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2 episodes with araminta
In this episode of Market Mentors, Matt Dodgson interviews Araminta Robertson, founder of Mint Studios, about the state of B2B content marketing in 2025. Despite AI disruption and tightening budgets, Araminta explains why content remains essential for sharing expertise and generating leads. They discuss:The Importance of Content Marketing in 2025Blogs and Their Evolving RoleWhere Would You Start to Create Inbound Leads?Understanding Your Audience: Beyond DemographicsHow Do You Decide What Type of Content to Produce?When Will You Start to See Results From SEO Focused ContentWhat Metrics Do You Track?Making Boring Content EngagingWhat Skill Should Content Marketers Master Today?How to Assess Content Marketers at Final Interview StageWhat AI Tools Are You Using and Recommending?Market Mentors is brought to you by Matt Dodgson, Co-Founder of Market Recruitment. Market Recruitment is a recruitment agency that connects B2B Tech & SaaS businesses with world class marketers to help them grow.If you'd like to be a future guest on the Market Mentors podcast, you can apply here.
We live in a world where marketing acquisition budgets are tight and we have a ton of pressure to deliver growth! - as a result content marketing has emerged as a powerful strategy for FinTech growth. In this episode, I speak with Araminta Robertson, Founder of Mint Studios, and we answer the big question: How to leverage content marketing effectively in the FinTech space?Araminta brings deep expertise in content strategy and SEO and shares insights on building effective content strategies that drive measurable results and explains why bottom-of-funnel content is becoming increasingly crucial in the age of AI.We explore how content can bridge the financial education gap, the strategic approach to SEO in an AI-driven world, and the balance between brand awareness and lead generation. We also discuss the challenges of creating technical content that resonates with B2B audiences and the importance of authentic expertise in content creation.
Steun ons geluid via iDeal: https://bunq.me/LuMens Dank je wel. LuMens - Seizoen 3: Het verschijnende pad Help mee dit groeiende kanaal verder te brengen om meer mensen te inspireren. Als je waardeert wat wij maken, abonneer je dan op dit kanaal, zet de meldingen aan en verspreid onze content via je eigen socials en in je eigen familie/vriendengroepen. Heel veel dank daarvoor! Jouw steun (en financiële bijdrage) zorgt voor de voortgang, kwaliteit en groeiend bereik van LuMens. https://www.tijdboeklumens.nl LuMens #326 Ishtara Araminta Seizoen 3 Aflevering 26 (S03E26) Letterlijk álles gebeurt om een reden Voor de vierde keer (!) dit seizoen gaan we in gesprek met Ishtara Araminta, auteur van The Divine Romance Experience. Ishtara opende seizoen 3, en sluit het bij deze als laatste gast ook weer af. En niet zonder reden. Het is een enorm bewogen jaar geweest waarin de teachings uit haar boek en eerdere podcasts van onschatbare waarde zijn gebleken. Bijvoorbeeld Ishtara's kijk op de Wet van Aantrekkingskracht maakt dat we nog eens extra goed en diep kunnen kijken naar wat er in en om ons heen allemaal gebeurd. Wat zegt dit over onszelf? In deze zinderende aflevering gaan Ferdinand en Ishtara een levendig gesprek hierover aan met grote praktijkvoorbeelden... .....YouTube geeft slechts 5000 karakters voor dit tekstveld. We nodigen je uit om de rest van de tekst verder te lezen op onze eigen website https://www.tijdboeklumens.nl/podcast-ishtara-araminta-2 Tevens kun je je op onze site aanmelden voor onze nieuwsbrief. Zo blijven we in directer en onafhankelijker contact met elkaar. Bestel ook absoluut onze Tijdboeken om een documentatie in huis te halen van krachtige visies bij elkaar, gebundeld in een premium hardcover met goudfolie artwork en fractal imprint. https://www.tijdboeklumens.nl Tot slot: als je het waardevol vindt wat wij maken, dan vragen we je graag om een vrijblijvende vergoeding via onze site of direct via iDeal (https://bunq.me/LuMens). Je houdt ons daarmee op de been, want we blijven dit werk enorm graag voortzetten maar daar hebben we hulp bij nodig. Enorm veel dank dus voor ieders bijdrage, al is het maar een klein gebaar, het maakt hét verschil voor onze draagkracht. Onze wens is dat het positieve, niet-polariserende en verbindende geluid van LuMens steeds meer gehoord en aangereikt kan worden, om de toename van spanning en strijd in de wereld te kanaliseren naar een constructief alternatief. Het delen van onze content wordt dan ook zeer gewaardeerd! https://www.tijdboeklumens.nl/doneren #zielsgeluk #manifesteren #bewustzijnsontwikkeling #christusbewustzijn #floreerspiraal
FROM THE DIRECTOR OF WICKED!! Crazy Rich Asians Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ Crazy Rich Asians Reaction, Commentary, Analysis, & Spoiler Review w/ Greg Alba & Tara Erickson! J They delve into the dazzling world of Crazy Rich Asians, the groundbreaking romantic comedy directed by Jon M. Chu. The film boasts a stellar ensemble cast, including Constance Wu (Fresh Off the Boat) as Rachel Chu, Henry Golding (A Simple Favor) as Nick Young, Michelle Yeoh (Everything Everywhere All At Once, Crouching Tiger, Hidden Dragon) as Eleanor Young, Gemma Chan (Humans) as Astrid Leong, Awkwafina (The Farewell) as Peik Lin Goh, and Ken Jeong (The Hangover) as Wye Mun Goh. Notable scenes that have captivated audiences include the opulent wedding ceremony of Colin and Araminta, often hailed as one of the most beautiful wedding scenes in modern cinema , and the climactic mahjong showdown between Rachel and Eleanor, showcasing strategic brilliance and emotional depth. These moments have garnered millions of views on YouTube, reflecting their popularity among fans. Greg and Tara provide heartfelt reactions and insightful analysis, exploring themes of love, cultural identity, and family dynamics, making this discussion a must-watch for fans of the film and newcomers alike. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
#OnTheSofa Season 7 Episode 3: Portrayal of gendered violence in fiction, particularly femicide, the murder of women on account of gender. Victoria is Joined by JOAN SMITH author of Unfortunately She Was a Nymphomaniac, ARAMINTA HALL One of the Good Guys and ADAM LEBOR the Danube Blues series. VICTORIA SELMANSundayTimes bestselling author of ALL THE LITTLE LIARSAmazon Author Page: https://amzn.to/3xmvMeSWebsite for news and giveaways: http://www.victoriaselmanauthor.comTwitter: @VictoriaSelmanWe love to hear from our listeners! Find me on Twitter @VictoriaSelman and join in the chat using #OnTheSofaWithVictoriaDesert Island Novels:Tacitus THE ANNALSTolstoy WAR AND PEACE Alan Furst DARK STARProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024 Slaughterfest, National Crime Reading Month, CWA Daggers
We want to change how people think, act, and feel about getting better. We bring together the latest research, insights and deep understanding about healing. And we make sure everyone can be a part of it.
Curator Tessa Giblin deconstructs El Anatsui's monumental, sculptural textiles, unravelling the ties that still bind post-colonial Ghana, Nigeria, and Scotland in the 21st century., via Scottish Mission Book Depot Keta (2024). El Anatsui: Scottish Mission Book Depot Keta runs at Talbot Rice Gallery in Edinburgh until 29 September 2024. For more about Otobong Nkanga and The Recent at Talbot Rice Gallery, read this article about Edinburgh's Environmental Exhibitions in gowithYamo: gowithyamo.com/blog/edinburghs-environmental-exhibitions-the-global Hear artist Ibrahim Mahama on Sekondi Locomotive Workshop (2024) at Fruitmarket in Edinburgh: pod.link/1533637675/episode/ed0be49d016ce665c1663202091ce224 And Serge Attukwei Clottey on his family's internal migration from Jamestown/Usshertown in British Accra, Ghana, to coastal La (Labadi), Afrogallonism, and his collaborative practice, uplifting his community with upcycled plastic waste, through Noko Y3 Dzen (There's Something in the World) (2018–Now) at the Eden Project in Cornwall: pod.link/1533637675/episode/8093f81c6a2eaaf7589bb73768e2a20c Listen to curator Osei Bonsu, curator of the Hyundai Commission: El Anatsui: Behind the Red Moon and A World in Common: Contemporary African Photography, at Tate Modern in London: pod.link/1533637675/episode/386dbf4fcb2704a632270e0471be8410 And hear Chris Spring, former curator of the British Museum's collections from eastern and southern Africa, on ‘African' textiles and Thabo, Thabiso and Blackx by Araminta de Clermont (2010) at the British Museum in London. pod.link/1533637675/episode/a32298611ba95c955aba254a4ef996dd PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
We can't wait for the confirmed Bridgerton Season 4 with main squeeze Benny Boo Boo and the excitement of who's Sophie!We can't wait for our Season 3 Episode 1 Breakdown to be technically available however Polin-ating season is climbing to be Netflix's most watched show of all time.How many times have you watched the S4 announcement video? https://www.youtube.com/watch?v=VGHJPpo2oeUWhat we know so far: https://www.hollywoodreporter.com/tv/tv-news/bridgerton-season-4-what-to-expect-benedict-luke-thompson-1235955688/Filming is delayed until the end of this year so maybe a we're getting a 2026 present during the holidays? Whatever happens, whenever it happens, we're looking forward to the masquerade!Dylan Is In Trouble, with his official Bridgerton outfit, reacts to the first and last episode of Season 3… he's pretty perceptive and hilarious! https://www.youtube.com/watch?v=pvey-kQdqqcWe're wondering what the Cowper family's role in Season 4. Let us not forget Lady Cowper's first name is Araminta.Join us as we excitedly wait for more S4 Benny Boo Boo news and manifest receiving a premiere invitation!Hosts – Toni Rose & Wendy WooEmail - bridgerton2000@gmail.comFollow - www.instagram.com/bridgerton2000Shop - www.zazzle.com/store/lit_wallflowers/productsSubscribe - www.youtube.com/channel/UCVbwzumQy5Gx1TKc-O4OCzQWebsite - linktr.ee/bridgerton2000www.juliaquinn.comwww.instagram.com/juliaquinnauthorwww.ubookstore.com/books/collections/julia-quinnwww.shondaland.com
In this episode, we delved into content marketing, focusing on long-form written content with guest Araminta Robertson, a fintech specialist. We explored her insights on SEO and building a thriving fintech marketing community of over 2000 members on Slack. Listeners were also informed about a new interactive feature on Spotify allowing comments on episodes. Tune in for more on content marketing, community building, and CRM strategies! Chapters
In this episode of Content Briefly, we've interviewed Araminta Robertson, Founder & Managing Director at Mint Studios, and discussed her decision to niche down to fintech clients, her approach to setting up customer reporting to track ROI on content, and more.This episode is brought to you by our friends at Animalz. ************************Timestamps:00:00 Intro02:44 Who is Araminta Robertson?04:01 Typical client at Mint Studios.04:58 The ‘why' behind niching down to fintech clients.06:55 PPC vs. SEO in content marketing.08:52 Mint Studio's in-depth process for finding the right keywords.11:53 Transitioning from freelancing to starting an agency.14:02 Freelancing vs. starting an agency.16:35 Fin-tech founders' approach to measuring ROI.17:56 Tracking progress and reporting back to clients.19:28 Setting up Hubspot reporting to track revenue.22:49 Focusing on the most critical metrics in reporting.24:45 Using paid ads and SEO together in content marketing.26:31 Slack group for fintech marketers.27:53 Learn more about Araminta and Mint Studios and get in touch.28:28 Outro************************Useful Links:Website: https://www.mintcopywritingstudios.com/Araminta on LinkedIn: https://www.linkedin.com/in/aramintarobertson/Slack group: https://www.fintechmarketinghub.com/slack************************Stay Tuned:► Website: https://www.superpath.co/► YouTube: https://www.youtube.com/@superpath► LinkedIn: https://www.linkedin.com/company/superpath/► Twitter: https://twitter.com/superpathco************************Don't forget to leave us a five-star review and subscribe to our YouTube channel.Content, Briefly is produced by our friends at Minuttia.
LOGIN bersama Winona Araminta
Did you know Harriet Tubman's birth name was Araminta Ross? I had the pleasure of meeting Natalie Dause and her daughter, Sara Makeba when they performed at Rollins College and Hannibal Square Center. I got a whole new perspective on the woman more commonly known as Harriet Tubman! --- Send in a voice message: https://podcasters.spotify.com/pod/show/pamela-bussey/message
Artist LR (Lisa) Vandy shows EMPIRE LINES the ropes in a studio visit to Chatham's Royal Navy Dockyard in Kent, unravelling entangled imperial and industrial relationships, dance in the African diaspora, and women's work in abstract sculpture. In 2022, sculptor LR (Lisa) Vandy relocated her studio from the city of London to Chatham Ropery which, with original machinery from the 19th century, has preserved traditional practices and knowledges. Rope became essential to Britain's burgeoning maritime industry during the Georgian and Victorian eras, tied to the construction of empires, colonial hierarchies, and sites of slavery. Building in collaboration with the resident Master Ropemakers, her sculptures allude to and playfully subvert the media's historic associations and legacy now. From her five-metre-high figure for Liverpool's Canning Dock, to her new, smaller body of works, Lisa walks through her collection and archive on Kent's waterfront. Born in Coventry in the Midlands, she shares her experiences of growing up ‘by the sea' in Sussex as a young person of Nigerian and Irish heritages, and the racialised exclusion some face from leisurely pursuits in natural environments. Inspired by Barbara Ehrenreich's 2006 book, Dancing In The Streets, Lisa unravels ‘collective joy' and the central role of Black women. We see how dance has been used to resist oppression across continents, with spirit dances, raves, festivals, and carnival masquerades, interests shared by contemporaries like Theaster Gates, Hew Locke, Romuald Hazoumè, Zak Ové, and Hassan Hajjaj. Straw-fibre figures recall Grain Mother deities, corn dollies, and Kumpo, spinning dances from the Casamance (Senegal) and Gambia. With her ongoing series of Hulls, comprised of found objects, boats, and fishing floats ‘plundered' from DIY stores, we discuss her interest in the ‘underbelly of empire', knotty relationships between rail, sail, and transport, and ‘migrant crises' in the Mediterranean Sea today. Drawing on her research in museum collections, ancient silverwares, and indigo trade routes, Lisa moves on the discussion about globalised 'African masks' as symbols of ‘aggressive protection'. We discuss gender and identity, and how her curvilinear copper sculptures challenge conventional representations of the ‘female form'. Dynamic drawings of tornados tell of her designs for statues in the landscape - role models for those subject to the male gaze - exposing the empowering potential of contemporary art. Plus, Lisa shares why her tactile public artworks are designed to be destroyed. LR Vandy: Twist runs at the October Gallery in London until 25 May 2024. Dancing In Time: The Ties That Bind Us, commissioned by Liverpool Museums for the International Slavery Museum's Martin Luther King celebrations in 2023, stands at the Historic Dockyard Chatham in Kent until 17 November 2024. On harvest rituals, hear episodes about Ashanti Hare's performances at Against Apartheid at KARST in Plymouth (2023) and Invasion Ecology on Dartmoor (2024), and Learning from Artemisia (2019-2020), by Uriel Orlow and Orchestre Jeunes Étoiles des Astres, at the Eden Project in Cornwall. For more photographs of Black experiences in English coastal towns, and about the transatlantic ‘Triangular Trade' between Europe, Africa, and the Americas, hear Ingrid Pollard on Carbon Slowly Turning (2022) at Turner Contemporary in Margate. For more women working in port cities, read into: Lisetta Carmi: Identities, at the Estorick Collection in London. Magdalena Abakanowicz: Every Tangle of Thread and Rope, at Tate Modern in London. And hear Chris Spring on ‘African' textiles and Thabo, Thabiso and Blackx by Araminta de Clermont (2010) at the British Museum in London. PRODUCER: Jelena Sofronijevic. Editor: Alex Rees. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
LuMens - Seizoen 3: Het verschijnende pad Help mee dit groeiende kanaal verder te brengen om meer mensen te inspireren. Als je waardeert wat wij maken, abonneer je dan op dit kanaal, zet de meldingen aan en verspreid onze content via je eigen socials en in je eigen familie/vriendengroepen. Heel veel dank daarvoor! Jouw steun (en financiële bijdrage) zorgt voor de voortgang, kwaliteit en groeiend bereik van LuMens. https://www.tijdboeklumens.nl LuMens #308 Ishtara Araminta, mysticus en auteur 'The Divine Romance Experience' Podcast seizoen 3, aflevering 8 (S03E08) Oproep tot heilige strijd Voor deze online LuMens aflevering gaat Ferdinand wederom in gesprek met Ishtara Araminta, dit keer vanwege haar unieke beschrijving van het heilige vuur dat in ieder sluimert en er uit wil. In haar boek 'The Divine Romance Experience' beschrijft ze als geen ander hoe die 'vuurdraak' ieder mens kan bevrijden. Haar boek is het enige boek van buiten LuMens wat in onze webshop te vinden is, en dat is niet zonder reden. Ishtara's boek is voor ons een 'categorie op zichzelf' en voegt iets essentieels en unieks toe aan het huidige boekenlandschap en 'bewustzijnsbeweging'. Ishtara spoort je aan én geeft je de handvatten om jezelf te bevrijden uit het afgescheiden, beperkte ego, om zo in jouw volledige, unieke identiteit te gaan staan. En dat is goddelijk. Het is onbevangen, vreugdevol, en het is datgene waar we ten diepste altijd naar verlangt en gezocht hebben. De diepste kern van ieder mens is hiermee verbonden en komt steeds dichterbij. Haar boek en deze podcast hebben de intentie om daar steeds verder aan bij te dragen. De 26 tinten licht en de vier levels van bewustzijn die Ishtara benoemt kun je vinden op onze site: https://www.tijdboeklumens.nl/podcast-ishtara-araminta-vuurdraak Tevens kun je je op onze site aanmelden voor onze nieuwsbrief. Zo blijven we in directer en onafhankelijker contact met elkaar. Bestel ook absoluut onze Tijdboeken om een documentatie in huis te halen van de krachtigste visies bij elkaar, gebundeld in een premium hardcover met goudfolie artwork en fractal imprint. https://www.tijdboeklumens.nl Tot slot: als je het waardevol vindt wat wij maken, dan vragen we je graag om een vrijblijvende vergoeding via onze site of direct via iDeal (https://bunq.me/LuMens ). Je houdt ons daarmee op de been, want we blijven dit werk enorm graag voortzetten maar daar hebben we hulp bij nodig. Enorm veel dank dus voor ieders bijdrage, al is het maar een klein gebaar, het maakt hét verschil voor onze draagkracht. Onze wens is dat het positieve, niet-polariserende en verbindende geluid van LuMens steeds meer gehoord en aangereikt kan worden, om de toename van spanning en strijd in de wereld te kanaliseren naar een constructief alternatief. Het delen van onze content wordt dan ook zeer gewaardeerd! https://www.tijdboeklumens.nl/doneren #zielsgeluk #manifesteren #bewustzijnsontwikkeling #christusbewustzijn #floreerspiraal
@ColemanGlobal Hosted by Timothy StoneDancer Coleman and Ghylian Bell Engineered and produced by Timothy StoneDancer Coleman In this conversation, Gillian Bell and her mother, Esther Bell, discuss the impact of Gillian's work and the influence of Esther's upbringing on her journey. They explore the importance of ancestral ways and the power of having two powerhouse women in one room. Esther shares her journey of finding purpose through education and her passion for teaching. They also reflect on fond memories of Gillian's path and discuss their transformative trip to Egypt. Throughout the conversation, they emphasize the similarities of life and the importance of being open-minded. This conversation explores the importance of basic needs, the vision and compassion of Gillian, the village mentality and tribal leadership, the support for Araminta's success. It also highlights the family legacy of creativity and achievement, the influence of parents on children, the lessons from Esther's parents, the role of Esther's father, family achievements and reunions, continuing the legacy of standing out and creating, gratitude for Esther's influence, offering support and assistance, the importance of land practices and self-sufficiency, the need to return to traditional ways, the legacy of family and the importance of community, and closing remarks and gratitude. Takeaways The support and presence of family can have a profound impact on one's journey and purpose. Connecting with ancestral ways and traditions can provide guidance and inspiration. Education can be a powerful tool for finding purpose and making a positive impact. Fond memories and experiences shape and influence one's path in life. Basic needs such as electricity, rent, and food are essential all over the world. Gillian's vision and compassion are driving forces behind her work. The village mentality and tribal leadership are valuable in supporting and uplifting others. Supporting Araminta's success is a priority for Esther. The family has a legacy of creativity and achievement. Parents have a significant influence on their children's lives. Lessons from Esther's parents include the importance of music and sewing. The family celebrates achievements and holds regular reunions. Continuing the legacy of standing out and creating is important to Gillian. Returning to traditional ways and self-sufficiency is crucial. The family's legacy and community support are cherished. Esther is grateful for the opportunity to support and assist others. --- Send in a voice message: https://podcasters.spotify.com/pod/show/wdon1204/message
“I've certainly met men like Cole and you are fooled by them because they're fooling themselves. They're so dangerous and insidious for that reason, because you are actually sucked in a bit” - Araminta Hall Are you “one of the good guys”, supportive of women's rights and equality and opposed to gender injustice? This episode will make you think twice. Cole has escaped to the coast after his marriage imploded, and finds himself caught up in a media firestorm after two feminist activists go missing in the area. One of the Good Guys is the sixth book from established author Araminta Hall and is an exploration of how women are treated in the modern world. Written in three distinct parts, we first see life through the eyes of “good guy” Cole. The story is then told through the eyes of his ex-wife, and that's when we begin to see his perception of himself unravel. And in part three we're caught up in the social and mainstream media reaction to what happens to Cole. This episode explores the abuse women still have to put up with in a post #MeToo era, and the fear they still feel simply walking the streets alone. It looks into the insidious nature of patriarchal power. And it ventures into the territory of social media, and how damaging our obsession with “the truth” can be. In this episode, you will learn: Why stories about minorities facing injustice don't need to be victim stories. Why characters that believe they are good are more frightening than those that are pure evil. To examine your own ideas about being “one of the good guys”. Find out more about Araminta Hall here. Your host is inkjockey founder Mark Heywood. Behind The Spine is an inkjockey production and the audio accompaniment to The Writing Salon. Sign up for the newsletter here. You can buy copies of our anthology series here. You can view the full transcript here. Connect with the show: Instagram: https://www.instagram.com/behindthespinepodcast/ Facebook: https://www.facebook.com/BehindTheSpine Twitter: https://twitter.com/BehindTheSpine Website: www.behindthespine.co.uk
Artist Yinka Shonibare CBE RA, and Hans Ulrich Obrist and Tamsin Hong of The Serpentine Galleries, coat London's historic statues and public monuments with fresh layers of history. For over 30 years, Yinka Shonibare CBE RA has used Western European art history to explore contemporary culture and national identities. With his iconic use of Dutch wax print fabric - inspired by Indonesian batik designs, mass-produced in the Netherlands (and now China) and sold to British colonies in West Africa - he troubles ideas of ‘authentic' ‘African prints'. Painting these colourful patterns on his smaller-scale replicas of sculptures of British figures like Winston Churchill, Robert Clive, and Robert Milligan, he engages with contemporary debates raised in Black Lives Matter (#BLM) and the toppling of slave trader Edward Colston's statue in Bristol. Suspended States, the artist's first London solo exhibition in over 20 years, puts these questions of cultural identity and whiteness, within the modern contexts of globalisation, economics, and art markets. Wind Sculptures speak to movements across borders, other works how architectures of power affect refuge, migration, and the legacies of imperialism in wars, conflict, and peace today. With his Library series, we read into Wole Soyinka, Bisi Silva, and canonised 17th, 18th, and 19th century artists like Diego Velázquez, focussing on Yinka's engagement with Pablo Picasso, modernism, and ‘primitivism'. Hans Ulrich Obrist and Tamsin Hong highlight the connection between the Serpentine's ecological work, and Yinka's new woodcuts and drawings which consider the impact of colonisation on the environment. As a self-described ‘post-colonial hybrid', Yinka details his diasporic social practices, including his Guest Project experimental space in Hackney, and G.A.S. Foundation in Nigeria, and collaborations with young artists and researchers like Leo Robinson, Péjú Oshin, and Alayo Akinkubye. Yinka Shonibare: Suspended States runs at the Serpentine Galleries in London until 1 September 2024. Yinka is also an Invited Artist, and participant in Nigeria Imaginary, the official Nigerian Pavilion, at the 60th Venice Biennale, which runs until 24 November 2024. Part of EMPIRE LINES at Venice, a series of episodes leading to Foreigners Everywhere (Stranieri Ovunque), the 60th Venice Biennale or International Art Exhibition in Italy, in April 2024. For more about Dutch wax fabric and ‘African' textiles, listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath and British Textile Biennial 2021, and the British Museum's Dr. Chris Spring on Thabo, Thabiso and Blackx by Araminta de Clermont (2010). For more about Nelson's Ship in a Bottle (2010), listen to historicity London, a podcast series of audio walking tours, exploring how cities got to be the way they are. On bronze as the ‘media of history', hear artist Pio Abad on Giolo's Lament (2023) at the Ashmolean Museum in Oxford. And on the globalisation of ‘African' masks, listen to Tate curator Osei Bonsu in the episode about Ndidi Dike's A History of A City in a Box (2019). For more about the Blk Art Group, hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Hear curator Folakunle Oshun, and more about Yinka Shonibare's Diary of a Victorian Dandy (1998), in the episode on Lagos Soundscapes by Emeka Ogboh (2023), at the South London Gallery. Read about Nengi Omuku in this article about Soulscapes at the Dulwich Picture Gallery in London. And for other artists inspired by the port city of Venice, hear John Akomfrah of the British Pavilion (2024) on Arcadia (2023) at The Box in Plymouth. WITH: Yinka Shonibare CBE RA, British-Nigerian artist. Hans Ulrich Obrist, Artistic Director, and Tamsin Hong, Exhibitions Curator, at the Serpentine Galleries in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast
Hoe weet je nu of er zoiets is als 'Bron', God of Divinity? Waar duiden die termen op, hoe maak je onderscheid tussen wat God is en wie je bent als mens? Is er eigenlijk wel een duidelijk onderscheid als de Divine spark/Godsvonk/Heilige Geest in ons allemaal leeft? Ishtara legt in deze aflevering uit hoe je hierin wegwijs kunt worden. Ze leert je hoe je gebruik kunt maken van jouw Goddelijke vermogens om te groeien en te ontstijgen van dat wat jou niet langer dient en datgene aan te trekken en te kunnen ontvangen wat je verlangt. En meer... Bestel The Divine Romance Experience: https://www.ishtaraaraminta.com/boek
Hoe weet je nu of er zoiets is als 'Bron', God of Divinity? Waar duiden die termen op, hoe maak je onderscheid tussen wat God is en wie je bent als mens? Is er eigenlijk wel een duidelijk onderscheid als de Divine spark/Godsvonk/Heilige Geest in ons allemaal leeft? Ishtara legt in deze aflevering uit hoe je hierin wegwijs kunt worden. Ze leert je hoe je gebruik kunt maken van jouw Goddelijke vermogens om te groeien en te ontstijgen van dat wat jou niet langer dient en datgene aan te trekken en te kunnen ontvangen wat je verlangt. En meer... Bestel The Divine Romance Experience: https://www.ishtaraaraminta.com/boek
In this podcast episode, Timothy Coleman and Ghylian Bell discuss the importance of land medicine, regenerative agriculture, and indigenous spirituality. They explore the concept of Araminta, named after Harriet Tubman, as a place to learn about land medicine and grow food. They emphasize the need to reclaim cultural practices and connect with nature. The conversation also touches on the transition from organized religion to personal spiritual practice and the importance of community and exchange. Overall, the episode highlights the significance of understanding history, reclaiming traditions, and embracing spirituality in everyday life. Takeaways Land medicine and regenerative agriculture are essential for reclaiming cultural practices and connecting with nature. Separating religion from spirituality allows for a deeper understanding of personal spiritual practice. Community and exchange are important for supporting and uplifting one another. Understanding history and reclaiming traditions are crucial for personal growth and empowerment. @ColemanGlobal --- Send in a voice message: https://podcasters.spotify.com/pod/show/wdon1204/message Support this podcast: https://podcasters.spotify.com/pod/show/wdon1204/support
In this bonus episode of book(ish), Kath and Elle chat to the lovely Araminta Hall about her latest novel, One of the Good Guys as wellas a number of other things around Women's safety. CW: some listeners may find the subject matter challenging. --- Send in a voice message: https://podcasters.spotify.com/pod/show/bookishpod/message
In deze eerste aflevering van het nieuwe seizoen van LuMens, gaat Ferdinand in gesprek met Ishtara Araminta. Ishtara is mentor, coach en teacher voor intra-persoonlijke ontwikkeling, en bestseller auteur van het boek The Divine Romance Experience. Met een diep begrip voor de uitdagingen die gepaard gaan met het leven, begeleidt ze mannen en vrouwen over de hele wereld in hun proces van evolutie en groei, om uiteindelijk als mens tot je hoogste goddelijke potentieel te komen. Bestel The Divine Romance Experience: https://www.ishtaraaraminta.com/boek
In deze eerste aflevering van het nieuwe seizoen van LuMens, gaat Ferdinand in gesprek met Ishtara Araminta. Ishtara is mentor, coach en teacher voor intra-persoonlijke ontwikkeling, en bestseller auteur van het boek ‘The Divine Romance Experience'. Met een diep begrip voor de uitdagingen die gepaard gaan met het leven, begeleid ze mannen en vrouwen over de hele wereld in hun proces van evolutie en groei om uiteindelijk als mens tot je hoogste goddelijke potentieel te komen. Bestel The Divine Romance Experience: https://www.ishtaraaraminta.com/boek
Artist and curator Lubaina Himid unravels entangled histories of transatlantic slavery and textile production, across continents, and Britain's museum collections, via Lost Threads (2021, 2023). Lubaina Himid considers herself ‘fundamentally a painter', but textiles have long been part of her life and practice. Had she stayed in Zanzibar, the country of her birth in East Africa, she may have become a kanga designer, following a pattern set by her mother's interest in fashion, and childhood spent around department stores in London. First commissioned by the British Textile Biennial in 2021, and installed in Gawthorpe Hall's Great Barn, her 400m-long work Lost Threads' flows in a manner reflective of the movement of the oceans, seas, and waterways which historically carried raw cotton, spun yarn, and woven textiles between continents, as well as enslaved people from Africa to pick raw cotton in the southern states of America, and workers who migrated from South Asia to operate looms in East Lancashire. Now on display in Bath, the rich Dutch wax fabrics resonate with the portraits on display in the Holburne Museum's collection of 17th and 18th century paintings - symbols of how much of the wealth and prosperity of south-west England has been derived from plantations in the West Indies. Lubaina talks about how the meaning of her work changes as it travels to different contexts, with works interpreted with respect to Indian Ocean histories in the port city of Sharjah, to accessible, participatory works in Cardiff, and across Wales. We consider her ‘creative interventions' in object museums and historic collections, ‘obliterating the beauty' of domestic items like ceramics, and her work with risk-taking curators in ‘regional' and ‘non-conventional' exhibition spaces. We discuss her formative work within the Blk Art group in the 1980s, collaboration with other women, and being the first Black artist to win the Turner Prize in 2017. And drawing on her interests in theatre, Lubaina hints at other collections and seemingly ‘resolved' histories that she'd like to unsettle next. Lubaina Himid: Lost Threads runs at the Holburne Museum in Bath until 21 April 2024. For more about Dutch wax fabric and ‘African' textiles, hear the British Museum's Dr. Chris Spring on Thabo, Thabiso and Blackx, Araminta de Clermont (2010). For more about Claudette Johnson, hear curator Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Hear artist Ingrid Pollard on Carbon Slowly Turning (2022) at the Turner Contemporary in Margate. Hear curator Griselda Pollock from Medium and Memory (2023) at HackelBury Fine Art in London. And for more about the wealth of colonial, Caribbean sugar plantations which founded the Holburne Museum, hear Dr. Lou Roper on Philip Lea and John Seller's A New Map of the Island of Barbados (1686), an object in its collection. Recommended reading: On Lubaina Himid: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city On Maud Sulter: gowithyamo.com/blog/reclaiming-visual-culture-black-venus-at-somerset-house On Sonia Boyce: gowithyamo.com/blog/feeling-her-way-sonia-boyces-noisy-exhibition On Life Between Islands at Tate Britain: artmag.co.uk/the-caribbean-condensed-life-between-islands-at-the-tate-britain WITH: Lubaina Himid, British artist and curator, and professor of contemporary art at the University of Central Lancashire. Himid was one of the first artists involved in the UK's Black Art movement in the 1980s, and appointed MBE and later CBE for services to Black Women's/Art. She won the Turner Prize in 2017, and continues to produce work globally. ART: ‘Lost Threads, Lubaina Himid (2021, 2023)'. SOUNDS: Super Slow Way, British Textile Biennial (2021). PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
Bestel hier het boek van Ishtara: https://www.tijdboeklumens.nl/boeken/the-divine-romance-experience LuMens - Seizoen 3: Het verschijnende pad Help mee dit groeiende kanaal verder te brengen om meer mensen te inspireren. Als je waardeert wat wij maken, abonneer je dan op dit kanaal, zet de meldingen aan en verspreid onze content via je eigen socials en in je eigen familie/vriendengroepen. Heel veel dank daarvoor! Jouw steun (en financiële bijdrage) zorgt voor de voortgang, kwaliteit en groeiend bereik van LuMens. https://www.tijdboeklumens.nl LuMens #3.03 Ishtara Araminta (41), auteur 'The Divine Romance Experience' Seizoen 3 Aflevering 3 (S03E03) Mini-serie Ishtara We hebben met Ishtara een mini-serie voor ogen, waarvan dit de eerste aflevering is. Hieronder vind je de thema's die per aflevering centraal zullen staan: 1. Hoe kom je tot Source? 2. De mate waarin jij de verbinding met Source voelt is direct afhankelijk van wie en hoe jij bent 3. De vuurdraak, het heilige vuur dat in jou leeft 4. Hoe leer je van het leven te houden, zonder voorwaarden? 5. Jouw leven met betekenis (be)leven We volgen hiermee na de aflevering van vandaag de flow van het boek van Ishtara, 'The Divine Romance Experience'. https://www.tijdboeklumens.nl/boeken/the-divine-romance-experience Inmiddels is het geen verrassing meer, maar dit boek raden wij dus met ontzettend veel liefde en kracht aan. :) Deze aflevering: 1. Hoe kom je tot Source? Hoe weet je nou of er zoiets is als 'Bron', God of Divinity? Waar duiden die termen op, hoe maak je onderscheid tussen wat God is en wie je bent als mens, is er eigenlijk wel een duidelijk onderscheid als de divine spark/godsvonk/heilige geest in ons allemaal leeft? Ishtara legt in deze aflevering uit hoe je hierin wegwijs kunt worden. Ze leert je hoe je gebruik kunt maken van jouw goddelijke vermogens om te groeien en te ontstijgen van dat wat jou niet langer dient en datgene aan te trekken en te kunnen ontvangen wat je verlangt. En meer... Kijkersvragen Als je vragen hebt: stuur ze in! Dat kan via https://www.tijdboeklumens.nl/contact We zijn erg benieuwd wat er speelt bij jou als kijker en nemen dat graag mee bij de volgende opname. Om steeds onafhankelijker/zelfstandiger te worden nodigen we je uit om verder te lezen op onze eigen website https://www.tijdboeklumens.nl/podcast-ishtara-araminta-1 Tevens kun je je op onze site aanmelden voor onze nieuwsbrief. Zo blijven we in directer en onafhankelijker contact met elkaar. Bestel ook absoluut onze Tijdboeken om een documentatie in huis te halen van de mooiste visies bij elkaar, gebundeld in een premium hardcover met goudfolie artwork en fractal imprint. https://www.tijdboeklumens.nl Tot slot: als je het waardevol vindt wat wij maken, dan vragen we je graag om een vrijblijvende vergoeding via onze site of direct via iDeal ( https://bunq.me/LuMens ). Je houdt ons daarmee op de been, want we blijven dit werk enorm graag voortzetten maar daar hebben we hulp bij nodig. Enorm veel dank dus voor ieders bijdrage, al is het maar een klein gebaar, het maakt hét verschil voor onze draagkracht. Onze wens is dat het positieve, niet-polariserende en verbindende geluid van LuMens steeds meer gehoord en aangereikt kan worden, om de toename van spanning en strijd in de wereld te kanaliseren naar een constructief alternatief. Het delen van onze content wordt dan ook zeer gewaardeerd! https://www.tijdboeklumens.nl/doneren #divine #identiteit #goddelijk #bewustzijn #nieuwewereld #kracht #liefde #waarheid #vrijheid #overgave #emotie #trauma #verwerking #natuur #grotegeest #yeshua #christusbewustzijn #god #greatreset #greatawakening #wonder #eenheid
Artist Serge Attukwei Clottey joins EMPIRE LINES live at the Eden Project in Cornwall, to discuss Afrogallonism, uplifting communities with upcycled plastic waste, and how the traditional Ghanaian harvest festival of Homowo challenges colonial hierarchies of gender. Accra-based artist Serge Attukwei Clottey works across installation, performance, photography, painting, and sculpture, exploring personal and political narratives rooted in histories of trade and migration. He refers to his practice with yellow plastic, Kufuor-era, cooking oil cans as ‘Afrogallonism', using found and recycled materials to create a dialogue with the city's cultural history and identity, whilst exploring the meanings that are invested in everyday objects, and how they circulate in local and global economies. Referencing Ghana's historic wealth, a region known as the Gold Coast during British colonial rule during 19th and 20th century, Serge's installations like Follow the Yellow Brick Road (2015-2020) also serve a practical function, in creating wealth and employment for the local community. On display alongside his existing work at the Eden Project is a new audio piece, a remembrance of famine that once befell pre-colonial Ghana, and is once again impacting farmers as a consequence of climate change. Serge talks about his family's migration from city of Jamestown/Usshertown, in British Accra, to La (Labadi), on the coast, and how water has long infiltrated his practice. We discuss the realities of resource extraction and consumption captured by his work, connecting with the likes of Romauld Hazoumè, El Anatsui, Zina Saro-Wiwa, and Wura-Natasha Ogunji. Serge shares his interest in political performance art, and collaborating with young people. We open My Mother's Wardrobe (2015-2016), in which Serge invited men to wear women's clothes and make-up to perform everyday and ritual tasks, disrupting conventions of gender and sexuality imposed upon and appropriated by many African countries during colonial rule. And Serge talks about his commissions across the world, from Desert X, to Kew Gardens, and the National Portrait Gallery in London, where his Windrush Portrait of Mr. Laceta Reid proudly stands. This episode was recorded live at Reclaim - a weekend of talks and events at the Eden Project in Cornwall, curated to support mental and planetary wellbeing - in January 2024: edenproject.com/visit/whats-on/reclaim Acts of Gathering runs at the Eden Project in Cornwall until 14 April 2024. For more, hear curators Misha Curson and Hannah Hooks in the episode on Learning from Artemisia, Uriel Orlow and Orchestre Jeunes Étoiles des Astres (2019-2020): pod.link/1533637675/episode/0e8ab778b4ce1ad24bc15df3fec5a386 For more about African masks and performance, listen to Osei Bonsu, curator of A World in Common: Contemporary African Photography at Tate Modern in London: pod.link/1533637675/episode/386dbf4fcb2704a632270e0471be8410 About Ashanti Hare, and the south-west arts ecology, hear curator Ashish Ghadiali on Radical Ecology's recent exhibition at KARST in Plymouth: pod.link/1533637675/episode/146d4463adf0990219f1bf0480b816d3 For more ‘African' textiles, hear Dr. Chris Spring on Thabo, Thabiso and Blackx, Araminta de Clermont (2010): pod.link/1533637675/episode/a32298611ba95c955aba254a4ef996dd And on sea/water as a historical archive, listen to these episodes on: John Akomfrah's Arcadia (2023), at The Box in Plymouth: pod.link/1533637675/episode/31cdf80a5d524e4f369140ef3283a6cd Julianknxx's Chorus in Rememory of Flight (2023), at the Barbican in London: pod.link/1533637675/episode/1792f53fa27b8e2ece289b53dd62b2b7 WITH: Dr. Serge Attukwei Clottey, Accra-based visual artist. ART: ‘Noko Y3 Dzen (There's Something in the World) (2018–Now)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
The rich tidal marshes and mixed oak and pine forests of the Blackwater National Wildlife Refuge stretch back into time. Into this lush, mysterious world of cricket song and nesting waterfowl in Dorchester County on the edge of the Eastern Shore, Araminta Ross was born in March 1822. Araminta would later be called “Moses” by the enslaved people she led to freedom along the Underground Railroad. Most of us know her as Harriet Tubman. The steadfast abolitionist grew up on a 10-acre property near the mouth of the Blackwater River. Over decades, Tubman's childhood home was lost in the swampy marsh, but then rediscovered in 2021. A new documentary, “Ben's Ten: Chattel Slavery on Maryland's Eastern Shore,” visits the site, and explores, the lives of enslaved people who lived, worked and died here. It's called “Ben's Ten: Chattel Slavery on Maryland's Eastern Shore.” The documentary was produced by Maryland Public Television in partnership with the state's Department of Public Transportation State Highway Administration. We speak to Dr. Julie Schablitsky, Chief of Cultural Resources at the Maryland Department of Transportation, who helped rediscovery the historical site. We are also joined by Ernestine “Tina” Martin Wyatt, a descendant of Harriet Tubman. (Photo by Lorie Shaull, via Flickr. License: CC BY 2.0 DEED)Do you have a question or comment about a show or a story idea to pitch? Contact On the Record at: Senior Supervising Producer, Maureen Harvie she/her/hers mharvie@wypr.org 410-235-1903 Senior Producer, Melissa Gerr she/her/hers mgerr@wypr.org 410-235-1157 Producer Sam Bermas-Dawes he/him/his sbdawes@wypr.org 410-235-1472
Internet Marketing: Insider Tips and Advice for Online Marketing
In this episode we're joined by industry experts Araminta Robertson & Fiona Brennan to discuss all things content strategy. Together we look at the potential impact of AI in content creation, including ethical concerns and the practical applications of AI tools; share valuable insights into narrative structure and storytelling, plus, the key to getting your subject expert on board for more impactful results.In this episode:04:27 Research, writing, and personal qualities in learning.11:51 Understanding customer emotions for effective content strategy.15:28 Involving interviewees, preparing questions, showing impact.20:42 AI's potential and ethical concerns.27:22 The impact of unconventional inspiration. Resources mentioned in this episode: Into The Woods by John YorkeThey Ask You Answer by Marcus Sherridan More about our guests:Araminta is the Managing Director at Mint Studios, a content marketing agency that helps fintech companies turn their website blog into a customer acquisition channel. She also co-manages the 1,500+ person Fintech Marketing Slack group, is the host of the Market Like a Fintech podcast and Edinburgh's Fintech Mixers.Connect with Araminta here: https://www.linkedin.com/in/aramintarobertson/https://www.mintcopywritingstudios.com/ Fiona is a content strategy consultant and founder of Indi Essentials. She supports Brand Managers, Marketing Managers and founders to make the most of their content and specialises in ethical businesses. Connect with Fiona here: https://www.linkedin.com/in/fiona-brennan/https://www.indiessentials.co.uk To find out more about us and the show visit https://internetmarketingpodcast.orgLike and subscribe so you never miss an episode, and leave us a comment if you enjoyed the show. Connect with us if you'd like to work with us, you'd like to feature on the podcast, or you have a guest or topic recommendation. Email kelvin@brightonseo.com or…https://www.linkedin.com/in/kelvinnewman/https://twitter.com/kelvinnewman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.
Guest Author: Araminta Hall Twitter: @AramintaHall IG: @aramintahall Books: One of The Good Guys by Araminta HallHost: Kate Sawyer Twitter: @katesawyer IG: @mskatesawyer Books: The Stranding by Kate Sawyer & This Family If you enjoyed this 'minisode' please do check out our full-length episodes: https://www.spreaker.com/show/novel-experience
LuMens - Seizoen 3: Het verschijnende pad Help mee dit groeiende kanaal verder te brengen om meer mensen te inspireren. Als je waardeert wat wij maken, abonneer je dan op dit kanaal, zet de meldingen aan en verspreid onze content via je eigen socials en in je eigen familie/vriendengroepen. Heel veel dank daarvoor! Jouw steun (en financiële bijdrage) zorgt voor de voortgang, kwaliteit en groeiend bereik van LuMens. https://www.tijdboeklumens.nl LuMens #3.01 Ishtara Araminta (41), auteur 'The Divine Romance Experience' Seizoen 3, aflevering 1 (S03E01) Stap in je Divine Identity In deze eerste aflevering van het nieuwe seizoen van LuMens, gaat Ferdinand in gesprek met Ishtara Araminta. Ishtara is mentor, coach en teacher voor intra-persoonlijke ontwikkeling, en bestseller auteur van het boek ‘The Divine Romance Experience'. Met een diep begrip voor de uitdagingen die gepaard gaan met het leven, begeleid ze mannen en vrouwen over de hele wereld in hun proces van evolutie en groei om uiteindelijk als mens tot je hoogste goddelijke potentieel te komen. Ishtara werd geboren met een hoog ontwikkeld bewustzijn en zogenoemde paranormale gaven. Dit stelde haar in staat om naast de aardse 3D realiteit ook andere realiteiten en demissies waar te nemen. Hierdoor ontwikkelde ze als jong meisje hele andere interesses dan de meeste kinderen. Ze was zich ervan bewust dat mensen uit meer bestaan dan alleen het fysieke lichaam en dat er meer is dan dit huidige leven. Als kind onderging ze ernstige traumatische ervaringen, ze werd jarenlang seksueel misbruik en mishandeld. Uiteindelijk kwam ze in een opvanghuis terecht, waar ze verbleef tot ze de volwassen leeftijd bereikte. Door deze extreem onveilige ervaringen in haar jeugd, werd haar zoektocht naar de bron van liefde en veiligheid versneld in gang gezet. Zo leerde ze al heel jong om naar binnen te keren. Dit leidde tot een spirituele ontwaking waarbij een hogere bron van liefde zich binnen in haar openbaarde. Nadat ze enkele jaren regelmatig op Ibiza verbleef, emigreerde ze in 2020 met haar gezin naar de Algarve in Portugal waar ze een ‘spirituele sanctuary' oprichtte. Rond diezelfde tijd begon ze met haar mentor- en coaching werkzaamheden. Als mentor en coach draagt ze de kracht en de effecten van haar eigen werk uit in haar leven en in haar business. Zo ontwikkelde ze onder andere online-programma's die in het teken staan van de evolutie van je ziel in samenwerking met je Hogere Zelf. Ishtara draagt een authentiek bewustzijn uit over de betekenis van het leven, groei, evolutie en transformatie. Ze heeft het vermogen om de essentie van je eigen ziel en je relatie met ‘The Divine Source' bespreekbaar, voelbaar en leefbaar te maken. In haar ogen kun je in afstemming met je eigen divinity en de bron, liefde, succes, voorspoed en overvloed ervaren. Vanuit dit gedachtegoed schreef ze haar boek ‘The Divine Romance Experience' dat een nummer 1 bestseller werd in verschillende categorieën op Amazon. Volgens Ishtara is de schoonheid van het leven te vinden in ... .....om steeds onafhankelijker/zelfstandiger te worden nodigen we je uit om verder te lezen op onze eigen website https://www.tijdboeklumens.nl/podcast-ishtara-araminta Tevens kun je je op onze site aanmelden voor onze nieuwsbrief. Zo blijven we in directer en onafhankelijker contact met elkaar. Bekijk ook onze boeken voor een documentatie van de mooiste visies op een rij. https://www.tijdboeklumens.nl Tot slot: als je het waardevol vindt wat wij maken, dan vragen we je graag om een vrijblijvende vergoeding via onze site of direct via iDeal ( https://bunq.me/LuMens ). Je houdt ons daarmee op de been, want we blijven dit werk enorm graag voortzetten maar daar hebben we hulp bij nodig. Enorm veel dank dus voor ieders bijdrage, al is het maar een klein gebaar, het maakt hét verschil voor onze draagkracht. Onze wens is dat het positieve, niet-polariserende en verbindende geluid van LuMens steeds meer gehoord en aangereikt kan worden, om de toename van spanning en strijd in de wereld te kanaliseren naar een constructief alternatief. Het delen van onze content wordt dan ook zeer gewaardeerd! https://www.tijdboeklumens.nl/doneren #divine #identiteit #goddelijk #bewustzijn #nieuwewereld #kracht #liefde #waarheid #vrijheid #overgave #emotie #trauma #verwerking #natuur #grotegeest #yeshua #christusbewustzijn #god #greatreset #greatawakening #wonder #eenheid
Thriller writer, Araminta Hall joins Jamie this week to chat about her latest novel “One of the Good Guys”, the impact that working in journalism had on her stories and how her writing process has evolved over six published books.Listen early and ad-free on Patreon!Support the show on Patreon, chat with Jamie and other guests on the Discord server and get all of the episodes ad free.The Chosen Ones and Other TropesJamie, Melissa and Noami talk about the best and the worst writing tropes!WriteMentorGet a whole month with WriteMentor's Hub for free using the coupon code 'Write&Wrong'.BookshopClick here to find all of our guests' books as well as the desert island library over at bookshop.org.ZencastrClick on this referral link to get 30% off your first three months with Zencastr.
Frankie sits down with Araminta Hall, author of One of the Good Guys, to discuss gendered violence, the post #MeToo world and the comforting power of a tuna baked potato. Follow Araminta on Twitter and Instagram at @aramintahall. Want to talk books? Email us at readandburiedpodcast@gmail.comFollow us on Instagram and Threads: @readandburiedpodcastFollow us on Twitter: @readburiedpodFollow us on Bluesky: @readandburiedpod Hosted on Acast. See acast.com/privacy for more information.
In this Q&A episode, Simon Mayo and Matt Williams talk to journalist and author Araminta Hall about her writing process and literary loves. We learn which books and authors she has been reading and enjoying recently, how she gets into the minds of her characters...and who she wold invite to her fantasy dinner party! Learn more about your ad choices. Visit megaphone.fm/adchoices
Araminta Hall has worked as a writer, journalist and teacher. Her first novel, Everything & Nothing, was published in 2011 and became a Richard & Judy read that year. Her second, Dot, was published in 2013.She teaches creative writing and currently has guestslots on the Goldsborough Writing Academy. She lives with her husband and three children in Brighton.Her latest novel, One of The Good Guys is out now.If you would like to show your love for the podcast, please consider buying me a coffee through BuyMeACoffee.com. This gives you an opportunity to make a small, one-off donation - you are not committed to regular payments. Making the podcast earns me no money, and in fact costs me a fair bit, but I do it for the love, and because I have such fun talking with wonderful authors. Even if you can't afford to buy me a coffee, simply letting me know that you love the podcast means a lot to me. Please take a moment to leave a star rating, write a review, or share the episode with others you know who will benefit from listening in, or you can tag me in social media when you share an episode that you love with your followers.My website is http://www.zoerichards.co.uk and you can access the FREE Mini Reboot through this link.You can find me on TwiX and Instagram as @zoerichardsukAnd finally my debut novel, Garden of Her Heart, is published 20th June 2024. You can pre-order here or if you are on NetGalley you can request an ARC (advance reader copy) here.Happy writing, and may the words flow for you.
Araminta Hall joins Simon Mayo and Matt Williams for a chat about her new novel, 'One Of The Good Guys'. They talk about her inspirations for the book, her character creation and why she feels disappointed about the current state and impact of the #metoo movement. Learn more about your ad choices. Visit megaphone.fm/adchoices
Araminta "Minty" Ross, who was later known as Harriet Tubman, was born enslaved around 1820. She died in 1913. As a child, Tubman suffered from the brutality and inhumanity of slavery. When she was five years old, she could not sleep during the night because she had to care for a baby. If the child cried, Harriet would be beaten. She was also forced to check muskrat traps in rivers, sometimes even in freezing weather. When she was a teen, a slave owner threw a weight at a man, but it hit Tubman in the head. The injury from this assault caused her to suffer from migraine headaches and uncontrolled sleeping spells. However, after this horrific event, Tubman also began to have what she called, visions from God showing her how to escape slavery. Eventually, Harriet not only achieved freedom, but she returned several to slave plantations to free other people including members of her family. Some historians believe that Tubman helped to emancipate at least 300 people. Amazingly, Tubman worked as a nurse, scout, and spy during the Civil War. This educational video is just a snippet of Tubman's legacy of courage, resilience, sacrifice, and selflessness. “I was the conductor of the Underground Railroad for eight years, and I can say what most conductors can't say — I never ran my train off the track and I never lost a passenger.”—Harriet Tubman (1869) --- Send in a voice message: https://podcasters.spotify.com/pod/show/avant-garde-books/message Support this podcast: https://podcasters.spotify.com/pod/show/avant-garde-books/support
Since the start of the war in Ukraine, Berlin has emerged as a crucial center of activity for both Ukrainian refugees and Russian political exiles. It is here that many known and emerging leaders of the Russian opposition, political activists, human rights defenders, and independent journalists live, work, and gather to meet and discuss Russia's future. Izabella Tabarovsky visited Berlin to meet with some of the people who are involved in Berlin's emerging Russian political diaspora culture. In this episode of The Russia File, she talks to Alexey Yusupov of the Friedrich Ebert Foundation and Jennifer Gaspar of Araminta about Berlin as a city and a home for new Russian political exiles; what makes Germany in general and Berlin in particular such a welcome place for this group; and about organizations that have emerged to help them escape Putin's regime and find safety abroad. For show notes and episode transcript please visit: https://www.wilsoncenter.org/audio/berlin-home-new-russian-political-exiles
Dr. Chris Spring tears up stereotypes of African textiles, through Araminta de Clermont's 2010 photograph, Thabo, Thabiso and Blackx. Three young men wait at a bus stop near Cape Town in South Africa, clad in blankets of brilliant blue and rose red. Historically, these 'African' woven textiles were originally manufactured by Europeans during the colonial period. Dutch imperial traders, who first entered the Indian Ocean trade in the mid-seventeenth century, only added to the existing vigorous trade in textiles which had been carried out by Indian, Arab, and Chinese traders for many centuries before the arrival of Europeans. From indigo resist-dyed blauwdruk, to Swahili kanga, and South African shweshwe, these ‘authentic' products are truly the hybrid product of places and peoples working across and within empires - from factories in Manchester, to migrant merchants from Kutch, and businesses within the Japanese Empire. This confident photograph speaks to how patterns and designs had always been dictated by African taste, aesthetics, and patronage, and utilised by women to communicate across gendered and religious social boundaries. Now representative of diverse African identities and indigeneity, these fabrics unsettle ideas of what an 'African' textile should look like, revealing innovation and modernity - all the way to the Marvel film, Black Panther. PRESENTER: Dr. Chris Spring, artist, writer and former curator in the Department of Africa, Oceania and the Americas at the British Museum He was the curator of Social Fabric: African Textiles Today, at the British Museum and William Morris Gallery. ART: Thabo, Thabiso and Blackx, Araminta de Clermont (2010). IMAGE: 'Thabo, Thabiso and Blackx'. SOUNDS: Chad Crouch. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
WOMEN IN CRIME: Season 3, Episode 8:ARAMINTA HALL (Hidden Depths Jan '23), ERIN KELLY (The Skeleton Key) & CL TAYLOR (The Guilty Couple) chat to Victoria Selman about why women are drawn to crime fiction, reflections on violence in society, gaslighting, frenemies, media coverage and whether women have fair representation in the press.VICTORIA SELMANSundayTimes bestselling author of Truly Darkly DeeplyAmazon Author Page: https://amzn.to/3xmvMeSWebsite for news and giveaways: http://www.victoriaselmanauthor.comTwitter: @VictoriaSelmanWe love to hear from our listeners! Find me on Twitter @VictoriaSelman and join in the chat using #OnTheSofaWithVictoria.Produced by Junkyard DogMusic courtesy of Southgate & LeighCrime TimeRecommendationsSARAH WATERS FINGERSMITHPATRICIA HIGHSMITH EDITH'S DIARYBELINDA BAUER RUBBERNECKER
This episode covers the early life of Harriet Tubman… this will be several parts but I cannot wait to share this story it is amazing!!!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/msloveheart/message
Araminta is the founder of Mint Studios, a content specialist company working with Fintechs to maximise the sales opportunities of focused and SEO-friendly content. She chats about how to use content to drive acquisitions.
If you're struggling to generate blog traffic that actually converts – this episode is for you! My guest Araminta Robertson is managing director at Mint Studios, a content marketing agency that focuses on creating content that generates business, not just traffic. Araminta will be speaking at Brighton SEO this Fall, she has hosted her own podcasts […] The post 123: Pain Point SEO – How To Create Content That Converts w/Araminta Robertson appeared first on Evolving SEO.
"It's a joy to watch people relax into who they are." Araminta is passionate about helping people come back to their authentic truth and expression by learning how to be with their emotions and their full range of human experience. How do we learn from our emotions and our body? It was a pleasure to get Araminta's perspective on how to live in alignment with our feelings and truth and what happens when we fall in love with another. Historically, our whole culture of love and relationship is new. Tune in to listen to Araminta talk about why it's powerful to give up the idea of finding the "one" and how romantic love/eros is a way to help one come into sacred union with oneself, rather than with another. "You are your own princess/prince." We also talk about: -Importance of being curious about the sacred messages behind our emotions. -How to work through codependency and caretaking in relationship. -Reframing the relationship with rage. -Feeling what is right and wrong in every moment within us and standing up for that. -What does it mean to listen to your body vs your head? -How sexual desire/erotic energy is a way our body gets our attention to lead us towards a certain direction. -How pleasure can heal us. -The roles that projection and mirroring have when we fall in love. My guest Araminta Barbour is a Lead Faculty with ISTA (the International School of Temple Arts) with whom she has collaborated since 2011, Araminta is the founder of The Sanctuary Guatemala, creator of The Resilience Journey, and co-creator of the Women Who See In The Dark project.
One of the best contemporary writers, the inspiring Araminta Hall, shares her journey on becoming an author, her top book confessionals, plus her own family ties with the Titanic which inspired her latest novel, Hidden Depths. Enjoy this spoiler-free episode with renowned host David Headley, owner of Goldsboro Books - the world's leading bookseller of rare and signed first edition books.
This week Hanako's taking us to the skyscrapers of Singapore with Crazy Rich Asian! We catch up with the sensational SONOYA MIZUNO who plays Araminta in the movie… We talk about representation, f*ckboys, food and so much more! You won't want to miss this very special episode. So watch out Nick, Eleanor and Sonoya... We're coming for you! If you have your very own Fboy (or Fgirl) story don't be shy! Be sure to send them us at the submissions section on our website www.fboypodcast.com We'd love to hear from you. Follow the Fboy Podcast on Twitter, TikTok and Instagram: @fboypodcast And check out our website www.fboypodcast.com for even more delectable content! Love, Hanako, Kath & Hannah xx Edited by the glorious Alexandra Jueno for Audioboom Studios. Artwork by the very sexy Katharine Orchard. See audioboom.com/about/privacy for privacy and opt-out information.
Araminta Robertson is a FinTech Content Marketer at Mint Studios and the host of Market like a FinTech Podcast. Her approach to content marketing is becoming an expert in a field she genuinely likes. Brett and Araminta discuss the puzzling lack of marketers in the FinTech space, her three pillars, and connecting with fellow marketers. 0:00 Intro 0:55 Conversation 2:15 Career in FinTech 7:20 Be an expert 8:20 Three pillars— education, trust, customer experience 11:30 Researching the field and its customers 14:15 Newsletters, Twitter, podcasts 17:30 Lack of marketers in FinTech 22:48 Connect with Araminta 23:38 Outro Join The JuiceFollow Araminta| Twitter | LinkedIn | Mint StudiosFollow Brett:| Twitter | LinkedIn
Small is Beautiful: Where Challenger Banks and Fintechs Really ScoreI was in a philosophical mood when I checked in to a Fintechtalk session on Clubhouse on July 28. Why, I asked no one in particular, did the word “success” seem to invariably suggest terms like “large deal”, “double digit growth”, “enterprise solutions” and so on. “Does that imply that to be small is somehow not as cool?” I wondered, as I sat in the digital shadows and looked on silently, and a bit crabby, sipping on a below-average Pina Colada, waiting for the session to begin.As I learned quickly during the session, that's not true at all. There is something very beautiful and inspiring about being small and successful. And you can make a huge difference in your Fintech efforts if you focus on small enterprises.These FINTECHTALK sessions are so addictive. Paddy Ramanathan, the CEO of iValley, a Fintech incubator, conducts a couple of arresting sessions every month and attracts a lot of movers and shakers to his speaker's panel. Thereafter he engages them in very interesting ways. You owe it to yourself to attend.But I digress. Back to the session.The panellists were an impressive and erudite bunch. Take a look:Paul Loberman, Chief Product Officer at untiedAdi Engel, CMO at vcitaNir Netzer, FinTech Innovation Strategist and Founding Partner of Equitech GroupAraminta Robertson, Marketing Consultant at MintcstudiosNathan Baumeister, CEO at ZSuite TechnologiesDerik Sutton, Marketing at AutobooksThey first spent a little time talking about what they do.Adi spoke about their focus on digitizing business operations. Simplifying and automating the day-to-day activities is a huge relief for SMBs for whom time is the most precious commodity.Paul, with an impressive background in banking, focuses on personal tax at untied. “No one likes to pay tax,” he remarked. He helps SMBs by collecting tax data automatically and submitting forms to the authorities. Again, saving SMB owners lots of time and aggravation.Nathan works with Banks to get them more small business clients. ZSuite deploys niche technologies to help with different kinds of deposits that have different rules that apply to them, for which compliance can be vexing. Time is saved.Are you seeing a repeated theme?At Autobooks, Derek offers reporting tools in digital environments. He helps financial institutions recapture their relationships with clients. Araminta too assists fintech companies acquire and retain clients and develops case studies. And Nir helps create strategies for Fintech, who, he said, are trying to solve unprecedented problems. These are motivated individuals!Paddy asked the panel for their view on the current challenges that small businesses face. Was there really a case for digital transformation and innovation for SMBs, he inquired.The collective opinion of the group was that the technologies and digital initiatives do exist but the really crushing problem is that SMB owners have no time and resources and often no capital to leverage these initiatives! Lack of good valuable advice on appropriate systems is something SMBs face. In fact, most cannot even articulate what they need. Thus, Fintechs need to find these SMBs and clear the fog, instead of expecting them to ask for help.When 81% of SMBs have no employees, they are consumed by basic challenges such as how to accept payments through various vehicles. These owners want to spend time in their businesses, but they end up being forced to address non-core activities, getting paid, controlling costs, and staying compliant – all of which eat into their time and make them sub-optimal. Almost all face cash flow problems. Putting companies back in control may be a fundamental solution they need!Nir highlighted a unique issue: many young companies are trying to solve problems that did not exist before. Even helping them articulate the problem helps in a big way. Sales and Marketing challenges are also significant.What a thought! And so, if Fintechs can do a deep dive into these new challenges, they can be successful.For instance, SMBs are being forced to deal with bewildering new regulations. Araminta spoke about how SMBs in Europe are having to learn about PSD2 (customer authentication), SCA, and 3DS2 and ensure they are compliant. Do SMBs have the bandwidth for all this? Well, they don't have much of a choice, because studies show a possible authentication loss of 21%. In essence this is a new hurdle and requires education. This problem presents a great opportunity for a Fintech.Further, 90% of SMBs are service providers who work with excel, WhatsApp, pen and paper. Digitizing their operations is a huge and rewarding proposition. The complexities of an SMB's business can be intense. As Adi observed, even a Yoga studio has a staggeringly large set of possibilities in terms of processes and payment options. Ultimately it is the triangle of Time, Money and Clients is what needs to be addressed by Fintechs that want to be make an impact in the SMB segment.A lot of interesting points came up:From a Sales and Marketing perspective, new approaches will need to be considered by CBs and Fintechs. The customer must be caught in the right channel.Fintechs who serve SMBs have the challenge of raising enough capital to compete with Square or PayPal, to then reach out to massively underserved markets.Paul hypothesized that we will soon witness the next level of “downtech”, such as Square extending into Shopify. There is a growing market for tech giants, and they can find opportunities to partner with SMB oriented Fintechs. The new wave of Challenger Banks is attractive because of significantly lower fees, an easier onboarding process and so on. And many Fintechs that have no banking license can do payment facilitation. That's actually pretty smart!But something to keep in mind: there is only so much profitability for Fintechs while dealing with SMBs, even though there are plenty to go around. Partnering with banks has obvious advantages for Fintechs including interchange fees, deposits, and such. At the end, SMB merchants will use Fintechs for better customer experience, with the easiest on-ramps being more successful. SuperApps (which combine multiple services within an app) and the thirst for simplicity will prevail.It all just goes to show that in the banking world, small can be beautiful in stimulating innovation. Fintechs can become unbeatable if they make efforts to solve the issues that resource starved SMBs face in terms of time and capital. Will banks, big tech, super fintechs (Square, Stripe etc), and these other fintechs all converge into an SMB SuperApp, which does Operational, Financial, Sales/Marketing and Regulations stuff? Imagine!The Pina Colada suddenly seemed excellent! I felt good!Connect with us!iValley Innovation Center11040 Bollinger Canyon Rd, E-909San Ramon, CA 94582,The United States.Phone: +1 925-575-7832 Get full access to eFINTECHTALK - iValley's Newsletter at substack.fintechtalk.ivalley.co/subscribe
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