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5 episodes with marty morell
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El disco 'Further ahead - Live in Finland 1964-1969' recoge grabaciones inéditas de tres conciertos del pianista Bill Evans en Finlandia. En Helsinki, con Chuck Israels y Larry Bunker, 'My heart sings', 'Come rain or come shine', 'Nardis', 'Autumn leaves' y 'Five', en agosto de 1964, y, en noviembre de 1965, con Niels-Henning Orsted Pedersen y Alan Dawson, 'Detour ahead' y 'My melancholy baby -con Lee Konitz al saxo alto-. En la ciudad de Tampere, octubre de 1969, con Eddie Gómez y Marty Morell, 'Very early', 'Who can I turn to?', 'Round midnight' y 'Turn out the stars'. Escuchar audio
El 26 de junio de 1970, en la pequeña población noruega de Kongsberg, se presentó el trío de Bill Evans con Eddie Gómez al contrabajo y Marty Morell en la batería. Una grabación inédita hasta ahora nos permite escuchar al pianista en el disco 'Bill Evans in Norway' tocando 'Come rain or come shine', 'What are you doing the rest of your life', '34 Skidoo', 'Turn out the stars', 'Autumn leaves', 'Quiet now', 'So what', 'Gloria´s step', 'Emily' o 'Nardis'.Escuchar audio
Playlist Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1. Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2. The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3. Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4. Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5. Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6. J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7. Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8. Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9. Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin; Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17. Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21. Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23. Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24. Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums, Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums, Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06 Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.
Zev Feldman is an internationally recognized, independent producer and the co-president of Resonance Records. He is also known for traveling the world in search of lost or forgotten records. Today, he joins us to talk about two stunning recordings documenting piano legend Bill Evans in Buenos Aires, Argentina. Morning Glory is a 1973 concert with Eddie Gomez and Marty Morell, and Inner Spirit is a 1979 date with Marc Johnson and Joe LaBarbera. Both will be issued as limited edition 2-LP Record Store Day on April 23 via Resonance, along with a new long-lost Charles Mingus recording that Feldman shares some info about in our podcast conversation. --- Support this podcast: https://anchor.fm/jazziz/support
..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.
..Negli ultimi anni c'è stato in campo jazzistico un grosso trend di pubblicazioni di inediti importanti, e una delle grandi figure che più hanno beneficiato - forse quella che più ha beneficiato in assoluto - di questo trend è Bill Evans. Oltre a farci ascoltare musica di qualità straordinaria, gli inediti di Evans ci permettono di moltiplicare i termini di raffronto fra i suoi diversi trii dal vivo, e fra diverse interpretazioni live dei brani del suo repertorio. Pubblicato nel 2021 dalla Elemental Music, Behind The Dikes rende conto di tre date olandesi di Bill Evans nel '69. Nel marzo del '69 il pianista registra a Hilversum, con la Metropol Orkest, orgoglio della radio pubblica dei Paesi Bassi, due brani che aveva già inciso nel '65 negli Stati Uniti con un'orchestra sinfonica; il giorno dopo Evans col suo trio, allora formato da Eddie Gomez al contrabbasso e Marty Morell alla batteria, si esibisce in uno studio di Hilversum davanti ad un piccolo pubblico di invitati, in due set per un totale di quattordici brani tutti offerti da questo album; infine in novembre il trio di Evans tornò in Olanda, e ad Amsterdam partecipò con il breve set qui documentato ad una diretta radiofonica organizzata dalla European Broadcastin Union.
Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and their personal transcription secrets. On this episode of the Jazz Transcription Clinic Podcast Mirko Guerrini interviews the guest jazz doctor: Roberto Occhipinti Listen to Roberto Occhipinti's answers to the questions below: Why do you transcribe? 04:34 What do you expect to bring home from a transcription? 11:36 How do you choose the solos you transcribe? 18:34 What is your transcribing methodology? 20:18 How do you practise the solos you transcribe? 26:06 How do you incorporate ideas from the transcriptions into your playing? 43:44 Which transcription of yours is your favourite? 49:10 Bassist Roberto Occhipinti was born in Toronto, Ontario, Canada, on March 25, 1955. He comes from a prominent musical family that includes two guitarists: younger brother Michael and cousin David. Michael Occhipinti is a well-known sideman and co-founder of NOJO -- the Neufeld-Occhipinti Jazz Orchestra. At the University of Toronto, beginning in 1972, Roberto Occhipinti studied under Thomas Monohan and was mentored by Joel Quarrington and especially the acclaimed jazz bassist Dave Young. He was a member of the Winnipeg Symphony Orchestra in the mid-'70s, the Hamilton Philharmonic Orchestra in the early to mid-'80s, and the Canadian Opera Company Orchestra in the mid- to late '80s; was principal bassist with the Esprit Orchestra from 1986 to 1994; and was a longstanding member of Arraymusic from 1979-2000. By 1997, Occhipinti began working with Cuban expatriate jazz pianist Hilario Durán, then saxophonist Jane Bunnett's Spirits of Havana, NOJO with guest Sam Rivers or Don Byron, the Toronto sextet Soul Stew, Marty Morell, Gorillaz, Englishman Damon Albarn's Mali Music, the Russian Globalis Symphony Orchestra, the True North Brass, Jovino Santos Neto, the Gryphon Trio, the St. Lawrence Quartet, and Via Salzburg. Also a well-respected producer, Occhipinti has worked for Hilario Durán, Dafnis Prieto, Quartetto Gelato, and the Shurum Burum Jazz Circus, and has been a music director and orchestra contractor for films and commercials. He received an Artist Diploma from the University of Toronto in 1999, and in 2001, as part of Bunnett's Spirits of Havana, he shared the Juno award for Best Global Album. In 2005 he received his own Juno as producer of Durán's New Danzon CD. Other awards include the National Jazz Award for Producer of the Year in 2005 and 2006, and Acoustic Group of the Year for his own band in 2005. In 2006 he received a SOCAN award for the cartoon series George Shrinks. In this episode, Roberto explains his personal transcribing approach and shows how to profit from every transcription you make. Among all the great things that Roberto says, my favourites are: 'What I put on paper when I transcribe is not what was originally written on paper, I write what I hear'; 'I am always looking for good stuff to steal'. 'As Clark Terry use to say: Imitate, Assimilate, Innovate' 'You don't do justice to Dexter Gordon when you write his solos on paper' 'Most of the times, when I transcribe, I do it for the specific purpose of getting paid' 'The whole point of transcribing is to figure out why the player did that thing, why it works and why it appeals to you' Artists mentioned in this episode: Clark Terry, Dexter Gordon, Dave Liebman, George Russell, Richard Davis, Gorillaz, Jamiroquai, Joe Henderson, Mike Smith, Miles Davis, a.o. You can check Roberto Occhipinti here: https://en.wikipedia.org/wiki/Roberto_Occhipinti You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.
Bill Evans se fue un 15 de septiembre. Pat Metheny y Lyle Mays le dedicaron, aquel septiembre de 1980, 'September fifteenth' en el disco 'As falls Wichita, so falls Wichita Falls'. Y recordamos al pianista con un disco doble recién editado, 'Behind the dikes', que contiene entre otras cosas los temas que tocó junto al contrabajista Eddie Gómez y el baterista Marty Morell en Hilversum, Holanda, el 26 de marzo de 1969: 'Emily', 'Turn out the stars', 'Waltz for Debby', 'Alfie', 'My funny Valentine', 'Love theme from Spartacus', 'Quiet now' o 'Someday my prince will come'. Del mismo disco, una grabación inédita de 'Pavane', de Fauré, acompañado por la Metropole Orkest, que se realizó en Amsterdam el día anterior. Escuchar audio
Don Mopsick began his musical career as a teenager in his hometown of Linden, NJ, performing on trumpet and bass guitar. He attended Rutgers and Berklee College of Music. His first professional gigs were with Rosemary Clooney around Boston in 1972. Since his return to Florida, Don has appeared with Ira Sullivan, Aaron Weinstein, Stephanie Nakasian, Veronica Swift, Hod O'Brien, Carla Cook, Dutchess, Cynthia Sayer, Tedd Firth, Lew DelGatto, Dan Miller, Giacomo Gates, Ralph Peterson Jr., Wycliff Gordon, Russell Malone, Bucky Pizzarelli, Joshua Breakstone, Peter Appleyard, Dick Hyman. Kenny Washington, Harry Allen, Frank Portolese, Marty Morell, Harry Allen, Randy Sandke & others. Current weekly jazz gigs include bands led by Dan Miller, Dan Heck and Roy Gerson. https://about.me/donmopsick ------------- To learn more about our past podcasts, please visit us at www.suncoastjazzfestival.com Visit our contact us page to send us a note or request. SUNCOAST JAZZ FESTIVAL TICKETS November 20-22, 2020 Clearwater Florida Daily Tickets start at $55 Benefactor Badges $250 Individual Sponsorships $375
Con la morte in un tragico incidente del contrabbassista Scott LaFaro, nel '61 si chiude la magica esperienza del trio di Bill Evans con LaFaro e con Paul Motian alla batteria: per il pianista è un colpo durissimo, artisticamente e umanamente. Una nuova felice stagione del trio di Bill Evans si apre nel '66, quando Evans scopre un giovane bassista portoricano, Eddie Gomez, che sarebbe rimasto per undici anni accanto al pianista. Per un certo periodo il trio fu completato alla batteria da un altro giovane portento, Jack DeJohnette (è DeJohnette che figura nel live a Montreux del '68): la maggiore estroversione di Gomez e DeJohnette rispetto ad altri che li avevano preceduti al basso e alla batteria conferisce una maggiore estroversione all'insieme della musica del trio di Evans, apprezzata dal pubblico e dalla critica. Poi nell'autunno del '68 DeJohnette lascia per nuove avventure - sarà con Miles Davis nella svolta elettrica del trombettista - e viene rimpiazzato da Marty Morell, e anche con lui rimane questa maggiore estroversione, lo slancio, la freschezza giovanile che sentiamo anche a Pescara nel '69...Come bonus della puntata un brano della Big Band di Gil Cuppini registrato all'Universal Club di Marina di Carrara nell'estate del '68. Con il batterista la crème del jazz italiano dell'epoca: fra gli altri Soana, Valdambrini, Piana, Masetti, Basso, Volonté, Azzolini....
Con la morte in un tragico incidente del contrabbassista Scott LaFaro, nel '61 si chiude la magica esperienza del trio di Bill Evans con LaFaro e con Paul Motian alla batteria: per il pianista è un colpo durissimo, artisticamente e umanamente. Una nuova felice stagione del trio di Bill Evans si apre nel '66, quando Evans scopre un giovane bassista portoricano, Eddie Gomez, che sarebbe rimasto per undici anni accanto al pianista. Per un certo periodo il trio fu completato alla batteria da un altro giovane portento, Jack DeJohnette (è DeJohnette che figura nel live a Montreux del '68): la maggiore estroversione di Gomez e DeJohnette rispetto ad altri che li avevano preceduti al basso e alla batteria conferisce una maggiore estroversione all'insieme della musica del trio di Evans, apprezzata dal pubblico e dalla critica. Poi nell'autunno del '68 DeJohnette lascia per nuove avventure - sarà con Miles Davis nella svolta elettrica del trombettista - e viene rimpiazzato da Marty Morell, e anche con lui rimane questa maggiore estroversione, lo slancio, la freschezza giovanile che sentiamo anche a Pescara nel '69...Come bonus della puntata un brano della Big Band di Gil Cuppini registrato all'Universal Club di Marina di Carrara nell'estate del '68. Con il batterista la crème del jazz italiano dell'epoca: fra gli altri Soana, Valdambrini, Piana, Masetti, Basso, Volonté, Azzolini....
Nel '68 Evans si era presentato a Montreux con il contrabbassista portoricano Eddie Gomez (che arrivava per la prima volta in Europa) e Jack DeJohnette alla batteria. Questa volta ha ancora con sé Gomez, ormai assai considerato, e alla batteria Marty Morell. Dal '66 Gomez sarebbe rimasto accanto a Evans fino alla seconda metà degli anni settanta e dal '68 Morell sarebbe rimasto con il pianista fino al '75: fra il '68 e il '75 il trio di Bill Evans conosce così il suo più lungo periodo di stabilità, e quando si esibisce a Montreux il trio con Gomez e Morell ha già raggiunto un notevole grado di maturità. (seconda parte) A cura di Marcello Lorrai
Nel '68 Evans si era presentato a Montreux con il contrabbassista portoricano Eddie Gomez (che arrivava per la prima volta in Europa) e Jack DeJohnette alla batteria. Questa volta ha ancora con sé Gomez, ormai assai considerato, e alla batteria Marty Morell. Dal '66 Gomez sarebbe rimasto accanto a Evans fino alla seconda metà degli anni settanta e dal '68 Morell sarebbe rimasto con il pianista fino al '75: fra il '68 e il '75 il trio di Bill Evans conosce così il suo più lungo periodo di stabilità, e quando si esibisce a Montreux il trio con Gomez e Morell ha già raggiunto un notevole grado di maturità. (seconda parte) A cura di Marcello Lorrai
Our second mini-episodes for the summer of 2016 with three wonderful moods: This episode features guitarist Herb Silverstein (Post-bop), UCF Jazz Workshop (fusion-post bop) and legendary bassist Jeff Berlin (fusion pop). Enjoy!!Host: Kenny MacKenzie & Allison Paris Our Facebook page!Kenny also hosts: "Jazz Greats" on WFCF St. Augustine every Tuesday 3-7pm EST Listen on iHeart! USA OnlyKenny's DJ Twitter1. Introduction - Kenny (download our theme song "In Control" on iTunes!)2. "Roaringfork" - Herb Silverstein website Herb Silverstein - pianoJeff Rupert - saxLaRue Nickelson - guitarMichael Ross - bassMarty Morell - drumsfrom the album "Younger Next Year".Purchase at Amazon!3. "Names Javan" - UCF Jazz Ensemble (Orlando, FL) website James Navan - pianoAbe Alam - guitarMichael Humpherys - bassMason Fox - drums, composer Jeff Rupert - director from the album "The Blues Is Alright". Purchase at Amazon!4. Announcements - Kenny(background music from the album Second Chances by Allison Paris)5. "Lien on Me" - Jeff Berlin (Clearwater, FL) website Jeff Berlin - bassRichard Drexler - piano, synthsDanny Gottlieb - drums, percussionfrom the album "Lumpy Jazz".Purchase at Amazon! Help Jeff create a tribute album to legendary bassist Jack Bruce at Pledgemusic! 6. Closing Announcements - Kenny & Allison Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2016 Kenny MacKenzie. All rights reserved.
Lots of new music came in the mail for this show! Albums from Herb Silverstein (with Marty Morell on drums), Mark Johnson, a phenomenal horn player in Daytona, and saxophonist David Fernandez's (pictured) latest project - Consortium. All three are straight-ahead postbop, but each very different! Also included, beautiful South American guitar grooves from Michael Petrovich and soothing contemporary from trumpet player Greg Little. Host: Kenny MacKenzie Our Facebook page!Kenny hosts "Jazz Greats" on WFCF St. Augustine every Tuesday 3-7pm EST. Listen on iHeart!Kenny's Twitter1. Introduction - Kenny (download our theme song "In Control" on iTunes!)2. "Cabbage Juice" - Consortium (Miami, FL) websiteDavid Fernandez - sax, Cisco Dimas - trumpetRodolfo Zuniga - drums, Josh Allen - bassDavid Siegel - pianofrom the album "Consortium"3. "Bella Luna" - Michael Petrovich (Orlando, FL) websiteMichael Petrovich - guitars, charangoDoug Matthews - bass, Matt Duncan - drumsSteady Joseph - percussion, Oscar Guzman - percussionfrom the album "Bella Luna". Purchase at Amazon, CD Baby or iTunes!4. Announcements - Kenny(background music from the album "Sid's Blast from the Past" by Sid Blair)5. "Blues for EJ" - Mark Johnson (Daytona Beach, FL) websiteMark Johnson - tenor sax, Bernard Hill - alto saxRalph DiSylvestro - trumpet, Sean Higgins - pianoJosh Ramos - bass, Iajhi Hampden - drumsPurchase Mark's music at Bandcamp! 6. "Chilly Summer" - Herb Silverstein (Sarasota, FL) websiteJeff Rupert - sax, LaRue Nickelson - guitarHerb Silverstein - pianoRichard Drexler - bass, Marty Morell - drumsFrom the album "Monday Morning".Purchase album at Amazon, CD Baby or iTunes!7. Announcements - Kenny(background music from the album "Gettin' In the Groove" by Ron Pirtle)8. "Late Night Tea" - Greg Little (Maitland, FL) websiteGreg Little - Trumpet, Flugelhorn, EVIMichael Zilber - tenor sax, John R. Burr - keyboardsDerek Jones - bass, Alan Hall - drumsMichael Spiro - percussionfrom the album "Dreamwalker".Purchase cd at Amazon, CD Baby or iTunes!11. Closing Announcements - Kenny Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2014 Kenny MacKenzie. All rights reserved.
We're wrapping up our 2nd season with compelling improvisation, spectacular technical prowess and breathtaking melodies - all hallmarks of the extra-fine jazz music being created by folks here in Florida! Hosts: Allison Paris & Kenny MacKenzie come say hi on Facebook!Kenny host "Jazz Greats" on WFCF Saint Augustine - every Tuesday from 3-7pm EST. You can listen online here!Kenny's Twitter - @DJKendo11. Introduction - Allison & Kenny (download our theme song "In Control" on iTunes!)2. "My Brother" - Gabriel Vivas (Miami, FL) websiteGabriel Vivas - electric bass, Lee Levin - drumsRafael Solano - percusion, Silvano Monasterios - keyboards,Lee Quintero - electric guitars, Dave Fernandez - tenor, baritone,alto & soprano saxophonesfrom the album "Low Registers".Purchase at Amazon or CD Baby!3. "Contrast" - Per Danielsson (Orlando, FL) websitePer Danielsson - pianoRichard Drexler - bassMarty Morell - drumsfrom the album "Time Will Tell" courtesy of Random Act Records. Purchase at Amazon, CD Baby or iTunes. 4. Announcements - Kenny(background music from the album "Sid's Blast from the Past" by Sid Blair)5. "Milorganite Blues" - Don Nedobeck's North Water Street Tavern Band (DeLand, FL) websiteDon Nedobeck - clarinet/coronet, Jack Consoer - trumpet/vocals,Bruce Yeo - trombone/vocals, Jim Christiaansen - banjo/vocals,Al Aveni - drums, John Knurr - tubaFrom the album "Moonlight, Milorganite & You" Out of print. Check out some of Don's newer releases!6. "Blues Inversion" - Skip Wilkins and Jill Allen Wofsey (Alford, FL) Skip's website; Jill's WebsiteJill Allen Wofsey - flute, composerSkip Wilkins - pianoFrom the album "Two Much Fun".Purchase album at Amazon or CD Baby!7. Announcements - Allison(background music from the album "Gettin' In the Groove" by Ron Pirtle) 8. "Where Are We Now" - Perry Joslin Project (Parkland, FL) websitePerry Joslin - piano, Guitar - Dan Warner,Doug Emery - keyboards, Javier Carrion - bass, Lee Levin - drums, Richard Bravo - percussionFrom the album "It's a Strange Thing".Purchase album at Amazon or CD Baby!9. "Voyager" - Dave Fernandez (Miami Springs, FL) websiteDave Fernandez - tenor sax, Carlos Vega - tenor sax,Gabriel Saientz - piano, Gabriel Vivas - bassLudwig Alfonso - drums, Rafael Solano - percussionfrom the album "Symmetry" Purchase cd at Amazon, CD Baby or iTunes.10. Announcements - Kenny(background music "Song Two" from the album Closer to the Day by Kenny MacKenzie Trio)11. Closing Announcements - Allison Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2013 Kenny MacKenzie. All rights reserved. Skip Wilkins and Jill Allen Wofsey
It's chilly now for many of our listeners, but we'll heat things up for you with this month's lineup - which includes Kenny Drew Jr. (courtesy of Random Act Records), Chuck Owen & the Jazz Surge featuring John Abercrombie and Lynne Arriale (courtesy of Motéma Music). We visit Miami Springs, Orlando, Jacksonville, & St. Petersburg for the hottest in today's real jazz from Florida!Pictured - Lynne Arriale; photo by Jim Levitt. visit our Facebook pageHosts: Allison Paris & Kenny MacKenzie Kenny host "Jazz Greats" on WFCF Saint Augustine - every Tuesday from 3-5pm EST. Listen online here!Kenny's Twitter - @DJKendo11. Introduction - Allison & Kenny2. "MG 1020" - David Fernandez (Miami Springs, FL) websiteDavid Fernandez - soprano sax, Carlos Vega - tenor sax, Gabriel Saientz - piano, Gabriel Vivas - bass, Ludwig Alfonso - drumsfrom the album "Symmetry"purchase at Amazon, CD Baby or Itunes.3. "Coral Sea" - Kenny Drew Jr. (St. Petersburg, FL) websiteKenny Drew Jr. - pianoJon Burr - bassMarty Morell - drumsfrom the album "Coral Sea" on Random Act RecordsPurchase wherever jazz is sold including Amazon, Itunes or the Random Act Records store, where 10% of proceeds go to charity.4. Announcements - Kenny(background music from the album "Live in the City" by Jack Pierson)5. "Julie's Lament" - Michael Royal Trio (Sarasota, FL) websiteMichael Royal - pianoRichard Drexler - bassSteve Davis - drumsFrom the album "Transition" Purchase album at Amazon or Itunes.6. "Madcap" - Chuck Owen & the Jazz Surge (Temple Terrace, FL) websiteChuck Owen - keyboard, composer, arrangerJack Wilkins - tenor solo, John Abercrombie - guitarClay Perry - piano, Mark Neuenschwander - bassDave Hardman - drumswoodwinds: Valerie Gillespie, Tami Danielsson, Jack Wilkins,Rex Wertz, Matt Vancetrumpets: John Robinson, Ron Turner, Mike Iapichino, Tom Parmertertrombones: Keith Oshiro, Chris Clifton, Andrea Rawlison, Jim HallFrom the album "Madcap"purchase cd at Amazon.7. Announcements - Allison(background music from the album "Moved" by Kenny MacKenzie Trio)8. "Pheonix Phunk" - Clay Foster & Carey Frank (Orlando, FL) Clay's Facebook page, Carey's websiteClay Foster - guitar, Carey Frank - organ,Frank Brunot - bass, Jonathan "Jon-Jon" Parks - drumsfrom the album "Bona Fide Sea Monsters"Purchase cd at Amazon, CD Baby or Itunes.9. "La Noche" - Lynne Arriale (Jacksonville, FL) websiteLynne Arriale - pianofrom the album "Solo" (on Motéma Music)Purchase wherever jazz is sold including Amazon or Itunes.10. Announcements - Kenny(background music from the album "Second Chances" by Allison Paris)11. Closing Announcements - Allison Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2012 Kenny MacKenzie. All rights reserved.
November - a time to be thankful - and we are, for both our wonderful listeners, and the superb musicians who grace our show! This month we feature bluesy swing from Per Danielsson Trio (courtesy of Random Act Records), a phenomenal arrangement of Debussy's most famous work, sophisticated contemporary jazz from the Space Coast, refined and dreamy music and Fiery latin - both from Tampa & much more! Special thanks to guest host Martha Hotz!(pictured - Gary Wofsey) visit our Facebook pageHosts: Martha Hotz & Kenny MacKenzie Martha hosts a classical show on WFCF Tuesdays from 1-3pm that focuses on early music. Kenny host "Jazz Greats" on WFCF Saint Augustine - alternating Tuesdays from 3-5pm EST. Listen online here!Kenny's Twitter - @DJKendo11. Introduction - Martha & Kenny2. "Looking Back in Time" - Frozen Water (Tallahassee, FL) websiteAndre Bowers - piano, bass, drum programmingAdam Cambria - sax, D-Roc - guitarGlen Stoudemire - percussionfrom the album "Summer's Walk"purchase at Andre's website.3. "La Migra" - La Lucha (Tampa, FL) websiteJohn O'Leary - pianoAlejandro Arenas - bassMark Feinman - drumsAustin Vickrey - saxophonefrom the album "La Lucha"Purchase album at Itunes, Amazon or CD Baby. 4. "Second Chance" - Per Danielsson Trio (Orlando, FL) websitePer Danielsson - pianoRichard Drexler - bassMarty Morell - drumsFrom the album "Time Will Tell" courtesy of Random Act Records. Purchase album at Itunes, Amazon or wherever jazz is sold. 5. Announcements - Kenny(background music from the album "Sid's Blast from the Past" by Sid Blair)6. "Clair de Lune" - Gary Wofsey (Alford, FL) websiteGary Wofsey - trumpet, vocals, arrangementMika Ono - vocalsSaxes: Hideo Oyama, Toshihiko Inoue,Junya Tanak, Taroh Saikachi, Takemi IshiganeTrumpets: Ojika Kyukeishitsu, Fumio Nakano, Yoshi HaradaTrombones: Kiyoshi Amemia, Yoshio Oikawa, Chie Takezawa - synthesizer, Hiroshi Takashima - guitar, Kazuhide Motooka - electric piano, Hiroshi Wada - bassYoshiyuki Nakamura - drumsFrom the album "Gary Wofsey In Japan" (unavailable)Check out Gary's "In Stereo" cd here!7. "Cool One" - The Rainmakerz (Melbourne, FL) websiteRichie Mola - drums, Kenny Clarke - keys, Dan Wilborn - soprano sax, composerScott McGill - bass, Tom Hueston - guitarfrom the album "The Rainmakerz".Purchase this cd at Itunes or CD Baby.8. Announcements - Kenny(background music from the album "Gettin' In the Groove" by Ron Pirtle Quintet)9. "Smile for the Count" - Karl Weismantel (Gainesville, FL) websiteKarl Weismantel - guitar, Tom Dietz - saxophone,Kevin Bales - piano, Paul Creel - bassPeter Miles - drumsfrom the album "Smile for the Count"Purchase cd at Itunes, Amazon or CD Baby10. "Release" - Jeremy Powell & LaRue Nickelson (Tampa, FL) Jeremy's website ~ LaRue's websiteJeremy Powell - saxophone, LaRue Nickelson - guitarfrom the album "Amizade"Purchase a copy at Bandcamp or Itunes. 11. Announcements - Kenny(background music from the album "Second Chances" by Allison Paris)12. Closing Announcements - Martha Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2012 Kenny MacKenzie. All rights reserved.
UCF's Jazz Professors warm up for the third annual UCF-Orlando Jazz Festival. We talk with faculty member Marty Morell about the planned tribute to Bill Evans and Stan Getz - and his work on an album by the legendary duo.
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