Podcasts about Blind Willie Johnson

This episode features music from the Rance Allen Singers (pictured), Danniebelle Hall, Mighty Indiana Travelers, Donny Hathaway, Angelic Gospel Singers, Blind Willie Johnson, and others.

Participants: John Steppling, Roger Johnson, Hiroyuki Hamada, and Dennis Riches. Topics covered: The “hands off NATO” protests against Trump, anti-NATO protests in Belgrade, tariff shocks, Japan's US T-bill selloff, the power of blackmail, or lack thereof, the decline of movie theaters/going out to the movies, editing movies for television (films of the 40s vs. films of the 80s) the films of Val Lewton, Jacques Tourneur, Ed Wood, Pier Paolo Pasolini, Jean Genet for Palestine. Music track “Motherless Children Have a Hard Time” by Blind Willie Johnson (public domain, see also modern covers of the song by Eric Clapton and friends on YouTube).

Send us a textIntro song: Must Be Born Again by Rev. J.M. Gates (1927)Song 1: Rocky Road by Alabama Sacred Harp Singers (1928)Song 2: Since I Laid My Burden Down by The Elders McIntorsh & Edwards' Sanctified Singers (1929)Song 3: Dry Bones by Bascom Lamar Lunsford (1929)Song 4: John the Revelator by Blind Willie Johnson (1930)Song 5: Shine On Me by Ernest Phipps & His Holiness Singers (1931)Outro song: I'm in the Battlefield For My Lord by Rev. D.C. Rice & His Sanctified (1929)

Rick Estrin and Kirk Fletcher perform live at the 2011 Blues Music Awards on Edition 667 of Blues Radio International, with Duke Robillard, Blind Willie Johnson, Tab Benoit, and Katie Webster.Find more at BluesRadioInternational.net

In this candid interview on Backstage Sonoma, host Steve Roby engages with folk-inspired indie artist Marty O'Reilly, delving into his unique musical journey and creative processes.  O'Reilly discusses how he began his musical career after receiving a guitar as a Christmas gift during his teenage years and how early encounters with blues and folk music, particularly a serendipitous download of Blind Willie Johnson's recording, profoundly influenced his artistic direction. He reflects on the mix of influences shaping his sound, including artists like Van Morrison, Ray LaMontagne, and Nick Drake, emphasizing his dedication to exploring diverse musical genres rather than being confined to one style. The discussion also touches upon O'Reilly's songwriting and performance ethos. He shares his perspective on songwriting as a therapeutic process before it becomes something to share with an audience. Marty employs creative strategies to combat writer's block, such as drawing inspiration from various Wikipedia articles. His live performances are described as transformative, driven by his effort to make each show an authentic and engaging experience for himself and the audience. This approach aims to break down the barriers between the performer and the listeners, fostering a shared, immersive environment. Marty provides insights into his forthcoming projects and personal life, including balancing his music career with fatherhood. He talks about the challenges and joys of working on his first solo album during the pandemic and the decision to split it into two EPs to better align with the diverse styles of music contained within. He also mentions the upcoming shows, including a notable free performance in Healdsburg at Little Saint and a special New Year's Eve event at the Sebastiani Theatre. Marty expresses excitement about these opportunities to connect with his audience and the detailed planning that goes into making these events memorable.

            6-time Grammy winner Russ Taff's voice has defined the emotional potential of Gospel music for over half a century. His perfectly raspy tenor transcends genre and era, first as the lead vocalist for Gospel legends The Imperials, then as a phenomenally successful solo artist. That legacy now takes on a whole new depth as Taff unveils Cover Story, a collection of rock, soul, and Americana songs that resonate deeply with the struggles he has privately endured throughout his life onstage. Longtime fans may be surprised to find the Gospel singer interpreting tunes by The National, Prince, Blind Willie Johnson, Bob Dylan, U2, Duran Duran, Bill Withers, Paul Simon, and others. However, students of Roots Gospel, Americana, Soul, and Blues will immediately see the thread. These are songs of spiritual survival. (Don't miss executive producer Steve Taylor's Kickstarter campaign to release the project on vinyl and raise funds to promote it to a wide audience.)               In a surprising – and risky – move for a Gospel singer, Taff decided to go public with his long struggle with addiction, recovery, relapse, and ultimate inner healing via the revealing 2018 documentary Russ Taff: I Still Believe. Instead of ending his career singing in churches and at Bill Gaither's Homecoming events, audiences responded with deep appreciation for his candor and humility. A recent conversation on the recovery-themed Soft White Underbelly YouTube channel is currently generating similar enthusiasm. Taff, now 18 years sober and free of the need to hide anything, is more excited than ever to share music – and his story – with audiences around the country and the world.         Taylor, (the artist, professor, songwriter, producer, and filmmaker connected to projects by Sixpence None The Richer, Newsboys, Chevelle, and others) had pulled his critically acclaimed but ill-fated mainstream rock band Chagall Guevara (MCA) together for a one-time reunion show at Nashville's historic Ryman Auditorium. A special post-show afterparty at Jack White's Blue Room included an on-stage jam with several musical luminaries, including Taff (who had worked with Chagall members Lynn Nichols and Dave Perkins on several projects.) Taff's impromptu jam on Charlie Peacock's “Down In The Lowlands” thrilled the small crowd. Hearing Taff slay those songs, Taylor remembered an idea his longtime friend, bandmate, and musical collaborator John Mark Painter had suggested much earlier. What if they took their old friend into a recording studio with a slate of great songs and captured that raw, guttural energy and emotional honesty? They have now done just that. We are thrilled to sit down with Taff, Taylor, and Painter on this very special episode of the podcast, and to give our audience a first listen to Cover Story.   BACK the Kickstarter Campaign HERE (closes September 9th, 2024)   For the full list of songs, links, and a video of the infamous "Down In The Lowlands" jam at Jack White's Blue room, see the full Show Notes at TrueTunes.com/Russ   Get all of the info about host John J Thompson's new novel “The Ballad of the Lost Dogs of East Nashville” at TrueTunes.com/ballad.     If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!  

Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike.  Grateful DeadJune 3, 1976  (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show:  Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later.  Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus.  INTRO:                                 Might As Well                                                Track #1                                                1:15 – 2:50 “Take that ride again”                 Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976.  It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music.  The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America.                 Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends.  Later made into a movie             Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped)  during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin.             Here, it is played as the show opener.  Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune.                     Played 111 times                First:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW  19 times that year              Last:  March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91                 SHOW No. 1:                    Lazy Lightning                                                Track #6                                                0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number.  Unfortunately, dropped from the repertoire in 1984.  I got to hear it three or four times.  A fun number. Played:  also played 111 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA  MUSIC NEWS – Intro music:  In A Gadda Da Vida:  IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo.  Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along.  The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78.  He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71.  Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show.                SHOW No. 2:                    Supplication                                                Track #7                                                2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played:  111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3:                    Dancin In the Streets                                                Track #11                                                0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration.  A really fun concert tune.  The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst:  July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69.  Legendary cultivator who created the best strain of marijuana I ever smoked.  We just called it Blake weed and put it up against any other strain, anywhere, any time.  Folks would say they had the best weed until I let them smoke some of the Blake weed.  They never failed to concede.  Eccentric, temperamental, hospitable, mentor and good friend.  And self titled “best joint roller in the worlds.”  Was one of my Bulls season ticket partners during the Jordan era.  Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke.  With four of us in the room, he would have 3 joints circulating at all times.  With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself.  Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI.  They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them.  Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2.        Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3.        CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4.        Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill  SHOW No. 4:                    Samson and Delilah                                                Track #12                                                0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .”  Played:  365 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOWLast:  July 9, 1995 at Soldier Field OUTRO:                               The Wheel                                                Track #22                                                2:48 – 4:30                 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations.            “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s.                “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972.             “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music.            Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set.  Here it is the encore which is more of a rarity.            Played 259 times           First: June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW            Last:  May 25, 1995 at Memorial Stadium, Seattle, WA                                         .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Performers include: Blind Lemon Jefferson, Victoria Spivey, T-Bone Walker, Ida Mae Mack, Lightnin Hopkins, Blind Willie Johnson and Harmonica Slim. Songs include: Don't Trust Nobody, God Don't Never Change, Big Mama Jump, Howlin Wolf Blue and You Better Believe It.   

Today The Splendid Bohemians pay homage to three not only consummate artists of the guitar, but teachers of their craft as well - responsible for passing on the mysteries of their music to generations of thankful acolytes. ARLEN ROTH:Arlen Roth is the ultimate sideman and guitar teacher who has played with everybody. His first book, Slide Guitar, was published by Oak Publications when he was 21. Roth is a Telecaster enthusiast who wrote the book Masters of the Telecaster detailing the techniques of many famous Telecaster guitarists.He has been called "Master of the Telecaster.”THE REVEREND GARY DAVIS: A Piedmont style guitar master, The Reverend Gary Davis was a player who became a gospel singer, Christian minister, and teacher.The folk revival of the 1960s invigorated his performing career, when he performed at the Newport Folk Festival in 1965. Peter, Paul and Mary recorded Davis' version of “Samson and Delilah”, also known as "If I Had My Way", a song by Blind Willie Johnson, which Davis had popularized. The resulting royalties allowed Davis to buy a house and live comfortably for the rest of his life, and Davis referred to the house as "the house that Peter, Paul and Mary built.RY COODER: He is a multi-instrumentalist, but is best known for his slide work, his interest in traditional music, and his collaborations with traditional musicians from many countries. He is a much sought after film soundtrack artist, and he produced the Cuban music album sensation - Buena Vista Social Club (1997), which became a worldwide hit; Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000. Cooder was ranked at No. 8 on Rolling Stone magazine's 2003 list of "The 100 Greatest Guitarists of All Time.”

Meu nome é Nanda Moura e eu vim cantar o meu Blues pra vocês!” Assim começa uma viagem musical pelo Blues das décadas de 20, 30 e 40 do século passado. Nanda Moura é cantora e guitarrista, estudiosa do Blues Tradicional. Com uma carreira sólida e em constante ascensão, Nanda tem sido destaque na cena de Blues Nacional, e bem reconhecida pelos principais nomes do estilo no Brasil. Já dividiu palco com artistas renomados do Blues nacional, como Greg Wilson, Maurício Sahady, Otávio Rocha, Álamo Leal, Flávio Guimarães, Jefferson Gonçalves e Blues Etílicos. Já se apresentou em palcos consagrados como o Best of Blues and Rock, Rio Montreux 2023, Cosquín Rock (Argentina), Bourbon Street Festival, Circo Voador, e Mississippi Delta Blues Festival. Releituras criativas de clássicos de Blind Willie Johnson, Son House, Robert Johnson, Skip James, e Memphis Minnie, entre outros são organizadas em um repertório cuidadoso, para instigar as mais sinceras emoções do público. Com uma performance vocal impecável, e riffs hipnotizantes na guitarra, suas apresentações são fortes e marcantes, espetáculos para ficar na memória.

We stuck a coin in this week's jukebox of news and cranked up the volume and these were the tracks that got played … … fond memories of Annie Nightingale at Radio One and Whistle Test. … the delicious melancholy of Sunday night pop radio. … how David Gilmour writes songs. … sex, clothes, gangsters: the eternal allure of Bonnie & Clyde. … how the first Police album (including three hit singles) was recorded by a former doctor in a four-track studio above a dairy in Leatherhead for £1,500, and the band's touching tribute when he died. … the British Library hijack hack. … the fantasy theme of so many ‘60s movies: ‘escape'. … Ridley Scott's Hovis ad. … Blind Willie Johnson, Chuck Berry … Blodwyn Pig? The five tracks you'd send into space to represent life on earth. … how future wars will be started. … plus birthday guest Sandra Austin on the best use of choirs on records among them Aretha Franklin's You've Got A Friend, Blur's Tender, the Stones' You Can'Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https;//www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We stuck a coin in this week's jukebox of news and cranked up the volume and these were the tracks that got played … … fond memories of Annie Nightingale at Radio One and Whistle Test. … the delicious melancholy of Sunday night pop radio. … how David Gilmour writes songs. … sex, clothes, gangsters: the eternal allure of Bonnie & Clyde. … how the first Police album (including three hit singles) was recorded by a former doctor in a four-track studio above a dairy in Leatherhead for £1,500, and the band's touching tribute when he died. … the British Library hijack hack. … the fantasy theme of so many ‘60s movies: ‘escape'. … Ridley Scott's Hovis ad. … Blind Willie Johnson, Chuck Berry … Blodwyn Pig? The five tracks you'd send into space to represent life on earth. … how future wars will be started. … plus birthday guest Sandra Austin on the best use of choirs on records among them Aretha Franklin's You've Got A Friend, Blur's Tender, the Stones' You Can't Always Get What You Want, Roy Harper's When An Old Cricketer Leaves The Crease.Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https;//www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We stuck a coin in this week's jukebox of news and cranked up the volume and these were the tracks that got played … … fond memories of Annie Nightingale at Radio One and Whistle Test. … the delicious melancholy of Sunday night pop radio. … how David Gilmour writes songs. … sex, clothes, gangsters: the eternal allure of Bonnie & Clyde. … how the first Police album (including three hit singles) was recorded by a former doctor in a four-track studio above a dairy in Leatherhead for £1,500, and the band's touching tribute when he died. … the British Library hijack hack. … the fantasy theme of so many ‘60s movies: ‘escape'. … Ridley Scott's Hovis ad. … Blind Willie Johnson, Chuck Berry … Blodwyn Pig? The five tracks you'd send into space to represent life on earth. … how future wars will be started. … plus birthday guest Sandra Austin on the best use of choirs on records among them Aretha Franklin's You've Got A Friend, Blur's Tender, the Stones' You Can't Always Get What You Want, Roy Harper's When An Old Cricketer Leaves The Crease.Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https;//www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Songs include: Nobody's Sweetheart, Nobody's Darlin But Mine, Time Waits For No One, I Ain't Got Nobody and You're Nobody Till  Somebody Loves You. Musicians include: Helen Forrest, Thomas "Fats" Waller, the Mills Brothers, Judy Garland, Blind Willie Johnson and Doris Day.

Bright Lights - een nieuwe podcastserie die de wereld van country verkent. Peter Kwint en Peter Bootsman - twee hardcore punks uit de bible belt - praten je elke twee weken in een uur bij over die andere obsessie van ze: country muziek. Aan de hand van twaalf onderwerpen die dit fascinerende genre - en de cultuur die erbij hoort - kenmerken gaan ze in volle galop door ruim een eeuw aan muziek. Van stokoude en krakerige blues en bluegrass zoals The Carter Family en Blind Willie Johnson tot gelikte en met glitter overladen hedendaagse tailgate hits van Taylor Swift en Morgan Wallen. Twee dingen zijn zeker: na dit uur weet je een hoop meer dan daarvoor en heb je zin in bier, barbecues en banjo's. Vanaf vrijdag 1 december elke twee weken online op Spotify! Instagram: https://www.instagram.com/brightlightsandcountrymusic Productie: Martin ter Braake / https://www.odepodcast.nl

Show 45 - Blind Willie Johnson. Broadcast on Otago Access Radio www.oar.org.nz

 | Artist  | Title  | Album Name  | Album Copyright | Charles -Cow Cow- Davenport  | 5th Street Blues  | Accompanist 1924-1929 | Seasick Steve  | The Dead Song  | Dog House Music  |  | Ry Cooder  | Guantanamo  | Election Special  |  | Blind Willie Johnson  | Go With Me to That Land  | The Complete Blind Willie Johnson (2 of 2) | Gary Fletcher  | I Wanna Be With You  | In Solitary  |  | Freddie Spruell  | Tom Cat Blues  | The Paramount Masters - CD 4/4 | Pete Franklin  | Mr. Charlie  | 20 Classic Blues Songs from the 1920's | Hans Theessink  | New Home Upon The Hill | Wishing Well  |   | Corey Harris & Henry Butler  | Shake What Your Mama Gave You  | Vu-Du Menz  |  | Ernie Hawkins  | Carolina Shout (feat. Paul Consentino)  | Monongahela Rye  |  | Catfish Keith  | Scoodle Oot 'n' Doo  | Land of the Sky  |  | Rory Block  | Goin' To Sit Down On The Banks Of The River  | I Belong To The Band | Lonnie Johnson  | One Sided Love Affair  | Blues By Lonnie Johnson | Buddy Guy  | South Side Jump  | American Folk Blues Festival 1962-1965  CD5 | Robert Johnson  | Milkcow's Calf Blues  | The Complete Recordings;  The Centennial Collection | Louis Armstrong  | Skeleton In The Closet  | Blues, Blues Hoodoo Halloween

Cover versions – always fascinating!!  Occasionally, an artist will cover an obscure song, or a deep cut by another artist and make it their own.  But what about when the song has ALREADY been a hit?  Sometimes it works; sometimes it doesn't; sometimes it ends up in court! This episode, we're looking at examples of all three.  Our “Album You Must Hear Before You Die” is, believe it or not, “And other bits of material” by Paper Lace, the most successful band to come out of Nottingham, UK.  The hit single from the album, “The Night Chicago Died” topped the Billboard Hot 100 and sold over three million copies!  Who'd have thought it? Jeff also follows up with some rock news looking at Ozzy Osbourne and Bruce Springsteen's efforts to stay on the stage.   References:  Bob Dylan, The Freewheelin' Bob Dylan, The Beatles, A Hard Day's Night, Lennon & McCartney, cover versions, “Blowin' in the Wind”, Peter Paul and Mary, Leonard Cohen, “Suzanne”, The Great American Songbook, Colonel Tom Parker, Elvis, All Along the Watchtower, Knockin' on Heaven's Door, Mr. Tambourine Man, Tainted Love, Soft Cell, Gloria Jones, Me and Bobby McGee, Janis Joplin, “Pearl”, “Sittin' on the Dock of the Bay”, Otis Redding, Kris Kristofferson, I Love Rock 'n' Roll, Joan Jett & The Blackhearts, The Arrows, Sex Pistols, Steve Jones, Paul Cook, Without You, Badfinger, Harry Nilsson, Mariah Carey, Led Zeppelin, Nobody's Fault but Mine, Joan Baez, Anne Bredon, “In my time of dying”, Blind Willie Johnson, “Dazed and Confused”, Jake Holmes, Inspired by Jake Holmes, David Bennett Piano, Whole Lotta Love” Muddy Waters, You Need Love, Willie Dixon, The Small Faces, “You Need Loving”, “Rock'n'Roll”, Little Richard, “Keep a-Knockin'”, Stairway to Heaven, Taurus, Spirit, back-payment of royalties to the original artist, Hallelujah, Leonard Cohen, John Cale, “I'm Your Fan”, Jeff Buckley, I Will Always Love You, Dolly Parton, Whitney Houston, The First Cut is the Deepest, Rod Stewart, Cat Stevens, Reason to Believe, Tim Hardin, The Man Who Sold the World, David Bowie, Nirvana, Girls Just Want to Have Fun, Cyndi Lauper, Robert Hazard, Love Hurts, Nazareth, Everly Brothers, Turn the Page, Jon English, Metallica, Bob Seger, A Hazy Shade of Winter, Bangles, Simon & Garfunkel, I'm a Believer, The Monkees, Neil Diamond, RESPECT, Aretha Franklin, Otis Redding, Moonlighting, Bruce Willis, David Addison  Bob Dylan, cover versions, Peter Paul and Mary, Leonard Cohen, Tainted Love, Without You, Led Zeppelin, Jake Holmes, Hallelujah, John Cale, RESPECT, Aretha Franklin Episode PlaylistYouTube Links:Jake Holmes - Dazed and Confused TrumpI Live Rock and Roll - Joan KirnerOnce in a LifetimeDavid Bennett Pian - 8 Led Zeppelin songs that "rip off" other songs The Man Who Sold the World - Nirvana

Four Tops, Hamilton, Joe Frank & Reynolds, Blind Willie Johnson, Mississippi Fred McDowell, Larry Campbell y Teresa Williams, Miss Tess, The Limboos, Heavy Trash, Richard Hawley, Lovin' Spoonful, Bobby Darin, Joe Cocker, Claudine Longet, Nino Ferrer, Marlango, Mª Dolores Pradera ft. Enrique Urquijo, Oscar Alemán y su Quinteto de Swing, The Police.

Hosts Jim DeRogatis and Greg Kot bid farewell to the late singer, songwriter and activist Sinéad O'Connor, who recently died at age 56. Jim and Greg are longtime fans of both O'Connor's music and her devotion to speaking truth to power, even when the world felt like it was against her. The hosts revisit their interview with documentarian Kathryn Ferguson about her 2022 film Nothing Compares, plus they share some of their favorite Sinéad tracks.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Sinéad O'Connor, "Nothing Compares 2 U," I Do Not Want What I Haven't Got, Ensign/Chrysalis, 1990The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sinéad O'Connor, "Horse on the Highway (demo)," n/a, n/a, 2020Sinéad O'Connor, "Trouble Will Soon Be Over," God Don't Never Change: The Songs of Blind Willie Johnson, Alligator, 2016Sinéad O'Connor, "Last Day of Our Acquaintance," I Do Not Want What I Haven't Got, Ensign/Chrysalis, 1990Sinéad O'Connor, "Mandinka," The Lion and the Cobra, Ensign/Chrysalis, 1987Sinéad O'Connor, "I Am Stretched on Your Grave," I Do Not Want What I Haven't Got, Ensign/Chrysalis, 1990Sinéad O'Connor, "Thank You For Hearing Me," Universal Mother, Ensign/Chrysalis, 1994Sinéad O'Connor, "Marcus Garvey," Throw Down Your Arms, Chocolate and Vanilla, 2005Sinéad O'Connor, "Jackie," The Lion and the Cobra, Ensign/Chrysalis, 1987Sinéad O'Connor, "Peggy Gordon," Sean-Nós Nua, Vanguard, 2002Sinéad O'Connor, "This Is a Rebel Song," Gospel Oak EP, Chrysalis, 1997Living Colour, "Cult of Personality," Vivid, Epic, 1988Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

We answer questions about co-writing with Blind Willie Johnson (and we hear a bit of Blind Willie singing), about Al's not-happening dinner party, looking for hits, and about being famous. After the episode we play the entire Blind Willie Johnson song "I Can't Keep from Crying Sometimes", recorded in 1928 . Nilly the Dog concludes each segment with some brief pooch dog thoughts.

With influences from Bob Marley to Blind Willie Johnson to Bob Dylan, guitarist, singer, and songwriter Ben Harper sees songs in colors and can taste them when they're ready. His Grammy wins have come in the categories of Blues, Traditional Soul/Gospel, and Instrumental Pop. His musical range is indeed that varied, one can expect anything from alt-folk to reggae to indie rock to an operatic tenor hidden in a cabaret song. His latest, Wide Open Light, is a spare, largely acoustic set of songs, raw, and mostly solo. Ben Harper plays some of these pieces in-studio. Set list: "Masterpiece", "Giving Ghosts", "Love After Love", "Trying Not To Fall In Love With You" Watch "Masterpiece": Watch "Giving Ghosts": Watch "Love After Love": Watch "Trying Not To Fall In Love With You":

durée : 01:22:10 - Fictions / Théâtre et Cie - Août 1977. Un vaisseau spatial décolle pour l'espace interstellaire avec, à destination de civilisations extra-terrestres, des échantillons de l'humanité. Dont une chanson blues de Blind Willie Johnson, mort en 1949 d'une pneumonie à 40 ans, refusé à l'hôpital parce que noir, pauvre et aveugle.

durée : 01:22:10 - Fictions / Théâtre et Cie - Août 1977. Un vaisseau spatial décolle pour l'espace interstellaire avec, à destination de civilisations extra-terrestres, des échantillons de l'humanité. Dont une chanson blues de Blind Willie Johnson, mort en 1949 d'une pneumonie à 40 ans, refusé à l'hôpital parce que noir, pauvre et aveugle.

 | Artist  | Title  | Album Name  | Album Copyright | Arthur Montana Taylor  | Sweet Sue (rec Chicago 18/4/46)  | Montana Taylor  |  | Tampa Red  |  It's Red Hot  | Bottleneck Guitar 1928-1937 | Lightnin' Hopkins  | Wake Up Old Lady  | Goin' Away (1963)  |  | Half Deaf Clatch  | The Elysian Blues  | Simple Songs For These Complicated Times | Seasick Steve  | Purple Shadows  | Hubcap Music  |  | Blind Willie Johnson  | If I Had My Way I'd Tear The Building Down  | The Complete Blind Willie Johnson (1 of 2) | Sonny Terry & Brownie McGhee  | Hey Baby Hey Baby You're So Sweet - [ASH GROVE 1-21-1967 1ST SH  | Ash Grove 01-21-1967 1st Show | Bill Abel  | Don't You Hurt (Instrumental)  | One-Man Band  |  | Tony Joe White  | Baby Please Don't Go  | Bad Mouthin' (2018) | Andres Roots  | Thanks For Bringing Me Down  | Winter  |   |  | Washboard Sam  | Phantom Black Snake  | Washboard Swing  |  | Paul Cowley  | Preaching Blues  | Stroll Out West  |  | R. L. Burnside  | Goin' Down South  | First Recordings  |  | Lonnie Johnson  | C.C. Rider (Traditional)  | American Folk Blues Festival 1962-1965  CD3 | John Hammond  | Sugar Mama  | Sooner Or Later (2002 reissue) - 2002 - 320 - FC | Mississippi Fred Mc Dowell  | Highway 61  | American Folk Blues Festival 1962-1965  CD5

 | Artist  | Title  | Album Name  | Album Copyright | Ike and Tina Turner  | Nutbush City Limits  | Nutbush City Limits  |  | Leigh Sloggett  | How Long  | Wait For The Change | Ritchie Dave Porter and Debra Susan  | The Girl Next Door  |   |  | Brad Vickers & His Vestapolitans  | What In The World  | The Music Gets Us Thru | Eric Clapton and Friends  | Rock and Roll Records (feat. Tom Petty)  | The Breeze: An Appreciation Of J. J. Cale | Mike Ross  | 04 Born To Me  | Third Eye Open  |  | Shelley Minson  | Rockabilly Man  | Rockability  |  | Muddy Waters  | Juke  | Hollywood Blues Summit 1971 | Bobby Rush  | She's A Good Un  | Chicken Heads, A 50-Year History Of Bobby Rush | Nolan 'Barrel House' Welch  | Dying Pickpocket Blues  | Paramount Piano Blues Vol 2 | Blind Willie Johnson  | Jesus Make Up My Dying Bed  | Praise God I'm Satisfied | Glenn Kaiser  | Praise God I'm Satisfied  | If I Had My Way: A Cigar Box Tribute To Blind Willie Johnson | Bo Diddley  | Down Home Special  | Bo The Man  |  | Ike and Tina Turner  | Nutbush City Limits  | Nutbush City Limits  | 

 | Artist  | Title  | Album Name  | Album Copyright  |  | Skip James  | Hard Time Killin' Floor Blues  | The Complete Early Recordings of Skip James - 1930 | James Cotton  | River's Invitation  | 22 Special Blues Tracks  |  | Tina Turner-  | Let's Stay Together [acoustic]  |   |  | John Lee Hooker  | Let's Make It Baby  | American Folk Blues Festival 1962-1965  CD1 | Half Deaf Clatch  | Mind Over  Matter  | Short Songs for the Barely Conscious | Bessie Jones & with the Georgia Sea Island Singers  | Once There Was No Sun (II)  | Get In Union  | Alan Lomax Archives/Association For Cultural Equity | John James  | Remembering The Blossoms  | Cafe Vienna  |   |  | Blind Willie Johnson  | God Don't Never Change  | The Complete Blind Willie Johnson (1 of 2) | Hans Theessink and Big Daddy Wilson  | Virus Blues  | Pay Day  |   |   |  | Mean Mary  | Merry Eyes  | Portrait of a Woman Part 1  |  | Andres Roots  | Winter Blues  | Winter  |   |   |  | Bukka White  | Hambone Blues  | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Big Bill Broonzy  | The Banker's Blues  | Complete Recorded Works in Chronological Order Vol. 1 | Stompin' Dave's Blues3  | My Heart Belongs To You  | The Mayfair Studio  |   |  | Doc Watson and Gaither Carlton  | Groundhog (Blind Lemon's Version)  | Doc Watson and Gaither Carlton  | Smithsonian Folkways | Furry Lewis With Bukka White And Gus Cannon  | Why Don't You Come Home Blues  | On The Road Again  |   |  | J.B. Lenoir  | If I Get Lucky  | American Folk Blues Festival 1962-1965  CD5

Host Nate Wilcox asks Michael Corcoran to share the stories of Texas gospel greats Arizona Dranes, Blind Willie Johnson and Washington Phillips as well as the notorious Don Robey, owner of the Duke and Peacock labels. Buy the book and support the show. Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. SAVE THE LET IT ROLL PODCAST We're less than $300 from our goal to fund a year's worth of production on the Let It Roll podcast (that's 104 episodes)! The outpouring of support for the show has been really exciting to see. If you already gave, thanks so much! If you don't have the funds to give anything, no worries, enjoy the show. Click here to support the show Here's the link if you need to cut and paste: https://www.gofundme.com/f/keep-the-let-it-roll-podcast-alive Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Descripción breve del programa y playlist: Playlist: Snatch It Back and Hold It – Junior Wells; Merry Christmas – Lightnin' Hopkins; Santa Baby – Eartha Kitt; Christmas Date Boogie – Big Joe Turner with Pete Johnson & His Orchestra; Boogie Woogie Santa Claus – Mabel Scott with Les Welch & His Orchestra; Rockin' Around the Christmas Tree – Lou Ann Barton; Jesus's Coming Soon – Blind Willie Johnson; Jesus Is Here To Stay – Sister Rosetta Tharpe; Good Morning School Girl – Sonny Boy Williamson; Good Morning Schoolgirl – Junior Wells; Hard Time Killing Floor – Pura Fé with Danny Godinez; Son's House – The Guy Forsyth Band; Archetypal Blues No. 2 – Watermelon Slim; Love Again Blues – Leyla McCalla; If You Love Me – Johnny Hoy & The Bluefish; Crow Jane – Samantha Fish; Crow Jane – Skip James; St. Louis Blues – Eartha Kitt. Escuchar audio

The gruesome twosome come in hot with a new DiedinHouse.com submission and some quick hits holiday edition. They also go over this year's PornHub top searched for the U.S.

Esta semana nos inspiramos en dos nuevos y muy interesantes libros sobre el blues y las músicas negras: "Blues – La Novela Gráfica," de Manuel López Poy y Pau Marfà y editado por Ma Non Troppo, y "Al compás del vudú (religión, represión y música)," de Héctor Martínez González, editado por Allanamiento de Mirada, y que incluye dos CDs con 48 temas comentados en el libro. Playlist: Snatch It Back and Hold It – Junior Wells; Why Don't You Do Right – Carolina Chocolate Drops; Dark Was the Night, Cold Was the Ground – Blind Willie Johnson; Congo Square – Tom Principato; St. James Infirmary – Allen Toussaint; Heebie Jeebies – Louis Armstrong & His Hot Five; Junker Blues – Champion Jack Dupree; Cajun – Roy Buchanan; Calinda – Clifton Chenier; I Just Want To Make Love To You – Muddy Waters, Spoonful – Howlin' Wolf; Big Boss Man – Koko Taylor; Juke – Little Walter; Messin' With the Kid – Junior Wells Chicago Blues Band; Low Down Ways – Jontavious Willis.   Escuchar audio

Artists include: Lemon Jefferson, Ma Rainey, Bessie Smith, Willie MeTell, Blind Willie Johnson, Victoria Spivey, the Memphis Jug Band and Mississippi John Hurt. Songs Include: Thinking Blues, Deep Moaning Blues, No Papa No, Keep Your Lamp Trimmed and Burning, Pine Top's Blues and Kansas City Blues.

Vera Hall "Death, Have Mercy"Fleetwood Mac "Green Manalishi (With the Two Pronged Crown)"Bessie Smith "Graveyard Dream Blues"Billy Joe Shaver "The Devil Made Me Do It the First Time"Ted Leo and the Pharmacists "I'm A Ghost"Sister Rosetta Tharpe "Strange Things Happening Every Day"Tampa Red "Witchin' Hour Blues"Neil Young "Vampire Blues"Lefty Frizzell "The Long Black Veil"Muddy Waters "Got My Mojo Working"Dr. John "Black John the Conqueror"Leon Redbone "Haunted House"Little Willie John "I'm Shakin'"Shotgun Jazz Band "Old Man Mose"Lil Green "Romance In the Dark"The Make-Up "They Live By Night"Uncle Tupelo "Graveyard Shift"Bessie Jones "Oh Death"Albert King "Born Under a Bad Sign"Nina Simone "I Want a Little Sugar In My Bowl"Oscar Celestin "Marie Laveau"Reverend Gary Davis "Death Don't Have No Mercy"Roy Newman & His Boys "Sadie Green (The Vamp of New Orleans)"Jessie Mae Hemphill "She-Wolf"Screamin' Jay Hawkins "I Put a Spell On You"Eilen Jewell "It's Your Voodoo Working"George Olsen and His Music "Tain't No Sin to Dance Around in Your Bones"Son House "Death Letter"Johnny Cash "The Man Comes Around"Fleetwood Mac "Black Magic Woman"Blind Lemon Jefferson "See That My Grave Is Kept Clean"Elvis Costello & the Roots "Wise Up Ghost"Hank Williams "Howlin' At the Moon"Bob Dylan "That Old Black Magic"The Halo Benders "Scarin'"Blind Willie Johnson "Dark Was The Night, Cold Was The Ground"Steve And Justin Townes Earle "Candy Man"Billie Holiday "Sugar"Jeff Beck "I Ain't Superstitious"Cab Calloway/Cab Calloway Orchestra "St. James Infirmary"Bonnie Raitt "Devil Got My Woman"Sebadoh "Vampire"Fred McDowell "Death Came In"Howlin' Wolf "Evil"Ella Fitzgerald "Chew-Chew-Chew (Your Bubble Gum)"Robert Johnson "Hellhound On My Trail"John Mayall & The Bluesbreakers "The Super-Natural"Tom Waits "Big Joe and Phantom 309"

Medley of Blues Classics. This podcast presents an uninterrupted medley of various Blues classics including Blind Willie Johnson's "Nobody's Fault but Mine", the traditional African American spiritual "You Gotta Move", Son House's "Grinnin in Your Face" and also the traditional folk ballad of "John Henry". PLAYLIST. Nobody's Fault but Mine. - Abigail Washburn. - Bill Frisell - Becky Barksdale - Othman Wahabi - Blind Willie Johnson. You Got To Move. - The Blues Preachers. - Paul Thorn. - The Blind Boys of Alabama - Janne Fjellström. Grinnin' in your Face - Gov' Mule. - Little Axe. - Julie Rhodes. - Son House. John Henry - Eddie One String Jones - Etta Baker. - Tangle Eye. - J.E. Mainer's Mountaineers - Joe Bonamassa - Songs Ohia. I'm So Glad - Starlight Gospel Singers. - Blind Willie McTell. - The Cream. The Very Thing that makes you rich makes me poor. - Ry Cooder On Your Way Down - Little Axe - Little Feat Size: 136 MB (142,892,260 bytes) Duration: 0:59:30

Singles Going Around- Old Matches, Milkcows and Rowboats.Myles & Dupont- "Loud Mouth Annie"Elvis Presley- "Milkcow Boogie"The Muffs- "You And Your Parrot"The Beach Boys- "Back Home"Rod Bernard & Clifton Chenier- "Rockin' Pneumonia & Boogie Woogie Flu"Ramones- "Today Your Love, Tommorow The World"Leadbelly- "Matchbox Blues"Nirvina- "Molly's Lips"Jimi Hendrix- "Jam 292"Shelton Dunaway - "Mary Lou Doin The Pop Eye"Rolling Stones- "2000 Light Years From Home"Dale Hawkins- "Suzie Q"Fats Domino- "Before I Grow Too Old"Beastie Boys- "Shadrock"Jack White- "A Tip From You To Me"Johnny Cash- "Rowboat"Blind Willie Johnson- "Dark Was The Night, Cold Was The Ground"Staple Singers- "Let Me Ride"Sister Roseta Tharpe- "Up Above My Head"White Stripes- "Ball and Biscuit"*All selections taken vinyl.

Sun, 03 Jul 2022 16:00:00 +0000 https://zweideutig-derpodcast.podigee.io/93-episode-80-badekappenpflicht b55c9ca0686e90a01a4199f9305fc01a Badekappenpflicht Wann kommt richtiges Urlaubsfeeling auf und wie erklären wir uns die Existenz von Stechmücken? Warum ist eine Campingplatz eine ideale Location für den Ausbruch einer Zombieapokalypse und was hat es mit der Badekappenpflicht auf sich. Wie ordnen wir die Legacy Sequels Top Gun: Maverick und Jurassic World ein? Was hat Blind Willie Johnson mit Außerirdischen zu tun welche verrückten Gesetze gibt es in den USA gegen Demonstranten? Zu guter Letzt besprechen wir die neue Serie rund um Obi Wan und warum sich die Geister daran scheiden. Das Dynamische Duo wieder in Originalbesetzung, zweideutig wie nie! Werbepartner für diese Folge: MANSCAPED. Spare im April 20% und erhalte kostenlosen Versand mit dem Code ZDP auf Manscaped 93 full Badekappenpflicht yes Urlaub,Badekappe,Tunnel,Mücken,Zombie,Top Gun,Jurassic World,Obi Wan,Star Wars Markus & Bernd

 | Artist  | Title  | Album Name  | Album Copyright  |  | Jake Leg Jug Band  | Jake Leg Blues  | LIve At Audley Theatre [(no chat)] | Donna Herula Band with special guest, Anne Harris  | Got What I Deserve  | LIve at the Old Town School of Folk Music 2021 | (John Lee) Sonny Boy Williamson  | Polly Put The Kettle On  | Mississippi Blues  |    | Doug MacLeod  | Where Are You  | A Soul to Claim | Josh White  | One for My Baby  | The Elektra Years  |   |  | Blind Willie Johnson  | You're Gonna Need Somebody on Your Bond(1)  | The Complete Blind Willie Johnson (2 of 2) | Lightnin' Hopkins  | Shinin' Moon  | The Blues of Lightnin' Hopkins (1967) | Muddy Waters  | Southbound Train  | Total Blues - 100 Essential Songs | Corey Harris  | By And By.mp3  | Insurrection Blues  |   |  | Latemouth Blake (Dave Allen)  | Diddy Wah Diddy (Blake)  | Latemouth Blake: Vintage Blues | Bonnie Raitt  | Walkin' Blues Live  | Acoustic Blues Kings and Queens, Vol. 1 | Bessie Smith  | Do Your Duty  | The Copulatin' Blues  |  | Lightnin' Willie and the Poorboys  | Sun in Her Eyes  | Blue Lightning  |   |  | Bob Margolin  | 01 Steady Rollin' On  | Steady Rollin single  |   |  | Sonny Boy Williamson II | Don't Start Me To Talkin'  | Total Blues - 100 Essential Songs | Blind Willie McTell  | Pal Of Mine (Remastered 2018)  | Last Session - Remastered  | Prestige/Bluesville Records

Shellac "The End of Radio"Booker T & The MG's "Green Onions"Hound Dog Taylor & The HouseRockers "55th Street Boogie"Merle Travis "Blue Smoke"James Booker "Tico Tico"Cleo Brown "Pinetop's Boogie Woogie"Spade Cooley and His Orchestra "Three Way Boogie"Chet Atkins & Les Paul "Caravan"Etta Baker "Carolina Breakdown"Fleetwood Mac "Albatross"Otis Spann "Five Spot"Jimmy Bryant "The Night Rider"Daniel Bachman "Levee"Trans Am "Armed Response"Albert Ammons "Boogie Woogie At The Civic Opera"Shake 'Em Up Jazz Band "Washboard Wiggles"Tyler Childers "Midnight on the Water"Pete "Guitar" Lewis "Ooh Midnight"Bob Wills And His Texas Playboys "Draggin' The Bow"Bob Dylan "Main Title Theme (Billy)"Little Walter "Blue Lights"Dizzy Gillespie "Salt Peanuts"Albert Collins "Frosty"Ferdinand Jelly Roll Morton "Hyena Stomp"Various "Traveling Through The Jungle"Beastie Boys "In 3's"Max Roach "Triptych ( Prayer, Protest, Peace )"Freddy King "Hide Away"Fats Waller "Handful of Keys"Joel Paterson "Because"Funkadelic "Maggot Brain"Tuba Skinny "Deep Henderson"Dr. John "Mac`s Boogie"Cindy Cashdollar "Waltz for Abilene"Blind Willie Johnson "Dark Was the Night, Cold Was the Ground"John Coltrane "Alabama"Little Freddie King "Bad Chicken"James Brown "Give It Up Or Turnit A Loose"Gastr Del Sol "For Soren Mueller"John Fahey "Poor Boy Long Ways From Home"Bo Diddley "Aztec"Tom Waits "Closing Time"Fred McDowell "Amazing Grace"

This week on the program we'll hear some great acoustic blues. We have classics from Sonny Terry & Brownie McGhee, Son House, Blind Willie Johnson, Frank Hovington and new releases from Grammy winner Cedric Burnside, and Bonnie Raitt. We'll feature three selections and a review of the new CD Get On Board from old friends Taj Mahal and Ry Cooder, focused on the music of Sonny & Brownie. Acoustic blues, old and new … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysWoody Mann / “The Rev's Music” / Road Trip / Acoustic SessionsGrant Dermody & Frank Fotusky / “Peach Tree Blues” / Digging in John's Backyard / Self ProducedFrank Hovington / “Mean Old Frisco” / Lonesome Road Blues / RounderMaria Muldaur w/ Tuba Skinny / “I Like You Best of All” / Let's Get Happy Together / Stony PlainWillie Dixon / “88 Boogie” / The Big Three Trio / ColumbiaSon House / “Preachin' Blues” / Forever on My Mind / Easy Eye SoundBonnie Raitt / “Down the Hall” / Just Like That... / RedwingBlind Willie Johnson / “Dark Was the Night-Cold Was the Ground” / Praise God I'm Satisfied / YazooWoody Mann / “Aflenz” / Road Trip/ Acoustic SessionsTaj Mahal & Ry Cooder / “Hooray Hooray” / Get on Board / NonesuchTaj Mahal & Ry Cooder / “What a Beautiful City” / Get on Board / NonesuchTaj Mahal & Ry Cooder / “I Shall Not Be Moved” / Get on Board / NonesuchCedric Burnside / “The World Can Be So Cold” / I Be Trying / Single LockSonny Terry & Brownie McGhee / “Walk On” / Blues Cafe / PutumayoPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

This episode continues a monthly, ten-part series celebrating the tenth anniversary of TEMPEST. Broadcasting on April 14th, the 110th anniversary of the Titanic's fateful convergence with the iceberg, how could we not dedicate this episode to the song that gave the album its name, "Tempest"? In "20 Pounds of Headlines," we round up news from the world of Bob Dylan, which includes a final update on Dylan's spring 2022 tour, which concludes this evening. In "Who Did It Better?" we ask you to vote this week to tell us who did "When That Great Ship Went Down" better: Woody Guthrie or Bob Gibson? Listen to the episode, then go to our Twitter page @RainTrains to vote!

Fats Waller - "London Suite - Pt. 1 Piccadilly" [0:00:00] Fats Waller - "London Suite - Pt. 2 Chelsea" [0:02:23] Mississippi Sheiks - "Sales Tax" [0:09:42] Sophie Tucker - "Max from the Income Tax" [0:12:48] Blind Willie Johnson (with Willie B. Harris) - "Lord I Just Can't Keep from Crying" [0:15:20] Pigmeat Pete (Wesley Wilson) and Catjuice Charlie (Harry McDaniels) - "Our Family Doctor" [0:18:02] Gus Bodenheim - "Delbarton Farms Head Cheese" [0:24:42] Django Reinhardt - "Nuages" [0:26:41] Jones, Smith Inc. (Count Basie Quintet, Prez, Jo Jones, Walter Page) - "Lady, Be Good" [0:29:56] Lovin' Sam Theard - "You Rascal You - No. 2" [0:32:40] Zuzu Bollin - "Why Don't You Eat Where You Slept Last Night?" [0:39:01] Lucille Bogan - "Barbecue Bess" [0:41:34] Louis Jordan & His Tympany Five - "At the Swing Cats' Ball" [0:44:04] Gus Bodenheim - "Let's Build a Drugs Caddy" [0:46:42] Dodo Marmarosa - "Bopmatism (Take 1)" [0:49:26] https://www.wfmu.org/playlists/shows/114368

In this all Texas episode, Rob is joined by 10 time Grammy winner, Ray Benson of Asleep at the Wheel. Ray shares his musical upbringing, his early exposure to the Grateful Dead, and how his path crossed with the band on numerous occasions. Ray talks about the differences AND similarities, between Texas Swing music and jambands, in regards to both the music and the fan base. Hear him talk about the important contributions Jerry Garcia made to the world of music, his songwriting inspirations and much much more. We also talk with Joe Faulhaber of the Austin cover band Deadeye and we feature Texas native Blind Willie Johnson in the Black Music Moment. Support the show (https://www.themusicplaystheband.net) Support the show (https://www.patreon.com/themusicplays) https://paypal.me/themusicplays Grateful Sweats Subtle and Unique Dead Inspired Gear Sarno Music Solutions Producing the finest musical instrument audio gear, designed and hand-built in St. Louis, Missouri Blue Jade Audio Mastering St louis's primary audio mastering service since 1999 The Authenticity Academy Get in touch with your authentic self. Offering you online courses and private coaching. CLEAN Store Software driven solutions and concierge service for all of your branding and apparel needs https://www.cleanuniform.com/branding-apparel-store/ Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

In this all Texas episode, Rob is joined by 10 time Grammy winner, Ray Benson of Asleep at the Wheel. Ray shares his musical upbringing, his early exposure to the Grateful Dead, and how his path crossed with the band on numerous occasions. Ray talks about the differences AND similarities, between Texas Swing music and jambands, in regards to both the music and the fan base. Hear him talk about the important contributions Jerry Garcia made to the world of music, his songwriting inspirations and much much more.We also talk with Joe Faulhaber of the Austin cover band Deadeye and we feature Texas native Blind Willie Johnson in the Black Music Moment.Support the show (https://www.themusicplaystheband.net)Support the show (https://www.patreon.com/themusicplays)https://paypal.me/themusicplaysGrateful SweatsSubtle and Unique Dead Inspired GearSarno Music SolutionsProducing the finest musical instrument audio gear, designed and hand-built in St. Louis, MissouriBlue Jade Audio MasteringSt louis's primary audio mastering service since 1999The Authenticity AcademyGet in touch with your authentic self. Offering you online courses and private coaching.CLEAN Store Software driven solutions and concierge service for all of your branding and apparel needshttps://www.cleanuniform.com/branding-apparel-store/Part of Pantheon Podcasts

In this all Texas episode, Rob is joined by 10 time Grammy winner, Ray Benson of Asleep at the Wheel. Ray shares his musical upbringing, his early exposure to the Grateful Dead, and how his path crossed with the band on numerous occasions. Ray talks about the differences AND similarities, between Texas Swing music and jambands, in regards to both the music and the fan base. Hear him talk about the important contributions Jerry Garcia made to the world of music, his songwriting inspirations and much much more.We also talk with Joe Faulhaber of the Austin cover band Deadeye and we feature Texas native Blind Willie Johnson in the Black Music Moment.Support the show (https://www.themusicplaystheband.net)Support the show (https://www.patreon.com/themusicplays)https://paypal.me/themusicplaysGrateful SweatsSubtle and Unique Dead Inspired GearSarno Music SolutionsProducing the finest musical instrument audio gear, designed and hand-built in St. Louis, MissouriBlue Jade Audio MasteringSt louis's primary audio mastering service since 1999The Authenticity AcademyGet in touch with your authentic self. Offering you online courses and private coaching.CLEAN Store Software driven solutions and concierge service for all of your branding and apparel needshttps://www.cleanuniform.com/branding-apparel-store/Part of Pantheon Podcasts

In this all Texas episode, Rob is joined by 10 time Grammy winner, Ray Benson of Asleep at the Wheel. Ray shares his musical upbringing, his early exposure to the Grateful Dead, and how his path crossed with the band on numerous occasions. Ray talks about the differences AND similarities, between Texas Swing music and jambands, in regards to both the music and the fan base. Hear him talk about the important contributions Jerry Garcia made to the world of music, his songwriting inspirations and much much more. We also talk with Joe Faulhaber of the Austin cover band Deadeye and we feature Texas native Blind Willie Johnson in the Black Music Moment. Support the show (https://www.themusicplaystheband.net) Support the show (https://www.patreon.com/themusicplays) https://paypal.me/themusicplays Grateful Sweats Subtle and Unique Dead Inspired Gear Sarno Music Solutions Producing the finest musical instrument audio gear, designed and hand-built in St. Louis, Missouri Blue Jade Audio Mastering St louis's primary audio mastering service since 1999 The Authenticity Academy Get in touch with your authentic self. Offering you online courses and private coaching. CLEAN Store Software driven solutions and concierge service for all of your branding and apparel needs https://www.cleanuniform.com/branding-apparel-store/ Part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Playlist: Snatch It Back and Hold It – Junior Wells; When the War Was On – Blind Willie Johnson; The Army Blues – David "Honeyboy" Edwards; Army Blues – Bukka White; Masters of War – Odetta; War Time Blues – Mississippi Joe Callicott; War Pains – Mike Vernon; War Headed Woman – Little John Chrisley; Back From Korea – John Mayall; Vietnam Blues – J. B. Lenoir; Vietnam Blues – Champion Jack Dupree; American Defense – Son House; Cause of War – Robben Ford; War – Maria Muldauer, The Women's Voices for Peace Choir, Free Radicals. Escuchar audio

This episode covers early delta blues musicians, early Black radio and the influence of electric technology. Topics covered Blind Willie Johnson, Charley Patton, Jack L Cooper, Electric Recording Technology, Electric Guitar, Black Radio, Urban Theater Circuit https://www.bluelineage.com

Show 134 – Recorded 6-12-21 – This podcast features 13 outstanding blues artists and 13 great performances to enjoy. These songs were recorded between 1930 and 2021. Our featured artists are: Jontavious Willis, Blind Willie Johnson, Bobby Rush, James Son Thomas, Big Bill Broonzy, The Mississippi Sheiks, John Primer, Bessie Jones, Rosa Lee Hemphill, Bettye […]

This episode covers early delta blues musicians, early Black radio and the influence of electric technology. Topics covered Blind Willie Johnson, Charley Patton, Jack L Cooper, Electric Recording Technology, Electric Guitar, Black Radio, Urban Theater Circuit.

In SONGBIRD's latest "behind the song" episode, we tackle the story behind Long Tall Man (track four from Heaven Get behind Me). Inspired by Ry Cooder's score for Paris, Texas (by way of a Blind Willie Johnson cover) and a documentary about Townes Van Zandt - this song is pure minimalism. We talk through the obstacles in the songwriting process, listen to the demo version, examine the technical choices, then we hear the final mastered version of the track.