American actress
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2 episodes with Estelle Parsons
2 episodes with Estelle Parsons
3 episodes with Estelle Parsons
The 2018 Mary Kay Place vehicle “Diane” may be a bit of a gloomy drive around a weathered stretch of the Northeast, but luckily it includes a bevy of character actresses and Broadway legends in the passenger seat. Estelle Parsons, Andrea Martin, Joyce Van Patten, LaChanze, Celia Keenan-Bolger, Phyllis Sommerville, Dierdre O'Connell and Glynis O'Connor bring life to a movie essentially about the inevitability of death and what it takes to make peace with yourself before it's your turn. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
Mark-Eugene and David mark their twentieth episode with a special celebration! Joining them are Academy Award winner Estelle Parsons and Abbie Britton, MA, for an inspiring conversation about Estelle's book Uncharted Territory: Life Lessons from the Theatre. Tune in for unforgettable stories and profound insights from a true legend of the stage. Learn more about your ad choices. Visit megaphone.fm/adchoices
Filmmaker Marco Calvani talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about “High Tide” his feature film debut that stars Marco Pigossi (Lourenço) as a Brazilian undocumented immigrant adrift Provincetown in the late summer. The film is about a young man coping after a break up & left adrift in Ptown with his travel visa running out. Lourenço then meets Maurice a Black American & a romance evolves. Though Maurice's comes with a circle of friends he's is also quite aware he's the minority in a predominantly white queer tourist mecca. Pigossi gives a haunting performance steeped in melancholy & raw pain but delivers moments of openness, optimism & joy with an affective portrait of the depths LGBTQ men experience seeking meaningful connections. As the summer season fades & with his unexpected romance with Maurice together the two reconcile the pasts they've left behind & pursue their uncertain futures. The film distributed by Strand Releasing premiered at South by Southwest & was released in NYC earlier this month followed by an expansion to Los Angeles & will begin a run at Waters Edge Cinema in Provincetown & Coolidge Corner Theater in Brookline, MA on Friday November 1st. The stellar cast also includes James Bland as Maurice, Marisa Tomei as Miriam, Bill Irwin as Scott, Sean Mahon as Bob, Mya Taylor as Crystal, Bryan Batt as Todd, Todd Flaherty as Leslie, Karl Gregory as BJ & João Santos as Dimo with a haunting score by Sebastian Plano. Marco Calvani is an Italian playwright, director, filmmaker, translator & actor. Trained as an actor since he was a teenager Calvani made his debut as a playwright in 2002 with Quasi commissioned by the European Social Forum. Prior to his first feature film High Tide which had its world premiere at SXSW in March 2024 he wrote & directed the short film The View from Up Here starring Melissa Leo & Leïla Bekhti based on his eponymous play originally commissioned by The Actors Studio & directed by Estelle Parsons. As of 2020 Marco is in a relationship with Brazilian actor Marco Pigossi. LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES
Welcome to It's A Wonderful Podcast!! The grand finale of Couples On The Run ends in the only way possible. The erratic crazy crime spree of the most famous criminal couple in history; a moniker they'd be so proud to have, as Morgan and Jeannine talk BONNIE AND CLYDE (1967) starring Faye Dunaway, Warren Beatty, Gene Hackman and Estelle Parsons! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
“When we put out our coffee table book of Disgusting Shit Boys, he's the cover…” - Steve on “The Kid” On this week's episode, the Summer Blockbuster Extravaganza continues with a hilarious convo all about one of the more ambitious comic adaptations of all time, Dick Tracy! Should Beatty really have starred as the titular Dick while also directing this thing? How incredible are all the matte paintings, Sondheim songs, and loud-AF costumes? Is there something in the drinking water in this town or what, what is with all the freaks? And how much chili does Tracy consume in this movie? PLUS: One of the worst things to ever exist, Tracy Zooms In, is discussed at length. Dick Tracy stars Warren Beatty, Al Pacino, Glenn Headley, Charlie Korsmo, James Keane, Seymour Cassel, Michael J. Pollard, Charles Durning, Dick Van Dyke, Kathy Bates, Dustin Hoffman, William Forsythe, Ed O'Ross, James Tolkan, Mandy Patinkin, R.G. Armstrong, Henry Silva, Paul Sorvino, James Caan, Catherine O'Hara, Estelle Parsons, and Madonna as Breathless Mahoney; directed by Warren Beatty. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. Be sure to pick up your tickets for our summer time WORLD WIDE DIGITAL EVENT where we'll be talking all about the action classic SPEED! Early bird tickets are still available for the next couple days, so head over to Moment dot co slash We Hate Movies and get your tickets now— and don't forget to bundle in your ticket for the Q&A After Party that's going down right after the show that night! Can't make it to the live show? No problem! The show will be available for replay for a full TWO WEEKS after air. So you've got 14 days to check out the show after it happens! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new SHEENPRIL, Night Vision & Too Old For This Shit designs! Original cover art by Felipe Sobreiro.
A groundbreaking film which ushered in a new era of anti-hero filmmaking that would become prevalent in the 1970s. Starring Warren Beatty and Faye Dunaway as the infamous crime couple. Co-starring Gene Hackman, Estelle Parsons, Michael J. Pollard and Gene Wilder.
Numa grande entrevista com Daniel Oliveira, o ator Pedro Hossi diz que tem a “bússola bem direcionada” e que as grandes perdas por que passou, com a ausência do pai e a morte dos irmãos, o fizeram valorizar o mais importante na vida. Em Los Angeles, diz ter tido várias vidas e conta o episódio em que a colega de curso Martha Gehman o levou a jantar com a mãe, a atriz Estelle Parsons, vencedora do óscar em 1968, com o filme Bonnie & Clyde. Pedro perguntou-lhe sobre como ser mais livre nos movimentos e na resposta aos estímulos durante o seu trabalho e a atriz respondeu: “Os atores andam à procura de liberdade no trabalho, quando deviam ir à procura de liberdade na vida. Quando alguém encontra liberdade na vida, isso transpira para o trabalho”. Oiça a entrevista completa em podcastSee omnystudio.com/listener for privacy information.
We're very excited to drop a bonus episode this week from our friends at Next Chapter Podcasts, who have done so much to bring actors, and especially Shakespeare, into the podcast space. This episode features a conversation between Michael Goodfriend, Executive Producer of the Play On Podcasts, and the legendary Estelle Parsons of films like "Love, American Style," "Rachel, Rachel," "Bonnie and Clyde," for which she won the Academy Award for Best Supporting Actress, and so much more, both on screen and on stage. For more of the incredible collections of shows available at Next Chapter Podcasts, be sure to visit their website at ncpodcasts.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/storyofacting/message
“I was always making a beeline for my inner truth”: Estelle Parsons reflects on her remarkable life and acting career with incredible stories about luminaries like Arthur Penn, Paul Newman and others. Plus, why getting Gene Hackman interested in filmmaking was “a terrible loss for the American theater”, how she found her way into a Shakespeare podcast, and what it's like to play with Time. All this and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
We're joined again by our music sponsor DASEIN aka Brandon Say to head back to film school in a discussion of the great Bonnie and Clyde (1967) after a spoiler-free mini review of The Equalizer 3 (2023). This drinking podcast was recorded as the second episode of a back-to-back, so we were feeling loose and having some fun! While much has been written about Bonnie and Clyde, the direction, the writing, the incredible performances, and so much more, we talked about what it felt like seeing this iconic movie for the 20th time or the 1st time. Find all of our Socials at: https://linktr.ee/theloveofcinema. Our phone number is 646-484-9298, it accepts texts or voice messages. 0:00 Intro/The Equalizer 3 mini review; 13:30 1967 in film + Bonnie and Clyde Movie Discussion; 1:15:03 What You Been Watching? Additional Cast/Crew: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Gene Wilder, Arthur Penn, Charles Strouse, Robert Towne, Robert Benton, David Newman, Warner Bros Pictures, Burnett Guffey, Dede Allen, . Additional Tags: Kennedy, Grassy Knoll, The Depression, Netflix, Amazon Prime, Spotify, Better Help, Apple+, Apple TV, Netflix, Amazon Prime, TikTok, Twitch.
Bardavon presents three legendary performers in two surreal and arresting “concertos” about romantic love by two of America's greatest creative forces. Featuring Oscar winner, 5 time Tony nominee Estelle Parsons, Emmy winner and Oscar nominee David Strathairn, and NEA Jazz Master Jack DeJohnette on percussion in Pulitzer Prize winner Sam Shepard and six time Obie winner Joseph Chaikin's TONGUES and SAVAGE/LOVE, directed by Chris Silva and produced by Stephen LaMarca at the Woodstock Playhouse.
Amongst theater people, Estelle Parsons is revered as an actor's actor. She won an Oscar as Best Supporting Actress in "Bonnie and Clyde", another Academy nomination for her work in "Rachel, Rachel". Five Tony nominations, a BAFTA award, an Obie, a Theater World Award, and has been inducted into the American Theater Hall of Fame.She created a memorable character as Bev Harris, Roseanne's television Mom. And that doesn't even scratch the surface of Estelle's acting or directing credits. As a director, she has staged works by Shakespeare, Brecht and Oscar Wilde amongst others. She's a former artistic director at the Actors Studio and is still a stalwart at that esteemed institution.She is, she says, most alive on stage in front of a live audience. Anyone who's ever seen her in "Miss Margarida's Way" or "August: Osage County" understands intuitively and completely what she means.
Director: Paul Newman Producer: Paul Newman Screenplay: Stewart Stern Photography: Gayne Rescher Music: Jerome Moross Cast: Joanne Woodward, James Olson, Estelle Parsons, Kate Harrington, Donald Moffat Rotten Tomatoes: Critics: 91%/Audience: 76%
This past year marked the 75th Anniversary of the Actors Studio, the nonprofit organization that has shared “truth in acting” with decades of film, television and theater professionals, including some of the biggest names in the business. This episode is the first in a series of conversations with some of those responsible for the studio's success. Alec currently serves as Co-President of the Actors Studio and had the opportunity to speak with two leaders within the institution: Co-President Ellen Burstyn, who joined the studio in 1967, is known for her roles in “Alice Doesn't Live Here Anymore,”“The Exorcist,” and “Requiem for A Dream” – and also has the distinction of winning the “Triple Crown of Acting:” an Oscar, a Tony and two Emmy Awards. Alec then speaks with Co-Associate Artistic Director Estelle Parsons, who has been with the studio since 1962. Parsons earned an Academy Award for ”Bonnie and Clyde,” the second film she ever made, and has earned five Tony nominations and two Obies in her illustrious career. The two remarkable women share their stories of finding their way to the Actors Studio and the impact it had on their careers – and their craft. See omnystudio.com/listener for privacy information.
Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with actors Ellen Burstyn and Estelle Parsons on the 75th Anniversary of the Actors Studio, fiancée of journalist Jamal Khashoggi, Hatice Cengiz, on her fight for justice following his assassination, and Daniel Weiss, President and CEO of the Metropolitan Museum of Art, on how he manages the historic institution, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode. The new season begins January 24th. See omnystudio.com/listener for privacy information.
Abductions in the 1970s are characterized by cases that gained a level of popularity on their individual merits. The Pascagoula Abduction for instance was a media sensation that occurred during a very prominent UFO/humanoid flap. It's also the first year that a handful of abduction cases were reported. Interestingly, they all occurred within 10 days of each other. In 1974, The Carl Higdon abduction captured the attention of national headlines, and one year later, the Travis Walton case captured widespread press attention, primarily because it was a missing person's/murder case before it became an alien abduction. In 1975, 25 abduction cases were reported, setting a new record for the most reported in a year. Aside from the publicity of the Walton case, it's believed that the premiere of The UFO Incident, starring James Earl Jones and Estelle Parsons, depicting the abduction of Betty Barney brought forth many experiencers, including Patty Roach, who experienced an abduction with her family in 1973. The abduction experiences of Brian Scott became known due to the film's release as well. Other abduction cases would come to the forefront in the 70s, such as the cases of Lee Parish, and the Stanford Three. All of these cases that I have mentioned we have covered on the podcast before, so it only makes sense to bring the most obscure cases to the table. Researcher Cole Herrold (New World Explorers Society) joins me discuss some of the strangest cases you've never heard before. Sources: 1976 HUMCAT Entry #1860 “Idaho Abduction Case,” The APRO Bulletin, V 26, N. 5, November, 1977 “Êtres Étranges: A Almonaster La Real (Huelva) Espagne” by Ignacio Darnaude, Lumieres Dans La Nuit No. 174 April 1978 “Antonio's Ordeal” by Irene Granchi, Canadian UFO Report, Vol. 4, No. 7, Summer, 1978 Humanoid Encounters 1970-1974 by Albert Rosales Australian UFOs: Through the Window of Time by Rex Gilroy Rex and Heather's Australian UFO's. Mysterious Australia APRO Bulletin Vol. 28, #10 Canadian UFO Report Volume 4 #4 Missing Time by Budd Hopkins The Road to Strange: UFOs, Aliens, and High Strangeness by Michael Brein and Rosemary Ellen Guiley UFO Abductions: A Dangerous Game by Philip J. Klass UFO Verdict: Examining the Evidence by Robert Schaeffer UFOs and Alien Contact: Two Centuries of Mystery by Robert Bartholomew and George S. Haven "Woman Will Tell Of Kidnapping by UFO, aliens" by Royal Calkins, The Fresno Bee, November 3, 1979 Daily Collegian, Fresno, California- November 6, 1979 Judy Kendall Case on Archive.org Theme song: "Ufo" by Floats, available on Soundcloud, iTunes and Spotify Logo designed by Megan Lagerberg T-Shirt Designs by The Great Desdymona Check out ourstrangeskies.com for all things related to the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices
In September of 1961, on a desolate mountain pass in New Hampshire, strange lights in the sky heralded the introduction of a new, more terrifying type of extraterrestrial encounter; one where stolen memories, painful medical experiments, and regression hypnosis replace friendly visitors from Venus. In this episode, we examine one of the rarest artifacts in the Newkirk Museum: pieces of the dress Betty Hill was wearing as she was abducted by aliens. We discuss our own ill-advised adventures in hypnosis, Greg lays out a government conspiracy, and Connor learns that the answers to life's mysteries are found in Super Mario 64. Join the Museum: https://patreon.com/paramuseumWatch Haunted Objects on YouTube: https://youtube.com/planetweirdVisit Our Website: https://hauntedobjectspodcast.com Follow Greg NewkirkTwitter: https://twitter.com/nuekerkInstagram: https://instagram.com/nuekerkWebsite: https://gregorynewkirk.com Follow Dana NewkirkTwitter: https://twitter.com/weird_danaInstagram: https://instagram.com/weird_dana Follow Connor J. RandallTwitter: https://twitter.com/connorjrandallInstagram: https://instagram.com/connorjrandall Show Notes:The Dress Samples: https://tinyurl.com/35yfcyx3Purchase Captured! The Betty and Barney Hill UFO Experience: https://amzn.to/3EGZlNuThe lab study on the dress: https://tinyurl.com/2p8zac9jListen to one of Barney's hypnosis sessions: https://tinyurl.com/uftx2e3aRead John Fuller's The Interrupted Journey: https://amzn.to/3V90nIWWatch The UFO Incident, starring James Earl Jones and Estelle Parsons: https://tinyurl.com/44jjhrbxWatch Barney's Appearance on To Tell the Truth: https://tinyurl.com/4eenhhwaFollow Betty and Barney's badass, MMA fighting granddaughter, Angela Hill: https://tinyurl.com/nhk7c52kAstronomy Magazine's 1974 article “The Zeta Reticuli Incident”: https://tinyurl.com/3kkuhxevMore on the “Star Map” from Astronomy: https://tinyurl.com/3ewba9x2Read about Betty's later years: https://tinyurl.com/3sjt9zb7Hypnotist Lonnie Scott: https://tinyurl.com/5ha3a88fWatch Jason's abduction hypnosis experience in Hellier: https://amzn.to/3AQG9LRWatch Karl's hypnosis experience in Hellier: https://amzn.to/3APk00EThe Hill archives at the University of New Hampshire: https://tinyurl.com/2tdycv76More dress analysis: https://tinyurl.com/tkfe273wBetty's rare book A Common Sense Approach to UFOs: https://amzn.to/3XvhFl4The Villas Boas and Hill account compared: https://tinyurl.com/4jwz8k24Sketchy account of the Antonio Villas-Boas abduction: https://tinyurl.com/bdf87s9y Credits:Copyright 2022 Planet WeirdHosted by Greg and Dana NewkirkProduced by Connor J RandallPhotography by Karl PfeifferArt by Dustin WilliamsTheme by Adam Hayman"The Disembodied Voice" by Chuck Fresh
In September of 1961, on a desolate mountain pass in New Hampshire, strange lights in the sky heralded the introduction of a new, more terrifying type of extraterrestrial encounter; one where stolen memories, painful medical experiments, and regression hypnosis replace friendly visitors from Venus. In this episode, we examine one of the rarest artifacts in the Newkirk Museum: pieces of the dress Betty Hill was wearing as she was abducted by aliens. We discuss our own ill-advised adventures in hypnosis, Greg lays out a government conspiracy, and Connor learns that the answers to life's mysteries are found in Super Mario 64. Join the Museum: https://patreon.com/paramuseum Watch Haunted Objects on YouTube: https://youtube.com/planetweird Visit Our Website: https://hauntedobjectspodcast.com Follow Greg Newkirk Twitter: https://twitter.com/nuekerk Instagram: https://instagram.com/nuekerk Website: https://gregorynewkirk.com Follow Dana Newkirk Twitter: https://twitter.com/weird_dana Instagram: https://instagram.com/weird_dana Follow Connor J. Randall Twitter: https://twitter.com/connorjrandall Instagram: https://instagram.com/connorjrandall Show Notes: The Dress Samples: https://tinyurl.com/35yfcyx3 Purchase Captured! The Betty and Barney Hill UFO Experience: https://amzn.to/3EGZlNu The lab study on the dress: https://tinyurl.com/2p8zac9j Listen to one of Barney's hypnosis sessions: https://tinyurl.com/uftx2e3a Read John Fuller's The Interrupted Journey: https://amzn.to/3V90nIW Watch The UFO Incident, starring James Earl Jones and Estelle Parsons: https://tinyurl.com/44jjhrbx Watch Barney's Appearance on To Tell the Truth: https://tinyurl.com/4eenhhwa Follow Betty and Barney's badass, MMA fighting granddaughter, Angela Hill: https://tinyurl.com/nhk7c52k Astronomy Magazine's 1974 article “The Zeta Reticuli Incident”: https://tinyurl.com/3kkuhxev More on the “Star Map” from Astronomy: https://tinyurl.com/3ewba9x2 Read about Betty's later years: https://tinyurl.com/3sjt9zb7 Hypnotist Lonnie Scott: https://tinyurl.com/5ha3a88f Watch Jason's abduction hypnosis experience in Hellier: https://amzn.to/3AQG9LR Watch Karl's hypnosis experience in Hellier: https://amzn.to/3APk00E The Hill archives at the University of New Hampshire: https://tinyurl.com/2tdycv76 More dress analysis: https://tinyurl.com/tkfe273w Betty's rare book A Common Sense Approach to UFOs: https://amzn.to/3XvhFl4 The Villas Boas and Hill account compared: https://tinyurl.com/4jwz8k24 Sketchy account of the Antonio Villas-Boas abduction: https://tinyurl.com/bdf87s9y Credits: Copyright 2022 Planet Weird Hosted by Greg and Dana Newkirk Produced by Connor J Randall Photography by Karl Pfeiffer Art by Dustin Williams Theme by Adam Hayman "The Disembodied Voice" by Chuck Fresh Learn more about your ad choices. Visit megaphone.fm/adchoices
Film historian Gary Gerani joins the podcast to discuss his documentary extra “Romantic Mysticism” on composer Billy Goldenberg. We discuss Billy's early career working with Steven Spielberg on the pilot for NIGHT GALLERY (Spielberg's professional directorial debut) as well as the TV movie "Duel." Gary provided the audio commentary on the pilot for the Kino Lorber Blu-ray release in November of 2021 and he provides background into the three episodes that make up the pilot, including "Eyes," starring Joan Crawford in one of her last performances and directed by Spielberg. Then we get into a discussion of the 1975 TV movie, THE UFO INCIDENT starring James Earl Jones and Estelle Parsons. Gary provided the audio commentary for the Kino Lorber Blu-ray release in June of 2022 and struck a deal with Kino to include his documentary on that release. And finally, we discuss the recent release of NIGHT GALLERY season 2, which is packed with extras, including numerous audio commentaries from Gary Gerani.Purchase "The UFO Incident" which includes the documentary as an extra.Gary Gerani's Facebook page.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv
For the sixth episode of our special retrospective season, we're looking back to our season on the awesome movie year of 1967 to feature another of Jason's personal picks, Arthur Penn's Bonnie and Clyde. Directed by Arthur Penn from a screenplay by David Newman and Robert Benton and starring Warren Beatty, Faye Dunaway, Gene Hackman, Michael J. Pollard and Estelle Parsons, Bonnie and Clyde was nominated for 10 Oscars and won two. The post Bonnie and Clyde (Bonus 1967 Jason's Pick) appeared first on Awesome Movie Year.
Stick 'em up! Because this episode covers 1976's "Bonnie & Clyde." Susan has Greg watch director William Penn's take on the story of Bonnie and Clyde and the Barrow Gang. The film stars Faye Dunaway and Warren Beatty in the titular roles and features stellar performances from Gene Hackman, Estelle Parsons, Michael J. Pollard, Denver Pyle, and Gene Wilder. Your hosts discuss why Bonnie and Clyde was such a groundbreaking and influential film, explore the differences between the story of Beatty and Dunaway's characters versus the real-life criminal couple (SPOILERS ABOUND) and talk about how this film almost didn't get made. Greg and Susan always talk about Bonnie & Clyde's reception, awards, box office, and more.
An unannounced visit by Roseanne and Jackie's parents throws the Conner house into an uproar. Dan and Jackie urge a usually outspoken Roseanne to stick up for herself. Hostility and craziness abound, but the biggest shock comes when Bev announces they are considering moving to Lanford, though later dismisses this as just a casual idea. Bruce Willis makes a surprise cameo appearance as himself during the end credits. Note: This episode marks the first appearance of Estelle Parsons as Beverly Harris, Roseanne and Jackie's mother.
Born and raised in New York City, Marie Wallace found herself drawn to the footlights at an early age. She appeared in her first professional production, off-Broadway, as a teenager. She also modeled, both on the runway and in print. In 1959, Marie landed her first Broadway show: as one of the showgirls in the original production of "Gypsy", starring Ethel Merman. Her list of Broadway credits grew to include The Beauty Part (1962-63); Nobody Loves an Albatross (1963-64), with Robert Preston; The Right Honourable Gentleman (1965-66) with Coral Browne and Frances Sternhagen; Sweet Charity (1966-67) starring Gwen Verdon and Ruth Buzzi, and directed by Bob Fosse; Mert and Phil with Beverlee McKinsey and Estelle Parsons, and directed by Joseph Papp; and The Women (1973) with Myrna Loy and Kim Hunter. She also toured the U.S. with Jackie Gleason in a production of Sly Fox. On TV, Marie guest-starred on Car 54 Where Are You?, The Phil Silvers Show, The Perry Como Show, and Victor Borge's 20th Anniversary Show, among others. She played three roles on the Gothic soap opera Dark Shadows, beginning in 1968: evil Eve, demented Jenny Collins, and antique shop-owner Megan Todd. Megan became a vampire, and the day the character met her demise, Marie got a call from her agent with another job. "I said, 'I've just been staked,' I'd better take it!," she recalled years later. Marie then moved to NBC and originated the character India Delaney on the 1970 Another World spin-off Somerset. She remained on the show until 1972. In 1978, she played Johnsie Lafite on The Guiding Light. In the early 1980s, Marie went to Los Angeles on a television assignment and stayed for two years, making guest appearances on several shows, including Fame and Fantasy Island. While there, she also appeared in commercials. The actress returned to New York and established a career as a professional photographer, shooting assignments for many clients in New York. She also continues to act on stage and television. In the winter of 1993, Marie worked with Dark Shadows star Jonathan Frid as he made his directing debut on a stage production of The Lion in Winter, at the Georgia College Theatre in Milledgeville, Georgia. Heading up a cast of students, Marie played Eleanor of Aquitaine. In 1999, she had a brief role as Molly O'Day on One Life To Live. She's been a fan favorite at the annual Dark Shadows Festivals, often performing dramatic one-woman shows and readings. She is currently working on a book about her stage career, In Shadows and On Stage, with publication planned for late 2004. Read a preview at Marie's official site, part of Dark Shadows Online.
For our Season 3 Finale we get super creative over here at Talk Classic To Me and invite a real life couple from the present to watch a movie about a real life couple from the past. The only difference is that one of these couples famously robbed banks in the 1930's and were notoriously killed by a ton of machine guns. The Arthur Penn directed film was unprecedented in it's day, due to the level of graphic violence depicted in re-creating that legendary death scene. Check out the stylish Bonnie and Clyde (1967) starring Faye Dunaway, Warren Beatty, and Gene Hackman with an Oscar winning turn by Estelle Parsons. Host, Sara Greenfield and her guests Lauren Lopez and Joey Richter chat about all this and more on this week's episode of Talk Classic To Me. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sara-greenfield/support
Not many people can say that Tennessee Williams read them bedtimes stories when they were young, but that’s par for the course when you were raised around legends like Angelica Page was. In this episode of Moment 2 Moment, multi-award winning actress Angelica Page explores her life from growing up as the only daughter of acting icons Geraldine Page & Rip Torn, growing up around the likes of Truman Capote, all the way to being mentored by Estelle Parsons, and touring her own plays.Join Angelica as she discusses the importance of acting through osmosis, touring with the Dead Kennedys, and what it’s like to have your head on the chopping block.
On this week’s episode, we’re breaking down the casting of the 60s crime classic Bonnie and Clyde! Which Oscar-winning singer/songwriter did Warren Beatty want to play Clyde? Which former co-star of Beatty turned down Bonnie as she found working with him too difficult? And which French director was originally supposed to helm the film but insisted on shooting in – of all places – New Jersey in winter? Also – Bonnie, Clyde, and their hobbit getaway driver go on a crime spree across Middle Earth! Bonnie and Clyde stars Warren Beatty, Faye Dunaway, Gene Hackman, Michael J. Pollard, Estelle Parsons, Denver Pyle, Evans Evans, and Gene Wilder; directed by Arthur Penn Follow the Podcast: On Instagram: @andalmoststarring On Facebook: @andalmoststarring Have a film you’d love for us to cover? E-mail us at andalmoststarring@gmail.com www.andalmoststarring.com
Everyone has made a mistake that leads them to a life lesson. On this episode of Baring It All with Call Me Adam, Abingdon Theatre Company's Artistic Director Chad Austin returns to bare it all about the mistakes he has made and the lessons he has learned. Missed Part 1 of my interview with Chad? Listen to it here! Abingdon Theatre Company is getting ready to present the next installment of ATC Radio, a reading of Dan McCormick’s Gravediggers. Audiences can listen to this play for one week only, February 22, 2021-March 1, 2021. Click here for more information & tickets! Connect with Chad: Facebook Twitter Instagram Connect with Abingdon Theatre Company: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Chad: Chad Austin is the Artistic Director of Abingdon Theatre Company in New York City. Chad joined ATC in 2016 as the Associate Director and during that time helped to develop works such as the World Premiere of The Mother of Invention by Academy Award Winner, James Lecesne, Chess Match No. 5, directed by Ann Bogart and Eve Ensler’s Fruit Trilogy. In 2018, Chad took over as Artistic Director of Abingdon and now continues to develop and produce brave, new American work by emerging and established artists. In his time as Artistic Director, Chad created Abingdon’s One Night Only series which gave a stage to Wade Dooley’s, The Prompter, starring Academy Award winner Estelle Parsons. In this series, Chad also shepherded a production of Steel Magnolias, featuring Tony Award Nominees, Brenda Braxton, Sandy Duncan and Nancy Opel. With Chad at the helm, Abingdon also co-produced the critically acclaimed off-Broadway run of Jacqueline Novak’s, Get On Your Knees. In addition to all of his work at Abingdon, his highlights as a director and choreographer include, the Emmy award winning Jesus Christ Superstar Live In Concert on NBC, starring John Legend and Sara Bareilles; Love! Valour! Compassion! at Theatre 71; the World Premiere of STET by Kim Davies; And the World Goes 'Round, honoring Bebe Neuwirth; Alone in the U.S.A at SUNY New Paltz; Who Are You? At the New York Music Theatre Festival; Rodgers and Hammerstein's Carousel and Chess both at A.T.A NYC and Peter and the Wolf with the Hampton Ballet Theatre. Chad also choreographed the musical movies Walk the Walk, Landed, and Winning New York (official section 2016 young film maker series). Learn more about your ad choices. Visit megaphone.fm/adchoices
Quantum Nurse: Out of the rabbit hole from stress to bliss. http://graceasagra.com/
Yukio Tsuji (Composer, Shakuhachi player, Percussionist ) He has been working as a composer and as a performer for more than 200 productions over the years. He worked with Estelle Parsons, Ellen Stewart, late Jerome Robins, Jullie Taymour, Sir Peter Hall, John Dexter, Andre Serban, Elizabeth Swados and many other major theater directors. He has been the house composer/musician at Lamama ETC for over twenty five years, and he performed on Ellen Stewart's famous "MEDEA" ,"ELECTRA" "TROJAN WOMEN" "SEVEN" and countless numbers of productions since 1980. He composed more than twenty five hours of music for Kei Takei's "Moving Earth" Dance Company alone. He composed and performed on Broadway production “ SALOME “ with Al Pacino, directed by Estelle Parsons, Two more productions with Al Pacino "OEDIPUS" and "FATHER". "MACBETH", "NIGHT OVER TAOS" also directed by Estelle Parsons. Co-arranged and performed on Broadway Production “M.BUTERFLY”, Composed and performed on the title music of the movie “ YEAR OF THE DRAGON". "TRANSPOSED HEAD" directed by Julie Taymor, 9 Acts Production “ TANTALAS “ directed by Sir Peter Hall with Royal Shakespeare Company. "WATERMIL" Directed by Jerome Robins with New York City Ballet. “Window of The City” of Shanghai Expo. And he is a member of New York based group "SaraGalas Band" with Sara Galassini. He has been a member of this Filipino Culture group KS over 20 years. In this conversation, we talked about 1) His process in composing music 2) Life in general in different countries 3) How art affect human life 4) What we can do in this crisis Quantum Affirmation: Refreshing Exercise: "I thrive on going outside to receive sunshine and fresh air. I exercise my muscles regularly to stay in top shape. I take pride in my appearance. I have a healthy glow."" (Read out loud 3x in the morning, noon, evening and bedtime. Feel the words.) Contact for Grace Asagra : https://linktr.ee/GraceAsagra Complimentary coaching call: https://mailchi.mp/846b3db7f4ac/book-coaching-call-with-grace-asagra Apple podcast https://podcasts.apple.com/us/podcast/quantum-nurse-out-rabbit-hole-from-stress-to-bliss/id1522579988 Quantum Nurse Grace Asagra YOU-Tube https://www.youtube.com/channel/UClqd7GO0k-pjBvSO-C22EW Immune Supplements for Individualized Program https://prlabs.com/
Season 2 of my podcast, Baring It All with Call Me Adam, on the Broadway Podcast Network, kicks off with Chad Austin, Artistic Director of Abingdon Theatre Company. This interview has been split into two episodes: Legacy and Lessons Learned. This episode features Chad baring it all about his Legacy with Abingdon Theatre Company as well as their #IWill Campaign. Chad Austin has been the Artistic Director of Off-Broadway's Abingdon Theatre Company since 2018. Prior to that, Chad was their Associate Artistic Director from 2016-2018. In this episode, we discuss: Chad's legacy at Abingdon Theatre Company Abingdon Theatre Company's #IWill Campaign Rapid Fire Questions Plus, Chad gives a special shout out to the illustrious Judith Light The second part of this interview, where Chad & I discuss Lessons Learned, will be released at a later date. Connect with Chad: Facebook Twitter Instagram Connect with Abingdon Theatre Company: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Chad: Chad Austin is the Artistic Director of Abingdon Theatre Company in New York City. Chad joined ATC in 2016 as the Associate Director and during that time helped to develop works such as the World Premiere of The Mother of Invention by Academy Award Winner, James Lecesne, Chess Match No. 5, directed by Ann Bogart and Eve Ensler’s Fruit Trilogy. In 2018, Chad took over as Artistic Director of Abingdon and now continues to develop and produce brave, new American work by emerging and established artists. In his time as Artistic Director, Chad created Abingdon’s One Night Only series which gave a stage to Wade Dooley’s, The Prompter, starring Academy Award winner Estelle Parsons. In this series, Chad also shepherded a production of Steel Magnolias, featuring Tony Award Nominees, Brenda Braxton, Sandy Duncan and Nancy Opel. With Chad at the helm, Abingdon also co-produced the critically acclaimed off-Broadway run of Jacqueline Novak’s, Get On Your Knees. In addition to all of his work at Abingdon, his highlights as a director and choreographer include, the Emmy award winning Jesus Christ Superstar Live In Concert on NBC, starring John Legend and Sara Bareilles; Love! Valour! Compassion! at Theatre 71; the World Premiere of STET by Kim Davies; And the World Goes 'Round, honoring Bebe Neuwirth; Alone in the U.S.A at SUNY New Paltz; Who Are You? At the New York Music Theatre Festival; Rodgers and Hammerstein's Carousel and Chess both at A.T.A NYC and Peter and the Wolf with the Hampton Ballet Theatre. Chad also choreographed the musical movies Walk the Walk, Landed, and Winning New York (official section 2016 young film maker series). Learn more about your ad choices. Visit megaphone.fm/adchoices
Career Conversations with Estelle Parsons on June 11, 2014. Moderated by Richard Ridge, Broadway World. ESTELLE PARSONS is most widely known for her Academy Award winning performance in Bonnie and Clyde and her ten years as Mother Bev on the hit sitcom Roseanne. In the theater, she is best known for her portrayal of the tyrannical eighth grade teacher in Roberto Athayde's classic about totalitarian power, Miss Margarida's Way, which she performed on Broadway, all over the United States and in London, Dublin, Turkey and Australia. She has appeared in plays by the great writers of our time, including Edward Albee, Tennessee Williams, Dario Fo, Arthur Miller, Samuel Beckett, Paul Zindel and Horton Foote. Estelle starred in August: Osage County by Tracy Letts on Broadway for a year and on the road for a year. Most recently Estelle was seen in Good People by David Lindsay-Abaire and the George & Ira Gershwin musical, Nice Work If You Can Get It with Matthew Broderick. In 2012, she was directed by Neil LaBute in Marco Calvani's Things of This World. As a director, she created the New York Shakespeare Festival Players for Joseph Papp in the 1980s. For two seasons, they performed Shakespeare on Broadway for New York City school students and their families in an effort to develop a multicultural audience for New York She also directed Al Pacino in Oscar Wilde's Salome: the Reading on Broadway. Estelle Parsons is a member of The Actors Studio and was inducted into the Theatre Hall of Fame in 2004. She is currently starring on Broadway in The Velocity of Autumn at Arena Stage.
Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast NOVEMBER 20 Transgender Rememberance Day. Joe Biden, Dan Byrd, Andrea Riseborough, Sean Young , Ming-Na Wen , Joel McHale , Madonna, Glen Sumi, Bo Derek , Callie Thorne , Richard Masur , Jeremy Jordan , Richard Dawson, Jerry Hardin , Estelle Parsons, Mie Hama, Joseph Robinette Biden Jr. Evelyn Keyes, Robert Francis Kennedy , Phyllis Thaxter , Ned Vaughn , Henri-Georges Clouzot, Dick Smothers --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message
Fred e Alexandre recebem o músico Willian de Andrade para conversar sobre uma dos filmes mais importantes do cinema americano, marco inicial para o período que ficou identificado como a “Nova Hollywood”. Dirigido por Arthur Penn, “Bonnie e Clyde: Uma Rajada de Balas” (Bonnie and Clyde, 1967) foi produzido e estrelado por Warren Beatty tendo como ponto de partida um roteiro escrito pelos então jornalistas David Newman e Robert Benton, profissionais que depois se tornariam nomes importantes no cinema americano. O filme também serviu de plataforma para a carreira de outros atores, como Faye Dunnaway, Gene Hackman, Michael J. Pollard, Estelle Parsons e até Gene Wilder. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.
Hyland Harris joins us to talk about two movies that attack race and prejudice through satire. Hyland is a jazz drummer, tai chi instructor (www.chutaichi.com), manager at Louis Armstrong House (https://www.louisarmstronghouse.org), and musicologist. In this episode we get into a deep alternate theory of Watermelon Man (Godfrey Cambridge, Estelle Parsons, dir. Melvin Van Peebles), speculations on the behind-the-scenes of Putney Swope (Arnold Johnson, Antonio Fargas, dir. Robert Downey Sr.), and the evolutionary benefits of a turtleneck. Instagram: @LastOneToThePartyPodcast email: LastOneToThePartyPodcast@gmail.com Twitter: @LastOneToThePa1
For our series #CreativityWillSaveUs, When Venues Close, Windows Open, our Editor in Chief Tommaso Cartia interviews Playwright/Filmmaker and Director Marco Calvani envisioning the future of the entertainment business post-COVID-19. An insightful conversation recollecting, some of Marco Calvani's many artistic accomplishments such as his prestigious collaborations with names like Oscar-winning actresses Estelle Parsons, Melissa Leo, Marisa Tomei; and exploring his current projects and wishes for the future.https://www.marcocalvani.comhttps://en.wikipedia.org/wiki/Estelle_Parsonshttps://en.wikipedia.org/wiki/Marisa_Tomeihttps://en.wikipedia.org/wiki/Melissa_Leo
For our series #CreativityWillSaveUs, When Venues Close, Windows Open, our Editor in Chief Tommaso Cartia interviews Playwright/Filmmaker and Director Marco Calvani envisioning the future of the entertainment business post-COVID-19. An insightful conversation recollecting, some of Marco Calvani's many artistic accomplishments such as his prestigious collaborations with names like Oscar-winning actresses Estelle Parsons, Melissa Leo, Marisa Tomei; and exploring his current projects and wishes for the future.
In this podcast episode, we focus in on the dowager Harris, Bev. The world's nitpicking-est mom, the devotion-seeking grandmother, the ever-youthful-and-probably-a-vampire Bev, so perfectly portrayed by also likely-to-be immortal Estelle Parsons. We begin by talking about recent The Conners episode, “The Ice Woman Cometh,” which finds Bev returned to Lanford with money in hand for … Continue reading S2 E15: Bev!
Geoff Josselson is a Casting Director and Partner at JZ Casting in New York City. In his 15 years as a casting director, his work includes a wide variety of plays and musicals, ranging from Broadway, off-Broadway and major New York and Regional Theatre companies. He is responsible for casting the Broadway production of The Velocity of Autumn starring Estelle Parsons (2014 Tony Nominee) and many other acclaimed New York productions, including Southern Comfort (Public Theatre), Yank! (York Theatre), Pretty Filthy (The Civilians), John and Jen (Keen Company), Enter Laughing (York Theatre), Himself and Nora (Minetta Lane), Altar Boyz (off-Broadway and tour), The Originalist (59E59) and National Tours for Disney, Nickelodeon and Ringling Bros and Barnum & Bailey Circus. He regularly works with many award-winning companies including Arena Stage, Arizona Theatre Company, Baltimore Center Stage, Brooklyn Academy of Music, Bucks County Playhouse, Cape Playhouse, City Springs Theatre Company, The Civilians, Cleveland Play House, Denver Center, Marriott Theatre, The Old Globe, Oregon Shakespeare Festival, Pittsburgh CLO, Pittsburgh Public Theatre, Round House Theatre, San Francisco Symphony, and the York Theatre Company, among others. He is a graduate of New York University’s Tisch School of the Arts and member of the Casting Society of America. For more information, please follow @jz.casting and visit: www.jz-casting.com.
Rosanne Cash's latest albums have garnered rave reviews and when you listen to this interview you’ll understand why. Find out why rather than feeling burned out at her age, she’s more passionate, inspired and most importantly, confident, than ever before. Plus, the Grammy Award-winning singer-songwriter and best-selling author reveals the double-edged sword of being the daughter of country music legend Johnny Cash.
We discuss the spoiled by history movie and Polina's pick Bonnie and Clyde (1967). Her repeated viewings served as markers in her life. This was Diana's first viewing and was not prepared for the amount of violence. New promo code alert! Use “HAPPILY1” to save 20% at Frankie & Myrrh! Treat yourself to our sponsor's selection of aroma therapy products and at the same time support our show! Bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. Stars Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, and Gene Wilder. (from IMDb.com) Find other amazing podcasts by searching #ladypodsquad on Twitter, Facebook, and all the social media platforms. Follow us on Twitter and Instagram @HEAMCast, like us on Facebook @HappilyEverAftermath, and e-mail us at contact@heamcast.com.
Damian and Anne are joined by Emmy-winner Mary Kay Place and we are just gagged. You Might Know Her From Diane, The Big Chill, Mary Hartman, Mary Hartman, Big Love, Lady Dynamite, The Rainmaker, It’s Complicated, and New York, New York. Mary Kay gave us all that sweet Hollywood talk from her start as a writer on Mary Tyler Moore and M*A*S*H, to her decades-long career which spans acting, writing, singing, voiceover (she dubbed a lesser actress in Terms of Endearment) to her first lead role in Diane. We are ready for the Oscar nom, folks. Get on the train. Follow us on social media: @damianbellino || @rodemanne Discussed this week: Mary Kay Place’s IMDB Diane (dir: Kent Jones, 2019) Co-stars Estelle Parsons, Phyllis Somerville, Andrea Martin, Joyce Van Patten, Deirdre O’Connell The Rainmaker (dir: Francis Ford Coppola, 1997) Got her start on the Tim Conway Comedy Hour Worked with Norman Lear, wrote for M*A*S*H, The Mary Tyler Moore Show Met writing partner, Linda Bloodworth Thomason (Evening Shade, Designing Women) working at CBS. Wrote song for All in the Family “If Communism Comes a Knockin….” Louise Lasser and Greg Mulavey Mary Hartman, Mary Hartman (dir: Joan Darling) Sang w/ Emmylou Harris Duet w/ Willy Nelson @ 54:28 Christian anti-American songs in Citizen Ruth The Big Chill (dir: Larry Kasdan, 1983) Fleabag Season 2 Credit in You and Me and Everyone We Know Miranda July and Mary Kay Place Mary Kay Place on SNL as host and musical guest Betty Buckley + Mary Kay Place at Second Stage E Katherine Kerr’s Juno’s Swan MKP voiceover credits: Julie and Julia (dir: Nora Ephron), Terms of Endearment (dir: Jim Brooks), The Intern (dir: Nancy Meyers). Glenn Close dubs all of Andie MacDowell’s lines in Greystroke: The Legend of Tarzan. Would most like to go to a funeral with: Kevin Kline, Jeff Goldblum, Glenn Close Good friend, Jeanne Tripplehorne is an Okie Betty Buckley is so good in Getting On Why does Nancy Meyers love beige, white, and cream? She just loves it. Mary Kay on Ellen Barkin’s Captain Kangaroo problem Mary Kay Place needs an Oscar!
HELEN WHITNEY, WRITER, DIRECTOR, PRODUCEREmmy and Peabody award-winning, film producer, director and writer Helen Whitney has been a prolific creator of documentaries and feature films. Her compelling subject matter has included topics such as youth gangs, presidential candidates, the McCarthy era, mental illness, Pope John Paul II, Great Britain’s class structure, homosexuality and photographer Richard Avedon. Among the actors she has worked with: Lindsay Crouse, Austin Pendleton, David Strathairn, Brenda Fricker, Teresa Wright, Estelle Parsons.Throughout her career, she has maintained a deep interest in spiritual journeys, which she first explored with her documentary The Monastery, a 90-minute ABC special, about the oldest Trappist community in the Americas. Whitney followed this film with a three-hour Frontline documentary for PBS, John Paul II: The Millennial Pope, and in 2007 she produced The Mormons, a four-hour PBS series that explored the richness, complexities and controversies surrounding the Mormon faith. Following the Sept. 11 attacks, she produced Faith and Doubt at Ground Zero, a two-hour documentary that examined how religious belief – and unbelief – of Americans was challenged and altered by the spiritual aftershocks of 9/11. The film has been repeated numerous times since it first aired in 2002, and it was a PBS featured presentation on the 1st and on the 10th anniversary of the attacks.One of Whitney’s recent works examines the power, limitations, and in rare cases, the dangers of forgiveness through emblematic stories ranging from personal betrayal to genocide. This film involved shooting throughout America, and such countries as South Africa, Germany, Rawanda, The three-hour series, Forgiveness: A time to Love and a Time to Hate, aired on PBS in 2011 and it also inspired Whitney to write a book of the same title, with a forward written by the Dalai Lama.The filmmaker has also received an Academy Award nomination, the Humanitas Prize, Emmys, two DuPont-Columbia Journalism Awards and many other recognitions for her work. She is a Woodrow Wilson Fellow, and has presented her films and lectured at universities, museums and churches around the country (including Yale, Princeton, Harvard, Brigham Young, Stanford, the National Cathedral, the Corcoran Gallery, the Minneapolis Art Institute). Into the Night: Portraits of Life and Death, a two-hour feature documentary, features fascinating, unexpected voices from various walks of life: old and young, believers and nonbelievers, the dying and the healthy, well known and obscure. Among them: Caitlin Doughty, an alternative mortician and bestselling author with her own YouTube following; Adam Frank, an astrophysicist and NPR commentator, Gabriel Byrne, renowned actor of stage and screen; Jim Crace, award-winning novelist and environmentalist; Max More, a cryonicist and futurist; Stephen Cave, a British philosopher; Phyllis Tickle, a near-death experience spokesperson and religious historian; Pastor Vernal Harris, a Baptist minister and advocate for hospice care in African-American communities; Jeffrey Piehler, a Mayo Clinic heart surgeon. However varied their backgrounds, all are unified by their uncommon eloquence and intelligence, and most important by their dramatic experience of death. Each of them has been shocked into an awareness of mortality–and they are forever changed. For them death is no longer an abstraction, far away in the future. Whether through a dire prognosis, the imminence of their own death, the loss of a loved one, a sudden epiphany, or a temperament born to question, these are people who have truly ‘awakened’ to their own mortality.Into the Night creates a safe smart place that allows people to talk about a subject of universal importance. It is the conversation we yearn to have, but too often turn away from in fear and distress. Yet our culture is at a critical turning point, driven in part by the baby boomer generation that is insisting on a new openness and on this deeper conversation. Our film speaks to this emerging movement with a novel approach meant to provoke searching conversations, both private and public.Ultimately the film is meant to raise questions, not to provide answers. How could it? Death is “that undiscovered country,” as Hamlet so famously described it, “from whose bourn/No traveler returns.”https://www.intothenightdoc.com See acast.com/privacy for privacy and opt-out information.
The biting satire of 1970s WATERMELON MAN and the captivating lead performances of Godfrey Cambridge and Estelle Parsons cannot be denied. The direction of Melvin Van Peeples, however, is once again a bone of contention on the Mission. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to Season 1 of our retrospective Oscar podcast series -- And the Winner Still Is. Hosted by film editor Marisa Carpico and television editor Matt Taylor (Way too Early Oscar Predictions Podcast, Drag Race All-Stars pod)this series looks at various years in Oscar history. This week's guest is staff writer Sean Cordy. The winner of Best Picture is spotlighted and then the other films in the category are discussed. The duo also breaks down the director and the acting categories as well as other another notable categories. Of course their own our personal snubs will be addressed as well. The their episode focuses on 1967 where In The Heat of the Night, Bonnie & Clyde, The Graduate, Guess Who's Coming to Dinner? and Doctor Dolittle, were up for Best Picture. That year Rod Steiger, Katharine Hepburn, George Kennedy, and Estelle Parsons took home acting awards.
Today I sit down with the mesmerizing Kathryn Grody. We talk everything from motherhood to acting to being a good human. Not to be missed. Kathryn Grody fled Los Angeles, arrived in New York City, and found herself employed on Broadway in Scapino, . Off-Broadway followed with appearances at Joseph Papp’s Public Theatre including Fishing by Michael Weller, Museum, by Tina Howe, Nasty Rumors and Final Remarks by Susan Miller and Lulu Bett directed by Jack Hofsiss at the Berkshire Theatre Festival. Ms. Grody received Obie Awards for her performances in Top Girls by Caryl Churchill, directed by Max Stafford-Clark and The Marriage of Bette and Boo by Christopher Durang, directed by Jerry Zaks as well as a Drama Desk nomination for her performance in her three character one woman play, A Mom’s Life, all at the Public Theatre. (( Other performances include Dusa Fish Stas and Vi at the Manhattan Theatre Club, The Split at Ensemble Studio Theatre, Cause Maggie’s Afraid of the Dark, The 49 Years by Liz Swados, with Estelle Parsons at the Actors Studio Raw Space, Waxing West by Savianna Stanescous at The Lark, and Victoria Roberts cartoon come to life directed by Linda Mancini at Dixon Place. )) Film appearances include Limbo, written and directed by John Sayles and Men With Guns, also by Mr. Sayles, My Body Guard, directed by Tony Bill, Lemon Sisters with Diane Keaton and Carol Kane, Another Woman by Woody Allen and Reds by Warren Beatty. Ms. Grody’s television appearances include “The Sunset Gang” with Uta Hagen, “Execution of Private Slovik” with Martin Sheen and many after-school specials. (( And of course, Law And Order-Criminal Intent in NYC..)) Kathryn Grody performed with A.C.T. in San Francisco, the Actors Theatre of Louisville and was a company member at the Mark Taper Forum in Los Angeles. ) Her essays have appeared in The Mountain Record, Harpers Bazar, Oprah magazine, and her narrative version of the original Mom’s Life was published by Avon. She appeared in the world premiere of two new Wendy Wasserstein plays, ((directed by Michael Barakeeva ))at Theatre J in Washington D.C., originated the role of Maggie in The Penetration Play by Winter Miller, ((directed by Josh Hec))t at The Mint, performed the classic role of Nell in Beckets Endgame, with Alvin Epstein, Adam Heller and Tony Roberts,(( directed by Charlotte Moore,)) at the Irish Repetory Theatre . She braved the Barrow Street Theatre with Tim Crouch in the Oak Tree, and was proud to participate in the Caryl Churchill reading at NYTW, Seven Jewish Children-a play for Gaza…... She played Hinda in Zuzka Kurtz’s My Inner Soul at The Lion, appeared in the 59th st shorts in Tina Howes’ The Woman Who Lost Her Head and was seen as Hilary Clinton in the Performance Art Biennial, I Feel Your Pain, by Liz Magic Laser..And was Lola in Donald Margulies A Model Apartment, directed by Evan Cabnet.. Falling Apart....together , the sequel of A Mom’s Life, was seen at CSC, directed by Timothy Near..Most recently played Gaby in Susan Millers’ 20th Century Blues, directed by Emily Mann at the Signature. She is a Ususal Suspect at NYTW, works with the IRC and Search For Common Ground and is on the board of Downtown Women For Change., Dances for A Variable Population and Noor Theatre.
"We’re all fools. You can’t be part of the human race and not be a fool to somebody." Paul Newman and Joanne Woodward had already been married for a decade before Newman decided to make his directorial debut with Woodward as his star in 1968’s Rachel, Rachel. The film was a small character piece that likely garnered box office and awards attention because of the caliber of those two people heading it up. It was nominated for Best Picture in 1968, but seems to be largely lost in time these days. How well does it hold up today? Is it worth looking at? Join us – Pete Wright and Andy Nelson – as we continue looking at and celebrating 50th anniversaries of films from 1968 with our series on the Best Picture nominees of that year by talking about Newman’s film Rachel, Rachel. We talk about why we think the film largely is forgotten these days, what works with it and what doesn’t. We look at Woodward’s performance, clearly a performance that stands out as the principal reason to look at the film. We chat about the other performances in the film, notably Estelle Parsons as Rachel’s friend, and what they bring to the table. We look at what Newman does as a director and talk about how well it works when paired with the cinematography and editing. And we debate what awards and nominations we would’ve bestowed on it if it was up to us. It’s an interesting film to look at for context of the time, but doesn’t stand out as something worth looking at for anything more than that. Still, it allows for a great conversation, so tune in to this week’s show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork A Jest of God by Margaret Laurence Flickchart Letterboxd
"We're all fools. You can't be part of the human race and not be a fool to somebody." Paul Newman and Joanne Woodward had already been married for a decade before Newman decided to make his directorial debut with Woodward as his star in 1968's Rachel, Rachel. The film was a small character piece that likely garnered box office and awards attention because of the caliber of those two people heading it up. It was nominated for Best Picture in 1968, but seems to be largely lost in time these days. How well does it hold up today? Is it worth looking at? Join us – Pete Wright and Andy Nelson – as we continue looking at and celebrating 50th anniversaries of films from 1968 with our series on the Best Picture nominees of that year by talking about Newman's film Rachel, Rachel. We talk about why we think the film largely is forgotten these days, what works with it and what doesn't. We look at Woodward's performance, clearly a performance that stands out as the principal reason to look at the film. We chat about the other performances in the film, notably Estelle Parsons as Rachel's friend, and what they bring to the table. We look at what Newman does as a director and talk about how well it works when paired with the cinematography and editing. And we debate what awards and nominations we would've bestowed on it if it was up to us. It's an interesting film to look at for context of the time, but doesn't stand out as something worth looking at for anything more than that. Still, it allows for a great conversation, so tune in to this week's show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork A Jest of God by Margaret Laurence Flickchart Letterboxd
On this week's LadyWatch agenda: Ryan and Jason unpack how Céline Dion ended up in a music video for 'Deadpool 2' and why she is the only Lady for the job, Also: LADIES SITTING AROUND TABLES! A clip from the upcoming documentary featuring Dames Joan Plowright, Maggie Smith, Judi Dench, and Eileen Atkins, and Ryan also recounts (for those of us who are not watching the Roseanne reboot) a scene that featured the Lady money shot of Laurie Metcalf, Estelle Parsons, Sandra Bernhardt, and the Lady campaign recipient herself, Natalie West. PLUS: Olivia de Havilland demands another day in court, Angela Davis appears on a $500 t-shirt, Sandra Bullock officially need not fear her stalker any more, Pamela Anderson's strange friendship and why she's the new WikiLeaks, the elder abuse of Elaine Brown results in astronomical compensatory damages, Molly Ringwald's father is saved aboard a Southwest flight, Jean Smart's surprising genealogy lesson, and MUCH MUCH MORE...
Hear Sir Ben Kingsley, Earle Hyman, Liev Schreiber, James Earl Jones, Stacy Keach, Estelle Parsons, and others open up about their experiences with Shakespeare’s plays. Actor/director Melinda Hall interviewed these actors (and others), as well as writers, directors, linguists, and even a Holocaust survivor for her web-video series "How Shakespeare Changed My Life." She is interviewed here by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 17, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Mine Honor, Yea, My Life Be Thine," was produced by Richard Paul. Garland Scott is the associate producer.
Actor Estelle Parsons and actor/author Patricia Bosworth discuss the art of acting and their formative years of training at the legendary Actors Studio in the 1950's. Guest host is Jesse Green, Co-Chief Theatre Critic of The New York Times.
Watermelon Man turned out to be a better film than expected. Still with a message that unfortunately still resonates to this very day. A recommended viewing.
Theater Talk focuses on the new comedy "Out of the Mouths of Babes" at The Cherry Lane Theatre with its playwright Israel Horovitz and company members Estelle Parsons, as well as Angelina Fiordellisi, who is also the Artistic Director at The Cherry Lane.
Barnet Kellman is most closely associated with being part of the creative team of the groundbreaking TV series Murphy Brown directing every episode of the first three seasons of the series (in addition to the series finale.) But he's done so much more and his journey to get there included displaying pure chutzpah at Colgate University to working in small theaters in daytime drama in New York to becoming a go-to name in Hollywood for directing TV pilots; a first episode that (presumably) sets the template for what is to come. (And, to his credit, those pilots included Mad About You, Suddenly Susan, The George Lopez Show and many others.) In fact, we get some insight into what can make a television pilot special enough that viewers will want to spend seasons/years with the people in that world. Now he's imparting much of this wisdom to the young, creative minds of tomorrow as a Professor of Cinematic Arts at USC, as well as going back to his roots in the theater this summer directing Judith Ivey and Estelle Parsons in Israel Horovitz's play "Out of the Mouths of Babes" Off-Broadway at the Cherry Lane Theater. A smart, funny, talented man - great storyteller - fantastic conversation - enjoy Barnet Kellman! Also, indulge me for a few minutes as I share a few words about Prince and seeing him live in 1981 opening for The Rolling Stones. Things did not go well for him that day - but it obviously didn't seem to hold him back any. -LM
Barnet Kellman is most closely associated with being part of the creative team of the groundbreaking TV series Murphy Brown directing every episode of the first three seasons of the series (in addition to the series finale.) But he's done so much more and his journey to get there included displaying pure chutzpah at Colgate University to working in small theaters in daytime drama in New York to becoming a go-to name in Hollywood for directing TV pilots; a first episode that (presumably) sets the template for what is to come. (And, to his credit, those pilots included Mad About You, Suddenly Susan, The George Lopez Show and many others.) In fact, we get some insight into what can make a television pilot special enough that viewers will want to spend seasons/years with the people in that world. Now he's imparting much of this wisdom to the young, creative minds of tomorrow as a Professor of Cinematic Arts at USC, as well as going back to his roots in the theater this summer directing Judith Ivey and Estelle Parsons in Israel Horovitz's play "Out of the Mouths of Babes" Off-Broadway at the Cherry Lane Theater. A smart, funny, talented man - great storyteller - fantastic conversation - enjoy Barnet Kellman! Also, indulge me for a few minutes as I share a few words about Prince and seeing him live in 1981 opening for The Rolling Stones. Things did not go well for him that day - but it obviously didn't seem to hold him back any. -LM
Two Godfrey Campbridge movies from 1970 this time. First, the race satire Watermelon Man also starring Estelle Parsons, then the adaptation of Chester Himes' crime novel Cotton Comes To Harlem starring Cambridge, along with Raymond St Jacques, Calvin Lockhart and Judy Pace. Help the podcast through Patreon micro-payment.
This week on Black on Black Cinema, the crew discuss the 1970 comedy-drama film, Watermelon Man, directed by Melvin Van Peebles and starring Godfrey Cambridge and Estelle Parsons. The story of an unlikeable (by everyone) white man named Jeff Gerber who wakes up one day as a Black man in the 1970s. Challenging notions of white liberalism, disparity, and pushing the envelope of racial comedy in its time, Watermelon Man pulls no punches. More than simply a morality tale, Van Peebles takes a stab at the heart of what it means to be a man of color during that time.
Título original Bonnie & Clyde (Bonnie and Clyde) Año: 1967 Duración 111 min. País Estados Unidos Estados Unidos Director Arthur Penn Guión Robert Benton, David Newman Música Charles Strouse Fotografía Burnett Guffey Reparto Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Dub Taylor, Gene Wilder, Denver Pyle, Evans Evans Productora Warner Bros. Pictures. Productor: Warren Beatty Género Acción. Thriller | Gran Depresión. Años 30. Crimen Sinopsis En la época de la Gran Depresión, una banda de jóvenes delincuentes, encabezados por la pareja formada por Bonnie Parker y Clyde Barrow, recorre los Estados Unidos asaltando bancos, favoreciendo a los humildes y ridiculizando a las autoridades.
This week, the lives of Bonnie and Clyde go under the microscope as Zach learns about bloody violence in 1967's Bonnie and Clyde. Bonnie and Clyde is a 1967 American crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film features Michael J. Pollard, Gene Hackman, and Estelle Parsons, with Denver Pyle, Dub Taylor, Gene Wilder, Evans Evans, and Mabel Cavitt in supporting roles. The screenplay was written by David Newman and Robert Benton. Robert Towne and Beatty provided uncredited contributions to the script; Beatty also produced the film. The soundtrack was composed by Charles Strouse. Bonnie and Clyde is considered a landmark film, and is regarded as one of the first films of the New Hollywood era, since it broke many cinematic taboos and was popular with the younger generation. Its success prompted other filmmakers to be more open in presenting sex and violence in their films. The film's ending also became iconic as "one of the bloodiest death scenes in cinematic history". Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.
This week, the lives of Bonnie and Clyde go under the microscope as Zach learns about bloody violence in 1967's Bonnie and Clyde. Bonnie and Clyde is a 1967 American crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film features Michael J. Pollard, Gene Hackman, and Estelle Parsons, with Denver Pyle, Dub Taylor, Gene Wilder, Evans Evans, and Mabel Cavitt in supporting roles. The screenplay was written by David Newman and Robert Benton. Robert Towne and Beatty provided uncredited contributions to the script; Beatty also produced the film. The soundtrack was composed by Charles Strouse. Bonnie and Clyde is considered a landmark film, and is regarded as one of the first films of the New Hollywood era, since it broke many cinematic taboos and was popular with the younger generation. Its success prompted other filmmakers to be more open in presenting sex and violence in their films. The film's ending also became iconic as "one of the bloodiest death scenes in cinematic history". Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.
Jeff Gerber has a problem. He used to be a White insurance salesman. But, now, he's a Black man. Maybe it was too much soy sauce? Either way, it's a brand new world for this suburban bigot. Join us as we talk about this 1970 satire from Melvin Van Peebles.
The panel of stage veterans - F. Murray Abraham, Stacy Keach, Estelle Parsons and Lois Smith - discuss the rehearsal and audition process; how they deal with rejection; the pros and cons of directing vs. acting; their thoughts on how acting and directing have changed over the years; the difference between performing classical roles vs. contemporary roles and their advice for aspiring performers.
Theatre and film actress Estelle Parsons talks about performing the Brazillian solo play "Miss Margarida's Way"; the importance of performing a variety of material; and the difference in writing and acting for film versus the stage.
Theatre and film actress Estelle Parsons talks about performing the Brazillian solo play "Miss Margarida's Way"; the importance of performing a variety of material; and the difference in writing and acting for film versus the stage.
Actress Estelle Parsons discusses her role in the Tony-winning play “August: Osage County,” as well as her remarkable career, which included being the 1st woman on NBC's “Today Show,” an Oscar for “Bonnie and Clyde” and a recurring role on "Roseanne."
Oscar-winner Estelle Parsons talks about taking on the role of the pill-popping Violet Weston in Broadway's "August: Osage County", noting that she's played many drinkers in her career but this is her first drug addict, and also describes the incredible challenge of joining members of the original cast in the midst of the run. She also recounts her earliest days in theatre and her original dreams of musical stardom, why she has directed but doesn't like directing, how she came to play her signature role in "Miss Margarida's Way", her experience creating the title role in Tennessee Williams' "The Seven Descents of Myrtle", her work with the famed Actor's Studio, and the job -- not on stage -- that first got her noticed when she came to New York in the early 50s. Original air date - September 12, 2008.
Oscar-winner Estelle Parsons talks about taking on the role of the pill-popping Violet Weston in Broadway's "August: Osage County", noting that she's played many drinkers in her career but this is her first drug addict, and also describes the incredible challenge of joining members of the original cast in the midst of the run. She also recounts her earliest days in theatre and her original dreams of musical stardom, why she has directed but doesn't like directing, how she came to play her signature role in "Miss Margarida's Way", her experience creating the title role in Tennessee Williams' "The Seven Descents of Myrtle", her work with the famed Actor's Studio, and the job -- not on stage -- that first got her noticed when she came to New York in the early 50s. Original air date - September 12, 2008.
Actors Frank Langella ("Fortune's Fool"), John Lithgow ("Sweet Smell of Success"), Andrea Martin ("Oklahoma!"), Estelle Parsons ("Mornings at Seven"), Mercedes Ruehl ("The Goat, Or Who Is Sylvia?"), Jeffrey Wright ("Top Dog/Under Dog") discuss playing a range of roles, what influences their performances including daily life and audience response, how to prepare for a performance, and working with directors in finding courage and confidence.
Actors Frank Langella (Tony winner for Seascape, Dracula and Frost/Nixon), John Lithgow (Tony Awards for his roles in The Changing Room and Sweet Smell of Success), Andrea Martin (Tony Award for My Favorite Year), Estelle Parsons (Mornings at Seven), Mercedes Ruehl (The Goat, Or Who Is Sylvia? and Best Actress Tony Award for Lost in Yonkers) and Jeffrey Wright (Top Dog/Under Dog and Tony winner for Angels in America) discuss playing a range of roles, what influences their performances including daily life and audience response, how to prepare for a performance, and working with directors in finding courage and confidence.
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