Podcasts about holburne museum

Contemporary artists Nalini Malani and Anita Dube, and curator Shanay Jhaveri, journey through two decades of cultural and political change in South Asia, from Indira Gandhi's declaration of the State of Emergency in 1975, to the Pokhran Nuclear Tests in 1998, in the 2024 exhibition, The Imaginary Institution of India. ⁠The Imaginary Institution of India: Art 1975–1998⁠ runs at the Barbican in London until 5 January 2025. ⁠Rewriting the Rules: Pioneering Indian Cinema after 1970⁠, and the ⁠Darbar Festival⁠, ran during the exhibition in 2024. The exhibition is organised in collaboration with the Kiran Nadar Museum of Art in New Delhi. Nalani Malani: In Search of Vanished Blood runs at Tate Modern in London through 2025. Hear more from Nalini Malani in the EMPIRE LINES episode from My Reality is Different (2022), at the Holburne Museum in Bath: pod.link/1533637675/episode/74b0d8cf8b99c15ab9c2d3a97733c8ed And hear curator Priyesh Mistry, on The Experiment with the Bird in the Air Pump, Joseph Wright of Derby (1768) and Nalini Malani (2022), at the National Gallery in London: pod.link/1533637675/episode/f62cca1703b42347ce0ade0129cedd9b You can also read my article, in gowithYamo: gowithyamo.com/blog/nalini-malani-my-reality-is-different-review For more about artists Bhupen Khakar, Nilima Sheikh, Gulammohammed Sheikh, Arpita Singh, and Imran Qureshi, listen to curator Hammad Nasar on Did You Come Here To Find History?, Nusra Latif Qureshi (2009): pod.link/1533637675/episode/f6e05083a7ee933e33f15628b5f0f209 And read into the exhibition, Beyond the Page: South Asian Miniature Painting and Britain, 1600 to Now, at MK Gallery in Milton Keynes and The Box in Plymouth, in my article in gowithYamo: gowithyamo.com/blog/small-and-mighty-south-asian-miniature-painting-and-britain-1600-to-now-at-mk-gallery For more about Imran Qureshi, listen to artist Maha Ahmed on Where Worlds Meet (2023) at Leighton House in London: pod.link/1533637675/episode/fef9477c4ce4adafc2a2dc82fbad82ab And read about the exhibition, in my article in recessed.space: recessed.space/00156-Maha-Ahmed-Leighton-House For other artists working with film and video at the Sorbonne, in Paris, listen to Nil Yalter on ⁠Exile is a Hard Job (1974-Now)⁠, at Ab-Anbar Gallery during London Gallery Weekend 2023: pod.link/1533637675/episode/36b8c7d8d613b78262e54e38ac62e70f For more about the Kochi-Muziris Biennale in Kerala, listen to artist Hanna Tuulikki's EMPIRE LINES episode about Avi-Alarm (2023), from Invasion Ecology: pod.link/1533637675/episode/21264f8343e5da35bca2b24e672a2018 On modernism in southern India, listen to curator Jana Manuelpillai, on The Madras College of Arts and Crafts, India (1850-Now) at the Brunei Gallery in London: pod.link/1533637675/episode/2885988ec7b37403681e2338c3acc104 And for more works from the Kiran Nadar Museum of Art collection, read my article on Postwar Modern: New Art in Britain 1945-65 at the Barbican in London in Artmag: artmag.co.uk/postwar-modern-building-out-of-the-bombsite/ PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

There have been reports that Afghan women are being banned from midwife and nursing courses in the latest blow to their rights. Women training as midwives and nurses in Afghanistan have told the BBC they were ordered not to return to classes, and five separate institutions across Afghanistan have also confirmed to the BBC that the Taliban had instructed them to close until further notice, with videos shared online showing students crying at the news. The BBC has yet to confirm the order officially with the Taliban government's health ministry. Anita Rani discusses what is potentially happening with BBC Diplomatic Correspondent Caroline Hawley.After the actor Anna Maxwell Martin spoke on the programme about the grief she experienced after her husband died suddenly in 2021, we were inundated with listeners sharing their stories. Two of them, Giselle De Hasse and Heather Ashley, join Anita to talk about how they manage their grief day to day, along with Dr Shelley Gilbert, the founder and president of Grief Encounter and a consultant psychotherapist.Daytime clubbing is a thing. All over the country, events are taking place, where you party early - and finish early - with plenty of time to be in your bed at a reasonable hour. So, whatever happened to the big night out? Is 3pm the new 9pm? And why are these early evening finishes becoming so popular? Anita is joined by DJ Annie Mac, the broadcaster, author, and events curator. Annie started her own version of an early finishing club event Before Midnight in 2022, with her 'nights' now running UK-wide.The artist Chila Kumari Singh Burman creates kaleidoscopic paintings, prints, etchings and moving images inspired by her Indian heritage. Chila was born in Toxteth in Merseyside and use materials like bindis and ice cream cones in her installations to represent her Asian identity as well as her working-class Liverpudlian childhood. She says she aims to challenge stereotypes and create an alternative perspective of Britishness. Chila joins Anita to talk about her eponymous book which brings together work from four decades and Neon Dreams, her exhibition at The Holburne Museum in Bath, which includes a life-size neon tiger in the ballroom and a giant multi-coloured neon lightshow on the façade of the museum building.Presenter: Anita Rani Producer: Rebecca Myatt

Viral artist Mr. Doodle says the art world is split over his compulsive scribblings. The English creator has teamed up with a fashionable London restaurant to decorate parts of the establishment. And on June 7, he was at London's trendy sketch restaurant decorating the entrance hall. "It's a very meditative process when I'm working on the doodles because I'm never really thinking about the doodles. I don't see this in my head when I draw it. I just kind of move my hand and I'm just thinking about completely different stuff. I'll be thinking about memories from when I was a kid or trying to work out what the next projects are going to be,” he says. Not everything always goes to plan. But the beauty of this type of art is that it doesn't need to be perfect. "Sometimes, I do make a mistake. A line will bump into another line a bit too much, and I will have to just touch it up a little bit with the pen. Everything can kind of be slightly fixed or altered. Sometimes they'll be drips and things, but I don't really see them as mistakes. They're kind of just part of the process, really. But most of the time, the pen is quite forgiving,” says Mr. Doodle. Mr. Doodle has been commissioned by big brand names like Fendi, Puma, and Disney. He also currently has a show at the Holburne Museum in Bath. But does the art world accept him as one of their own? "I think there's a lot of people in the art world that don't like this kind of thing, like doodles and things. And there's strict things in their head that they think art should be, or there should be like some form of concept or message or something heavy or deep about an artwork. And I don't really see it that way. And I think there's a lot of people out there who also feel that way, who are also in the art world. So I think for some people they accept it. Other people don't so much," he says. This article was provided by The Associated Press.

Curator Ekow Eshun reframes the Black figure in historic and contemporary art, surveying its presences, absences, and representations in Western/European art history, the African diaspora, and beyond, via The Time is Always Now (2024). In 1956, the American author James Baldwin wrote: ‘There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.' Heeding Baldwin's urgent call, Ekow Eshun's new exhibition brings together 22 leading contemporary African diasporic artists from the UK and the US, whose practices emphasise the Black figure through mediums such as painting, drawing, and sculpture. These figurative artists and artworks address difficult histories like slavery, colonialism, and racism and, at the same time, speak to contemporary experiences of Blackness from their own personal perspectives. Ekow explains how artists like Kerry James Marshall, Amy Sherald, and Thomas J. Price acknowledge the paradox of race, and the increased cultural visibility and representation of lived experiences. Beyond celebration, though, The Time Is Always Now follow the consequences of these artists' practices, and what is at stake in depicting the Black figure today. We discuss the plurality of perspectives on view, and how fragmented, collage-like works by Nathaniel Mary Quinn, Lorna Simpson, and Titus Kaphar reconsider W.E.B. Du Bois' understanding of ‘double consciousness' (1897) as a burden, to a 21st century vantage point. Ekow shares the real people depicted in Michael Armitage's surrealistic, religious scenes, whilst connecting works with shared motifs from Godfried Donkor's boxers, to Denzil Forrester and Chris Ofili's dancing forms. We talk about how how history is not just in the past, and how we might think more ‘historically from the present'. Plus, we consider the real life relationships in works by Njideka Akunyili Crosby and Jordan Casteel, - and those shared between artists like Henry Taylor and Noah Davis - shifting the gaze from one of looking at, to looking with, Black figures. Starting at the National Portrait Gallery in London, The Time is Always Now: Artists Reframe the Black Figure travels to The Box in Plymouth from 28 June to 29 September 2024. It will then tour to the Philadelphia Museum of Art and North Carolina Museum of Art in the US into 2025. And as promised, some news - this episode announces my appointment as Contemporary Art Curator at The Box in Plymouth. Join me there in conversation with Ekow on Saturday 29 June, and with Hettie Judah, curator and writer of Acts of Creation with exhibiting artists Barbara Walker, Claudette Johnson, and Wangechi Mutu, on Saturday 20 July. You can also join a Bitesize Tour on selected Wednesdays during the exhibition. And you can hear this episode, and more from the artists, on the Bloomberg Connects app by searching ‘The Box Plymouth'. EMPIRE LINES will continue on a fortnightly basis. For more about Claudette Johnson, hear curator (and exhibition text-contributor!) Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath. Hear curator Isabella Maidment on Hurvin Anderson's Barbershop series (2006-2023) at the Hepworth Wakefield. Read about that show, and their work in Soulscapes at Dulwich Picture Gallery in London, in recessed.space. Hear Kimathi Donkor on John Singer Sargent's Madame X (1883-1884) and Study of Mme Gautreau (1884) at Tate Britain in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Roland Rudd – Founder & Chair, FGS Global Roland Rudd is a founder and Chair of FGS Global, the leading stakeholder advisory group created through the combination of Finsbury, Hering Schuppener, Glover Park Group and Sard Verbinnen. He provides personal counsel to board members and senior executives at the most critical moments for their companies. Prior to founding the strategic communications company Finsbury in 1994, he worked as a political and financial journalist at the Financial Times and The Times. Roland is also the Chair of Tate, which he has been involved with for the past 25 years, first serving as a Patron, Chair of the Business Advisory Group and then as Deputy Chair. He has also been a Trustee and fundraiser for the Royal Opera House and is currently a Trustee of the Bayreuth Festival, as well as a patron of Grange Park Opera and the Holburne Museum. He is currently Chair of the Governors for Millfield School, a Trustee at Speakers for Schools, an ambassador for Made by Dyslexia and an Honorary Fellow at the Centre for Corporate Reputation, Regents College, Oxford University. He also serves as a Specially Appointed Commissioner at the Royal Hospital Chelsea and is an Ambassador for the Alzheimer's Society.Top Leadership Tip: Be focused: it's so easy to waste time on things that have little or no relevance to what you are doing. Most people waste at least half their time doing irrelevant stuff. Be effective: make what you are doing count, by making a difference. Don't put things off; do them now. Have fun: you are best at what you are most passionate about. And in pursuing what you like best, it's important to have fun. Summary 1-line: “Be focused, be effective, and have fun – you are best at what you are most passionate about, and in pursuing what you like best, it's important to have fun”. Hosted on Acast. See acast.com/privacy for more information.

Artist Yinka Shonibare CBE RA, and Hans Ulrich Obrist and Tamsin Hong of The Serpentine Galleries, coat London's historic statues and public monuments with fresh layers of history. For over 30 years, Yinka Shonibare CBE RA has used Western European art history to explore contemporary culture and national identities. With his iconic use of Dutch wax print fabric - inspired by Indonesian batik designs, mass-produced in the Netherlands (and now China) and sold to British colonies in West Africa - he troubles ideas of ‘authentic' ‘African prints'. Painting these colourful patterns on his smaller-scale replicas of sculptures of British figures like Winston Churchill, Robert Clive, and Robert Milligan, he engages with contemporary debates raised in Black Lives Matter (#BLM) and the toppling of slave trader Edward Colston's statue in Bristol. Suspended States, the artist's first London solo exhibition in over 20 years, puts these questions of cultural identity and whiteness, within the modern contexts of globalisation, economics, and art markets. Wind Sculptures speak to movements across borders, other works how architectures of power affect refuge, migration, and the legacies of imperialism in wars, conflict, and peace today. With his Library series, we read into Wole Soyinka, Bisi Silva, and canonised 17th, 18th, and 19th century artists like Diego Velázquez, focussing on Yinka's engagement with Pablo Picasso, modernism, and ‘primitivism'. Hans Ulrich Obrist and Tamsin Hong highlight the connection between the Serpentine's ecological work, and Yinka's new woodcuts and drawings which consider the impact of colonisation on the environment. As a self-described ‘post-colonial hybrid', Yinka details his diasporic social practices, including his Guest Project experimental space in Hackney, and G.A.S. Foundation in Nigeria, and collaborations with young artists and researchers like Leo Robinson, Péjú Oshin, and Alayo Akinkubye. Yinka Shonibare: Suspended States runs at the Serpentine Galleries in London until 1 September 2024. Yinka is also an Invited Artist, and participant in Nigeria Imaginary, the official Nigerian Pavilion, at the 60th Venice Biennale, which runs until 24 November 2024. Part of EMPIRE LINES at Venice, a series of episodes leading to Foreigners Everywhere (Stranieri Ovunque), the 60th Venice Biennale or International Art Exhibition in Italy, in April 2024. For more about Dutch wax fabric and ‘African' textiles, listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath and British Textile Biennial 2021, and the British Museum's Dr. Chris Spring on Thabo, Thabiso and Blackx by Araminta de Clermont (2010)⁠. For more about Nelson's Ship in a Bottle (2010), listen to historicity London, a podcast series of audio walking tours, exploring how cities got to be the way they are. On bronze as the ‘media of history', hear artist Pio Abad on Giolo's Lament (2023) at the Ashmolean Museum in Oxford. And on the globalisation of ‘African' masks, listen to Tate curator Osei Bonsu in the episode about Ndidi Dike's A History of A City in a Box (2019). For more about the Blk Art Group, hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Hear curator Folakunle Oshun, and more about Yinka Shonibare's Diary of a Victorian Dandy (1998), in the episode on Lagos Soundscapes by Emeka Ogboh (2023), at the South London Gallery. Read about Nengi Omuku in this article about Soulscapes at the Dulwich Picture Gallery in London. And for other artists inspired by the port city of Venice, hear John Akomfrah of the British Pavilion (2024) on ⁠Arcadia (2023)⁠ at The Box in Plymouth. WITH: Yinka Shonibare CBE RA, British-Nigerian artist. Hans Ulrich Obrist, Artistic Director, and Tamsin Hong, Exhibitions Curator, at the Serpentine Galleries in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠

Art historian and Professor Griselda Pollock traces the memories of contemporary artist women like Sutapa Biswas, one of her students in the 1980s, and the entanglements in feminist, queer, and postcolonial thinking in art schools and universities. Griselda Pollock has long advocated for the critical function of contemporary art - and artists - in society. Whether paintings, drawings, or sculptures, these media can translate the traumatic legacies of colonialism, imperialism, and migration into visual form, and serve as refusals to forget - especially in our memory-effacing digital age. Born in apartheid South Africa, Griselda has lectured in global contexts; at the University of Leeds in the 1980s, she encountered Sutapa Biswas, a ‘force of nature' and one of the institution's first POC art students. She shares her experience of the two-way flows of teaching and learning. Drawing on stills from the artist's new film work Lumen (2021), and historic ‘Housewives with Steak-Knives' (1984-1985), she highlights both Bengali Indian imagery, and motifs of 17th and 18th century Old/Dutch Masters like Vermeer and Rembrandt - and why the artist ‘didn't need Artemisia Gentileschi' when she had the Hindu goddess Kali. Engaging with leaders of the Blk Art Group like Lubaina Himid, Sonia Boyce, and Claudette Johnson, we find connections with the first generation of British artists, born in the UK of migrant parents. Griselda also shares the important work of art historians and academics beyond Western/Europe, like Homi K. Bhabha, Gayatri Chakravorty Spivak, Chandra Mohanty, Catherine de Zegher, and Hiroko Hagewara. We discuss how being open to challenge and conversation, unsettling your own assumptions, denormalising and widening visibility are all ongoing obligations. Still, with Coral Woodbury's paintings, layered atop H.W. Jansen's History of Art (1968), we see how little the education system has changed. Griselda concludes with thoughts on Vincent van Gogh, Paul Gauguin, and challenging the norms of modernist colonial tourism within the confines of free speech and market demand. Medium and Memory, curated by Griselda Pollock, ran at HackelBury Fine Art in London until 18 November 2023. An expanded exhibition of Coral Woodbury's Revised Edition runs until 4 May 2024. Griselda Pollock on Gauguin is published by Thames & Hudson, and available from 28 May 2024. For more from Lubaina Himid, hear the artist on their work Lost Threads (2021, 2023), at the Holburne Museum in Bath: pod.link/1533637675/episode/4322d5fba61b6aed319a973f70d237b0 And read about their recent exhibition at Tate Modern, and work with the Royal Academy (RA) in London, in gowithYamo: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city For more about The Thin Black Line exhibition at the Institute of Contemporary Arts (ICA) in London (1985), hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London: pod.link/1533637675/episode/707a0e05d3130f658c3473f2fdb559fc For more about the artist Gego, who practiced in Germany and South America, read my article about Measuring Infinity at the Guggenheim Bilbao (2023), in gowithYamo: gowithyamo.com/blog/infinite-viewpoints-gego-at-the-guggenheim-bilbao WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. She won the Holberg Prize in 2020 for her contributions to feminism in art history and cultural studies, books, and exhibitions. She is the curator of Medium and Memory. ART: ‘Lumen, Sutapa Biswas (2017) and Lubaina Himid, from the Revised Edition series, Coral Woodbury (2023)'. PRODUCER: Jelena Sofronijevic.

Artist and curator Lubaina Himid unravels entangled histories of transatlantic slavery and textile production, across continents, and Britain's museum collections, via Lost Threads (2021, 2023). Lubaina Himid considers herself ‘fundamentally a painter', but textiles have long been part of her life and practice. Had she stayed in Zanzibar, the country of her birth in East Africa, she may have become a kanga designer, following a pattern set by her mother's interest in fashion, and childhood spent around department stores in London. First commissioned by the British Textile Biennial in 2021, and installed in Gawthorpe Hall's Great Barn, her 400m-long work Lost Threads' flows in a manner reflective of the movement of the oceans, seas, and waterways which historically carried raw cotton, spun yarn, and woven textiles between continents, as well as enslaved people from Africa to pick raw cotton in the southern states of America, and workers who migrated from South Asia to operate looms in East Lancashire. Now on display in Bath, the rich Dutch wax fabrics resonate with the portraits on display in the Holburne Museum's collection of 17th and 18th century paintings - symbols of how much of the wealth and prosperity of south-west England has been derived from plantations in the West Indies. Lubaina talks about how the meaning of her work changes as it travels to different contexts, with works interpreted with respect to Indian Ocean histories in the port city of Sharjah, to accessible, participatory works in Cardiff, and across Wales. We consider her ‘creative interventions' in object museums and historic collections, ‘obliterating the beauty' of domestic items like ceramics, and her work with risk-taking curators in ‘regional' and ‘non-conventional' exhibition spaces. We discuss her formative work within the Blk Art group in the 1980s, collaboration with other women, and being the first Black artist to win the Turner Prize in 2017. And drawing on her interests in theatre, Lubaina hints at other collections and seemingly ‘resolved' histories that she'd like to unsettle next. Lubaina Himid: Lost Threads runs at the Holburne Museum in Bath until 21 April 2024. For more about Dutch wax fabric and ‘African' textiles, hear the British Museum's Dr. Chris Spring on Thabo, Thabiso and Blackx, Araminta de Clermont (2010). For more about Claudette Johnson, hear curator Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Hear artist Ingrid Pollard on Carbon Slowly Turning (2022) at the Turner Contemporary in Margate. Hear curator Griselda Pollock from Medium and Memory (2023) at HackelBury Fine Art in London. And for more about the wealth of colonial, Caribbean sugar plantations which founded the Holburne Museum, hear Dr. Lou Roper on ⁠Philip Lea and John Seller's A New Map of the Island of Barbados (1686)⁠, an object in its collection. Recommended reading: On Lubaina Himid: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city On Maud Sulter: gowithyamo.com/blog/reclaiming-visual-culture-black-venus-at-somerset-house On Sonia Boyce: gowithyamo.com/blog/feeling-her-way-sonia-boyces-noisy-exhibition On Life Between Islands at Tate Britain: artmag.co.uk/the-caribbean-condensed-life-between-islands-at-the-tate-britain WITH: Lubaina Himid, British artist and curator, and professor of contemporary art at the University of Central Lancashire. Himid was one of the first artists involved in the UK's Black Art movement in the 1980s, and appointed MBE and later CBE for services to Black Women's/Art. She won the Turner Prize in 2017, and continues to produce work globally. ART: ‘Lost Threads, Lubaina Himid (2021, 2023)'. SOUNDS: Super Slow Way, British Textile Biennial (2021). PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Of her work, British artist Lubaina Himid says she is "filling in the gaps of history." Danielle Radojcin travels to The Holburne Museum in Bath to meet her at her new exhibition, Lost Threads, which, like much of her work, addresses the histories and legacies of colonialism and slavery.Himid turns 70 this year. She was born in Zanzibar, but after her father tragically died of malaria when she was just a few months old, her British mother took her to live in the UK, where they settled in London. She eventually studied Theatre Design at Wimbledon College of Art, and the Royal College of Art. Over the course of her career, Himid has aimed to make art that creates a dialogue with her audience - she has said how the patterns in her work are a form of narrative; she has also made a point of championing under-represented artists, especially Black and Asian women. She became a key figure in the 1980s London, “Black art” movement, in which so called black art moved from the margins to the centre of British culture thanks in part to a series of influential exhibitions Himid curated. She was the first Black woman to win the Turner Prize, which she was awarded in 2017, and was elected to the Royal Academy in 2018, the same year she was made a CBE for services to art. Today, she  lives and works in Preston, where she is a professor at the University of Central Lancashire. Himid sat down with me at the Holburne in the midst of the press preview of her new exhibition, in one of the main, very large rooms there, to tell me a bit about her work… Episode artwork: Lubaina Himid, Man in a Pyjama Drawer, 2021 via Hollybush Gardens https://paulineboty.org/Gazelli Art Housemonomediafilms.london

Marrying someone based on a portrait was part of life in Renaissance Europe. An exhibition in Bath explores the politics of wedlock and painting - New Generation Thinker Christina Faraday has been to visit. Eleanor Chan has been studying the history of depicting musical notes on the page, whilst Sew What podcast host Isabella Rosner looks at needlework skills in Tudor England. John Gallagher hosts the conversation. Producer: Nick Holmes BBC Radio 3 is marking the anniversary of the Tudor composer William Byrd with episodes of Composer of the Week, concerts including one during the Proms season at Londonderry and other discussions - all available on BBC Sounds. You can also find Eleanor Chan's Essay about another Tudor composer - The discordant tale of Thomas Weelkes . Painted Love: Renaissance Marriage Portraits runs at the Holburne Museum in Bath until October 1st 2023. Christina Faraday's book Tudor Liveliness: Vivid Art in Post-Reformation England is out now from Yale University Press. You might also be interested in other Free Thinking conversations about Tudor history, including: The Tudor Mind with guests including Helen Hackett https://www.bbc.co.uk/programmes/m0017dsp Tudor Families with guests including Joanne Paul and Emma Whipday https://www.bbc.co.uk/programmes/m0017dvc What do you call a stranger with guests including Nandini Das and John Gallagher https://www.bbc.co.uk/programmes/b0b89ssp A collection of discussions about Shakespeare collected on the Free Thinking programme website

We return to Nalini Malani's immersive installation My Reality is Different as it iterates in London, where curator Priyesh Mistry draws out the colonial and classical connections between the contemporary artist's animation chamber, and the permanent collections of the National Gallery. Born in British India in 1946, the year before Partition, contemporary artist Nalini Malani has always focussed on both ‘fractures' and continuity. From paintings to animations, her ambitious practice has always challenged conventions - none more so than her new installation, in which she ‘desecrates' well known works of art with her iPad, drawing out overlooked details, and immersing the viewer in her own perspectives. As My Reality is Different moves from the Holburne Museum in Bath to London, curator Priyesh Mistry explains how Malani's ‘endless paintings' speak to historical continuities, from the economics of slavery, to contemporary violence, and the treatment of women in ancient Greece as Cassandra and Medea. He explores the artist's use of Instagram as a ‘democratic platform', and how the exhibition radically changes our realities, in how and what we see in these paintings, and museums as products of imperial exchange. Nalini Malani: My Reality is Different runs at the National Gallery in London until 11 June 2023. For more, listen to the artist Nalini Malani on EMPIRE LINES: pod.link/1533637675/episode/74b0d8cf8b99c15ab9c2d3a97733c8ed And read my article in gowithYamo: gowithyamo.com/blog/nalini-malani-my-reality-is-different-review WITH: Priyesh Mistry, Associate Curator of Modern & Contemporary Projects at the National Gallery, London, and a curator of Nalini Malani: My Reality is Different. ART: ‘The Experiment with the Bird in the Air Pump, Joseph Wright of Derby (1768) and My Reality is Different, Nalini Malani (2022)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Iranian women using song to protest and whose voices do we pay attention to ? On International Women's Day, Shahidha Bari hosts a conversation with the authors of books called On Being Unreasonable and Who Gets Believed, an artist and a researcher looking at Iranian women using song. Michelle Assay is an academic specialising in music who was born in Iran and had to leave the country. Dina Nayeri is an Iranian American writer now based in Scotland and Kirsty Sedgman studies the behaviour of audiences. Alberta Whittle represented Scotland in the Venice Biennale and has exhibitions on at Bath's Holburne Museum and in Scotland. Alberta Whittle: Dipping below a waxing moon, the dance claims us for release is at the Holburne Museum until May 8th. Alberta Whittle | create dangerously runs at the Scottish National Gallery of Modern Art from Sat 1 Apr 2023 - Sun 7 Jan 2024 Kirsty Sedgman's On Being Unreasonable: Breaking the Rules and Making Things Better is out now https://kirstysedgman.com/ Dina Nayeri's latest book is called “Who Gets Believed? https://www.dinanayeri.com/ You can hear more from her in a previous episode of Free Thinking called Language and Belonging https://www.bbc.co.uk/programmes/m0006fh9 Free Thinking has a whole collection of programmes Women in the World with conversations ranging from fictional characters including The Wife of Bath and Lady Macbeth to Arabian queens, landladies, women warriors and goddesses ttps://www.bbc.co.uk/programmes/p084ttwp Producer: Jayne Egerton

We're back offline, and into the deep black exhibition space of Bath's Holburne Museum, where artist Nalini Malani coats fresh layers upon classical paintings from the National Gallery in her new installation, My Reality is Different. Artist Nalini Malani disrupts Western linear perspectives – in art, and in history. In My Reality is Different, the viewer is engulfed within a dark cavern, a panoramic 40 metres of wall space, shot with nine overlapping video projections all playing in a continuous loop. With tens of iPad-drawn animations. she adds layers to classical paintings from the National Gallery and the Holburne Museum in Bath. Born in 1946 in Karachi, British India, and now practicing in Mumbai, Malani has always radically questioned conventions of painting and drawing. She talks about reworking well-known works of art from alternative, and critical, perspectives, highlighting histories of the subaltern, women, and the colonial and imperial sources of wealth behind contemporary art collections. Nalini Malani: My Reality is Different runs at the Holburne Museum in Bath until 8 January 2023, and then the National Gallery in London from 2 March to 11 June 2023. For more, read my review of My Reality is Different in gowithYamo: gowithyamo.com/blog/nalini-malani-my-reality-is-different-review. PRESENTER: Nalini Malini, Mumbai-based artist. In 2020, she became the first-ever artist to receive the National Gallery Contemporary Fellowship. ART: My Reality is Different, Nalini Malani (2022). IMAGE: 'Nalini Malani in front of Caravaggio's 'The Supper at Emmaus' (1601) at the National Gallery'. SOUNDS: Extract from My Reality is Different, Nalini Malani. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Visitors to the Holburne Museum in Bath are having a close encounter with the most familiar faces in English history. A stunning exhibition, The Tudors: Passion, Power and Politics, includes some of the most iconic Tudor portraits, evoking that torrid era of religious conflict and political intrigue.In this edition of Not Just the Tudors, Professor Suzannah Lipscomb walks round the exhibition with curator Monserrat Pis Marcos to discuss the paintings and the turbulent lives of those portrayed.Keep up to date with everything early modern, from Henry VIII to the Sistine Chapel with our Tudor Tuesday newsletter >If you would like to learn more about history, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit >To download, go to Android > or Apple store > See acast.com/privacy for privacy and opt-out information.

Writers Okechukwu Nzelu and Stephanie Merritt join Tom Sutcliffe to review Hanya Yanagihara's novel To Paradise, eagerly awaited by fans of her Booker-shortlisted A Little Life. Over three distinct time settings it tells a vast story about the United States, Hawaii, love and responsibility, taking in climate change and pandemics along the way. And we'll be looking ahead to a few of the book titles our critics are looking forward to this year. Tracey MacLeod, one-time restaurant reviewer and critic on Masterchef, joins us to review Boiling Point, the one-take, fast-paced film set in a professional kitchen, starring Stephen Graham Following the attack on the sculpture of Prospero and Ariel outside BBC Broadcasting House, art historian Dr Chris Stephens, Director of the Holburne Museum, gives us an insight into Eric Gill and the problem of bad people making good art. Manjeet Mann joins us to discuss her Costa Children's Award winning novel The Crossing. Written in verse, it tells the story of Natalie and Sammy, two teenagers from opposite worlds, who are both overcoming their own grief.

We talk Dante Gabriel Rossetti, events to stream from round the world and talk to the artist whose work is lighting up the brand new Battersea Power Station tube Rossetti's Portraits at The Holburne Museum, Bath https://www.holburne.org/rossettis-portraits-coming-soon/ 24th September till 9th January Sunil Gupta: The New Pre-Raphaelites at The Holburne Museum, Bath https://www.holburne.org/sunil-gupta-the-new-pre-raphaelites-coming-soon/ 24th September till 19th January Marquee TV : https://welcome.marquee.tv Listeners can claim their 50% subscription discount here https://marquee.tv/culture Alexandre de Cunha at Battersea Power Station Tube - see Art on the Underground https://art.tfl.gov.uk Chelsea Flower Show https://www.rhs.org.uk/shows-events/rhs-chelsea-flower-show 21st to 26th September Charlotte Smithson with YSP X The Oak Project https://ysp.org.uk/events/ysp-x-the-oak-project-at-rhs-chelsea-flower-show-london-with-new-commission-charlotte-smithson With thanks to: Martin Miller's Gin : https://www.martinmillersgin.com Listeners can claim their 10% discount (up to the value of £6) by using the code breakout2021 at checkout. This will be applied to any 70cl bottle of qualifying Martin Miller's lines - the original, Westbourne Strength, Summerful Gin, Winterful Gin, and 35cl 9 Moons Special Cask Reserve - purchased on www.masterofmalt.com website only. Valid until 31 October 2021 or while limited promotional stock lasts. Not applicable in conjunction with any other offer. 18+ and subject to Master of Malt's standard consumer terms of business. Edited and Produced by Audio Coast

"We suffer from Johnson" - those words come in a poem written by his friend, the diarist Hester Thrale Piozzi (who died May 2nd 1821). Patience Agbabi's new novel time travels back to eighteenth century London and takes its teenage heroes to a tea party at Samuel Johnson's house. Thomas Lawrence sketched his biographer Boswell. His Jamaican servant Francis Barber inherited his watch. So Laurence Scott convenes his own virtual tea party to look at Samuel Johnson's world. New Generation Thinker Sophie Coulombeau is co-organiser of the first international conference on Hester Thrale Piozzi and will share her findings from her research into Piozzi's life and works. As an exhibition of Lawrence's portraits prepares to open at the Holburne Museum in Bath, we hear from curator, Amina Wright, about the young artist. Patience Agbabi's novel is called The Time-Thief and she explains why she was drawn to depict Samuel Johnson. And, New Generation Thinker Jake Subryan Richards writes a postcard reflecting on ideas about slavery, abolition and the law in eighteenth century England. New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn academic research into radio. You can find a playlist of discussions, features and Essays on the Free Thinking programme website https://www.bbc.co.uk/programmes/p08zhs35 Producer: Ruth Watts Image: Patience Agbabi Credit: Lyndon Douglas

Here we present a selection of Bath's best museums and galleries: the Fashion Museum, housed in the Assembley Rooms and featuring clothes, ranging from Elizabethan-era gloves to the very latest 'dress of the year'; the house where astronomer William Herschel discovered Uranus; the Postal Museum, telling the story of Bath's revolutionary postmaster whose profits helped finance the Circus and the Royal Crescent and Bath's two best known art galleries, the Holburne Museum and the Victoria Art Gallery. Useful links https://www.fashionmuseum.co.ukhttps://herschelmuseum.org.ukhttp://www.bathpostalmuseum.co.ukhttps://www.holburne.orghttps://www.victoriagal.org.uk https://www.citybreakspodcast.co.uk

Director Melina Matsoukas talks about her first feature film Queen and Slim, which follows a black couple on a lackluster date pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results and the erstwhile couple decide to go on the run. Known primarily as a director of music videos for megastars like Beyoncé, Matsoukas discusses her transition between mediums and the film’s political message. Grayson Perry: The Pre-Therapy Years is the first exhibition to survey the artist’s earliest works - pots, plates and sculptures - which he made between 1982 and 1994. Critic Jacky Klein reviews the exhibition at the Holburne Museum in Bath which includes pottery that addresses his regular themes of gender, identity and social class. The life of Faust, an itinerant alchemist and astrologer in 15th century Germany, has inspired great writers through the centuries, most notably Christopher Marlowe. Now Chris Bush reinvents the story again; Faustus is a woman and, instead of using the powers of Mephistopheles for self-gratificiation she seeks the kinds of knowledge denied women through the ages, traveling through time to attain it. Stig talks to Chris Bush about her ambitious, ideas-laden new play, Faustus: That Damned Woman. As we continue to explore risk in the arts, actor Richard Armitage speaks to us about the physical and reputational risk of being waterboarded for the filming of Spooks. Presenter: Stig Abell Producer: Hannah Robins

This episode takes us to the Holburne Museum in Bath, which runs an excellent programme called Pathways to Wellbeing whereby they offer art classes focusing on the objects in the museum to people with mental health issues referred by the local NHS trust. Listen on to hear Louise Campion, Education and Outreach Officer at the Holburne, discuss the history of an object that was used in a Pathways to Wellbeing art class and why it was a helpful talking point for the session participants. You can find a picture of the object in question on Ployradford.com.

Painter George Shaw, crime writer Dreda Say Mitchell and drama expert Katie Beswick join Matthew Sweet to look at depictions of estate living - from the writing of Andrea Dunbar to SLICK on Sheffield's Park Hill estate to the images of the Tile Hill estate in Coventry where George Shaw grew up, which he creates using Humbrol enamel - the kind of paint used for Airfix kits. Plus a view of the French banlieue from artist Kader Attia. George Shaw: A Corner of a Foreign Field is at the Holburne Museum, Bath to 6th May 2019. Katie Beswick has just published Social Housing in Performance. Dreda Say Mitchell's latest book is called Spare Room. She also writes the Flesh and Blood Series set in London's gangland and the Gangland Girls series. Kader Attia: The Museum of Emotion runs at the Hayward Gallery at London's SouthBank Centre to May 6th 2019.

Oscar-tipped If Beale Street Could Talk is directed by Barry Jenkins who won Best Picture in 2016 for Moonlight... A woman in Harlem embraces her pregnancy while she and her family struggle to prove her fiancé is innocent of a crime Katherine Parkinson stars in Home I'm Darling, recently opened at London's Duke of York Theatre, as an ideal 1950s housewife living in the present day Tessa Hadley's newest novel Late In The Day. The death of a close friend in a tight circle of long-term friends throws all the remaining relationships into sharp relief The painter George Shaw - famed for his realist suburban subject matter has a new exhibition opening at the Holburne Museum in Bath A new BBC2 documentary David Bowie: Finding Fame investigates how David Robert Jones became David Bowie using previously unseen footage, interviews with friends and lovers and correspondence that is less than flattering. Tom Sutcliffe's guests are Susie Boyt, Irenosen Okojie and Pat Kane. The producer is Oliver Jones Podcast extra recommendations: Irenosen: Russian Doll on Netflix Tom: Ruskin Exhibition at 2 Temple Place

Ang Lee's Billy Lynn's Long Halftime Walk is the first film to utilise a shooting and projection frame rate of 120 frames per second in 3D at 4K HD resolution. In a drama which tells the story of American war heroes on leave from Iraq, will audiences be won over by what Ang Lee calls a " new immersive cinema?" Vietnamese American writer Viet Thanh Nguyen won the Pullitzer Prize for his debut novel The Sympathizer about the Vietnam war. His new book of short stories, The Refugees, draws heavily on his own experience of arriving in America having fled Vietnam after the fall of Saigon in 1975. Bruegel's Defining A Dynasty at The Holburne Museum in Bath is the UK's first exhibition devoted to the Bruegel dynasty and brings together 35 works produced by four different generations of the family. A key work in the exhibition is the Wedding Dance in the Open Air, an oil painting from the Holburne's own collection which, following conservation work and technical examination, can be attributed firmly to the hand of Pieter Bruegel the Younger. The Kettering Incident is a new 8 part series on Sky Atlantic starring Elizabeth Debicki who played opposite Tom Hiddleston in BBC's hit drama The Night Manager. Shot entirely on location in Tasmania, The Kettering Incident follows a doctor (Debicki) who returns to her home town after several years overseas, only to find herself at the centre of a mystery surrounding the disappearance of a young girl. Stefan Zweig's 1938 novel Ungueld des Herzens (Beware of Pity) brings together two of Europe's most boundary-pushing, imaginative theatre companies at the Barbican for the first time. Theatre de Complicite's Simon McBurney directs the outstanding Berlin theatre company Schaubühne in a story of a doomed romance set in the Austro-Hungarian empire just before the first world war.

John Wilson reviews Fading Gigolo, which follows two friends who become an unlikely gigolo and pimp in a bid to make money. Written and directed by John Turturro, the film stars Woody Allen as a Brooklyn bookseller who becomes his friend's "manager." Larushka Ivan-Zedeh reviews. DJ and producer Fatboy Slim discusses his new double album of Brazilian party music which coincides with the start of the World Cup and is a reaction against the pop-heavy official album released by Fifa. Plus the artist Julian Opie on a new exhibition at the Holburne Museum in Bath which brings together his work with art that he has collected, including 17th Century painting and ancient Egyptian sculpture. And Jason Solomons reports from the Cannes Film Festival.

Dr Alexander Sturgis, Director of the Holburne Museum, talks about its plans for the future. He gives an insight into what visitors will be able to see in the renewed museum and the ways in which the development will allow it to play its part to the full in the cultural life of the city and region.