Podcasts about objkt

Enjoyed our podcast? Shoot us a text and let us know—because great conversations never end at the last word!This week on TezTalks Radio, Marissa Trew sits down with Brazilian artist and curator Kika Nicolela to explore her creative evolution from traditional filmmaking to digital art, and how Tezos reshaped her practice. From collecting NFTs to curating on Objkt, Kika shares her vision for the future of curation, community, and artistic expression in Web3.

Enjoyed our podcast? Shoot us a text and let us know—because great conversations never end at the last word!This week on TezTalks Radio, Marissa Trew speaks with Ombeline Rosset, digital art curator and community manager at Objkt. From curating emerging artists to strengthening the Tezos art scene, Ombeline shares insights on the  ever-changing art landscape.Our special guest is Ombeline Rosset, shaping the future of Tezos-based digital curation.

Dans ce19ème épisode su NFT (Gxrls!) Morning, Annelise d'Artgirls et l'artiste Jessy-Jeanne discutent ensemble de l'édition 2024 de Paris Photo, et Annelise nous partage ses impressions, en particulier sur le digital sector. Elles explorent les œuvres et les choix des galeries et marketplaces Web3 comme Objkt et FXhash, abordant la présence des NFT dans ce contexte traditionnel. La discussion met en lumière l'accueil des galeries et l'évolution du marché de l'art face au numérique, avec des anecdotes sur l'attitude des galeristes et les attentes des collectionneurs.Pour aller plus loin:* Compte Twitter d'Annelise* CompteTwitter de Jessyjeanne* Site web d'Artgirls* Compte Twitter de Paris Photo This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Aujourd'hui épisode spécial du NFT Morning avec Max Métis, CEO de CryptoXR, qui est venu nous présenter la troisième édition de l'événement devenu incontournable pour la scène crypto en France et qui se tiendra du 31 janvier au 1er février prochain. Max a expliqué l'esprit de CryptoXR, un événement axé sur l'accessibilité et la découverte de l'écosystème Web3, avec une atmosphère conviviale et festive. Au programme de cette 3eme édition: des conférences et des ateliers orientés B2B le vendredi et plus grand public le samedi puisque l'événement vise à attirer un large public, que ce soit des professionnels ou des curieux.En parallèle, nous avons dévoilé le programme de la semaine dédiée à Paris Photo. Paris Photo 2024 inclut un espace NFT, organisé pour la deuxième année consécutive par la curatrice Nina Roehrs, où des artistes et des plateformes comme Jack Butcher, Fellowship, et Objkt.com exposeront leurs œuvres. L'épisode met en avant les détails sur ces collaborations et rappelle que Paris Photo représente une étape importante dans l'intégration des NFT dans le monde de l'art.Pour aller plus loin:* Site web officiel de CryptoX'R (-30% avec le code NFTmorning)* Compte Twitter de Max Métis* Site web officiel de Paris Photo* Découvrez le replay vidéo de l'épisode ici: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

It's a post-holiday extravaganza! In this episode we discuss: OBJKT launches it's generative art engine with the genesis project, 'uncertain index' by Pixelfool A new anon Tezos whale loads up on a ton of great art Tezos announces the Jstz L2 which will be JavaScript compatible Tabor Robak & Verse announce the Broken Printer Recycling Program Verse Solos will now function as an independent gallery on the platform Verse is working on their own digital gallery app, Views Art on Ledger Stax Check us out on the GENART Podcast! Discussion: What do you do when a collection stalls/doesn't sell out even after a long while?? Equinox by Aluan Wang on Verse Biomechanika by Nekropunk on fx(hash) Euneirophrenia by Liam Egan on fx(hash) Yardoor by Asahamix on fx(hash) fx(hash) announces their Base On-Chain Summer projects (looking ahead) https://commit.unrulyunroll.xyz/ Thanks for listening as always. If you like the show and want to support us you can subscribe to our Patreon or donate directly to wtbs.tez & wtbs.eth Episode Art: Equinox #2 by Aluan Wang Intro & Outro tracks by PixelWank

 Jiwa is an artist and coder with over 15 years of experience building creative technology for startups and fortune 500 companies. He's also a smart contract and web3 developer who builds and manages the technology for the digital art collective ntent. Jiwa's works have been exhibited internationally, and can be found on platforms including Art Blocks, Objkt and fxhash. Recorded on May 31, 2024 as a Space on X.Follow the guest:https://twitter.com/dotjiwaFollow the host:https://twitter.com/0x_ScooterFollow Particle:https://twitter.com/Collectparticlehttps://www.particlecollection.comhttps://www.instagram.com/particlecollectionTimestamps:(00:00) Introduction(01:47) Becoming Self Sufficient at a Young Age(05:00) Pursuing a Creative Path through Programming(11:40) Artistic Partnership with Blue Moon & Dr Banner(14:47) Collaborating with Bernar Venet on EVENT for Sotheby's Gen Art Program(21:23) Bridging Conceptual & Generative Art through Randomness(25:20) Bernar Venet, an Iconic Conceptual Artist(31:10) Axo: Exploring Neuroscience through the Pixel Easing Algorithm(37:55) Animated & Interactive Possibilities with Axo(41:34) ntent: a Socially Progressive Art & Technology Platform(47:07) Moment After: Fusing Generative Art with Performance Art(51:47) Falling in Love with Collecting Digital Art(55:39) Meaningful Works from Jiwa's Personal Collection(57:18) Final Thoughts from Jiwa(57:45) Outro

Le déjeuner tiré de la série “Les Incendies” parLouis-Paul CaronPour ce 699ème épisode nous avons reçu non pas un mais 2 artistes: Tout d'abord Louis-Paul Caron, que nous avons déjà reçu à plusieurs reprises dans le cadre d'expos ou de projets sur lesquels il était intervenu, mais aujourd'hui nous vons voulu prendre un plus de temps revenir sur son parcours, ses sources d'inspiration et notamment son engagement artistique pour créer une prise conscience sur les enjeux climatiques.Nous avons enfin parlé de ses dernières actualités dont sa série “Les Incendies” ou encore sa participation au Fey Arts Festival 2024, qui se déroulera du 3 au 5 mai au Château du Fey (à 2h de Paris).Pour aller plus loin:* Site web officiel de Louis-Paul Caron* Compte Twitter de Louis-Paul Caron* Linktr.ee de Louis-Paul CaronDans la 2ème partie de l'émisssion nous avons parlé BD et NFT avec le dessinateur Alexis Bacci pour sa collection Captain Death qu'il a lancée en novembre 2023.Le principe: à partir d'une de ses bande-dessinées qu'il a sorti en 2018 et dont il a récupéré les droits, il drop une planche par jour de sa BD sur Objkt.com.Au total ces 180 planches auront finies d'être droppées d'ici quelques jours…Guillaume Horen, le cofondateur de la galerie Achetez De l'Art qui l'a aidé dans cette aventure, était également avec nous pour nous parler de ce super projet…Pour aller plus loin:* Compte Twitter d'Alexis Bacci* Page de la collection Captain Death sur Objkt.com* Compte Twitter de Guillaume Horen* Compte Twitter d'Achetez de l'Art This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Honore aux artistes pour ce 562ème épisode du podcast NFT Morning!En effet nous avons débuté cette room avec la sculptrice Hermine Bourdin, qui est venue partager avec passion les détails de sa première exposition solo intutliée Axis Mundi, à la Galerie Julie Caredda, au 4 rue de Miromesnil 75008 Paris, qui se déroule jusqu'au 7 octobre prochain. L'occasion rêvée pour replonger dans le parcours artistique d'Hermine, explorer ses incursions dans le monde des NFT et les univers immersifs, et aborder certaines sources d'inspiration, tels les vestiges des déesses des anciennes civilisations méditerranéennes et les travaux de l'historienne Marija Gimbutas.* Linktr.ee d'Hermine Bourdin* Site web officiel de la galerie Julie Caredda* Galerie d'Hermine Bourdin sur Objkt.com* Compilation d'interviews de l'historienne Marija GimbutasEnsuite, nous avons accueilli un visage qui vous est sûrement familier, l'artiste John Hamon qu'on a déjà reçu il y a un an dans le NFT Morning (Room #351 à écouter ici). Aujourd'hui il a partagé avec nous les détails de son 1er solo show, qui se tiendra du mercredi 27 au samedi 30 septembre à la NFT Factory, au 137 rue St-Martin, 75004. En parallèle à cet événement, John lancera un drop NFT sur foundation.app.Dans le court laps de temps qu'il nous a été donné nous avons qd même parcouru de nombreux sujets, depuis la remise en question de la pérennité de l'Art contemporain, selon John, jusqu'à ses explorations dans les métaverses, et même des considérations plus philosophiques, telles que la question de la permissivité dans les mondes immersifs.* Linktr.ee de John Hamon* Site web officiel de la NFT Factory* Le drop de John Hamon sur Fondation.appPour conclure ce space très dense, nous avons eu le grand plaisir d'accueillir des artistes participants au projet Cyber Flanerie, initié par Orion 3000 représentée par Céline Shen et Yvonne Senouf, en marge du DRP Festival. Ces créateurs ont uni leurs œuvres dans le prestigieux cadre du Jardin des Tuileries, offrant ainsi une expérience en réalité augmentée, à travers un parcours à découvrir les samedi 30 septembre et dimanche 1er octobre. Parmi ces artistes, Sophie Lavaud, Valery Grancher, et Pierre Pauze ont partagé avec nous leur passion et nous ont éclairés sur les œuvres qu'ils exposent au cours de cette fascinante déambulation artistique.* Compte Twitter de Celine Shen* Compte Twitter d'Yvonne Senouf* Site web officiel de Sophie Lavaud* Compte Twitter de Valery Grancher* Compte Twitter de Tamiko Thiel This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Randomly Common Skeles by John Karel Aujourd'hui nous avons eu le plaisir de recevoir Mattis Meichler, un personnage clé de l'écosystème Web3 français, à la fois journaliste freelance pour Decrypt et Le Journal du Net mais également amateur d'art et collectionneur de NFT…L'occasion pour nous de parler des dernières actus crypto et NFT et d'aborder également divers sujets allant de l'évolution du marché NFT à la (dé)centralisation d'Ethereum entre autres. Mattis partage son expérience en tant que collectionneur et journaliste, mettant en lumière des artistes tels que Jenni Pasanen, Marine Bléhaut ou encore Merchant Coppola. Les principaux points évoqués pendant cette discussion:* Évolution du Marché NFT: La discussion aborde l'évolution du marché des NFT, mettant en évidence les tendances et les innovations récentes.* Décentralisation et Défis Associés: Ils explorent les enjeux liés à la décentralisation dans l'écosystème Web3, ainsi que les défis que cela implique.* Expérience de Collectionneur de Mattis: Mattis partage son expérience en tant que collectionneur de NFT, mettant en avant des artistes comme Shavonne Wang.* Impact du COVID-19: La pandémie de COVID-19 a influencé l'essor des NFT, incitant de nombreux professionnels à se tourner vers cet écosystème.* Vente NFT en Hommage à Alotta Money: Cette vente NFT en l'honneur de ce grand artiste organisés sur MakerPlaces à l'initiative de Trevor Jones qui a généré plus de 100 000 dollars au profit d'associations.Pour aller plus loin:* Compte Twitter de Mattis Meichler* Profil LinkedIn de Mattis Meicler* Collection de Mattis sur Objkt.com (Tezos)* Fiche Decrypt de Mattis Meichler This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Leslie Spurlock is a highly accomplished photojournalist who has documented conflicts and captured the essence of time-honored traditions of cultures around the world. She believes in the transformational potency of photojournalism and the profound impact of visual storytelling. Her portfolio encompasses significant events such as the George Floyd protests, the rebellion in Haiti, documentation of remote cultures in India and the Amazon, and even some of the most powerful storms that threaten lives and property in the US. In addition to being a successful photographer in the NFT space, Leslie is also one of the most avid and active collectors of NFTs from artists around the world and a sought-after curator. Her NFTs are on Sloika, Montage - A SuperRare Space, Foundation, and Objkt. Explore Leslie's work on Sloika: https://sloika.xyz/lesliespurlock.eth/tribal-lands-of-india https://sloika.xyz/lesliespurlock.eth/la-calavera-catrina For our episode cover art, we have picked "A Glimpse into Angami Family Life: A Mother's Love for Her Child in Northeast India", a work by Leslie available on Sloika for 0.3 ETH . Our show, 1/1: Conversations with Artists, highlights great artists venturing into the web3 space. Sloika is a curated photography NFT marketplace, focusing on the community, code and design. Our mission is to empower creators to build meaningful connections with fans. With Sloika, you can collect and own genuine photo art from limited series by amazing photographers around the world. ------------------------------------------ Website: https://sloika.xyz Twitter: https://twitter.com/sloikaxyz Discord: https://discord.gg/FJpYyVPBY2 Instagram: https://instagram.com/sloika.xyz Newsletter: https://sloika.xyz/subscribe

Sasha Stiles is author of the “instant techno classic” poetry collection, Technelegy (Black Spring Press Group, 2021), and has been named “perhaps the leading blockchain poet” by Right Click Save, as well as one of the top 10 NFT artists to watch in 2023. Her work is available via many of the world's top platforms, including fxhash, Quantum, SuperRare, Objkt, Foundation, Nifty Gateway, Artsy, and Infinite Objects. In 2022, she became the first writer to bring AI-powered literature to a major auction house when her poem, “COMPLETION: When it's just you,” sold at Christie's. Other honors include a Future Art Award, nominations for the Forward Prize, Pushcart Prize and Best of the Net, and finalist status for the Christopher Smart Prize and Palette Emerging Poet Prize. Stiles is also co-founder of theVERSEverse, an acclaimed crypto literary collective where poems are art, poetry is code, and language is limitless. ​A graduate of Harvard and Oxford, Stiles lives just outside New York City with her husband and studio partner, Kris Bones. Find more information at her website: https://www.sashastiles.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a prose poem. Make it a parable and include at least one animal. Next Week's Prompt: Write a poem as a dialogue with an alter-ego. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Will & Trinity sit down with creative partners Sasha Stiles (sashastiles.com) & Nathaniel Stern (nathanielstern.com) for an epic interview. In this episode we discuss: The creative background of both artists and how they came to become collaborators Nathaniel's "The World After Us" show Sasha's relationship with A.I. as a collaborator and student What is poetry and how is it influenced by new media disciplines Using Midjourney & Stable Diffusion & the issues and appeal of prompt-based systems Mother Computer & exploring the relationship between artificial intelligence and natural intelligence A.I. Language models and entering the era of the next great language leap The challenges of selling ambitious work in the NFT ecosystem & the forces of value The story of 0RAL B1N4RY on fx(hash) Pushing back on what "generative art" looks like The potential of fx(params) Sci-Fi recommendations! Follow Sasha on Twitter @sashastiles and follow Nathaniel @nathanielstern Check out (and consider minting) their Art Blocks Curated release Still Moving Find their Tezos work on fx(hash) here and here and on OBJKT here and here Follow us on Twitter @waitingtosign and Instagram/Threads @waitingtobesigned Consider supporting the show by donating to wtbs.tez or wtbs.eth

3 invités ce matin dans le NFT Morning!Nous avons commencé avec l''artiste Maxie qui nous a présenté son univers le Maxiverse dans lequel elle met les femmes à l'honneur avec une collection de supères-héroïnes, inspirées de l'univers des mangas et des comics.Ensuite, nous avons poursuivi avec Benjamin Jelin pour les 1 an de sa collection Katmonstarz, l'occasion pour faire le bilan de cette première année et nous annoncer des évolutions dans le projet dont la Katz.communityEnfin, nous avons terminé avec une interview de la photographe Elsa Leydier qui lance sa 1ère collection NFT intitulée Flora Brasiliensis 3.0 et qu'on peut découvrir sur Objkt et à Amsterdam, à la galerie Caroline O'Breene jusqu'au 2 septembre (Hazenstraat 54 1016 SR Amsterdam)Pour aller plus loin:* Site web officiel du Maxiverse* Compte Twitter de Maxie* Site web officiel du Maxiverse* Compte Twitter de Maxie* Site web officiel de la Katz Community* Compte Twitter de la collection Katmonstarz* Compte Twitter de Benjamin* Site Officiel d'Elsa Leydier* Compte Twitter d'Elsa Leydier* La collection Flora Brasiliensis 3.0 sur Objkt.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Happy Memorial Day Weekend Grotto! This week we start off by recapping the Eastern Conference Finals raffle, then we dive into some of the exciting events coming up: Correlated Cardinali Series (Defrocked) & Painted Subs/Catmoms. We talk through some of the options you have to weigh when making the decision to burn away these base cards. After some of our speculation we have thr33s himself drop in to give some breaking news about Objkt. He then weighs in on the upcoming events as well, noting that Defrocking is going to be a paradigm shift within the project. Can't wait to see what we do in the coming weeks!As always leave your feedback here!

En octobre dernier nous avions déjà reçu des artistes appartenant au collectif TheVerseVerse à l'occasion de l'exposition POEME OBJKT (#363 | NFT & Poésie: L'exposition "Poème Objkt" à réécouter ici.) qui avait lieu à l'Avant-Galerie Vossen…6 mois plus tard c'est près d'une trentaine d'artistes parmi lesquels Kevin Abosch, Sasha Stiles, Ana Maria Caballero, Christian Bök, Ross Goodwin, qui se retrouvent pour le 2ème volet de ce projet intiitulé cette fois POEME SUBJKT qui mêle poésie, intelligence artificielle, NFT etc…Cette fois l'exposition a lieu à la librairie Métamorphoses 17 rue Jacob 75006 Paris du 25 mai au 15 juillet prochain, toujours à l'initiative de l'Avant-Galerie Vossen…De nombreux artistes étaient présents avec nous ce matin (merci à tous) pour nous parler de cette expo et des oeuvres qu'ils ont réalisées pour l'occasion…Dans la 2ème partie de la room, Tomomi et Mélanie Krystel de TheNoxGallery, la 1ère galerie NFT IRL qui a ouvert au Japon dans le quartier de Shibuya à Tokyo, étaient présentes avec nous pour nous introduire une exposition qui aura lieu pendant la NFC de Lisbonne et qui mettra à l'honneur 2 géants japonais de l'animation et dont on découvrira l'identité sur place…Pour aller plus loin:* Site web officiel de TheVerseVerse* Site web officiel de L'Avant-Galerie Vossen* Compte Twitter de TheVerseVerse* Site web officiel de The NoxGallery* Compte Twitter de Mélanie Krystel* Compte Twitter de Tomomi This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Bienvenue dans Comptoir Web3, l'émission qui décrypte l'actualité Web3.Abonnez-vous à notre Newsletter :https://rugradiofrance.substack.com/Retrouvez-nous sur les réseaux:https://twitter.com/rugradiofrancehttps://www.linkedin.com/company/89267970/admin/Normandy :https://twitter.com/normandywhalehttps://www.linkedin.com/in/normandy-whale-43b6b8242/https://www.instagram.com/normandywhale/Nico :https://twitter.com/nico16184https://www.linkedin.com/in/nicoguyon/Samy :https://twitter.com/BerhouniSamyhttps://www.linkedin.com/in/samy-berhouni/Farokh :https://twitter.com/farokh?s=20Livres :www.amazon.fr/Formule-NFT-lancer-succès-projet/dp/B0B28FPXSY Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

We are recording early this week, because of course Kitch has a wedding to go to. We kick it off talking about the recent auctions and pivot into a recap of the first two rounds of the tournament resulting in Young Thr33zi3s 4 and 5. We finish up on the importance of Swipes, ETH on Objkt, and checking prices/offers.

Welcome to the FuturePerfect Podcast where we talk with compelling people breaking new ground in art, media, and entertainment. This podcast is produced by FuturePerfect Studio, an extended reality studio creating immersive experiences for global audiences. Visit our website futureperfect.studio for more details.The text version of this interview has been edited for length and clarity. Find the full audio version above or in your favorite podcast app.For episode 006, Wayne Ashley interviews Andrew Keller, founder of We Few Group, a post-media company that manages singers and songwriters, and develops brand partnerships and ventures with internationally known visual and musical artists. Making innovative use of blockchain technologies and NFTs, Andrew has been building compelling projects with such noted organizations as the David Bowie Estate and singer-songwriter Stefan Storm.Early career at Columbia RecordsLet me start right off by saying how excited I am to be speaking to someone who's been part of the music industry for over 20 years. As much as I love music, I've had very little access to the inside workings of the business. You've had these long relationships with labels like Columbia and Capitol Records. What are some of the most important insights you've gained over the last two decades?Andrew Keller: One of the biggest insights I've gained is that change is necessary and hard. When you're dealing with global major labels it's really hard to make noticeable changes. There's a lot of people working at major labels who are innovative and want to do good. It's just really hard to turn a gigantic ship around. You're dealing with all sorts of policies and god knows how many different types of contracts that were written over the years.How did you get started at Columbia Records and what were your major focuses were when you were there?AK: I started at Columbia as a 17 year old and was a total music-head. I grew up in New York City so I had access to absolutely everything, and thankfully, I had parents who were simultaneously really supportive and also slightly oblivious. From the time I was 13 or 14 I was going out to places I probably shouldn't have been and exploring all sorts of different scenes from nightclubs to hardcore and punk shows to mainstream pop shows. I was really giving myself a crazy education in different subcultures and figuring out little scenes and pockets that had their own worlds, archetypes, and systems in place. And they're probably all relatively similar, it's just people wearing different clothes and different hair. But the whole concept of having these scenes and worlds always excited me. It kind of all played into ideas of identity—sonic identity and visual identity.I was going to lots of shows around 2002 when there was this giant emergence of bands in the tri-state area who were coming out of the punk scene. And it became kind of this pop-punk, emo, screamo post-hardcore thing. I refer to it lovingly as the Warped Tour-scene, which was this festival that traveled around the US for years. There was a ton of attention on bands that I was friends with and bands that I had built relationships with as a fan.One thing kind of led to another and I ended up getting hired as a junior A&R scout / assistant at Columbia and got to work for some amazing people. One of whom is kind of this incredibly legendary small bald man named Matt Pinfield, who was a DJ and then VJ on MTV. A lot of the time we kind of ended up having a deal where he would get booked to DJ and then I would basically cover his set and he'd split the money with me if he had to leave.So I started DJing and it was just this awesome moment in time where I was really young and exposed to so many people. It became clear to me at that point that I just loved being around creative people. I was never in a band. I don't sing. I don't consider myself an artist in any way, shape or form. I do consider myself a creative person and a professional fan. I realized early on that for me it was gonna be about being the conduit and the kind of middle man between the artist and the rest of the world.That period of time was really incredible. I got to work on MGMT's first two albums as a coordinator then started to sign bands on my own like Cults and St. Lucia and doing stuff in the dance space with Krewella and Dillon Francis. And then one of the last things I got to do at Columbia was Bring Me the Horizon, which as a metal kid was unreal. And that was all under a guy named Ashley Newton, who is still one of my closest friends and mentors. He was responsible for signing Spice Girls, Massive Attack, Daft Punk, and Pharrell. Ultimately I went with him and Steve Barnett, who had been the chairman of Columbia, over to Capitol Records when Steve was relaunching Capitol.Streaming music, shifts in the industry, and joining Capitol RecordsI'm very interested in the sort of crises that upend one's assumptions about the world and motivate people to do something radically different than what they've been doing. You mentioned inertia in the music industry when we talked earlier. What happened that caused you to leave Columbia, join Capitol and eventually start your own company?AK: There were a few things. I was 30 and had started at Columbia when I was 17 and I really wanted a change. I loved my artists and everyone I worked with. It really was a family, but I was too comfortable. If you do A&R at a label your real challenge at the end of the day is to sell records. Your goal is to find artists, help them make the best record possible and have as much success as you can. There's a million ways to do it, and I'm not even saying I was great at it, but it's a very linear goal. You go from point A to point B, and that's fine, but it had just done so much and I needed a change.So Steve Barnett called me and said what would you want to do if you were going to stay at a label? And my answer was that streaming was starting to become really dominant. And the thing that streaming changed was access to global music. Before streaming if you were a British band you would sign to a label in the UK for the world. But unless something really took off, you might not even get a US release. When Spotify started putting out music, for the most part, nothing was geo-locked. Everything was coming out day and date, but labels were still working territorially.So I said to Steve, I think there's gonna be a really big shift in the way music is consumed from an international standpoint and I wanted to create “international A&R 2.0” for streaming. So off I went to Capitol Records where I started figuring out this whole system. And also taking systems that were already in place and trying to break them because there were things that didn't make sense to me and that I thought needed to be changed. Part of that was really just being the ambassador and being the person who could go and have some difficult conversations. But also go and represent Capitol around the world. It was a lot of time on airplanes.I had a ton of fun at Capitol. I got to partner with Lewis Capaldi who is on his arena tour right now and is a fantastic artist. I introduced Capitol to SM Entertainment, one of the biggest K-pop labels in the world, and they have an amazing and fruitful partnership. When I reached the end of my deal at Capitol I was in my thirties and my brand had always been owned by a major corporation. There were things I wanted to do that I'd never be able to do in those situations. For example I wouldn't be able to music supervise a movie, I wouldn't be able to launch my own projects or do certain things.An open-ended post-media companyFrom here you started your own company We Few Group. I like to call it an “open-ended post-media company”. You take on so many roles—an artist manager, a mixing engineer, an NFT project producer, an entertainment strategy consultant, you're also working closely with visual artists to produce a graphic novel and even knitwear. This kind of post-media practice that you engage in is so exciting to me and it's exactly what FuturePerfect is doing. How are these different worlds and practices connected for you?AK: When I went off to start We Few Group everyone was like what is it, what are you going to do? And I just said I'm going to do things that excite me with people I like. And that was it, that's the entire thing.For example, you mentioned the knitwear. A couple of years ago, there was a painter that I was obsessed with and I wanted to buy his paintings. I ended up getting on a Zoom call with him for over two hours talking about what he was doing. At the end of the call he asked—if I manage artists could I also manage a painter? He's in the kind of traditional art world, but makes these 30-second horror films around each of his pieces on TikTok. It's all kind of neo-gothic stuff.He has all of these kids as fans, everyone from artists and influencers and just regular teenagers and 20-somethings, the typical TikTok audience. And they all wanted merch. They weren't necessarily buying fine art, but they wanted merch. And he and I started having conversations about it. He wasn't really interested in making merch because he is an artist, but he was like, I'll start a clothing company. Next thing you know, I'm learning about knitwear.This connects back to your earlier question of why I was leaving. The answer is I wasn't learning stuff. There was no time in my life at a label that I would ever be learning about making knitwear, or consulting for Arizona Iced Tea and helping them with their entertainment strategy for two years. I now know more about consumer packaged goods and beverage production and can wrapping. Is that the world's most useful thing to know [laughs]? No but I love learning that kind of stuff and being around it.Crypto and transforming artistic engagementThis brings me now to your fascination with the crypto space. That's another expansive world. What about crypto most excites you and your efforts to transform both artistic and business practices? How did you get into it?AK: I got into crypto early. I'll preface this with saying it's not because I bought millions of Bitcoin at $2 and am now sitting here just pounding money. I wish that were the case, but it's not. I started buying little fragments of Bitcoin in like 2010. Growing up things like business and banking and the stock market were like the devil to me. For better or worse, I kind of vilified it in my mind. But with crypto it felt almost like punk rock banking. I was completely intrigued by it as a kind of rebellion. For years friends heard me talking about crypto, and when the pandemic started and touring was shut down there was suddenly a bull market mentality in the crypto space. And NFTs, which had been around for a few years prior, started to be something that artists, managers and agents were paying attention to. People started calling me saying you probably know about this stuff, right?I gave pretty much everyone the exact same conversation. I said please don't do this, it is really early. This is a real world and kind of culture. You do not care about them. They do not really care about you. Your fans do not care. You know, this is bad for everyone. I guess not a lot of people were voicing that at the time. A lot of people were saying we should do this and people made a bunch of money, but I think a lot of them also looked a little dumb. A lot of the projects were pretty empty. Most of them don't get talked about anymore.But as this world kept growing I started getting calls again. I realized that I could help be a middle man and tour guide. I could help bring the right people with the right intentions in and help shape what adoption to Web3 looked like and help introduce people to the real crypto-native world and to the people who really care about this. A lot of what I do now with Web3 is try to find interesting projects and people who I think will love and enjoy this space and help them either dip their toe in the water or jump in the right way surrounded by the right people.Working with the David Bowie EstateTalk about the David Bowie project, because clearly this is something that you have a lot of passion for, and through it we can better understand what you mean by NFT, crypto space or blockchain.AK: It was without a doubt, one of the most incredible and surreal things I have and probably will ever get to be a part of. Let's put it this way, when my son came home from the hospital in his nursery at home over the changing table is a caricature of David Bowie. My dog's name is Bowie. I'm not a casual Bowie Fan. I revere Daivd Bowie.I couldn't write it better. I'm sitting on the computer one night buying something on the NFT marketplace OpenSea with my dog Bowie sitting next to me and I get a text that says “I can't really say much, but can I introduce you to the Bowie estate, they want to talk about NFTs.” We end up starting this dialogue with the executor of the Bowie estate, who is just an incredible man. He had heard a lot about crypto and what was going on in this space and was very cautious, but had a kind of bullishness. As someone who knew Bowie well, he knew Bowie would've been really excited by this. For me, there had to be a very specific why. That question of why are we doing this? What is our north star for this?What was the vision that emerged for the project?AK: I basically spent the weekend thinking about Bowie and everything I knew about him and digging into his art collection because he was a huge art collector. I happened to have the catalog of the Sotheby's auction when they auctioned off his collection. So I started going into it and asking what did his collection look like? What kind of art did he collect? Then you start thinking about him as a technologist and a lover of new technology. And you're like okay you had BowieWorld before Metaverse was even a thing we talked about. You had BowieNet, which was his own ISP and kind of fan club site. You had BowieArt, which ultimately became a showcase of art that he liked and art made by his community. And then you start thinking about Bowie Bonds and the idea of him having commodified his work and well, that sounds a lot like a bunch of NFT projects. And I just went, okay, this is a guy who kind of had the ethos of the crypto artist before that was a thing. If the blockchain is the permanent immutable ledger, then let's go put this on the blockchain. Let's go put his legacy there.So what does that mean to put his collections on the blockchain?AK: Well, it wasn't his collections, it was, let's do a project that puts on-chain—something that is on the ledger and can never be deleted—that he was here. And let's create something to honor his legacy. I kept going back to the fact that he was a huge supporter of new artists. He was a digital artist himself. I got access to the Bowie archives through my partner Joaquin and I would literally get screenshots on my phone of anything from the archive whether it was an outfit he wore or a ticket to one of his shows or art he had done or a photograph. Everything is meticulously databased. And so Joaquin and I basically started narrowing down this idea.The project became, let's get a handful of the best artists in the crypto art space, from super established to new and up-and-coming and give them free rein to create anything they want to contribute to Bowie. They also had the added bonus of incorporating anything from the archives, which no one has ever been able to do. From there I started to ask who do we want, who makes sense here?I did things like going through Bowie's personal art collection and basically tagging a bunch of stuff like “landscape”, “British artist”, “contemporary African artist”, “sculptor”. And then I did the same with crypto-native artists and tried to find what the connections were. It wasn't about finding a one to one match with everyone, but there were certainly people where I could say okay, this guy's work kind of reminds me of this guy's work. Or I think what this guy does with his art is kind of interesting in relation to this part of Bowie's archive. And also people who were fans of Bowie and people whose art represents certain things that I thought were key to Bowie's legacy. So we came up with a dream list and started approaching them. Almost everyone said yes.What makes this specifically crypto art? How do you differentiate the art that emerges within the blockchain? What is unique about it?AK: What makes this special? Well it is a new medium for art, a new way to distribute art. Artists are able to do things they couldn't do with prior art forms. For example, there are some works that are coded to literally change the time of day; there are pieces that morph over time; some of the artists built mechanisms into the work that would change the work automatically at a future time…at the end of the day it's just art. There's a community aspect to this art. All of the artists in the project interact directly with their community, their fans, and collectors. There is no middleman. There are no traditional rules. There needs to be collaboration, direct connection, dynamic movement, and that's what makes it special to me. Being on the blockchain is a means for it to exist. And then there is the “smart contract.” That's a huge part of what an NFT is, the actual code you are gaining access to in this token. This contract protects not only Bowie, but artists and the NFT community from being exploited. Everything was a 50/50 partnership between the artists and the estate, and 100% of the profits went to charity. Launching a new transmedia art projectTell me about Kids of the Apocalypse, another far reaching transmedia project that spans across music, NFTs, music videos, a comic book, and film. Here is a quote from the Kids of the Apocalypse Discord channel that sums up the project really well: In the aftermath of a cataclysmic bio-explosion, a social movement of revolutionaries is born to break the chains of the tyrannical rule of Horizon Corp in the wake of the apocalypse. A multimedia art project born from the music, Kids of the Apocalypse (KOTA) aspires to highlight the themes represented on the journey of our - awakening, unity, and deposition of unjust power. Positioned as a multimedia IP with strong experience and connections in the music industry alongside a world-class design team, KOTA is a love letter to those who dare to speak out and be themselves - delivered in the form of a suspenseful, emotional, and immersive sci-fi adventure.AK: Kids of the Apocalypse was a concept and story that was conceived about 10 years ago. There was a Swedish production group called The Sound of Arrows, and Stefan Storm from the group had started this kind of side project idea Kids of the Apocalypse. Imagine a dark comedy version of—I'm gonna say X-Men because it involves mutants—that is alt and internet leaning and kind of self-referential which also has a music component. There's this whole story and a really immaculately created lore and universe. And now imagine 10 years ago saying let's make this happen. Where the do you begin? So this idea sat there for a long time.So cut to 10 years later and I'm reconnecting with my friend Derek Davies, who was the founder of Neon Gold, which was a label that I had actually done a label deal with when I was at Columbia and who had signed Sound of Arrows and put out their first EP. He was still in touch with Stefan, and Derek is also doing a lot of stuff in the Web3 space. He has an incredible company called Medallion. I think we have put together a pretty incredible team—we've got Derek and the Medallion crew, we have Stefan and his crew, we've got an incredible creative agency who have been working on all of this alongside Stefan. And we've got the guys at Bench Mob who are some of the best digital architects out there from a social media strategy perspective. We've got an incredible community manager, we've got a advisory board of people who really are some of the best and brightest in the space from Cooper Turley on the music NFT side to John Roger, who's one of the advisors and was marketing for Star Wars for Lucasfilm and then became the first head of franchise development at Disney.We have released a few songs and one video, which I think might be the number one (I hate data points because they get outdated quickly so I might be wrong here) most traded piece on Glass which is a music video NFT protocol. We've also created something that I think has never been done before, which was creating a mechanism that integrates traditional streaming with NFT minting. Where in order to gain access to the allow list you actually had to interact with and log yourself into your Spotify or Apple account. This is a very blockchain-native project, but I also want everyone to be able to hear the music, even if you don't know what an NFT is, because the music is fantastic. The first drop is a PFP (profile picture) project. It's season one and includes the eight main characters, which you're randomly assigned to and each of them has its own unique theme music and properties, and it's all happening on the Blockchain. We're doing all this on Solana, which is a chain that I think allows for very quick movement. And part of what we want to do is really involve our community in the storytelling and really let them into all of the bits and pieces of the lore. And to me, a lot of that will come from surprise and delight and from airdrops and from opening up your wallet one day and seeing things you didn't know were going to be in there.For those of us who are still new to this space, what is a wallet? AK: The wallet is the digital space through which everything is integrated and enters into your possession. Your wallet is where you hold your cryptocurrency, where you hold your NFTs. So you may log into your wallet one day and if you're a holder of Kids of the Apocalypse NFT, you may find something new that has been added to your wallet. We've also created an amazing community in Discord, and the fan art alone is pretty incredible. I encourage people to check it out because we really are trying to build something unique. I think the website is one of the coolest websites I have seen, it is fully immersive, and we're going to play with it.So how will the comic book and full film emerge? How is that all going to be integrated?AK: The full-length film is a dream. It could be a short film too, we don't know. The plan is for this to be a story told in a moving visual media. We're still having discussions about how and what that will look like.Before we stop, were there any other current projects that we should be aware of?AK: Yeah there are two things. After the Bowie project I felt that it was important for me to put myself out there more. I felt that there was an opportunity to experience what artists and creators in this space go through, their step-by-step process. My father was a photo journalist, and I've always loved photography. I had this idea going back to the idea of the blockchain as a permanent immutable ledger; and thinking of photographs, particularly snapshots, as as memory objects; and what if you minted those memories to the blockchain, and then they're there forever. Now what happens if you then renounce your ownership of them? If you're using the snapshot as a representation of a memory, what if I minted it, and sent it to you and now it's yours? What does it mean for someone else to have my memory? It was an idea that I kept coming back to and I finally felt the need to bite the bullet and just put this out there. It's called Memory Loss. I spoke to a few artists in the crypto space to see if the idea offended anyone. I got their support and encouragement. I minted some of the snapshots and made them available on the Tezos blockchain, which is a space that is more experimental, low key, less pressure. It's on the marketplace Objkt. I do have ideas for future ways for this to evolve.The other project, equally experimental, gives support to visual artists who want to start playing in the music NFT space. There are some artists making really amazing music and building a fan base and building patrons and building their own worlds with their own rules in this space. I wanted to create a way for visual artists, who are curious, to safely and with integrity and respect, integrate themselves into that world. The short of it is I am launching an NFT-based singles label. The name is, W3 F3W like my company, except that the ees are 3s. It's going to be a place for great new music and great visual art to collide and hopefully again, just bring people into a world that I'm pretty excited about. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit futureperfect.substack.com

OBJKT is a marketplace that truly feels like a community – with 20,000 monthly active users and 6 millions tokens available, artists are also collectors, and, quite often, the other way around.It's a place that is 100% organic, that feels like the indie-rock scene in the overall NFT ecosystem.How can we build it so it becomes “bigger than we could ever imagine”? How can we make it well-known without giving even two cents to marketing? How can we ensure it remains accessible for everyone?As OBJKT is now integrated on the Discover section of our Ledger Live app, we are very pleased to meet with its three founders Viktor Felder, Brian and Timothy McAlister for an insightful conversation with Ledger's Chief Experience Officer Ian Rogers on its creation, how many lives it has changed since then, and what's coming up for OBJKT in 2023. Hosted on Acast. See acast.com/privacy for more information.

Nous avons reçu ce matin l'artiste Zancan. Artiste unique sur fxhash, il nous a parlé de son parcours dans l'art génératif débuté à l'age de 8 ans jusqu'à son drop avec Bright Moments au Japon. Retrouvez tous les liens évoqués ci-dessous:Zancan sur TwitterZancan sur fxhashZancan sur FoundationZancan sur Objkt.comGarden, Monoliths sur fxhash(kinder)Garden, MonumentsThe Oak Tree. Serie sur Foundation This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Big New Years episode with special guest KenConsumer, host of the Arbitrarily Deterministic podcast. Ken was our very first interview guest and returns almost one year later to sub in for Trinity while she is out on baby duty. We go review Ken's Top 10 of 2022 and recap the drops from the last two weeks. Follow Ken on Twitter @KenconsumerE Check out Ken's work on OBJKT and his podcast Arbitrarily Deterministic Twitter: @WaitingToSign Instagram: @waitingtobesigned Donations: waitingtosign.tez, waitingtosign.eth, waitingtobesigned.eth Episode Art: Foundations #61 by Florian Zumbrunn Projects of the Week: Foundations - Florian Zumbrunn FORMAT - Unruly Unroll Enfantines II - Alejandro The Past Ahead - Ferdinand Dervieux Faux - Landlines Quantum Places Lost In Time - Art Ralgo Archiplex II - AD_Strauss Shoutouts: CRAYONS - artplusbrad x sonylemon.tez Geomorphism - Piter Pasma Univercell - HAL09999 Attractor - Chris McCully How To Draw Bubbles - Aleksandra Vents - RevDanCatt Celebration - Orr Kislev Intro music by The Gas Station, as heard in *Sunset Dancers* by Laurean0 Outro music by Nor44, as heard in My Demons

Une room sur les dernières actus NFT: Donald Trump, Twitter mais aussi avec des bons plans pour les fêtes de Noël proposés par des artistes ou des projets...* Le calendrier de l'Avent de LapinMignon* L'Open Edition illimitée de Fvckrender* Le drop “What is Art?” de Jaen* The “Memes" Collection de Punk6529* Le drop Fragments by Vertical Cryptoart* La collection Plastic Orchestra Machinery sur Objkt.com* Expo “ça sent le crypto-sapin” de la NFT Factory This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Nicolas Sassoon is a Franco-Canadian artist using early computer graphics to create a wide array of pixelated forms, patterns & architectural structures. His works are published on SuperRare, Foundation, and Objkt, having been collected by some of the most notable NFT collectors in the space.Sam Mason de Caires is an engineer who's into generative art. Presently at Syndicate DAO, and previously at Foundation and Rainbow.Together they are 2/4ths of Gossamer. Along with their friends Tim Smith and FEELS, they are a collective who are collecting art together as a DAO. View their collection at gossamerdao.xyzIn this episode we talk about art and the web3 space. About Nicolas' artistic practice, and how he makes his works. How technology is enabling new ways to create, collect, and support artistic expression. And what kinds of art Sam and Nicolas are interested in for Gossamer.SPONSORSZerion combines every corner of web3 in a simple and intuitive app for self-custodial humans. Discover the hottest NFT collections, track your DeFi rewards, and vote in DAOs across 10+ chains. Get started at zerion.ioLens Protocol is the open-source tech stack for building decentralized social media applications. A permissionless and transparent social graph that is owned by the user. Lens is the last social media handle you'll ever need to create. Visit lens.xyz

Aujourd'hui nous recevons l'artiste et réalisateur Benjamin Bardou, qui est venu nous parler de son travail et de ses inspirations entre Beaudelaire et Blade Runner et son oeuvre totale" Megalopolis…Il en a profité pour nous présenter son nouveau drop Citizens qu'il a lancé sur sur Objkt.comUne room passionnante où nous avons parlé de sa rencontre avec les NFT, de ce que ça lui a apporté dans son travail et dans l'art en général…Pour aller plus loin:* Site web officiel de Benjamin Bardou* Compte Twitter de Benjamin Bardou* Benjamin Bardou sur SuperRare* La collection Citizens sur Objkt This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

This week my guest is the cross chain artist Victoria West. Her works can be found on both Tezos and Eth. Victoria is a Canadian photographer who has 15 years of experience in her field. She entered the crypto art scene in 2021 and has been very successful as an emerging artist in this realm. Her list of awards is impressive including Portrait Photographer of the Year - Professional Photographers of Canada in 2021, 2020 & 2019!Victoria is an active Twitter spaces speaker and has become an OG in the Objkt and Tezos collecting/ artist circles. She recently released a dynamic NFT drop on Objkt with Mycodecrafting that is pushing the boundaries of crypto art in to uncharted waters. Her works on the Ethereum blockchain can be collected on the prestigious Superrare platform. Her bio and website and socials can best be found through her Twitter profile: @vwestphoto_nb

La poésie était à l'honneur ce matin dans le NFT Morning à l'occasion de l'exposition “Poème Objkt” qui se déroulera du 22 octobre au 19 novembre à l'Avant Galerie Vossen, 58 rue Chapon 75003 Paris en partenariat avec theVERSEverse.Pour nous présenter cet évènement, Albertine Meunier nous accompagnait avec d'autres artistes poètes tels que: Ana Maria Caballero, Kalen Iwamoto, Sasha Stiles, Aurèce Vettier, Julien Silvano etc…Comme l'indique le site de l'Avant Galerie, “Poème Objkt est une conversation entre poésie et arts visuels animée par le jeu tout juste perceptible du physique et du numérique.”Et en fin de room l'artiste sculpteur Léo Caillard nous a rejoint pour nous parler de sa collaboration avec le journal de L'EQUIPE à l'occasion de la remise du Ballon d'Or 2022.Pour aller plus loin:* Page officielle de l'exposition “Poème Objkt” sur le site de l'Avant Galerie* Site officiel de theVERSEverse* Compte Twitter d'Albertine Meunier* Compte Twitter d'Ana Maria Caballero* Compte Twitter de Kalen Iwamoto* Compte Twitter d'Aurèce Vettier* Compte Twitter de Léo Caillard This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

I feel like I always start these by saying we had a busy week. Well, we had an especially busy week this time around. We had two 1/1 auctions close, both won by the Monsters who decided to burn them immediately. This caused a mad dash for liquidity as claim tickets are coming due to buy back some of the unlocked Judy Garland Inserts. As I write this it sounds like a Mad Lib but I digress. Objkt and Coinbase fucked us out of additional auction fun and intrigue but at the end of the day we are just happy to be here. We dive into the low effort cubes used as claim tickets against the inserts, Token Z3ro (representing the first mint on thr33som3's very own custom contract), as well as the burn resulting in 5 Gilded Judys. We spend some time breaking down the final mint on the HEN contract and parlay that into a broader conversation about the good ole HEN days. Ultimately we realized that everything we do in this universe is a direct reaction to bad actors that dominated the space back then (and continue to do so today). Insulated from all the noise, we found ourselves playing the best game with fri3nds we never knew we needed. End of an 3ra, glad to be here with you all!

Aujourd'hui nous recevons les collectionneurs Gregory alias @GTOM555 et Maxime @Allinmax qui sont venus présenter 3 de leurs artistes préférés: Refik Anadol, Ivona Tau et Dethretina...A cette occasion ils sont revenus sur leur passsion pour le Crypto-Art, et ce qui les fascine chez ces 3 artistes…Nous les retrouverons d'ailleurs prochainement avec de nouveaux artistes.Machines Hallucinations Unsupervised de Refik AnadolMythic Latent Glitches #331 d'IvoBlind Insight de Deth RetinaPour aller plus loin:Compte Twitter de Gregory / GTOM555Compte Twitter de Maxime / allinmaxRefik Anadol:Site web officiel de Refik Anadol (oeuvres NFT)Compte Twitter de Refik AnadolCollection Synthetic Dreams sur OpenSeaIvona Tau:Site web officiel d'Ivona TauCompte Twitter d'Ivona TauProfil d'Ivona Tau sur Objkt.comCollection Mythic Latent Glitches sur fxhash.xyzDeth Retina:Compte Twitter de Deth RetinaProfil de Deth Retina sur Objkt.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

This week we go over the happenings in the Grotto, including the highly anticipated G Friends drop with Grotto fav Waambat, 8Bidou 8x8 pieces being added to Objkt, and a recap of the Girlfri3nd Burn. The main point driven home in this episode is that all of these things matter in the grand scheme of the project. Even though, at times, it seems some people forget this: "All thr33som3s have future utility". We wrap up the episode with a lecture on putting in the effort to become a legitimate collector and player in this ecosystem.

Theme: Invisible Hand behind the NFT Market Some assert there are hidden forces working together in NFT market Few projects take off, most never make it. Are those collections “chosen” by a few? Are the outcomes natural & market-determined - or results of collusion? Affordable project:  https://objkt.com/profile/maxwellinked/created https://superrare.com/maxwellinked  NFT NewsImportant Update on Email Vendor Security Incident - OpenSea Blog   Conditional Listing | LooksRare Docs  Moonrunners NFT: What is it All About?  WZRDS NFT Project Overview. The next cant miss project? | NFT CULTURE | NFTs & Crypto Art | Interviews and more 

Aujourd'hui nous avons reçu 3 projets dans lesquels les NFT servent à aider une noble cause: Un projet qui vient d’être lancé avec Reskue NFT présenté par Eric Djavid Un projet qui est en phase de développement avec J0ining the d0ts présenté par Yvonne Senouf et enfin un projet qui s’est lancé il y a quelques semaines avec l’agence MNSTR et son fondateur Louis Bonichon qui revient sur le projet écologique Reaverse de Guerlain…Bref une room où vous découvrirez les NFT sous un nouveau jour, loin de l'image qu'on prêt leur habituellement dans les médias...Pour aller plus loin:Site web officiel de Reskue NFTCompte Twitter de Reskue NFTCompte Twitter de J0ining The D0tsLa collection Reaverse de Guerlain sur Objkt.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

On this episode of Block Party - Chris sits down with Octomint, a successful artist and collector in the world of Web3 as well as the author of The Book of Octomint. They discuss how she got started in Web3, the shifting culture of Art as a whole, as well as some of her insights into her experiences as an Artist in this new space and how others can learn from her example. Follow Octomint Here: Website: https://octomint.com/ Twitter: https://twitter.com/octomint2000 TikTok: https://tiktok.com/@octomint2000 OS: https://opensea.io/collection/book-of-octomint Objkt: https://objkt.com/profile/octomint/created Foundation: https://foundation.app/@octomint Tell us what you think and leave us a review if you liked this piece. Follow, Like, and Share our other content across Social Media: Spotify: https://spoti.fi/32f6fcX Apple: https://apple.co/3CdLoVH Twitter: https://twitter.com/itsblockparty Instagram: https://www.instagram.com/itsblockparty/ TikTok: https://www.tiktok.com/@itsblockparty YouTube: https://youtu.be/8mVyrK2bGQ0 All opinions expressed on this episode are not to be taken as legal or financial advice, do your own research and invest responsibly. "Welcome to the Block" created by Muddigold --- Support this podcast: https://anchor.fm/block-party/support

This week i interview artist Bronwyn Lorelei. We talk about how she got into art, being an introverted extrovert, being an excellent student in school, the meaning behind her shocking artwork, living in different parts of the country and world, her experience with NFTs, getting banned on Twitter (and how NOT to!), and lots more! Super fun and enjoyable conversation! Also, a quick art life update and Skull Shoppe sponsorship! Join out Patreon at the $5 level (patreon.com/darkartsociety) and get a chance to win a free skull every month! (only 1 skull per person) http://skullshoppe.com/ Bronwyn's links: Website/ Shop http://Bronwynlorelei.com Patreon https://patreon.com/bronwynlorelei OBJKT https://objkt.com/profile/bronwynlorelei/created Foundation https://foundation.app/@bronwynlorelei The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ DarkArtSociety.com Copyright Chet Zar LLC 2022

Sa last 2 episodes, na-discussed na natin yung marketplace under ng Polygon chain at NEAR Protocol. This time yung Tezos NFT Marketplace naman ang topic natin -- ito ay ang Objkt at Hic Et Nunc (HEN). At first, hindi ko trip yung interface ng dalawang NFT marketplace na 'to dahil napaka-basic masyado. Para bang hindi binigyan ng effort ng creator. LOL. But upon exploring them, masasabi ko na sila na ngayon ang isa sa mga favorite kong NFT marketplace. Bakit? Listen to this episode to find out. ;) ** Thank you for making us #2 sa charts ng Apple Podcast PH (Tech News Category) and Top 28 under PH News Category ** Congrats din pala sa successful event ng Art Fair Philippines x NFT If you find this podcast helpful, kindly follow me at: Facebook: Balitang Crypto Instagram: @balitangcrypto_ Twitter: @balitangcrypto_ For partnership/collaboration: balitangcrypto(at)protonmail(dot)com Trade in Spot and Futures - https://accounts.binance.com/en/register?ref=129511827 NFT Tokens Trading - https://m.mexc.com/auth/signup?inviteCode=1EQs6 Copy Trading - https://invite.bingbon.com/IZ0VKA #CyptoPH #PinoyCrypto #PhilippineCryptocurrency #Blockchain #NFT #Objkt #HicEtNunc #HEN #Tezos #Teia #Rarible #ArtFairPH

Pour commencer nous recevons, Art Can Die un ambitieux projet que nous a présenté ses deux cofondateurs Jean-Marc Goossens et Gaël Boven. L’objectif d’ArtCanDie est de permettre de financer des d’artistes pour qu’ils réalisent des oeuvres extraordinaires dont ils ne pourraient pas trouver de financement en temps normal. Il s’agit donc de mécénat 3.0, avec un token le “Die”, une plateforme de vente de NFT, une DAO etc…Pour en savoir plus:Site officiel d’Art Can DieCompte Twitter d’Art Can DiePour nous parler du second projet, nous recevons Louis Bonichon cofondateur de l’agence de com MNSTR et qui a travaillé sur le projet Reaverse de Guerlain qui mêle écologie et NFT avec une collection de 1828 (date de création de Guerlain) abeilles dont la vente va permettre l’acquisition d’un terrain de 27 hectares dans la vallée de la Millière en vue de créer un réserve naturelle protégée, sorte de sanctuaires de la vie sauvage.Ce projet est réalisé en collaboration avec la Fondation GoodPlanet créée en 2005 par Yann Arthus-Bertrand et la Fondation Tezos, avec un lancement prévu courant avril sur la plateform Objkt.comPour aller plus loin:Compte Twitter du projet ReaverseSite officiel de la Fondation GoodPlanetSite de l’agence MNSTREnfinEnfin pour cloturer, le 3ème projet sur le thème de NFT for Good, est TogetherUkr qui nous a été présenté par Julien Lazorthes.TogetherUkr a pour but d’aider la population ukrainienne dont la situation est dramatique en raison de l’invasion russe qui a lieu actuellement. C’est une aide qui a lieu sur place par l’envoi de matériel de premières nécessités, de vêtements de nourritures etc… d’aide aux ukrainiens qui sont sur la route de l’exil et enfin de l’aide pour ceux qui sont arrivés en France et qui ont besoin d’être logés, de travailler etc…C’est un projet réalisé en collaboration de l’association #EnsembleUkraine, soutenu par de grands noms de la tech en France dont la FrenchTech et des membres du projet Galion…Une collection de 25000 NFT va être mise en vente le 15 avril prochain. Il s’agit de dons avec un montant minimum est de 0.06 eth et sans limite de prix .Pour aller plus loin:Site officiel de TogetherUkrCompte Twitter de TogetherUkrSite officiel d’#EnsembleUkraine This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Le 1er mars 2021 Rafael Lima, un jeune développeur brésilien lançait la plateforme d’art HicEtNunc sur Tezos sans réaliser qu’il était sur le point de marquer la jeune histoire du CryptoArt... Nos invités du jour, Cabline d’Objkt.com, l’artiste Patrick Tresset représentant Aterhen.art et Gwendall le cofondateur de la plateforme hic.af, nous racontent cette incroyable année...Pour aller plus loin:Site de la plateforme Objkt.comSite de la plateforme Aterhen.artSite de la plateforme Hic.af Site officiel Tezos.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Le sujet : Quoi de mieux pour ce 100ème épisode de La Martingale que de parler de l'un des investissements les plus tendances du moment : les NFTs ? Si vous n'êtes pas encore complètement au point, nous vous recommandons de commencer par l'épisode 86 en compagnie de John Karp. Parce qu'aujourd'hui, on passe à l'étape supérieure avec notre invité : “Comment acheter des oeuvres d'art NFT ?”. L'invité du jour : Investisseur passionné d'art et de photographie, Jean-Michel Pailhon est le Chief of Staff de Ledger, startup française qui conçoit et commercialise des portefeuilles de cryptomonnaies pour les particuliers et les entreprises. En parallèle, il est aussi associé de la galerie en ligne Achetez de l'Art. Au micro de Matthieu Stefani, cofondateur de CosaVostra, Jean-Michel Pailhon nous explique les différentes familles de NFTs, comment faire son choix et comment sauter le pas ? : # Il existe 2 catégories d'investissement dans les NFTs. Soit vous avez l'une des œuvres qui existe en un nombre d'exemplaires limités. Soit, vous possédez un certain nombre de pixels d'une seule œuvre. # Ensuite, il existe 4 grandes familles de NTFs d'art : Les PFP ou Photo For Profile qui sont des avatars. Les Crypto-art qui sont des œuvres d'artistes du monde digital. Les NFT Photos. Et enfin l'Art Génératif qui est une œuvre entièrement créée par une Intelligence Artificielle. # Si vous souhaitez investir dans les NFTs, il est aussi important d'être actif sur Twitter, c'est LE réseau social où l'on en parle. L'application propose d'ailleurs de changer sa photo de profil par un NFT depuis janvier 2022. # Pour investir en 2022, Jean-Michel recommande une NFT liée à la blockchain Tezos qui coûte beaucoup moins cher qu'Ethereum par exemple. Jean-Michel Pailhon livre aussi de nombreuses plateformes pour investir comme : # SuperRare, qui fonctionne avec l'Ethereum. # Foundation, qui fonctionne avec l'Ethereum. # Rarible, qui fonctionne avec Tezos. # OpenSea, qui fonctionne avec l'Ethereum. # Objkt, qui fonctionne avec Tezos. # FX(hash), qui fonctionne avec Tezos. Durant l'épisode, ils citent aussi plusieurs oeuvres et notamment : « Salutations à Gizeh » de JR. Scène Numéro 1 de Nicolas Delay. Mais aussi la reco de Jean-Michel du compte Twitter à suivre : @ImBrendanNorth Et enfin ils y parlent d'un ancien épisode Génération Do It Yourself : #229 - Frédéric Montagnon, Arianee : Le WEB3 pour se réapproprier Internet Et du podcast dédié aux NFTs : NFT Business. Et bonne nouvelle, en utilisant le code LAMARTINGALE vous pourrez bénéficier d'une réduction de 15% sur les formations NFTs sur Achetez de l'Art. Et une dédicace spéciale à Anouk Renard et Laura Pironnet qui travaillent sur La Martingale ! Bonne écoute ! C'est par ici si vous préférez Apple Podcasts, ici si vous préférez Google Podcast ou encore ici si vous préférez Spotify. Et pour recevoir toutes les actus et des recommandations exclusives, abonnez-vous à la newsletter, c'est par ici. La Martingale est un podcast du label Orso Media. Merci à Bricks d'avoir rendu possible cette neuvième saison de La Martingale. N'hésitez pas à prendre quelques minutes pour vous rendre sur le site bricks.co et entrez le code MARTINGALE lors de votre inscription. Pour tout investissement réalisé dans les 3 mois, Bricks vous reversera 1%. Cette inscription ne vous engage à rien et vous permet d'accéder à toutes les offres en cours et à venir.

Kevin chats with the founders of objkt about its path to becoming the dominant platform of the Tezos based NFT marketplace.

William McAuliffe of cryptoadvisory.com joins us to discuss how to make NFTs, the crypto space, and how we worked together to mint my first collection.Will's collections: @etherplayground@readypagerones.Blayne's Collection of NFTs drops Feb. 9th at 6pm EST. Here are instructions for how to set up your wallet and buy the NFTs.BUYING TEZOS, and an intro to Gas and WalletsYou're going to need to buy Tezos so you have the currency in order to buy NFTs. You're going to have to create an account on an exchange. Easiest to do this on Coinbase, both you and I will get $10 if you use this link.Buy XTZ directly by finding Tezos on the list of cryptocurrencies and then clicking the “Buy” button and using your bank account/debit card to fund the transaction.Every blockchain requires a transaction fee to go through and it's called “gas,”Gas fees for Tezos in general are super low..( part of why we chose tezos for the drop) so factor that in as well as any exchange fees you might be charged.CREATING A Temple WALLETCreate a wallet - go directly to templewallet.com Click Install.  Choose your browser. Add extension.Click the + icon to make a “New Wallet.”Create Password. Click seed phrase.Once you do, you'll be prompted to write down your “Seed Phrase” This 12 word phrase is your password THAT YOU CANNOT LOSE.I don't care how you record it, but you need to keep this super secure. No one will ever get in, there is no customer support to “lost password” for this.I made a choice, now what?At this point, you should be at a screen that just has the word “Accounts” on the top, and a long alphanumeric string, starting with Tz. Similar to the one you got for your Coinbase wallet!This is your wallet's address.CONNECTING YOUR WALLET TO OBJKT.COMOkay, now, navigate over to objkt.com, and in the upper right hand corner, you're gonna wanna click the letters “sync.”You should see a pop-up that says Temple wallet.Accept, and the pop-up should vanish.Moving XTZ to your Temple WalletAlright, now you've got your Coinbase wallet, you've got your Temple Wallet, and now you've got everything hooked up to Objkt.com also.Go to your Temple wallet tab, and click the little copy icon to copy the address of your wallet. Return to your exchange in a new tab and click “Send / Receive” at the top right of your screen on Coinbase.Paste the Temple address we just copied into the ‘To' recipient box.Where the big “0.00” you enter the amount you wish to transfer, or you can hit “Send all” to just move all the XTZ you have in that wallet.For the ‘Pay with' field you want to make sure it's set to ‘Tezos' (XTZ)..Watch this episode on YouTube.Sponsored by Pennies: Going In Raw.Sponsored by Last Bottle Wines, Use code PENNY for 10% off your order, good for a one time use, valid until March 11, 2022..The episode is sponsored by BoredDudeNFT.  Find his NFTs here.

This is a question that many have asked themselves in 2021, and that many more will try to find the answer to this year - how do you start your NFT collection? Whether you are emotional, like Cabline, famous NFT curator and collector (with more than 3000 pieces on her collection), or analytical, like Jean-Michel Pailhon, Ledger Chief of Staff and compulsive NFT collector: we've got you covered.How to choose your first piece, why the “buying 2, selling 1” strategy, how to manage your collection, how to secure it and to sleep at night? Mo El-Sayed and our two guests answer all of those questions and many more. Listen to On The Ledger and find out why you should look into Objkt.com, both a marketplace and a future social media platform, and how long it will take for your grandma to finally buy her first NFT. See acast.com/privacy for privacy and opt-out information.

Leave us a Review Artist Chris Dyer is a man who's persona, mission, and brand are intertwined in the pursuits of truth, self-awareness, freedom of expression and elevated consciousness. One could easily look at Chris's life now as a world famous artist and think that he's just one of the lucky ones. He has more success in a traditional sense of the word than most other creatives could dream of. And indeed he is. But that luck, like the rest of his life was largely by design. Chris Dyer grew up in Lima, Peru where his life was influenced by skateboard, and surfing culture as well as his obsessive love of art and music. As he moved through his life experienced, he overcame substance abuse, violence, and self-doubt and became totally self-reliant. Chris, as you'll learn in this episode is a self-made man. He's got a rare alchemy of right and left brain balance. He's an anomaly in a lot of ways which makes his story that much more unique. Dyer is both a free spirited, hippie dippy, free spirited, psychedelic taking, music festival going, wanderer as well as being an extremely analytical and hard working entrepreneur with both the intuition and experience to crush most everything he puts his mind to. Chris has earned a growing following of hundreds of thousands of people around the world. He's become recognized for his trippy, colorful, spiritually based and tribally influenced paintings and drawings. Dyer is also celebrated for his massive murals, street art, workshops and has a popular Podcast of his own. Chris's latest project, Galaktic Gang is a series of 5,555 NFT's which has totally been totally killing it on OpenSea. At the time of this podcast, his NFT collection has had a sales volume of over 751 Ethereum. For you non-crypto people, that's about $2 Million US Dollars by today's ETH price. If you're an artist, entrepreneur, seeking your own path of spiritual truth or just a curious fan, you'll love this episode. Please let me know what you think. *** Join my text community: https://jayalders.com/text – Text me a message and please share this episode and leave a review on Apple Podcasts. Chris Dyer Links and Resources: https://positivecreations.ca/ https://opensea.io/collection/galaktic-gang https://www.facebook.com/chrisdyerspositivecreations/ https://www.galakticgang.com/ https://twitter.com/positivecreator https://www.facebook.com/chrisdyerspositivecreations/ Jay Alders NFT Collections Virtual NFT Gallery: https://oncyber.io/jayalders OpenSea Jay Alders: https://opensea.io/collection/jayalders OpenSea Hydroglyphics; https://opensea.io/collection/hydroglyphics OpenSea Chromascopic: https://opensea.io/collection/chromascopic OpenSea The Line Up: https://opensea.io/collection/thelineup OpenSea Unravelled Reality: https://opensea.io/collection/unravelled-reality OBJKT: https://objkt.com/profile/tz1hH3jdYayGh14Aat8XHNezyBr2kpkzCz4B Foundation: https://foundation.app/@jayalders Connect with Jay Alders Jay Alders Website: jayalders.com Text me: jayalders.com/text Facebook: https://facebook.com/jayalders Instagram: https://instagram.com/jayalders Twitter: https://twitter.com/jayalders YouTube Pinterest Connect with The Shifting Perceptions Podcast: Join Our Mailing List Facebook Instagram Twitter Connect with Chelsea Alders & Companies Om Mamas Doulas Website Instagram Chelsea Om Mamas Doulas  

Built on Tezos, OBJKT.com is on its way of becoming one of the most popular, widely-used NFT platforms in the world. This week in TezTalks Radio, we interview 'Cabline' the curator of objkt on her thoughts of the NFT space and what the future beholds. 

【來賓：小茶、王新仁 】#喜歡請訂閱 錄音時間2021.12.28 EP117 NFT

Leave us a Review Better known as Dyl, Philadelphia based Hip-Hop artist and entrepreneur Dylan Rhodes is pioneering the NFT music space. Dyl gained recognition in 2015 with the success of his Platinum hit single “Jordan Belfort” and a national tour that followed. His song went viral and peaked at Billboard #25 as well as becoming the top college song of 2015. Dyl continues to plow down obstacles with his successful string of independent singles and his debut album “Crypto Rich”. What is “Crypto Music”? Listen in as Jay Alders and Dylan Rhodes unravel how NFT's and the blockchain have helped Dyl to earn 2M Spotify streams and the recognition of the 2021 top streamed crypto music album worldwide. (Listen now for FREE.) Dyl graduated from Tulane University in 2018 with a degree in finance and business management. Dyl independently distributes his music as the CEO and owner of record label itslit.org. Dyl offers consulting and marketing services through his company Advantage Blockchain based in Philadelphia, PA. In June 2020, Dyl joined the Vertalo Real Estate team in Philadelphia to lead new business development and marketing for their digital asset blockchain technology platform. As of 2021, Dyl is working full time on music & NFTs while accepting a limited amount of crypto & blockchain work. As the market has grown, Advantage Blockchain focused switched to the investment fund rather than consulting services. Links & Resources: Dyl's Website: https://www.itslit.org/ Dyl's Twitter: https://twitter.com/famous_dyl Dyl's NFT OpenSea Collection: https://opensea.io/collection/crypto-rich-album Jay Alders NFT Collection OpenSea Jay Alders: https://opensea.io/collection/jayalders OpenSea Hydroglyphics; https://opensea.io/collection/hydroglyphics OpenSea Chromascopic: https://opensea.io/collection/chromascopic OpenSea The Line Up: https://opensea.io/collection/thelineup OpenSea Unravelled Reality: https://opensea.io/collection/unravelled-reality OBJKT: https://objkt.com/profile/tz1hH3jdYayGh14Aat8XHNezyBr2kpkzCz4B Foundation: https://foundation.app/@jayalders Connect with Jay Alders Jay Alders Website Facebook Instagram Twitter YouTube Pinterest Connect with The Shifting Perceptions Podcast: Join Our Mailing List Facebook Instagram Twitter Connect with Chelsea Alders & Companies Om Mamas Doulas Website Instagram Chelsea Om Mamas Doulas Sun Dreams Productions  

Born Sébastien Devaud, Agoria is a french electronic music pioneer. His music flows between different genres and locations, from raves, to clubs, radio stations and even space satellites. But he's also a man of many talents, with eclectic interests in contemporary art, fashion, poetry, AI and most recently crypto-art and NFTs.His unique background and deep attraction to science, art and spirituality come together to form a new phase in Agoria's artistic evolution.One that is crystallized in his first fascinating drops on Foundation & Objkt. But what about it? And how will Agoria the crypto artist evolve in the future? Will he DJ b2b with an AI? This is On The Ledger, Season 2, Episode 8. See acast.com/privacy for privacy and opt-out information.

Kevin is joined by John Karel (aka jjjjjjjjjjohn), the low-poly animation artist best known for OBJKT generative PFP project Randomly Common Skeles and the Window Still Life series on Hic Et Nunc.

OBJKT.com est la principale marketplace NFT sur la blockchain Tezos. Pour en parler aujourd’hui, nous recevons aujourd'hui Ombline alias Cabline, collectionneuse de NFT, et qui travaille désormais pour cette plateforme.Dans cette entretien de plus d’une heure, elle nous raconte son parcours hors du commun, d’abord en tant que collectionneuse qui l’a finalement amené à travailler pour Objkt. Elle évoque pour nous ses coups de coeurs artistiques, la communauté Tezos, ce qui fait selon elle, les points forts d’Objkt.com comparé à d’autres plateforme et nous donne même ses bons plans du moment…Une belle rencontre à (ré)écouter ici.Pour aller plus loin / Artistes et projets évoqués dans cette roomLe site Objkt.comCabline sur TwitterLes collections NFT de Cabline (plus de 1500 pièces rangées par catégories ;) ) Les Tezzards, la collection emblématique d’objkt.comL’artiste Tim Maxwell sur TwitterGloomtube sur TwitterL’artiste Memo Akten sur Objkt (collection distributive consciousness)La collection des Neonz Get on the email list at www.nftmorning.com

Die prominenteste Blockchain für NFTs neben ETH ist Tezos mit einer außergewöhnlich spannenden Community, tollen Künstler*innen und deutlich mehr experimentellen Arbeiten als man es sonst auf ETH sieht. Das hat einige Gründe! Vielleicht liegen die Gründe auch darin verborgen, dass die Blockchain Tezos bzw. die Plattformen auf denen die sogenannten "Clean-NFTs" gemintet und auf dem secondary market verkauft werden, irgendwie chiffriert wirken?! Wo muss ich da klicken um reinzukommen?! Dieser Frage gehen wir in dieser Folge, hier und jetzt, nach und bringen ein wenig Licht in den dunklen Underground Schuppen: HicEtNunc. Glaubt mir, es wird sich lohnen. Sowohl für alle Künstler*innen, als auch für beginnende NFT-Sammler.