Podcasts about obies

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

How do you connect with each others spirit/essence/being? Karla and Richard explore ways of connection. We can connect in life-giving ways during the best and the most challenging of times. We can notice the energy and embrace it. The Obies struggle like everyone else. We lean into the energy and bring it into the light. What grows in the dark can not survive in the light.

"Karla and Richard respond to an inquiry from a recent retreat they held in CA. One partner is willing to share, while the other is hesitant. The question is: why, and what can I do about it? The Obies explore some of the blockers and consider what type of invitations may be helpful. It takes two, baby!"

The Obies discuss the challenging and surprising effect of grief in our lives. Grief appears in explicit and implicit ways during the holidays. You are invited to seek help and create rituals to honor those you love and miss, while honoring what you may need to get you through and create new memories. Karla shares some thoughts on being curious as to what grief may want to say to us in the present moment. Can grief be a wise companion?... perhaps. Megan Devine's Grief Journal: How to Carry What Can't be Fixed

A native New Yorker, Dana is a writer and creative director working professionally in the field of advertising. He brings 25+ years of creative communication experience.Dana's work has been recognized by the One Show, the Andys, the Kelly Awards, the Obies, the Clios, the Effies, New York Festivals, Communication Arts, Lurzer's Archive, and at Cannes. He has worked extensively in the automotive category, touching brands like Volkswagen, Mercedes Benz, Ford, and Lincoln, and has stretched far beyond that into categories including healthcare, finance, fashion, entertainment, apparel, sports, spirits, travel and tourism, and casual dining.On the personal side, Dana has self-published the Go, Go, Greta children's book series and in February 2012, he founded and ran TastySpace gallery and exhibition space in Las Vegas. In 2015, he relocated to Houston to be closer to family and more recently pulled up stakes and landed in Kansas City, where he is heading up several pieces of business, including Red Lobster and AMC Theatres at Barkley, as SVP, Creative Director.He is married and the father of two incredible children who inspire him everyday.

This past year marked the 75th Anniversary of the Actors Studio, the nonprofit organization that has shared “truth in acting” with decades of film, television and theater professionals, including some of the biggest names in the business. This episode is the first in a series of conversations with some of those responsible for the studio's success. Alec currently serves as Co-President of the Actors Studio and had the opportunity to speak with two leaders within the institution: Co-President Ellen Burstyn, who joined the studio in 1967, is known for her roles in “Alice Doesn't Live Here Anymore,”“The Exorcist,” and “Requiem for A Dream” – and also has the distinction of winning the “Triple Crown of Acting:” an Oscar, a Tony and two Emmy Awards. Alec then speaks with Co-Associate Artistic Director Estelle Parsons, who has been with the studio since 1962. Parsons earned an Academy Award for ”Bonnie and Clyde,” the second film she ever made, and has earned five Tony nominations and two Obies in her illustrious career. The two remarkable women share their stories of finding their way to the Actors Studio and the impact it had on their careers – and their craft. See omnystudio.com/listener for privacy information.

  Listen to the Show Right Click to Save GuestsThe Stage Austin PageantKOOP's Spring Membership Drive (you can still give) What We Talked About The Sign in Sidney Bluestien's Window The Seagul/Woodstock, NY Obies Another High School Play canceled because of Queer Theme Jonas Brothers Broadway Residency Queen of VerSailles Lin Manuel promoting upper Manhattan Big Orchestras   Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

What's your FAVORITE local pizza? Arris Pizza, Obies, Main St Pizza, or Pizza Haus? In this episode, we put a small pepperoni from all four of them to the blind taste test. Listen to hear our favorites! Plus don't forget about the cooldown and we also tease the "Cup" in After Hours...so good! It's all right here on the one and only, Old 77! #theOld77Podcast --- Join our clubhouse and get exclusive After Hours content and early access to episodes. Join today at https://www.patreon.com/theold77podcast Call or text the Old 77 Listener Line at (573) 246-0779 Follow #theOld77Podcast on any of our links below! Facebook - https://www.facebook.com/TheOld77Podcast Twitter - https://twitter.com/theOld77Podcast Instagram - https://www.instagram.com/theold77podcast/ Spotify - https://open.spotify.com/show/3nXUcIX2DVbK9LAh9LafU8?si=dd34127caa7344cd --- BIG UPPS to our Patreon Clubhouse Members! *Jamie & Ben from In the Groove Records - Jeff City *Dub I.Z. and the fam over at Chess Team Records *JT from Tower Studios and the Paranormal Son *"Sir" Biscuit Strength *The Jefferson City Paranormal Society - THANK YOU! --- For business inquiries don't hesitate to get in touch with us at theold77podcast@gmail.com See our business portfolio for a list of services we offer at the link below. https://theold77podcast.myportfo

A crunchy Friday, as crossword solvers are wont to say - a plethora of tricky (and amusing) clues, such as 5D, One out of 10, TOE

Stacy Keach is an Actor, Director, Producer, Writer, Author, Teacher & Composer. He's won pretty much every award to date such as Best Actor Golden Globe, 3 Obies, 3 Vernon Rice Awards, 2 Drama Desk Awards, 3 Helen Hayes Awards, the Millennium Recognition Award, the Shakespeare Will Award, nominations for Emmy and Tony Awards, and most recently, the International Satellite Mary Pickford Lifetime Achievement Award.  In 2015, he was inducted into the American Theatre Hall of Fame and in 2019 he received a star on the Hollywood Walk of Fame.  Stacy is also, as he defines himself, an American interpreter of Shakespeare, with notable performances as Hamlet, Henry V, Coriolanus, Falstaff, Macbeth, Richard III and King Lear. He also started Zoom theatre during Covid which is really enterprising. Some of his many TV credits include Mike Hammer, Titus, Two and a Half Men, Blue Bloods, Prison Break, NCIS: New Orleans, The Blacklist, Man with a Plan, American Greed and his Filmography credits include Gotti, Truth, Gold, Fat City, Nebraska, If I Stay, Bourne Supremacy, Sin City: A Dame To Kill For, The Ninth Configuration, Doc, Up In Smoke, American History X, The Long Riders, and The New Centurions. Can you believe we're not done yet… He also has an award-winning memoir called "All in All". As you can imagine we COVER A LOT, such as being camera shy, addictions and cocaine, confidence, his love of acting, his jail stint and the learnings from that, zoom theatre, imagination and authenticity. Check Stacy out on: Website: https://www.gostacykeach.com/ Book "All in All": https://www.amazon.com.au/All-Actors-Life-Off-Stage/dp/1452666059 Zoom Theatre: https://www.stacykeachzoomtheater.com/ Instagram: https://www.instagram.com/StacyKeach/ Facebook: https://www.facebook.com/stacy.keach.9/wall/?id=536235195&sk=wall Twitter: https://twitter.com/stacykeach1 ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan Youtube: Michael Kahan

We are kicking off Season 2 of the Elawvate podcast (www.elawvate.fm)  with a bang!  In our first episode, Ben (Ben Gideon | Gideon Asen LLC) )  and Rahul ((Rahul Ravipudi (psblaw.com)  host four of the country's most respected trial lawyers and trial consultants, to discuss their forthcoming book, Damages Evolving.  Those familiar with David Ball's foundational work, Damages, will    learn how his ideas have evolved, shaped through his long-time partnership with Artemis Malekpour and new collaboration with Nick and Courtney Rowley.  They discuss how trial strategies have evolved over the past two decades and continue to evolve today.  About David BallDavid Ball (Malekpour Ball Consulting) is the nation's most influential trial consultant. With partner Artemis Malekpour, he guides plaintiff's civil cases and criminal defense cases across the country. They are the nation's only trial consultants qualified to help attorneys with Reptilian methods and strategy, as well as with Ball's David Ball on Damages techniques and a wide range of other essential approaches. They have an unparalleled record in helping attorneys with every size and kind of case.Dr. Ball is also a pioneer in adapting methods of film and theater for use in trial. His theater/film students hold Oscars, Obies, Tonys, and Emmys. His Theater Tips and Strategies for Jury Trials has been a bestseller for nearly two decades, and his Backwards and Forwards has been a foundation of theater and film training since 1984.Dr. Ball wrote two of the bestselling trial strategy books ever published: David Ball on Damages and—with Reptile cofounder Don Keenan—Reptile: The 2009 Manual of the Plaintiff's Revolution.Dr. Ball is an award-winning teacher for the North Carolina Advocates for Justice and the American Association for Justice's National College of Advocacy. He has also taught law students at North Carolina, Wake Forest, Pittsburgh, Minnesota, and Campbell law schools, and at Duke Law as a senior lecturer. He has long been the nation's most in-demand continuing legal education speaker.About Artemis MalekpourArtemis Malekpour is a partner in the litigation consulting firm of Malekpour & Ball Consulting.  With a background in psychology and psychiatric research, she specializes in focus groups, case strategy, damages and jury selection.  Artemis did her undergraduate work at the University of North Carolina at Chapel Hill, followed by a Master's in Healthcare Administration from UNC's School of Public Health.  After several years of working in the Department of Psychiatry at UNC Hospitals, Artemis went on to earn a degree with honors from Duke Law.  Artemis' path to litigation consulting began while still in law school, working as an intern with David Ball and interviewing jurors post-trial in both civil and death penalty cases.  This experience early on focused her on identifying what drives decision-making as well as the importance and skill of framing an arguments in re productive, simple, and persuasive ways. A member of the North Carolina State Bar, Artemis has consulted on a wide variety of cases across the country.  Through years of conducting jury research, observing deliberations and moderating discussions, her particular expertise is identifying potential landminesand analyzing each case from the decision makers' perspectives.About Courtney RowleyCourtney Rowley is a trial lawyer, mother of three, and the author of three books: Trial By Woman, Running with The Bulls, and Voir Dire and Opening Statement. After clerking at one of the top law firms in California with a position, she saw the writing on the wall which was and still is: women don't have the same opportunities that men have and the likelihood of becoming a trial lawyer is so much less than that of a man who, in all reality, is half as good and has less experienced than the woman. So, she didn't take the big high paying job with great benefits, a great salary and a brand new car, instead, she drove her parents' junky prius up to Ventura and went out on her own. She started trying cases. Misdemeanors, felonies. And she started winning.  After she was the youngest to be accepted to and attend Gerry Spence's trial lawyer college she started trying civil cases and has won record verdicts throughout the country. She taught with the Spence college as a staff member for years.She tries cases with her husband, but, if you ask Nick, he'll tell you that a lot of the time it's that he's trying a case with HER. She's overcome the adversity that women face in this profession through hard work and determination and she wrote a book about it and has formed a community and a listserve you should check out called Trial By Woman to widen the path for women and all lawyers who are looking to redesign the practice of law.She is a co-founder of Trial By Human and lectures and teaches throughout the country.About Nick RowleyNicholas Rowley has a history of service starting out serving in both the United States Air Force and United States Army. While in both branches he served as a medic committed to aiding and caring for his fellow service members. Nick lived the values of the military medic and the creed to “aid all those who are needful, paying no heed to my own desires and wants; treating friend, foe and stranger alike, placing their needs above my own.”Accomplishing a bachelor's degree in Psychology by the age of 19 while serving, he went on to get a law degree.  Nick's military service, time as a volunteer firefighter, and first legal experiences representing victims of medical negligence led to his continued drive to help others. While in law school and still serving in the military, Nick started his family.  He is the proud father of 7 sons and 4 daughters.Nick's passion for learning evolved into a passion for teaching.  Several books he has written and co-written have been authored and Nick had dedicated time teaching all over the country. Grounded in passion, hard work, and selfless service, he has given and continues to give back. His efforts have been recognized nationally and he was recently named the 2018 Trial Lawyer of the Year – one of the youngest attorneys to ever receive the recognition.  Nick has extensive courtroom experience representing victims of serious injuries and medical malpractice, especially those who have suffered traumatic brain injuries, spinal injuries, and chronic pain.  He also has represented countless health care providers during his career and advocates against meritless lawsuits. Nick has served on several boards both inside and outside of the legal profession, including the Imagination Workshop, which is a non-profit theater arts organization committed to using the unique power of the theater to provide life-changing artistic opportunities to the mentally ill, homeless veterans, senior citizens, and ‘at-risk' young people.Nick is a relentless warrior who has succeeded and proven himself in the battles of litigation time and time again, however, he prides himself on his caring, empathetic approach to serving others in need.  His passion includes being a voice for victims inside and outside of the courtroom while working on reforming laws that infringe on America's fundamental civil rights.    

In this episode, Lucas and Peter are joined by Obies recently involved in a production of Ma Rainey's Black Bottom at Karamu House: Justin Emeka as director and actor, Jaris Owens, Ro Miller, and Cyril Amanfo as actors. The four discuss their experiences with the show and the characters they played, as well as, in the case of Miller and Amanfo, working on their first professional production while also being students.

In this episode, Lucas and Peter are joined by Obies recently involved in a production of Ma Rainey's Black Bottom at Karamu House: Justin Emeka as director and actor, Jaris Owens, Ro Miller, and Cyril Amanfo as actors. The four discuss their experiences with the show and the characters they played, as well as, in the case of Miller and Amanfo, working on their first professional production while also being students.

In this episode, we are joined by Kerry Feuerman. He is a Creative Director and author of The Five Deadly Sins of Presenting Creative Work. Kerry's past experience includes creative director at Fallon Minneapolis, Vice Chairman and Group Creative Director at The Martin Agency, and Global Creative Director at TBWAChiatDay.He's been deservingly celebrated with awards from the One Show, CA, Cannes, Clios, Art Directors Club of New York, London International Awards, Kelley Awards, Obies, ADDYS, Advertising Festival of New York, IF4 Film Festival.And Kerry has worked with global brands such as Mercedes-Benz, Citi, U.S. Army, UPS, Saab, Wrangler, Infiniti, Seiko, Nissan.Kerry is the founder of Last Hurdle presentation skills workshops.Together we will discuss what's trending in business and marketing and learn more about Kerry in the process.

Casting directors are often seen as gatekeepers to opportunities in the industry - but does the multi-hyphenate approach help them? The answer is yes. We've all had audition horror stories - and whether or not it's the casting directors fault our own, it's never too late to live and learn. And as always, knowing yourself as a multi-hyphenate often is the answer to avoid those icky situations. Join one of New York's leading casting directors Stephanie Klapper as she breaks down and opens up about the casting director process. Though casting directors seem like distant people sitting behind tables, we have to remember they are human beings in search of connection, just as the actor is. So - when should an artist show up for their call of duty? What type of resume should you send? Do you want to see the chemical makeup of the multi-hyphenate artist or do you want to see that I once was in the ensemble of Cabaret? How can an actor make an experience better for the casting director? What purpose does the headshot serve in 2021? All these questions, and many more, are answered in this amazing episode. The multi-hyphenate is extremely useful to the casting director, because as Stephanie states, “Sometimes we don't even know what we're looking for!” The rules of auditioning changes daily - especially after experiencing a shut down like the industry has, which obviously will affect the future audition protocol. “It's a great time to get to know people,” Stephanie says, “in a way that when we're all running too quickly - we don't get to.” Actors aren't the only ones pivoting in the pandemic - you guessed it, casting directors are as well. As well as getting inspiring tips on how to apply agency to your auditions, get a behind the table look as to what a casting director is experiencing during this time away from normalcy. This episode also features a questions from a listener in the segment YOU GOT A QUESTION? where Michael answers a question sent to him through social media. This week's question, sent in from Erika E. and focsuses on collaboration. How do we find collaborators? Stephanie Klapper is a New York based Casting Director who has been in the business for 25 plus years. Her work is frequently seen on Broadway, Off-Broadway, regionally, internationally, on television, and film. Projects she has cast have won numerous awards including the Tony, OBIES, Drama Desk, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, Comic Con and Artios. Stephanie, along with her incredible casting team, comprise Stephanie Klapper Casting, an Independent Casting Group who is known for their limitless imagination and creativity and for their work on a wide range of projects all over the country and the world. Frequent and longtime collaborators include Primary Stages, Mint Theater Company, NY Classical Theatre, american vicarious, The Peccadillo, Voyage Theatre, Masterworks, Resonance Ensemble, Hudson Valley Shakespeare Company, Capital Repertory Theatre, Cincinnati Playhouse, Actors Theatre of Louisville, Adirondack Theatre Festival, Ford's Theatre, Kansas City Rep, The New Theatre, The Philadelphia Orchestra, as well as many more in New York, the regions, and internationally. Ms. Klapper is passionate about working with creative teams to develop new work and expand the scope of established work. In addition to casting and teaching, Ms. Klapper is a member of the New York Board of the Casting Society of America, Casting Society Cares, and New York Women in Film. She is passionate about continuing to expand and champion diversity, equity, equality and inclusion in the business. She loves working with emerging artists to help them develop their careers. Connect with Michael: @themichaelkushner (IG and TikTok) @dearmultihyphenate (IG) www.michaelkushneronline.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's podcast guest  Anna Bager  reflects on an eventful first year as President and CEO of the OAAA. Anna says the the US out of home industry is coping well with covid and she identifies out of home trends to follow. Here are highlights. How is the US out of home industry coping with covid? I think the industry is coping with covid very very well…Of course there are parts of out of home that are hurting and have been hurting and it's important from the OAAA perspective to give those areas a little extra support…place based and cinema for sure.  Definately hurt by this.  Transit badly hurt too – a little bit dependent on what sort of transit…Even in areas like the New York subway or the DC Metro where the numbers are down by a lot it's still picking up and there's still great ridership.  So there's still a story to tell.  There are people there…Roadside has been great.  I think street furniture is good too…Then the whole digitalization our medium has been sped up by the pandemic.  I do believe we're going to see a lot of growth in programmatic coming from that… On 2021 All the fundamentals are still there.  The strength of our industry is still there.  The power of our medium is still there and if anything we've grown stronger…I think we'll come back strong…look, brands are going to have to get in front of consumers…come 2021, I'm thinking March, April, May, whenever the vaccine is deployed on a broader level, it's going to be a whole new world…I think we'll have a good 2021 and I'm really impressed by the companies in our industry who have really ridden out the storm… Sponsor of this Billboard Insider Podcast   What are your priorities for the out of home industry for next year. It's about growth.  Getting us back on that amazing growth track that we were on. We're going to continue to do the virtual events, making sure that we are in touch with our members and trying to provide them with weekly useful information at least until the middle of next year.  We're going to do a virtual convention and virtual OBIES in the middle of April, gathering the industry again, even if it's only in a virtual format. We're going to participate, not just in our own conference but go to others.  We're going to work very closely with the ANA.  We have an annual partnership with them…Next year we're going to do an out of home day with them.  We're going to continue our cooperation with DMexico, with Adweek, with the Brand Safety Summit, with other entities that can help us get in front of the right people. Continue to do good research and thought leadership that can get into the press…I am a big believer in research selling advertising.  So putting out more solid research that can help our members and the agencies. On the government affairs front…lobbying on the highway beautification act…We're probably focused quite a bit on taxation next year because we think in the aftermath of covid advertising taxes may try to be raised…we have an increased focus on privacy as well as cannabis… And then really working with groups of our membership.  Transit operators.  The people in the airport field.  We did an independent billboard operators event earlier this year and we're doing one next year. What are some out of home trends our listeners should be following. Everything that's happening around digital is important to us. I think 5G…it's here soon and its something that's going to affect our industry…Out of home is about signage.  And when everything can be connected and you can put a sign up anywhere and communicate with that sign easily, seamlessly, smoothly, it's going to be an opportunity for our industry. Looking at what's happening in the broader advertising world…Look at how others are selling.  Look at what advertisers are doing and think about how out of home can play a bigger role… There's going to be a vaccine…There's going to be a population that needs to get vaccinated…So ...

Today's podcast guest  Anna Bager  reflects on an eventful first year as President and CEO of the OAAA. Anna says the the US out of home industry is coping well with covid and she identifies out of home trends to follow. Here are highlights. How is the US out of home industry coping with covid? I think the industry is coping with covid very very well…Of course there are parts of out of home that are hurting and have been hurting and it's important from the OAAA perspective to give those areas a little extra support…place based and cinema for sure.  Definately hurt by this.  Transit badly hurt too – a little bit dependent on what sort of transit…Even in areas like the New York subway or the DC Metro where the numbers are down by a lot it's still picking up and there's still great ridership.  So there's still a story to tell.  There are people there…Roadside has been great.  I think street furniture is good too…Then the whole digitalization our medium has been sped up by the pandemic.  I do believe we're going to see a lot of growth in programmatic coming from that… On 2021 All the fundamentals are still there.  The strength of our industry is still there.  The power of our medium is still there and if anything we've grown stronger…I think we'll come back strong…look, brands are going to have to get in front of consumers…come 2021, I'm thinking March, April, May, whenever the vaccine is deployed on a broader level, it's going to be a whole new world…I think we'll have a good 2021 and I'm really impressed by the companies in our industry who have really ridden out the storm… Sponsor of this Billboard Insider Podcast   What are your priorities for the out of home industry for next year. It's about growth.  Getting us back on that amazing growth track that we were on. We're going to continue to do the virtual events, making sure that we are in touch with our members and trying to provide them with weekly useful information at least until the middle of next year.  We're going to do a virtual convention and virtual OBIES in the middle of April, gathering the industry again, even if it's only in a virtual format. We're going to participate, not just in our own conference but go to others.  We're going to work very closely with the ANA.  We have an annual partnership with them…Next year we're going to do an out of home day with them.  We're going to continue our cooperation with DMexico, with Adweek, with the Brand Safety Summit, with other entities that can help us get in front of the right people. Continue to do good research and thought leadership that can get into the press…I am a big believer in research selling advertising.  So putting out more solid research that can help our members and the agencies. On the government affairs front…lobbying on the highway beautification act…We're probably focused quite a bit on taxation next year because we think in the aftermath of covid advertising taxes may try to be raised…we have an increased focus on privacy as well as cannabis… And then really working with groups of our membership.  Transit operators.  The people in the airport field.  We did an independent billboard operators event earlier this year and we're doing one next year. What are some out of home trends our listeners should be following. Everything that's happening around digital is important to us. I think 5G…it's here soon and its something that's going to affect our industry…Out of home is about signage.  And when everything can be connected and you can put a sign up anywhere and communicate with that sign easily, seamlessly, smoothly, it's going to be an opportunity for our industry. Looking at what's happening in the broader advertising world…Look at how others are selling.  Look at what advertisers are doing and think about how out of home can play a bigger role… There's going to be a vaccine…There's going to be a population that needs to get vaccinated…So ...

Stephanie Klapper is a New York based Casting Director who has been in the business for 25 plus years. Her work is frequently seen on Broadway, Off-Broadway, regionally, internationally, on television, and film. Projects she has cast have won numerous awards including the Tony, OBIES, Drama Desk, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, Comic Con and Artios. Stephanie, along with her incredible casting team, comprise Stephanie Klapper Casting, an Independent Casting Group who is known for their limitless imagination and creativity and for their work on a wide range of projects all over the country and the world.Frequent and longtime collaborators include Primary Stages, Mint Theater Company, NY Classical Theatre, american vicarious, The Peccadillo, Voyage Theatre, Masterworks, Resonance Ensemble, Hudson Valley Shakespeare Company, Capital Repertory Theatre, Cincinnati Playhouse, Actors Theatre of Louisville, Adirondack Theatre Festival, Ford’s Theatre, Kansas City Rep, The New Theatre, The Philadelphia Orchestra, as well as many more in New York, the regions, and internationally. Recent projects include: The Night of the Iguana (La Femme Theatre Productions); Chekhov/Tolstoy Love Stories (Mint); Sideways, the Experience (Peccadillo); A Sign of the Times (Off-Broadway); The 24-Hour Plays on Broadway Gala Celebrating Kathy Bates; Paradise Lost (FPA/Directors Company); Miss America’s Ugly Daughter (Off-Broadway); Grace, a song cycle (Actor’s Theatre of Louisville); Once on this Island (Cincinnati Playhouse/Actor’s Theatre); The Hope Hypothesis (Voyage Theatre Co.); The Importance of Being Earnest (NY Classical); Hamlet (Utah Shakespeare Festival); Daniel’s Husband (Penguin Rep/Primary Stages); Actually We’re F**ked (Cherry Lane Theatre); A Letter to Harvey Milk (Off-Broadway); Pride and Prejudice (Kate Hamill)(Hudson Valley Shakespeare Festival/Primary Stages); Candide, Westside Story and Bernstein’s Mass (Philadelphia Orchestra). Select Recent Broadway includes: Bronx Bombers; A Christmas Story, the Musical; Dividing the Estate; It Ain’t Nothin’ But the Blues.Select Film/TV credits: Netuser (with Denis O’Hare); Epiphany V; Theresa Rebeck’s Poor Behavior; Stag; Alice Jacobs is Dead (Adrienne Barbeau); The Feast of the Goat (Isabella Rossellini); Uncertain Terms; Altamont Now!; Sidewalk Stories; Roberta; Eve Ensler’s One Billion Rising, the video; webisode: Battery Park; Parking Lot Chronicles; Highlights of a Mom’s Life. Television: Lazytown.Ms. Klapper is a graduate of Manhattan’s famed Music and Art High School and SUNY College at Purchase. She is a frequent guest teacher and lecturer at many colleges and universities including: New York University (The New Studio on Broadway), Drew, UNCSA, USC, Oklahoma University, Ohio University, Kenyon College, University of Michigan, UMKC, Florida State University (Asolo), Skidmore College, Penn State, SUNY Purchase, SUNY New Paltz, Indiana University, UNC Chapel Hill, New York Conservatory of the Dramatic Arts, and the Tepper Semester through Syracuse University, where she is also a mentor to students interested in pursuing work in the casting profession. Ms. Klapper is passionate about working with creative teams to develop new work and expand the scope of established work. In addition to casting and teaching, Ms. Klapper is a member of the New York Board of the Casting Society of America, Casting Society Cares, and New York Women in Film. She is passionate about continuing to expand and champion diversity, equity, equality and inclusion in the business. She loves working with emerging artists to help them develop their careers.

Stephanie Klapper (Stephanie Klapper Casting) is a New York-based Casting Director whose work is frequently seen on Broadway, Off-Broadway, regionally, internationally, on television, and on film. Projects she has cast have won numerous awards, including the Tonys, OBIES, Artios, Drama Desk, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, and Comic Con awards. Frequent and long time collaborators include Primary Stages, Mint Theater Company, New York Classical Theatre, american vicarious, The Peccadillo, Masterworks, Resonance Ensemble, Hudson Valley Shakespeare Company, Cincinnati Playhouse, Capital Repertory Theatre, Actors Theatre of Louisville, Adirondack Theatre Festival, Ford's Theatre, Kansas City Rep, The New Theatre, as well as many more both in New York and regional theatres around the country.

Today we speak with a wonderful casting director and such a sincere human being, Stephanie Klapper. Stephanie is based out of NY and has worked on Broadway, Off-Broadway, regionally, internationally, on television, and on film. Projects she has cast have won numerous awards, including the Tonys, OBIES, Artios, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, and Comic Con awards.

Michael started his career like so many others.... sheer luck. 15 years old and hanging out with friends one day dreading the idea of returning to school... and one says "hey, come to work with me". That began a long run at his first job with ACDC (the company, not the band) which turned into Obies, then, eventually, his own business - Project X. Michael has created some incredibly creative music video looks including Lenny Kravitz, Are You Gonna Go My Way and Coldplay's iconic look for their Speed of Sound video, which really ramped up the market for Element Lab's Versatube. This episode is sponsored by Elation Professional www.ElationLighting.com

David Hagan, sales manager with Smith Douglas Homes, joins Atlanta Real Estate Forum Radio on today's episode of All About Real Estate Radio. Joined by co-hosts Carol Morgan and Todd Schnick, the group dives into the unique products offered by Smith Douglas Homes, where to find these homes and how they are different from other types of homes in and around the metro Atlanta area. Hagan, a Savannah native, moved to Atlanta almost two years ago with his wife of 27 years and three daughters. Hagan is no stranger to sales, as he has worked in sales leadership roles dealing with new homes for over a decade. Hagan was first introduced to the Atlanta Market about seven years ago when he was asked to judge the OBIEs. Presented by the Atlanta Sales and Marketing Council, the OBIE Awards are the premier awards given to those working in the Atlanta new home construction industry. Smith Douglas Homes has over 40 years of experience building new homes. Widely recognized for constructing quality homes at affordable prices, Smith Douglas builds in several favorable areas in and around metro Atlanta, as well as North Carolina, Alabama and Tennessee. “One of the things we pride ourselves in, and one of the things our founder has said over the past 40 years, is ‘your home, your choice within reach',” said Hagan. “That means going to where the buyer wants to be while placing emphasis on within reach. We like to focus on making new homes affordable for these buyers.” The median price of new construction homes in the Atlanta market is around $265,000. Often, buyers think finding a price below $200,000 is impossible. Smith Douglas has positioned itself where they can not only offer prices in that range, but it can do it well with the construction of high-quality homes. Smith Douglas offers several townhomes and single-family homes ranging from the $100,000s to the $300,000s. In 2019, 20% of the homes sold by Smith Douglas Homes were under $200,000. Currently, Smith Douglas Homes is building in over 30 different communities around the metro Atlanta area. A majority of the homes in these communities are single-family ranch-style homes. The builder has distinguished itself amongst other popular builders in the area by perfecting the single-level homes as opposed to two-story homes. Single-story ranch-style homes are increasingly popular across various demographics. To see the several unique floorplan options available and to learn more about Smith Douglas Homes, visit www.SmithDouglas.com.  You can also listen to the full interview above. Never miss an episode of Atlanta Real Estate Forum Radio! Subscribe to the podcast here. You can also get a recap of any past episodes on our Radio page. Georgia Residential Mortgage Licensee, License #22564. NMLS ID #6606. Subject to borrower and property qualifications. Not all applicants will qualify. New American Funding and Smith Douglas Homes are not associated. Click here to view the terms and conditions of products mentioned during the show. Corporate office 14511 Myford Rd., Suite 100, Tustin, CA 92780. Phone: (800) 450-2010. (February/2020) New American Funding is a family-owned mortgage lender with a servicing portfolio of over 123,000 loans for $30.4 billion, 198 branches, and about 3,100 employees. The company offers several niche loan products and has made Inc. 5000's list of Fastest-Growing Companies in America six times. It has a state-of-the-art career training facility and develops innovative technology, including the GoGo LO mobile application. For more information, visit www.branch.newamericanfunding.com/Atlanta. The Atlanta Real Estate Forum Radio “All About Real Estate” segment, presented by Denim Marketing, highlights the movers and shakers in the Atlanta real estate industry – the home builders, developers, Realtors and suppliers working to provide the American dream for Atlantans. For more information on how you can be featured as a guest,

Ever wonder who’s smarter: God or a Buzzfeed intern? We go in depth with this question in the year of our Lord 2017 podcast! We also hear the “Obies” awards for that year. The RIOT goes gun shopping, Nikki gets hooked on a new YouTube channel, and you won’t want to miss how “Niagra Falls” gets used to describe…. Something.

Ever wonder who’s smarter: God or a Buzzfeed intern? We go in depth with this question in the year of our Lord 2017 podcast! We also hear the “Obies” awards for that year. The RIOT goes gun shopping, Nikki gets hooked on a new YouTube channel, and you won’t want to miss how “Niagra Falls” gets used to describe…. Something.

Judith Little-D (Beyries, Dead Obies, La Famille Ouellette, Les Gourmandes) est une chanteuse multi-talents qui nous réserve pas mal de surprises. On a su aborder le sujet bruyant du ASMR, tout en incluant Paris Hilton dans notre conversation. Je m'informe sur l'intérêt que Judith porte sur les horoscopes et je lui fait part de ma réaction lorsque quelqu'un me dit son signe. On démêle l'historique de ses contacts en musique et de son soundcloud. En prime, Judith et moi chantons un peu de Disclosure tout en faisant un lien avec un projet qu'elle a en tête...

Which Christmas Ornament Means The Most To You + Obies Families Nanny is Officially Announced!

Which Christmas Ornament Means The Most To You + Obies Families Nanny is Officially Announced!

Did you know that many students refer to non-athletes as “Obies”? The divide between athletes and non-athletes has been getting a lot of attention lately, after Professor of English Yago Colás began hosting monthly discussion sessions on the issue. Captain of the Track and Field Team and nationally accomplished athlete, Lilah Drafts-Johnson, along with Student Senators Melvin Briggs and Kopano join The Weekly to examine the divide's origins, its impact on student life, and what solutions students can use to break it down and think more critically about the role of athletics and activism at Oberlin. --- Support this podcast: https://anchor.fm/the-weekly/support

Eva speaks with Lucy Sexton, Executive Director of the New York Dance and Performance Awards (AKA The Bessies). Named for revered and influential dance educator Bessie Schönberg, the Bessie Awards are the New York dance and performance community's highest honors. Other art disciplines have their Oscars, Tonys, Emmys, Grammys, and OBIEs. Dance and performance have the Bessies--local to New York City, but influential worldwide.