared on a couple tracks with his mentor jazz. Oh, this great Golden Age rapper. He had popped up kind of here and there, but, you know, really he was finding that it was much more lucrative to be a hustler.And so he was increasingly making more and more trips outta town to New Jersey and Maryland and so forth doing his thing. And, you know, I think he really kind of saw music as a hobby at that point. so he, he did have, you know, a couple supporters, namely DJ Clark Kent, you know, one of these influential producers, at the time.And, you know, Clark Kent really believed in Jay when a lot of people did it. And so he kind of kept trying to convince him to give another shot, like he could do this as an actual profession, and finally convince him to sort of take this meeting with Damon Dash. So he thought that Jay-Z was this just like once in a generation talent, from the musical side, and that Dame was sort of this promotional mastermind.And then if the two forces kind of united, they could create something really special. So in my book, empire State of Mind, Clark Kent tells the story of how he convinced Jay and Dame to sort of meet up. And so Dame, of course is from Harlem, Jay's from Brooklyn. There's sort of like this New York City snobbery thing going on, you know, Manhattan folks kind of maybe look down sometimes on people from Brooklyn and so they get together and, Dame rolls in.He sees Jay's wearing a pair of Air Force 1s and he is like, okay, this guy's cool, you know, he has good taste in sneakers, so I, can do business with him. and that was kind of like, you know, the initial hurdle was, you know, overcome and off it went. And so they struck up this really productive partnership together where, you know, Dame would kind of, help Jay Z sell, you know, they would go around selling CDs outta the trunks of cars and stuff like that.they were trying to get a proper record deal. and they just didn't have, like, nobody was kinda like really into the whole jay thing at the time. And you know, if you think about the music that he was making, unreasonable Doubt, it's like very nuanced. you know, like a lot of words packed into not very many bars, you know, like the space and the rapidity of the, the flow was like kind of not what was happening at the time in the, you know, by this time like, getting toward the mid nineties.So, basically they decided to go and start their own, and they brought in green Bigs Burke, who was kind of a silent partner, you know, another formidable hustler in his own right. And, you know, so there was the, talent, the silent partner and, you know, the promotion guy.And you know, when their powers combined, they were Captain Planet or whatever they were Roc-A-Fella records.[00:05:42] Dan Runcie: And I think part of the thing with Jay-Z that made this unique was his age at this point as well, because by the time they start Roc-A-Fella, he's already in his mid twenties, which doesn't sound anything unusual now, but back then, the rappers that were blowing up were always teenagers.There were always early twenties. You think about Dr. Dre, everyone from NWA, you think about Nas when he dropped I Maddock or you look at LL Cool J. Everyone is a young cat. So for Jay to then drop his debut album when he is 26, Is an ancient man, a grandfather trying to get into this game?[00:06:19] Zack Greenburg: Yeah, I mean, it's like a 26 year old rookie in, you know, the NBA or in baseball or something.It's just like, you don't see it. I mean, al almost ever. And when it does happen, it's sort of like a journeyman, you know, like role player type but jay, you know, had just packed a lifetime worth of lyrics into this one album cuz he kind of viewed it as, you know, this was like a one and done, like a novelty thing.And, you know, he really fully anticipated, you know, kind of coming up from the underworld, dropping this gem of an album and then kind of like disappearing off into the ether, like Kaiser Souzai at the individual suspects. And that, I mean, that was actually his plan. you know, according to a lot of people who I talked to around the time.So, yeah, it was definitely not sort of the normal path, for creating an album. I mean, I think they thought that. You know, they could put out this album, it would do well and then, you know, maybe they would bring along other artists and he wouldn't have to be sort of at the forefront.Like he might just keep doing his thing on the hustling side or whatever. but obviously things turned out a little bit differently.[00:07:22] Dan Runcie: This album was also a bit of a slow burn from a success perspective. I know that many people now when they're debating the best Jay-Z albums, the best Roc-A-Fella albums.This one's always mentioned as well as a few others that we'll get into. But if you look at the commercial performance for this album, in the beginning, it was not that high. The same week that it came out, the Nutty Professor soundtrack sold more records than Reasonable Doubt. And around the same time, that summer, I'm pretty sure that Shaquille O'Neill's album, cuz he was putting out albums at the time, also sold more than Reasonable Doubt did.So extremely slow burn. And you mentioned something earlier about the hustle that I wanna tap into because this is one of the big value ads that Dame Dash had with this. He was relentless and we've all heard the stories. Many people that have met him have also seen what it's like upfront. A lot of it speaks to his success.But he was someone who was in many ways, notorious for going to the New York radio stations and giving them gifts, understanding, yes, this essentially is payola, but this is what everyone else is doing. This is what the people with the real money in the industry are doing. So he's leading into that as well.And you mentioned Kaiser Associates also makes me think about, there's one of the music videos that Jay had from in my Lifetime, volume one where, I forget which song it was, but the song essentially, you know, the music video essentially was a spoof, odd usual Suspects where he's impersonating the the Kevin Spacey, Kaiser Souzai character on it.Sorry for anyone that hasn't seen Usual Suspects for the spoilers I just dropped there. But there's so many things that I think tie in with that and just stay consistent with who he is at the time.[00:09:08] Zack Greenburg: Yeah, absolutely. And I mean, I think that whole album, you know, the aesthetic was very like, maybe not Kaiser Soze, but, you know, sort of like gangster movie sort of thing and, you know, all the album artwork, you know, it's him and like a fedora and black and white and all that kind of thing.and so, you know, I think that, he's been obsessed with mafia movies for like, his entire life and you don't hear it quite as much, you know, as more recent albums. But he was kind of like living this underworld life at the time. And so I think it really resonated with him and maybe in a way that, that it, it doesn't quite resonate now.[00:09:44] Dan Runcie: And I think too that was in a lot of ways the theme that we saw he did in the nineties. You definitely saw Big Do It, especially in the whole life after death era, right before he passed. And I think there were a few moments that gave him the initial bump. Even after having Reasonable Doubt drop.Jay himself was featured on the Nutty Professor soundtrack because he had the song with, Foxy Brown that was also on his album. And then he's on Fox's album, album a little bit later. Her debut, he's also on, what's the song that Jay oh, David Brooklyn's finest, on Jay's album.[00:10:18] Zack Greenburg: Going back to Callie was on there. Oh my God, what an album. Yeah. But yeah, that was not, I would say Jay-Z got the better end of the collabs. with, the Brooklyn's Finest. I mean, that is a classic. Clark Kent produce that one also. And, you know, that was kind of like, that was another funny story from the book, like, you know, that there was also a bit of a friendly rival, mean, like they were, there were buds and all like, Jay and, and Big, but there was like a little bit of a friendly rivalry between, Jay and Dame and Puff and Big, because I think, you know, like, so the Whole Bad Boy thing was more established, by the time that Roc-A-Fella Records came about, and so I think Puff was kind of like Dame Dash, like another dude from Harlem, are you trying to be me? Kind of thing, you know, and so in order to make that song happen, I think before Jay and Big were friends, Clark kept kind of tricked them into recording the song together. So he was in the session with Big, and then he accidentally played a tape of a track that he had that was just an amazing track and Big was like, that's great.I wanna get on that. and he was like, no, I'm saving it for somebody else. And things like, well, who the hell else are you saving it for? And he is like, my man, Jay, you know, he's amazing. He's a beast. and big's like, I don't who, what Jay who. and so finally like Clark Kent sort of like goded him into, unbeknownst to big, Clark Kent had arranged for like Jay and Dame to be in a car downstairs.And he was like, oh, I think he's actually just coming in. And so he went down and he brought him up and so like Jay went in and recorded his verses, I think right then and there. And he left spaces for Big to put his verses in. and when Big went in and he listened to it, he was like, oh my God, this guy's so good.I have to like, go home and really think about this, about what I'm gonna put in there in the spaces that he left for me. and I think after that they were really good friends. but you know, it's, that kind of like, good nature trickery, shall we say. that, you know, I think some of these circumstances happen when you got some egos in the building and, you wanna make some magic.And, you know, as I recall, you know, for the chorus, Jay and Big had like become fast friends and, so like, they're leaving the studio and Clark's like, you know, on the final day that Biggie came and recorded or whatever, and Clark's like, what should I do for the chorus? And they're like, just scratch something.And that, that was how it happened.[00:12:44] Dan Runcie: Classic. And that's such a New York story, and it's also such a 90s hip hop story in terms of how the industry worked. Having someone like, oh, so-and-so's just downstairs, they're gonna come up right now because you have 'em, man, how people worked. Things classic. And it speaks to where Jay was at the time too, because as we mentioned, reasonable doubt, slow bird took a while for it to get.The respect that it deserves. But then you go to 1997, he has, in my lifetime, and that album also Slow Burn and wasn't necessarily as highly regarded as Reasonable Doubt, but still had some songs. And you could tell that Jay was trying to navigate a few things, whether it was he had the flashy suit ever himself when he had the song Always Be My Sunshine.He's feeling that out. I mentioned he had the Kaiser Souzai spoof music video, but it really isn't until 1998 where things start to change. So a few things happen here. The album Volume Two, Hard Knock Life comes out. That song, Hard Knock Life changes everything for the trajectory of that label, and that's when they start the partnership with Def Jam.So let's talk about the Def Jam piece first. Can you talk a little bit about that one and break it down?[00:13:57] Zack Greenburg: Yeah. So. As I recall, you know, in early Roc-A-Fella they had struck this, distribution deal. I think it was with priority. and you know, reasonable doubt was they had already been selling it on their own, sort of informally out of the trunks of cars.And then priority, you know, was distributing it. But it was kind of a disaster. They weren't paying Jay on time and, or maybe at all, at some point. And so he just kind of went back to 'em and was like, you know, if you're not gonna be paying me, or paying me everything, you're not paying me on time or whatever.Just like give my master's back and get me out of it. and somehow that's what happened. So that freed him up to be able to take this deal with Def Jam, where Def Jam bought a piece of Roc-A-Fella records. but again, you know, because they were buying a piece of it and not signing him to a deal. you know, he continued to own, you know, considerably higher portion of his own copyrights and, you know, possess more of the cash that came in than he would've otherwise. but you know, he already had the success. They already had this apparatus set up, so he had like, you know, he had leverage in a negotiation and I think, you know, even though his second album I think was kind of a dud and he would always, like, he has said in interviews that that's his worst album and the one that he'd like to have back.you know, he had some, heat, you know, with reasonable doubt. And then kind of like coming off the heels of Biggie's death and, being sort of like the heir parent. it was tight with Puffy who produced the second album, you know, for better or worse. But, you know, I think that really gave them sort of the ability to get what they wanted at a Def Jam, which was like, I think part of the reason that first album didn't do so well, and I think it was until fairly recently, his worst selling album, until sort of the back catalog began to catch up. But, what they needed was distribution those days was really important. Like you, you needed, you know, you could have Damon Dash, like Haranging, people at rec, you know, at radio stations all you want.But in order to really have the kind of, you know, national scale, that you need to be a superstar, at least in those days, really wanted to do with the label. So that's what they did,[00:15:59] Dan Runcie: Right, you needed someone that could get 500,000 units to 7,000 distribution points, and there were barriers to entry in order to do that.And yeah, to your point, I don't care how many bottles of champagne you try to give to Hot 97, that's not gonna make that happen without it, right? The thing that I always think about with this ever though, is the terms of this deal, because at least what we've seen publicly was that Def Jam had taken a 50% stake.In Roc-A-Fella records, and it was for one and a half million dollars. And that number always stuck out to me a bit because if you look at some of the other deals that had happened in that era, you had masterpieces distribution deal that he had done with the same priority records that Roc-A-Fella had their deal with.But Master P obviously had a much more favorable distribution deal with splits in his favor. And then similarly, that same year, 1998 Cash money, does their distribution deal with Republic Records? Of course, Def Jam is a different unit and Roc-A-Fella was in a very different place. And we know that Jay-Z had always talked about ownership and it was important to him.But it's a interesting reflection of just where things looked at in the landscape because it's easy to look back in Jay's career in hindsight and think that, oh yeah, his first album was a classic and then Hard Knock Life comes and everything is just up and up. But there was still. hierarchy and there were other artists that were getting more favorable deals, more ownership for their music, for their record labels.And Roc-A-Fella still got something that was somewhat favorable, but still not at the same level of some of those other people in the mid to late 90s.[00:17:40] Zack Greenburg: Yeah, I mean, that's a really interesting point, right? I mean, Jay obviously is this brilliant businessman and, you know, Damon and bigs aren't too shabby either.And yet it was a good deal, but it wasn't, anything like, a cash money or no limit in terms of the splits, and what they were doing. So, yeah, I mean, I think to your point, you know, those other acts, had kind of like a more established operation, you know, Jay was one guy with one album that didn't sell very well, that was kind of critically acclaimed, you know, so it was like A bit more of a risk perhaps, on Def Jams parts, they weren't really risking that much capital on them. So, you know, I mean, and I guess I wonder if that initial deal had been more favorable for Roc-A-Fella, if they had managed, to have, you know, the kind of splits that Cash Money and No Limit had might they have stayed in business together longer? You know, in a way it's like if the pie that you have or like if the one big pie, and, you know, if you're a slice of the pie that you're sharing with your two business partners is that much smaller than it is, than, you know, let's say the Williams brothers were sharing a cash money, you know, maybe you feel, a lot more restless and, inclined to go elsewhere, but we can get to that later.[00:18:59] Dan Runcie: that's a good point too, because if Cash Money is still in business. And we know cuz we recorded that episode not too long ago, but Birdman and Slim are still getting tens of millions of dollars per year. It's essentially a cash cow asset that they have. Def Jam is still collecting for Roc-A-Fella, as is universal. And I know that Jay and Damon Bigs do have their splits, but it's not the same because they eventually did sell the other half of the record label to the parent company Def Jam. I think it was Island Def Jam at the time that that deal happened. But it changes the dynamics a lot. But with the story though, we are getting to the point where Roc-A-Fella is clearly on the way up.And I think there were a few things coming that did set things up for them. But one thing that I think was a big difference maker for them around 1999 was them wanting to go on tour and. Have their name out there. So 1999 they have the Hard Knock Life tour and at this time it was pretty rare for, all Hip Hop Act to have a nationwide arena tour that happened because at the time they had past shows or whether it was at Run DMC shows or other things in the late 80s, early 90s, and cause of violence and because of things like that, all these promoters and all these venue operators were so scared of hip hop.So you had Smoking Grooves and other festivals like that in the mid nineties where they always had to pair you with the R&B actor. They had to have two folks together. I know that Bad Boy had its, arena tours as well, but they always had the R&B acts that were there, so they needed to, they were really trying to do something different.But I think this is where Dame's Magic came to life because he was able to really control the narrative and be out in front with how they were making sure that violence wouldn't happen, whether they had their own security on top of whoever was there. They had the fruit of Islam that was at each of these shows standing there to have the, bodyguards there as present.When the reporters came into the trailers to see what they were doing on tour, there's this iconic video of Tie Tie and he has videos up and this VHS tapes up of, oh, you think we're just watching gangster flicks? No, here we got Goodwill Hunting right here. We got Brave Part, we got as good as it gets.Like we're here watching videos like anyone else. And with that and even, I think they did something that was either, either donating money or something as well cause in Colorado, because they had a show right around the same time that the Columbine shooting had happened there. So there were a few things they'd done there.And I think that tour in a lot of ways helped. Not just the Roc-A-Fella crew, but all the other folks that were associated with them that came along like Red and meth and Ja Rule and others. But then after that, we then saw the Up and Smoke tour. We saw Rough Riders and Cash Money go on tour. And I think that tour in a lot of ways helped propel them into that next level to continue to have a lot of that success.[00:22:06] Zack Greenburg: Totally. And you know, and I think it wasn't necessarily reflected in the bottom line. I mean, I don't remember what the gross was, but, you know, 18 million I think. Yeah. Like Taylor Swift probably grossed that in one show at,[00:22:20] Dan Runcie: I think he made that in two of the three nights at,[00:22:23] Zack Greenburg: Yeah, definitely, definitely over a weekend in the Meadowlands, but yeah, she probably had definitely, let's say, definitely crushed it in her like little weekend did in the Meadowlands. But you know, and so obviously if you're grossing $18 million. You're probably only taking home, you know, 10 of that after cost, maybe like, probably more like, you know, I don't know, seven or eight. and then you're dividing that up amongst however many people. There were a lot of people on that tour for like a fair amount of tour days, so it did not work out to a lot of sort of take home pay per show, but it really kind of opened the door. I think in the aftermath of the death of Tupac, Biggie and like all of this, you know, sort of, like moral panic around hip hop and violence and all of the, you know, whatever Tipper Gore stuff, you know, that this was sort of like a reminder that like, yes, hip hop Acts can go on tour and it's gonna be fine.And like that, you know, that had been done in the past and, run DMC and what have you. But, you know, NWA had gone on tour and, you know, had a big national tour. So there were other examples before, but I think people were like, kind of freaked out about hip hop in the national zeitgeist at the time, and this kind of really helped to kind of reset things. And, you know, opened the door for other rappers, but, you know, for Jay-Z himself down the line, you know, I mean, he's been a really prolific touring act and I think he's always been really clever, about it because, he's like, even now, like he can sell out arenas, but, you know, he's not like, I don't know, he sort of can't necessarily do, he can't sell out stadiums by himself, that's for sure. And there was a time when he couldn't sell out arenas by himself. and there's probably a time when he couldn't sell Amphitheaters by himself, but he always goes around, he brings somebody with him and he's got a really good kind of, level of self-evaluation and he's like, you know, he doesn't let his hubris get in the way of like, I can sell out whatever, whatever.unless he knows he can, you know, he, he's very accurate in that assessment. And if he can't make it, then he just brings somebody with him. He brings Eminem with them. you know, he goes out with Beyonce for the stadium tour. So, you know, Justin Timberlake with him. Yeah, yeah, exactly. Exactly. So in a way, I think that tour was kind of the beginning of that.And, you know, how he could, see some synergies by mixing and matching with other artists[00:24:35] Dan Runcie: And that tour too Hard Knock Life tour. He showed signs of that awareness there. There's this iconic clip when Jay-Z was on the shop a couple years ago and he's talking about the show. This was shortly after DMX had passed away and Jay-Z was going on tour in each of these nights after X and X's shows, you know, he's taken off his shirt, he's doing prayers at the end.So you have people that are laughing, you have people that are crying, then people that are screaming and then they come out and they're like, oh, now you go like pointed to Jay-Z. And I mean, one Jay's storytelling of that is good. When we post this episode, we'll definitely share this clip in there, but two, it showed this awareness that people have spoke about of, and it's also what you're saying, even if he may not have always been the central act and another running thing that people have said over the years, what year was Jay-Z, the top guy in hip hop?And I think that is a very debatable thing, but it's the longevity and that's the thing that speaks to it. And how he's been able to stay through that over the years. And because he was always that core piece, like we said, price is probably one of the reasons that they didn't get a no limit or a cash money type deal.It really was just him. I think there was that one R&B album that Rocefella hadn't released in 1997, but didn't really go anywhere with that artist. So things didn't really pick up until late nineties, early two thousands. And you start to see more of the artists on Roc La Familia, and they're really able to spread their wings in that way.[00:26:10] Zack Greenburg: Yeah, I mean, another thing to remember, at the time, you know, especially, I think it was 98, 99, that was when, you know, Def Jam. So I think Def Jam had already taken a pretty significant, institutional investor, but, they were selling the company or like maybe the remainder of the company or most of the remainder of the company.There's this really, really big deal happening. and I forget which sort of, European entertainment conglomerate was it Bertlesman or It was like, was, something that's since been reconstituted or, or whatever. But the, the deal was gonna happen and you know, the deal was gonna be for whatever multiple of revenue, that Roc-A-Fella had or not Roc-A-Fella, that Def Jam had produced in the prior year.And so for the, I think it was the calendar year of 1999. And so, Lyor and Russell just like leaned really hard on Jay and DMX and they were like, we need you to put out like two albums in 12 months because we're just gonna get a multiple of that. And I don't remember the exact advances that, that were given, but you know, I'm sure it was considerable.And so, you know, they were able to put out like each of them two really killer albums in the span of like about 12 months each. which is like kind of unheard of these days, right? I mean, Jay-Z goes, is like five years between albums now and, I think that was, volume two and volume three for Jay-Z.And I think for DMX, it's dark and.[00:27:38] Dan Runcie: Dark as hell and hot and then flesh and my flesh blood. And then, and those were like, like, and then there was X was the third. Oh, then there was X.[00:27:45] Zack Greenburg: That's right, that's right. So those were like, like two, like for each of them to[00:27:49] Dan Runcie: a year and a half spare albums.[00:27:51] Zack Greenburg: I mean, yeah, back to back, you know, man, like to have that much, sort of creative energy to do it so quickly, and to have it sell so well, I mean, it is quite a feat and you know, and they, personally enriched Russell and Lyor and Rick Rubin, like, I would say quite substantially cuz it just drove up that multiple.And, yeah, I think a lot of people kind of forget, how critical they were, you know, to that process. But it probably also caught thinking like, Why am I working so hard to make somebody else, you know, I'm getting rich, but they're getting wealthy and, I think the gears are continuing to turn for him at that point and he's like, Hmm, how do I kind of get to be more in their position, right?[00:28:32] Dan Runcie: Cuz I think at this time, this is when you start seeing more of the Roc-A-Fella expansions in a few ways. First Dame is already thinking about ways to extend this brand. You see Roc films, Streets is watching comes out in the late nineties and then they put out a whole documentary about the Hard Knock life tour as well.And they start selling that as the DVD Rocawear comes out. And we're gonna do a whole episode about Rocawear eventually, but, you know, Rocawear itself. And then you also just start to see more and more product coming from Roc-A-Fella that isn't necessarily from Jay himself. And I was looking back from a timeline.And this is one of the unfortunate things about Roc-A-Fella, we're gonna get to this, but right around the time they split, you could argue that they were just continuing to go up and up and up with the releases every year. Like this is the 12 month stretch that they had where I think they had the highest products.Starting in February 20th, 2003, you had freeway drops, Philadelphia Freeway, Dipset Drops, diplomatic immunity. Joels has his debut album. Jay-Z drops the Black album, Memphis Bleak drops his, and then top of 2004 Ye drops College Dropout, Young Guns drops their debut. And that's all in a 12 month span.That's some no limit cash, money level of dropping albums. And so there's so many hits and so many memorable songs that they had during that stretch.[00:29:59] Zack Greenburg: Yeah, absolutely. And you know, I think that if, you know, we were talking earlier about the splits and so forth, but it's like, can you imagine. If they had the kind of splits to catch money it had, when you have all those albums coming out and, you know, yeah, I think it really would've changed things.Not only that, but you know, to own the masters of all those artists, which you probably would've in those days. you know, to have like a hundred percent or something close to it on all those artists with all those classics. you know, it would've been very hard to walk away from, you know, as they eventually ended up doing.[00:30:33] Dan Runcie: And I think what you mentioned earlier, probably alludes to this, right? Because if there's enough of the pie to these split between the three founders and everyone else, and they're the one accruing the assets from what they have, then maybe Jay and Dame are more likely to figure out their differences in a way to make things cook because it's working for everyone.But when you're still paying Def Jam in on top of that, or you're still paying island def jam in on top of that universal even more money, it's tough to justify that. And I think this is a good time to talk about the split. The infamous split between Jay-Z and Damon Dash. You could start to see that the two of them were going in different areas where Jay-Z was wanting to be really focused in on what he was doing from a music perspective, wanting to expand there and wanting to just do different creative things.But Dame had his own approach, and we talked a little bit about that with, the films and the sports and other things too. But he also wanted to do things his way. He was starting to get a little bit more spotlight. And then there's that infamous clip of them at Summer Jam 2001, where Dame Dash is in his full element.And Jay-Z's just like expressionless. And that clip is often looked at as like you knew from this moment. That these two just were necessarily gonna be at the same page because this is 2001, Jay-Z's are drop about to drop the blueprint, his masterpiece. And granted, you know, he could have just been in the zone or whatever, but it's definitely an unfortunate thing because granted, Jay-Z was able to reach further heights, but you never know what could have happened.You just look at how much Rocawear ended up selling for you. Look at the continued success, the momentum, and I think what it boils down to is to. People that had different philosophies where it makes it tough. Jay-Z was a bit more focused on wanting to be rich. He was willing to do partnerships with others if everyone could eat and have a piece of the pie. Granted, he still wanted ownership, but as you've written about before, he has his perceptions on underdog brands and how he could move like a private equity executive and make the right investments. And even the m and a deals he's continued to do today, his live nation deal is the element of this.But Dame was a bit more wanting to be king. He wanted to have his stamp on things. And I think you see that even now today with Dame Dash Studios, Dame Dash, this, like, it's very important for him to be able to have his kids and his other folks around him be able to work with him and be the boss, not necessarily wanting anyone to tell you what you can and can't do.And that infamous Breakfast Club interview that they had, I think it was 2015 when he's yelling at DJ Envy and Charlemagne about, well, they gotta report to whoever at Power 105 and that's their manager, that they're not a real boss, is an element of that whole dynamic. So it's frustrating that it happened, but it's also not surprising.[00:33:26] Zack Greenburg: Yeah, I mean, I think, you know, Jay has kind of adjusted his views on ownership and he said recently, I mean, he's sold some of his big brands, or sold half of it into, a JV with like LVMH or you know, or whatever. And he's very much of the mind of like, well, I, you know, 50% of like a billion is a lot more than a hundred percent of, you know, a couple hundred million, and I think Dave, that's[00:33:51] Dan Runcie: that you did with Kevin Hart, right?[00:33:53] Zack Greenburg: Yeah, yeah, yeah, exactly right. So, and I don't remember the exact quote, but maybe you could, maybe you guys can pull it up, but I don't think Dame really ever got that. He was always like, well, I want a hundred percent, you know, and so, you know, he ended up with a hundred percent of like, whatever, you know, seven or eight figure amount that he ended up with.But he could have had, you know, 50% or 30% or something of like billions of many billions probably. But you know, just to kind of like, I think there was a precipitating moment that sort of like was the end of, Roc-A-Fella a s it was, a partnership between the three of them.But it really could have been anything. it was headed that way for a couple of years. And, you know, I think what it comes down to, is that, I don't know. I mean, I think that Jay also recognized that Dame was very, very valuable. The skillset was especially valuable in the come up.And, you know, like when you are not well known, you need somebody to go in and yell at somebody at the radio station. you know, but then when you get there, you need somebody to like not yell at certain people, you know? And, when you get to that next level, and sort of Dame, you know, didn't adjust, To that.And, Damon was sort of Damon or wherever he was. And it was great in one situation, not great in another situation. So I think the precipitating incident was basically when, you know, after this sale, which ironically Roc-A-Fella helped, boost, you know, the Def Jam sale. There was a reshuffling of executives, which is like so complicated.I'd have to go back to that chapter of my book to, to look at it. But the gist of it was the role of president at Def Jam, opened up and, it was offered to Jay-Z. And so, you know, Jay-Z, this is something that he had sort of, it's this like great prestige job. something that he'd always been wanting.And I don't think he wanted it, like, this is my dream job that I've always wanted. As much as it was like, if I can do this, be a CEO, this opens the door to so many other things. And it will really sort of entrench me as not being pigeonholed as an artist. And, it was a no-brainer and of course there was no way to do this without, stepping on Dame's toes.So, you know, there's this whole great drama, and I think, you know, the wheels started turning when Jay-Z was, you know, on, on a yacht in the south of France with like Beyonce and Jimmy Iovine and Bono or something and, kicking it. And, you know, there's some executives there. Some conversations were had, I think at the same time back home, Dame, like elevated camera on to VP level at Roc-A-Fella without consulting Jay.And it was this kind of like big scandal and when Jay-Z came home, he was like, no. And he kind of demoted him. So there was some awkwardness there. but you know, I think then that Jay kinda like accelerated his, push toward this CEO role, and when he got it, it's like, all right, you know, sorry Dave, I'm your boss now.I mean, because of course Def Jam was, but Roc-A-Fella, there was really. There was no way for it not to be structured like that. so, you know, when that went down, of course, like Dame immediately, you know, quit or left or whatever, and, there was a hot minute where he started the Damon Dash Music group within Universal, but, you know, then he kind of like kept doing the same thing and kind of yelling at the wrong people.And, and so that didn't really go anywhere. And, you know, the thing kind of fizzled out and Jay offered to, I think he wanted to give, at the time, he wanted to give, Biggs and Dame, like all of his preexisting masters in exchange for exclusive ownership of Reasonable Doubt. they said no. but of course, you know, I don't know that the Black album had gotten as big, is it?You know, I hadn't like really fully blossomed into what it, what it ultimately was at that time. And there's like all this other, so anyway, I mean, there's a lot of like trades being offered and you know, people sort of like, you know, it's like the guy in your family in football league, your fantasy baseball league.You kinda like overvalue his own players. Think I've made this analogy before, but, dude, come on. Like, you know, you're running back, just got injured and offering you my extra running back for this wide receiver who you're not even music anyway. it didn't really work out.Everybody got all pissed on each other, you know, at the end there's bad blood. so th there's this great moment that Dame talks about how, shortly after all this went down and they're like in the elevator at, I guess the Universal Museum, that Def Jam was housed in. and Roc-A-Fella had been housed in or something.And they're like bumping each other in the elevator and Dame is wearing a state property shirt and Jay C's like in the suit. And Dame's like, man, you know, things are really different now. Like, dude, you changed, you know? so, you know, I don't know if Jay changed so much as like Dame didn't change, you know?you could argue the problem was that Jay changed, but you could also argue that problem is that, that Dame didn't. And, you know, I mean, to some extent like power to him, you know, be you. but Jay, you know, in the way that I think you know, he's constantly changing. He's restless, he's always, everything is a chessboard.He's always evolving, you know, I think ultimately there was no way to stay locked into a partnership with someone who wasn't kind of willing to change with them.[00:38:59] Dan Runcie: One thing you mentioned there made me think about how they think about things and where they are from a strategic perspective, Dame is very much your early stage startup guy.He's great for the pre-seed era. He's great for when you're even in the seed stage, maybe even series A, but once you get to that series B, C, you're starting to get some higher level executives. You're getting more talent, you're gone to bigger things. You can't operate the same way and no different. How those organizations often need to rotate and think about leadership.That's essentially what in many ways was the opportunity there at Roc-A-Fella. And there's nothing wrong with being very successful at that pre precede seed stage. I don't think Roc-A-Fella would've got to that point if it weren't for Dame hustling in many absolutely ways, whether it was on tour radio, and I think a lot of his success traits have been carried through and things we've seen celebrated and leaders in tech and people that do things that don't scale that very much is Dame Dash. That next level, though, is where things did get a little bit tough because the label's clearly getting ready to go to that next level, and they just had their tensions there.The thing that was unique though, about their tensions is that the artists themselves that were on Roc-A-Fellas started picking sides in terms of who they wanted to be with, who they were gonna side with, Jay versus Dame, and as you mentioned, Dame was the one that had elevated Cameron, who was the leader of Dipset at the time, to that VP level.That then brings everyone from dipset under his umbrella, but Ye, who had just dropped the college dropout and he was the one that was always trying to make it. He then signs with Jay, he also has a very memorable interview on the Breakfast Club where they asked him about this, and Ye was the one that was like, me and Dame we're the same. We think the same. This is how we act and go about things but I could learn more from Jay. He knows how to talk to people and he uses Jay's iconic lines. He's like, Jay knows how to move in a room full of vultures. That's just how he is and sometimes I be talking and saying the wrong things, which is a very ironic thing.I don't know if Kanye himself would admit that now, cuz that very much is a self-serving prophecy. I do think that there's a lot of truth in that, and just how things ended up shaking out for both of them. You saw the moves that everyone continued to make, and even though ye has definitely been quite polarizing in the public spotlight, a lot of the moves that he continued to make, whether it was with Yeezy or with the partnerships he's had, I do think stemmed from how he looked up to his own big brother in Jay.[00:41:42] Zack Greenburg: Yeah. And he could have easily gone with Dame, right? I mean, you know, Jay wasn't so great to him early. Jay didn't believe in him as a rapper, he kind of wanted to keep him as a producer and Dame was, I think, the one who really advocated for Kanye as a rapper. but you know, I think Kanye, in his, you know, like more self-aware moments can say things like, oh, I think I could learn more from Jay.He brings something to table that I don't have, for Dame, I think the difference between Dame and Kanye is that they're very similar, in a lot of ways. But Dame isn't an artist. like, let's say a generationally talented artist. And so people will not put up with you if you're an executive. And you bring along those headaches in the way that they would put along, put up with you if you're a generational artist and you bring those headaches. And I think that was sort of like also, something that did Damon. And you know, in a way I think Damon Puff had a lot in common like they can just go in and kind of bulldoze their way into something.but Puff has that, that like other level where he can sort of like turn it up and down and, you know, to fit the situation. and is like more of a chameleon than Dame is. And Dame's just kind of dame all the time. so, you know, those are sort of the, personalized to play. But you know, like one person who gets lost in the shuffle here is Cameron.And because that was sort of the prime of his career that got like, entangled in this sort of higher level beef. but you know, you think about that album, come home with me and Hey man, like, I mean, Cam was really on fire, going into this whole situation. And then he got kind of like, I don't say like exactly lost in the shuffle, but almost lost in the shuffle.You know? and you just kind of wonder how his career would've gone, you know, let's say if, sort of he hadn't been like Dame's guy, you know, if what if he had gone to Def Jam? You know, what would that have looked like? could he have been on the level of somebody who signed? You know, like, I don't know.I mean, around that time, I think, Rick Ross signed a Def Jam, was it?[00:43:41] Dan Runcie: Ross, Jeezy, yeah.[00:43:43] Zack Greenburg: Yeah, like, you know, I think certainly has, you know, comparable ability, Tyler and those guys and, you know, I think both of them went on to have, You know, sort of like more longevity. but like, you know, I think, some of the Dipset classics and some of the solo stuff too, I mean, it's pretty unbeatable.So, you know, I just wonder, he's had a really good career, either way. But like, you know, I don't know that he ever like, broke through that next level, consistently, you know, to the point where he could just kind of stay there indefinitely. And, I wonder if he might have, if things had kind of gone differently in the Jay-Dame scenario,[00:44:21] Dan Runcie: The man had men wearing pink. He started his own fashion. Yeah. Unbelievable. Yeah, that's true. Unbelievable. With that, I think it's a good chance to hit through some of these categories, cuz I think you're jogging my memory the few things here. what do you think is the best signing that happened under Roc-A-Fella?[00:44:39] Zack Greenburg: Well, I guess you can't count Jay if he, you know, co-founded Right Label.But, you know, I'd say probably Kanye. it's hard to top that. And when, you know, when you think about those first few albums, you know, I mean, he brought an element into hip hop, into the mainstream that just wasn't there. and, you know, I don't think, you know, if you hadn't had Kanye, in the pink polo, and you know, talking about his feelings, like, I don't know if you get Drake right.I think that he kind of changed the discourse. he brought hiphop to the mainstream and then he also like brought a different sort of voice to hiphop, And it was fantastically lucrative, obviously, for everybody involved. So, yeah, I agree with Kanye, for sure.[00:45:22] Dan Runcie: Yeah, agreed. And then just given the longevity there, even into the early 2010s, still putting out records under the Roc-A-Fella Records umbrella that still went back to them.And longevity that lasted longer than most of the people that were assigned to that label. So I think it has to be him. Best Business Move made, I know we talked about a few of them, but what do you think is the best business move that to come from the Roc-A-Fella era?[00:45:47] Zack Greenburg: Hmm. I mean, it's funny now that we look at it, I mean, in a way, know, the deal itself that set up Roc-A-Fella was not, you know, it wasn't a bad deal, but it was not the best, move.It wasn't the best kind of financial arrangement. you know, I mean, Rocawear is kind of an offshoot. Maybe that's cheating, but I'm gonna go with Rocawear because I think in some ways they're like, well, we can't get a hundred percent of the money on this thing, so we're gonna create an adjacent brand that's like very clearly associated with it that we can really monetize fully.And you know, I mean they got paid, I mean that, that company was doing hundreds of millions in revenue and they sold it for hundreds of millions. So, you know, I think they made more off of Roca wear, than they ever made off of Roc-A-Fella. So I'll go with Rocawear, we can talk more about it when we do the full Roca too.[00:46:36] Dan Runcie: I know. Yeah. I'd Rocawear as well. I won't go into the company itself cuz Yeah. We'll get into that in the next one. But I do think the good thing about that was it was a precursor to how artists now are thinking about their own revenue, their own business models, right? How they're using streaming, how they're using anything else that gives them a platform.Use that to grow your audience, use that to grow the awareness while generating money for that, establish the base. So some of those other business units were likely more influential, thinking about them doing the deals with Def Jam and then them having the hard knock life tour. But I do think Rocawear was the best business thing to come through there for sure.[00:47:18] Zack Greenburg: And just a s like a subset of that. I think the philosophy that was embodied by Roca wear, you know, the idea of like, they wanted to go Roca wear started because they wanted to go. there, there was this Italian, knitwear brand. iceberg. And they like went to the iceberg offices and said, Hey, can you give us some free t-shirts or something for wrapping about your thing?And they're like, or no, I think they wanted an endorsement deal. They wanted some cash for an endorsement. and then the executives were like, we'll give you some free t-shirts. And, Dave was like, this is stupid. Let's go start our own thing. So, but I think that was really the beginning of, you know, like, I'm not gonna give, free publicity to other brands.I'm just gonna go start my own thing and rap about it. Like other rappers have done it. But, it became so pervasive for Jay-Z's mindset. It wasn't just like, I'm gonna do my own clothing line and I'm sorry, I'm gonna do my own champagne. I'm gonna do my own cognac. I'm gonna try to do my own car.I'm gonna try to do like a freaking video game, you know, he was involved in so many things that kind of sprung from that. so I think the implications were much broader than just, the clothing aspect.[00:48:28] Dan Runcie: Agreed. Next one here is the dark horse business move. So one that we actually haven't talked about, but I do think is one that Roc-A-Fella definitely lead into was the Jay-Z and Nas beef.The controversy that this was able to stem and start, I briefly mentioned Summer Jam 2001, but everything from then and just the drama from there, the two of them back and forth, Jay drop in takeover that, NAS drop in Ether, that whole back and forth was able to then create so much interest. They had all those beef DVDs that were g blowing up in the two thousands, I think largely came up cause of how they were able to reignite beef from essentially the biggest beef that hip hop had seen since Biggie and Tupac several years earlier.Yeah, it was huge and the level of. Bars that I think we're able to get the songs they're able to get back and forth. Just the impressiveness of Nas essentially taking on this whole entire unit by himself. People can debate whether or not who won and lost, whether you're looking specifically from a battle perspective versus who won in the long term.But we eventually see them come together on American gangster and they continue this f familiar relationship ever since. But I do think that this was the height of the time to really sell controversy. Obviously we saw 50 cent and others continue to do that too, you know, their own, putting their own flavor on as well.But I do think that Jay-Z and Nas Beef still was one of the little crown jewels that they had with this.[00:50:05] Zack Greenburg: Absolutely. And, you could tell that it was like there was real enmity there. but also, you know, the fact that it, it never turned violent, I think was just. I think it was really good for hip hop, and I don't think it was ever going to turn violent, but I think again, there was just this kind of like national paranoia around hip hop and, there is, you know, in waves.I think it was just a, good reminder that you can have like a spirited dispute and, it's okay and it's entertainment, you know? and it's, nothing that anybody needs to be afraid of. So, you know, of course like credit to Jay and Nas for resolving it amicably, but man, you know, like just being in New York and that time and like the Barbs going back and forth and man, I think that's the only time that, like a beef has gotten so nasty that, a rapper's mother has like, made him basically apologized for saying something mean, which, I think that was Jay-Z's response to Ether. I think Ether was sort of like the pinnacle of it and Jay-Z's response to it was like, not quite as good, like, how do you top ether? but I think Jay-Z's was just like, viscerally, like, you know, won't get too deep into it because if, Jay-Z had to like, call in to apologize for it, you know, I dunno if we can even talk about it on a podcast.But yeah, I mean just, to have that end, you know, like very amicably I think was just so good for everybody involved. And then, you know, I think it's really fun to watch, Jay and Nas as their relationship has evolved. And, you know, Nas was sort of always like the one who was sort of behind, when it came to the business of things.and then, you know, like he really was music first all the time. And, you know, I think some people thought that he would never really kind of blossom as a businessman, but then, you know, he became sort of the leader, within hip hop entering the venture capital world and, you know, created this great, Queensbridge Venture partners and, you know, invested early and just about every startup you can name and has had all kinds of fantastic exits.And, you know, I think it's so funny that Jay-Z then started MVP, you know, Marcy. So it, it's like definitely like a nod to Nas, you know, each of them naming their venture fund after the project where they grew up. So, I think that's super cool. And, you know, they still like drop these little subliminal, I don't know, like references, where you could tell they're kind of like tweaking each other, just like.You know, like sibling rivalry kind of thing. which is I think, really fun to watch. And, you know, I think that there's some friendly competition around deals and so forth these days. But it's just, it's so fascinating to like, watch the evolution from this real knockdown, drag out, very personal beef, that occurred, you know, to now like, sort of like comparing deal flow.And I think it speaks very positively toward like, the evolution of the business of hip hop.[00:53:03] Dan Runcie: Definitely. You think about things that they wrapped about in their most recent, songs that have been popular, right? Like Nas's song where he calls himself Cryptocurrency Scarface, or Yeah, yeah.Jay-Z. what was that line in God did with Khali where he is like, oh, we had cap tables, not that cap table, or something like that. I mean, he's clearly leading into that stuff. What do you think is the missed opportunity if of any, from Roc-A-Fella besides the split, cause I know we've talked about that, but there any other missed opportunities, especially from that 96 to 03, 04 range?[00:53:37] Zack Greenburg: I think it's Armadale Armadale, like, and you know, that kind of came to be, I think of anybody that was more Biggs's pet project, than Jay or Dame. Although, you know, Jay was kind of trying to make it happen. He would, he had it. If you recalled the MTV Unplugged album, which as actually might be my favorite Jay-Z album of all time. It's kind of cheating cause it's not a studio album, but, it's so good. He's backed up by the race anyway. He's like, some point he's like, I need to stop for some Armadale. I need an army break, you know, he was really trying to shout it out everywhere he could. But already when they started doing that, you know, they were on the outs I think.And, I think Jay-Z wasn't fully invested in it because why would he get fully invested in it? And then another thing that he was partners with Bigs and Damon, I don't think anything against Bigs, obviously. And I think they're totally cool now. And they've, been doing some stuff together more recently.but like, why would he go do that when he could just wait and then do something on his own? But, you know, I mean, Armadale could have been cRoc, right? if they'd done it right, there's no reason that it couldn't have been. I mean, it's the same formula. It's like European unknown, whatever.And then, you know, put it in videos, put it in songs, and, you make it, you know, whatever it's gonna be. And you know, we've seen what Jay has done with Deuce and Armando Biac, so we know he can do it. It's not only Puff who can do it, only a few people who can do it. Levelly can do it, but like Jay and Puff can do it and done it. And Jay could have done it with Armadale, just, you know, At the timing just didn't quite work out.[00:55:03] Dan Runcie: I think Armadale had one memorable shout out from the Jay-Z song. It was, excuse me, miss, right where he is talking about Armadale popping off. but that's also the same song. I think he gave Cristal a pretty big shout out there where he is like, it's not Cristal, it's Cristal, right? But then a couple years later, he is like, no like obviously we're done with Cristal because of, you know, comments, racist comments that the founder or the CEO had said at the time, my missed opportunity is one that highlights something that I think Jay-Z did well, but it probably could have done more of.And that's movie soundtracks. If you ask certain Jay-Z fans, I do think that they have American gangster as one of their top Jay-Z albums, as they should. It's a great album. I honestly think the album's probably even better than that movie is in particular points. But Jay-Z, so that movie, that soundtrack comes out 2007.He missed, I think an entire wave of times when movie soundtracks, in my opinion, were even, were just bigger deals than they are by even 2007 and even later on. And now I think it's very hit or miss that you could even get a soundtrack to that level. But especially during the Roc era. And I know that he had songs that were popular on the, but really being the mc behind an entire soundtrack in that type of way, I think could have been there probably could have been more opportunities to do something like that earlier on.[00:56:26] Zack Greenburg: Oh, I like that's a really deep cut.[00:56:28] Dan Runcie: So a few more things here on Roc-A-Fella, Well, we've seen just continued spats back and forth. Not necessarily jabs, but just comments back and forth between Jay and Dame. It's been nearly 20 years since this split. We've definitely seen more from Dame than Jay, and it's one of those things where it does become a bit sad to see and frustrating to see at times and not be expecting to be best of friends.We have seen Jay-Z say things that are quite complimentary. When he got inducted into the Roc and Roll Hall of Fame, he did shout out both him and Biggs and say, Hey, this wouldn't have happened without either of you, regardless of what had happened, you know, in our past. Gotta give you guys both shouts for that.But then we've also seen Dame say things during the years, and I think he's. Alternated on whether or not he's wanted to speak on them and stuff. But it's one of these things that is a bit frustrating to see because I think about it when I think about NBA players and how they've had issues over the years.Kobe and Shaq, of course, infamously, they continue to talk about each other for years and then eventually they came and they had that sit down chat on TBS, right? Where they're talking back and forth. If they and Dame ever did something like that, they don't even have to go do it on some platform. They could do it on their own thing.It would be box office. It would be great to be able to see that and just see how, then hear them talk things out. Because even another NBA thing, Kevin Garnet and Ray Allen of course said, had their infamous dispute because Ray Allen went to go join the Miami Heat. Kevin Garnet, very intense, hated that that was their rival.But then after Ray Allen had walked past him at the 75th anniversary thing last year, that's when KG was like, okay, what if Ray Allen passes the same way, passes away the same way that Kobe Bryant did? I would, yeah, be very upset with my
Kyle Sherman is one of the first pioneering cannatech companies that's been around since 2015 who is backed by Headline, Poseidon, Shawn "Jay-Z" Carter, Evolv Ventures (The Kraft Heinz Company venture arm), the founders of Venmo, and more, on your radar. CEO, Kyle Sherman, talks about his personal journey with medicinal cannabis and Hollywood to launching Flowhub in Colorado to change the way cannabis retail is streamlined.
Jameel is the Founder and CEO of the consulting agency Writeful Place. His agency scripts narratives for personalities, brands, and businesses looking to realize unexploited revenue potential. Jameel Spencer is an award-winning veteran brand builder, who has played pivotal business roles for Shaquille O'Neal, Sean “Diddy” Combs, Shawn “Jay-Z” Carter, Pharrell Williams, Justin Timberlake and Jessica Simpson and more over the last 25+ years. Current clients for Writeful Place include WHP where he serves as CMO in residency, WHP+ where he is an Advisory Board Member, Reserve Bar where he is Executive Director of Spirited Change, Essence Ventures where he is the talent strategy lead for all their experiences to include the Essence Festival of Culture, AfroPunk and BeautyCon, and Endeavor as a consultant on Honeyland. Jameel is married to Chandra and has 6 children. He is a big advocate for the balance of work/home life. Listen to all his amazing work/entrepreneur/homelife thoughts and wisdom. OUAI: Go to www.theOuai.com to get 20% of your favorite products. EVERYLYWELL: Go to www.everlywell.com/INMYHEART To get 20% off your next at home lab test. Learn more about your ad choices. Visit megaphone.fm/adchoices
Superstar singer Rihanna will headline the Super Bowl LVII halftime show, the NFL, Apple Music and Roc Nation announced Sunday. Rihanna will take center stage at State Farm Stadium for the Apple Music Super Bowl Halftime Show on Sunday, Feb. 12, 2023, in Glendale, Arizona. The Apple Music Super Bowl Halftime Show telecast will be produced by DPS with Roc Nation and Jesse Collins serving as executive producers, and Hamish Hamilton serving as director. "Rihanna is a generational talent, a woman of humble beginnings who has surpassed expectations at every turn. A person born on the small island of Barbados who became one of the most prominent artists ever. Self-made in business and entertainment," said Shawn "JAY-Z" Carter. source: Rihanna to headline Super Bowl LVII halftime show, NFL announces (sfgate.com) --- Support this podcast: https://anchor.fm/masseffect/support
Superstar singer Rihanna will headline the Super Bowl LVII halftime show, the NFL, Apple Music and Roc Nation announced Sunday. Rihanna will take center stage at State Farm Stadium for the Apple Music Super Bowl Halftime Show on Sunday, Feb. 12, 2023, in Glendale, Arizona. The Apple Music Super Bowl Halftime Show telecast will be produced by DPS with Roc Nation and Jesse Collins serving as executive producers, and Hamish Hamilton serving as director. "Rihanna is a generational talent, a woman of humble beginnings who has surpassed expectations at every turn. A person born on the small island of Barbados who became one of the most prominent artists ever. Self-made in business and entertainment," said Shawn "JAY-Z" Carter. source: Rihanna to headline Super Bowl LVII halftime show, NFL announces (sfgate.com) --- Support this podcast: https://anchor.fm/masseffect/support
The guys are back, this week they discuss growth and maturity in the hip-hop space and in their personal lives. The guys discuss how music and certain artists have grown over the years and their careers. Most notably, artists like Jay-Z and J. Cole, showcases clear distinctness in their subject matter from the early parts of their career up to the present. Drop in to hear their thoughts. It's another episode that you do not want to miss! Join in on the discussion. This week's cover artists truly don't even need an introduction, if you're unaware of who they are, Google it. Just kidding, it's the two of the most influential and affluent men in the world, Sean “Diddy” Combs & Shawn “Jay-Z” Carter. Follow the podcast on Instagram @FaceTheMusicNC. Face The Music covers music, artists, hip-hop culture. They give an everyday millennial perspective. Follow us on Instagram: Justin Vickers @Vickisback Jelan Abrams @JelanAbrams Tony Sumter @Tonysustainsme The show releases every single Friday night. Artwork by Tony Sumter. Music by Jelan Abrams. Produced & edited by Justin Vickers. #HBCUAlum --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/facethemusicnc/support
Is the fitness industry really innovating or just creating multiple versions of the same offering? How can we, as an industry, inspire more people to move their bodies? One way to reach and resonate with new audiences is to explore different concepts AND messaging. LIT Method, founded by husband and wife team Justin and Taylor Norris is doing just that. Their low-impact training concept has grown by “building bodies, not breaking them”. On today's episode of The Business Side of Fitness we chat about: -How the experience has evolved since its inception -Why now is the right time to franchise the concept -The process behind creating their proprietary LIT Strength Machine -Digital vs in studio clients Check out the full episode to learn more from Justin and Taylor by visiting: https://www.vanessaseveriano.com/podcast ABOUT THE HOST Vanessa Severiano has two decades of experience creating, developing and growing brands in the fitness & wellness industry. Learn more about working with Vanessa: https://www.vanessaseveriano.com ABOUT TODAY'S GUEST Justin and Taylor Norris are the Co-Founders and Co-CEOs of LIT Method, the company behind the proprietary Low Impact Training workout designed to build bodies, not break them. The visionary creators of the patent pending LIT Strength Machine, Justin and Taylor have garnered a cult following around their singular combination of personal training, physical therapy, and injury prevention. In 2021, LIT Method opened its first LIT LAB and announced an investment from Marcy Venture Partners, securing the support from the famed venture capital firm founded by Shawn “Jay-Z” Carter, Jay Brown, and Larry Marcus, as well as an investment from five-time MLB All-Star, Adrian Gonzalez. Featured in Self Magazine, Forbes, InStyle, Women's Health, GQ, People, and more, Justin and Taylor are guaranteeing what they call ‘inclusive innovation' remains at the heart of their mission. Learn more about LIT Method here: https://www.litmethod.com/ **SPREAD THE WORD Please make sure to rate, review and subscribe to The Business Side of Fitness wherever you listen to podcasts. Your support means so much and helps more than you know! THIS SHOW IS SPONSORED BY SYNC FLOOR 86 percent of US adults taking virtual exercise classes plan to continue doing so as gyms reopen. That's a huge opportunity for anyone looking to launch or expand their virtual fitness offering. Our friends at SyncFloor offer a catalog of over 16,000 songs by the best independent commercial artists. It's great music that can be affordably licensed for both live and Video On Demand fitness classes Listeners of ‘The Business Side of Fitness Podcast' get their first 30 minute class covered for free. Just go to https://fitness.syncfloor.com **INTERESTED IN BECOMING A SPONSOR? Inquire about supporting the show through sponsorship by emailing hello@vanessaseveriano.com.
Welcome to Season Six of the Mother’s Quest Podcast and this special Mother’s Day episode, which shines a light on the untold stories and far-reaching impact of mothers and in particular Black mothers. For this episode, I had the honor of talking with Anna Malaika Tubbs, the brilliant biographer of the groundbreaking book The Three Mothers: How the Mothers of Martin Luther King, Jr, Malcolm X, and James Baldwin Shaped a Nation.In addition to being a mother to a 1 year old boy with another child on the way, Anna is an author, advocate, educator, scholar and Ph.D. candidate in Sociology at the University of Cambridge. Growing up abroad and influenced by her exposure to all kinds of cultures and beliefs, and by her own mother’s work advocating internationally for women’s and children’s rights, Anna uses an intersectional lens to advocate for women of color and to educate others. During her time as an undergraduate student at Stanford University, Anna took from what she’d seen in her parents’ work and began honing her own identity as an activist. As the First Partner of Stockton, CA, she co-authored the first-ever “Report on the Status of Women in Stockton” to guide future policy decisions with the experiences of diverse women in mind. She’s published articles featured in the Huffington Post, For Harriet, Darling Magazine and Blavity, on issues ranging from mass incarceration to the forced sterilization of Black women, as well as the importance of feminism, intersectionality, and inclusivity. Throughout all her work and writing, she draws on her personal experience and extensive research to examine and make relevant gender and race issues in the US, especially the pervasive erasure of Black women. In this incredible debut book, The Three Mothers, Anna celebrates Black motherhood by telling the story of the three women who raised and shaped some of America’s most pivotal civil rights heroes: Martin Luther King, Jr., Malcolm X, and James Baldwin. Alberta King, Louise Little and Berdis Baldwin were all born at the beginning of the 20th century, all were forced to contend with the prejudices of Jim Crow as Black women, all forged their own unique paths, using their beliefs and talents to shape not only their children but those around them, and all three had to bury their children, two of them after losing their sons to gun violence. In these mothers and their stories, amidst the pain and grief, there also existed vibrancy, love and conviction. One of my biggest takeaways from my conversation with Anna is the importance of acknowledging the continued injustices that Black women endure today and that although Black women continue to experience tremendous grief, they also experience joy and they are not “a conquered victim," but are living through life as whole human beings. My Mother’s Day wish is that you will find time and space to slow down and truly listen to Anna’s insights about the mothers whose stories she so beautifully tells, that you will get and read her book The Three Mothers, and that you’ll join me in saying “yes” to Anna’s challenge. She asks that all of us advance our understanding of different forms of motherhood. Picking up books she says, especially those that focus on Black mothers and Black motherhood, can bring healing for everybody. Much appreciation, P.S. Know someone who would love this conversation? Pay this forward to a friend who may be interested. This Episode is Dedicated by: Sybrina Fulton After the death of her beloved son, Trayvon Benjamin Martin, in February 2012, Sybrina Fulton was charged with a new mission. A desire to transform family tragedy into social change allowed her to establish the Trayvon Martin Foundation in March 2012. As Fulton traverses the globe, she passionately embarks on a journey designed to bring awareness to senseless gun violence and serves as an advocate to families, the catalyst for her dream project, the “Circle of Mothers.” Winning the national support of president-elect Hillary Clinton, Fulton rallied to the forefront in 2016 at the Democratic National Convention with a cadre of African American trailblazing women known as “Mothers of the Movement.” The women, connected by tragedy, are the inspiration behind “Black Lives Matter.” In 2017, Fulton co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, and the subject of a six-part docuseries, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter for Paramount Network and BET (July 2018). Bestowed with many distinguished awards, Sybrina Fulton has represented the United States at the United Nations in Geneva, Switzerland, to discuss racial discrimination; the National Urban League, Black Lives Matter, Rainbow PUSH Coalition, The Triumph Awards (2016), Essence Festival & Conference (2017, 2018), and was selected as the White House’s guest of honor for the unveiling of former President Barak Obama’s initiative, “My Brother’s Keeper.” Fulton is also one of the 2018 recipients of VH1’s Trailblazer Honor Award. A Miami native and graduate of Florida Memorial University, Sybrina Fulton, along with her son, Jahvaris, are on a mission to build better, safer communities. She is a proud member of the Miami Alumnae Chapter of Delta Sigma Theta Sorority, Inc. and the Metropolitan Dade County Section of the National Council of Negro Women, Inc. She created the Circle of Mothers to bring together mothers who have lost children or family members to senseless gun violence for the purpose of healing, empowerment, and fellowship towards the larger aim of community building. Connect with Sybrina: Facebook Twitter Instagram Trayvon Martin Foundation Give a Mother’s Day Gift: Help mothers heal from the loss of a loved one by supporting and donating to the Circle of Mothers, Sybrina’s weekend retreat for mothers who have lost a child to gun violence. You can support the cause here. Special thanks to Jill Daniel of Happy Women Dinners for introducing us to Anna and her work! In This Episode We Talk About: Anna's commitment to fighting the erasure of Black women's stories. What inspired Anna to focus her first book on the mothers of sons of the Civil Rights Movement. How painful moments like George Floyd's murder, and joyful moments like Stacy Abram's organizing in Georgia, had Anna editing and adding more relevance right up until the book was published. Anna’s decision to focus on MLK Jr., Malcolm X and James Baldwin as the three famous sons, and their mothers, Alberta King, Louise Little, and Berdis Baldwin whose stories she would tell. The lessons revealed in Anna's book that all mothers can learn from across the E.P.I.C. guideposts. The importance of acknowledging that Black women are "not a conquered victim" but living through life as a whole human being. Anna's challenge for all mothers listening to expand our awareness through reading and her hope that this book will be seen as a celebration of Black womanhood. This Episode's Challenge: Anna invites us to think about what we can all read to advance our understanding of different forms of motherhood. Picking up books that focus on Black mothers and Black motherhood can bring healing for everybody. The more we are informed, the more conscious we become. Anna’s next recommendation after finishing her book: The Power of Purpose by Alicia Garza which begins with a powerful description of the impact of Alicia’s mother on her. Learn More More About Anna: Anna Malaika Tubbs is an Author, advocate, educator, and a Ph.D. candidate in Sociology at the University of Cambridge. Anna grew up abroad in Dubai, Mexico, Sweden, Estonia, and Azerbaijan. Influenced by her exposure to all kinds of cultures and beliefs, Anna is inspired to bring people together through the celebration of difference. Motivated by her mother’s work advocating for women’s and children’s rights around the world, Anna uses an intersectional lens to advocate for women of color and educate others. During her time as an undergraduate student at Stanford University, Anna took from what she’d seen in her parents’ work and began honing her own identity as an activist. She served as the president of Stanford’s Black Student Union when she was only a sophomore and she was also the Executive Director of Stanford’s Alternative Spring Break. In these roles, she organized rallies and events focused on the concerns of the Black community, she fundraised money for women’s clinics in the Bay Area and grew her passion for advocacy and social justice. As the First Partner of Stockton, CA, she co-authored the first-ever “Report on the Status of Women in Stockton” to help guide future policy decisions with the experiences of diverse women in mind. Anna is also a diversity, equity, and inclusion consultant who has worked with companies and individuals interested in progressing their DEI goals. Anna has published articles on issues ranging from mass incarceration to the forced sterilization of Black women, as well as the importance of feminism, intersectionality, and inclusivity. Her work has been featured in the Huffington Post, For Harriet, Darling Magazine, and Blavity. Her first book, titled The Three Mothers: How the Mothers of Martin Luther King, Jr, Malcolm X, and James Baldwin Shaped a Nation, is being published by Flatiron Books in February 2021.Grab a copy of Anna’s The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation HERE! Follow Anna: Twitter Instagram Anna Malaika Tubbs’ Website Additional Resources: The Purpose of Power: How We Come Together When We Fall Apart by Alicia Garza Documentary: I Am Not Your Negro. Based on the unfinished manuscript by James Baldwin Mother’s Quest Ep 55: From Grief to Advocacy and a Circle of Mothers with Trayvon Martin’s Mother Sybrina Fulton Announcements: It’s Mother’s Quest May! Happy Mother’s Day! I hope you’ll seize this holiday as an opportunity to say “yes” to yourself. We’ve declared it Mother’s Quest May in our community and have so many wonderful things to share with you as the month progresses: The podcast season launch with this episode My first publication the Mother’s Quest Inspiration Guide A self-guided version of the annual Mother’s Quest Manifesto Challenge And a live virtual “Yes Day for Moms” that I’m co-facilitating with the amazing Graeme Seabrook. Join the free Facebook Group and sign up for email updates at www.mothersquest.com to learn all the details and come along with us during this special month. Acknowledgments: A big THANK YOU to our “patrons” for helping to bring these conversations to myself and other mothers through financial and/or in-kind support: Amanda Kruger Hill Graeme Seabrook Anne Armstrong Herve Clermont Samantha Arsenault Vickie Giambra Casey O'Roarty of Joyful Courage Kathie Moehlig or TransFamily Support Services Anne Ferguson of MamaFuel On the Move and etsuko Kubo Kate Amoo-Gottfried Nicole Lee Olivia Parr-Rud "Vince" of the While Black Podcast Sara Brannin-Mooser Lindsay Pera Julie Castro Abrams Alexia Vernon Brooke Markevicius Democracy Clothing Michael Skolnik Helgi Maki Kari Azuma Tamara Sobomehin Katie Krimitsos Carrie Caulfield Arick Rachel Rosen Chandra Brooks Jen Simon Monisha Vasa Celia Ward-Wallace Vanessa Couto Desiree Adaway Rachel Steinman Katie Hanus Denise Barreto Sage B. Hobbs Samantha Nolan-Smith Jody Smith Emily Cretella Collette Flanagan Titilayo Tinubu Ali Carly Magnus Hurt Lizzy Russinko Suzanne Brown Mara Berns Langer Mallory Schlabach Katharine Earhart Jessica Kupferman Jen Jenkins Dohner Genese Harris Tonya Rineer Liane Louie-Badua Cristin Downs Erin Kendall Niko Osoteo Erik Newton Claire Fry Divya Silbermann Rachel Winter Caren and Debbie Lieberman Cameron Miranda Fran and David Lieberman Debbie and Alan Goore The Sustainable Living Podcast Samantha Arsenault Attica Locke Support the Podcast If you’d like to make a contribution to Mother’s Quest to support Season Four of the Podcast and/or help provide coaching scholarships for mothers, follow this link to make a contribution. If you would like to “dedicate” an upcoming episode to a special mother in your life, email me at julie@mothersquest.com Mother's Quest is a podcast for moms who are ready to live a truly E.P.I.C. life. Join in for intimate conversations with a diverse group of inspiring mothers as they share how they are living an E.P.I.C. life, Engaging mindfully with their children (E), Passionately and Purposefully making a difference beyond their family (P), Investing in themselves (I), and Connecting to a strong support network (C). Join our community of mothers to light the way and sustain you on your quest at https://www.facebook.com/groups/mothersquest/
CERTIFIED.BIG MUSIC WEEK! Welcome back to The Certified Platinum Show, where you can find music, jokes, vibes. and simply have a good time with the crew. Firstly, HAPPY INTERNATIONAL WOMEN'S MONTH! The Certified Platinum Network celebrates this holiday by thanking all of the amazing and strong women out there. We love you all and the world wouldn't move without all of you (02:34)!Jack Dorsey and Square Inc. has announced an acquisition of the TIDAL streaming service, famously owned and originated by Shawn JAY-Z Carter. As part of the deal, JAY-Z now sits on the board of directors of Square, and the other artists that had a vested interest in the streaming platform will remain stakeholders. This is monumental, as the intertwining of financial services and music streaming services (owned by artists) will ultimately benefit the craft of music creation (10:28).With a week full of music, we delve into the most anticipated one: SCARY HOURS 2 by our great Canadian artist Aubrey DRAKE Graham. With a new 3-pack of music, the crew gets into their intricate thoughts on all 3 tracks (16:50).SZA released visuals for “Good Days”, the single off her upcoming album. At the end of the video, she included visuals for another fan-titled single, “Shirt” (58:11).AND MORE! Listen to the full episode to catch all the stories covered this week!New Music: (50:05)Certified Tracks (60:00): (KDOT) Guilty - Sevyn ft. Chris Brown & A$AP Ferg; (DANA) Paper Trail$ - Joey Bada$$; (MCDOWELL) Should've Ducked - Lil Durk ft. Pooh ShiestyFollow us on Instagram: @CertifiedPlatinumShow. Follow Us on Twitter: @CertifiedPod.Released: March 8th, 2021certifiedplatinum.ca/disclaimer
This is the "Season 2" finale episode. With two recent major business dealings Shawn "Jay-Z" Carter improved his already billionaire status by 40 percent according to Forbes. Like he chanted on "A star is Born" - clap for 'em. After you get done applauding, after yet another monumental "Reminder" about his winning prowess, ask yourself a question: What's the major takeaway from Jay's gains for you - everyday Joe? Well, I just have a couple of things (actually I unpack quite a bit more in the episode)... let's talk about how each of us utilizes a mix of our TALENT and TIME. Secondly, and this is key IAP messaging, I hope young people began strongly considering the impact of living most of their adulthood "behind in the chains." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/its-always-personal/support
Jay-Z is expanding his empire. The rapper and entrepreneur announced on Monday that he had sold 50 percent ownership of the Armand de Brignac champagne he has owned since 2014 to luxury brand Moët Hennessy Louis Vuitton. "Shawn JAY-Z Carter is pleased to announce a partnership with Moët Hennessy as they acquire a 50% stake in Armand de Brignac," the champagne brand wrote on Twitter. "The partnership reflects a shared vision between Moët Hennessy and Shawn JAY-Z Carter for the future of this iconic Maison." The financial terms of the deal were not disclosed, according to the New York Times. What's going on Internet, Analytic here aka Dreamz and I would like to welcome you to mine, which I call the Notorious Mass Effect Podcast! I am your Hip-Hop / Gaming News source with a little bit of R&B mixed in. For Episode 39:“DRAKEO THE RULER- TALK TO ME FT DRAKE” “BOBBY SHMURDA” “POKEMON & POST MALONE” “JAY-Z” But before that make sure to Click my Linktree in my bio to access my social medias and follow, to keep up with my latest activities, if you want to financially support the show click my cash app link located towards the top of my linktree as it helps the show overall, also make sure to share this podcast as this helps the show reach more people so we can grow together and effect the masses! --- Support this podcast: https://anchor.fm/masseffect/support
Music mogul and entrepreneur Shawn “JAY-Z” Carter is selling half of his Armand de Brignac “Ace of Spades” champagne to the Wine and Spirits arm of LVMH, Moët Hennessy. JAY-Z and Moët Hennessy CEO Philippe Schaus discuss the deal, the alcohol landscape, and the impact that both Moët Hennessy and JAY-Z have had on the world of luxury liquor. Plus, Bitcoin’s roller coaster continues, and former FDA Commissioner Dr. Scott Gottlieb considers Dr. Anthony Fauci’s projection of mask-wearing through 2022.
Career Q&A with Jada Pinkett Smith on June 16, 2015. Moderated by Pete Hammond, Deadline. A talented actress, producer, director, author, singer-songwriter and businesswoman, Jada Pinkett Smith has approached her career with the utmost poise and versatility, capturing the hearts of fans and colleagues in the industry with every new project. Born and raised in Maryland, Pinkett Smith studied dance and acting at Baltimore School of the Arts and North Carolina School of the Arts. Her resourcefulness and determination led her to a variety of professional opportunities, most notably the “The Cosby Show” spin-off series, “A Different World,” which launched her acting career on television. Pinkett Smith produced and starred in the critically acclaimed cable medical drama series “HawthoRNe,” which earned her a 2010 NAACP Image Award for Outstanding Actress in a Drama Series. She currently stars on FOX's GOTHAM as imposing gang boss Fish Mooney. In 1993, she landed her first feature film role in “Menace II Society.” Her role opposite comedian Eddie Murphy in “The Nutty Professor” made her a household name. Pinkett Smith’s acting career continued with her participation in “The Matrix: Reloaded” and “The Matrix Revolutions.” In 2004, she won the Academy of Interactive Arts and Sciences, USA Award for Outstanding Achievement in Character Performance – Female for her role in the video game “Enter The Matrix.” In 2005, she was featured in the animated movie “Madagascar” as the voice of “Gloria,” the hippo. She was also featured in the franchise’s two subsequent films, “Madagascar: Escape 2 Africa” and “Madagascar 3: Europe’s Most Wanted.” She earned global praise for writing the children’s book “Girls Hold Up The World,” which landed on the New York Times Best Sellers list. She and husband Will Smith founded The Will and Jada Smith Family Foundation, dedicating their organization to education. Her executive producer credits include the 2010 film “The Karate Kid,” which starred her son, Jaden, and Jackie Chan, and the documentary “Free Angela and All Political Prisoners,” about political activist Angela Davis. She currently is an executive producer on the highly successful syndicated talk show “The Queen Latifah Show,” which will premiere its second season in September 2014. Along with her husband, and mogul Shawn “Jay-Z” Carter, she was an executive producer on the Broadway musical hit “Fela.” Smith’s Overbrook Entertainment and Carter’s Roc Nationjoined forces again on the highly anticipated remake of the 1982 musical film “Annie.” Pinkett Smith contributes much of her free time to humanitarian efforts, helping to raise awareness on issues such as human trafficking in the United States. Her social initiative, “DontSellBodies.org,” has been recognized by the U.S. Department of State, and she was invited bySecretary of State John Kerryto testify against human trafficking before the U.S. Congress in 2012. She also serves on the advisory board of Gucci’s empowerment initiative, “Chime for Change,” which campaigns for improved education, health and justice for women and girls worldwide.
Formerly a “celebrity jeweler for A-list stars” with clientele such as Shawn “JAY-Z” Carter, Rihanna, Kevin Hart, etc., Brooklyn native Alex Todd is now a cannabis connoisseur, working on cannabis products that are enjoyed by celebs like Lil Uzi Vert, Rick Ross, and Fetty Wap. Saucey Farms & Extracts is a luxury cannabis brand that currently offers a variety of products. The company teamed up with legendary hip hop artist Jim Jones to create an exclusive CAPO Blunt. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
A deviation from the albums, artists, and beefs we've done the first half of season one. This episode we are going to get into the history of a legendary record label that was created by Damon "Dame" Dash, Kareem "Biggs" Burke, and Shawn "Jay Z" Carter. Roc-A-Fellah records, starting with Jays' Reasonable Doubt in 1996 to Jays' Magna Carta Holy Grail in 2013 and every album, movie and the clothing line in between. Please like, subscribe and leave a review if possible. Thank you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
I’m honored to bring this special episode of the Mother’s Quest Podcast to you with mother, activist, writer, co-founder of the Trayvon Martin Foundation and an inspiration to so many, Sybrina Fulton. The episode is the last in a series I’ve recorded for the Women Podcasters in Solidarity Initiative on the subject of gun safety and the intersectional impact of gun violence on our communities. Unfortunately, Sybrina deeply knows the grief that comes in the wake of gun violence. But, after the deadly 2012 shooting of her beloved son, Trayvon Benjamin Martin, she felt compelled to rise up, literally pushing herself to get out of her bed, becoming the voice for her son and embarking on a journey to bring awareness to senseless gun violence and racial profiling. In 2016, Sybrina rallied to the forefront at the Democratic National Convention with a group of African American trailblazing women, connected by tragedy, who became known as “Mothers of the Movement” for the “Black Lives Matter” Movement the death of their children sparked. She didn’t stop there. In 2017, Sybrina co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, which became the subject of a docu-series that debuted this year, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter. This intimate conversation, over a year in the making, was a unique opportunity to delve into Sybrina’s own journey, how the E.P.I.C. guideposts show up in her life and in her activism, and to hear her powerful call to action to invest in mothers, by reaching out to mothers grieving in our own communities and by contributing to her “Circle of Mothers,” a labor of love that came to her in her dreams. I’m grateful to activist Michael Skolnik, who dedicated this episode, for connecting me to Sybrina and for inviting us to spread this conversation far and wide and direct resources to help mothers turn their grief into healing and advocacy, following Sybrina’s powerful example. It costs $1500 to sponsor a grieving mother to attend Circle of Mothers. Michael and I have each pledged the first $3,000 to a GoFundMe campaign, each of us contributing $1500 to help a mother who otherwise wouldn’t be able to attend. Much appreciation, Julie Neale P.S. Know someone who you think would appreciate this special episode? Share this conversation! This Episode is Dedicated by: Michael Skolnik Michael Skolnik was recently profiled in the NY Times and identified as “the man you go to if you want to leverage the power of celebrity and the reach of digital media to soften the ground for social change.” But, besides all of that, he is most proud to be the father of Mateo Ali, a rambunctious five year old. He is the co-founder and partner of The Soze Agency, a social impact agency that partners with companies, non-profits, foundations and movements to create campaigns that uplift compassion, authenticity and equity. He is a respected leader in the new social justice movement, and has helped ignite conversations around America’s relationship with race, the deaths of Trayvon Martin, Mike Brown and Eric Garner, and the Obama and Trump presidencies. He is a prolific voice on social media with more than 350,000 followers, and a regular commentator on outlets such as CNN, MSNBC and Fox News. Michael serves on the Board of Directors for Rock The Vote, The Trayvon Martin Foundation, Policy Link, The Gathering For Justice and The Young Partners Board of The Public Theater. Facebook Instagram LinkedIn Twitter The Soze Agency Learn more about Michael Skolnik: https://about.me/michaelskolnik In This Episode We Talk About: What Sybrina wishes everyone would know about approaching a conversation with a mother who has lost a child. My 14 year old son’s question to Sybrina about what it feels like when your calling and the powerful work you’re doing is sparked by a tremendous loss. Why we need systemic and cultural change, and more awareness-raising conversations, to keep young people of color safe from racial profiling. The tragic death of Chinedu Okobi, an unarmed young black man who was tasered to death by San Mateo County deputies, just 20 minutes from my own home. The importance for grieving mothers to remember the things that they used to love and what Sybrina’s joyful outlet is The Circle of Mothers and how the idea to create it came to Sybrina in a dream. Sybrina’s challenge for all of us to open our hearts and to reach out to mothers, across differences, who have lost their child to let them know we care. Why investing in mothers is the most powerful lever to impact gun control. Resources and Topics Mentioned: Trayvon Martin Foundation Circle of Mothers Rest in Power: The Trayvon Martin Story Rest in Power: The Enduring Life of Trayvon Martin Remembrance Weekend: Peace Walk on February 9th followed by the Remembrance Gala on February 10th Article from CNN about Chinedu Okobi – Facebook executive says unreleased video calls into question police account of brother’s death GoFundMe for Circle of Mothers Women Podcasters in Solidarity website Other Mother’s Quest Episodes in This Series on Gun Safety: Ep 37: Generations Rising for Gun Safety with Gloria Pan Ep 54: Superheroes, Fighting Patriarchy, and Courageously Defeating Gun Violence with Ladd Everitt And in Last Year’s Series on Anti-Racism and Police Accountability: Ep 27: Courageous Conversations about Race with Nicole Lee EP31: Brave Spaces and Solidarity with “Rad Women” Author Kate Schatz EP33: Beyond the Trauma: Legacy, Compassion and Change with Mothers Against Police Brutality Co-Founder Sara Mokuria This Week’s Challenge: For this week’s challenge, Sybrina asks us to reach out to a mother who has lost a child and be a support to them. Take them out, let them know you are here, organize something for a group. Let them know that they are not alone. Learn More About Sybrina Fulton: After the death of her beloved son, Trayvon Benjamin Martin, in February 2012, Sybrina Fulton was charged with a new mission. A desire to transform family tragedy into social change allowed her to establish the Trayvon Martin Foundation in March 2012. As Fulton traverses the globe, she passionately embarks on a journey designed to bring awareness to senseless gun violence and serves as an advocate to families, the catalyst for her dream project, the “Circle of Mothers.” Winning the national support of president-elect Hillary Clinton, Fulton rallied to the forefront in 2016 at the Democratic National Convention with a cadre of African American trailblazing women known as “Mothers of the Movement.” The women, connected by tragedy, are the inspiration behind the “Black Lives Matter.” In 2017, Fulton co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, and the subject of a six-part docuseries, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter for Paramount Network and BET (July 2018). Bestowed with many distinguished awards, Sybrina Fulton has represented the United States at the United Nations in Geneva, Switzerland, to discuss racial discrimination; the National Urban League, Black Lives Matter, Rainbow PUSH Coalition, The Triumph Awards (2016), Essence Festival & Conference (2017, 2018), and was selected as the White House’s guest of honor for the unveiling of former President Barak Obama’s initiative, “My Brother’s Keeper.” Fulton is also one of the 2018 recipients of VH1’s Trailblazer Honor Award. A Miami native and graduate of Florida Memorial University, Sybrina Fulton, along with her son, Jahvaris, are on a mission to build better, safer communities. She is a proud member of the Miami Alumnae Chapter of Delta Sigma Theta Sorority, Inc. and the Metropolitan Dade County Section of the National Council of Negro Women, Inc. She created the Circle of Mothers as a way to empower women. The purpose of the Circle of Mothers is to bring together mothers who have lost children or family members to senseless gun violence for the purpose of healing, empowerment, and fellowship towards the larger aim of community building. Connect with Sybrina at: Facebook Twitter Instagram www.circleofmothers.org www.trayvonmartinfoundation.org
If you’re a parent, then you aware the parenting is not easy. You know that parenting takes work. As a parent, you want nothing but the best for your child. What happens to those dreams when you learn that your child was murdered? What does healing look like for you? You might even think can your heartache have purpose. Join us as Sybrina Fulton speak from her heart of going from heartbreak to social change. After the death of her beloved son, Trayvon Benjamin Martin, in February 2012, Sybrina Fulton was charged with a new mission. A desire to transform family tragedy into social change allowed her to establish the Trayvon Martin Foundation in March 2012.As Fulton traverses the globe, she passionately embarks on a journey designed to bring awareness to senseless gun violence and serves as an advocate to families, the catalyst for her dream project, the “Circle of Mothers.” Winning the national support of president-elect Hillary Clinton, Fulton rallied to the forefront in 2016 at the Democratic National Convention with a cadre of African American trailblazing women known as “Mothers of the Movement.” The women, connected by tragedy, are the inspiration behind the “Black Lives Matter.”In 2017, Fulton co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, and the subject of a six-part docuseries, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter for Paramount Network and BET (July 2018).Bestowed with many distinguished awards, Sybrina Fulton has represented the United States at the United Nations in Geneva, Switzerland, to discuss racial discrimination; the National Urban League, Black Lives Matter, Rainbow PUSH Coalition, The Triumph Awards (2016), Essence Festival & Conference (2017, 2018), and was selected as the White House’s guest of honor for the unveiling of former President Barak Obama’s initiative, “My Brother’s Keeper.” Fulton is also one of the 2018 recipients of VH1’s Trailblazer Honor Award.In October 2017, the bio-epic, Thurgood Marshall, opened in theatres across America with Fulton acting in the role of young Marshall’s mother, Norma Arica. Fulton has transcended as a civil rights icon embarking on a journey to ensure the world “will never forget” Trayvon Martin. In February 2012, she launched the Annual Trayvon Martin Peace Walk and Remembrance Dinner to commemorate her son’s birthday. The Trayvon Martin Foundation has helped put a face on the injustices in America and Sybrina Fulton is compared by many to a modern-day Mamie Till, the late mother of slain teen, Emmett Till. Her message of hope and a demand for change not only appeals to people’s hearts, it is exemplified by her personal experiences and endeavors.A Miami native and graduate of Florida Memorial University, Sybrina Fulton, along with her son, Jahvaris, are on a mission to build better, safer communities. She is a proud member of the Miami Alumnae Chapter of Delta Sigma Theta Sorority, Inc. and the Metropolitan Dade County Section of the National Council of Negro Women, Inc.Recommended ResourcesTo learn more about Redefining Grief: http://herdynemercier.comTo advertise on the podcast: herdyne@mercierwellness.comFor questions about booking or sponsoring the podcast: info@mercierwellness.comTo schedule a consultation: https://calendly.com/mercier-wellness/consultation orhttp://herdynemercier.com/contact-me/ To check out all our past episodes: http://herdynemercier.com/#podcast Social MediaPodcast Hashtag: #RedefiningGrief #TheChiefGriefCrusader #HerdyneMercier #MercierWellness #Grief Instagram: https://www.instagram.com/herdynemercier/Twitter: https://twitter.com/HERDYNEMERCIERFacebook: https://www.facebook.com/herdynemercierlcswYouTube: https://www.youtube.com/user/herdyneLinkedIn: https://www.linkedin.com/in/herdyne-mercier-lcsw-chief-grief-crusader-6050aa72/Online Store: https://www.etsy.com/shop/MercierWellness
Alex, Brian, Joe and Ant sit down to discuss some current events including the latest on the Trump impeachment process and Trump's biggest fan, Kanye West, being decked out in all silver for his latest gospel opera "Mary". The guys also had an in-depth conversation about the recent passing of hip-hop artist, Juice WRLD, which led to a lot of different takes on how we should feel about the 21 year old's passing. In contrast to Juice WRLD's young death, the fellas took time to celebrate hip-hop icons Sean "Diddy" Combs and Shawn "Jay-Z" Carter both turning 50 years old recently. Further Black excellence was discuss including Miss Universe, Miss America, Miss USA and Miss Teen USA all being black women. With South African model and public relations professional Zozibini Tunzi winning the Miss Universe Pageant this past weekend, for the first time in history all four major beauty queens are black. We salute our queens and are proud they are getting the recognition they deserve. After speaking on the recent renewed funding for HBCU's and highlight black Golden Globe nominees, the guys got into a heated conversation about the New York Knicks. Please forgive them. Thanks for listening, subscribing and sharing! Follow us on Instagram at: https://www.instagram.com/betterthanyoupod/ Follow us on Twitter at: https://twitter.com/btypod
Hip hop mogul Shawn “Jay-Z” Carter partners with the NFL and faces praise and backlash. Has the Jigga-Man sold out or is he playing chess? Find out on this week’s episode.
#jayz #nfl #joebudden #nickiminaj #mauricehill #serenawilliams #philly #phillyshooting #chicago #rocnation #rogergoodell #queenradio #happybirthdayNipseyhussle #nipseyhussle Unsigned NFL quarterback Colin Kaepernick might as well have been seated next to NFL commissioner Roger Goodell during Wednesday's news conference to officially announce the league's new partnership with Shawn "Jay-Z" Carter's entertainment company. https://www.espn.com/nfl/story/_/id/27387173/jay-z-defends-nfl-roc-nation-deal-talks-kap No one has ever accused Nicki Minaj of having much of a filter — not in person, and certainly not in new music such as her recent “Megatron” single. https://variety.com/2019/music/news/joe-budden-nicki-minaj-fight-queen-radio-podcast-1203302222/ The 23-time grand slam champion and two-time winner of the Cincinatti tournament failed to complete her match against Canadian Bianca Andreescu in Saturday's Rogers Cup final, citing the same injury. https://edition.cnn.com/2019/08/14/tennis/serena-williams-cincinnati-injury-spt-intl/index.html PHILADELPHIA (CBS) – CBS3 is learning the lengthy criminal history of Maurice Hill, the suspected gunman who allegedly shot six Philadelphia police officers during an hours-long standoff in the city’s Nicetown-Tioga section on Wednesday. Hill has a long criminal history dating back to 2000, including several gun charges as well as drug and assault charges. https://philadelphia.cbslocal.com/2019/08/15/maurice-hill-philadelphia-police-standoff-gunman-north-philly-gun-violence/ Five Chicago teens are being charged with murder after a 14-year-old who was with them during an attempted burglary was shot by the homeowner, authorities said Tuesday. https://www.usatoday.com/story/news/nation/2019/08/14/5-teens-charged-murder-14-year-old-shot-by-homeowner-during-burglary-attempt/2013790001/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/fyp/message
I’m honored to bring this special episode of the Mother’s Quest Podcast to you with mother, activist, writer, co-founder of the Trayvon Martin Foundation and an inspiration to so many, Sybrina Fulton. The episode is the last in a series I’ve recorded for the Women Podcasters in Solidarity Initiative on the subject of gun safety and the intersectional impact of gun violence on our communities. Unfortunately, Sybrina deeply knows the grief that comes in the wake of gun violence. But, after the deadly 2012 shooting of her beloved son, Trayvon Benjamin Martin, she felt compelled to rise up, literally pushing herself to get out of her bed, becoming the voice for her son and embarking on a journey to bring awareness to senseless gun violence and racial profiling. In 2016, Sybrina rallied to the forefront at the Democratic National Convention with a group of African American trailblazing women, connected by tragedy, who became known as “Mothers of the Movement” for the “Black Lives Matter” Movement the death of their children sparked. She didn’t stop there. In 2017, Sybrina co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, which became the subject of a docu-series that debuted this year, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter. This intimate conversation, over a year in the making, was a unique opportunity to delve into Sybrina’s own journey, how the E.P.I.C. guideposts show up in her life and in her activism, and to hear her powerful call to action to invest in mothers, by reaching out to mothers grieving in our own communities and by contributing to her “Circle of Mothers,” a labor of love that came to her in her dreams. I’m grateful to activist Michael Skolnik, who dedicated this episode, for connecting me to Sybrina and for inviting us to spread this conversation far and wide and direct resources to help mothers turn their grief into healing and advocacy, following Sybrina’s powerful example. Michael and I have each pledged the first $3,000 to the campaign, each of us $1500 to sponsor a different mother to attend Circle of Mothers. I hope you’ll open your hearts and minds to Sybrina’s story, visit mothersquest.com/circleofmothers and join us in contributing to her mission. Much appreciation, P.S. Know someone who you think would appreciate this special episode? Push forward and share this conversation! This Episode is Dedicated by: Michael Skolnik Michael Skolnik was recently profiled in the NY Times and identified as “the man you go to if you want to leverage the power of celebrity and the reach of digital media to soften the ground for social change.” But, besides all of that, he is most proud to be the father of Mateo Ali, a rambunctious five year old. He is the co-founder and partner of The Soze Agency, a social impact agency that partners with companies, non-profits, foundations and movements to create campaigns that uplift compassion, authenticity and equity. He is a respected leader in the new social justice movement, and has helped ignite conversations around America’s relationship with race, the deaths of Trayvon Martin, Mike Brown and Eric Garner, and the Obama and Trump presidencies. He is a prolific voice on social media with more than 350,000 followers, and a regular commentator on outlets such as CNN, MSNBC and Fox News. Michael serves on the Board of Directors for Rock The Vote, The Trayvon Martin Foundation, Policy Link, The Gathering For Justice and The Young Partners Board of The Public Theater. Facebook Instagram LinkedIn Twitter The Soze Agency Learn more about Michael Skolnik: https://about.me/michaelskolnik In This Episode We Talk About: What Sybrina wishes everyone would know about approaching a conversation with a mother who has lost a child. My 14 year old son’s question to Sybrina about what it feels like when your calling and the powerful work you’re doing is sparked by a tremendous loss. Why we need systemic and cultural change, and more awareness-raising conversations, to keep young people of color safe from racial profiling. The tragic death of Chinedu Okobi, an unarmed young black man who was tasered to death by San Mateo County deputies, just 20 minutes from my own home. The importance for grieving mothers to remember the things that they used to love and what Sybrina’s joyful outlet is The Circle of Mothers and how the idea to create it came to Sybrina in a dream. Sybrina’s challenge for all of us to open our hearts and to reach out to mothers, across differences, who have lost their child to let them know we care. Why investing in mothers is the most powerful lever to impact gun control. Resources and Topics Mentioned: Trayvon Martin Foundation Circle of Mothers Rest in Power: The Trayvon Martin Story Rest in Power: The Enduring Life of Trayvon Martin Remembrance Weekend: Peace Walk on February 9th followed by the Remembrance Gala on February 10th Article from CNN about Chinedu Okobi - Facebook executive says unreleased video calls into question police account of brother’s death GoFundMe for Circle of Mothers Women Podcasters in Solidarity website Other Mother’s Quest Episodes in This Series on Gun Safety: Ep 37: Generations Rising for Gun Safety with Gloria Pan Ep 54: Superheroes, Fighting Patriarchy, and Courageously Defeating Gun Violence with Ladd Everitt And in Last Year’s Series on Anti-Racism and Police Accountability: Ep 27: Courageous Conversations about Race with Nicole Lee EP31: Brave Spaces and Solidarity with “Rad Women” Author Kate Schatz EP33: Beyond the Trauma: Legacy, Compassion and Change with Mothers Against Police Brutality Co-Founder Sara Mokuria This Week’s Challenge: For this week’s challenge, Sybrina asks us to reach out to a mother who has lost a child and be a support to them. Take them out, let them know you are here, organize something for a group. Let them know that they are not alone. You can also show your support, and invest in the healing of mothers who can lead the way forward, by contributing directly to the GoFundMe campaign and sponsor mothers to attend this year’s Circle of Mothers event. We have a goal to raise $15,000 and send 10 mothers, at $1,500 per person, who wouldn’t otherwise be able to attend. CLICK HERE Learn More About Sybrina Fulton: After the death of her beloved son, Trayvon Benjamin Martin, in February 2012, Sybrina Fulton was charged with a new mission. A desire to transform family tragedy into social change allowed her to establish the Trayvon Martin Foundation in March 2012. As Fulton traverses the globe, she passionately embarks on a journey designed to bring awareness to senseless gun violence and serves as an advocate to families, the catalyst for her dream project, the “Circle of Mothers.” Winning the national support of president-elect Hillary Clinton, Fulton rallied to the forefront in 2016 at the Democratic National Convention with a cadre of African American trailblazing women known as “Mothers of the Movement.” The women, connected by tragedy, are the inspiration behind the “Black Lives Matter.” In 2017, Fulton co-authored her first book, Rest in Power, The Enduring Life of Trayvon Martin, a memoir recounting the death of her son, and the subject of a six-part docuseries, Rest in Power: The Trayvon Martin Story, produced by hip-hop mogul Shawn “Jay-Z” Carter for Paramount Network and BET (July 2018). Bestowed with many distinguished awards, Sybrina Fulton has represented the United States at the United Nations in Geneva, Switzerland, to discuss racial discrimination; the National Urban League, Black Lives Matter, Rainbow PUSH Coalition, The Triumph Awards (2016), Essence Festival & Conference (2017, 2018), and was selected as the White House’s guest of honor for the unveiling of former President Barak Obama’s initiative, “My Brother’s Keeper.” Fulton is also one of the 2018 recipients of VH1’s Trailblazer Honor Award. A Miami native and graduate of Florida Memorial University, Sybrina Fulton, along with her son, Jahvaris, are on a mission to build better, safer communities. She is a proud member of the Miami Alumnae Chapter of Delta Sigma Theta Sorority, Inc. and the Metropolitan Dade County Section of the National Council of Negro Women, Inc. She created the Circle of Mothers as a way to empower women. The purpose of the Circle of Mothers is to bring together mothers who have lost children or family members to senseless gun violence for the purpose of healing, empowerment, and fellowship towards the larger aim of community building. Connect with Sybrina at: Facebook Twitter Instagram www.circleofmothers.org www.trayvonmartinfoundation.org Announcements: Support the Circle of Mothers GoFundMe Campaign As of December of 2018, 644 children and 2,729 teens have been killed by gun violence in the US this year. If you feel pain at the loss of so many young lives full of promise, imagine the devastating grief experienced by the mothers they’ve left behind. On May 16, 2014, Sybrina embarked on a powerful call to action to support and invest in mothers, by reaching out to mothers grieving in our communities. The Circle of Mothers, an annual retreat for women who have lost a child to senseless gun violence, was born. It costs $1,500 to sponsor a mother who would otherwise not be able to participate in Circle of Mothers. Activist Michael Skolnik and I have pledged the first $3,000 of this $15,000 campaign, 2 toward our goal of 10 women we hope to send. I pray that one day we won’t need The Circle of Mothers, because we’ve brought an end to gun violence in the US and no more mothers will have to grieve the theft of their children’s lives. Until then, I hope you’ll open your hearts and minds to Sybrina’s story, lift up grieving mothers who seek healing, and invest in them to lead the way forward. Support the Campaign Women Podcasters in Solidarity Tragically, I have now lost count of the number of mass shootings have taken place just in the time since the Women Podcasters in Solidarity selected “gun safety” as the issue we want to shine a light on this season. Grateful to partner with Cristin Marie and Elsie Escobar on bringing this season of the Initiative to life. It is my deepest hope that through the power of podcasting, the episodes we will record, the conversations we will share with our listeners, and the dollars we will collectively raise toward gun safety causes, will save lives. Please take a look at Cristin’s post here and say “yes” to the Initiative yourself or help spread the word to reach other podcasters who would want to join. Mother’s Quest Circle If you’re on a quest to live an E.P.I.C. life, but you’ve been feeling challenged, isolated, or unsure of the path ahead, the Virtual Mother’s Quest Circle may be the source of connection you’re looking for. The Mother’s Quest Circle provides inspiration, coaching and community for an intimate group of no more than 8 women who are ready to say “yes” to: Reflect together, in a community of like-minded mothers, on what matters most To consciously live their version (not someone else’s) of an E.P.I.C. life To take bold action toward one of the E.P.I.C. life guideposts before the end of the sessions To hold space for sharing, coaching, and championing one another so we are “in community” on our journey If you’re looking to start the year strong, the Circle is a great way to make an investment in yourself and what matters most to you. Apply here to add your name to the wait list. Learn More Acknowledgements: A big THANK YOU to our “patrons” for helping to bring these conversations to myself and other mothers through financial and/or in-kind support: Michael Skolnik Helgi Maki Kari Azuma Tamara Sobomehin Katie Krimitsos Carrie Caulfield Arick Rachel Rosen Chandra Brooks Jen Simon Monisha Vasa Celia Ward-Wallace Vanessa Couto Desiree Adaway Rachel Steinman Katie Hanus Denise Barreto Sage B. Hobbs Samantha Nolan-Smith Jody Smith Emily Cretella Collette Flanagan Titilayo Tinubu Ali Carly Magnus Hurt Lizzy Russinko Suzanne Brown Mara Berns Langer Mallory Schlabach Katharine Earhart Jessica Kupferman Jen Jenkins Dohner Genese Harris Tonya Rineer Liane Louie-Badua Cristin Downs Erin Kendall Niko Osoteo Erik Newton Claire Fry Divya Silbermann Rachel Winter Caren and Debbie Lieberman Cameron Miranda Fran and David Lieberman Debbie and Alan Goore The Sustainable Living Podcast Support the Podcast If you’d like to make a contribution to Mother’s Quest to support Season Three of the Podcast and/or help provide coaching scholarships for mothers, follow this link to make a contribution. If you would like to “dedicate” an upcoming episode to a special mother in your life, email me at julie@mothersquest.com — Mother’s Quest is a podcast for moms who are ready to live a truly E.P.I.C. life. Join in for intimate conversations with a diverse group of inspiring mothers as they share how they are living an E.P.I.C. life, Engaging mindfully with their children (E), Passionately and Purposefully making a difference beyond their family (P), Investing in themselves (I), and Connecting to a strong support network (C). Join our community of mothers to light the way and sustain you on your quest at https://www.facebook.com/groups/mothersquest/
In this episode, BGB talks about the six-part docuseries, Rest in Power: The Trayvon Martin Story, we talk Shawn "Jay Z" Carter, mayo warriors, DP aka Dead Plumber (Martin S1E5), Miracle Whip 'Merica, United States of Kraft-merica, #ImwithKap, Trayvon's parents' book: Rest In Power - The Enduring Life of Trayvon Martin, stand your ground states, in a white world animal lives > black lives, PETA, white culture, black rage and restraint, white people calling the cops on black people: BBQ Becky, Permit Patty, ID Adam, Pool Patrol Paula, Coupon Carl, Botham Jean and so much more
Rapper, songwriter, producer, entrepreneur and hip-hop mogul Shawn "Jay-Z" Carter charts his unlikely rise from the Brooklyn projects to superstardom, sharing what he's learned along the way. Since 1996, the 21-time Grammy winner has dominated an evolution in popular culture, with more than 35 million records sold and 14 number one Billboard hits (second only to the Beatles). Candid, raw and real, Jay-Z offers personal revelations about integrity, failure and why knowing your truth is everything. He reflects on the challenges of growing up without a father and how they made their peace before his father's death. The entertainer offers his thoughts on the healing power of hip-hop and why we all must search for our own truth. Jay-Z says, "Belief in oneself and knowing who you are, I mean, that's the foundation of everything great." Jay-Z and his wife, Beyoncé, kicked off their On the Run II stadium tour Wednesday, June 6, 2018, in Cardiff, U.K., with stops in 15 cities across the U.K. and Europe. The 21-date North American leg begins July 25, 2018, in Cleveland.
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