Podcasts about The Minders

This week, we will be celebrating Pavement Week on Revolutions Per Movie with episodes that are Pavement to the max!!!  For today's episode (#3 of 5) we talk to multi-instrumentalist of Pavement, The Minders, Pedro The Lion & Wild Flag, Rebecca Clay Cole!!!  We discuss her time in Pavement and her varied musical life, and she also brought us an amazing music film pick to discuss: the Luther Vandross documentary Luther: Never Too Much.  We also talk about her involvement with the Elephant 6 scene, how her first band was the incredible The Minders, learning to sing harmonies on the fly, working with The Jicks before being asked to join Pavement, what the Denver music scene was like in the late 90s, collecting 7” records, the mysteries of a sound check, how Luther's childhood friends (Fonzi Thorton, Robin Clark & David Bowie/Iggy Pop collaborator Carlos Alamor) remained in each other's musical lives until his death, Luther running the Patti LaBelle fan club, his first band performing on Sesame Street, a young Luther getting his bandmates' parents to buy their jade colored shoes for their live shows, Luther embracing the Philly sound, David Bowie making Luther his vocal arranger for the Young Americans album and Luther re-writing one of Bowie's songs, plus songs for The Wiz, touring with Bette Midler, chance encounters in creative situations, Luther being on every recording of Chic, his new wave album Busy Body, the racism in the record industry and how the media obsessed about his weight, how Luther controlled his band on stage tempo wise with such gentle ease and how Luther's vocal style came about from singing in a pizza commercial!So it's siizzzzllliiinnnggg hot on episode #3 of Pavement week only here on Revolutions Per Movie!!! REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

The Cloud Minders (Star Trek: The Original Series (TOS), S3 E19) was recommended by Kaleb, he/him, who said: No war but class war baby! I love this episode for being that classic campy trek, while also being a rather good simplification of how environment- particularly an environment caused by oppression in the first place- shapes the way that oppression is justified and continued. Not specifically class related, but that's the medium this episode evokes, and many marginalized identities can be viewed through class structures as well.I can't deny a good “I won't be the bigger man, I'm dragging you down to my level” type story, especially when it's our protagonist doing the dragging.I can't help but love Droxine flirting w/ Spock, bc it just registers to me as the relatable experience of “ma'am please, I'm here w/ my boyfriend, who you clearly haven't clocked as such, so I'm gonna try and find the most non-scene causing way to stop this”. It kills me, I don't think this scene is supposed to reduce you to giggles.Hope you also enjoy!The Cloud Minders first aired on February 28, 1969, written by Jerome Bixby, and directed by Murray GoldenKirk races against time to acquire plague-fighting minerals from a world in the midst of a civil uprising.The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)Send us your recommendations, or support us on Patreon.Find us at joyoftrek.com · Twitter · Facebook

Esta semana, en Islas de Robinson, caemos en territorio psicodélico de los 90, con la gente del colectivo Elephant 6 como hilo conductor. Suenan: ELF POWER - "THE SEPARATING FAULT" ("WHEN THE RED KING COMES", 1997)/ NEUTRAL MILK HOTEL - "WHERE YOU'LL FIND ME" ("ON AVERY ISLAND", 1996) / THE OLIVIA TREMOR CONTROL - "CAN YOU COME DOWN WITH US?" ("DUSK AT THE CUBIST CASTLE", 1996) / THE ORANGE ALABASTER MUSHROOM - "ANOTHER DAY" ("THE PSYCHEDELIC BEDROOM E.P.", 1996) / GUIDED BY VOICES - "TO REMAKE THE YOUNG FLYER" ("UNDER THE BUSHES, UNDER THE STARS", 1996) / THE BEVIS FROND - "BOOK" ("NORTH CIRCULAR", 1997) / LILYS - "CAN'T MAKE YOUR LIFE BETTER" ("BETTER CAN'T MAKE YOUR LIFE BETTER", 1996)/ PAVEMENT - "TRANSPORT IS ARRANGED" ("BRIGHTEN THE CORNERS", 1997) /HELIUM - "SUNDAY" ("NO GUITARS", 1997) / THE FLAMING LIPS - "BRAINVILLE" ("CLOUDS TASTE METALLIC", 1995) / ORGONE BOX - "ANAESTHESIA" ("CONFECTIONERY" / "THE ORGONE BOX", 1996) / COTTON MATHER - "AURORA BORI ALICE" ("KONTIKI", 1997) / THE MINDERS - "HOORAY FOR TUESDAY" ("HOORAY FOR TUESDAY", 1998) / THE APPLES IN STEREO - "BENEFITS OF LYING (WITH YOUR FRIEND)" ("HER WALLPAPER REVERIE", 1999) / CIRCULATORY SYSTEM - "A PEAK" - ("CIRCULATORY SYSTEM", 2001)Escuchar audio

This week's message explored the spiritual reset we need to begin the year with renewed focus on God's work in our lives. Jeff reminded us that the Christian life is rooted in what we believe—about God's grace, sin's defeat, and the power of the resurrection. Belief shapes our behavior, and over time, that behavior determines who we become. Let's embrace this new year by remembering God's truth, choosing daily obedience, and delighting in the new life He has given us in Christ.

Monthly Radio Show: Behind The Blendz Mixed By Tony Metric with Guest Mix By NINA SCHATZ Tony Metric presents """"Behind The Blendz,"""" an exclusive hour-long selection of non-stop electronic music. Navigating through various subgenres of House, mainly Tech House. It features unreleased tracks from Tony Metric and artists worldwide. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Jose Cruz, CEO of the San Diego Council on Literacy, and Charles Parisi, Founder and CEO of Cloudcast Media, talk about "The Gap Minders" podcast that informs, inspires and illuminates gaps in our culture and provides solutions to tackle these gaps.  Jose Cruz, a co-host of " The Gap Minders"  produced by Cloudcast Media, discusses the new season ahead kicking off in January 2025.  About Spotlight and Cloudcast Media"Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 18 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local. For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us.Cloudcast Media | the national leader in local podcasting.  

What's this? Two stories about resistance and rebellion in the face of oppression? Wow that's not timely at all. ha ha help. Aspen, Kenny, and guest/friend/pal Mark Gerchak talk Twi'leks as the French Resistance, about our feelings, and also Wim Wenders(???)__________________________________Get early, extended episodes on our Patreon at https://www.patreon.com/trekwarspodWatch us! https://www.youtube.com/@trekwarspodTheme by Tosin AwofesoSocial Media:https://www.instagram.com/trekwarspodhttps://bsky.app/profile/trekwarspod.bsky.socialWant to ask us questions? Email us at trekwarspod@gmail.com.And leave us a review! https://bit.ly/leave-a-review-trek-wars

Neste episódio do Product Guru's, Paulo Chiodi entrevista Nico de Paul, co-fundador da Minders e referência em Growth Marketing, para discutir o papel das estratégias de crescimento na construção de empresas sustentáveis. A conversa aborda desde o conceito de growth como mentalidade, que vai além do simples investimento financeiro, até a importância da retenção e experiência do usuário. Nico destaca que growth marketing não se limita à aquisição de clientes; ele envolve experimentação, análise e engajamento contínuo para maximizar o valor do ciclo de vida do cliente (LTV). A discussão também explora como as empresas, grandes ou pequenas, podem estruturar times de growth que equilibrem criatividade e entrega, focando em um crescimento baseado em dados e na otimização do produto para que o usuário permaneça engajado. Além disso, Nico compartilha insights sobre como líderes empresariais podem criar uma cultura que favoreça a inovação e o aprendizado contínuo, crucial para times que trabalham com growth. O episódio ainda inclui previsões sobre o futuro do growth marketing e estratégias de PLG (Product-Led Growth) para 2025, com foco na retenção de clientes como fator chave para sustentabilidade. Se você quer entender como growth marketing pode transformar sua empresa, este episódio traz um panorama completo. /// Onde encontrar os convidados: Nico de Paul | CEO and Co-Founder @ Minders https://www.linkedin.com/in/nicolas-depaul/ /// Conteúdos complementares: https://www.bain.com/insights/the-best-practices-of-great-scalers-fm-blog/ https://www.iese.edu/school-founders/ /// Nesse episódio abordamos • Growth marketing vai além de campanhas de marketing, é uma mentalidade de constante inovação. • Empresas sustentáveis focam tanto na retenção quanto na aquisição de clientes. • LTV (Lifetime Value) é um indicador essencial para empresas que buscam crescimento sustentável. • A experimentação contínua é chave para entender o que funciona para cada produto. • Founders devem balancear desenvolvimento e entrega, promovendo uma cultura de inovação. • Grandes empresas podem criar equipes menores focadas em testar e validar novas ideias. • PLG (Product-Led Growth) e Growth Marketing podem se complementar para maximizar o engajamento do cliente. • Para criar valor, a experiência do usuário deve estar no centro de estratégias de growth. • A análise de dados ajuda equipes de growth a personalizar estratégias de aquisição e retenção. • Em 2025, empresas devem focar em crescimento sustentável, maximizando a eficiência de recursos. /// Capítulos 01:22 A visão de crescimento e o impacto para empresas 02:06 Apresentação do Nico, referência em growth 03:57 Nico compartilha sua trajetória e experiência em growth 05:17 Recados 06:22 Growth como mentalidade: mais que um processo 07:00 Comparação entre PLG e Growth Marketing 09:24 A importância da retenção de usuários no growth 10:59 Discussão sobre a experiência do usuário e engajamento 12:18 Desafios de implementar growth em diferentes mercados 13:28 Estratégias de growth para empresas sustentáveis 15:20 Habilidades essenciais para equipes de growth 17:58 Como founders e líderes podem fomentar inovação 21:32 A importância da experimentação e da análise de dados 28:31 A cultura de inovação para equipes de growth 32:55 Estruturação de equipes e metodologias de entrega 40:35 Relevância de LTV e retenção para empresas sustentáveis 47:09 Futuro do Growth e PLG para 2025 /// Oferecimento Tera — Um novo futuro para sua carreira. Acesse: ⁠⁠⁠⁠⁠⁠somostera.com use o cupom de desconto PRODUCT_GURUS para desconto exclusivo. Amplitude — A maior plataforma de Product Analytics do mundo Ebook sobre Product Analytics: ⁠⁠⁠https://www.productminds.io/resources/product-analytics-for-dummies /// Onde encontrar a Product Guru's: WhatsApp: https://whatsapp.com/channel/0029Va7uwHS5fM5U0LIatu3X Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/product.gurus/⁠

Listen to Victor Davis Hanson and cohost Jack Fowler discuss the fallout from Kamala's interview with Bret Baier, the Al Smith Memorial Dinner, thoughts on J6 show trials, RFK, Jr. receiving the Left's apostate treatment, Trump at a barber shop, and Israel taking out Yahya Sinwar and doing other dirty work for the US.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For Frieze Sculpture 2024, London-based multidisciplinary artist Fani Parali presents Aonyx and Drepan; two monumental steel armatures from which performers, as hybrid creatures, 'sing' to each other across a path in Regent's Park.In the video commissioned by Frieze, Parali describes the layered processes behind the 'lip-sync opera' she produces, 'I feel that it [the recorded voice] exists before and after everything else, and the performers then become like channels, like mediums for these voices to come through them.'Like Charon traversing the river Styx, Aonyx and Drepan represent gatekeepers guiding the viewer from one temporal zone to the next. Parali's practice is inspired by 'Deep Time', the 18th-century timescale used to plot non-anthropocentric geological events. In this ecologically destructive era, the work is a portal by which to view the vastness of geological time and think of ourselves as guardians of this, our own, brief epoch.Fani Parali (b. 1983 Greece) lives and works in London. She studied BA Sculpture at Camberwell College of Arts and completed her postgraduate studies at the Royal Academy Schools. Parali's practice includes sculpture, sound, performance, large-scale painting, drawing and moving image. Notable recent exhibitions include 'Aonyx and Drepan & The Minders of the Warm' at Southwark Park Galleries (2020). Her work is currently included in Hayward Galleries touring exhibition 'Acts of Creation: On Art and Motherhood' curated by Hetti Judah (2024).Frieze Sculpture returns to London's Regent's Park 18 September - 27 October 2024. The much-celebrated public art initiative coincides with Frieze London and Frieze Masters, which take place concurrently in The Regent's Park, 9 - 13 October. Curated by Fatoş Üstek, Frieze Sculpture has expanded for its 12th edition to include 22 leading international artists hailing from five continents, whose work will be sited throughout the park's historic English Gardens.Fani Parali (b. 1983 Greece) lives and works in London. She studied BA Sculpture at Camberwell College of Arts and completed her postgraduate studies at the Royal Academy Schools. Parali's practice includes sculpture, sound, performance, large-scale painting, drawing and moving image. She is renowned for the creation of ‘lip-sync' operas, in which performers mime synthesised audio works; ambitiously scaled installations that are at once other-worldly and deeply human. Parali's practice reflects on the concepts of ‘deep time', caregiving and the fragile interconnectivity of human experience. Notable recent exhibitions include ‘Aonyx and Drepan & The Minders of the Warm' at Southwark Park Galleries (2020). Her work is currently included in Hayward Galleries touring exhibition ‘Acts of Creation: On Art and Motherhood' curated by Hetti Judah (2024).Follow @Fani_Parali Visit Frieze Sculpture: https://www.frieze.com/article/frieze-sculpture-2024-fani-parali-aonyx-drepan-2020Learn more at Cooke Latham Gallery: https://www.cookelathamgallery.com/artists/65-fani-parali/biography/ Hosted on Acast. See acast.com/privacy for more information.

something something class warfare

In this episode, Logan Jones sits down with Ian Gerard, the founder and CEO of The Cloud Minders, a GPU-as-a-service company. They discuss the high demand for GPUs and the innovative approach The Cloud Minders is taking to provide AI infrastructure affordably. The conversation delves into technical details about how AI and GPU work, the energy consumption challenges, and the future of nuclear energy. They also explore the broader implications of AI, including potential existential threats, and discuss the startup ecosystem in Kentucky. Be the first to see new episodes, along with a summary, key takeaways, and upcoming events, by subscribing to Middle Tech's Spotlight Series Newsletter: ⁠⁠⁠⁠⁠⁠⁠https://middletech.beehiiv.com/⁠⁠⁠⁠⁠⁠ Get in touch in the comments below, or reach out to us on social media:Twitter: ⁠⁠⁠⁠⁠⁠https://www.twitter.com/middletechpod⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/middletechpod/⁠⁠⁠⁠⁠⁠LinkedIn: ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/middletech/⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@middletechpod?lang=en⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠https://www.facebook.com/middletechpod⁠⁠⁠⁠⁠⁠ Logan Jones' SocialsX: ⁠⁠⁠⁠⁠⁠https://x.com/lojo_ky⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/lojo_ky/⁠⁠⁠⁠⁠⁠LinkedIn: ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/lojo/⁠⁠⁠⁠⁠⁠ Evan Knowles' SocialsX: ⁠⁠⁠⁠⁠⁠https://x.com/EvanKnowles_⁠⁠⁠⁠⁠⁠LinkedIn: ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/evanmknowles/⁠⁠⁠⁠⁠⁠ Middle Tech is proud to be supported by: KY Innovation: ⁠⁠⁠⁠⁠⁠https://www.kyinnovation.com/⁠⁠⁠⁠⁠⁠ Bolt Marketing: ⁠⁠⁠⁠⁠⁠https://www.buildwithbolt.com/⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Hunsicker: ⁠⁠⁠⁠⁠⁠https://www.hunsicker.co/firesides⁠ 00:00 Introduction to GPU Demand and Costs 00:35 Welcome to Middle Tech Podcast 00:40 Introducing The Cloud Minders 00:52 Understanding GPUs and AI 02:09 Sponsor Acknowledgements 03:56 Interview with Ian Girard Begins 04:43 Explaining The Cloud Minders' Business Model 05:29 The Apartment Analogy for GPUs 08:55 Challenges in GPU Accessibility 10:36 Innovative Revenue Model 15:30 Vision for Software-Defined Supercomputers 18:21 Energy Consumption and Cooling Solutions 23:54 The Future of AI Integration 24:51 Energy Demands and Nuclear Power 25:23 Transition from Crypto to AI 26:24 The Promise and Challenges of Nuclear Reactors 28:56 AI's Impact on Everyday Life 34:25 The Ethical and Existential Questions of AI 40:03 Building a Startup in Kentucky 44:17 Conclusion and Contact Information

This week the boays are joined by comedian, writer and actor Avital Ash.  Avital discusses her experiences of living in L.A.,  working in a writer's room for a Netflix comedy show, and recounts shooting a short film with one of the stars of Succession.  Plus, Avital talks about performing her stand-up show at the Fringe and in the States, learns that she shares an interest with Steve about mirrors, and tells a few showbiz anecdotes about encounters with Stephen Merchant and Sarah Silverman. A video version of this podcast is available on YouTube, where you can subscribe for all future episodes (and find all three of they boays' stand-up specials): https://www.youtube.com/channel/UCxeugCQL5zyVhd7pCEAi9GAWe're now on Patreon!  Sign up for exclusive access for as little as £3 per month for an extra episode every two weeks plus footage from our previous live shows and first dibs on tickets to upcoming ones:https://www.patreon.com/somelaughYou can watch Stu, Marc & Steve's stand-up specials on the Some Laugh YouTube channel here: https://youtube.com/playlist?list=PLM6lKn8dnMK5bOtlX-3XlCpZSf-B_qweQ&si=JjKknRTZvvza5l55Stand-Up Tickets:Marc: https://linktr.ee/MarcJenkoStu: https://linktr.ee/StuartMcPSteve: https://linktr.ee/stephenbuchananYou can follow Some Laugh on Instagram, Twitter and TikTok - and please remember to leave a 5 star review! Support the Show.

This week on the pod I'm thrilled to be joined by Rebecca Clay Cole motherfuckers! We talk about her Pavement origin story, to joining the band on key, and breaking down song number 29!Transcript:Track 2:[0:00] Previously on the Pavement Top 50.Track 1:[0:02] At track 30, we have Spit on a Stranger. What the hell do you make of this song, Devin? I'm really glad I got this song because I love this song. And the thing about this song is that there's a real tension within the song that truly appeals to me. because I believe that musically and in the verses, this is the most romantic song that Pavement has ever recorded.Track 2:[0:31] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown.Track 3:[0:39] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus and all my fingers on my left hand, except for my thumb. Fuck you, thumb. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that.Track 2:[1:06] This week, we're joined by Pavement superfan, well, not Pavement superfan, Pavement superstar, Rebecca fucking Clay Cole. Rebecca, how the hell are you?Track 4:[1:17] Hello, I actually, I'm a fan. I don't know if I'm a super fan, because I've met some super fans. And I don't know if I have the level of technical knowledge. But I'm a fan and in the band. So nice to meet you.Track 3:[1:30] Nice to meet you as well. You definitely have the technical knowledge. I saw you guys play on the 22 reunion tour eight times, I think. And it was tremendous. I had so much fun. I was at the Fonda show. I saw two shows in Toronto and then like six shows in London.Track 4:[1:48] Oh, great.Track 3:[1:49] Or not London, but UK.Track 4:[1:51] Cool.Track 3:[1:52] So very, a lot of fun.Track 4:[1:54] A good range of shows there.Track 3:[1:55] Yeah, I think so. I was pleased. I wanted to go to Iceland really bad, but that didn't fall on the cards.Track 4:[2:02] Well, maybe we'll be in Iceland again someday.Track 3:[2:04] That would be cool.Track 4:[2:05] Join us if that happens.Track 3:[2:07] I will do that. So let's get right to the punch here and talk about, this is sort of funny to be talking about something, Sort of funny to be talking with somebody in the band about their Pavement Origins story, but obviously you came late to the band, and we'll talk about that. I really want to know what it's like to join a band that's an established band, but hasn't been on the road in a while. I want to know that as well, but I really want to know your Pavement Origins story.Track 4:[2:36] My Pavement Origins story. Well, I think the first time I was aware of Pavement was when they were opening for Sonic Youth. It was maybe Sonic Youth Mudhoney Pavement at Red Rocks.Track 3:[2:52] Oh, really?Track 4:[2:53] They were the first band to play and I had never heard of them. I hadn't heard of much because at this point I think I was six months in Denver. And before that I'd lived like on a farm and on an island. So I had no cultural touchstones at all for a teenager. I was really, I wouldn't say ignorant, but I just sort of formed my own musical education. I'd never been to a punk show. There were no punk shows in the Virgin Islands, you know, or in the farm in Kentucky. So all of that is to say some friends took me to Red Rocks to see this show. And Pavement was the first band. So that was my first introduction to Pavement.Track 3:[3:29] And what did you think?Track 4:[3:31] I did not understand it. I didn't understand it at all. But Gary was in fine form, and I remember not spending a lot of time behind his kit. And I just was confused what the performance was. I didn't understand it. I didn't have the language to understand it at the time.Track 3:[3:49] That's phenomenal. And Red Rocks, to boot. I've never been, but it's supposed to be just a fantastic venue, right?Track 4:[3:59] Maybe Pavement can play it again with me.Track 3:[4:02] Oh, that's awesome.Track 4:[4:04] I'll just plant that seed out there to the universe.Track 3:[4:06] Yeah.Track 4:[4:07] We'd like it to grow.Track 3:[4:08] So where did it go from there? Did you... At what point did you click? Did it go, oh, yeah, I get this?Track 4:[4:17] You know, not much later. Maybe a year or two later, I was... I found myself joined into an indie band. And this was 90... 94 maybe okay um 93 94 95 for sure um and so pavement was of course i should maybe it's not and of course but it was just like a touchstone you know it was like they were one of the coolest bands doing it and someone that everyone in my scene looked up to very very greatly and so i saw them touring wawi zawi they had my friends the apples and stereo opening for them for a section of that tour and so I got to see that show with Apple's opening which was great um so yeah I would say Wowie Zowie was that era where I like I definitely remember thrifting for my first set of stage clothes for the Minders like listening to that cassette going to the thrift store with my friend Tammy oh.Track 3:[5:12] That's a cool memory.Track 4:[5:13] Getting ready for our first gig yeah.Track 3:[5:15] That's so cool what What was the name.Track 4:[5:17] Of the band? The Minders.Track 3:[5:19] The Minders. Is there anything out there that people can find?Track 4:[5:24] Yeah. Check it out.Track 3:[5:26] Yeah, I will definitely check that out. Yeah. So from there, we fast forward a number of years, and it's now 2021, I'm guessing, when you got the call, or was it early in 2022?Track 4:[5:43] I actually, Steven had asked me in 2020, 19.Track 3:[5:50] Oh, right. Because they were going to go on the road in 2020.Track 4:[5:54] Because the Jicks were at Primavera, I think.Track 3:[5:59] Okay.Track 4:[5:59] If I'm not mistaken. This is how I remember it in my time. I'm friends with Joanna. She played briefly in The Minders. And we're just really close in addition to that. And the rest of the Jicks. I'm friends with all the Jicks. But anyway, Stephen had asked me about 2020 and not to tell anyone. And so I hadn't. And so then somehow, because they were in Barcelona, he must have mentioned that I was doing it or that it was happening or someone in Barcelona. I don't know. But I got a lot of angry texts from the jigs like, why didn't you tell us?Track 3:[6:30] Oh, man.Track 4:[6:31] It's like, well, I was asked not to say anything to anyone. It was really hard. I'm glad someone knows now.Track 3:[6:37] You're a person of your word. That's great.Track 4:[6:39] In this one case, I was, yeah. Usually I'm that terrible gossip. it so.Track 3:[6:45] That happens and then obviously covet happens so that doesn't that doesn't you know pan out but 2022 comes around and you guys all assemble in portland to um to jam and to rehearse like a shitload of songs.Track 4:[7:04] What was what.Track 3:[7:06] Was that like for you how much prep work did you have to do going into that.Track 4:[7:11] Um I took it pretty seriously and I did a lot of prep work I pretty much took the three months before those rehearsals were just me rehearsing for rehearsals and I set up my my rig basically the same rig I use live I set up a version of that in my living room, with a mixer and an amp and like you know tried all sorts of different keyboard configurations and tried to figure out what I wanted to use live. And then from there, sort of figuring out, you know, there was programming a lot of sounds. It was important for me to learn the catalog in such a way that, that my goal was like if steven just played any riff like kind of randomly started noodling it that i would be able to know like the song its title where to find it in my notes like does it have keyboard and do i have that part ready to go or percussion or vocals or anything so that was sort of the level i wanted to be prepared for practice the first full band rehearsal which i I think, actually, I think I met my goal. I took, I had extensive notes.Track 3:[8:16] You posted them on social, right?Track 4:[8:18] I think Bob posted that picture first.Track 3:[8:21] Yeah, yeah.Track 4:[8:22] I was surprised you wanted to, like, but yeah. Those were the distilled notes. I mean, like, some songs have pages and pages where I've just painstakingly, like, transcribed, you know, using music notation, like, how the part looks on the sheet so I could read it and understand it that way. Other notes are a little more esoteric and squiggly. So yeah, that was the prep, three months of that. And I got, of course, by the end thought I wasn't ready at all. And then I showed up to practice and realized I was pretty ready.Track 3:[9:00] So you walk into the room. I'm sorry to keep painting these pictures. But you walk into the room, and this is an established group of people. Although they haven't seen each other in 10 years probably or close to or some of them haven't seen each other. How difficult is that to insert yourself or be inserted in something that is already established like that?Track 4:[9:25] And something I love. Not just like something that it's established for me in that way.Track 3:[9:32] Yeah.Track 4:[9:33] It was sort of heavy actually. I made it heavy in the preparation I guess. Like, I was nervous. I was very nervous about, uh... I mean, it sounds silly to say now that I've spent some years with them, but I was just hoping everyone would like me. Not like personally, necessarily, but what I'm bringing to the songs. Was everyone in the band equally on board with having a keyboard player? Am I stepping on any parts? At first, I was concerned, does Bob still want to play some keyboard lines?Track 3:[10:06] Oh, yeah.Track 4:[10:07] I wasn't quite sure how it had all come to be. And so I just, I, I, I walked in to not timidly, but just like trying to get a read before I really started asserting myself. But I, but then I forget my filter only lasts for a little bit. And then it's like within an hour or two, I think it was fine.Track 3:[10:27] Oh, that's so cool to hear. Yeah.Track 4:[10:29] I forget to be nervous. And then I'm just myself for better or for worse.Track 3:[10:33] No, that's great. great so from there we go to LA and we go to the Fonda show which I gotta tell you that show like kicked all sorts of ass that was so good you guys played so long and such a varied like we didn't know going into it that the set list was going to be as varied as it was um you know we We knew that you guys had practiced a lot of songs, but it just, it was surreal. What was it like for you?Track 4:[11:06] Surreal.Track 3:[11:07] Surreal as well.Track 4:[11:08] I mean, we'd done all, we'd done the rehearsal in Portland and, you know, the team, you know, for musical building, but also for me, some team building, like who are these guys exactly? And like, and then we did some practice in LA on a soundstage before the Fonda as well. And I was nervous. It wasn't even like I was nervous. I was just unsure. I was really unsure what to expect. I now had practiced with them for like eight days, and I had watched so much YouTube of them live. But I hadn't been on stage to feel, like I wasn't sure what I was going to feel on stage, if that makes sense, like how it was actually going to feel to perform the music.Track 4:[11:48] And like rehearsal and performance are two different energies. Strategies, just wasn't sure what I was going to get from the five guys as far as all that went.Track 4:[11:56] And I also was really unsure what I was going to get from the crowd. It's like, I was like, yeah, I have eight days of practice with them. Like, I feel pretty good that they like my contribution. But now the question is, like, does anyone else like the contribution? Is it going to work?Track 4:[12:12] Will it be unfavorably compared? I had a lot a lot of that swirling in my head i was and it was uh yeah i wouldn't say nerves both under and overstates the situation it wasn't like i was shaking in my boots but it felt heavier than that it was like too heavy to be shaken in my boots but then steven did this really cool thing and maybe he could tell i was nervous i i will also say i don't think i was the only one with jitters i think they also hadn't played out in over a decade together so a lot of those questions maybe they're asking themselves as well um but steven rallied us really classic but and maybe like a little maybe it seemed pat to say it now but at the time it felt really good but he was just reminded us all that we practiced hard and it was going to be fun um and it's the strangest thing jd because as we walked on stage all of that tension left and that's really gifts that's been the hugest gift for me of playing in this band I got it on the first show and it's no fear it was just like this is fun these guys are fun the energy is fun and that is how it feels on stage to play with them I learned that night the reason the tension goes away is because it's about something.Track 4:[13:34] More important than And like, did you execute your part properly?Track 3:[13:37] Right.Track 4:[13:38] You know, it's like, are you in the right head and heart space? And they probably don't use these words for it. This is how I'm describing it. You know, to make the music matter, there has to be a feeling there. And they all excel at that. It turns out I had nothing to be worried about. Pure joy being on stage with those guys.Track 3:[13:54] Okay, I'm curious about your favorite songs to play. What are some that you had a lot of fun with?Track 4:[14:02] I mean, they're all so fun. And I'm not just saying that, I mean.Track 3:[14:06] No, that's cool.Track 4:[14:07] They're all pretty fun to play. Even when I'm just shaking a tambourine half of one chorus or something of a song, it's like, I can't believe I get to play the tambourine on this part. They didn't just invite me up. They're paying me to come up here and play this tambourine part.Track 3:[14:26] That's so cool.Track 4:[14:27] It's just like, what a dream gig.Track 3:[14:29] Yeah. I love how you did Trigger Cut, like how you did the sha-la-la-la-las in Trigger Cut.Track 4:[14:35] Oh, yeah. So cool. That's so fun. That's really fun. And that is a fun one to play. Like, obviously, like, anything that finds just me and Bob, like, in a tambourine party is fun. Like, any, you know, the more tambourines, the better. It's always good. It's always fun. That's just, there's never a night where I look up and see Bob playing tambourine and don't immediately get completely lifted.Track 3:[14:57] Oh, that's so cool.Track 4:[14:59] So anything where I'm doing that is fun. Working out something like Embassy Row was kind of fun because we, like, practiced the beginning part and, you know, then it rocks at the end. It's sort of like seeing those songs kind of work out in practice and then singing.Track 2:[15:13] Yeah, yeah, I get that. So what do you think? Should we get into the track, song 29?Track 4:[15:24] Let's do it. So it ranks 29 of 50?Track 2:[15:27] That's right, yeah. We'll be back on the other side with Rebecca Clay Cole. Hey, this is Bob Mastandovich from Pavement. Thanks for listening, and now on with a countdown. 29!Track 3:[21:05] There it is, the sixth song from Bright in the Corners on the Top 50 Countdown, also the sixth song on the record. This week, we're talking about song 29, the fantastic, the jammy type Slowly. Rebecca, what is your relationship with this song?Track 4:[21:21] Oh, I love this song so much. I mean, it wasn't on my first wave of songs to study, even though I knew we were going to play it. But it wasn't like, you know, there are other songs I felt like I had to nail more. So this was towards the end. I said, OK, let me get into this type slowly jam. And putting on the hat of Stephen playing that piano part and like figuring out where he put his hands and why for that song on that recording was like. I feel like a little peek behind the curtain there to the mind of the man.Track 3:[22:02] Wow.Track 4:[22:03] Because I play the piano most. That's my primary instrument. And so thinking about how he was approaching the piano on that song was cool. And I scored every note out. There's a score that I've written of everything he does. Because everything he did was so cool. And I wanted to be sure to capture not all of it verbatim, just understanding where he was coming from with all of those parts. So by the time we played it live, I had that sort of intimate relationship with it where I had been in my headphones on an edible and just flying high and really getting into the, was that a 32nd note rest or a 16th note rest? Really too over-processed on that probably, but in a fun way for me because that's how my brain works. And so by the time we put it live and I got to sort of use some of that and throw some of that out, it just kind of became a song in the set I always liked to see. I always like to see Types Lully in the set.Track 3:[23:09] That's fantastic. I like to see it as well. Bright in the Corners is one of my favorites. So I'm glad to see it's represented a lot on this top 50 list. And there's definitely more to come from Bright in the Corners. What do you think in terms of this ranking do you think it's properly rated overrated underrated like you seemed surprised when you said 29 out of 50 a and I don't know what that what that surprise meant.Track 4:[23:39] Yeah, I guess I don't know either, because I don't know what's 50 to 30.Track 3:[23:46] Right.Track 4:[23:46] So that's one of the things. So I don't know what came behind it. I can probably guess half of what's ahead, at least. But I don't know. To me, I think of it as a live track.Track 3:[24:00] Oh, OK.Track 4:[24:01] A song that was built for live. And I don't know if it was. but it just takes it takes so much life on on the stage um that it's almost like one of those songs that was made to do that when.Track 3:[24:18] You guys got it prepared to go on the road did you know you were going to do the jams in it or was that sort of like organic on the road the.Track 4:[24:29] Jams are organic they had jammed that song before so it wasn't a surprise at all that they'd be jamming and And the song as it is on the record is a bit of a jam. I mean, I did count it out measure for measure for the purpose of my scholastic exercise, but I knew we weren't going to deliver that just like that on stage. If I had to get out the sheet music to make sure I could make sense of it, I mean, no, you know, it's not worth that. So I knew there would be jams and the jams changed. Changed you know it was it's the for me type slowly is the most me i get to be on stage with pavement oh wow because i'm not yeah well it's a jam and so and there's a lot of freedom in the jam for me on the piano because the part was free to write it was very free freely written kind of thing and in and out play when i want don't play when i want stop playing the piano and just shake something else for a while or play one note and whatever I do kind of seems to work I don't even think Stephen has me in his monitor so it's not like but in my mind maybe he does but in my mind it's like you know the guitars and me and then I'm and sometimes I'm with the rhythm I'm kind of I get to jump into everyone's show on that song like I'll be with Mark for a couple minutes.Track 4:[25:51] Then I'll jump over and watch Steve West and then it's like what's Bob doing and then oh yeah yeah, Stephen's doing something cool. Let me pop over. Let me get my attention back over to the guitar and see what's going on. And Spiral will come over and jam. So for me in the set, that's like my most, I'm not really thinking about it as a pavement song, monolithic and unchangeable. I think about it as like a pavement song in the now that's still being kind of designed.Track 3:[26:17] Oh, that's a really cool way to look at it. Live music is, there's a singer that I've heard say that a song isn't finished until you play it live. You know, like you've got it written and performed, but until you take it on the stage, it sort of hasn't fully gestated.Track 4:[26:38] I think that might be true. Yeah. A song like this might never gestate. It might never be done. It's just a grower.Track 3:[26:47] Yeah, that's a good way to think of it.Track 4:[26:49] You know, it's always going to evolve live. Like, I'm sure the next time we play it, there'll be something that's not. Everyone takes different positions. musicians and yeah and then sometimes steve west will think it's time to end type slowly, and it's not or sometimes we're like we could totally end it like why hasn't it ended or and sometimes i'm the one out there like i'm still playing and it's like oh crap we're already to the next verse and i'm still oh the clouds like it just is so loose like that i love it you could never do it the same way twice which is probably why i love it so much that's.Track 3:[27:23] Very pavement as well Wow. It seems very pavement. Yeah.Track 4:[27:27] On brand.Track 3:[27:28] Is there anything else you want to say about Type Slowly?Track 4:[27:35] Um, no, there's nothing I really want to say about Type Slowly. I was wondering if you were going to ask me about Slowly Typed.Track 3:[27:42] Oh, I didn't even know. I didn't.Track 4:[27:45] But you didn't. So no, we don't, we don't have to talk about Slowly Typed.Track 3:[27:48] Well, now that you've opened the door. I would like to hear your thoughts.Track 4:[27:52] I mean, my only thought about Slowly Typed is that it shows the way that the scaffold that song hangs on now into that live jam that it's played on, I think, is how it was meant to be. Or how it does its boast power. The Slowly Typed version is, not going to ever be a nine minute epic live jam okay maybe i mean maybe i don't know maybe i'll throw that challenge out for the next round of shows but yeah um so i just think that's sort of an interesting thing to think about like i actually looked when i was doing all my homework for this tour i thought okay let me go see like if there's any like live slowly typed nine minute jams i can find on YouTube. And I couldn't find any, only the type slowly jams.Track 3:[28:40] It's, it's wild how YouTube has changed things, right? Like, I mean, the fact that you can just go and like, look at these shows to, to do your notations and to do the things that you want to do very neat that you didn't have to sort of fly by the seat of your pants.Track 4:[28:54] I mean, it felt like I was flying by the seat of my pants. But no doubt it was helpful. Like, because you listen to something on record, and it's like okay that's on record a record that was recorded 30 years ago and this band has probably played it live 500 times since then so they don't remember their body memory of the song is probably not like the recording version it's like some live version somewhere that i need to go find and there were a couple other songs not type slowly where i was sort of playing it true to the record and it would be like don't do that i'm like but it's like exactly this is exactly the parts too much or it's you know and i'm like and then i realized it's just oh yeah right because it hasn't been there for 30 years. So it's good to go back and look at the live versions of things to just sort of watch, kind of like what you just said about how a song, it doesn't really go until it's performed for an audience. But if you've performed that song for 30 years, it might have traveled somewhat from the recorded version.Track 3:[29:51] Yeah, I would guess so, now that you've said it. It wasn't something I considered before, but now that you've said it, It's like, yeah, that seems pretty clear.Track 4:[30:02] Yeah, I found that to be on a lot of songs. So YouTube was a really great resource. I would just be like listening to something. I'm like, there's no way Bob played this live on the keyboard. But I know he played the keyboard. So then I'd go back and watch the live version and watch what he was doing on keyboard and split the difference between Stephen's part recorded and Bob's part live.Track 3:[30:21] Oh, okay.Track 4:[30:21] But use that YouTube as a, it was a great resource for me. And it still is. I learn a lot of songs in general. So it's usually a little goldmine of knowledge.Track 3:[30:30] Are you always are you always finding yourself noodling and learning stuff yes yeah yeah i can't.Track 4:[30:39] Really not think about it.Track 3:[30:41] Just listening to you talk so far it's like yeah you seem to have that very analytical you know sort of uh view of things right um like to to to do this which is yeah i think.Track 4:[30:55] I'm more analytical than a lot of uh musicians or at least my creative flow is in an analytical way I like math, I like charts I like spreadsheets, and that just really helps me get into my own flows of things even when I was trying to figure out I went over to a friend of mine's studio when I first started learning these pavement songs and I was just like help, I don't even know where to start, there's like maybe a hundred songs, I just didn't even I'm like how do I even and start it.Track 3:[31:29] Yeah.Track 4:[31:30] And he was like, make a spreadsheet. That's what you do. And I totally did that. I made a spreadsheet with the album, the song. Does it have piano? Does it have percussion? Does it need me to go find some kind of synthesizer sound? I don't know what. Just like I made a spreadsheet, and that's how I, yeah, I'm pretty analytical. Yes.Track 3:[31:50] That's a pavement first, I would think, a spreadsheet.Track 4:[31:55] Well, for the music, maybe. Maybe. Maybe there's... No, I bet there's got to be a set list spreadsheet.Track 3:[32:01] Oh, okay.Track 4:[32:03] That's a lot to keep track of. Yeah.Track 3:[32:05] Maybe not.Track 4:[32:05] Maybe Bob does it all from his heart and head. But maybe if I were him, I would... But then again, I'm the one that loves the spreadsheets.Track 3:[32:14] Right. Yeah. Well, Rebecca, it's been dynamite talking to you. You know, especially seeing as it's tough to... It's been tough to hear from you these last couple of years, like to read in magazines or stuff like that. I haven't, you know, I haven't seen a tremendous amount of pavement information with you included. So this is really special to me. I'm really thankful that you decided to stop by and do this.Track 4:[32:44] Yeah, thanks for asking. It's fun to talk about it because it's just like a really fun experience that I've gotten to have. And I'm like the luckiest music fan on earth, I think, in certain ways.Track 3:[32:54] Oh, that's a great way to wrap it. That is great. Thank you so much.Track 4:[32:59] Thank you. Good luck with the rest of the countdown.Track 3:[33:01] All right. Wash your hands. Wash your goddamn hands.Track 2:[33:05] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at Meeting Malcolmists dot com. Oh.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's a extra stuffed episode with your boys - better make some room for this one! Join Mike, Peter and Jon as they reach into the grab bag and go big on the international portal between NYC and Dublin, get loud about the Apple "Crush" ad debate, and get galactic on alternative theories about the origin of life on Earth (and maybe other planets). Also, who wins in a fight: land Karens versus underwater Karens? This one's got even more topics than the character limit allows, so it's time to dive in and see what's what - new Red Channel Condition, right now! --- Send in a voice message: https://podcasters.spotify.com/pod/show/redchannelcondition/message

This week Dana and Dan discuss "The Cloud Minders." Kirk and crew race against time to get a mineral to save a planet from losing all of its vegetation. The guys wonder why Spock spills the beans on Pon Farr so easily and why the non-violent society thinks torture is not a form of violence. Of course, there is a lot of rambling, including stories about chia pets and pet rocks. And let's not forget all of the innuendos... Make sure to visit our sponsor, NorthShore Adult Diapers. Get $10 off your first order of over $50 by entering the code "Kirk" at checkout. Stay confident and dry with NorthShore. Go to NorthShore.com today. Please send your comments, questions, and suggestions to damnitjimpodcast@gmail.com and find us on YouTube, Facebook, and Instagram.   Music: Climb by Shane Ivers - https://www.silvermansound.com

Join Elizabeth Burness talking about the lives and fashion of women after the Great War.

James Kirk, Jeff Bezos, and Elon Musk walk into a bar. Speaking of, this episode of Star Trek: The Original Series sets the bar pretty high. This week, Kirk and the gang stumble into a scathing indictment on the class inequality in American and around the world. Is capitalism killing us? Are the people who are most subjugated essentially forced to become criminal to survive? Again... why haven't we eaten the rich yet? Play along with our Starfleet Academy Cadet Challenge -- Share this episode using the hashtag #StarfleetChallenge on social media!   Visit our website at humanisttrek.com Support the show at patreon.com/humanisttrek Pick up your merch at threadless.com/humanisttrek Socials Mastodon Facebook Instagram Threads Bluesky Discord Starfleet Officer maker by @marci_bloch

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Mikah Sargent, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

Matt Levine attracts online ire for column, 'Slorg Is Sorry He Burnt Slerf' AI Prompt Engineering Is Dead Long live AI prompt engineering Sam Bankman-Fried Says 50-Year Sentence Only Suitable for a 'Super Villain' Google hit with $270M fine in France as authority finds news publishers' data was used for Gemini Mikah & Jeff react to nVidia event OpenAI is expected to release a 'materially better' GPT-5 for its chatbot mid-year OpenAI's chatbot store is filling up with spam The Check Up with Google Health Big changes at Inflection AI & Microsoft From the mind that brought you 'Livvy Just Rizzed Up Baby Gronk,' an important update Festival crowd boos San Francisco techies over 'AI is a culture' video The End of Evangelion in theaters Landline Users Remain Proudly 'Old-Fashioned' in the Digital Age Minders App Hosts: Mikah Sargent, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: zscaler.com/zerotrustAI rocketmoney.com/twig cachefly.com/twit

In this episode, we examine "fit" and how we may have been misunderstanding the reality of hiring for fit.Our prescription for this episode: avoid the trap of looking for people who will "fit in" and prioritize finding talent who will add value to your organization and who will "be a good fit".You can reach out to us to talk more about fit at info@roman3.ca or through our LinkedIn page at https://www.linkedin.com/company/roman3The 6 Roles of SPECtrumo   Binders are bridge builders. They have very good interpersonal skills and can work with many different kinds of people.o   A Finder is motivated by the chase and has a knack for turning leads into new triumphs. They excel at focusing on the idea.o   Minders are administrators. They are the backbone of a team and keep everything moving and everyone on task.o   Grinders are creators, they are often behind the scenes workhorses that produce significant quantities of high-quality work.o   Pathfinders are explorers. They look for success and innovation, but they need their crew to be with them along the way.Spellbinders are influencers. They are very persuasive and good at creating convincing, evidence-based arguments.  Learn more about SPECtrum™: A Catalyst for Increasing Team Performance with our online fundamentals course: https://academy.roman3.ca/product/spectrum-a-catalyst-for-increasing-team-performance/ About Our Hosts!James is an experienced business coach with a specialization in HR management and talent attraction and retention. Coby is a skilled educator and has an extensive background in building workforce and organizational capacity. For a little more on our ideas and concepts, check out our Knowledge Suite or our YouTube Channel, Solutions Explained by Roman 3.

In the middle of a mid-term exam, Rabbi Dave realizes something about the past. The people who wrote for Star Trek were geniuses. The lessons they were trying to teach us were every bit as important then as they are now. If we can only listen to what they were… and are.. saying, we might find that the ideas they were reiterating have reasoned for more than a century. Which leave the rabbi and the Good Friar wondering what there is today teaching those same lessons? The Special counsel report on Joe Biden's handling of Classified materials was released this week. There's nothing in it that surprised anybody. And whether you see it as a ringing damnation of a sympathetic, well-meaning, elderly man with a poor memory, or as a conniving evil manipulator with the intent to destroy America, really depends less on the report and more on where you personally started the day. In any case, the report will result in no actual action, but leaves us wondering, really… is this the best we can do? Sharks and Rays living and fornicating together! Mass hysteria! Floridians driving 200mph! Insanity! And it's Superb Owl Day. Once again, Dave faces his usual problem – who to root for in the “big game,” which we never call by it's real name…

Clad in hi-vis, volunteers around the Hibiscus Coast are getting to work to protect the dotterel after a tough breeding season.

Mit den heutigen zweiten Wahlgängen ist der Ständerat komplett - und damit auch das Parlament. Freuen können sich die SP, Mitte und GLP - für sie hat es noch Gewinne gegeben. Während die SVP bei den Nationalratswahlen Sitze zulegen konnte, hat sie im Ständerat einen Sitz verloren. Weitere Themen: (01:57) Zweiter Zürcher Ständeratssitz geht an die Grünliberalen (11:30) Überraschende Ablösung Minders in Schaffhausen (13:38) Frauenpower in den Kantonen Aargau und Solothurn (16:49) SVP und Mitte gewinnen im Tessin (18:49) So sieht der neue Ständerat aus (21:53) Die Kräfteverhältnisse im neuen Parlament

Vicky thinks that they go through a cloud ended up in another dimension. Unfortunately this is not the way it is.

NEW stuff this time around from HEALING & PEACE (Kneeling in Piss! Yes!), SNOOPER, ONYON, FAMOUS MAMMALS, RETAIL SIMPS and CHRIS DURHAM, and a real cornucopia of goodtime, late-summer-vibes library material from Throbbing Gristle, Alastair Galbraith, Olla, The Flesheaters, Chalk Circle, The Minders and too many other mindblowers to mention here. Give it a whirl and then tell a friend!Track listing:HEALING & PEACE - The ShopkeeperONYON - Alien AlienMAX BLOCK - Sonic BlurOLLA - Septic HagfishCHALK CIRCLE - The SlapFREE KITTEN - One-Forty FiveCHRISTOPHER ALAN DURHAM & THE PEACETIME CONSUMERS - Suburban Girl FAMOUS MAMMALS - Let The Light InALASTAIR GALBRAITH - HuxleyTHE MINDERS - Hand Me DownsWHITE FENCE - A Need YouSNOOPER - PowerballTHE FLESHEATERS - Crazy BoyKNOLL ALLEN AND THE NOBLE SAVAGES – Animal THE ORPHANS - Hey GypTHE RETAIL SIMPS - Easy StreetJOHN BERENZY GROUP - Vice VersusFLOP - Act 1 Scene 1THROBBING GRISTLE - Zyklon B Zombie

Today's episode is about "The Elephant 6 Recording Co." (C.B. Stockfleth, 2023), about the titular record label's roster of wild outsider indie artists such as Neutral Milk Hotel, the Olivia Tremor Control, the Apples In Stereo, Elf Power, the Music Tapes, the Minders, the Gerbils, of Montreal, Beulah, Dressy Bessy, Great Lakes & more. Our Very Special Guest is the legendary Lance Bangs, whose credits are too long to list here, but he's worked with most of your favorite musical artists and all of your favorite Jackasses. The movie is a true audiovisual treat, and Lance was there at the time with these musicians (he was roommates with Jeff Mangum of Neutral Milk Hotel) and provided much of the film and still photography seen in the movie. So he's the perfect person to shed light on the 90's underground music and art scene in Athens, GA and the making of the movie itself. Plus we discuss the origin of Jackass, his films about Pavement and Slint, and the long and tantalizing list of musicians who Lance has filmed over the years for documentaries we hope to see one day.  The Elephant 6 Recording Co. is in US theaters August 25th, 2023 and on VOD September 1 (Amazon & Apple TV) from Greenwich Entertainment. In Canadian Theaters August 25th and VOD September 26th from levelFILM. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts   Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

On April 14, 2018, at Jackpot! Recording Studio, I interviewed Robert Schneider in front of a live audience. Afterwards, he did a short solo set, and then The Minders played – a band both of us had recorded albums for and are friends with. Robert and I first met in 1996, when I interviewed him and The Apples In Stereo for Tape Op #2. Alongside some classic Apples and The Minders albums and other projects he's in, he recorded and produced records for Neutral Milk Hotel [#11] and The Olivia Tremor Control [#17] and co-founded The Elephant 6 Recording Co. (See the wonderful The Elephant 6 Recording Co. documentary that we are both in). Now, with his recently attained Doctorate in mathematics, we sat down in front of a live audience to chat again! Check out the podcast of this conversation as well!

Scott Parks is on hand to deliver another installment in the Elephant 6 story. Today, we learn the story of the Minders and their 1998 debut album Hooray for Tuesday. Rockin' the Suburbs on Apple Podcasts/iTunes or   other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

In Episode 131, Catherine (@gilmoreguide) and I share the best backlist books we read in 2022. We each share our top 5 backlist books from 2022, some underrated backlist gems, and our backlist reading stats. Catherine and I both had a successful year of backlist reading, despite both of us experiencing major life events. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). Join our Patreon Community ($7/mo Superstars) to get Double Booked, a monthly podcast series where either Catherine of Gilmore Guide to Books or Susie from Novel Visits on alternate months) and I each share 2 backlist books we loved. Get more details about all the goodies available to all patrons (Stars and Superstars) and sign up here! Highlights Catherine's and Sarah's 2022 backlist reading stats. Sarah's backlist reading was more spread out during the year. Sarah and Catherine both had fairly successful backlist reading in 2022! How they incorporate backlist titles for the Double Booked episodes. Our Top 5 Backlist Books We Read in 2022 [6:14] Sarah The One by John Marrs | Amazon | Bookshop.org [9:11] We Are All Completely Beside Ourselves by Karen Joy Fowler | Amazon | Bookshop.org [19:19] Furia by Yamile Saied Méndez | Amazon | Bookshop.org [28:19] Greenwood by Michael Christie | Amazon | Bookshop.org [34:20] Anxiety: The Missing Stage of Grief by Claire Bidwell Smith | Amazon | Bookshop.org [42:26] Catherine The 25th Hour by David Benioff | Amazon | Bookshop.org [6:21] The Vanishing Act of Esme Lennox by Maggie O'Farrell | Amazon | Bookshop.org [13:39]  The Invisible Kingdom by Meghan O'Rourke | Amazon | Bookshop.org [22:53] Indian Horse by Richard Wagamese | Amazon | Bookshop.org [30:28]  Champagne Supernovas by Maureen Callahan | Amazon | Bookshop.org [38:11]  Underrated Backlist Gems [46:08] Sarah The Family Fang by Kevin Wilson | Amazon | Bookshop.org [47:09]  My Eyes Are Up Here by Laura Zimmerman | Amazon | Bookshop.org [50:44] Catherine 10 Minutes 38 Seconds in This Strange World by Elif Shahak | Amazon | Bookshop.org [46:12] Song of a Captive Bird by Jasmin Darznik | Amazon | Bookshop.org [49:28] Other Books Mentioned City of Thieves by David Benioff [8:22] The Measure by Nikki Erlick [10:53] The Passengers by John Marrs [12:56] The Minders by John Marrs [12:59] The Marriage Act by John Marrs (May 2, 2023) [13:06] Hamnet by Maggie O'Farrell [14:16] I am, I am, I am by Maggie O'Farrell [14:40] This Must Be the Place by Maggie O'Farrell [14:45] Uncanny Valley by Anna Wiener [22:38] Firekeeper's Daughter by Angeline Boulley [29:55] American Predator by Maureen Callahan [41:55]  The Island of Missing Trees by Elif Shafak [46:17]  Now is Not the Time to Panic by Kevin Wilson [47:14] The Glass Castle by Jeannette Walls [48:07] Nothing to See Here by Kevin Wilson [48:26] Other Links Elisabeth Kübler-Ross | Five Stages of Grief (the Kübler-Ross model) About Catherine Gilmore Blog | Facebook | Twitter | Instagram Catherine started The Gilmore Guide to Books over 10 years ago after wrapping up a career as a corporate librarian. She loves books and reading (surprise!) and currently lives in Seattle, WA.

A group of volunteers on Auckland's Hibiscus Coast are banding together to protect endangered birds on their beach. Dotterels are under constant threat from dogs, hedgehogs, and the elements, but will they succumb? Not if the Big Manly Dotterel Minders can help it. Reporter Tom Taylor and camera operator Nick Monro have the story.  

FREE DOWNLOAD!! The Biggest Secrets to Recruiting Qualified Accountants.Do you find yourself struggling to recruit qualified staff in your Accounting Practice?The Accountants Recruitment Secrets Playbook is a guide for accountants who want to attract, hire and retain the best talent. It includes recruitment strategies, tips on how to attract talent, and advice on what to do when you've found them.Click here to get a free copy of the Accountants Recruitments Secrets Playbook

The Enterprise is on a desperate mission to the planet Ardana to secure the consignment of a rare substance called Zenite, which is the only antidote to a botanical plaque that is threatening all life on the planet Merak II. But the promised delivery of the Zenite is delayed when Captain Kirk gets caught in the middle of a class struggle between the allegedly "inferior" cave-dwelling Troglyte miners and the so-called "superior" intellectual society that inhabits the cloud city of Stratos. With time running out, Captain Kirk takes matters into his own hands, which threatens to further the divide between the Troglytes and the Stratos city dwellers, which in effect will threaten to destroy all life on Merak II. "The Cloud Minders" may not represent "Star Trek" at its best, but at this point so late in the 3rd Season -- not to mention so close to the end of the series -- it comes close enough. It's an ambitious episode that features a strong message, notable production values and stellar performances, all of which make "The Cloud Minders" represent a return to form to the values and standards that made "Star Trek" so great in the first place. Following our deep dive of "The Cloud Minders," we're honored to once again be joined for very special interview by writer David Gerrold! In addition to writing the story for "The Cloud Minders," he is perhaps best known in "Star Trek" history for writing its most popular episode, "The Trouble with Tribbles." Gerrold is also the recipient of the 2022 Robert A. Heinlein Award, honoring a lifetime of outstanding achievements in science fiction writing. You can support Enterprise Incidents by making a donation right here (think of it as a "tip jar"): https://anchor.fm/enterpriseincidents You can follow Enterprise Incidents on social media at: Facebook: https://www.facebook.com/EnterpriseIncidents Twitter: @enterincidents Follow Scott Mantz @moviemantz on Twitter and Instagram Follow Steve Morris @srmorris on Twitter and @srmorris1 on Instagram --- Support this podcast: https://anchor.fm/enterpriseincidents/support

Star Trek TOS S3E19 The Cloud Minders

On the show this week: The Muppet Show special guest star: Actress, director/producer and former wife of Cary Grant, Dyan Cannon! And Star Trek Original Series episode, "The Cloud Minders." Some space-slavers get their comeuppance... Kind of.

This morning Twitter announced they will begin enforcing their "Civic Integrity Policy" ahead of the 2022 Midterms. It's for your safety!

On this episode, Al unveils the new You, Me and An Album YouTube channel.  He announces the first offerings on the channel -- namely, a new playlist and a livestream event. In discussing the livestream, Al revisits excerpts from some previous episodes that featured the livestream guests: Eric Gilde, Rebecca Clay Cole, Ellen Adair and Mariana Timony.YMAAA Livestream/Q&AMonday, June 20 at 2pm ET/11am PThttps://youtu.be/SVv9NLptU7QSpecial guests:REBECCA CLAY COLE (Pavement, Wild Flag, The Minders), MARIANA TIMONY (Bandcamp Daily), ELLEN ADAIR (The Sinner, Homeland, MLB Network), ERIC GILDE (Cryptid, Narrator Syndrome)Topic: our experiences of being deeply immersed in our favorite musicPlaylist: Cuts from 30 Rockin' Albums (but not all rock)One track from each of the last 30 albums featured on YMAAAhttps://www.youtube.com/playlist?list=PLDQFLu8I78OMLEgFNsaL0vDsRSni7eKij

www.instagram.com/fhervizzuettwww.facebook.com/fhervizzuettwww.soundcloud.com/fhervizzuett -- ESSENTIALS 013 01. OSSMOSIS - SILENCE (AO REMIX) [DEEP DIP]02 FHER VIZZUETT - AETERNUS (EXTENDED MIX) [DEEP DIP]  03 MINDERS, VELZX - REALITY (EXTENDED MIX) [DEEP DIP]04. MVMB - AURORA BOREALIS (ORIGINAL MIX) [IBOGATECH]05. DARREN BRAY - DISCOVERING TRUTH (AMAN ANAND REMIX) [EMOTIONAL CONTENT RECORDINGS] 06. BRANN - WITH NO MASK (AMAN ANAND REMIX) [MNL]07. OSSMOSIS - MY FEELINGS (SANTIAGO LUNA REMIX) [DEEP DIP] 08. ERLY TEPSHI - TRASCINA PENSIERO FT. PIER ALBERTO VALLI & ELEONORA (REWORK) [CD-R]09. SKAHIGAN – AETHER (ORIGINAL MIX) [ARTESSA MUSIC]10. OSSMOSIS - SEARCHING FEAT. MARIA CAAN (FHER VIZZUETT DUB MIX) [DEEP DIP]11.  NOEL SANGER - A.F.F.T.E.R. (SETH VOGT REMIX) [DISSIDENT MUSIC / EMG]

Лейбл "Digital Emotions" представляет новый энергичный сингл "Eternal Return" от дуэта Minders. Свежая работа братьев Сантьяго и Карлоса Луна наполнена драйвом, мелодичностью, отличным грувом и глубокими мелодиями. Разбивка трека ускоряет и нагнетает эмоциональное напряжение, превращая оригинальную версию в настоящий энергетический поток. В EP также вошли атмосферный ремикс от белорусского саунд-продюсера Michael A и гипнотическая версия от австрийского музыканта The Wash. DER0002: Minders - Eternal Return (Original Mix) [Digital Emotions] DER0002: Minders - Eternal Return (Michael A Remix) [Digital Emotions] DER0002: Minders - Eternal Return (The Wash Remix) [Digital Emotions]

Лейбл "Digital Emotions" представляет новый энергичный сингл "Eternal Return" от дуэта Minders. Свежая работа братьев Сантьяго и Карлоса Луна наполнена драйвом, мелодичностью, отличным грувом и глубокими мелодиями. Разбивка трека ускоряет и нагнетает эмоциональное напряжение, превращая оригинальную версию в настоящий энергетический поток. В EP также вошли атмосферный ремикс от белорусского саунд-продюсера Michael A и гипнотическая версия от австрийского музыканта The Wash. DER0002: Minders - Eternal Return (Original Mix) [Digital Emotions] DER0002: Minders - Eternal Return (Michael A Remix) [Digital Emotions] DER0002: Minders - Eternal Return (The Wash Remix) [Digital Emotions]

Лейбл "Digital Emotions" представляет новый энергичный сингл "Eternal Return" от дуэта Minders. Свежая работа братьев Сантьяго и Карлоса Луна наполнена драйвом, мелодичностью, отличным грувом и глубокими мелодиями. Разбивка трека ускоряет и нагнетает эмоциональное напряжение, превращая оригинальную версию в настоящий энергетический поток. В EP также вошли атмосферный ремикс от белорусского саунд-продюсера Michael A и гипнотическая версия от австрийского музыканта The Wash. DER0002: Minders - Eternal Return (Original Mix) [Digital Emotions] DER0002: Minders - Eternal Return (Michael A Remix) [Digital Emotions] DER0002: Minders - Eternal Return (The Wash Remix) [Digital Emotions]

We kick off the show with the minders… Who has been assigned to who? Why is Tim so cut up about it? Then we talk about weird morning habits: where do you keep your pyjamas? Then we ask if you've burned your bits. Then it's onto inconvenient spews after a man threw up at a job interview Then we play the Wednesday Wheel: Tim ‘s Word Alarm, where Tim impersonates a German person. Then we ask do you have an unusual allergy? We're back live on April 19. See omnystudio.com/listener for privacy information.

We kick off the show by welcoming Joel back to the office after his short Covid stint from home. Then Tim brings some Leonardo selfies to the show. Then we chat to the King Of The Jungle, Dylan Lewis!We open up the Mailbag and chat more about minders. Then Kate tells us about her nightmare… We cover some Glossy's on the big screen then Kanye's gossip about Pete Davidson. We ask what you're too young to do then a lizard story grab our attention! See omnystudio.com/listener for privacy information.

Part of Fridays secret warm up... We chat Minders! See omnystudio.com/listener for privacy information.

The Cloud Minders was the twenty-first episode of Star Trek's third season to air, with a starkly divided society causing Kirk and Spock to weigh their moral codes against an urgent rescue mission. In this episode Gerry and Iain discuss whether something you can't see could harm you. Arriving at the planet Ardana, Kirk and Spock discuss the planet's cloud city and its reputation for high art and intellectual pursuits, but their misconceptions are shattered when they arrive to collect a vital consignment of the mineral zenite to resolve a botanical plague on Merak II. At first attacked by miners under the leadership of Vanna (Charlene Polite), the two are assisted then taken to the cloud city Stratos by High Advisor Plasus (Jeff Corey) where Spock takes a shine to Plasus' daughter Droxine (Diana Ewing). Outraged by the inequity of the planet's social ordering, Spock tries to convince himself that the object of his desire is an innocent bystander, but events soon challenge that conviction. The Cloud Minders was directed by Jud Taylor, the last of his five third season episodes. The teleplay was written by Margaret Armen, the last of her three episodes for the show. In this episode Gerry and Iain considered whether it is ever appropriate to implement a mask mandate. The discussion continues in the comments below and please keep in touch with us on Twitter, Facebook and Instagram where we're @trekpodcast. You can listen to the show here on the website, on Apple Podcasts, Spotify, YouTube, Pocket Casts, TuneIn, Stitcher, Google or wherever you find your podcasts. The Cloud Minders was released in 1969. It is 50 minutes long and originally aired on the NBC network. It can be viewed on Paramount+ in the United states, Netflix in the UK and is available on DVD and Blu Ray in other countries, including a comprehensive remastered set of all three seasons released by Paramount Home Entertainment.