Canadian musician and educator
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From Cuba, Dafnis Prieto's revolutionary drumming techniques and compositions have had a powerful impact on the music landscape, nationally and internationally. His various awards and honors include a MacArthur “Genius” Fellowship, a GRAMMY Award for Back to the Sunset (2018), two additional GRAMMY nominations, two Latin GRAMMY nominations (including Best New Artist in 2007), and the Jazz Journalists Association's Up & Coming Musician of the Year in 2006. As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to big bands. He has received commissions, grants, and fellowships from Chamber Music America, Princeton University, Jazz at Lincoln Center, MoMA, Whitney Museum of American Art, National Association of Latino Arts and Cultures, Jerome Foundation, East Carolina University, Painted Bride Art Center, Meet The Composer, WNYC, New Music USA, Hazard Productions, and Metropole Orkest, among others. Prieto has performed at many national and international music festivals as a bandleader. Since his 1999 arrival in New York, he has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and the Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops around the world. He was on the jazz studies faculty at New York University from 2005 to 2014, and in 2015 joined the faculty of the University of Miami's Frost School of Music. In 2016, Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020, he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music. In 2025 he released the book "WHAT ARE THE ODDS" the third book in his catalog, and it shows not only his passion for rhythm and drumming but furthermore his commitment to music education at large. This one takes you to a fascinating journey of rhythms and meters. The book features 519 examples, and each of them comes with an audio track and a video clip. He is the founder of the independent music company Dafnison Music, established in 2008. In this episode Dafnis talks about: Building a career on your own terms Teaching at Frost School of Music at Miami University His new book: “What are the Odds” Asking tough questions about tradition as it relates to Latin music Allowing patterns and phrasing to dictate the time feel Valuing the content you play over the ability to play with a click Here's our PatreonHere's our YoutubeHere's our Homepage
NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy's, Blue Note, etc.. She's performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she's been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum's many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project. Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in '12, #2 “Flutist” in '19, and #3 “Flutist” in '20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post's "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman's Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO's RADAR and NPR's All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today's Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019). Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from '99 -'03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum's two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.
Miho Hazama, Jennifer Wharton's Bonegasm, Alan Ferber Nonet, John Ellis Quartet, Remy Le Boeuf, Adonis Rose, Joshua Redman, Jose James, Jharis Yokley, Pedrito Martinez, OKAN, Dayme Arocena, Jane Bunnett and Maqueque, Danae Olano and Tricia EdwardsPlaylist: Miho Hazama - AbeamJennifer Wharton's Bonegasm - NorhalaAlan Ferber Nonet - Brimstone BoogalooJohn Ellis Quartet - ToreadorRemy Le Boeuf, featuring Julia Easterlin - BarbaraAdonis Rose, featuring Ryan Hanseler, Lex Warshawsky and Gabrielle Cavassa - What Are You Doing The Rest of Your LifeJoshua Redman , featuring Gabrielle Cavassa - After Minneapolis (face toward mo[u]rning)Jose James - 38th & ChicagoJharis Yokley - Move OnThe Pedrito Martinez Group, featuring Descemer Bueno - Dios MioOkan - La Reina del NorteDaymé Arocena - Por tiJane Bunnett and Maqueque - Jump MonkDanae Olano - This CityTricia Edwards - Gould's Belt
WUCF's December artist for ‘In the Key of Latin Jazz' is Hilario Durán. This Cuban jazz pianist played with the Orquesta Cubana de Musicana Moderna, Arturo Sandoval, United Nations Orchestra, Jane Bunnett and more. His latest album brings back the big band sound! We discuss players like Chucho Valdez, Charles Mingus and Dizzy Gillespie who have influenced him.
This week I play tracks from: =Bill Evans classic Sunday At the Village Vanguard. Two compositions by Scott Lafaro. -Jane Bunnett’s first album, In Dew Time—the title referring to the presence of the great tenor saxophonist, Dewey Redman. -Paul Winter Consort. The Icarus album. Ralph Towner’s Sunwheel. -The amazing accordionist, Art Van Damme. -a Wayne…Continue reading Episode 255: Favourites from LP Collection, Part 3
Hoy os vamos a acercar una extraordinaria grabación de jazz y jazz latino realizada por un excelente pianista cubano que se llama Hilario Durán. El disco, Habana Nocturna, nos presenta una colección de 9 temas y cuenta además con la participación de algunos ilustres músicos como la saxofonista y flautista canadiense Jane Bunnett o el extraordinario batería cubano Horacio “El Negro Hernández” . Esperamos que lo disfrutéis. TRACKS 1. U.M.M.G. - Upper Manhattan Medical Group Strayhorn 2. Autumn Nocturne Gannon/Myrow 3. Drume Negrita Grenet 4. Harlem Nocturne Hagan/Rogers 5. Esto Sí Tiene Que Ver (You Must See This) Durán 6. Moonface (Habana Nocturna) Durán 7. Lada 78 Durán 8. Song For Argentina Bunnett 9. Like Someone In Love Van Heusen, Burke CREDITS Hilario Durán piano Jane Bunnett flute and soprano saxophone Larry Cramer trumpet Roberto Occhipinti acoustic bass Horacio "El Negro" Hernández drums Rodolfo Valdés Terry congas Hugh Marsh violin Marie Bérard violin Steve Dann viola David Heatherington cello
THIS WEEK's BIRDS: Arabo-Andalusian vocalist Nassima; dhrupad from le famille Mallik; vintage soukous from Papa Wemba; from Angola: Sara Chaves; Rob Brown and Daniel Levin (duo); new Music from Jane Bunnett et al. new music from David Virelles et al.; salsa from Sonora Ponceña & Tony Pabon; Jorge Humberto (Cape Verde) address Covid; Archie Shepp w. Jeanne Lee teal. (ca. 1969); new music from OGJB Quartet and Sonic Liberation Front (Both w/ Oliver Lake); 2 from Sélébéyone; Taylor Ho Bynum; and much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17277879/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
Miley Cyrus' insanely anticipated Endless Summer Vacation is finally here, along with new music from Fever Ray, The War and Treaty, Meet Me @ The Altar and more.Featured Albums:1. Miley Cyrus — Endless Summer VacationFeatured Song: "Flowers"2. The War and Treaty — Lover's GameFeatured Songs: "Ain't No Harmin' Me," "Yesterday's Burn," "Up Yonder"3. Fever Ray — Radical RomanticsFeatured Songs: "Shiver," "Carbon Dioxide," "Kandy"4. Meet Me @ The Altar — Past // Present // FutureFeatured Songs: "T.M.I," "Say It (To My Face)"5. Jane Bunnett and Maqueque — Playing With FireFeatured Songs: "Tempus Fugit," "Human Race"Lightning Round:King Khan — The Nature of ThingsLonnie Holley — Oh Me Oh MyNia Archives — Sunrise Bang Ur Head Against Tha WallShalom — SublimationOther notable releases for March 10:Ali Farka Touré — VoyageurDeath Cab For Cutie — Asphalt Meadows (Acoustic)EBK Young Joc — Hotboiiz:4LManchester Orchestra — The Valley of VisionRarelyalways — WORKFrankie Rose — Love as ProjectionH. Hawkline — Milk for FlowersSleaford Mods — UK GRIM
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 23rd February 2023 Artist - Track - Album - Year Leon Lee Dorsey Cantaloupe Island Cantaloupe Island 2022 Scott Petito The Alchemist Many Worlds 2023 Anthony Branker & Imagine I, Too, Sing America What Place Can Be For Us? 2023 Jane Bunnett and Maqueque A God Unknown Playing with Fire 2023 Rachel Therrien Latin Jazz Project Mojo Mi Hogar 2023 Delfeayo Marsalis Uptown Jazz Orchestra Big Chief Mardi Gras Day 2023 Ally Fiola & The Next Quest feat. Jeff Coffin Back Track Interblaze 2023 Steve Fidyk Live Wire Broad Band Food Court Drifter Red Beats 2023 Tbone Paxton Cease the Bombing Joys 2023 Sanah Kadoura Interlude X Old Friends Duality 2020 Anthony Branker & Imagine Indivisble What Place Can Be For Us? 2023 Jim Snidero Infinity Far Far Away 2023 Anthony Branker & Imagine We Went Where the Wind Took Us What Place Can Be For Us? 2023 Eldad Tarmu El Hipnotizator Tarmu Jazz Quartet 2023 Joe Chambers Caravanserai Dance Kobina 2023 Joe Locke Tushkin Makram 2023 Bob Himmelberger Trio Prayer for Peace Legacy 2023 Brad Mehldau Life on Mars? Your Mother Should Know: Brad Mehldau Plays the Beatles 2023 Ben Wolfe Eventually Unjust 2023 Tyler Mitchell Octet feat. Marshall Allen Velvet Sun Ra's Journey 2023 Dave Liebman The Middle Live at Small's 2023 The post The Creative Source (#CreativeSource) – 23rd February 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
El pianista Chucho Valdés y el saxofonista y clarinetista Paquito D´Rivera ('Mambo influenciado', 'I missed you too!', 'El día que me quieras'), el saxofonista Alexey León ('Dat dere', 'De La Habana a Moscú', 'Noche de carnaval'), la cantante y chelista Ana Carla Maza ('Les choses simples', 'A tomar café'), la flautista y saxofonista Jane Bunnett con Merceditas Valdés ('Ochun', 'Yo sempre Oddara') y el pianista Frank Emilio Flynn ('Gandinga, mondongo y sandunga'). Escuchar audio
I was honored to have this conversation with Marilyn Lerner, who is a unique pianist and composer who is a powerfully expressive musician across a range of styles. She's a wonderful improvisor and has performed worldwide, as well as recorded extensively as both a soloist and as an ensemble player. She's also a therapist and psychoanalyst, and our conversation moved through many fascinating and important topics including ideas around identity and creativity. The video version is available here, and the transcript will later be published to the same link: https://www.leahroseman.com/episodes/marilyn-lerner Please support this series! https://ko-fi.com/leahroseman photo: Jake Sherman Timestamps (00:00) Intro (01:06) jazz piano improvisation (03:47) exploring different musical styles (04:52) accompanying Silent film music (08:58) teaching classical musicians to improvise, KlezCanada, Lori Freedman (14:18) the piano as a textural instrument and different kinds of improv (with musical example) (16:46) Marilyn's youth (21:10) university years at York University (switching from Psychology into music), and Marilyn's work as a psychoanalyst, exploring the psychological aspects of being a musician, issues around identity (27:48) the challenges of making a living as a musician (30:22) experiences during 2020 lockdowns for both Marilyn and Leah (36:33) Adrienne Cooper, Anna Margolin, Dave Wall, “All Silent Things Speak Today” collection of songs, “Dreaming in Yiddish” (41:21) Yiddish and Ashkenazic Jewish history (45:45) Marilyn plays piano “Romanian Fantasy” (51:09) Yoshie Fruchter “The Pieces Broken” (52:27) mridangam studies Trichy Sankaran, opportunities at York University, Reginald Godden, Ethnomusicology (56:58) Salsa: learning Montunos with Rodrigo Munoz (57:47) Jane Bunnett, Larry Kramer, Maqueque,Cuban musicians, “Birds Are Returning” Dafnis Prieto (01:03:04) classical influences in improvising (01:07:18) psychology, becoming a therapist (01:09:47) Marilyn's youth, development as a pianist and musician (01:11:45) challenges of finding focus and creative time --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
WUCF's September artist for ‘In the Key of Latin Jazz' is Jane Bunnett. Finding jazz was a love story all on its own and from there her exposure to Afro-Cuban rhythms and Latin styles really turned a corner. Not seeing many women on the stages, she formed her own group called ‘Maqueque' – completely transforming the possibilities for future generations. Working on their fourth record together – her roots are planted and her passion is ever growing.
01. DJ CHILE – Intro 02. JULES BRENNAN – Theme de Koto 03. KOKOROKO - Something's Going On 04. PHONO 48 - So Pure 05. ANTHONY JOSEPH - Swing Praxis (Kaidi Tatham Remix) 06. JANE BUNNETT and MAQUEQUE – Reencuentro (Re United) 07. ANDREA BRACHFELD - Descarga del Mundo 08. SECRET NIGHT GANG – Journey 09. UNDERGROUND SYSTEM - Desnuda (Yuksek Remix) 10. CLEAVAGE - Barah 11. TELEPHONE MAN – Angel 12. AMP FIDLER feat. Dames Brown - Slippin on Ya Pimpin' 13. NICOLA CONTE & GIANLUCA PETRELLA - Inner Light Joe Claussell Sacred Rhythms 14. K.O.G. (Kweku Of Ghana) – Like A Tree 15. DONNIE – Masterplan 16. FATIMA & JOE ARMON-JONES - #1 17. JOHNNY HAMMOND SMITH - Tell Me What To Do 18. JAYME MARQUES - Hooked on Green 19. ALINA BZHEZHINSKA - Soul Vibrations 20. MINAKO YOSHIDA - Tornado 21. PEABO BRYSON - When Will I Learn 22. CLEVELAND EATON - Flyin' High 23. ELY BRUNA - I'm Not In Love 24. MICHAEL BUBLE – Moondance
Two is the only even prime number, an odd fact to point out on this February 22, 2022. We are twenty days past the predictions of large rodents and less than a month away from the spring equinox. Time does move fast, but we’re still only 14.5 percent of the way through the year. Oh, the things you’ll learn in every installment of Charlottesville Community Engagement! I’m your host, Sean Tubbs. On today’s program:Albemarle County Supervisors discuss incentives for developers to build housing units below market rateMidway Manor may have a new future in which part of the downtown Charlottesville property will remain age and income restrictedA round-up of planning for other affordable housing projects in Charlottesville Albemarle County wants state regulators to require CenturyLink’s successor to maintain old copper telephone linesAnd Charlottesville wants the public to get a zoning 101Patreon-fueled shout-out to LEAPWhen you think of romance, you might not immediately think of energy efficiency - but the folks at LEAP think keeping your family comfortable at home is a great way to show you care during the month of love. Your local energy nonprofit wants to make sure you are getting the most out of your home all year round, and LEAP offers FREE home weatherization to income- and age-qualifying residents. If someone in your household is age 60 or older, or you have an annual household income of less than $74,950, you may qualify for a free energy assessment and home energy improvements such as insulation and air sealing. Sign up today to lower your energy bills, increase comfort, and reduce energy waste at home!Pandemic update: Percent positivity below ten percentThe waning of the omicron surge of COVID-19 continues as the Virginia Department of Health reports a seven-day average of positive PCR tests of 9.6 percent, below ten percent for the first time since December 21. Case loads are still high, with a seven-day average of 2,423 new cases a day. Today the Blue Ridge Health District reports another 168 new cases. Deaths associated with the omicron surge continue to be recorded. As of today there have been 401 total COVID deaths in the Blue Ridge Health District and 18,230 statewide over the past 23 months. Albemarle County offers comments on transfer of CenturyLink assets to LumenThis week, the State Corporation Commission is holding two meetings on a petition from Lumen Technologies to take over control of CenturyLink. Among the public comments submitted so far is the Albemarle County Board of Supervisors who sent a letter on February 10 summarizing concerns they made to Lumen officials at a January 12 meeting. As part of the deal, the new company would acquire copper-based assets and the county wants to make sure that service continues. (hearing webpage)“Many of our vulnerable communities live in the rural areas of our county, where topography and distance often preclude cellular coverage,” the letter reads. “For these residents, this copper-plant is a vital lifeline for accessing 911 service, particularly during and after severe weather events.” The letter also includes dozens of complaints about CenturyLink service for “terrible and ineffective customer service” and for a lack of maintenance of older equipment. (letter and complaints) (second set of complaints)For anyone interested in learning more, there is a whole repository of documents available for public review, including Lumen’s petition to the SCC. Midway Manor subject of new affordable housing developmentThe Charlottesville Redevelopment and Housing Authority will hold a public hearing next Monday on the issuance of up to $23 million in bonds that would be used by a California-based company to redevelop Midway Manor. In January, the property sold for $16.5 million, more than double its 2022 assessment of $7.5 million. According to a legal notice published in the Daily Progress, the new company has requested the CRHA issue up the exempt facility bonds “to assist the Applicant in financing or refinancing a portion of the costs of acquiring, constructing, renovating, rehabilitating and equipping an age restricted affordable housing development to be known as Midway Manor Apartments, to consist of 94 one-bedroom units and 4 two-bedroom units.”The notice states in capital letters that taxpayer funds will not be sought to pay back any of the debt that Standard Midway Manor Venture LP will incur. To learn more about exempt facility bonds, visit the Legal Information Institute at the Cornell Law School. Since February 1, Midway Manor is now under management by the Franklin Johnston Group. Financing of the houses is provided by the U.S. Department of Housing through the Section 8 program, which bases rents on the income of tenants. In an email this morning, CRHA Executive Director John Sales said the agency’s only role will be to issue the bonds. Low-Income Housing Tax Credit applications underwayWe are in the season when providers of affordable housing are preparing applications for Low Income Housing Tax Credits in advance of a March deadline. Summaries have been sent to the agency formerly known as the Virginia Housing Development Authority and that’s required notifications to localities. (read all of the summaries)Piedmont Housing Alliance is seeking credits for 30 rental units at the Monticello Area Community Action Agency property on Park Street. These will be four one bedroom units, 22 two bedroom units, and four three bedroom units. The Charlottesville Redevelopment and Housing Authority seeks credits from the housing authority pool for 60 units for Phase 1A of the Sixth Street redevelopment with half of them being one bedroom and the other half being two bedroom units. This is separate from Phase 1 of the Sixth Street redevelopment, for which CRHA is seeking credits from the housing authority pool for 44 units with eight of them one bedroom, 20 two bedroom units, and 16 three bedroom units. CRHA is also seeking credits for 113 units in the second phase of redevelopment of South First Street. These would replace existing units and would consist of 19 one bedroom units, 38 two bedroom units, 26 three bedroom units, 15 four bedroom units, and 15 with more than four bedrooms. Last week, the company that is constructing the development of Friendship Court issued a press release announcing the groundbreaking from January. The firm Harkins is based in Columbia, Maryland. “Friendship Court’s redevelopment will be the largest construction of low-income housing for the area in over 20 years,” reads the release. “A multi-phased project, Phase 1 will consist of 106 units with buildings 1 and 2 totaling 35 stacked townhome-style units, while building 3 will include a one-level structured parking garage and three levels as a wood-framed, center corridor apartment building.” The project is being built to Passive House standards and will be Harkins’ third such project. Charlottesville releases Zoning 101 presentationThe next new information in Charlottesville’s rewrite of the zoning code won’t be available until mid-April when staff and Rhodeside & Harwell will publish a document with an inventory of the existing housing stock versus what could be built under the new future Land Use Map. This will take the form of a Diagnosis report and an Approach report. In the meantime, the city and the Cville Plans Together team has published a new page to provide an education on what the zoning process is all about. “Today’s zoning also has a number of flaws and barriers to development previously identified by City planning staff, elected and appointed officials, and others,” reads the Cville Plans Together website. “This process is an opportunity to cure these flaws and remove the barriers to the kind of development that is described in the updated Comprehensive Plan.” In January, a group of anonymous Charlottesville property owners filed suit in Charlottesville Circuit Court seeking to overturn the validity of the Comprehensive Plan. Read more in my January 12, 2022 story on that lawsuit. Shout-out to the Charlottesville Jazz Society In today’s second subscriber-supported public service announcement: The Charlottesville Jazz Society at cvillejazz.org is dedicated to the promotion, preservation, and perpetuation of all that jazz, and this Sunday the Society is sponsoring the return of Jane Bunnett and her all-female band from Cuba, Maqueque. A concert will be held at 7 p.m. at Unity of Charlottesville where Maqueque will play music from their latest release On Firm Ground/Tierra Firme. Get tickets online with discounts for students or members of the Charlottesville Jazz Society.Albemarle Supervisors discuss incentive package for housing Last July, the Albemarle Board of Supervisors adopted a housing plan that seeks to increase the number of units guaranteed to be rented or sold below the market rate. Housing Albemarle was adopted without a system of incentives to developers to keep those prices lower than they otherwise would be. That came back to the Board on February 16. Albemarle Housing Coordinator Stacy Pethia has suggested creation of an overlay district in the zoning code that would allow for reduced fees and other waivers in exchange for creating lower-priced units. “We did engage with developers and we had four meetings with developers between June and October of last year,” Pethia said. “During the first two meetings, staff listened to developer concerns and discussed housing policy goals. Based on that feedback collected during those meetings and research into incentive programs implemented in localities within Virginia and across the country, staff developed a list of potential incentives that could be in a package.”The overlay would be restricted to Albemarle’s development areas and would be optional, meaning developers would not have to participate. If they did, there would be the possibility of many ways their bottom line could be assisted. “They would offer a bonus density, reduction in building permit fees, and flexibility in design and parking standards,” Pethia said. The overlay would also allow developers to bypass the zoning process in some places if they build to the maximum density allowed in the Comprehensive Plan. At a minimum, twenty percent of units would need to be kept below market rate at levels identified in Housing Albemarle. “And the number of affordable units to be required would be calculated prior to applying the density bonus,” Pethia said. “This would provide developers with additional market rate units to help offset the cost of making the affordable units available. The incentive plan will also address a gap in Albemarle’s current policy by creating a waiting list of people who will qualify for below-market opportunities based on their income. “It’s really difficult to market the affordable units to income-qualified households and that’s really an important issue,” Pethia said. “It has meant that many of our for-sale units in particular have turned market-rate without being purchased by income-qualified households.” In public comments before the discussion, Neil Williamson of the Free Enterprise Forum wanted waivers for affordable housing projects to be mandatory rather than at the discretion of staff. “The reality is that Albemarle’s fast diminishing development areas where the easiest parcels to develop have been developed,” Williamson said. “That means parcels left to develop will likely require a special use permit. While the policy anticipates this reality, the opportunity for staff denial is too great.” Williamson also said he wanted more robust incentives such as expansion of the development area as well as the county paying the hook-up fees to the Albemarle County Service Authority for water and sewer. “Considering the importance of affordable housing to the community, certainly providing $20,000 per affordable unit is not too much to ask,” Williamson said. That would be expensive to the county. Pethia said the recent approval of Premier Circle, Rio Point, and RST Residences created 414 below-market units. If the developers were to be 100 percent reimbursed, that would cost the county $5.6 million. Supervisors were asked if they supported the idea of an overlay. Supervisor Bea LaPisto-Kirtley said she did, but not want to expand past a certain area.“I for one do not want to see development go into the rural areas and to keep development in the development area,” LaPisto-Kirtley said. Supervisor Chair Donna Price (Scottsville District) said there will come a point in time when that boundary will be adjusted, but not yet.“We’re already at the point where we have to fill in more, build up higher, or we have to expand the development areas so it’s important for community members to understand we have to look at ways to try and achieve all of our objectives which includes as long as possible limiting the amount of the development area,” Price said. Price was also skeptical of reducing parking standards at this time. “We do not have a comprehensive transportation system that can get everyone throughout the community wherever they need to do,” Price said. Supervisors approved the Rio Point on 27 acres in late December which will see a total of 328 units in an apartment complex on land that is currently undeveloped. That’s in the Rio District which is represented by Supervisor Ned Gallaway. He had looked at the draft calculation for bonus density. “So Rio Point, if I’m understanding the answer, would have allowed 1,300 units the way the math was done?” Gallaway asked Pethia.“That is correct,” Pethia said. That would be based on provisions in other programs that grant a 45 percent increase in density based on the gross density. The actual calculations will change as the incentive package is further tweaked.Gallaway suggested having the overlay apply only in certain parts of the county, such as those already identified in small area plans such as the Rio Road plan. However, he added he is not opposed to any ideas at this point in the development of the incentives. Supervisor Jim Andrews (Samuel Miller District) said he wanted staff to take a deeper look into the results that have happened in other communities that have created developer incentives. “I would be really interested in hearing more about looking not only at what they’re doing but how successful they are at what they’re doing,” Andrews said. “Loudoun County’s proposals for example, their program I guess has been in place long enough to have a little bit of history. It looks to me like it’s having some success. Those are the ones we want to emulate if we can, if they work for our circumstances.”Supervisor Ann Mallek (White Hall) said she needed more information and for detail. “I am very concerned about an overlay that applies to every piece of direct because there is a great difference between the capability of one lot versus another to actually accomplish something and have a product where people would want to live,” Mallek said. Staff will return to the board with more information at a later date but Supervisor Gallaway pointed out that the package’s adoption will take until after the one year anniversary of the adopting of Housing Albemarle. General Assembly updateWith just over three weeks to go, action is moving fast in the General Assembly, with bills that passed in one house with a close partisan vote now meeting their fate in committee meetings. These include:The Senate Commerce and Labor Committee killed a bill yesterday to cap the minimum wage at $11 an hour. The vote was 11 to 4. (HB296)That committee also defeated a bill to not move forward with subsequent increases mandated by a previous General Assembly. That vote was 12 to 3. (HB320)A bill to allow employers to pay less than the minimum wage if they have fewer than ten employees was also defeated 12 to 3. (HB1040)Bills to restrict collective bargaining by public employees were also defeated. (HB336) (HB337) (HB341) (HB883)The Senate Committee on Education and Health ended consideration of a bill that would made it easier for School Boards to dismiss new teachers by extending probationary periods. (HB9)The Senate Judiciary Committee defeated a bill that would have reduced penalties for violating the state’s concealed weapon laws on a 10 to 5 vote. (HB11)On a 8 to 7 vote, the Senate Rehabilitation and Social Services Committee ended consideration of a bill that would have required the parole board to review the transcript of the trial for each incarcerated person up for parole. (HB435)Support the program!Special announcement of a continuing promo with Ting! Are you interested in fast internet? Visit this site and enter your address to see if you can get service through Ting. If you decide to proceed to make the switch, you’ll get:Free installationSecond month of Ting service for freeA $75 gift card to the Downtown MallAdditionally, Ting will match your Substack subscription to support Town Crier Productions, the company that produces this newsletter and other community offerings. So, your $5 a month subscription yields $5 for TCP. Your $50 a year subscription yields $50 for TCP! The same goes for a $200 a year subscription! All goes to cover the costs of getting this newsletter out as often as possible. Learn more here! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe
Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and their personal transcription secrets. On this episode of the Jazz Transcription Clinic Podcast Mirko Guerrini interviews the guest jazz doctor: Roberto Occhipinti Listen to Roberto Occhipinti's answers to the questions below: Why do you transcribe? 04:34 What do you expect to bring home from a transcription? 11:36 How do you choose the solos you transcribe? 18:34 What is your transcribing methodology? 20:18 How do you practise the solos you transcribe? 26:06 How do you incorporate ideas from the transcriptions into your playing? 43:44 Which transcription of yours is your favourite? 49:10 Bassist Roberto Occhipinti was born in Toronto, Ontario, Canada, on March 25, 1955. He comes from a prominent musical family that includes two guitarists: younger brother Michael and cousin David. Michael Occhipinti is a well-known sideman and co-founder of NOJO -- the Neufeld-Occhipinti Jazz Orchestra. At the University of Toronto, beginning in 1972, Roberto Occhipinti studied under Thomas Monohan and was mentored by Joel Quarrington and especially the acclaimed jazz bassist Dave Young. He was a member of the Winnipeg Symphony Orchestra in the mid-'70s, the Hamilton Philharmonic Orchestra in the early to mid-'80s, and the Canadian Opera Company Orchestra in the mid- to late '80s; was principal bassist with the Esprit Orchestra from 1986 to 1994; and was a longstanding member of Arraymusic from 1979-2000. By 1997, Occhipinti began working with Cuban expatriate jazz pianist Hilario Durán, then saxophonist Jane Bunnett's Spirits of Havana, NOJO with guest Sam Rivers or Don Byron, the Toronto sextet Soul Stew, Marty Morell, Gorillaz, Englishman Damon Albarn's Mali Music, the Russian Globalis Symphony Orchestra, the True North Brass, Jovino Santos Neto, the Gryphon Trio, the St. Lawrence Quartet, and Via Salzburg. Also a well-respected producer, Occhipinti has worked for Hilario Durán, Dafnis Prieto, Quartetto Gelato, and the Shurum Burum Jazz Circus, and has been a music director and orchestra contractor for films and commercials. He received an Artist Diploma from the University of Toronto in 1999, and in 2001, as part of Bunnett's Spirits of Havana, he shared the Juno award for Best Global Album. In 2005 he received his own Juno as producer of Durán's New Danzon CD. Other awards include the National Jazz Award for Producer of the Year in 2005 and 2006, and Acoustic Group of the Year for his own band in 2005. In 2006 he received a SOCAN award for the cartoon series George Shrinks. In this episode, Roberto explains his personal transcribing approach and shows how to profit from every transcription you make. Among all the great things that Roberto says, my favourites are: 'What I put on paper when I transcribe is not what was originally written on paper, I write what I hear'; 'I am always looking for good stuff to steal'. 'As Clark Terry use to say: Imitate, Assimilate, Innovate' 'You don't do justice to Dexter Gordon when you write his solos on paper' 'Most of the times, when I transcribe, I do it for the specific purpose of getting paid' 'The whole point of transcribing is to figure out why the player did that thing, why it works and why it appeals to you' Artists mentioned in this episode: Clark Terry, Dexter Gordon, Dave Liebman, George Russell, Richard Davis, Gorillaz, Jamiroquai, Joe Henderson, Mike Smith, Miles Davis, a.o. You can check Roberto Occhipinti here: https://en.wikipedia.org/wiki/Roberto_Occhipinti You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.
(...) Filó Machado empezó tocando temas compuestos por gente como Djavan, Aldir Blanc, Sérgio Natureza, Taiguara Judith de Souza, Sergio Ricardo y Fátima Güedes , cosa que más tarde le dió la oportunidad de presentarse en los Festivales de Jazz de Córcega y Uzeste en Francia, y a hacer de telonero de Nina Simone en el Festival de Jazz de Cannes. En 1995 participa como músico y compositor en el magnífico album de la flautista y saxofonista canadiense Jane Bunnett, junto a músicos de la talla de la propia Bunnett, Larry Cramer, Paquito d'Rivera, Hilario Duran o de su hermano Celso Machado. De los 10 temas que componen el trabajo, 5 están firmados por Filó Machado. Pero fue en el año 2000 cuando los norteamericanos descubrieron su música coincidiendo con el lanzamiento de su trabajo “Cantando un Samba” (1999) grabado por la discográfica de Ohio, Malandro Record, precisamente el disco que hemos decidido acercar hoy a los altavoces del tejado. El disco obtuvo unánimes elogios por parte de la crítica especializada de Jazz y de Word Music, en prestigiosas revistas como Dawn Beat, Jazziz, Jazz Now y Rhythm, además de constar en la lista de los 44 títulos más recomendados para participar en los premios Grammy del año 2000 en la categoría Mejor Album de Jazz Latino. (...) TRACKS 1 - Agua Viva 2 - Lara-Luri 3 - Tema Distorcido 4 - Boca De Leao 5 - Pam Pam 6 - Capim 7 - Improvisation 8 - Pra Vocé 9 - Cantando Um Samba 10 - Take Five 11 - Mae 12 - Babaluè Babaluá CREDITS Bass – Christian Pacchiaudi, Myriam Bauer, Pichú Borelli Drums – Alain Ruard, Fábio Canella, Serginho Machado Guitar – Filo Machado, Thierry Galliano Harmonica – Clayber De Souza Keyboards – Serge Munuera, Victor Machado Lead Vocals – Filo Machado Percussion – Filo Machado, Jean-Luc Danna
Mike Epstein is the President and Founder of Epstein & Company, an international booking agency that represents a roster of brilliant artists, including Maria Schneider, Fred Hersch, Cyrille Aimee, Jane Bunnett and Maqueque, Donny McCaslin and more. His agency offers booking services for professional touring artists as well as value added services for those who need them including travel, logistics, advancing dates, and tour marketing. We chat about Mike's Artist Growth Process™, a unique process built around their individual clients' biggest goals that focuses on maximising performance opportunities, increasing artist fees, and growing their fan base so they are free to focus on creating and performing. Mike's MO for guiding his artists is also generously made available to any musicians who visit the Epstein & Co. website. Show Notes: Tracks Played: – Emmet Cohen: Future Stride – Banda Magda: El Pescador – Maria Schneider: Braided Together – Kat Edmonson: A Dream Is A Wish Your Heart Makes – Cyrille Aimee: There's A Lull In My Life Mentioned links: Grow Your Art With Maria Schneider, Mike Epstein and Ann Braithwaite Speaking Of The Arts Podcast Live From Emmet's Place The Kat Edmonson Show “The Insider” is a spin-off series with monthly episodes. Patreon members at the $10/month tier receive these episodes a month before the general public. If you would like to support The Jazz Session, please do consider becoming a Patreon member over at https://www.patreon.com/thejazzsession
Mike Epstein is the President and Founder of Epstein & Company, an international booking agency that represents a roster of brilliant artists, including Maria Schneider, Fred Hersch, Cyrille Aimee, Jane Bunnett and Maqueque, Donny McCaslin and more. His agency offers booking services for professional touring artists as well as value added services for those who need them including travel, logistics, advancing dates, and tour marketing. We chat about Mike's Artist Growth Process™, a unique process built around their individual clients' biggest goals that focuses on maximising performance opportunities, increasing artist fees, and growing their fan base so they are free to focus on creating and performing. Mike's MO for guiding his artists is also generously made available to any musicians who visit the Epstein & Co. website. Show Notes: Tracks Played: – Emmet Cohen: Future Stride – Banda Magda: El Pescador – Maria Schneider: Braided Together – Kat Edmonson: A Dream Is A Wish Your Heart Makes – Cyrille Aimee: There's A Lull In My Life Mentioned links: Grow Your Art With Maria Schneider, Mike Epstein and Ann Braithwaite Speaking Of The Arts Podcast Live From Emmet's Place The Kat Edmonson Show “The Insider” is a spin-off series with monthly episodes. Patreon members at the $10/month tier receive these episodes a month before the general public. If you would like to support The Jazz Session, please do consider becoming a Patreon member over at https://www.patreon.com/thejazzsession
Sarah Thawer is a self-taught drummer based in Toronto, Canada, who's been performing on stage since the age of 5 years old. https://www.instagram.com/sarahtdrumguru/ (Sarah) has found great success by embracing the world of formal education by studying jazz and world music at York University. She was the recipient of the Oscar Peterson Scholarship, the highest award given by the institution, and graduating with the Summa Cum Laude distinction. Her accolades and work ethic have taken her to share a stage with world-class artists, including AR Rahman, Ruth B, Jane Bunnett and Maqueque, Del Hartley, and D'bi and the 333, to name a few. We had an incredible conversation with this amazing musician, and we were also lucky enough to have her record some tracks in our studio that we included at the end of this episode as well
This week Charles Mingus would have turned 99 years old, so to be a whole year ahead of the celebration of his centennial we've decided to focus this edition of Mondo Jazz on his figure as a composer, featuring some of the best renditions of some of his most memorable compositions. The playlist features Maceo Parker; Osmiza; Vienna Art Orchestra; Jane Bunnett, Dewey Redman, Stanley Cowell, Dean Bowman; Joni Mitchell; Gil Evans; Steve Lacy; Hal Willner; The Uptown Horns; Greg Cohen; Elvis Costello, Bill Frisell; Michael Blake; Medeski, Martin & Wood. Detailed playlist at https://spinitron.com/RFB/pl/13065964/Mondo-Jazz (up to Medeski, Martine & Wood). Happy listening!
La flautista y saxofonista canadiense Jane Bunnett, junto con su trompetista y marido, Larry Cramer grabaron lo que resulta ser una obra maestra del jazz latino y afro cubano, logrando una muy sólida comunión entre los géneros ya mencionados, así como una brillante participación de diversos grupos auténticamente cubanos, tales como The Santiago Jazz Saxophone Quartet, Los Jubilados de Santiago de Cuba, Los Hoyos de Santiago de Cuba, y otros músicos invitados.
Saranaide is an accomplished vocalist, songwriter and musician based out of Buffalo, NY. With parents from Panama and Puerto Rico, Saranaide has dipped into her DNA to embrace and celebrate the pulses and sounds of Latin America; exploding on the Buffalo Jazz Scene with a new vigor. Inspired by the legends of soul and jazz riding on the rhythms of the world, Saranaide's unique sound is sweet honey dripping over a spicy stew. A lifelong learner, she has traveled the world to better inform her process – whether it is studying Maracatu in Canada and Brazil or traveling to Ghana to immerse herself more fully in West African drumming & dance, Saranaide beautifully blends and reflects her Afro-Latino roots. She writes in both English and Spanish, most recently adding Portuguese to her singing repertoire. Her songwriting is universal and highly personal; her stage presence ethereal and earthy, wrapping her audience up in each story told through her sultry vocals, willowing flute and jazzy guitar riffs. She began her musical journey learning the piano at the age of 4. She picked up the flute in grade school and played in various ensembles and bands throughout her life. Her musicality sparked her interest in teaching herself guitar (and later ukulele) for church services, where she spent most of her youth building the foundation for her practice. Saranaide also sings with the Buffalo Afrobeat Orchestra and is passionate about her work as a birth doula. Most notable performances of her career were being a guest of the Brooklyn College Choir in 2018 to perform two sold out nights at Carnegie Hall with Joe Hisaishi in a symphonic concert featuring the music of Studio Ghibli, wowing a sold out crowd at Hotel Henry with a night of bossa nova, and opening up for Jane Bunnett and Maqueque. To find out more about Sara check out her website www.saranaidemusic.com
Lots of music today and not too much talk. From my online downloads you’ll hear Joe Henderson, Leslie Odom Jr., Wolff Clark Dorsey, and Gilson Perenzetta & Mauro Senise. Canadian groups are Victoria’s Naden Band featuring Roy Styffe, Chelsea McBride & Her Socialist Night School, and Jane Bunnett & Maqueque. Lastly, some random selections from…Continue reading Episode 126, More Random Selections from my Jazz Library
A few weeks ago, Gregg Tilston and Karim Kanji welcomed the Afro-Cuban Jazz duo OKAN (led by Elizabeth Rodriguez and Magdelys Savigne) to the show! Combining history, heritage, storytelling and spirituality, they share these elements on their new album – Espiral (Spanish for ‘spiral’). Born in Havana, Cuba, Elizabeth Rodriguez is a classically trained violinist who served as concertmaster for Havana’s Youth Orchestra. Magdelys Savigne hails from Santiago de Cuba and graduated with honours in orchestral percussion from Havana’s University of the Arts. Both are JUNO-nominees for their work with Battle of Santiago and Grammy-nominees for their contributions to Jane Bunnett and Maqueque, of which they are former members.
A few weeks ago, Gregg Tilston and Karim Kanji welcomed the Afro-Cuban Jazz duo OKAN (led by Elizabeth Rodriguez and Magdelys Savigne) to the show! Combining history, heritage, storytelling and spirituality, they share these elements on their new album – Espiral (Spanish for ‘spiral’). Born in Havana, Cuba, Elizabeth Rodriguez is a classically trained violinist who served as concertmaster for Havana’s Youth Orchestra. Magdelys Savigne hails from Santiago de Cuba and graduated with honours in orchestral percussion from Havana’s University of the Arts. Both are JUNO-nominees for their work with Battle of Santiago and Grammy-nominees for their contributions to Jane Bunnett and Maqueque, of which they are former members.
Canada es nuestro protagonista. Expresiones musicales diversas desde el Caribe inevitable y la Africa imprescindible. Y más que nada es un velada que celebra el aporte de hombres y mujeres que emigran a otro pais para enriquecer su cultura Descubra un torrencial de música espectacular. Programa del 26 de julio del 2020. Transmitido originalmente en Quisqueya FM, 96.1, Santo Domingo. www,quisqueyafmrd.comPintura: Roberto Gutiérrez Currás
Juno award winners and nominees, honouring Ennio MorriconePlaylist: Dominique Fils Aime - Good FeelingDominique Fils Aime - Big Man Do CryBria Skonberg - BlackoutElizabeth Shepherd - Tio'tia:KeJacques Kuba Séguin - OrigineJoel Miller - Dearhead hoof, Pt 1, introJohn Stetch - Waltz of the FlowersTed Quinlan - CheticampAlexandra Streliski - The Quiet VoiceBill Mcbirnie and Bernie Senenksy - The Silent WishKevin Hearn - TemagamiTanya Tagaq - IcebreakerRon Davis - Drew BouréeErnesto Cervini Turboprop - SmileBrad Turner Quartet - Little PeopleJane Bunnett and Maqueque - Ain't No Sunshine When She's GoneEnnio Morricone - The Good The Bad and The uglyJohn Zorn/Ennio Morricone - MetamorfosiAimee-Jo Benoit - I Love You
durée : 00:59:27 - MADE IN 2019 : eau chaude - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Multi-instrumentalist Jane Bunnett and her band Maqueque have a new album called On Firm Ground/Tierra Firme (2019, Linus Entertainment). In this interview, Bunnett talks about the long and often difficult process of assembling a band of women from Cuba; the collaborative spirit that emerged from their shared struggle; the music on the new record; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.
Multi-instrumentalist Jane Bunnett and her band Maqueque have a new album called On Firm Ground/Tierra Firme (2019, Linus Entertainment). In this interview, Bunnett talks about the long and often difficult process of assembling a band of women from Cuba; the collaborative spirit that emerged from their shared struggle; the music on the new record; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.
Multi-instrumentalist Jane Bunnett and her band Maqueque have a new album called On Firm Ground/Tierra Firme (2019, Linus Entertainment). In this interview, Bunnett talks about the long and often difficult process of assembling a band of women from Cuba; the collaborative spirit that emerged from their shared struggle; the music on the new record; and … Continue reading "The Jazz Session #499: Jane Bunnett"
As much as we favor a complete integration of the jazz sexes, this week we feature twenty-four bands or projects with not a single man in sight, actually in hearing. After all, how much jazz radio have you listened to (not on Mondo Jazz) with playlists made exclusively of all male bands? Here's a small contribution to rebalancing that statistical abherration. The playlist features Rhoda Scott's Lady Quartet, Nérija, Irène Schweizer, Co Streiff, Marilyn Mazur's Shamania, Terri Lyne Carrington, Aki Takase, Silke Eberhard, Anna Högberg Attack, Maggie Nicols, Joelle Leandre, Sylvie Courvoisier, Susie Ibarra, Sisters in Jazz, Cæcilie Norby, Jane Bunnett and Maqueque, Monika Herzig, Tia Fuller, Giovani Leonesse, Lioness, Ahn Trio, Minamo, Mary Halvorson, Jessica Pavone, Eve Risser, Kaja Draksler, Susana Santos Silva, Lauren Newton, Hae Voces. Detailed playlist at https://spinitron.com/RFB/pl/9230056/Mondo-Jazz Photo credit: Agata Urbaniak
Hace unos cuantas semanas, en nuestro capítulo 17, hicimos un programa especial al que llamamos "Cuerpo de Jazz, alma de Fusion". En dicho programa repasábamos una preciosa colección de standards de jazz compuestos entre los años 20 y mediados de los 50, pero vistos a través del prisma musical de músicos que habían desarrollado la mayor parte de su carrera en el ámbito del jazz fusión. Hoy pretendemos hacer un programa similar con la diferencia de que en esta ocasión hemos querido centrarnos en clásicos del jazz moderno, para nosotros el jazz que se desarrolló desde finales de los años 50. Analizaremos temas de gente tan importante como Theolonius Monk, Toots Thielemans, Antonio Carlos Jobim, Bruno Martino o John Coltrane pero vistos por artistas como Jane Bunnett, Joe Sample, Tito Puente, Hendrik Meurkens, Michel Petrucciani, George Benson o Cal Tjader. Una auténtica delicatessen gatuna que os servimos desde el tejado para vuestro deleite musical. Esperamos que os guste.
durée : 01:00:06 - Plein la tête - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
The saxophonist, flautist and bandleader has been traveling to Cuba and performing its music for over 30 years.
This is the last episode of the Cuban Jazz series. And I’ve decided to feature a Juno award winning Cuban-Canadian group of women. I play music from both their albums, as well as spotlight some of the individual musicians in the group—including Yissy Garcia, Melvis Santa, Danae Alano, and, of course, Jane Bunnett herself. I…Continue reading Episode 58: More Cuban Jazz–Jane Bunnett & Maqueque
In celebration of the coming of Maqueque—a group of five Cuban women plus flautist/soprano saxophonist Jane Bunnett–coming to Peterborough in April, I’m starting a three part series on Afro-Cuban Jazz. Today’s episode tracks its ‘modern’ history, from the 1920’s in New York. Yup! That was the birthplace of Afro-Cuban Jazz, not Havana or New Orleans.…Continue reading Episode 55: Afro-Cuban Jazz, A History
Sarah Thawer is a self-taught drummer based in Toronto, Canada. She started playing drums at age 2 and her first stage performance was at age 5. Sarah is currently freelancing, touring, recording and performing with international artists playing various genres including jazz, fusion, latin, gospel, funk, r&b, hip hop, Indian and world music. She studied jazz and world music at York University and was the recipient of the Oscar Peterson Scholarship, the highest award given by the institution, in addition to graduating with the Summa Cum Laude distinction. Sarah has shared the stage and played with many popular artists including AR Rahman, George Watsky, Robert Sput Searight, Jane Bunnett, Charlotte Day Wilson, Tyler Shaw, Ruth B, Osman Mir, Shweta Subram, Jeremy Ledbetter, Salim-Sulaiman, Benny Dayal, Thompson Egbo-Egbo, Roger and Sam Grandison to name a few. Sarah endorses Vic Firth drum sticks, Evans drum heads, Yamaha drums, Zildjian cymbals, 64 Audio, Gruv Gear and Prologix Pads. Sarah is also the Brand Ambassador for the company Remitbee. Key Questions answered by Sarah Thawer: How she convinced her parents to allow her to pursue music How she discovered his passion How she got signed by sponsors How Sarah challenges herself and goal setting What traits Sarah believes helped her achieve success Advice for other creatives on their journey Sarah Thawer Discusses: How her creative journey started How Sarah became a social influencer How Sarah got “discovered” How her purpose makes her feel Being a freelance musician How to make opportunities for yourself How to disengage from jealousy and competition Being a woman in the music industry Her work ethic Listen on Apple Podcasts, Soundcloud, Stitcher, Spotify, and Google Play Click here to subscribe via RSS feed (non-iTunes feed): https://funnybrowngirl.libsyn.com/rss Announcements If you’re looking for a community of supportive creatives to elevate your journey to the next level, join me here: http://funnybrowngirl.com/subscribe Learn more about Sarah Thawer: www.sarahthawer.com Social Media Info Connect on Instagram: Sarah Thawer - @SarahTDrumGuru FunnyBrownGirl – @funnybrowngirl Connect on Facebook: Sarah Thawer - https://www.facebook.com/SarahTDrumGuru1 FunnyBrownGirl – https://www.facebook.com/FunnyBrownGirl/ Connect on Twitter: Sarah Thawer: twitter.com/sarahtdrumguru Shereen Kassam: twitter.com/funnybrowngirl Connect on YouTube: Sarah Thawer: https://www.youtube.com/user/SarahTDrumGuru Connect via Email Shereen Kassam – info@funnybrowngirl.com #CreativeBreakthroughPodcast A podcast spotlighting successful creative entrepreneurs of color who share real life strategies and inspiration!
2-time GRAMMY-nominated Drummer, Composer, Bandleader, Educator and MacArthur “Genius” Fellow, Dafnis Prieto joins the show for the first time! Since his arrival to New York in 1999 from Cuba, Prieto has worked in bands led by Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and The Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Michel Camilo, Chucho Valdés, Bebo Valdés, Roy Hargrove, Don Byron, and Andrew Hill, among others. In 2006, Prieto received a GRAMMY nomination for Best Latin Jazz Album for his album “Absolute Quintet”. He also received a Latin GRAMMY nomination for Best New Artist in 2007. In 2011, Prieto was named a MacArthur “Genius" Fellow with his citation reading: “Electrifying audiences with dazzling technical abilities and rhythmically adventurous compositions while infusing Latin jazz with a bold new energy and sound.” Prieto is the founder of the independent music company Dafnison Music. He was a faculty member of Jazz Studies at NYU from 2005 to 2014, and in 2015 became a faculty member at the Frost School of Music at the University of Miami. In 2016 Prieto published the critically acclaimed drumming instructional book, “A World of Rhythmic Possibilities: Drumming Lessons and Reflections on Rhythms”. A leader of seven acclaimed albums, his most recent album release is “Back to the Sunset” with the Dafnis Prieto Big Band, collaborating with GRAMMY and Latin GRAMMY-winning producer Eric Oberstein and joined by special guests Henry Threadgill, Steve Coleman, and Brian Lynch. We talk about his early development in Cuba, his compositional style and influences, working with some of the top latin jazz and jazz musicians in the world, his 2016 drumming instructional Book “A world of rhythmic possibilities”, his latest album “Back to the Sunset” and much, much more!
El pianista Axel Tosca es un joven valor de la escena del jazz de Nueva York. Nacido cubano, es hijo de la excelente cantante Xiomara Laugart y de Alberto Tosca, cantautor de Cuba. El primer trabajo de Axel Tosca tiene título homónimo. Heaven and Earth, Cielo y Tierra, es el disco más reciente de la flautista y compositora de Nueva York, Colette Michaan. Esta es su cuarta producción después de los discos First Cause, Querencia e Incarnate, álbumes donde ya mostraba su afición por los ritmos de Cuba, contenido y tendencia que se mantiene en este disco.Tony Taño ha sido uno de los directores de orquesta, arreglista y compositor más importantes de Cuba desde comienzos de los años 60. Hace unos días nos llegó la noticia de su muerte. Este próximo día 20 de abril habría cumplido 80 años. Desde comienzos de los años 50 hasta los primeros años 60, Tony Taño, natural de Caimito del Guayabal, hoy provincia de Artemisa, se dedicó a estudiar música, desde solfeo, armonía y trompeta hasta composición y dirección orquestal. En su biografía encontramos una larga lista de responsabilidades y de tareas.Ibrahim Ferrer, uno de los rostros familiares del proyecto Buena Vista Social Club, fue uno de los cantantes preferidos del director santiaguero Chepín, con quien vivió y compartió dos momentos de su biografía musical, primero en la Orquesta Chepín Chovén, una de las grandes alianzas de músicos orientales, y después como vocalista de nuevo de la orquesta de Chepín, cuando éste decidió separarse de Chovén para dirigir su orquesta oriental. Ibrahim Ferrer era de San Luis, población próxima a Santiago de Cuba, donde nació el 20 de febrero de 1925. El Septeto Turquino de Santiago de Cuba puede ser la réplica del grupo habanero Sierra Maestra. Los dos grupos surgieron en los años 80 y ambos en los recintos universitarios de las ciudades donde estudiaban. Desde el año 1982, al frente del Turquino, continua el contrabajista Rolando Ferrer Rosado para mantener al septeto en primera fila de la calidad de los grupos soneros de Cuba. A finales del año pasado nos llegó su nuevo álbum, se titula Ligadito con el son.Súbeme la radio es el éxito de Descemer Bueno y de Enrique Iglesias, que Sweet Lizzy Proyect interpretan en inglés y del que disponen un par de vídeos que no pueden perderse. En la despedida, recuperamos el disco Oddara, cd del año 2016 de Jane Bunnett & Maqueque que compitió en la pasada edición de los Grammy.
ideastream's Dee Perry welcomes Jane Bunnett & Maqueque before their Tri-C Jazz Fest concert at Playhouse Square. Detailed show notes at https://www.ideastream.org/news/jane-bunnett-and-maqueque-live.
Guests: Ashley Kwong, Miranda Esmonde-White, Eric Alper, Kris Abel, Deedee Crosland & Jane Bunnett. SUBSCRIBE to What She Said here: https://www.youtube.com/channel/whatshesaidtalk Download our Free iTunes Podcast: apple.co/1U700c0 | Follow us on Facebook/Twitter/Instagram: @WhatSheSaidTalk | www.whatshesaidradio.com What She Said! with Christine Bentley & Kate Wheeler airs Saturday and Sunday at 6PM ET on The Jewel Radio Network. Listen LIVE on the APP: http://www.streamdb5web.securenetsystems.net/v5/CKDX
Jane Bunnett is a world-renowned jazz musician and composer who lives in Toronto, Ontario. A Juno award winner and Grammy award nominee, Bunnett is a highly accomplished saxophonist and piano player well known for her incorporation of Cuban music and collaborations with Cuban musicians; her 1991 album, Spirits of Havana, is considered one of the […]
By Berklee Office of Communications September 3, 2009 Berklee alumnus and saxophonist Donald Harrison is the originator of the nouveau swing style, which merges acoustic swing with modern r&b, second-line, hip-hop, New Orleans roots music, and reggae rhythms. Harrison has played with many of the big names in jazz, but he has also discovered and nurtured talented up-and-comers like Christian Scott, Mark Whitfield, Dwayne Burno, Christian McBride, Cyrus Chestnut, and rap icon the Notorious B.I.G. Harrison is one of more than a dozen artists performing in the Berklee BeanTown Jazz Festival's free outdoor show on September 26, 2009. Ticketed events also feature musicians Jane Bunnett, Kurt Elling, Ahmad Jamal, Branford Marsalis, and David Sanborn. Learn more at beantownjazz.org. This month's podcast features the Harrison tune "Water Meter."
Lorraine Desmarais version légèreLorraine Desmarais et son Big Band, version corsée...---------------------------------------------- Gadget Google - Dewplayer volume - ------------------------Lorraine Desmarais,Guy Nadon, Michel Cusson,Michel Donato, Paul Brochu, Jean St-Jacques, Sylvain Bolduc, l'ensemble de cuivres St-Laurent et bien d'autres.Lorraine Desmarais,pianiste de jazz et compositrice est reconnue aux États- Unis, en Europe en Asie et en Afrique pour ses prestations en solo, en trio et avec big band. Elle s’est également produite avec plusieurs orchestres symphoniques dont l’Orchestre symphonique de Montréal, l’Orchestre Métropolitain du Grand-Montréal, l’Orchestre symphonique de Laval et l’Orquesta Sinfonica de Galicia, en Espagne. C’est en 1984 qu’elle a pris son envol sur la scène du jazz au pays alors que le Festival International de jazz de Montréal lui décernait un premier prix. Elle compte maintenant à son actif neuf albums de compositions originales, incluant parfois quelques standards de jazz. Deux de ces albums (Trio Lorraine Desmarais et Jazz pour Noël) ont remporté des Félix. Lorraine Desmarais s’est produit en concert avec des artistes de renommée internationale comme Oliver Jones, Chick Corea, Joanne Brackeen, Marian Mc Partland, Tiger Okoshi, Paquito D’Rivera, Guido Basso, Jane Bunnett, Alain Caron, François Bourassa, Michel Cusson et le Big Band Diva de New York. D’une très grande polyvalence musicale, elle a également collaboré avec des artistes de la scène classique dont Angèle Dubeau et La Pietà ainsi que des artistes de la scène populaire québécoise tels Ariane Moffat, Martin Deschamps, Jim Corcoran, Michel Rivard et Bruno Pelletier et Sylvain Cossette....lire la suite du texte→ Par ici!On peut écouter son nouvel album→ Par là!Visitez son site web→ Par ici!
Flutist and saxophonist Jane Bunnett has a smoking new CD called "Cuban Rhapsody." Playing duets with Cuban pianist Hilario Duran, Bunnett shows both prodigious technique and improvisational skills on some Cuban classics. JazzCorner.com producer Reese Erlich offers this Jazz Perspective.
Cuban Rhapsody (Alma Records, 2011) is a duet CD by saxophonist and flautist Jane Bunnett and pianist Hilario Duran. In this interview, Bunnett and Duran talk about the joys and challenges of duet playing; the deep history of the album's repertoire; and the idea of music without boundaries. Learn more at www.janebunnett.com and www.hilarioduran.com. Tracks used in this episode: Lagrimas Negras; Almendra; Sherezad; Contradanzas; Longina; Son de la Loma.
Cuban Rhapsody (Alma Records, 2011) is a duet CD by saxophonist and flautist Jane Bunnett...
Sharron McLeod is a jazz vocalist who is well established in Toronto and New York City. Sharron has shared the stage with some of jazz's most exciting musicians such as Jane Bunnett, Greg Tate, Archie Alleyne, Salome Bey, Jimmy Lovelace, Jackie Richardson, Yoron Isreals, Gord Webster, Duane Burno, Elliott Levine, Lewis 'Flip' Barnes and Frank Falco. Along with regular club and festival appearances in Toronto, Sharron has performed in Europe and the United States. Trained as a classical flutist and trombonist, Sharron's focus naturally evolved to encompass jazz. Following the success of For the Love of Abbey at the Trane Studio in December, Sharron is bringing her tribute to the late great jazz diva Abbey Lincoln to the Rock Paper Sistahz 10th anniversary festival. She will perform and recall the music of Ms Lincoln along with her own personal anecdotes and observations about this legendary and iconic artist. During our interview Sharon talks and shares about growing up in a household were her mother was a fan of opera, classical, reggae and world music, the moment when she fell in love with jazz, her first musical performance as singer, her special relationship with her "musical mother" the late great Abby Lincoln and how her tribute came into being, how her performance at this year's "Rock Paper Sistahz " came about ; and her future plans. To find out more about Sharron, please go to : www.myspace.com/sharronmcleodRock Paper Sistahz Festival Opener - Sharron McLeod in a Tribute to Abbey Lincoln Tuesday, May 10th, 2011 from 6:30 p.m. - 10:00 p.m. at Artscape Wychwood Barns (http://maps.google.ca/maps/ms?hl=en&ie=UTF8&msa=0&msid=103504369285256632619.000463ae727d781146556&source=embed&ll=43.646494,-79.39667&spn=0.134153,0.263672&z=12 ), 601 Christie St. Toronto, Ontario Please feel free to email us at info@blackcanadianman.com. If you live in North America, you can leave us a message at 1-866-280-9385 (toll free). Please feel free to "Like" the "The Vibe and Vegas Show" Facebook fan page at http://www.facebook.com/pages/The-Vibe-and-Vegas-Show/155099174532923 God bless, peace, be well and keep the faith, Vibe and Vegas info@blackcanadianman.comPodcastTwitter"The Vibe and Vegas Show" Facebook Fan PageiTunes
Rebroadcast from June 11, 2010: 8:00 AM: MOUNTAINS THAT TAKE WING. C.A. (Crystal) Griffith & H.L.T.Quan QUAD Productions. Their film opened at the San Francisco Black Film Festival, Thursday, June 17, 2010. The film screens Friday, SEPTEMBER 24, 7 PM, at East Side Cultural Center, 2277 International Blvd., in Oakland. It is a free event and Angela Davis and Yuri Kochiyama will be present as well. Visit www.quadproductions.org 8:30 AM: Sia Amma and Mia Pascal: The Marsh presents New Solo Theatre Pieces by Up-and-Coming Artists: A Festival of New Voices through June 13, 2010 9:00 AM: Coloring Outside the Lines artists and curator, Kheven Lee LaGrone, Makeda Rashidi, Nate Creekmore, Barbara Brandon-Croft and Jerry Craft.There is an artist panel Sunday afternoon, June 13, 2010 at the San Francisco Main Library. The exhibit then moved to the Laney College Library. Music this morning: "New Orleans Underwater" from Jane Bunnett's Radio Guantanamo.