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2 episodes with steven stills
2 episodes with steven stills
2 episodes with steven stills
2 episodes with steven stills
2 episodes with steven stills
Hi everybody, welcome to another episode of The Talk Music Podcast!I'm thrilled to announce my guest is LES STROUD! Best known as the producer, creator and star of the hit TV series SURVIVORMAN, Les is also an accomplished musician/songwriter. His music is a rich tapestry of rock, world, prog rock, folk and blues, and it reflects his deep connection to nature. Steve Vai, Bruce Cockburn, Colin Linden and Slash have all lent Les their musical talents for his recordings. Les has guested on stage with Journey, Alice Cooper, Blues Traveler, Steven Stills, Chicago, Randy Bachman, Tommy Shaw, James Cotton, Dave Mason and Slash (who's latest solo album Les performs on). Les has always operated in two lanes: his Survivorman and music careers, the latter being his most recent focus. His latest album MOTHER EARTH, produced by MIKE CLINK (“Appetite for Destruction” by Guns N' Roses), blew me away. Some song clips are sprinkled throughout. I loved chatting with Les about his beginnings, both our experiences at Fanshawe college, his remarkable journey as a survival expert, and of course his lifelong passion for using music to express his love for our planet. This in-depth chat took place the day after I saw Les perform as a guest on harp at a truly magical Bruce Cockburn concert. Afterwards, surrounded by nature at his well-hidden cottage, we enjoyed a hot sauna, cold beer and a quick dip in the lake. A blissful time I will always remember. Enjoy! Hosted on Acast. See acast.com/privacy for more information.
Chaque matin, Ombline Roche vous entraîne dans les coulisses de la création d'une œuvre musicale emblématique. Aujourd'hui, nous plongeons dans l'histoire fascinante de "For What It's Worth", le plus grand succès du groupe Buffalo Springfield.C'est en novembre 1966, sur le Sunset Strip à Hollywood, que Steven Stills, le guitariste et chanteur du groupe, trouve l'inspiration pour cette chanson de protestation. Alors qu'il se rend à un concert, il tombe par hasard sur une manifestation de jeunes qui s'opposent au couvre-feu imposé par les riverains et les commerçants. Choqué par cette confrontation entre la police et ces enfants, comme il les appelle, Stills rentre chez lui et écrit en seulement 15 minutes ce qui deviendra l'un des hymnes de la contre-culture des années 60.Pourtant, Stills a toujours affirmé que "For What It's Worth" n'avait rien à voir avec la guerre du Vietnam ou les manifestations anti-guerre. Il s'agirait simplement d'une histoire de quartier à Hollywood. Mais au-delà de cette déclaration, la chanson a résonné comme un cri de ralliement pour toute une génération en révolte.Découvrez les coulisses de la naissance d'un classique du rock, porté par les voix et les guitares de Buffalo Springfield, ce trio de guitaristes hors pair. Un épisode captivant qui vous fera redécouvrir ce morceau intemporel sous un nouveau jour.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.
Dans cet épisode de "La partition", plongez dans l'univers musical de Véronique Sanson, artiste emblématique de la chanson française. Alors qu'elle se produit au Grand Rex à Paris pour trois soirées exceptionnelles, nous revenons sur sa carrière riche et mouvementée. À l'approche de ses 75 ans, Véronique Sanson évoque son parcours artistique marqué par sa collaboration avec Michel Berger et la sortie de l'album culte "Amoureuse". Malgré des turbulences personnelles, notamment une séparation liée à une relation avec le rockeur américain Steven Stills, l'artiste a su conquérir le public avec des titres inoubliables tels que "Je te verrai tous les jours". Toujours aussi passionnée, elle continue à enflammer les scènes et à enchanter son public. Son concert au Grand Rex est un moment privilégié pour célébrer son anniversaire en compagnie de son fils Christopher Stills en première partie. Une occasion unique avant d'enchaîner sur d'autres dates et festivals prévus cet été. Plongez dans l'univers captivant de cette icône de la musique française grâce à ce nouvel épisode de "La partition".
Graham Nash founded 1960s UK beat group The Hollies with his best friend and enjoyed a dozen top ten hits. Then, Nash decided to quit the group, and move to America. Here, he discusses meeting and falling in love with Joni Mitchell, the first time he sang with David Crosby and Steven Stills, meeting Neil Young over breakfast, and recounts writing hits like Teach Your Children, Our House, Marrakesh Express. He also recalls the morning Paul McCartney called him up to come to the 'All You Need Is Love' recording. Graham tours Australia from March 2024. Get tickets at grahamnash.com.
Let the names tell the story – With Waddy Wachtel, Danny Kortchmar, Leland Sklar and drummer, producer, and writer Russ Kunkel created and played music history. Historic albums by Carole King, Jackson Brown, James Taylor, Warren Zevon, Bob Dylan, Joni Mitchell, Linda Ronstadt, David Crosby, Graham Nash, Steven Stills, Neil Young, Kate and Anna McGarrigle, Jimmy Buffet, JJ Cale, Ringo, Lyle Lovett, George Harrison, Dolly, Linda and Emmylou The Trio album, Stevie Nicks, Don Henley, Bob Seger, Bonnie Raitt, Tracey Chapman, Joe Walsh, BB King, Steve Winwood. On and On and ON. Now, along with seasoned guitarist and vocalist Steve Postell, they've established the opportunity to be their band. The Immediate Family. Their new album Skin in the Game arrives Feb 16. Skin in the Game references the fact that they aren't sidemen here. It's not a play-and-walk-away kind of thing. They're taking the music they wrote and played, out on the road for themselves. No one else. For the rest of the story, check out the documentary The Immediate Family. Screening now. The annual Critics Choice Awards take place in LA Sunday at 7 PM Eastern. Hosted by Chelsea Handler. Ive gathered four opinionated critics (are there any other kind) We met on Zoom and went at it. Discussing the film year 2023 and who's going to win what… Shawn Edwards Kansas City Hillary Atkin LA Teri Hart Toronto Bonnie Laufer Toronto It's a wild ride friends..come along.
"Tedeschi Trucks Band: Rocking the Garden Party with Warren Haynes and Trey Anastasio"Larry Mishkin discusses various topics related to marijuana law, culture, and music. He mentions updates on Tedeschi Trucks Band shows, including performances with Warren Haynes and Trey Anastasio. Larry also delves into the history of the song "It Takes a Lot to Laugh, It Takes a Train to Cry," originally written by Bob Dylan, and how it marked a pivotal moment in the transition to electric music. He discusses the Dead's cover of the song and its significance, along with other Dylan covers. Additionally, Larry touches on the Jerry Garcia and Merle Saunders performance from 50 years ago, featuring songs like "Finders Keepers" and "The Harder They Come." He highlights the guest musicians and the significance of these performances within the context of rock and roll history. Finally, he shares insights on Jerry Garcia's cover of "That's All Right, Mama" and its historical significance in the development of rock and roll music..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a Garcia/Saunders show:October 2, 1973 (50 years ago)Winterland, S.F.Garcia & Saunders 1973 Winterland SF KSAN : KSAN : Free Download, Borrow, and Streaming : Internet ArchiveBand members:Jerry – guitar and vocalsMerle – KeyboardJohn Kahn – bassBill Vitt – drumsGuests:Sara Fulcher – vocalsMatt Kelly – harmonicaRoger “Jellyroll” Troy – bass, vocalsMartin Fierro – saxBill Atwood - trumpet INTRO: It Takes A Lot To Laugh It Takes A Train To Cry (this one is really from 10.12.1973 at Keystone because the Archive.org show is missing this song as the opener and this is the one closes in date I could find) Jerry Garcia/Merl Saunders • It Takes A Lot To Laugh, It Takes A Train To Cry 10/12/73 Fixed SBD - YouTube 7:35 – 9:09 "It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited released Aug. 30, 1965. It was recorded barely a month earlier on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991.Covered by Steven Stills, Leon Russell, Marianne Faithful, Taj Mahal, Paul Westerberg, Robyn Hitchcock and Lucinda Williams Dylan's live debut of the song came as part of Dylan's controversial electric set, backed by members of The Paul Butterfield Blues Band and Al Kooper, at the Newport Folk Festival on July 25, 1965, after "Maggie's Farm".[2][4][5][7] After being heckled during the electric set, and especially during "It Takes a Lot to Laugh, It Takes a Train to Cry", by fans who wanted Dylan to play acoustic folk music, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue".[4][7] The Newport performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" features jamming by guitarist Bloomfield and organist Al Kooper.[4] Dylan played it live as part of his set in the August 1971 Concert for Bangladesh. This version was included in the concert film and Grammy Award-winning album of the same title.[2]A. Dead played it 7 times:first time on June 10, 1973 at RFK Stadium (D.C.) with Allman Brothersfive times in 1991 and once on March 16, 1992 at the Spectrum, Philly Released on Dead album: Postcards of the Hanging (March, 2002) B. Jerry's various bands played it about 60 times,first time on January 15, 1972 at Keystone Korner in S.F. w/Merle SaundersLast time by JGB: March 4, 1995 at the Warfield in S.F. SHOW #1: Finders Keepers Track No. 1 3:00 – 4:13 Finders Keepers was performed over 20 times by Jerry Garcia with the Garcia/Saunders band, Legion of Mary and Reconstruction between 1973 and 1979.On the 1973 Garcia/Saunders Keystone double album the song is called Finders Keepers and is correctly credited to Johnston and Bowen. The song was written by General Johnson, a member of the group Chairmen Of The Board, and Jeffrey Bowen, the producer of the Chairmen Of The Board recording. The song was originally released by the Chairmen Of The Board as a single with a vocal version of the song on the A side and an instrumental version on the B-side. Chairmen of the Board is an American-Canadian, Detroit, Michigan-based soul musicgroup, who saw their greatest commercial success in the 1970s. SHOW #2: The Harder They Come Track No. 2 1:05 – 2:18 "The Harder They Come" is a reggae song by the Jamaican singer Jimmy Cliff. It was first recorded for the soundtrack of the 1972 movie of the same name, in which it is supposed to have been written by the film's main character, Ivanhoe Martin. In 1969, singer Jimmy Cliff met film director Perry Henzell, who was intending to make a film about a musician who turned to crime. Cliff agreed to take the lead role, and the film was shot over the next two years. During filming, Cliff came up with the line "the harder they come". Henzell thought it would make a good title for the film, and asked Cliff to write and record a theme song for it.[2]The actual recording of the track, at Dynamic Sounds (Muscle Shoals, 1971), was filmed for inclusion in the movie. Cliff wrote the melody, and improvised the lyrics. The musicians were Gladstone Anderson (piano), Winston Wright (organ), Winston Grennan (drums), Linford "Hux" Brown (lead guitar), Ranford "Ranny Bop" Williams (rhythm guitar), and Clifton "Jackie" Jackson (bass).[2]Reggae track recorded in Jamaica in 1972 Covered by: JGB (Kean College 2.2.80), Cher, Keith Richards (b-side to his single, Run Rudolph Run 1978), Rancid, Joe Strummer, Wayne Kramer, moe., Willie Nelson, Guster, Widespread Panic and many others The Harder They Come was performed over 350 times by Jerry Garcia/Merl Saunders groups and by the Jerry Garcia Band between 1973 and 1995. The lyrics and music for the song are included in the Jerry Garcia Songbook. Also played by Phil Lesh & Friends, Billy & The Kids, Voodoo Dead and Bob Weir with Soul Ska. SHOW #3: That's All Right Mama Track No. 3 2:20 – 3:59 Featuring: Bill Atwood on Trumpet and Sara Fulcher on vocals The song was written by Arthur "Big Boy" Crudup, and originally recorded by him in Chicago on September 6, 1946, as "That's All Right". Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926.[5][6] Crudup's recording was released as a single in 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the "first rock and roll song" is Southeastern Louisiana University rock historian Joseph Burns, who adds that "this song could contain the first ever guitar solo break". Elvis Presley's version was recorded in July 1954.[10] While recording an album as part of a trio called The Blue Moon Boys, the band played "That's All Right" in between takes, and the uptempo style characteristic of rockabilly caught the attention of studio executive Sam Phillips, who asked for a refinement of the interpretation that was later recorded.[11] Its catalogue number was Sun 209.[12] The song was released under its original title, "That's All Right", and names the performers as Elvis Presley, Scotty, and Bill.[13] The Presley version was not identical to Crudup's since it was "at least twice as fast as the original".[2] His version is considered by some music critics as one of the records that was the first in the rock n'roll genre. A 2004 article in The Guardian argues that rather than Presley's version being one of the first records of rock and roll, it was simply one of "the first white artists' interpretations of a sound already well-established by black musicians almost a decade before [...] a raucous, driving, unnamed variant of rhythm and blues". Covered by the Grateful Dead once with allman Brothers on June 10, 1973 (RFK great version with Jerry and Dickey Betts trading off lead licks) and once om April 18, 1986 at Berkeley Community TheaterPlayed regularly by JGB and other versions from the ‘70's until the end in 1995. SHOW #4: Second That Emotion Track No. 5 7:00 – 8:29 "I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and The Temptations, also on the Motown label. One morning in 1967, Robinson and Cleveland were shopping at Hudson's, a Detroit department store. Robinson found a set of pearls for his wife, Claudette. "They're beautiful." he said to the salesperson. "I sure hope she likes them." Cleveland then added "I second that emotion." Both songwriters laughed at Cleveland's malapropism; he had meant to say "I second that motion." The two were immediately inspired to write a song using the incorrect phrase. Was performed a handful of times (7) by the Grateful Dead in April, 1971First: April 8, 1971 at The Music Hall, BostonLast: April 29, 1971 at Fillmore East NYC Part of Jerry's bands repertoire between 1973 and 1994 (played almost 200 times) OUTRO: Sweet Little Angel Track #7 2:20 – 3:59 Written by BB King and Jules Taub in September, 1956 Some say it is an adaption of Black Angel Blues written by Lucille Bogan in December, 1930 In 1956, B.B. King recorded "Sweet Little Angel" (RPM Records 468). According to King, "I got the idea for 'Sweet Little Angel' from Robert Nighthawk's 'Sweet Black Angel', though I later discovered that the song had been recorded by someone before Nighthawk. At the time 'black' was not a popular word, as it is now. Instead of using the old title, I changed it to 'Sweet Little Angel'—and that was a pretty big record for me".[6] King's version, which included a horn section, was a stylistic shift for the song and it became a hit, reaching number eight on the Billboard R&B chart.[7] In 1957, he re-recorded "Sweet Little Angel" for his first album Singin' the Blues. Both versions prominently feature B.B. King's guitar work, with his note-bends "sounding almost like a lap steel in places.”
For May 2023, TNT dives into a classic in the world of folk, country and rock: Neil Young's third solo album, 1970's “After the Gold Rush.” We're joined by a very special guest - musician, avid record collector, Neil enthusiast, and friend of the show Denis Candy. Join us as we three learn about the genesis of the album, how it was originally viewed when it came out, and of course Neil's steadfast politics.
JUST PLAIN BILL?JUST AS I AM by Bill Withers (Sussex, 1971)Bill Withers was uncategorizable. Was he a soul artist? A folk musician? A blues singer? He certainly was no pop star. He picked a nylon string guitar, for God's sakes! But, even so, he was one of the most covered songwriters who ever plied the craft. His appeal was universal. There hasn't been any aspiring singer, of any genre, who hasn't tried to put over Lean on Me or Ain't No Sunshine. Bill belonged to all of us. Just As I Am was Bill's debut album, produced by one of the premier soul artists, Booker T Jones, but in it he covers folk avatar Fred Neil's Everybody's Talkin', and Paul McCartney's Let it Be. Listen to Grandma's Hands and you can hear the guitar of rock icon Steven Stills. The MG's Duck Dunn plays some of the bass parts, but so does Chris Etheridge of The Flying Burrito Brothers.Withers narrates part of his story himself in the cut Do it Good. The son of a miner from Slab Fork, West Virginia, Bill worked as a machinist for Douglas Aircraft, IBM, and Ford - all the while sending out demo tapes until Clarence Avant signed him to Sussex, where he hit it with Ain't No Sunshine at the age of 32 - way over the hill by pop star standards. He's pictured on the label holding his lunch pail, dressed in a t shirt and jeans - and when he first hit pay dirt, he refused to quit his job, saying that the music business was “fickle”. Is it ever! The common touch was always part of Bill's magic. And, of course, an uncanny talent and instinct, not to mention a warm baritone that poured like honey out of America's car radios.When he was inducted into the Rock n Roll Hall of Fame in 2015 he was characteristically understated when he said: “I don't think I've done bad for a guy from Slab Fork, West Virginia.” Neither do we.
NBA no longer to test players for marijuana use and Cubs sign promotional deal with CBD companyIn this podcast episode, Larry Mishkin talks about the Grateful Dead's spring tour of 1983. He shares a clip of Steven Stills from Crosby, Nash, Stills, and Young joining the band on stage on April 16th, 1983, to play "Black Queen." Larry also talks about how Stills had previously played with the Grateful Dead on December 10th, 1969, at the Thelma Theater in Los Angeles, where he performed "Good Morning, Little Schoolgirl," "Morning Dew," and "Black Queen." Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast
On this week's show, we... bid adieu to David Crosby & Tom Verlaine spend quality time with the new Joe Henry record spin fresh tracks from boygenius, Fucked Up & Nickel Creek all this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
This episode is dedicated to the memory of David Crosby, a music legend who pioneered the folk genre and influenced the generations that followed. Almost 54 years ago, he and his bandmates Steven Stills and Graham Nash created harmonics that set the stage for the Eagles, Seals and Croft, Steely Dan, among others. Join us as we pay homage to David's memory. By going deep into their catalogue, we have a fuller appreciation for his music and how it not only entertained us, but also struck a chord within us that changed our culture and world forever. Support the show
This episode is dedicated to the memory of David Crosby, a music legend who pioneered the folk genre and influenced the generations that followed. Almost 54 years ago, he and his bandmates Steven Stills and Graham Nash created harmonics that set the stage for the Eagles, Seals and Croft, Steely Dan, among others. Join us as we pay homage to David's memory. By going deep into their catalogue, we have a fuller appreciation for his music and how it not only entertained us, but also struck a chord within us that changed our culture and world forever. Support the show
Reel to Real: Where the Stories Behind the Board Go on Record
Grammy Award-winning engineer Bruce Hensal joins co-host Drigo Garcia-Salas from the Melrose Center in welcoming guests drummer/singer/songwriter Joe Vitale and producer/engineer Michael Braunstein. Joe and Michael talk about their career paths and particular moments in music history when those paths crossed, while working with Joe Walsh, Steven Stills and many others.
Noel Casler spent six seasons working directly with the Trump family on Celebrity Apprentice and more than 20 years in the entertainment industry working with the likes of Steven Stills, Bruce Springsteen, and more. Now, he has a hit podcast and is taking his show on the road and will be at Rams Head On Stage on September 16th. If you are expecting to get the inside scoop on the Trump family, please note that he had a 24-page NDA preventing him from discussing it. Also, please note that "had" is past tense, and Noel has run out of effs to give. It will all be on the table. We get a taste of things to come in our conversation and this is one comedy show you will not want to miss! Have a listen! LINKS: Noel Casler (Website) Noel Casler (Facebook) Noel Casler (Twitter) Noel Casler (YouTube) Noel Casler (Instagram) Noel Casler (Podcast) Rams Head On Stage (Tickets)
S2E29 -- Join us we dive into the mind of legendary bassist Kenny Lee Lewis. He'll bring you on his journey from his band Pieces to touring with The Steve Miller Band ————————————————— This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com ————————————————— Check out Toking with the Dead Episode 1 https://vimeo.com/ondemand/twtde1 Buy awesome Merchandise! https://www.stilltoking.com/ https://teespring.com/stores/still-toking-with ————————————— Follow The Prospect Theater https://www.prospectortheater.org/ Facebook – www.facebook.com/prospectortheater YouTube – www.youtube.com/prospectortheater Follow Kenny http://www.kennyleelewis.com/ https://www.facebook.com/kennyleelewisofficial/ https://twitter.com/kennyleelewis http://www.Fretfrenz.com http://www.Barflyzmusic.com http://www.Frenzmusic.com http://www.Hangdynasty.com http://www.Stevemillerband.com Still Toking With https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead/ https://www.instagram.com/stilltokingwith/ http://www.youtube.com/c/THETOKINGDEAD https://www.twitch.tv/stilltokingwith Support Still Toking Enterprises https://www.paypal.me/thetokingdead https://www.facebook.com/groups/2658329444181663/?ref=br_rs https://www.facebook.com/groups/stilltokingcomics/ Produced by: The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Hellfire Radio https://www.hellfireradio.com/ https://www.facebook.com/scoopsandmischief/ https://www.instagram.com/scoopsandmischief/ https://www.facebook.com/HellfireRadio666/ https://www.instagram.com/hellfire_radio_666/ Check out Green Matters: https://www.facebook.com/GreenMattersMiddleboro/ Kenny Lee Lewis is a bass guitarist and singer-songwriter born in Pasadena, California and moving to Sacramento, California, with his family in 1960. His father played the drums, guitar and tenor sax and his brother and sister were heavily into the folk scene in the 1960s. By the time he was seven he was playing the ukulele and as he grew older his brother gave him his old guitar. After the arrival of the Beach Boys on the music scene he would start borrowing electric guitars until he finally managed to get one of his own in 1967. He began playing with local bands at school dances and a local college junior jazz band, and when he was 17 he moved to Los Angeles and shortly after toured with a rock band. In 1974 he began working with David Schecter of Schecter Guitar Research and was involved with the development of parts of guitars that are still in use today. He became in demand as a bass player and in 1978 landed a record deal with his band Pieces. He moved bands to collaborate with the drummer Gary Mallaber and after being requested for material by Steve Miller and having all the songs taken and appearing on the album Abracadabra, he was asked to sign up for the group. He became credited as “one of the songwriters who gave Steve Miller ‘personality'”. He still performs with the band but has continued to write for and perform with many other artists and groups such as David Mason, Meatloaf, Boz Scaggs, Steven Stills, Quincy Jones, B.B. King and Billy Preston as well as underscoring for motion pictures and television with film credits including Protocol, Iron Eagle, Night of the Comet, Pump Up the Volume and Spring Break. Albums he has appeared on during the course of his career include his own Get 2D Point and Music of The Steve Miller Band as well as Playing for Keeps by Eddie Money, Two Hearts by David Mason, Taj by Taj Mahal, Tracker by Tracker, Italian X-Rays. Living in the 20th Century and Live! by The Steve Miller Band and Let Your Love Flow by Solomon Burke. Find out more at https://still-toking-with.pinecast.co This podcast is powered by Pinecast.
String instruments of the old Appalachian hootenanny. The banjo, the fiddle, the mandolin an upright bass and the hammered dulcimer. A stringed musical instrument with the strings stretched over a trapezoidal sounding board. The player uses mallet hammers to strike the strings on the dulcimer in combination with the zither or oud in the timeless countries of Iran and China. My guest today has redefined the settings in which a hammered dulcimer can be played in. An old folkie from Western Maryland he is as versed in country bluegrass as he is with Celtic Tunes as he is with jazz. He comes from a hill where there is common ground. A place around the mason Dixon line where Peter Rowan and David Dawg Grisman, Steven Stills and other revivalists go to spread the language of music. Playing in tongues, moving beyond the spoken language and forming a unit whose collective spiritual mantra is to support each other. You gotta go fishing once and awhile and my guest does mentoring younger cats and being able to relate to the poverty, abuse and neglect that many performers carry. Especially those who have recently come back from serving our country. Coming back after two tours overseas and being deported.....not given real meaningful opportunities to combat PTSD. My guest knows the poverty of Appalachia and the traumas of younger war veterans and gives back to his country by helping cross sections of our people get back on their feet and grow through the arts. His 100lbs hammered dulcimer vibrates with an improvisational ring swinging from one octave to another just like ringing a bell with those mallets acting as the percussive driver of soul music. My guest today is the founder of "Common Ground On The Hill," in Maryland which over the last twenty years has sought to bring together artists, writers, journalists, dancers and singers to perform and teach kids. He is a virtuoso of the hammered dulcimer performing at the Winter Olympics, Presidential ceremonies, The Tonight Show, Tennessee Fiddle Competitions and the coal camps near the Blue Ridge Mountains. He is resident artist @ McDaniel College and knows that any movements around social change are spurred on by finding common ground through the arts and culture. Walt Michaels welcome to the JFS
On this week's show, we... spend quality time with new records from Los Lobos, Leon Bridges, Rodney Crowell & Son Volt commemorate the 20th anniversary of Jimmy Eat World's Bleed American pour one out for the late, great ZZ Top bassist Dusty Hill All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
Ryan talks with David Browne, author of the book Crosby, Stills, Nash & Young: The Wild, Definitive Saga of Rock's Greatest Supergroup and Senior Writer at Rolling Stone. With the upcoming anniversary of the expanded re-issue of the band's Deja Vu record right around the corner, it's a great time to get caught up on the history of the band, and specifically the story behind their song, "Ohio." http://www.david-browne.com/David Browne's book: Crosby, Stills, Nash & Young: The Wild, Definitive Saga of Rock's Greatest Supergroup on Amazon (this is an affiliate link) https://amzn.to/2P2MJKJVisit my website at https://www.thesongsofnote.com/Follow me: http://instagram.com/songsofnotehttps://www.facebook.com/songsofnotehttps://twitter.com/thesongsofnoteMusic provided by Tyler Ramsey. Find Tyler on Spotify, Apple Music, and his website.
In Part 2 of David Crosby: Flying High Until The End, Jimmi discusses the last few weeks of Crosby's time with the Byrds and some of the events that lead to David being fired from the band. Crosby has been on the outs with the other bandmembers for some time, but his behavior towards the end becomes more erratic and it seems to Jimmi that he is trying to get himself fired from the band and released from his contract with CBS. Crosby has already begun to rehearse with Steven Stills and others in secret, and it is becoming clearer that Crosby is considering his future may not be with the Byrds. The day before heading to a weekend gig in San Francisco, Jimmi is called to Crosby's house by a woman who believes Crosby is overdosing. Two days later, Crosby takes out his frustration backstage at the Fillmore West by punching Jimmi in the back of the head and gets fired by the band several days later upon his return to LA.Some highlights from the show:00:01:25 Photoshoot where Crosby is a Notorious horse's ass00:04:52 Jimmi delivers a guitar to a clandestine jam session at Crosby's00:06:50 Crosby takes Triad to Jefferson Airplane and RCA00:19:19 Bill Graham and Fillmore West00:21:31 Jimmi goes to Crosby's to deal with an overdose00:39:34 Things get a little physical at Fillmore West01:00:32 Larry Spector's management role01:01:46 Crosby gets firedThanks for listening!Visit our WEBSITE for additional information on this episode, extra content and information on future episodes.Or follow Echoes from the Canyons on FACEBOOK, INSTAGRAM or TWITTEREchoes from the Canyons is a TERMINAL BIRDS PRODUCTION
Two factors influnced this week's Deadpod; first a request for more 1969 Dead from a friend of the 'pod, and secondly my desire to find a one-set tape that wouldn't run over into next week's Thanksgiving podcast. The result, I think, is this outstanding recording from October 25, 1969 at Winterland. Sure, its only four songs... but what songs these are.. I know I played a 'Dark Star' last week but I'm confident you'll forgive me when you hear this rendition, complete with the very first 'feeling groovy' jam.. The 'Lovelight' is totallly unique as well, with Steven Stills sitting in on guitar and vocals. Man I wish we had the rest of this night! Hope you enjoy it, and be sure and check on Thanksgiving morning for the annual Thanksgiving day Deadpod... Grateful Dead Winterland Arena San Francisco, CA 10/25/69 - Saturday One Dark Star [21:42] > Saint Stephen [6:00] > The Eleven [9:26#] > Turn On Your Love Light [21:57]* Ending remarks from Bill Graham * w/Steven Stills on guitar and vocals You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod112020.mp3 thanks for your support!!
In a raucous, candid and humorous interview Diltz tells of the historic Laurel Canyon days of the sixties with pals like Steven Stills, Jackson Browne, Joni Mitchell, the Doors, James Taylor, Mama Cass, John Sebastian and the whole range of American rock, folk music and pop culture legends he photographed before they were famous and over the next 50 years. It’s thought that Henry may have sold more prints than any photographer in history.
Richard T. Bear has emerged. This legendary Career Musician has worked with the Blues Brothers, Billy Squier, Cher, Kiss, Steven Stills, Miami Vice, Pat Benatar and many more, and now he's gathered quite the cast of fellow legends to collaborate on his new single and video, "One Day at a Time," including Stephen Stills, Edgar Winter, Benmont Tench, Robby Krieger, Laurence Juber, Denny Seiwell of WINGS, Mark Foster of Foster The People, Mike Minell of John Fogerty, and of course, T. Bear himself. The music is set to be released early 2021.http://richardtbear.com/@thecareermusician@nomadsplace
Richard T. Bear has emerged. This legendary Career Musician has worked with the Blues Brothers, Billy Squier, Cher, Kiss, Steven Stills, Miami Vice, Pat Benatar and many more, and now he's gathered quite the cast of fellow legends to collaborate on his new single and video, "One Day at a Time," including Stephen Stills, Edgar Winter, Benmont Tench, Robby Krieger, Laurence Juber, Denny Seiwell of WINGS, Mark Foster of Foster The People, Mike Minell of John Fogerty, and of course, T. Bear himself. The music is set to be released early 2021. http://richardtbear.com/
In deze aflevering aandacht voor Crosby, Stills, Nash & Young. En dan voornamelijk over de vriendinnen van Steven Stills en Graham Nash: Judy Collins, Joni Mitchell en Rita Coolidge.
Ryan sits down with drummer Herman Matthews. Herman has had the great fortune of working with such artists as Kenny Loggins, Richard Marx, Tower Of Power, The Isley Bros., Kirk Whalum, George Duke, Bob James, Timothy B. Schmit, Tom Jones, Hugh Laurie, Patty Austin, Chris Botti, James Ingram, Boney James, Steven Stills, Edger Winter, Luther Vandross, Celine Dion, Patty Austin, James Ingram, Sheryl Crow, “Baby Face” Edmonds, Chaka Chan, Carol King, SHeDAISY, Barry Goldberg, Ronnie Millsap, Fee Waybill, Bill Champlain, Maxi Priest, Debbie Gibson, Diane Reeves, Kenny G., John Farnham, Nia, Snuffy Walden, Sarah Nimetz, Greg Adams & East Bay Soul, Dan Aykroid & Jim Belushi, Michael Bolton, Expose, Angie and Debbie Winans, Rebekah, Meredith Brooks, Kina, Tiffany, Eric Burdon, Teresa James & The Rhythm Tramps… During the early 90's he was a member of the house band “Into The Night Starring Rick Dees.”
Ryan sits down with drummer Herman Matthews. Herman has had the great fortune of working with such artists as Kenny Loggins, Richard Marx, Tower Of Power, The Isley Bros., Kirk Whalum, George Duke, Bob James, Timothy B. Schmit, Tom Jones, Hugh Laurie, Patty Austin, Chris Botti, James Ingram, Boney James, Steven Stills, Edger Winter, Luther Vandross, Celine Dion, Patty Austin, James Ingram, Sheryl Crow, “Baby Face” Edmonds, Chaka Chan, Carol King, SHeDAISY, Barry Goldberg, Ronnie Millsap, Fee Waybill, Bill Champlain, Maxi Priest, Debbie Gibson, Diane Reeves, Kenny G., John Farnham, Nia, Snuffy Walden, Sarah Nimetz, Greg Adams & East Bay Soul, Dan Aykroid & Jim Belushi, Michael Bolton, Expose, Angie and Debbie Winans, Rebekah, Meredith Brooks, Kina, Tiffany, Eric Burdon, Teresa James & The Rhythm Tramps… During the early 90's he was a member of the house band “Into The Night Starring Rick Dees.”
Ryan sits down with drummer Herman Matthews. Herman has had the great fortune of working with such artists as Kenny Loggins, Richard Marx, Tower Of Power, The Isley Bros., Kirk Whalum, George Duke, Bob James, Timothy B. Schmit, Tom Jones, Hugh Laurie, Patty Austin, Chris Botti, James Ingram, Boney James, Steven Stills, Edger Winter, Luther Vandross, Celine Dion, Patty Austin, James Ingram, Sheryl Crow, “Baby Face” Edmonds, Chaka Chan, Carol King, SHeDAISY, Barry Goldberg, Ronnie Millsap, Fee Waybill, Bill Champlain, Maxi Priest, Debbie Gibson, Diane Reeves, Kenny G., John Farnham, Nia, Snuffy Walden, Sarah Nimetz, Greg Adams & East Bay Soul, Dan Aykroid & Jim Belushi, Michael Bolton, Expose, Angie and Debbie Winans, Rebekah, Meredith Brooks, Kina, Tiffany, Eric Burdon, Teresa James & The Rhythm Tramps… During the early 90's he was a member of the house band “Into The Night Starring Rick Dees.”
On this week's edition of the Free Form Rock Podcast, we review “Unhalfbricking” by Fairpoint Convention . Marc really makes Lee’s blood boil on this one. Before we get into that album we share with you a new song by Lee Gerstmann titled, “Pick.” We play you out with our tracks of the week which include "Marianne" by Steven Stills and”Resurrected” by The Dead Daisies. Like what you hear? Do us a favor and subscribe and give us a 5 star review on iTunes, follow us on Podbean and tell a friend about this podcast. Until next week, stay cool, stay hydrated and stay Rockin! Links For Artists: https://www.amazon.com/Unhalfbricking-FAIRPORT-CONVENTION/dp/B00007J36V/ref=sr_1_1?keywords=fairport+convention+unhalfbricking&qid=1565040655&s=gateway&sr=8-1
Today 11am-12pm EST 4pm-5pm BST 8am-9am PDTbombshellradio.com Bombshell Radio Allen BellToday's Bombshell (Bombshell Radio) #Rock, #Radio, #alternative, #Classics, #NewMusic, #AllenBell, #Interviews, #interview, #LesStroud, #Survivorman, Survivorman - Les StroudBest known as the Canadian Screen Award winning producer, creator and star of the hit TV series Survivorman (OLN Canada, The Science Channel US, Discovery Channel International, City TV (Rogers) Canada), Les Stroud is the only producer in the history of television to produce an internationally broadcast series entirely written, videotaped and hosted alone. With Les known as the original genre creator of ‘Survival TV’, Survivorman is one of the highest rated shows in the history of OLN Canada, the Science Channel US and Discovery Channel US and remains the highest rated repeat show on the Discovery Channel. Survivorman is licensed for broadcast worldwide, with ratings in the US hitting 2 million on individual episodes. He has been nominated for 21 Canadian Screen Awards (formerly the Geminis) and has won for Best Writer (twice) and Best Photography.Stroud has appeared in and/or produced numerous television specials including hosting the 20th Anniversary of Discovery Channel’s Shark Week, I Shouldn’t Be Alive, The Science of Survival, Surviving Sharks, Expedition Everest, Surviving Urban Disasters, The Mad Trapper, Surviving Alaska, The True Story of Robinson Crusoe, Shark Feeding Frenzy, After the Experiment, Deadly Waters and the documentary feature Off the Grid with Les Stroud. He was also featured in the series Extraordinary Lives. In 2010 and 2011, Les was Executive Producer/Host of the hit kids’ TV series Survive This (YTV, Cartoon Network) and made celebrity guest appearances on Extreme Makeover Home Edition, Top Chef and MTV Cribs. He Executive Produced/Hosted the NHL celebrity survival series Survival Challenge (OLN/Rogers), and the Discovery Channel series, Les Stroud; Beyond Survival earned top ratings on both Discovery Channel US and OLN in Canada and on at least one occasion during prime time viewing was the highest rated show among men 24 to 59 in all categories on TV. He is currently signed for many new productions with Rogers Canada, The Science Channel US and Discovery International.A celebrated keynote speaker, musician and author, both his books Survive! – Essential Skills and Tactics to Get You Out of Anywhere–Alive! (Harper Collins) and Will to Live have made the New York Times bestseller list. Nominated for Best Travel Writer at the Canadian National Magazine awards, Les’s third book Beyond Survivorman launched into stores Jan 2014. Les took home Best Writer in Non Fiction at the 2013 Canadian Screen Awards as well as the Executive Producers Award for Excellence at the Lewiston Film Festival.Musically, Stroud has shared the stage with the top in the business, including Slash, Journey, Jonny Lang, James Cotton, Steve Stevens, Alice Cooper, Steven Stills, Tommy Shaw, Robbie Krieger, Blues Traveler, Tesla, Jakob Dylan, Randy Bachman, Chicago, Montgomery Gentry, Lynyrd Skynyrd and The Roots. Revered worldwide for his iconic harmonica playing, Les’s songwriting style runs an eclectic gambit, from art-folk-roots rock to contemporary art rock. He has written all the theme songs for his TV series and scored several independent films. He has won numerous regional music festivals, recorded four CDs (one in collaboration with the Canadian hit makers the Northern Pikes). His third CD, Wonderful Things, and fourth CD, Off The Grid, include feature documentary films entitled The Barn Sessions, produced by long-time collaborator Barry Farrell. He is currently recording his fifth and sixth albums. Mother Earth is an art rock genre album and is being produced by none other than rock legend Mike Clink and includes a solo from Slash of Guns N’ Roses fame on the lead single “One Giant Farm” as well as a feature solo from Steve Vai on the song “Mother Earth”. In 2013, he performed at the prestigious Green Ball in Washington, DC where he met Vice President Joe Biden and was the MC for the inaugural Oceana Ball in New York with Susan Rockefeller.
Victoria Roberts, Los Angeles native and New Mexico transplant, stops by to discuss her life and art including working for the musician Steven Stills and getting a music contract with Barry White. She has worked professionally in a variety of arts including animation, graphic art, wood and ceramic sculpture, and assemblage. In the early 70’s, Victoria learned the art of hand-painting animation cells working with Disney and had the opportunity to study art at Sir John Cass College of Art in London, learning the foundations such as life drawing, printmaking, still life drawing and painting. By the 1980’s, Victoria was introduced to and fell in love with the idea of using found objects in art, studying under Assemblage artist Ron Robertson in Santa Barbara.The 90’s found Victoria branching off in another direction—she started a business selling art and antiques, and eventually managing major art shows including the Los Angeles Art Show, American Indian Art Show Marin, The Great Southwestern Antique Show, and Brian Lebel’s Old West Shows. After years of working in the antique and art business, her focus turned to assemblage art. Her current works are infused with her lifelong devotion to art, with the inspiration she gained from her experience in both the art and antique worlds.Victoria Roberts, Los Angeles native and New Mexico transplant, stops by to discuss her life and art from her roots in cell animation to her affinity for breathing new life into old items.
This week, Ira spoke with Judy Collins. Judy Collins is on tour with Stephen Stills and they’ll be performing in Reynolds Hall at The Smith Center on October 21. Collins’ new album, also with Steven Stills, is called “Everybody Knows.” She has inspired audiences with her vocals, vulnerable songwriting, personal life triumphs, and a commitment […]
Chris Hillman, Shelby Lynne & Alison Moorer, JW Roy, John David Souther, Steven Stills en Boz Scaggs.
Chris Hillman, Shelby Lynne & Alison Moorer, JW Roy, John David Souther, Steven Stills en Boz Scaggs.
Herman Matthews began playing drums at the age of seven and has been the backbone of world-class pop, rock, jazz, soul, R&B and funk bands for nearly thirty years. At age eleven he played in his uncle's blues organ trio, which laid the groundwork, discipline, and training for working with such acts as Kenny Loggins, Richard Marx, and Tower Of Power. Herman's musical abilities has put him in demand with many artists around the world.Born and raised in Houston, Texas, Herman headed west to Los Angeles in 1988. His first major professional tour was with jazz recording artist Kirk Whalum. His other touring and recording credits include Bob James, Stevie Wonder, The Isley Brothers, Expose, Angie and Debbie Winans, Rebekah, Meredith Brooks, Kina, George Duke, Teresa James & The Rhythm Tramps, Tiffany, and Everette Harp to name a handful. Herman has also had the pleasure of recording two CDs with the bad boys of funk: Tower Of Power.Herman reuniting with T.O.P. for five shows subbing for original drummer David Garibaldi for the Tom Jones / Tower Of Power 2005 Summer Tour.Herman is currently working with Rock & Roll Hall of Fame inductee and 3 time Grammy winner Timothy B. Schmit. Other head liners or artists he has played for via House band, Showcase, tour or Television include two-time Grammy award winner Kenny Loggins and singer/songwriter Richard Marx. David Foster, Tom Jones, Michael McDonald, Bill Champlin, Phillip Bailey, Sheryl Crow, "Baby Face" Edmonds, Herbie Hancock, Chris Botti, James Ingram, Boney James, Steven Stills, Edger Winter, Luther Vandross, Celine Dion, Michael Bolton, Patty Austin, Chaka Chan, Carol King, SHeDAISY, Ronnie Millsap, Fee Waybill, Bill Champlain, Maxi Priest, Debbie Gibson, Diane Reeves, Kenny G., John Farnham, Nia, Snuffy Walden, Greg Adams & East Bay Soul, and Gavin Christopher. Herman has also played for President Bill Clinton on three occasions as well as Nelson Mandela.Herman has been involved with and has helped start many bands, including: Ace Boone Coon, Big Pygmies, Doc Huck-A-Buck, and is completing his much awaited debut CD Home At Last.
Jackie Bertone has been a studio and touring percussionist for the past 26 years specializing in the styles of R&B, Funk, Latin, Latin Jazz, Fusion, New Age, Country and all ethnic percussion. He has worked with a vast number of top artists, including Brian Wilson, Joe Walsh and Timothy B. Schmidt (Eagles), The Beach Boys, Bobby Caldwell, Big Mountain, Michael McDonald, George Duke, Stanley Clarke, Tower of Power, Jimmy Buffet, Earth Wind & Fire, Kenny G., Freddy Ravel, Peter Cetera (Chicago), Steven Stills, Santana, and has been involved in various television and film studio projects.Jackie talks with Florentino about getting his start and passion in music, his experiences as a professional musician and the challenges he's had to overcome.
Ep 27: Kevin Murphy - The Moondoggies Kevin tells BD about his distaste for “Rock band culture”. How he and the band have learned that every night of tour isn't a party. The effect “the Band” had on him the first time hearing them and how it changed his direction musically. His surprising enjoyment of one dedicated critic of his music and the experience he had with Steven Stills that left a bad taste. Buy the Moondoggies Music: http://www.moondoggiesmusic.com Sponsored today by: http://www.blumensteinaudio.com & http://www.future-vapor.com
This episode was all over the place. Jennie wanders into Walmart looking like a hobo and has regrets about it afterwards. What's appropriate to wear when out shopping? This is probably the closest we'll ever get to a real discussion on fashion. We discuss music and put Steven Stills out to pasture. Meri reveals which musical icon she can't stand, then we pop some tasty nuts -- er, smoked almonds in our mouths. Male body hair seems to be a hot new topic with the introduction of the Gillette ProGlide Styler. Do women really care about hair, or are men finally subjected to one of the body image issues that women have faced for decades? http://www.youtube.com/watch?feature=player_embedded&v=CDC29jLmlOw
Emily Colson on her son and her life with Angel Tree. Bob Filner comes in studio to talk about all things politics. Judy Collins on music and her relationship with Steven Stills.
The story of Bill Withers continues with the artist, himself, thinking back to the the making of his debut album. The record was produced by legendary R&B keyboardist Booker T Jones. In an odd twist, the backing band was most of the Booker T & the MGs, but with Steven Stills subbing for Steve Cropper. [...]
PAPA JOE GRAPPA’S MIDLIFE CRISIS BAND Papa Joe Grappa – Guitars, Vocals Gerald Johnson - Bass. Definitely one of the funkiest bass players around. Gerald’s recorded with Dave Mason, Steve Miller and Steven Stills. Gary Mallaber – Drums. Gary’s the drummer on Van Morrison’s “Moondance.” He’s also recorded with Steve Miller and Bruce Springsteen. Marty Grebb – Electric Piano, Organ, Baritone and Tenor Sax. The multi-talented Marty has recorded with Bonnie Raitt, Joe Walsh and The Band. He was also the keyboard player in the hit band The Buckinghams. The Sweet Inspirations – Portia Griffin, Estelle Brown and Myrna Smith, Elvis Presley’s backup singers from 1968-1977 Other Friends Michael Fell – Harmonica, Dave McKelvey – Harmonica, Tom Petersen – Tenor Sax, Lee Thornburg – Trumpet, James Intveld – Acoustic Bass BB Chung King (Alan Mirikitani) – Producer, Recording Engineer, Guitar Biography Papa Joe Grappa (Joe Medeiros) is the head writer of The Tonight Show with Jay Leno. Having started playing guitar at the age of 13 when The Beatles came out, Joe continued playing professionally into his 20s. Then he got married, settled down and gave up music to begin a career as a writer in advertising. He took a correspondence course in joke writing and got good enough to get a job with Jay Leno in 1988. Moving to LA in 1992, Joe rediscovered music through the LA blues scene. He put his comedy writing skills plus his love of blues and rock to good use in making his debut CD "Too White to Sing the Blues," which features some of the best session players in LA. PapaJoe
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