Podcasts about steinway hall

In this festive episode, we celebrate the holiday spirit with classic literary readings from Dylan Thomas and Charles Dickens. Experience the magic of Thomas's "A Child's Christmas in Wales," a nostalgic and whimsical reflection on Christmas past, and dive into Dickens's "A Christmas Carol," a timeless tale of redemption and social critique. Join host Jack Eidt as we journey through these beloved works, capturing the essence of Christmases past and the hope for future celebrations. We include clips from Dylan Thomas: A Child's Christmas In Wales: https://youtu.be/zFSs2IdDmuU Recorded Feb 1952 in Steinway Hall in New York City A Christmas Carol: A Ghost Story of Christmas: https://youtu.be/vT3skWqpUMA?si=12kYQhqExUsN8rsx Author: Charles Dickens, This was produced by the Mormon Channel, Created in 2015. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Thanks to Janet Sager Knott for the recommendation on the tradition behind Dylan Thomas' Christmas reading. Dylan Marlais Thomas (1914 - 1953) was a popular poet writing in English, and from Swansea, Wales. He is famous for his acutely lyrical and emotional poetry, as well as his turbulent personal life. The originality of his work makes categorization difficult. His works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood. He also wrote stories and radio broadcasts such as the piece we share today, A Child's Christmas in Wales, as well as Portrait of the Artist as a Young Dog. Charles Dickens (1812 – 1870) was an English novelist, journalist, short story writer and social critic. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His notable works include the piece we excerpt today, "A Christmas Carol," as well as "Oliver Twist," and "Great Expectations," all still quite popular today. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes a column on PBS SoCal called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 242 Photo credit: Prawny from Pixabay

CATHERINE FILLOUX (BOOK) is an award-winning playwright who has been writing about human rights and social justice for twenty-five years.  Filloux is the librettist for three produced operas, NEW ARRIVALS (Houston Grand Opera, composer John Glover), WHERE ELEPHANTS WEEP (Chenla Theatre, Phnom Penh, Cambodia, composer Him Sophy) and THE FLOATING BOX (Asia Society, New York City, composer Jason Kao Hwang).  WHERE ELEPHANTS WEEP was also broadcast on national television in Cambodia, and THE FLOATING BOX was a Critic's Choice in Opera News and is released by New World Records.  Catherine is the co-librettist with composer Olga Neuwirth for the opera ORLANDO, which premiered at Vienna State Opera. In development:  Thresh's L'ORIENT (composer Kamala Sankaram, choreographer Preeti Vasudevan); MARY SHELLEY (composer Gerald Cohen, dramaturg Cori Ellison, Black Tea Music).  Her plays have been produced around the U.S. and internationally.  She has been honored with the 2019 Barry Lopez Visiting Writer in Ethics and Community Fellowship; the 2017 Otto René Castillo Award for Political Theatre; and the 2015 Planet Activist Award.  JIMMY ROBERTS  (MUSIC & LYRICS) composed the music for I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, second longest running Off Broadway musical in New York theater history. Written with playwright Joe DiPietro, I LOVE YOU received both the Drama Desk and Outer Critics Circle nominations as Best Musical. It has since played in fifty states, twenty-five countries around the world, and is a major motion picture in Hong Kong. His second Off Broadway musical, THE THING ABOUT MEN, won the 2003 New York Outer Critics Circle award for Best Musical. Jimmy's songs were featured in two other Off Broadway shows: A…MY NAME IS STILL ALICE and PETS! His children's musical, THE VELVETEEN RABBIT, toured the United States for well over a decade. Jimmy is also a sought-after performer. In entertaining programs that combine classical and popular music, he has appeared at Merkin Concert Hall, the Time Warner Center, the 92nd Street Y, Steinway Hall, and the National Arts Club. A graduate of the Manhattan School of Music, where he studied with noted pianist, Constance Keene, Jimmy Roberts is also a poet, whose work has appeared often in the New York Times Metropolitan Diary, as well as TROLLEY, the journal of the NYS Writers Institute. JOHN DAGGETT (BOOK & ADD'L LYRICS) is a differently-abled actor who has starred Off-Broadway in the critically acclaimed plays LEMKIN'S HOUSE, TEAHOUSE OF THE AUGUST MOON, and LOVE LEMMINGS.  Other New York credits include: ROME, PORTRAIT OF A PRESIDENT, AN ARTIST'S LIFE, THE WITCHES TRIPTYCH, and his one-man show FLYING BY THE SEAT OF MY PANTS (Theatre Row).  Regional: Guthrie, Merrimack Rep, Jewish Repertory Theatre, Portland Stage, Roxy Theatre, Odyssey Theater, Kavinoky Theatre and H.T.Y.  Numerous roles for Pennsylvania Shakespeare, Orlando Shakespeare, Shakespeare in Delaware Park, Lake Tahoe Shakespeare and Sherwood Shakespeare.  John served as a member of the Government Relations Committee of the National Multiple Sclerosis Society. Welcome to the Big Dipper What defines home, family, and identity? Joan Wilkes confronts these questions when she must sell The Big Dipper Inn, near Niagara Falls in upstate New York, known for its music and African American heritage. She's all set to sign the contract when a blizzard lands a group of Amish folks and a busload of men in dresses on her doorstep. For three days and nights, they wait out the storm. Cultures clash, romance crackles, and Joan struggles for answers, as a houseful of strangers becomes an unexpected community.

Jeffrey Biegel is a pianist who has dazzled audiences across the globe, performing with major orchestras from a young age. But his contributions go far beyond the concert stage — He's commissioned over 25 new works from living composers, leaving a lasting mark on contemporary piano music. Always pushing the boundaries, Jeffrey has performed weekly online concerts during the Covid pandemic and even pioneered the first-ever live audio/visual recital on the internet in 1997, broadcasting from Steinway Hall in New York. We explore Jeffrey's extraordinary journey—from his early challenges with being unable to hear to his studies at Juilliard, and his deep passion for bringing new music into the world. Along the way, we discuss his creative process, his experiences as a performer and teacher, and even a futuristic story he's written, which you can find on his website.Part 1 dives into Jeffrey's early life, starting with the incredible story of overcoming hearing issues before discovering his musical gift. By age 10, he was already performing concerti! We talk about his time at Juilliard and the lessons he learned from that transformative period. Since Jeffrey has brought so many new works into the piano repertoire, I ask him to walk me through the fascinating process of commissioning new music. We wrap up with a fun, hypothetical set of questions based on one of his creative stories.Part 2 [Subscriber Content] turns to another key part of Jeffrey's career — teaching. We also dig into a question that musicians often grapple with: how much freedom should a performer take when interpreting a composer's work? Finally, we end on a high note, discussing two unique pieces Jeffrey has been closely involved with: Leroy Anderson's Concerto in C and Peter Schickele's Concerto for Very Grand Piano (you might know him as Mr. PDQ Bach).Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

AyseDeniz was considered a child prodigy in her native Türkiye and made her concerto debut when she was nine, with the Gordion Chamber Orchestra playing J.S. Bach's Keyboard Concerto No. 5. At thirteen, she had already performed as a soloist with various orchestras under conductors including Ibrahim Yazici, Fahrettin Kerimov, Antonio Pirolli, Cem Mansur, Engin Sakpinar, Ertug Korkmaz, Rengim Gokmen, Vladimir Sirenko, and Kirill Karabits.  ​ As a young pianist, AyseDeniz attended prestigious summer festivals including the Verbier Academy, Music Academy of the West, Aspen Music Festival and School, PianoTexas, Goslar Konzertarbeitswochen, Tel Hai, and Beijing International Music Festival, studying with renowned piano pedagogues such as Menahem Pressler, Jerome Lowenthal, Arie Vardi, Yoheved Kaplinsky, as well as Lang Lang. In middle school, AyseDeniz moved to Spain for half a year to study with the renowned Bach interpreter Rosalyn Tureck, becoming one of her last students. ​ In 2009, she completed her Bachelor's Degree at Eastman School of Music (Rochester NY) in the studio of Douglas Humpherys with all semesters on Dean's List, and received the Howard Hanson and Clements Scholarships as well as the John Celentano Excellence in Chamber Music Award. In 2011, She completed her Masters in Piano Performance at the Royal Academy of Music in London, under the tutelage of Christopher Elton, and received the Maud Hornsby Award, graduated with Merit, and also completed the Licentiate of the Royal Academy of Music Teaching Certificate. ​ Throughout her early career, AyseDeniz has given concerts around the world including Cathedral of Christ The Savior Moscow (Russia); L'Eglise Verbier (Switzerland); Duke's Hall, Steinway Hall, Kings Place London (UK); Bellapais Antique Monastery (Northern Cyprus); Kiev Central Park of Culture Open Air Hall, Lysenko Hall (Ukraine); PepsiCo Hall (TX), Kilbourn Hall (NY), Harris Hall (CO), Pacific Amphitheater (CA) in USA; Teatro Cine Chacabuco (Argentina); Teatro Cine Gouveia, Teatro das Figuras Faro, Centro Cultural de Ãlhavo, Centro Cultural da Gafanha da Nazare, Groove Cascais (Portugal); Galleria d'Arte Moderna, San Fedele Milan, Teatro Dario Fo Venice, and St. Giorgio Cathedral Palermo (Italy); Silent Green Kulturquartier Berlin and Konzertsaal Friedenskapelle Münster (Germany); Sofia Central Military Club (Bulgaria), Ambato City Hall (Ecuador); Afundación and Mar de Vigo (Spain) and in almost all of Türkiye's most important music halls including Süreyya Opera House, Albert Long Hall, CRR, CKM and Zorlu PSM (Istanbul), State Opera House (Eskisehir); City Hall (Adana); Atatürk Cultural Center & KSÜ Yunus Emre Cultural Center (Antalya); Opera Hall (Mersin); Hikmet Simsek Cultural Center, (Izmir); METU, CSO and MEB Sura (Ankara).  AyseDeniz Links   Mr. Bill's Links   Podcast Produced & Edited by: Robert Fumo

Jimmy Roberts is the composer of the second longest-running Off-Broadway musical in New York theater history, I Love You, You're Perfect, Now Change, which ran for over 5000 performances. It's been produced around the world in languages as diverse as French, Spanish, German, Finnish, Mandarin and Cantonese.  Jimmy's second Off-Broadway show The Thing About Men, won the New York Outer Critics Circle award for Best Musical.  His latest show, Welcome to the Big Dipper, co-written with John Daggett and one of my favorite StoryBeat guests, Cat Filloux, is set to open at the York Theatre in Manhattan in November 2024. Jimmy's also a sought-after performer, presenting entertaining programs that combine classical and popular music. Recent engagements include: Merkin Concert Hall, the 92nd Street Y, Steinway Hall, and the National Arts Club.  The New York Times called Jimmy's performances, “Brilliant.” He's a graduate of the Manhattan School of Music, where he studied with noted pianist, Constance Keene. He's also a published poet, with several of his poems appearing in the New York Times Metropolitan Diary. Jimmy reads two of his poems during the show. He's also a collector of historic letters and interesting people.  Please stick around at the end of the show because Jimmy has generously lent us a wonderful song sampler from Welcome to the Big Dipper for your enjoyment. 

This composer, mastermind of “Piano Puzzlers,” feared premature death: “Schubert died at 31, Mozart died at 35, Gershwin died at 39. I thought because my father died when he was 55, that I would, too.” A conversation at Steinway Hall on fathers, sons, and the neuroscience of creativity.

"Some of the shared concepts - even words that psychoanalysis and musicians use - such as conflict, ambiguity, silences, dissonance, resolution or not, working through, is in the Mozart you've heard. What you hear in the very opening four measures was worked through this entire sonata, it was thematic. If we play the whole sonata, and even in the first movement, you get a taste of it. Those themes are present throughout the sonata just like in the patient's associations and interactions with you -  we have music themes and we have core conflicts, and they get developed.”    Episode Description: We begin by listening to the opening of Mozart's A minor sonata, performed by Professor Louis Nagel. Mozart wrote this during the time of his mother's death, and it was one of the very few instances of his utilizing a minor key. From that example, we explore the interface between the dynamic mind and the layering of classical music. Concepts of core conflict, displacement, and resolution represent important meanings in both fields. Julie shares clinical examples of how music enters her clinical space with her patients. She also shares with us her life story and how music played a central role in helping her negotiate tumultuous personal circumstances. She demonstrates what it means to be an ambassador for both music and psychoanalysis -  on and off  the couch.   Our Guest: Julie Jaffee Nagel, PhD is a psychologist, psychoanalyst, and musician. She graduated from The Juilliard School, the University of Michigan, and The Michigan Psychoanalytic Institute. She has presented widely on Stage Fright, Careers in the Arts, #Me Too and Music Education, The Value of Music in Mental Life, and “Injustice, Oppression, and Prejudice As ‘Heard'” in Music.” Her fantasy dialogue, A Conversation Between Mozart and Freud, was performed in Steinway Hall, NYC, in February 2020. She is the author of Managing Stage Fright and Melodies of the Mind.   She has served as chair of the American Psychoanalytic Association's discussion group Psychoanalytic Perspectives on Music, was a member of the Program Committee, Symposium Committee, and is currently Chair of the Ticho Award Committee. She has presented at The College Music Society, Music Teachers National Conference, and National Conference on Keyboard Pedagogy, from whom she received their Distinguished Service Award. Additional Awards include two Nathan Segal Awards (MPI), The Karl Menninger Award, and the Ernst and Gertrude Ticho Award for contribution to psychoanalysis and music.   Her latest book, Career Choices in Music Beyond the Pandemic: Musical and Psychoanalytic Perspectives, offers unique musical and psychological perspectives on one of the most important decisions made in a musician's (or anyone's) lifetime: choosing a career.   She is in private practice in Dexter, Michigan.   Louis Nagel is Professor Emeritus of Piano at The University of Michigan School of Music Theatre and Dance and the winner of the Harold Haugh Award for Excellence in Teaching at The University of Michigan Recommended Readings:   Anderson, E. (1966) The Letters of Mozart and His Family (Second Ed. in two volumes, completed by A. Hyatt King and Monica Carolan). London, Melbourne, Toronto: Macmillan and New New York: St. Martin's Press. Barale, F. and Minazzi, V. 2008. Off the Beaten Track: Freud, Sound, and Music; Statement of a Problem and Some Historico-critical Notes, 89(5), October: 937-57. Cheshire, N.M. (1996) The Empire of the Ear: Freud's Problem with Music. Int. Journal of Psychoanalysis.77: 1177-78. Feder, S. 1993. “Promissory Notes”: Method in Music and Applied Psychoanalysis, in S. Feder, R.L. Karmel, and GJ. Pollock (eds). Psychoanalytic Explorations in Music. Madison, CT. : International Universities Press. 3-19. Feder, S., Karmel, and GJ. Pollock (eds) 1990 and 1993. Psychoanalytic Explorations in Music.( Vols. 1 and 2) Madison, CT. : International Universities Press Freud, S. (1914a). The Moses of Michelangelo. S.E.. XIII: 211-36. Lipson.C. (2006) The Meanings and Functions of Music that Comes into One's Head. Psychoanalytic Quarterly. 75 (3) 859-78.     McDonald, M. (1970). Transitional Tunes and Music Development. The Psychoanalytic Study of the Child. 25: 503-20. Nagel, J.J. 2013. Melodies of the Mind. Routledge, London and New York. Nagel, J.J. 2017 Managing Stage Fright: A Guide for Musicians and Music Teachers. Oxford University Press. Nagel, J.J. 2022. Beyond the Consulting Room: How I Discovered “Heard” Immunity Through Music and Psychoanalytic Knowledge. The American Psychoanalyst. Nagel, JJ. (2023) Career Choices in Music Beyond the Pandemic: Musical and Psychological Perspectives. Rowman and Littlefield. Lanham, Maryland. Nagel, J.J. (2018) Music. Ch. 32. A Conversation Between Mozart and Freud. In Textbook of Applied Psychoanalysis, (Akhtar, S., and Twemlow, S. Eds.) London and New York. Routledge/Taylor and Francis, 2019. ( This Conversation was revised and performed at Steinway Hall, in New York City on February 13, 2020.) Noy, P. 1966-1967 a,b,c,d The Psychodynamics of Music. Journal of Music Therapy, 3(4) :126- 34, 4(1);7-23,4 (2);45-51, 4(3);81-94, 4(4);117-25. Polisi, J. 2005. The Artist as Citizen, New York. Amadeus Press Ross, A. (2007) The Rest is Noise. New York. Farrar, Straus, and Giraux Recordings:   Waltz from Gounod's Faust (Liszt-Gounod-Nagel transcription) - Louis Nagel, Piano - live performance   Variations on a Theme of Beethoven for 2 Pianos, Op. 35 , Camille St. Saens- Julie and Louis Nagel - live performance  

Synopsis It was on today's date in 1913 that Igor Stravinsky's ballet “The Rite of Spring” premiered at the Théâtre des Champs-Élysées in Paris, provoking catcalls and fisticuffs from some in the audience. Most scholars suggest it was the ungainly, deliberately primitive choreography of Vaslav Nijinsky, more than Stravinsky's score, that provoked the most negative response. Pierre Monteux's concert performance—without the dancing—at the Casino de Paris the following Spring marked the start of the score's success as pure music. On that occasion, Stravinsky was carried in triumph from the hall on the shoulders of his admirers. Shortly before his death in 1929, Sergei Diaghilev, who had commissioned Stravinsky's score, was enthusiastically quoting a review in the London Times that suggested (perhaps ironically) that the “Rite of Spring” would be for the 20th century what Beethoven's Ninth Symphony was for the 19th. Well, that has rather turned out to be the case, in fact, and by 2013, a piece of orchestral music that in 1913 was considered almost unplayable is routinely programmed as a classic orchestral showpiece. One New York Times critic even wrote “… now everybody knows “The Rite.” [It's] an audition piece that every music student practices, so that now any conservatory orchestra can give a fleet and spiffy performance of what used to stump their elders, and professional orchestras can play it in their sleep, and often do…” Music Played in Today's Program Igor Stravinsky — The Rite of Spring (Cleveland Orchestra; Pierre Boulez, cond.) DG 435 769 On This Day Births 1860 - Spanish composer Isaac Albéniz, in Camprodón; 1873 - Estonian composer Rudolf Tobias, in Kaina on Haiiumaa Island; 1897 - Austrian composer Eric Wolfgang Korngold, in Brno; 1922 - Greek composer Iannis Xenakis, in Braila, Roumania; 1948 - English composer Michael Berkley, in London; He is the son of English composer, Sir Lennox Berkeley (1903-89); Deaths 1910 - Russian composer Mily Balakirev, age 73, in St. Petersburg (Julian date: May 16); 1911 - British lyricist Sir William S. Gilbert (of "Gilbert & Sullivan" fame), age 74, from a heart attack after rescuing a drowning woman, at Harrow Weald, England; 1935 - Czech composer Josef Suk, age 61, in Benesov; 1951 - Czech composer Josef Bohuslav Foerster, age 91, in Vestec, near Stará Boleslav; Premieres 1901 - Paderewski: "Manru," in Dresden; Also staged at the Metropolitan Opera in 1902; 1905 - Scriabin: Symphony No. 3 ("'Divine Poem"), in Paris, Arthur Nikisch conducting; 1913 - Stravinsky: "Le Sacre du printemps" (The Rite of Spring), in Paris, by Diaghilev's Ballet Russe, Pierre Monteux conducting; 1954 - Cowell: Symphony No. 11 ("Seven Rituals"), by the Louisville Orchestra, Robert S. Whitney conducting; 1970 - Rautavaara: Piano Concerto, in Helsinki, with composer as soloist, and the Finnish Radio Symphony, Paavo Berglund conducting; Others 1873 - American premiere of Brahms's Serenade No. 1 in D, at Steinway Hall, by the New York Symphony, Theodore Thomas conducting; 1963 - The New York Philharmonic "Promenade" concert series is inaugurated. Links and Resources On Igor Stravinsky More on "The Rite of Spring" Video of recreated original 1913 choreography for "The Rite of Spring"

Songeun Choi talks about her experience with injury from her time at school onwards and how it's affected her ability to play, practise and fulfil commitments. Thank you for your openness and honesty Songeun!Songeun Choi is a soloist and enthusiastic chamber musician. A graduate of the Royal Academy of Music, she studied with William Fong and Diana Ketler. During her studies ,she was supported by scholarships and was awarded DipRAM and the Dorothy Bryant Award. She has performed in venues including Steinway Hall, Fazioli Concert Hall, Barbican, Wigmore Hall, King's Place, Klassische Klavier Festival in Austria and the Venue in Leeds.Share your injury stories using the hashtag #MIAW2021 and tag us! The more discussion, the merrier. Follow Songeun on Instagram Follow us on Instagram (@tmdtapodcast)Follow us on FacebookCheck out our website

This week Michael speaks with music artist RIOPY. RIOPY is a pianist with a passion for meditation and using binaural beats to heal the brain. In this episode he talks about his creative process for writing music, how music and meditation are more than passions - they are necessities for him and help him to feel safe, and shares his knowledge about how and why binaural beats are healing. Tune in to learn more about the power of music and how it heals the mind. RIOPY was born and raised in the French countryside and at an early age he began to teach himself the piano when he discovered an abandoned instrument. He didn't have access to printed scores, so he began to compose music in his head. At 21 he moved to London and this is when his international career began. His unique, rhythmically-driven approach to performing his own compositions soon got him noticed. He has performed at the Royal Opera House, Steinway Hall as well as a unique performance from inside the clock tower in St Pancras, London. His music has been featured in film trailers for the Oscar winning The Shape of Water and The Danish Girl amongst others. His piano works have also been heard in documentaries broadcast on the BBC, ITV and Channel 4, as well as in advertising campaigns for many household companies. RIOPY was looking for ways to support his own mental health and developed an interest in neurosciences - especially how brainwaves are believed to represent the full spectrum of human consciousness. Through this he discovered the benefits of meditation, and has been meditating twice a day ever since as it helps him to get more easily to a state of calmness and happiness. He creates binaural beats which sync the brainwave with the beats, guiding you into a state of relaxation and healing. You can learn more about RIOPY on his website https://www.riopymusic.com/, follow him on Instagram @riopymusic and Facebook here, watch videos on YouTube https://www.youtube.com/user/Riopyjp, and listen to his music including his latest release Bliss on Spotify here or where ever you go for music. For more conversations like this and to join our community visit justbreatheproject.com and follow us on instagram @justbreathe. If you haven't already downloaded our recently re-launched app, you can click here for iPhone and here for Android. As listeners of The Quiet Life, use the code thequietlife to receive a 30 day all access trial. You can enter the code here and find directions on how to use the unique code you receive to start using the app. Happy meditating!

Synopsis On today’s date in 1692, London audiences were treated to a lavish theatrical entertainment entitled “The Fairy Queen.” This show was loosely based on Shakespeare’s comedy “A Midsummer Night’s Dream,” a play already 100 years old in 1692. To make it more in line with contemporary taste, characters were added or cut, and scenes shifted around to such an extent that Shakespeare, were he alive to see it, would be hard put to recognize much of his original concept. Musical sequences were also expanded, and the producers hired the leading British composer of the day to write them. His name was Henry Purcell, and “The Fairy Queen” would turn out to be the biggest success of his career. In addition to writing the show’s songs and dances, Purcell provided music to entertain the audience as they entered and exited the theater or stretched their legs during the intermission. The good news is that no expense was spared in the show’s production. The bad news was the show’s producers barely recovered their expenses. Subsequent productions, they decided, would be less flashy, but, recognizing the quality of Purcell’s music, they signed him on once again for their next extravaganza. Music Played in Today's Program Henry Purcell (1659 – 1695) The Fairy Queen Le Concert des Nations; Jordi Savall, cond. Auvidis 8583 On This Day Births 1660 - Italian composer Alessandro Scarlatti, in Palermo; founder of the "Neopolitan School" of music and father of the composer, Dominico Scarlatti; 1752 - Baptismal date of German oboist and composer Ludwig August Lebrun, in Mannheim; 1810 - Danish conductor and composer Hans Christian Lumbye, in Copenhagen; 1843 - Austrian conductor and operetta composer Carl Michael Ziehrer, in Vienna; 1905 - English composer Alan Rawsthorne, in Haslingden; Deaths 1864 - German composer Giacomo Meyerbeer (Jakob Liebmann Beer), age 72,in Paris; 1990 - American composer William Levi Dawson, age 90, in Montgomery, Ala.; Premieres 1692 - Purcell: opera "The Fairy Queen," in London at the Queen's Theater, Dorset Garden; 1935 - Ibert: "Concertino da Camera" for saxophone and chamber orchestra, in Paris; 1936 - Prokofiev: "Peter and the Wolf" at a children's concert by the Moscow Philharmonic, conducted by the composer; 1947 - Copland: "In the Beginning" for mezzo-soprano and chorus, at Harvard University; 1947 - Schoenberg: String Trio, Op. 45, at Harvard University; 1951 - Cage: "Imaginary Landscape No. 4" for 12 radios, in New York; 1951 - Ulysses Kay: "Sinfonia" for orchestra, in Rochester, N.Y.; 1965 - Bolcom: "Oracle" for orchestra, in Seattle; 1965 - Grofé: "Trick or Treat: Halloween," by the Philadelphia Orchestra, André Kostelanetz conducting; 1981 - David Amram: Violin Concerto, by the St. Louis Symphony, Leonard Slatkin conducting, with Charles Castleman the soloist; 1984 - Ezra Laderman: String Quartet No. 7, in New York City, by the Colorado Quartet; 1984 - Broadway premiere of Sondheim: musical "Sunday in the Park with George"; 1990 - Elliott Carter: Violin Concerto, by the San Francisco Symphony conducted by Herbert Blomstedt, with Ole Böhn as soloist; Others 1855 - American premiere of Verdi's opera "Il Trovatore" (The Troubadour) at the Academy of Music in New York. 1872 - First documented American performance of Beethoven's "Missa solemnis" in D (Op. 123), at Steinway Hall in New York , by the Church Music Association, Dr. James Pech conducting; Subsequent regional premieres of this work occurred in Cincinnati (May 19, 1880) and Boston (Mar. 12, 1897). Links and Resources More on "The Fairy Queen" More on Purcell

Synopsis On today’s date in 1692, London audiences were treated to a lavish theatrical entertainment entitled “The Fairy Queen.” This show was loosely based on Shakespeare’s comedy “A Midsummer Night’s Dream,” a play already 100 years old in 1692. To make it more in line with contemporary taste, characters were added or cut, and scenes shifted around to such an extent that Shakespeare, were he alive to see it, would be hard put to recognize much of his original concept. Musical sequences were also expanded, and the producers hired the leading British composer of the day to write them. His name was Henry Purcell, and “The Fairy Queen” would turn out to be the biggest success of his career. In addition to writing the show’s songs and dances, Purcell provided music to entertain the audience as they entered and exited the theater or stretched their legs during the intermission. The good news is that no expense was spared in the show’s production. The bad news was the show’s producers barely recovered their expenses. Subsequent productions, they decided, would be less flashy, but, recognizing the quality of Purcell’s music, they signed him on once again for their next extravaganza. Music Played in Today's Program Henry Purcell (1659 – 1695) The Fairy Queen Le Concert des Nations; Jordi Savall, cond. Auvidis 8583 On This Day Births 1660 - Italian composer Alessandro Scarlatti, in Palermo; founder of the "Neopolitan School" of music and father of the composer, Dominico Scarlatti; 1752 - Baptismal date of German oboist and composer Ludwig August Lebrun, in Mannheim; 1810 - Danish conductor and composer Hans Christian Lumbye, in Copenhagen; 1843 - Austrian conductor and operetta composer Carl Michael Ziehrer, in Vienna; 1905 - English composer Alan Rawsthorne, in Haslingden; Deaths 1864 - German composer Giacomo Meyerbeer (Jakob Liebmann Beer), age 72,in Paris; 1990 - American composer William Levi Dawson, age 90, in Montgomery, Ala.; Premieres 1692 - Purcell: opera "The Fairy Queen," in London at the Queen's Theater, Dorset Garden; 1935 - Ibert: "Concertino da Camera" for saxophone and chamber orchestra, in Paris; 1936 - Prokofiev: "Peter and the Wolf" at a children's concert by the Moscow Philharmonic, conducted by the composer; 1947 - Copland: "In the Beginning" for mezzo-soprano and chorus, at Harvard University; 1947 - Schoenberg: String Trio, Op. 45, at Harvard University; 1951 - Cage: "Imaginary Landscape No. 4" for 12 radios, in New York; 1951 - Ulysses Kay: "Sinfonia" for orchestra, in Rochester, N.Y.; 1965 - Bolcom: "Oracle" for orchestra, in Seattle; 1965 - Grofé: "Trick or Treat: Halloween," by the Philadelphia Orchestra, André Kostelanetz conducting; 1981 - David Amram: Violin Concerto, by the St. Louis Symphony, Leonard Slatkin conducting, with Charles Castleman the soloist; 1984 - Ezra Laderman: String Quartet No. 7, in New York City, by the Colorado Quartet; 1984 - Broadway premiere of Sondheim: musical "Sunday in the Park with George"; 1990 - Elliott Carter: Violin Concerto, by the San Francisco Symphony conducted by Herbert Blomstedt, with Ole Böhn as soloist; Others 1855 - American premiere of Verdi's opera "Il Trovatore" (The Troubadour) at the Academy of Music in New York. 1872 - First documented American performance of Beethoven's "Missa solemnis" in D (Op. 123), at Steinway Hall in New York , by the Church Music Association, Dr. James Pech conducting; Subsequent regional premieres of this work occurred in Cincinnati (May 19, 1880) and Boston (Mar. 12, 1897). Links and Resources More on "The Fairy Queen" More on Purcell

Welcome to our newest show at Impact Radio USA, "INTERVIEWS and MORE", the show that features past interviews from our guests on "Dr. Paul's Family Talk" radio show. In addition to continuing to promote our guests, this show also gives our listeners another opportunity to hear the great information that our guests have provided. As for the "More", we will cover everything from food, to cars, to Bible verses, to music, and so much "MORE"! On today's segment, we will talk to Brian Horner and Jennifer McGill: BRIAN HORNER BRIAN HORNER, a musician, artist manager, entrepreneur, and podcast host, joined us to discuss his career, how to be successful in music, and his latest venture, "Craft brewed Music". From his BIO: "Driven to live his passion, Brian Horner has designed a multifaceted career as an artist manager, saxophonist, educator, author, and entrepreneur. Brian is the owner of Sound Artist Support, is CEO/CCO of Craft Brewed Music®, “the small batch streaming app,” hosts The Craft Brewed Music Podcast, and has authored a series of books for Kendall Hunt Publishing, Living The Dream…The Morning After Music School, Living The Dream…The Morning After Drama School (with David Alford), and Living The Dream…The Morning After Art School (with John Watson).  He presents music business and entrepreneurship lectures and saxophone clinics at colleges and conservatories around the country. Horner has appeared at Carnegie Hall's Weill Recital Hall, Steinway Hall, and New York City's Mannes College of Music, as well as at the Glimmerglass Opera's Young Artist recital series in Cooperstown, NY, and has performed with the Nashville Symphony, the Nashville Chamber Orchestra, and the Gateway Chamber Orchestra. He has premiered more than a dozen new works for saxophone, and his recordings with pianist Elizabeth Avery include Saxophone Music of M. Zachary Johnson--Live At Steinway Hall, and Serenade – Music for Saxophone & Piano, and garnered a cover feature in Saxophone Journal. " https://www.craftbrewedmusic.com JENNIFER McGILL JENNIFER McGILL, a Disney child star, motivational speaker, recording artist, songwriter, worship leader, writer, vocal producer and performance coach from Nashville, Tennessee, will join us to discuss her career and future plans, including her new business venture with her husband, "Milestone Melodies". From Her BIO: "With over 30 years of showbiz under her belt, she now tells the stories of her rollercoaster ups and downs like never before, as a Speaker, Worship Leader, Songwriter, Coach, and Inspirational Pop Recording Artist. What started as almost a clean sweep of nearly 50 pageant victories from age seven in a small Texas town quickly evolved into seven seasons in Orlando on the Disney Channel’s wildly popular The All-New Mickey Mouse Club in the late ‘80s well into the ‘90s, which Jennifer describes as a sort of “‘Saturday Night Live’ for kids” featuring interviews, skits, variety show-styled razzle dazzle, and of course, loads of singing. A quick internet search shows her performing alongside a slew of internationally renowned stars, and throughout a real time conversation, she just as casually mentions how Michael Jackson used to visit the set as a major fan of their show or the time when Celine Dion helped calm her nerves prior to an inauguration performance for President Bill Clinton at the Kennedy Center." www.jennifermcgill.com https://www.milestonemelodies.com Enjoy!

BRIAN HORNER, a musician, artist manager, entrepreneur, and podcast host, joined us to discuss his career, how to be successful in music, and his latest venture, "Craft Brewed Music". From his BIO: "Driven to live his passion, Brian Horner has designed a multifaceted career as an artist manager, saxophonist, educator, author, and entrepreneur. Brian is the owner of Sound Artist Support, is CEO/CCO of Craft Brewed Music®, “the small batch streaming app,” hosts The Craft Brewed Music Podcast, and has authored a series of books for Kendall Hunt Publishing, Living The Dream…The Morning After Music School, Living The Dream…The Morning After Drama School (with David Alford), and Living The Dream…The Morning After Art School (with John Watson).  He presents music business and entrepreneurship lectures and saxophone clinics at colleges and conservatories around the country. Horner has appeared at Carnegie Hall's Weill Recital Hall, Steinway Hall, and New York City's Mannes College of Music, as well as at the Glimmerglass Opera's Young Artist recital series in Cooperstown, NY, and has performed with the Nashville Symphony, the Nashville Chamber Orchestra, and the Gateway Chamber Orchestra. He has premiered more than a dozen new works for saxophone, and his recordings with pianist Elizabeth Avery include Saxophone Music of M. Zachary Johnson--Live At Steinway Hall, and Serenade – Music for Saxophone & Piano, and garnered a cover feature in Saxophone Journal. " https://www.craftbrewedmusic.com

BRIAN HORNER, a musician, artist manager, entrepreneur, and podcast host, joined us to discuss his career, how to be successful in music, and his latest venture, "Craft brewed Music". From his BIO: "Driven to live his passion, Brian Horner has designed a multifaceted career as an artist manager, saxophonist, educator, author, and entrepreneur. Brian is the owner of Sound Artist Support, is CEO/CCO of Craft Brewed Music®, “the small batch streaming app,” hosts The Craft Brewed Music Podcast, and has authored a series of books for Kendall Hunt Publishing, Living The Dream…The Morning After Music School, Living The Dream…The Morning After Drama School (with David Alford), and Living The Dream…The Morning After Art School (with John Watson).  He presents music business and entrepreneurship lectures and saxophone clinics at colleges and conservatories around the country. Horner has appeared at Carnegie Hall's Weill Recital Hall, Steinway Hall, and New York City's Mannes College of Music, as well as at the Glimmerglass Opera's Young Artist recital series in Cooperstown, NY, and has performed with the Nashville Symphony, the Nashville Chamber Orchestra, and the Gateway Chamber Orchestra. He has premiered more than a dozen new works for saxophone, and his recordings with pianist Elizabeth Avery include Saxophone Music of M. Zachary Johnson--Live At Steinway Hall, and Serenade – Music for Saxophone & Piano, and garnered a cover feature in Saxophone Journal. " https://www.craftbrewedmusic.com

Un bellísimo disco de música navideña con piano en clave de jazz con el británico Simon Mulligan: Christmas at Steinway Hall, producción para el sello Steinway & Sons en el año 2017.

Junto a sus hijos, Henry desarrolló el Steinway Hall.

(S3, EP 5) In this week's episode, I spoke with my old friend Tereza Lee back in July. Tereza is a mother of 3, professional pianist, and a long-time immigration rights activist. Tereza was one of the pioneers of the DREAM movement in the early 2000's when her then-undocumented status inspired US-IL Senator Dick Durbin to sponsor the first DREAM Act proposal in 2001. In this interview, Tereza shared her experiences growing up undocumented, and how her music teacher inspired her to share her story to Senator Durbin. She reminisces back on the struggles of the undocumented movement, but also hopes for this current generation of DACA / undocumented activists. She recently received her doctorate, and talked about her research of Czech composer Antonín Dvořák and his mentorship of Harry Burleigh, one of the earliest African American composers as well as his work with Black and Indigenous music students. We talked about her experiences living in NYC during this Covid-19 era. Hope you get to listen in, and hear her powerful journey! -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Special thanks to my sponsor, Lawrence and Argyle, a Viet-American owned merchandise line representing immigrant empowerment. Get yourself a pin, hoodie or t-shirt and show off your immigrant pride. Visit them at www.lawrenceandargyle.com or on Instagram @lawrenceandargyle or on their Facebook page -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Bio -- Tereza Lee is a pianist “whose touch is exceptionally clear” (—Chicago Sun-Times), who is also a prominent advocate for immigrant rights. She began her performing career at the age of 11, as the pianist at her family's church. At 16, she became the first student from an inner-city school to win first prize in the Chicago Symphony Orchestra Youth Concerto Competition, and performed with the C.S.O. She has gone on to perform as a soloist at Weill Hall at Carnegie Hall, Steinway Hall, Barge Music, Lincoln Center and the Ravinia Festival in Chicago. She has premiered works by Aaron Jay Kernis, Augusta Read Thomas, Ned Rorem, Josephine Lee, and Kenneth Frazelle. Tereza's role in helping to inspire Senator Dick Durbin of Illinois to introduce the DREAM Act has been documented in The New York Times, PBS, NPR, USA Today, The Economist, NY1, and WNYC. She has been engaged in activism especially on immigration issues, supporting the New York State Liberty Act, the New York State DREAM Act, Greenlight NY and Driver's License For All Campaigns. Tereza recently completed her Doctor of Musical Arts Degree from the Manhattan School of Music. --- Support this podcast: https://anchor.fm/banhmichronicles/support

Our first Artist Spotlight episode features composer, animal-lover, and vegan foodie Dr. Douglas Knehans, who has lived and worked in places as varied as Australia and Cincinnati. His compositions have been performed worldwide at Steinway Hall, Carnegie Hall, and festivals in Italy, Poland, Czech Republic, Ukraine, Austria, the US and Australia. Links and notes related to this episode can be found at https://mpetersonmusic.com/podcast/episode09   Facebook Page Instagram LinkedIn

Rose Kingsley is an Opera great turned jazz great. A singer and recording artist, she's performed at the Metropolitan Opera, Carnegie Hall, Steinway Hall and the Houston Grand opera to name a few. Her debut album This is My Life has been released to great audience and critical acclaim. It's a wonderful chat with a storytelling vocalist and performer. Look no further, Rose Kingsley is next on The Paul Leslie Hour. Special thanks to the always valuable Ro Gia for her endless support. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

George earned the title of Young Steinway Artist, appeared with Harvard’s prestigious River Charles Ensemble, the Carnegie Hall for more than half a dozen times, and Steinway Hall that led one critic to proclaim “a rising star if ever there was one.” With over 2,000 fans on Facebook, George continues his journey of spreading the word for classical music today. George had an unusual path to becoming a successful pianist. As a young boy, his mom refused to prescribe medication for his ADHD and instead invited a piano teacher to their home.  What's the purpose of playing music for George? He says that it's about creating an experience that reminds the audience of something important in their lives, or inspires in some way. They are not only enjoying music as entertainment but a piece of reflection. We also talked about being Chinese / Asian American. George believes: "It is our duty to show people our culture. Being part of this ethnic group is part of being American. America is a melting pot - we are a group of people forming this wonderful fabric of culture and experience that supports one another.  My favorite part is probably having George play along during the interview while he was giving examples or telling a story. Playing the piano is second nature to George that unexpectly integrated into our conversation.  --- Send in a voice message: https://anchor.fm/feisworld/message Support this podcast: https://anchor.fm/feisworld/support

We revisit Judy's conversation with Irish classical pianist John O'Conor, recorded at Steinway Hall in NYC and where she talked him into performing some jazz-inspired classical pieces on one of the many great Steinway grands sitting nearby.

Henry Steinway, a German immigrant who came to New York in 1850, made his name in various showrooms and factories in downtown Manhattan, enticing the wealthy with his award-winning quality pianos. At their grand Steinway Hall on 14th Street, the family turned a popular concert venue into a clever marketing opportunity. But their ultimate fate would lie outside of Manhattan; the Steinways would graduate from an innovative factory on Park Avenue to their very own company village in Queens, the basis of a neighborhood which still bears their name today. You may not know much about pianos, but you've cross path with this family's influence in the city. Tune in for this short history of Henry Steinway and his sons. www.boweryboyspodcast.com Support the show.