Podcasts about SM Entertainment

#Aespa #LEMONADE #Kpop #Pop 2026 is here! That means Let's Talk About it: MUSIX REVIEWS S12 is here! A whole new approach this year long season is all about opening up and leaving behind the past. Join TK on a journey of funny off the wall pop reviews, hip-hop, Rnb and whole new variety content too! Of talking about trending news topics, video games and even maybe even talking about movies too! S12 is here! New episodes every single day! Join the wild ride of the SECOND YEAR LONG SEASON.Aespa, 에스파, LEmonade, AESPA LEmonade, Aespa MV, 에스파 LEmonade, Kpop, Kpop group, girl group, SM Entertainment, Kpop comeback, new kpop, aespa official, aespa music video, aespa official mv, Karina, Giselle, Winter, Ningning, aespa LEmonade mv

One malicious YouTube channel. Real financial damages. A clear warning shot from a major label. We kick things off by reacting to SM Entertainment's lawsuit win against Sojang for defamation tied to EXO, Red Velvet, and aespa, and why it feels like the industry is finally drawing a harder line on harassment, rage bait, and targeted personal attacks. If you've ever wondered what “artist protection” looks like when it leaves the press release stage and hits the courtroom, we talk through the stakes in plain terms.Then we jump across to Japan for a run of updates that are all about live music momentum. T.N.T, led by Yuya Tegoshi, lands a Nippon Budokan debut concert, and we unpack why Budokan carries legendary status for rock and pop artists. We also get into SixTONES announcing a stadium tour schedule, plus Number_i hosting fan meeting events with strict fan club rules. If you follow J-pop tours, ticketing systems, and venue milestones, this stretch is packed with practical context.We also slow down to flag something every fan should take seriously: scam listings and fake livestream pages. With Arashi-related warnings making the rounds, we share a simple mindset for staying safe online by sticking to official sources. From there, we hit more headlines, including Jesse joining a Keroro Gunso anime film, the messy NewJeans and ADOR legal fight with asset freezes and legal team shakeups, KATSEYE canceling a Music Bank appearance, and YG's updates on BABYMONSTER plus future group plans. And because we are us, we close with a story about BLOODYWOOD, a shout to Diljit Dosanjh, and how music can sneak into your subconscious and come out as a wildly vivid dream.Subscribe for more music news, share this with a friend who lives for pop culture headlines, and leave us a review if our rambles keep you company. Which story do you want us to dig into next?Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagramBlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

Jak HYBE z małej wytwórni przekształciło się w jednego z największych graczy w globalnym przemyśle muzycznym? W tym odcinku K-Castu przyglądamy się historii firmy od czasów Big Hit Entertainment i działalności producenckiej Bang Si-hyuka, aż po stworzenie potężnego konglomeratu stojącego dziś za sukcesami takich artystów jak BTS czy TXT. Opowiadamy o początkach firmy, jej drodze na szczyt i momencie przełomowym, którym okazał się debiut BTS, a także o tym, czym HYBE różni się od klasycznych agencji takich jak SM Entertainment, JYP Entertainment czy YG Entertainment. Przyglądamy się też strukturze podwytwórni, globalnej strategii firmy oraz aktualnym kontrowersjom. Miłego słuchania

Ticket buying has gotten so weird that a normal week can feel like a full-time job, and we're not letting it slide. We're Sarashi and Miss DJ Panic, and we're back in full rants-and-ramblings mode with the concert news that actually affects your wallet, your schedule, and your sanity.First up, we talk real life for a minute because it's all connected: food sensitivities, allergy season, and the little “experiments” we do just to feel normal. Then we get into K-pop tour shockwaves, starting with i-dle's North American tour cancellation and Cube Entertainment's explanation about reorganizing schedules around global activities and a July comeback. We dig into what that timing really implies for rehearsals, staging, promotions, and why a later tour might mean a better show for fans and artists.From there, the industry gets even bigger. Hybe, SM Entertainment, JYP Entertainment, and YG Entertainment are reportedly moving toward a joint venture to create a global K-pop festival “Fanomenon,” with ambitions that openly aim past Coachella. We talk about what a mega K-pop festival in South Korea could mean for K-culture, global touring, and whether events like KCON get pushed aside.We also break down Ticketmaster and ticket resale reform: Ontario's face value resale cap, the fight over hidden fees and dynamic pricing, and the ongoing pressure from governments and fans to make ticketing fair. We wrap with more live-music buzz, including BTS tour kickoff energy, and why concerts are still our favorite form of therapy even when adulting is hard.Subscribe, share this with a friend who's tired of fees, and leave a review. What's your hottest take on resale rules, tour cancellations, or the ticketing mess right now?Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagramBlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

SM Entertainment's male trainee group SMTR25 to release new track 'We Go Up'

Singer Ten leaving SM Entertainment but staying with groups NCT and WayV Part 1.https://koreajoongangdaily.joins.com/news/2026-04-06/entertainment/kpop/Singer-Ten-leaving-SM-Entertainment-but-staying-with-groups-NCT-and-WayV/2562104.

The five Kpop idols who left SM Entertainment Mark Lee, Taemin, Lucas, Ten, and Taeil Part 2.

Lucas parts ways with SM Entertainment article today

Lucas Ends Exclusive Contract with SM Entertainment

Former NCT Mark's Transformation After Leaving SM Entertainment Sparks Huge Reactions.

Somebody's solo era starts overnight, a label's contract drama spills into public view, and deepfake creators are getting prison time. That's the energy of this Music Elixir conversation, where we connect the dots between K-pop industry news, fandom behavior, and the real-world consequences of what gets posted online. We talk through Heeseung opening new social channels under the stage name Evan and what a fast rebrand can say about planning, identity, and creative direction.Then we dig into the messy side of the business: reported contract terminations involving Chen, Baekhyun, and Xiumin from EXO, plus the broader ripple effect when a company faces financial instability and legal allegations. These stories aren't just headlines to us, they're a reminder that idols are working artists navigating contracts, settlements, and power structures while still trying to perform at a high level.We also get serious about AI deepfakes, privacy invasion, and defamation. SM Entertainment's legal update shows how hard the crackdown is landing, and we share practical ways fans can avoid spreading harmful fake content. From there, we jump to Japan with STARTO Entertainment and Snow Man calling out malicious rumors and speculative posts, because the same online culture problems are crossing borders.To end on a huge fan moment, we celebrate ARASHI announcing a livestream for their final Tokyo Dome concert, including how ticket access and archive viewing work, and why it feels both exciting and heartbreaking. If this gave you something to think about, subscribe, share the episode with a fellow fan, and leave us a five-star review on Spotify or Apple Podcasts.Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagramBlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

W najnowszym odcinku K-Castu nasza prowadząca wraca z intensywnym podsumowaniem ostatnich tygodni prosto z Korei. W programie m.in. świeży album TXT i szybkie przedłużenie kontraktów, zaskakujące odejście Marka z SM Entertainment oraz kolejne roszady w NCT. Pojawia się też relacja z koncertów SEVENTEEN, emocje wokół występów BTS (w tym transmisji na Netflixie) oraz wielki powrót T.O.P z nowym albumem. Nie zabraknie również tematu Coachelli - występy Big Bang i Taemina oraz kontrowersje wokół KATSEYE. Zapraszamy do słuchania

"NCity is on fire."That's what it seems like for NCTzens everywhere who, in the last few days have faced the unexpected bombshell news of Mark Lee saying goodbye to NCT and SM Entertainment. As if that wasn't bad enough news, days later, TEN also announced that he was leaving the company. But, crucially, TEN clarified that he would remain a part of NCT and WayV. Still, it's little salve for fans of the group (us included!) who have to now reckon with an uncertain future as key members of NCT have officially departed the group.It's also hard NOT to think about other recent K-pop departures. So if you're in your feels about this era of NCT coming to a close, tune in and process thing with us.Tune in to hear:What made Mark Lee's departure all the more shockingWhat impact each NCT member had in the groupMark's history at SM Entertainment — we saw him grow up!How Mark's Christian faith influenced his musicHow we define an "Ace" member in K-popWhat Danielle, Heeseung, Manon and Mark have in commonHow 2nd and 3rd Gen K-pop groups dealt with missing membersOur theories on why Mark left the groupWhat might be next for Mark nextOur hopes for NCT moving forwardIt's a K-pop Thing is hosted by two journalists and longtime K-pop stans, Alexis Hodoyán-Gastélum and Theresa Avila. LINKS TO SOCIAL:It's a K-pop Thing: @ikptpodAlexis: @hoe_doyanTheresa: @theresa__avilaCONTACT:E-mail us at: itsakpopthing@alkemielab.com

Mark concludes his exclusive contract with SM Entertainment, leaves NCT

Dress codes, first-crush nerves, quiet confidence, and full-throttle rock chaos all belong on the same playlist when women are driving the story. We're celebrating Women's Month the way we know best: four women-led releases that cover a ridiculous amount of emotional ground while proving, again, that the most interesting ideas in K-pop, Asian pop, and K-rock are coming from artists who still don't get enough platform.We start with ena mori's “Funny,” a Filipino-Japanese shot of punky pop-rock that feels like a wink and a warning at the same time. The guitars bite, the groove moves, and the lyrics go straight for the weird rules girls get stuck with, from “naughty” ponytails to protection from creeps. Then we switch gears into BINI's “Unang Kilig” (“First Thrill”), a bright, nostalgic track that captures the exact moment a crush locks eyes with you across the room and your friends start pushing you to make a move.From there, aespa's “ATTITUDE” brings polished power with a cinematic edge, plus the fun twist of being tied to an anime intro. We wrap with Rolling Quartz “Red Hot,” a self-produced rock anthem that makes us wish we could catch them live, because that energy belongs on a stage. If you care about women in music, girl groups, female rock bands, and Asian artists getting heard, queue this one up, share it with a friend, and leave a review so more listeners find the show.ena mori instagram X YouTube FunnyBINI instagram X YouTube Unang Kiligaespa instagram X YouTube ATTITUDERolling Quartz instagram X YouTube Red HotSupport the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagramBlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

A smooth, late-night collab sets the tone like a toast among friends: minimal, sultry, and quietly certain of its vision. IYWO brings the talents of I.M, Yoonseok, Wooki and OF'F to the forefront. From there we hit the gas with three girl-group cuts that turn confidence into choreography—each track a different weapon in your mood arsenal. Hearts2Hearts bring a 90s-club shimmer on RUDE!, where a crisp beat and cool harmonies frame the line we all wish we said sooner: call me rude, I could care less. It's boundary-setting you can dance to, catchy enough to stick, and subtle enough to feel effortless.IVE stride in next with BANG BANG, all spaghetti-western twang and bassline swagger. Think showdown energy without the shouting—polished pop that feels made for the stage, fan chants already echoing in your head. The hook lands like a hip-shot, the confidence is matter-of-fact, and the whole thing plays like a movie scene you get to direct. Then KiiiKiii flip the script with 404 (New Era), a deep-house, EDM-tinged anthem that asks for eye contact and presence. The error/era wordplay points to a bigger truth about screens and connection, and Tablo's production touch keeps the track sleek, human, and club-ready.Across these songs we trace a single thread: confidence can be quiet or loud, smoky or neon, but it's always yours to claim. Whether you need a decompressing night drive, a boundary anthem, or a cyber-cool pulse to cut through the noise, we've got you. Hit play for the full breakdown, then tell us which track powers your week. If you enjoyed the ride, follow the show, share it with a friend, and drop a review—your five stars help keep the music flowing and the archive growing.I.M Instagram IYWO Hearts2Hearts Instagram X Youtube RUDE!IVE Instagram X YouTube BANG BANGKiiiKiii Instagram X YouTube 404 (New Era)Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

From “Mirotic” to “Dreams Come True,” from “Hot Summer” to “Next Level,” SM Entertainment has built a reputation for reworking songs from outside Korea and turning them into K-pop staples. But where's the line between a cover, a sample, a demo… and plagiarism?In this episode, Chris and Chantel break down the legal and creative differences between covers, master vs. publishing rights, sampling, interpolation, and demo recordings - and why those distinctions matter more than most fans realize.We dive into SM's history of licensed remakes, Western songwriting collaborations, and the company's unique ability to transform existing material into something distinctly “SM.” Are these just copied songs… or carefully negotiated reinventions?References:Dolly Parton - "I Will Always Love You" https://www.youtube.com/watch?v=x0bEZH6ZqG4Whitney Houston - "I Will Always Love You" https://www.youtube.com/watch?v=3JWTaaS7LdUBig Mama Thornton - "Hound Dog" https://www.youtube.com/watch?v=yoHDrzw-RPgElvis Presley - "Hound Dog" https://www.youtube.com/watch?v=aNYWl13IWhYBTS - "As I Told You" https://www.youtube.com/watch?v=inNYQUC6dFsBLACKPINK - "So Hot" https://www.youtube.com/watch?v=skIfzl96Gc0TWICE - "End of Time" https://www.youtube.com/watch?v=CxQKaEGrQ384Minute - "Milkshake" https://www.youtube.com/watch?v=PrGQBMkXa30MEOVV - “Abracadabra” https://www.youtube.com/watch?v=9jlLUl8hKGY&pp=ygURbWVvdnYgYWJyYWNhZGFicmE%3D Dara - “Mr. Rover” MV https://www.youtube.com/watch?v=BcWlLGDvmEE&pp=ygUOZGFyYSBtci4gcm92ZXI%3D KAI - “Rover” MV https://www.youtube.com/watch?v=zlTIextYnyQ&pp=ygUOZGFyYSBtci4gcm92ZXI%3D Medium.com "The Art of Clearing a Sample" article https://medium.com/the-courtroom/the-art-of-clearing-a-sample-deciding-if-its-worth-it-and-how-to-actually-do-e26fa56ad090Busta Rhymes - "Pass The Courvoisier Part II" feat. P. Diddy & Pharrell Williams https://www.youtube.com/watch?v=o4ZUaxyPoZ8NCT U - "90's Love" https://www.youtube.com/watch?v=A5H8zBb3iaoKe$ha - "Run Devil Run" (Demo) https://www.youtube.com/watch?v=eBjETYX1awQGirls' Generation - "Run Devil Run" https://www.youtube.com/watch?v=q_gfD3nvh-86ix9ine - "Nobody (Closer)" https://www.youtube.com/watch?v=l2AN35GVh3U&ab_channel=FunnyYoutubeEditsWinner - "Island" https://www.youtube.com/watch?v=kRj4toENrnASarah Connor - "Under My Skin" https://www.youtube.com/watch?v=33FwMpiWsaATVXQ! - "MIROTIC" https://www.youtube.com/watch?v=HtJS32n6LNQA20 MAY - "UNDER MY SKIN" https://www.youtube.com/watch?v=GioJ0KPZADg&list=RDGioJ0KPZADg&start_radio=1&pp=ygUPYTIwIG1heSBtaXJvdGljoAcBTriple 8 - "Knockout" https://www.youtube.com/watch?v=czg3-Uw2dfMSuper Junior - "Twins (Knock Out)" https://www.youtube.com/watch?v=SrazFGFRnhMNylon Beat - "Like A Fool" https://www.youtube.com/watch?v=OHwRoRB6u_0S.E.S. - "Dreams Come True" https://www.youtube.com/watch?v=8uiR4SrDGZkaespa - "Dreams Come True" https://www.youtube.com/watch?v=H69tJmsgd9IMonrose - "Hot Summer" https://www.youtube.com/watch?v=ikgpaT5_XXYf(x) - "Hot Summer" https://www.youtube.com/watch?v=z-rftpZ7kCYPhrased Differently - "Red Light" https://www.youtube.com/watch?v=5tnDNr3gZcUf(x) - "Red Light" https://www.youtube.com/watch?v=iv-8-EgPEY0Nathalie Makoma - "I Just Wanna Dance" https://www.youtube.com/watch?v=YJGaOefn7nMGirls' Generation - "Tell Me Your Wish (Genie)" https://www.youtube.com/watch?v=6SwiSpudKWIAWA - "Like I Do" https://www.youtube.com/watch?v=7DIa-MolAUQBoA - "Better" https://www.youtube.com/watch?v=fOxl2OIOVIIA$ton Wyld - "Next Level" https://www.youtube.com/watch?v=GTKm0mnZgp8aespa - "Next Level" https://www.youtube.com/watch?v=4TWR90KJl84Duffy - "Mercy" https://www.youtube.com/watch?v=y7ZEVA5dy-YGirls' Generation - "Dancing Queen" https://www.youtube.com/watch?v=EXZxc8GSXnI

Put simply: We have big and complex feelings about EXO's highly anticipated comeback following the return of all members from their military enlistment. When news of an EXO reunion first broke, we were just as excited as any diehard EXO-L. Unfortunately, as time went on and it became evident that CBX would NOT be included in the comeback due to their ongoing legal troubles with SM Entertainment ... well, our enthusiasm waned.What happened to the OT9 EXO reunion much of the fandom eagerly awaited?  Does it make sense to release a title track called "Crown" when key powerhouse vocalists are missing? Is it even possible to support the boys, but not the comeback?To help us make sense of our mixed feelings we invited Ashley, the host of the podcast An Album a Day to join us for a free-flowing and honest chat about all things EXO.Tune in to hear:Why we think "Crown" seems like a SuperM song from the vaultOur honest thoughts on REVERXE as an albumWhy we think the visuals and marketing didn't match the musicThe "Suju-fication" of EXO's unique sound - is this the future?Some quick context for EXO-CBX's legal woes with SMWhy we're hopeful about a future reunionOur thoughts on fan wars and how we can move forwardAbout our Guest:Ashley is a content creator, educator, and public speaker. As a music historian and an authority on the K-pop phenomenon, she has collaborated on projects and events with various domestic and international companies and brands. As the host of An Album a Day,  ("A3Day"), Ashley leads listeners on a journey through every album available within K-pop with fact-based and opinionated commentary within each "shortcast" episode.Keep Up With Ashley and An Album a Day:Website: A3Daypodcast.comInstagram: @a3daypodcastYouTube: https://www.youtube.com/@a3dayIt's a K-pop Thing is hosted by two journalists and longtime K-pop stans, Alexis Hodoyán-Gastélum and Theresa Avila. FOLLOW US:Twitter: @ikptpod & Instagram: @ikptpodFEEDBACK? IDEAS FOR FUTURE EPISODES?E-mail us at info@kpoppod.com

The room went electric the moment we said it: BTS are back on a world tour. From the first joyful scream to the last anxious refresh of a frozen queue, we ride the full wave—routing surprises, seat-hunting, and the complicated mix of elation and disappointment rippling through ARMY right now. We celebrate landing tickets after seven long years without a full group show and get honest about the fans who couldn't. No gloating here—just empathy, perspective, and a plea to starve the reseller machine by sticking to face-value swaps.The conversation widens to a busy live calendar. We track rising momentum for XG, Stray Kids goals, and Monsta X realities amid enlistments. Festival buzz from Japan showcases veteran names and fresh discoveries, while WEST does the most WEST thing ever with a short-notice free street live that turned a cold night into a shared legend. If you're planning your concert year, we offer practical advice on prioritizing your true faves, and avoiding the FOMO trap that drains your wallet and your joy.We also tackle the darker side of fandom culture. SM Entertainment's legal push against malicious posts, defamation, and AI deepfakes isn't just corporate PR—it's a necessary guardrail for human beings under constant scrutiny. We talk ethical fan behavior, why “just jokes” aren't harmless, and how communities can protect artists without feeding outrage cycles. Plus, a quick PSA on staggered streaming rollouts for behind-the-scenes content: set reminders, be patient, and dodge spoilers as best you can.If live music gave you life before 2020, this year feels like it's giving it back with interest. Join us for tour strategy, industry insight, and a reminder that joy scales when care does too. If you love the show, tap follow, leave a five-star review, and share this episode with a friend who needs ticket karma.Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the triumphant return of EXO with Analytic Dreamz on Notorious Mass Effect. In this segment, Analytic Dreamz explores REVERXE, the group's eighth studio album released January 19, 2026, via SM Entertainment—marking their first full-length since EXIST in 2023.With six members—Suho, Chanyeol, D.O., Kai, Sehun, and Lay (his first group album since 2018)—REVERXE reasserts EXO's legacy amid lineup changes from ongoing legal disputes with EXO-CBX members. The title "REVERXE" (stylized reverse) symbolizes reflection and recalibration, reviving early mythology of superpowers and parallel universes while embracing maturity in second-generation K-pop.Title track "Crown" fuses Atlanta trap drums, heavy metal guitars, EDM synths, siren effects, and powerful high-note belts, with lyrics portraying a "crown" as something precious to protect. Pre-releases include emotional ballad "I'm Home" (December 14, 2025) and high-impact "Back It Up," debuted at the 2025 Melon Music Awards with 40 dancers.The nine-track album blends aggressive dance, sultry R&B ("Suffocate"), cinematic textures ("Moonlight Shadows"), and polished energy across "Crazy," "Back Pocket," and more. Early reception highlights strong vocal performances and cohesive lore-driven sound, with fans praising the group's adaptability despite challenges.Commercially, REVERXE dominated with #1 on iTunes Top Albums in 35+ regions (including US, Japan, Brazil), #1 on QQ Music and KuGou in China (Double Platinum certification), and first-day Hanteo sales of 265,934 copies. The "Crown" MV quickly surpassed 18 million YouTube views, fueling global buzz.Join Analytic Dreamz for detailed track breakdowns, the impact of Lay's return on the Chinese market, and why REVERXE reaffirms EXO as enduring kings of K-pop ahead of their April 2026 tour.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

On this episode, I sat down with platinum songwriter and producer, Scotty , who co-wrote and created the concept for the K-pop hit, "Jopping" by SuperM. He opened up about collaborating with friends, working in K-pop, and how his older sister influenced his musical journey.We also discussed everything from his mentorship with iconic metal producer and engineer, Ken Riley, and our shared love of metal bands like Underoath, to his work as Founder and Creative Director of the creative enterprise, Better Since. To hear all the artists mentioned in this episode, be sure to check out this episode's Spotify playlist!Want to learn more about this episode's special guest, Scotty?Click here to listen to his music here!Also, check him out on Instagram: @mscottloveslifeBe sure to visit Noise and Affection Podcast on Instagram! We love to hear from you!Host IG: @candacedickerson_Podcast IG: @noiseandaffectionpodcast

SM Entertainment announces massive 2026 Q1 lineup: EXO, NCT, RIIZE comebacks and global tours

W najnowszym K-Caście Matylda zanurza się w wielowymiarowy świat wyjątkowego projektu, jakim jest NCT . Jak właściwie narodził się pomysł na “otwartą”, stale rozrastającą się grupę? W jakiej kolejności debiutowały poszczególne sub-unity i czym się od siebie różnią? Matylda poprowadzi was od debiutów NCT 127, NCT Dream i NCT U, przez powstanie WayV, aż po późniejsze formacje, takie jak NCT DoJaeJung czy NCT WISH. Po drodze opowiada też o członkach, którzy musieli opuścić szeregi NCT — i jak wpłynęło to na odbiór całego projektu. To uporządkowany przewodnik po grupie, którą wiele osób zna… ale niewiele naprawdę rozumie. Idealny dla tych, którzy chcą ogarnąć, kto jest kim, i dlaczego NCT wygląda właśnie tak. Miłego słuchania! __________________________________ Piosenki w tym odcinku: 1. NCT U „7th sense”, 2. NCT 127 „2 baddies”, 3. NCT Dream „Hot Sauce”, 4. WAYV „Take off”, 5. Super M „Jopping”, 6. NCT DJJ „Perfume”, 7. NCT WISH „poppop”, 8. NCT U „Make a wish” __________________________________Tuba.fm na Tiktoku i Instagramie: https://www.tiktok.com/@tuba.fm https://www.instagram.com/tuba.fm/ __________________________________ Matylda na TikToku i Instagramie: https://www.tiktok.com/@everycraft https://www.instagram.com/_everycraft https://www.tiktok.com/@matylda_kcast

On this episode, I sat down with multi-platinum, Billboard #1 charting singer, songwriter, and producer, Prince Chapelle,  who has worked on K-pop hits like “Scene Stealer” by Super Junior and “Sticker” by NCT 127!  We discussed his amazing work not only for K-pop artists but for global music icons like Chris Brown and Snoop Dogg. He also opened up about the importance of honesty in collaboration and the impact of growing up in a musical family.To hear all the artists mentioned in this episode, be sure to check out this episode's Spotify playlist!Want to learn more about this episode's special guest, Prince Chapelle?Click here to listen to his music on Spotify!Also, check him out on Instagram: @princechapelleofficialBe sure to visit Noise and Affection Podcast on Instagram! We love to hear from you!Host IG: @candacedickerson_Podcast IG: @noiseandaffectionpodcast

The right song doesn't just fill a room—it changes the air. We lined up five October releases that transform a quiet evening into a moving story, from a sidewalk chant to a late‑night sway and a runway‑sharp finale. It's a ride through J‑pop, K‑pop, R&B, and house where every track owns its moment and then hands the energy to the next.We kick off with BananaLemon's We Outside!, a clean, synth‑bright anthem designed to get you out the door and into the crowd. Then BM's Freak featuring B.I. turns the lights down without losing the heat: whistles, rim hits, and a slow dancehall lean build a sultry pulse while BM's grit and B.I.'s lift play off each other like sparks meeting fuel. Psychic Fever's SWISH DAT barrels in with bass and swagger, lacing hip‑hop power with flute textures that nod to its Mask Ninja Akagage theme—proof you can blend traditional color with a modern stomp and make it sound inevitable.When it's time to breathe, REIKO's Maybe slides in—chill house with R&B phrasing, minimalist drums, and an intimate vocal that feels close enough to touch. The lyric tilt toward “live now, worry later” lands softly but sticks. And to close, Hearts2Hearts' Focus hits that retro‑house piano riff you swear you've heard on a catwalk somewhere, lined with disco strings and a heartbeat bass. The hook rides on confidence, not sugar, with harmonies that snap the whole mix into a glossy, high‑fashion stride.We also talk sequencing—how these five songs create a seamless night‑out arc—and why headphones reveal the hidden layers. Queue it up, move with it, and then tell us what grabbed you first.BananaLemon: Instagram X YouTube We Outside!BM: Instagram X Youtube Freak (feat B.I.)PSYCHIC FEVER: Instagram X YouTube SWISH DATREIKO: Instagram X YouTube maybeHearts2Hearts: Instagram X YouTube FOCUSSupport the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram BlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

K-pop might be getting its biggest encore yet. Seoul and Beijing’s new content-exchange deal has investors tuning in again, and SM Entertainment is centre stage. Dan Koh and Ryan Huang dive into why SM is the market’s purest China-sensitivity play, how its Tencent link could open mainland doors, and why backstage drama, from EXO’s CBX dispute to the Kakao saga, might still steal the spotlight.See omnystudio.com/listener for privacy information.

Dawno, dawno temu, w trzeciej generacji k-popu, koreańskim rynkiem muzycznym trzęsła wielka trójka męskich grup — BTS, GOT7 i EXO. W tym odcinku K-Castu poświęcamy uwagę właśnie tej ostatniej z nich. Matylda opowiada o historii zespołu, o tym jak skład zmieniał się na przestrzeni lat i co powoduje, że dziś trudno wskazać jednoznacznie „ilu członków” ma EXO. Wspomina również o pozwach przeciwko SM Entertainment, wielkich solowych karierach m.in. Baekhyuna i Kaia, oraz o byłym członku, który uruchomił markę podpasek. Dlaczego EXO jest jedną z najbardziej historycznych grup k-popowych? Zapraszamy do słuchania

In this episode of the Kpopcast, the hosts Stephanie, PD-nim, and special guest Todd Inoue (SF Chronicle Reporter & more!) discuss the latest happenings in the K-Pop world, including hit replays from Ive, Moon Soojin, and Monsta X. They also dive into a critical review of the K-Popped show featuring Psy and Megan Thee Stallion, sharing insights on its editing and content. The conversation shifts to updates from SM Entertainment, focusing on Aespa's comeback "Rich Man" and Haechan's solo debut, "CRZY". In this episode, the hosts dive into the latest album from K-Pop group CORTIS, discussing their new music video, FaSHiON, and the reception of their sound in the K-Rap scene. They explore cultural representation in K-Pop, the significance of CORTIS working with American hip hop artists like Teezo Touchdown and Juicy J, and analyze the strengths and weaknesses of the album's tracks. The conversation wraps up with reflections on the future of CORTIS and their potential impact on the K-Pop landscape.Chapters00:00Introduction01:10Hit Replays: IVE, Moon Soojin, and Monsta X05:11Deeper Dive: K-Popped Show Discussion11:33K-Pop Industry Insights and Trends14:26SM Entertainment's New Releases and Concepts21:13Exploring the Concept Behind Aespa's Release24:24Haechan's Solo Debut: A New Chapter for NCT31:08CORTIS: Anticipation and Reactions to Their New Album35:52K-Rap and the Reception of CORTIS' New Sound39:05Cultural Roots and K-Pop's West Coast Influence42:17Musical Expectations and Disappointments45:22Vocal Performance and Group Dynamics47:45Feature Collaborations and Their Impact50:50Speculations on Group Dynamics and Future Directions54:23Final Thoughts and Daebak or Not? Hosted on Acast. See acast.com/privacy for more information.

Before "K-pop Demon Hunters" topped the charts and BLACKPINK sold out stadiums; "Queen of K-pop" BoA was making moves you can't ignore. This episode, we're diving into the multi-talented Korean singer, dancer and producer's US debut English album - the self-titled "BoA" - released in 2009. If you loved Britney's "Blackout" and Janet Jackson's "Feedback" vibes, then this is the lost gem of an album you're going to stan.After selling millions of records as the No.1 teen-pop sensation in Korea and Japan for close to a decade; SM Entertainment's shining starlet BoA has her sights set on America. For her debut English album; they roped in some of the hottest electro-pop and R&B hitmakers including Bloodshy & Avant (Britney, Kylie), Sean Garrett (Usher, Destiny's Child), Brian Kennedy (Rihanna's 'Disturbia'). There's a Britney co-write, a Monrose cover, killer choreography and flashy music videos to unpack... what's not to love? The "BoA" album made history as the first album by a South Korean artist to ever chart on the Billboard 200. Literally, not everybody has that.Join Joel and David as they go back in time to revisit one of K-pop's most significant breakthrough stories in America; and share their personal loves for the genre on the podcast for the very first time!Follow Right Back At Ya!https://www.instagram.com/rightbackpod/https://twitter.com/rightbackpodhttps://www.facebook.com/rightbackpodFollow Joelhttps://www.instagram.com/dr_joelb/https://twitter.com/DR_JoelBFollow Davidhttps://www.instagram.com/lovelimmy/https://twitter.com/lovelimmyEmail us rightbackpod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

진행자: 박준희, Chelsea Proctor기사 요약: 가수의 꿈을 안고 케이팝 명가 SM엔터테인먼트에서 10년 넘게 연습생 생활을 했지만 데뷔에 실패한 케이팝 데몬 헌터스 수록곡 ‘골든'의 작곡가 이재는 이제 그래미상 수상이라는 새로운 꿈을 꾼다.[1] For 33-year-old Korean American singer-songwriter Ejae, born Kim Eun-jae, the dream was to debut as a K-pop idol after spending 10 years training at SM Entertainment. But the call never came. Neither in a group nor as a soloist did the powerhouse label see her fit to debut.* singer-songwriter: 싱어송 라이터, 직접 노래를 쓰고 부르는 가수* neither A nor B: A도 B도 아닌* powerhouse: 막강한 집단이나 기관, 영향력자[2] Instead of turning her back on music, Ejae found another path — one that would lead her to co-write "Golden," the soaring anthem from Netflix's megahit "KPop Demon Hunters," released in June.* turn back on: 등을 돌리다[외면하다]* path: 길, 방향* anthem: (국가·단체 등에 중요한 의미가 있는) 노래* megahit: 대형 히트[3] Ejae's next goal is no longer about becoming a famous singer. It is about winning a Grammy — an achievement she says would carry a meaning far beyond her own career.* no longer: 더 이상 ~이 아닌* achievement: 업적; 성취* beyond: ~를 넘어서는[4] "It wouldn't just be a personal milestone," she said. "It would be a message to every Asian American girl who's ever felt impostor syndrome in this industry," she said in an email interview with The Korea Herald.* milestone: 이정표, 중대한 사건이나 시점* imposter: 남의 이름을 사칭, 다른 사람 행세를 하는 사람 (imposter syndrome: 가면 증후근)* industry: 산업, 업계기사 원문: https://www.koreaherald.com/article/10552221[코리아헤럴드 팟캐스트 구독]아이튠즈(아이폰):https://itunes.apple.com/kr/podcast/koliaheleoldeu-paskaeseuteu/id686406253?mt=2네이버 오디오 클립(아이폰, 안드로이드 겸용): https://audioclip.naver.com/channels/5404팟빵 (안드로이드): http://www.podbbang.com/ch/6638

SM Entertainment Announces More Artists for ‘SMTOWN LIVE 2025 [THE CULTURE, THE FUTURE] IN L.A.

Part 2/ EXO's Lay Goes Viral For Allegedly Recreating SM Entertainment At His New Company.

Linktree: https://linktr.ee/AnalyticIn this segment, Analytic Dreamz explores the unprecedented martial law declaration by President Yoon Suk Yeol on December 3, 2024, and its profound impact on South Korea's political landscape and K-Pop industry. Yoon's attempt to impose martial law to counter "anti-state forces" was quickly overturned by the National Assembly, showcasing the country's democratic resilience amidst widespread public protests. The K-Pop sector faced immediate disruptions with cancellations of major events like BLACKPINK's showcase, BTS concerts, and fan meetings by SEVENTEEN, leading to potential billions in lost revenue. Agencies like HYBE and SM Entertainment canceled public appearances, while artists publicly opposed the move. Politically, Yoon's subsequent arrest and impeachment have led to significant turmoil, with the Constitutional Court now in session. This segment delves into how these events could affect South Korea's soft power and the global perception of K-Pop, highlighting the intricate link between national politics and cultural exports.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticKarina's "UP" - Chart Dominance and Solo SuccessIn this segment of "Notorious Mass Effect," delve into the solo debut of Karina from the groundbreaking K-pop group aespa with her track "UP." Join Analytic Dreamz as we dissect the chart-topping phenomenon and the impact of Karina's first solo venture:Release and Song Insight: "UP," part of the digital single album Synk: Parallel Line, encapsulates Karina's personal songwriting with a hip-hop/dance vibe. At just 2:26, the track's minimalistic approach highlights a confident and empowering message.Chart Triumphs:South Korea: Dominated the Melon HOT100 and Daily Chart, reaching #1.Entered Melon Top 100 at #28, eventually hitting #1.Topped Bugs and performed exceptionally on Genie (#6) and MelOn (#5).International Success:Made a strong entry at #27 on the Billboard Global 200.Gained traction in Singapore, Malaysia, Hong Kong, Taiwan, and New Zealand, with notable positions on various regional charts.Fan and Public Response:Fans have lauded Karina's vocal prowess and the song's production quality.The "UP" dance challenge on social media platforms has significantly amplified its reach and popularity.The track's style has evoked nostalgia, drawing comparisons to the iconic early works of SM Entertainment artists.Performance Context: "UP" was first showcased during aespa's Synk: Parallel Line world tour in Seoul, marking a significant moment for aespa members as solo artists.Solo Impact: Without extensive promotion, "UP" still managed to achieve remarkable chart positions, underscoring Karina's individual star power and fanbase loyalty.The success has been amplified by fan engagement on social platforms like X, where aespa's official channels have actively shared and celebrated the song's milestones.Explore with Analytic Dreamz how Karina's "UP" not only represents a personal achievement but also sets a precedent for aespa members' solo careers, reflecting on the song's broader implications for K-pop and the power of fan support in today's digital age.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fans Call Out NCT Yuta's “Unfair And Cruel” Mistreatment By SM Entertainment and After 6 movie.

SM Entertainment company crime case is Rape Charge Crime NCT 127 former member Taeil and Kdramas tv shows kissing scenes.

Step into the world of K-pop and global music expansion with Haezy Kim, Managing Director at Kreation Music Rights (KMR). In the episode, "Kreation Music is Revolutionizing the K-Pop Scene" discover how KMR is revolutionizing the K-pop industry, integrating artist management, publishing, and production under one roof. We dive deep into KMR's unique value proposition, their strategic expansion into the U.S. market, and their innovative approach to talent recruitment. Whether you're a songwriter, producer, or just fascinated by the music industry, this episode is a treasure trove of insights!

NCT 127 Former member Taeil SM Entertainment removed on the merchandise items, Shinee Key fan.

SM Entertainment's trot idol group MYTRO film and Actor Lee Soo Hyuk.

NCT 127 Taeil Sexual Crime SM Entertainment, Golden Child also Fan fictions Wattpad I Still Want You Toy BTS JungKook and Tumblr Bang Chan Stray Kids Your Body Will Remember Me, WaterBomb LA festival tickets price $450.

Fake Fans Podcast YouTube - https://www.youtube.com/@FakeFansPodcastScarra YouTube - https://www.youtube.com/@scarraPeter Park YouTube - https://www.youtube.com/@peterparktv

Reading the book of BTS Beyond The Story, SM Entertainment Caught HYBE LABELS Koreaboo article and Wattpad Fan fiction BTS JungKook Vampires Love Never Dies Chapter 71 I Knew It. SM Entertainment Caught Secretly Using Online Forums To Manipulate Netizens Against HYBE TenAsia has posted a scathing report.

All Kpop articles news of Actor Kim Soo Hyun male actor also NCT 127 Jaehyun fashion week Prada also Former Member TVXQ Junsu from leaving SM Entertainment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tasha-monell2/message

Happy 11th years Debut anniversary to Kpop Boy Band BTS June 13, 2024 to from June 13, 2013 articles on yahoo.com entertainment article, EXO CBX lawsuit against with SM Entertainment company also BTS other members discharged dates also BTS festa through the years From 2014 fan song so 4 more to 2024 Never Let Go also Jin hug event and more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tasha-monell2/message

Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AChip in for editing: https://ko-fi.com/thekpopcast HIT REPLAYS:RM 'Domodachi (feat. Little Simz)' https://youtu.be/bZPQImItCEg?si=aJsZKEbHykjTwlyNATEEZ(에이티즈) - 'WORK' https://youtu.be/VGnOpZhsPk4?si=ifrzl_OBiZLaaq56 Hosted on Acast. See acast.com/privacy for more information.

Começa agora o POD NOTÍCIAS, a sua dose semanal de informação sobre o mercado de podcasts no Brasil e no mundo! Falando de Serra Negra eu sou Leo Lopes, hoje é segunda-feira, dia 8 de abril de 2024 e esta é a nossa décima edição! Sabia que você pode anunciar com a gente aqui no Pod Notícias? Se você tem uma marca, produto ou serviço e quer atingir um público qualificado que se interessa pelo podcast aqui no Brasil, o nosso público é o seu público. Manda um e-mail pra gente no contato@podnoticias.com.br, que a gente vai ter o maior prazer em conversar com você. Além disso, se você quiser colaborar com a gente, mandar texto, mandar pauta, também é muito bem-vindo, e pode fazer isso também pelo mesmo e-mail, que vai estar na descrição do episódio. 1 - Abrindo as notícias desse programa, vamos falar da nossa manchete de hoje. De acordo com a empresa Edison Research, lá nos Estados Unidos já existem mais de 100 milhões de ouvintes semanais de podcast. A gente pincelou essa informação no episódio da semana passada, quando a gente falou que os podcasts já tem mais adesão do que a Netflix, mas hoje vamos trazer mais dados sobre como esse número impacta o cenário do podcast. Primeiramente, o podcast não é mais considerado uma "mídia alternativa" nos Estados Unidos. Com esses números, por lá, nós já seríamos uma mídia mainstream, um veículo que caiu no gosto de todo mundo. O hábito de ouvir podcasts no carro, principalmente num país cheio de carros tipo os Estados Unidos, também está em alta - e isso ameaça as rádios AM/FM, que sempre dominaram os trajetos dos americanos. A pesquisa também indicou aumento da familiaridade do público geral com podcasts, além da fidelidade dos ouvintes ao formato, com 47% deles ouvindo todo mês. Outro ponto importante levantado no relatório, foi a diminuição da diferença de gênero no consumo de podcasts, com um aumento no número de ouvintes mulheres. A faixa etária dos ouvintes também está cada vez mais equilibrada. Ouvintes mais velhos são cada vez mais comuns - e talvez até passem o número de ouvintes jovens daqui a alguns anos. Link 2 - Ainda de acordo com o Infinite Dial da Edison Research, o número mais expressivo de ouvintes de podcast ainda está na faixa dos 18 aos 34 anos. De toda essa faixa etária, cerca de 60% é ouvinte leal de podcasts. Aliás, nesse grupo etário, o engajamento com anúncios de áudio é bem maior do que com anúncios feitos em streaming de músicas ou na TV. Mas, apesar dos números indicarem que o podcast é uma das melhores mídias pra colocar uma propaganda, os investimentos publicitários em podcasts ainda são baixos e representam só 1% do total de gastos com publicidade nos Estados Unidos. De acordo com vários especialistas de marketing, a sugestão é que as marcas reavaliem suas estratégias e dêem mais destaque aos podcasts, especialmente considerando o público feminino - já que cada vez mais mulheres tem acompanhado podcasts, e o poder de compra feminino tende a ser maior do que os homens para produtos. Uma recomendação específica que foi dada, é que as empresas adotem a "solução 5% de Semsky", que consiste em colocar 5% do orçamento de mídia digital em podcasts, seguindo uma abordagem parecida com a que foi utilizada no início da TV a cabo pelo especialista Arnie Semsky. Talvez agora que o podcast é considerado uma mídia convencional pros americanos, os anunciantes comecem a investir mais no áudio. Tomara que sim. Link 3 - E chegamos ao dia em que o Google Podcasts foi oficialmente encerrado. Na terça-feira passada, dia 2, a plataforma foi descontinuada na América do Norte, com previsão de ser retirada do ar em até um mês. Com o fim iminente do Google Podcasts, a empresa já estava fazendo campanhas havia vários meses pros usuários migrarem pro YouTube Music, que agora tem um novo visual na seção de comentários. No novo formato, a aba de comentários do YouTube Music “empurra” o reprodutor para cima, exibindo os comentários dos usuários como se fosse uma gaveta de aplicativos, e o reprodutor encolhe no topo da tela pra virar um “mini player” que exibe o nome da música e do artista. De acordo com o Google, outro recurso que está sendo testado é a otimização de comentários na parte dos podcasts. Esse novo design já foi liberado apenas para smartphones e não deve aparecer em tablets. Link AINDA EM NOTÍCIAS DA SEMANA: 4 - No dia 1º de abril, a empresa Accu Radio anunciou o lançamento de uma nova interface revolucionária chamada AccuGesture, com a qual os usuários poderiam controlar a experiência de streaming de música por meio de gestos humanos, sem precisar usar a tela sensível ao toque, o mouse ou mesmo a voz. De acordo com o comunicado de imprensa, o sistema AccuGesture utiliza câmeras web e de smartphones para permitir que os ouvintes personalizem suas preferências apenas com movimentos. Alguns dos controles de movimento incluem se inscrever em um canal fazendo um simples sinal de "ok" para a câmera, ajustar o volume colocando os dedos nos ouvidos, classificar músicas desenhando estrelas no ar e banir músicas ou artistas com gestos específicos - que aqui é melhor a gente não comentar, mas talvez você imagine do que a gente tá falando... A AccuRadio é uma plataforma de rádio online que desde o ano 2000 se destaca pela sua personalização, a variedade de conteúdos e a curadoria humana. E, sendo uma empresa que já é conhecida por ter esse approach humano, é claro que o anúncio era uma pegadinha de primeiro de abril. Só que o press release foi tão bem bolado, que muitos veículos de notícias acabaram noticiando como se fosse verdade - inclusive o Pod News, um dos maiores hubs de informação sobre podcast do mundo. De acordo com o texto, a interface AccuGesture estava em período de testes e logo seria disponibilizada para outras plataformas. Quem sabe no dia 1º de abril do ano que vem esses testes se concluam. Link 5 - E esse ano os podcasts estão tendo um crescimento bem significativo, talvez o maior desde 2022, o que levou alguns estudiosos da área a especular os motivos. Alguns dos fatores chave desse crescimento incluem os avanços tecnológicos recentes, as mudanças nas preferências do consumidor e a evolução da mídia de áudio em geral - incluindo streamings de música e um novo fortalecimento do rádio. Os podcasts, especialmente, estão impactando positivamente várias indústrias, como a do entretenimento, a da educação e também o marketing. Isso sem contar que os podcasters estão sempre buscando novas estratégias de monetização, o que movimenta novas pontas da economia. As últimas previsões sobre o futuro do podcast indicam aumento contínuo do número de ouvintes nos próximos anos, e também aumento no valor de mercado da nossa mídia. Nada mais justo. Link E MAIS: 6 - O Realm Podcast Fellowship, sediado em Austin, Texas, anunciou uma nova parceria com o Festival de Cinema de Austin para patrocinar a Competição de Podcasts de Ficção de 2024. A premiação está em busca de séries de áudio nos gêneros de terror, suspense, romance ou drama voltadas para os públicos millennial e Geração Z. Os vencedores vão receber um prêmio em dinheiro de 1.000 dólares e um reembolso de viagem de 500 dólares para participar do Austin Film Festival em outubro de 2024, além de também ganharem reuniões com executivos do Realm pra receberem feedbacks sobre os seus roteiros. Mas por que esses feedbacks seriam relevantes pros criadores de conteúdo? Porque a Realm é uma empresa líder na indústria de séries de áudio monetizáveis. Alguns dos títulos deles são as séries "Harley Quinn & The Joker", "The Flash: Escape the Midnight Circus" e "Outliers", grandes sucessos de público. Link 7 - E se você sentiu falta de um momento "é mole?" no episódio passado, já pode ficar feliz, porque hoje tem. Usuários do Twitter estão postando álbuns inteiros de K-pop como "podcast" no Spotify, e por conta das leis locais da Coréia do Sul, o Spotify não pode retirar os episódios do ar. Só que não é pra qualquer álbum que isso funciona e eu vou explicar por quê. A questão toda começou com o grupo TVXQ (ou tê-vê-xis-quê), que desde 2009 têm travado várias batalhas legais contra a sua agência, a SM Entertainment. O grupo alegou que a empresa tomou créditos por composições que eram dos membros do grupo, fizeram o grupo assinar a renovação de contrato sem saber do que se tratava e mais um monte de coisa, os processos foram uma bagunça. Alguns deles ainda estão acontecendo nesse momento, e é aí que entra o Spotify. O processo judicial da vez é sobre a quem pertencem os royalties dos últimos álbuns do grupo, se é pro TVXQ ou pra agência. Até que a questão legal seja resolvida, as músicas desses álbuns foram retiradas do Spotify e não podem ser adicionadas ao perfil do TVXQ. No entanto, enquanto o processo acontece, a justiça coreana entende que as músicas não pertencem a ninguém. Com essa brecha, os fãs do grupo colocaram os álbuns na plataforma como episódios de podcast. Nesse caso, mesmo que a SM Entertainment ou o grupo entrem com o pedido pra retirar os episódios do ar, ele vai ser negado já que a música não é, legalmente, de ninguém. Já dizia o ditado: "cachorro que tem dois donos morre de fome". Link HOJE NO GIRO SOBRE PESSOAS QUE FAZEM A MÍDIA: 8 - O podcast Não Inviabilize está testando uma assinatura premium que vai oferecer histórias em dobro para os assinantes regulares do programa. Atualmente, a assinatura regular custa R$15 por mês e dá acesso a um acervo com mais de 200 histórias exclusivas, e além disso, os assinantes podem ouvir as histórias novas antes de serem lançadas nas plataformas gratuitas. Se der tudo certo com o teste da nova assinatura premium, ela vai ficar disponível aos ouvintes a partir de maio. Link 9 - E na semana passada, o Alexandre Maron - sócio fundador da Ampere - postou no seu LinkedIn um agradecimento emocionado pelo lançamento do podcast Ditadura Recontada, feito numa parceria da CBN com a Globoplay. Com seis episódios no total, o podcast apresenta áudios inéditos de Elio Gaspari, autor da coleção Ditadura. Inspirado nos cinco volumes da coleção e em mais de 300 horas de gravações do Elio, o podcast narra os bastidores e eventos do período militar no Brasil, desde a intervenção de 1964 até a abertura democrática. O Alexandre agradeceu a equipe envolvida no projeto e mencionou com muito carinho a dedicação e esforço de cada pessoa que contribuiu para o sucesso do podcast. O Ditadura Recontada é apresentado por Nadedja Calado e pela pesquisadora Helena Dias, e cada episódio fala sobre personagens, situações e fatos fundamentais para compreender os anos sombrios da ditadura na história brasileira. Os primeiros episódios já estão disponíveis em todas as principais plataformas de podcast. Link 10 - E a Central3 apresentou o podcast Itinerâncias, o primeiro projeto selecionado na campanha Mais Vozes. Pra quem não tá lembrado, a Mais Vozes foi uma campanha afirmativa focada em apoiar podcasters, jornalistas e produtores independentes que fossem mulheres cis, pessoas trans, não-brancas, PCDs e outras minorias marginalizadas. Os projetos selecionados receberam prêmios como recurso financeiro, equipamentos de gravação e vinhetas originais. O podcast Itinerâncias é uma produção que conta histórias de mulheres de cinco cidades brasileiras: Manaus, Belém, São Luís, Teresina e Fortaleza. As histórias dessas mulheres foram conhecidas durante uma itinerância realizada pelo Instituto Rebbu, levando o projeto "Não À Pobreza Menstrual" para diversas comunidades - daí o nome do podcast. O Itinerâncias vai ser lançado em breve na grade de programas da Central 3. Link SOBRE LANÇAMENTOS: 11 - Na semana passada foi ao ar o Podcast Aisholpan: O Poder da Inspiração (na língua original), um programa educacional idealizado pelo parlamento do Cazaquistão para adolescentes do sexo feminino, com apoio da União Europeia. O podcast tem o objetivo de capacitar e empoderar as adolescentes, promover liderança feminina, construir conexões geracionais e defender valores como humanismo, tolerância e proximidade com o meio ambiente. Apresentado pela modelo e jornalista Aruzhan Khafiz, o podcast vai ser um bate-papo com convidados especiais, incluindo embaixadoras da União Européia no Cazaquistão e líderes de programas de subsídios na Europa. Os episódios vão ser lançados com poucos dias de intervalo. Link 12 - Também na semana passada foi ao ar o Confraria do Charuto, o podcast oficial da Cigar Sommelier Academy, apresentado por mim e pelo criador da CSA, o chef e sommelier Gabriel Lourenço. O podcast é produzido pela Rádiofobia Podcast Network, e lá a gente vai falar sobre tudo que orbita o mundo do charuto. O episódio de estreia foi lançado na última quarta-feira, 3 de abril, e, modéstia à parte, como todo bom podcast, já está disponível em todas as principais plataformas de áudio. Se você, assim como eu, é um entusiasta - ou apenas um curioso - sobre o mundo do charuto, não deixa de conferir. Link 13 - E na quinta-feira, dia 4 de abril, também foi lançado o podcast Fita Amarela: Bastidores do Crime, trazendo detalhes chocantes do Caso do Posto Querência. O Fita Amarela é um podcast de true crime, e o primeiro episódio trouxe o caso de Cleudison Bernardi, um adolescente desaparecido que foi vítima de um crime brutal em 1996. O programa é apresentado pelo jornalista Jota Júnior, que é quem vai explorar casos policiais marcantes da região de Maringá em sua primeira temporada de cinco episódios, lançados todas as quintas-feiras. Link RECOMENDAÇÃO NACIONAL: 14 - E por falar em true crime, a recomendação nacional dessa semana vai ser pra não um, mas pra dez podcasts. O portal Olhar Digital fez na última semana uma lista com os programas que eles consideram os 10 melhores podcasts brasileiros sobre Crimes Reais. O tema têm sido muito popular aqui no Brasil e no mundo, desperta o interesse do público por motivos diversos, então aqui vai o top10 do Olhar Digital sobre podcasts brasileiros de true crime: Linha Direta Modus Operandi Quinta Misteriosa Arquivo Mistério 1001 Crimes Fábrica de Crimes Colecionador de Ossos Café com Crime Assassinos em Série e Casos Reais. ...É sangue que não acaba mais aqui na nossa pauta. Os links para todos os podcasts mencionados estão disponíveis na matéria completa do Olhar Digital, que você encontra na nossa página do LinkedIn, e na descrição desse episódio, como sempre. Link E assim a gente fecha esta décima edição do Pod Notícias. Acesse podnoticias.com.br para ter acesso à transcrição e os links das fontes de todas as notícias deste episódio! Essa semana a gente vai dar um descansinho pra nossa Caixinha de Perguntas do Instagram, mas a gente volta semana que vem com a nossa interação! Acompanhe o Pod Notícias diariamente:- Page do Linkedin- Instagram- Canal público do Telegram Ouça o Pod Notícias nos principais agregadores:- Spotify- Apple Podcasts- Deezer- Amazon Music- PocketCasts O Pod Notícias é uma produção original da Rádiofobia Podcast e Multimídia e publicado pela Rádiofobia Podcast Network, e conta com as colaborações de:- Camila Nogueira - arte- Eduardo Sierra - edição- Lana Távora - pesquisa, pauta e redação final- Leo Lopes - direção geral e apresentação- Thiago Miro - pesquisa Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço no Pod Notícias.See omnystudio.com/listener for privacy information.

Are Naevis and PLAVE's Noah dating in Roblox? Did NewJeans just change their name to "MomJeans?" And was the management of Kep1er thus far just an elaborate April Fools' joke? These items and more are discussed in this episode, recorded on the first of April. Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AHIT REPLAYS:BABYMONSTER - ‘SHEESH' M/V https://youtu.be/2wA_b6YHjqQ?si=MDbOmKnU8_W-V5yV ILLIT (아일릿) ‘Magnetic' Official MV https://youtu.be/Vk5-c_v4gMU?si=7WmaNqw5opCfenVZ 래원 (Layone) '세상 따위 (Feat. BewhY)' MV https://youtu.be/YgVwFqhE7gU?si=XwnvOtOImJxfloO5 Kim Nam Joo (김남주) ‘BAD' MV https://youtu.be/THFASKhVDYs?si=jdHIf6y6COIIprxQ Hosted on Acast. See acast.com/privacy for more information.

Lee TAEMIN, a member of the popular K-pop group SHINee, is leaving SM Entertainment after 16 years. His bandmate, ONEW also decided to depart the company after being on hiatus since their "HARD" album era about a year ago. Remaining members MINHO and KEY have reportedly decided to renew with SME. This departure has stirred curiosity among fans about his future career plans, with rumors suggesting that he might join Big Planet Made, a company known for its involvement in an alleged attempt to recruit EXO-CBX from SM Entertainment. This shift poses questions to the industry about the future for TAEMIN, SHINee, his fans, and SME itself. Join us on Patreon!: https://www.patreon.com/CCTVPOPS Follow us on social media: https://linktr.ee/cctvpops

We talk about the recent news that Taemin and Onew of SHINee are not renewing their contracts at SM Entertainment and what that means for the group and their careers. Follow us on...

The rise of Korea's musicians from local celebrities to international superstars is credited to Lee Soo-man, the godfather of K-pop. The industry he developed gave rise to groups like BTS, which has been the biggest-selling band in the world for two years running. Now, Lee has sold most of his stake in SM Entertainment, the company he founded, to one of its biggest rivals.On this week's podcast, hosts Mike Bird, Alice Fulwood and Tom Lee-Devlin delve into the world of K-pop and examine how the businesses making one of Korea's newest export industries operate. Author, Mark Russell, tells them how K-pop went global. Analyst, Bokyung Suh, breaks down the secret to its commercial success, and explains whether fans should fear a potential K-pop commercial monopoly.Sign up for our new weekly newsletter dissecting the big themes in markets, business and the economy at www.economist.com/moneytalks For full access to print, digital and audio editions, subscribe to The Economist at www.economist.com/podcastoffer Hosted on Acast. See acast.com/privacy for more information.