Podcasts about The New Yorker Festival

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and The Ladies of The Hue will all join us! Ophira Eisenberg is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today.  Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.  Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film.  She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House.  Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. She resides with her husband and son where she can regularly be seen drinking a ton of coffee. Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift    

When Emily Nussbaum introduced Alan Cumming at the New Yorker Festival, she said, “Plenty of actors light up a room, but Alan Cumming is more of a disco ball—reflecting every possible angle of show business.” Cumming appears in mainstream dramas such as “The Good Wife,” and also more indie projects like his one-man version of “Macbeth”; his performances in musicals such as “Cabaret” are legendary. He also owns a nightclub; his memoir “Not My Father's Son” was a bestseller, and so on. And Cumming plays the host on the Emmy-winning reality show “The Traitors.” He combines “a dandy Scottish laird—sort of James Bond villain, sort of eccentric, old-fashioned nut who has this big castle.” Spoiler alert: “It's supposed to be my castle. It's not.” Nussbaum asks about his perspective on reality TV before he started on “Traitors.” “Zero, really,” Cumming confesses. “I was a bit judgy. … The thing I don't like about a lot of those shows is that they laud and therefore encourage bad behavior and lack of kindness.” Before “The Traitors,” Cumming's first brush with reality television was on “Who Do You Think You Are?,” a BBC genealogy program that confronted him with shocking secrets about his own family. “It made a good memoir, I suppose,” he jokes. “Just how awful that was. It was awful. But no, I don't regret it.”

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! 31 minutes Ezra Levin is the co-founder and co-executive director of Indivisible. Prior to founding Indivisible, Ezra served as Associate Director of Federal Policy for Prosperity Now, a national anti-poverty nonprofit. Previously, he was the Deputy Policy Director for Congressman Lloyd Doggett (D-TX), Field Director for Doggett's 2010 reelection campaign, and an AmeriCorps VISTA in the Homeless Services Division of the San Jose Housing Department.   Along with his co-founder and spouse Leah Greenberg, Ezra has been featured as one of TIME 100's Most Influential People of 2019, included on GQ's 50 Most Powerful People in Trump's Washington, and ranked #2 on the Politico 50 list of top thinkers, doers and visionaries transforming American politics. He has appeared as a commentator on and/or been interviewed by MSNBC, CNN, NPR, Pod Save America, the New York Times, the Washington Post, Politico, TIME Magazine, the New Yorker, the Nation, Slate, and Rolling Stone, among others. He is the co-author of We Are Indivisible: A Blueprint for Democracy After Trump, published by Simon & Schuster's One Signal Publishers in 2019.  He holds a Bachelor of Arts from Carleton College and a Master in Public Affairs from the Princeton School of Public and International Affairs. 1 hour 2 mins Ophira Eisenberg is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today.  Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.  Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film.  She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House.  Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. She resides with her husband and son where she can regularly be seen drinking a ton of coffee. Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

Sara Bareilles broke out as a pop-music star in the late two-thousands. But she's gone on to have a very different kind of career, writing music for Broadway and eventually performing as an actor on stage and on television.  At the New Yorker Festival, in 2024, she played her early hit “Gravity,” and spoke with staff writer Rachel Syme about the pressures of fame, aging, and why she prefers working in theatre. “There's so much competition in the music industry. I'm not a competitive person; I don't understand it. It's not that theatre isn't competitive, but there's this feeling—everybody's so happy to be there. Like, ‘We got a show, guys, and we don't know how long it's going to last!' ” 

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

James Taylor's songs are so familiar that they seem to have always existed. Onstage at the New Yorker Festival, in 2010, Taylor peeled back some of his influences—the Beatles, Bach, show tunes, and Antônio Carlos Jobim—and played a few of his hits, even giving the staff writer Adam Gopnik a quick lesson.This segment originally aired on July 7, 2017.

“Gypsy,” a work by Stephen Sondheim, Jule Styne, and Arthur Laurents, is often called the greatest of American musicals; a new production on Broadway is a noteworthy event, especially when a star like Audra McDonald is cast in the lead role of Rose. McDonald has won six Tonys for her acting, in both plays and musicals. In the repertoire of musicals, race in casting is still very much an issue, and one columnist criticized her portrayal of Rose because of her race. “I have dealt with this my entire career,” McDonald tells Michael Schulman, recalling that in her breakout performance, in “Carousel,” some audiences “were upset with me that I was playing Carrie, saying, ‘She wouldn't have been Black.' There's a man who comes down from heaven with a star in his hand!” In a wide-ranging interview onstage at The New Yorker Festival, McDonald discusses how when she was a child theatre was initially intended to be a type of therapy for her, and the roles her parents wouldn't let her take. “Gypsy” is currently in previews on Broadway. 

It made news when the retired general John Kelly, Donald Trump's longest-serving chief of staff, said that the former President fit the definition of a fascist. The MSNBC host Rachel Maddow could hardly be blamed if she said, I told you so. Maddow's podcast “Ultra” and her book “Prequel” detail the history of Nazi and far-right movements in America in the twentieth century—and the people who fought them. “When we talk about making America great again and we talk about the threat of an authoritarian takeover in the United States in the form of Trumpism, it is not something foreign,” Maddow explained to David Remnick last week at The New Yorker Festival. “It is something that's coming from a fascist place that is a recurring, ebbing, and flowing tide that we've faced in multiple generations.”

In recent weeks and months, dozens of prominent security and military officials and Republican politicians have come out against Donald Trump, declaring him a security threat, unfit for office, and, in some cases, a fascist. Way out in front of this movement was Liz Cheney. Up until 2021, she was the third-ranking Republican in Congress, but after the January 6th insurrection she voted to impeach Trump. She then served as vice-chair of the House Select Committee on the January 6th attack. She must have expected it would cost her the midterms and her seat in Congress, which ended up being the case when Wyoming voters rejected her in 2022. Since then, Cheney has gone further, campaigning forcefully on behalf of Vice-President Harris. David Remnick spoke with Cheney last week at The New Yorker Festival, shortly after Jeff Bezos, owner of the Washington Post, blocked its planned endorsement of Harris. “It absolutely proves the danger of Donald Trump,” Cheney said. “When you have Jeff Bezos apparently afraid to issue an endorsement for the only candidate in the race who's a stable, responsible adult, because he fears Donald Trump, that tells you why we have to work so hard to make sure that Donald Trump isn't elected,” Cheney told Remnick. “And I cancelled my subscription to the Washington Post.”

In recent weeks and months, dozens of prominent security and military officials and Republican politicians have come out against Donald Trump, declaring him a security threat, unfit for office, and, in some cases, a fascist. Way out in front of this movement was Liz Cheney. Up until 2021, she was the third-ranking Republican in Congress, but after the January 6th insurrection she voted to impeach Trump. She then served as vice-chair of the House Select Committee on the January 6th attack. She must have expected it would cost her the midterms and her seat in Congress, which ended up being the case when Wyoming voters rejected her in 2022. Since then, Cheney has gone further, campaigning forcefully on behalf of Vice-President Harris. David Remnick spoke with Cheney last week at The New Yorker Festival, shortly after Jeff Bezos, owner of the Washington Post, blocked its planned endorsement of Harris. “It absolutely proves the danger of Donald Trump,” Cheney said. “When you have Jeff Bezos apparently afraid to issue an endorsement for the only candidate in the race who's a stable, responsible adult, because he fears Donald Trump, that tells you why we have to work so hard to make sure that Donald Trump isn't elected,” Cheney told Remnick. “And I cancelled my subscription to the Washington Post.”

The Washington Roundtable discusses the 2024 election with the historian Michael Beschloss, before a live audience at The New Yorker Festival, on October 26th. He calls this election a “turning point” as monumental as the election of 1860—on the eve of the Civil War—and that of 1940, when the U.S. was deciding whether to adopt or fight Fascism. “I think Donald Trump meets most of the parts of the definition of the word fascist,” Beschloss says. “You go through all of American history, and you cannot find another major party nominee who has promised to be dictator for a day, which we all know will not be only for a day.” But, if Trump does return to the White House, he adds, there is still hope that the rule of law, public protest, and the presence of state capitals free of federal domination will allow the U.S. to resist autocracy.This week's reading: “Garbage Time at the 2024 Finish Line,” by Susan B. Glasser “Safeguarding the Pennsylvania Election,” by Eliza Griswold “The Fight Over Truth in a Blue-Collar Pennsylvania County,” by Clare Malone “Standing Up to Trump,” by David Remnick “The Trump Show Comes to Madison Square Garden,” by Andrew Marantz “The Obamas Campaign for Kamala Harris,” by Emily Witt “Trump's Health, and Ours,” by Dhruv Khullar To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send in feedback on this episode, write to themail@newyorker.com with “The Political Scene” in the subject line.

Since the comedian Julio Torres came to America from El Salvador, more than a decade ago, his fantastical style has made him a singular presence in the entertainment landscape. An early stint writing for “Saturday Night Live” yielded some of the show's weirdest and most memorable sketches; soon after that, Torres's work on the HBO series “Los Espookys,” which he co-wrote and starred in, cemented his status as a beloved odd-child of the comedy scene. In his most recent work, he's applied his dreamy sensibility to very real bureaucratic nightmares. “Problemista,” his first feature film, draws on Torres's own Kafkaesque experience navigating the U.S. immigration system; in his new HBO show, “Fantasmas,” the protagonist considers whether to acquire a document called a “proof of existence,” without which everyday tasks like renting an apartment are rendered impossible. In a live taping at The New Yorker Festival, the hosts of Critics at Large talk with Torres about his creative influences, and about using abstraction to put our most impenetrable systems into tangible terms. “Life today is so riddled with these man-made labyrinths that are life-or-death … there's something very lonely about it,” Torres says. “These flourishes are there in service of the humanity.”Read, watch, and listen with the critics:“Problemista” (2023)“Fantasmas” (2024-)“Los Espookys” (2019-22)“I Want to Be a Vase,” by Julio Torres“My Favorite Shapes” (2019)“Saturday Night Live” (1975-)“Julio Torres's ‘Fantasmas' Finds Truth in Fantasy,” by Vinson Cunningham (The New Yorker)“The Hunchback of Notre Dame” (1996)“Charlie's Angels: Full Throttle” (2003)“The Substance” (2024)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Share your thoughts on Critics At Large. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about this year's New Yorker Festival, and the election.

New Yorker cartoonist, Drew Dernavich, joins us on the podcast this week. It's been over a year since Drew has joined the podcast. His last appearance was the ill-fated 100th Anniversary episode that is unlistenable due to technical problems (the problem being that none of us knew how to properly use a professional podcast studio). Drew talks about what he's been up to this last year and joins us in the discussion of the New Yorker contests, our favorite cartoons from the current issue and the frequent portion of the podcast that we're calling "Vin Doesn't Get It".Drew also invites everyone to come see him and other cartoonists at the annual New Yorker Festival at the end of October for a live cartoon improv session. We'll post more information on that as it becomes available.We also talk bit about the letterpress prints he has collaborated on with Paul and his wife, Christy. The newest print "All Caps" will be available soon. You can still order the two previous prints here:https://www.nesjapress.com/shop/prints-and-broadsides/drew-dernavich-cartoonsWe discuss the winning entry for Contest #904 (Can You Lasso a Goat, Ted?).Finalists for Contest #906 (The Olympic "Go Fish" Finals). Current Contest #908 (I Don't See How This Is Remotely Funny).Send us questions or comments to:  Cartooncaptioncontestpodcast@gmail.com

Liza Donnelly, a writer and award-winning cartoonist with The New Yorker Magazine, shared the story behind her title with us on July 17, 2024.⭐⭐⭐⭐⭐Rating: 5 out of 5.MORE ABOUT LIZA:Of the interview, our founder and host, Sue Rocco, says: "Listen in as I sit down with Liza to discuss a troubled home growing up, finding her love of drawing and making people laugh, landing a spot at The New Yorker as the youngest female cartoonist and exploring the long history of women trying to find their voice."Liza has been drawing cartoons and writing about culture and politics for The New Yorker Magazine for forty years. She has contributed to CBS News and CNN, creating political cartoons as well as live-drawing special cultural and political events. Donnelly writes and draws for The New York Times and CNN Opinion pages and the Washington Post. Liza is also a screenwriter, working on her third feature and currently pitching a documentary.Donnelly delivered a very popular TED talk, which was translated into 40 languages and viewed over 1.4 million times. She is a return speaker at SXSW, has delivered talks at the United Nations in New York and Geneva, The New Yorker Festival, five TEDxes (most recently in Charlottesville, Virginia), universities, NGOs and corporate venues in the US and abroad. Donnelly has been a Cultural Envoy for the US State Department, traveling around the world to speak about freedom of speech, cartoons and women's rights.Support this podcast at — https://redcircle.com/women-to-watch-r/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

During the 2023 New Yorker Festival, three legendary staff writers got together to discuss the craft of investigative journalism: digging for information like detectives, and then presenting it in a way to rival the best thrillers. For each of these writers, the “bad guy” —whose actions usually set the story in motion – needs to be presented in three dimensions; trusting the reader to grapple with that person's perspective is key to an engrossing story. “I look at these big, boring issues often, like economic inequality or corruption in politics,” Jane Mayer says. “You take a subject like campaign finance – the Citizens United decision and how it's corrupted politics. If you can find somebody like [Charles or David] Koch and explain there actually was a billionaire behind so much of this, and he has a story, and he has a family, and there are always screwed-up fathers and sons involved in these families. . . . It means that you're able to explain the ethical choices people make.” Mayer is best known for her book “Dark Money,” about the Koch brothers; David Grann wrote “Killers of the Flower Moon” and “The Wager,” both best-sellers; and Patrick Radden Keefe covered the Sackler family's opioid dynasty in “Empire of Pain,” and a murder during the Troubles in Northern Ireland in “Say Nothing.”  They were joined by their editor, The New Yorker's Daniel Zalewski.  

Across five studio albums, Florence and the Machine has explored genres from pop to punk and soul. Florence Welch, the group's singer and main songwriter, is by turns introspective and theatrical, poetic and confessional. She sat down with John Seabrook at The New Yorker Festival in 2019 to reflect on her band's rapid rise to stardom. She also spoke about her turn toward sobriety after years of heavy drinking. “The first year that I stopped, I felt like I'd really lost a big part of who I was and how I understood myself,” she says. “What I understood is that that was rock and roll, and, if you couldn't go the hardest, you were letting rock and roll down.” But eventually getting sober let her connect more deeply with fans and with the music. “To be conscious and to be present and to really feel what's going on—even though it's painful, it feels like much more a truly reborn spirit of rock and roll,” she says.  Welch wrote the music and the lyrics for “Gatsby: An American Myth,” which opened in June at the American Repertory Theatre in Cambridge, Massachusetts.This segment originally aired on May 24, 2022. 

Fifty years ago, in July, 1974, The New Yorker began publishing a lengthy excerpt of Robert Caro's “The Power Broker.” When the book appeared, it ran more than twelve hundred pages and won a Pulitzer Prize. In vivid, astonishing detail, it shows how a city planner named Robert Moses gained power over New York City that dwarfed that of any mayor or governor, and radically changed the city. “The Power Broker” became a landmark of political reporting and biography, and made Caro one of the most celebrated writers in America. David Remnick sat down with Caro at the McCarter Theatre, in Princeton, New Jersey, in 2019, when “Working”—a collection of short pieces about Caro's methods—had been published. Their discussion encompassed Caro's early years as a newspaper reporter, his interviewing techniques, and his determination to tackle huge projects, including his chronicle of the life of Lyndon B. Johnson, four volumes of which have been published to date.This segment originally aired on June 18, 2019. 

On today's episode I had the pleasure of talking to Ophira Eisenberg about her journey to becoming a standup comic, parenting and work life balance. Ophira is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today. Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth. Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film. She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House. Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. Ophira Eisenberg https://www.ophiraeisenberg.com https://www.instagram.com/ophirae https://www.facebook.com/OphiraEisenberg https://twitter.com/OphiraE https://www.tiktok.com/@ophiranyc American gypC Podcast http://americangypc.com https://www.instagram.com/americangypcpodcast/ https://www.tiktok.com/@UCtt0HzXgvNADAOyRarKZFkQ https://www.linkedin.com/in/american-gypc-1940a2231 https://open.spotify.com/show/2stCfDEs5xOY7xMldvZjXo http://luamlee.com --- Support this podcast: https://podcasters.spotify.com/pod/show/american-gypc/support

At seventy-four, Bruce Springsteen has been cementing his status as a rock-and-roll legend for almost fifty years: he released his widely heralded, but not initially widely heard, début, “Greetings from Asbury Park, N.J.” in 1973. But, true to form, the artist who became known to his fans as the Boss hasn't rested on his laurels. After weathering a spate of health troubles this past year, which led him to cancel much of his tour, the rock icon plans to hit the road again in the new year, all over the U.S., Canada, and Europe. When Springsteen published his autobiography, “Born to Run,” back in 2016, David Remnick called it “as vivid as his songs, with that same pedal-to-the-floor quality, and just as honest about the struggles in his own life.” In October of that year, Springsteen appeared at the New Yorker Festival for an intimate conversation with the editor. (The event sold out in six seconds.) This entire episode is dedicated to that conversation. Springsteen tells Remnick how, as a young musician gigging around New Jersey, he decided to up his game: “I'm going to have to write some songs that are fireworks. . . . I needed to do something that was more original.” They talked for more than an hour about Springsteen's tortured relationship with his father, his triumphant audition for the legendary producer John Hammond, and his struggles with depression. As Springsteen explains it, his tremendously exuberant concert performances were a form of catharsis: “I had had enough of myself by that time to want to lose myself. So I went onstage every night to do exactly that.”This episode originally aired in 2016. 

We're in the midst of another election season, and yet again American democracy hangs in the balance, with a leading Presidential candidate who has threatened to suspend parts of the Constitution. How did the foundations of our political system become so shaky?  Jelani Cobb, the dean of the journalism school at Columbia University; Evan Osnos, a Washington correspondent for The New Yorker; and the best-selling author and historian Jill Lepore joined The New Yorker's Michael Luo for a discussion of that very existential question during the most recent New Yorker Festival. From Cobb's perspective, “it's not that complicated,” he notes, “If we went all the way back to the fundamental dichotomy of the people who founded this country and the way they subsidized their mission of liberty with the lives of slaves. So we've always been engaged in that dialectic.” Lepore argues that people on both sides of the political divide choose to embrace an account of the past that accords with their politics, something she considers “incredibly dangerous.” Osnos, who witnessed the upheaval of January 6th firsthand, thinks the deeper problem is disengagement from the country and the political system. “I was struck by how many of [the rioters] told me it was their first trip to Washington,” Osnos says. “They came to Washington to sack the Capitol.”CORRECTION: Jelani Cobb notes that Queens was at one time the second-whitest borough of New York City, and is the most diverse county in the United States. Measures of diversity vary; in some recent data, Queens ranks third among counties. 

We're in the midst of another election season, and yet again American democracy hangs in the balance, with a leading Presidential candidate who has threatened to suspend parts of the Constitution. How did the foundations of our political system become so shaky?  Jelani Cobb, the dean of the journalism school at Columbia University; Evan Osnos, a Washington correspondent for The New Yorker; and the best-selling author and historian Jill Lepore joined The New Yorker's Michael Luo for a discussion of that very existential question during the most recent New Yorker Festival. From Cobb's perspective, “it's not that complicated,” he notes, “If we went all the way back to the fundamental dichotomy of the people who founded this country and the way they subsidized their mission of liberty with the lives of slaves. So we've always been engaged in that dialectic.” Lepore argues that people on both sides of the political divide choose to embrace an account of the past that accords with their politics, something she considers “incredibly dangerous.” Osnos, who witnessed the upheaval of January 6th firsthand, thinks the deeper problem is disengagement from the country and the political system. “I was struck by how many of [the rioters] told me it was their first trip to Washington,” Osnos says. “They came to Washington to sack the Capitol.”CORRECTION: Jelani Cobb notes that Queens was at one time the second-whitest borough of New York City, and is the most diverse county in the United States. Measures of diversity vary; in some recent data, Queens ranks third among counties

Samantha Irby's latest essay collection, “Quietly Hostile,” cemented her place as one of the great professionally funny people working today. Her books and her writing for such TV shows as “Shrill” and “Tuca & Bertie” are distinguished by a no-holds-barred, raunchy, often scatological brand of humor and a willingness to poke fun at just about anything—including herself. In a live taping of Critics at Large at this year's New Yorker Festival, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz sat down with Irby to unpack her approach. They discussed humor as a coping mechanism; her work on the “Sex and the City” reboot, “And Just Like That . . .,” and the ensuing backlash; and how the Internet has transformed the comedy landscape. “What people enjoy is so varied,” Irby says. “The future is you finding very specific things that delight you, and having them readily available.” New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all have thoughts that can be seemingly absurd or self-contradictory. In this week's episode, both of our storytellers reckon with their conflicting thoughts. Part 1: After surviving breast cancer, comedian Ophira Eisenberg hates the pink breast cancer awareness ribbon. Part 2: After the sudden death of his mom, Richard Kemeny feels numb to the world and his feelings. Ophira Eisenberg is a standup comic and host of NPR's nationally syndicated comedy, trivia show Ask Me Another where she interviews and plays silly games with Sir Patrick Stewart, Taye Diggs, Awkwafina, Roxane Gay, Terry Crews, Jessica Walter, Josh Groban, Nick Kroll, Tony Hawk, George Takei, Sasha Velour, Ethan Hawke, Julia Stiles, Lewis Black, Uzo Aduba, Michael C. Hall and more. She also is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in their best-selling books, including the most recent: Occasional Magic: True Stories About Defying the Impossible. Ophira's own comedic memoir, Screw Everyone: Sleeping My Way to Monogamy was optioned for a feature film. She has appeared on Comedy Central, This Week At The Comedy Cellar, The New Yorker Festival, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. Her comedy special Inside Joke is available on Amazon and iTunes. Richard Kemeny is a freelance science and travel writer based in London. His work has appeared in New Scientist, The Atlantic, Science, Hakai, the BBC and National Geographic. He used to produce The Economist's science and tech podcast, Babbage, and has reported from several countries for PRI's The World. He has received fellowships to the Woods Hole Oceanographic Institution and Marine Biological Laboratory, and used to work for a coral reef restoration foundation on the northern coast of Colombia. In his spare time he goes bouldering or thinks about cold water swimming. He is @rakemeny Learn more about your ad choices. Visit podcastchoices.com/adchoices

The director Spike Lee looked back at the length and breadth of his career so far during a sit-down with David Remnick at the New Yorker Festival. Although Lee's storied filmography may be familiar to movie buffs, few are likely to know as much about his humble beginnings as the scion of a celebrated, but often unemployed, musician—the late Bill Lee. The young Spike Lee bore some resentment toward his father, an upright-bass player who eschewed countless gigs because he refused to play an electric bass guitar. “[I]t wasn't until later that I saw that, yo, this is his life. He was not going to play music that he didn't want to play.” As an artist in his own right, Lee has taken a similar approach to filmmaking. He has tackled a myriad of genres and difficult subject matter, without sacrificing his unique voice and social consciousness to satisfy Hollywood. “Some things you just can't compromise,” he told Remnick. Now in his fourth decade as a filmmaker, Lee hopes to one day make a long-gestating bio-pic about Joe Louis and have his career last as long as that of one of his idols. “Kurosawa was eighty-six!” the sixty-six-year-old Lee said, of the Japanese filmmaker's retirement age. “I got to at least get to Kurosawa.” In this interview, Lee mentions the influence of Kurosawa and several other notable filmmakers. For further reading, here is a list of ninety-five films he has deemed essential for any cinephile.

The director Spike Lee looked back at the length and breadth of his career so far during a sit-down with David Remnick at the New Yorker Festival. Although Lee's storied filmography may be familiar to movie buffs, few are likely to know as much about his humble beginnings as the scion of a celebrated, but often unemployed, musician—the late Bill Lee. The young Spike Lee bore some resentment toward his father, an upright-bass player who eschewed countless gigs because he refused to play an electric bass guitar. “[I]t wasn't until later that I saw that, yo, this is his life. He was not going to play music that he didn't want to play.” As an artist in his own right, Lee has taken a similar approach to filmmaking. He has tackled a myriad of genres and difficult subject matter, without sacrificing his unique voice and social consciousness to satisfy Hollywood. “Some things you just can't compromise,” he told Remnick. Now in his fourth decade as a filmmaker, Lee hopes to one day make a long-gestating bio-pic about Joe Louis and have his career last as long as that of one of his idols. “Kurosawa was eighty-six!” the sixty-six-year-old Lee said, of the Japanese filmmaker's retirement age. “I have to at least get to Kurosawa.” Plus, the sports writer Louisa Thomas talks with the New Yorker Radio Hour's Adam Howard about the stars to watch in the N.B.A.'s new season. Share your thoughts on The New Yorker Radio Hour  podcast.

Dave and Ethan share their experience of attending the Weird Al Q&A with Andy Borowitz at the 2023 New Yorker Festival at Webster Hall in New York City on October 7th. They talk about the event as well as the rest of their weekend together - including a surprising meeting with another one of their favorite celebrities.

Thank you Ophira for your groan worthy efforts! You can learn more about Ophira through her website: https://www.ophiraeisenberg.com/ Listen to her podcast, Parenting is a Joke, here: https://podcasts.apple.com/au/podcast/parenting-is-a-joke/id1649234901 About Ophira: Ophira Eisenberg is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today.  Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.  Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film.  She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House.  Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. She resides with her husband and son where she can regularly be seen drinking a ton of coffee.See omnystudio.com/listener for privacy information.

David Remnick, editor of The New Yorker and the host of "The New Yorker Radio Hour" talks about this year's New Yorker Festival, and current politics.

When they were just thirteen and eleven years old, sisters Chloe and Halle Bailey started posting videos of themselves singing on YouTube and quickly built a following. Their covers often went viral—their version of Beyoncé's “Pretty Hurts” even caught the attention of Beyoncé, who brought them on tour as her opening act.  Now, with two albums and five Grammy nominations behind them, the sisters are for the first time working on separate projects: Halle is starring as Ariel in an upcoming remake of “The Little Mermaid,” and Chloe is releasing a solo album, “In Pieces,” later this month. Chloe Bailey spoke with the contributing writer Lauren Michele Jackson at the New Yorker Festival in October about the mixed blessing of social-media stardom. “When we program our minds to think about being No. 1 … it really suffocates you and it stifles the process,” she says. “Right now, I'm just creating to be creating, and I have never felt more free.”  Plus, the lost New Jersey photographs of Henri Cartier-Bresson. In 1975, the French master photographer spent a month documenting New Jersey, which he called a “shortcut to America.” Why did the pictures disappear?

Martin McDonagh burst onto the London theatre scene as a young playwright in the nineteen-nineties. At one point, he had four plays running simultaneously on stages across London. But McDonagh also aspired to work in movies, and he eventually shifted his focus to directing films such as “In Bruges” and “Three Billboards Outside Ebbing, Missouri.” “When you sit down to write something, how do you know if it's a movie or a play?” the staff writer Patrick Radden Keefe asked McDonagh at The New Yorker Festival. “If it has four characters, and it's set indoors, it's a play,” McDonagh replied—“if it doesn't have any donkeys or dogs.” McDonagh's new film, “The Banshees of Inisherin,” starring Colin Farrell and Brendan Gleeson, is his first feature set in Ireland, and it prominently features a donkey. “Banshees” traces the story of a friendship breaking apart in the beautiful, remote hills of the country's west. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.” The film is now nominated for nine Academy Awards, including Best Picture and Best Director.  This segment originally aired on October 21, 2022.

The veteran stage and screen actress Christine Baranski first became a household name thanks to her Emmy-winning turn on the nineties sitcom “Cybill,” and her Tony-award winning work on Broadway. But “The Good Fight” took her to another level. As Diane Lockhart, a Chicago attorney and diehard liberal, Baranski captured the tensions of the political moment of Donald Trump, and the show ended its run this month. Emily Nussbaum could barely contain her excitement when sat down with Baranski at The New Yorker Festival in 2018 for a wide-ranging conversation about Baranski's career and the timeliness of “The Good Fight.” This segment originally aired April 12, 2019.

Quinta Brunson made a name for herself as a master of meme comedy and is a self-described “child of the Internet,” yet her ABC mockumentary series “Abbott Elementary” is an unabashed throwback to the sitcoms of her youth. Doreen St. Félix talked with Brunson at the 2022 New Yorker Festival about her influences and the everyday comedy of the workplace. St. Félix believes that Brunson has found “freedom in formula” when it comes to “Abbott,” which documents the lives of the beleaguered staff at a Philadelphia public school. “There is nothing that I could do,” Brunson says, “or [that] anyone can do that is more triumphant than someone going to their shitty job.” Writing in the wake of shows like “Black-ish,” Brunson relishes being able to center her story on Black people without addressing topical issues about race; the school is its own self-enclosed world. Just surviving, she thinks, provides its own form of liberation. “So much has happened to Black people,” she says. “Why are we still here? . . . We really could have called it quits a long time ago, and somehow we just keep going. It's crazy to me.”

OPHIRA EISENBERG (NPR, THE MOTH) TO HOST NEW IHEARTPODCAST "PARENTING IS A JOKE" PREMIERES TUESDAY, OCTOBER 18Guests include Jessi Klein, Roy Wood Jr., Eugene Mirman, Chuck Bryant, Chris Gethard, Catherine Reitman, Dr. Emily Oster and more.Parents are overwhelmed AF and could use a laugh. Join comedian host Ophira Eisenberg as she talks to your favorite celebrity comics and actors about their careers and their kids as well as teen angst, Nietzche, workaholism, being ok with not being cool anymore, eating sticks, and debating whether or not kids should watch The Godfather. Guests include Emmy-award winner Jessi Klein, stand-up comedian Roy Wood Jr. (The Daily Show), Eugene Mirman (Bob's Burgers), Rachel Bloom (Crazy Ex-Girlfriend), Chuck Bryant (Stuff You Should Know), Chris Gethard, Dr. Emily Oster and more.Parenting is a Joke is produced by Pretty Good Friends and iHeart Podcasts and is available on the iHeartRadio app and everywhere podcasts are heard. New episodes every Tuesday.Episodes here: https://www.iheart.com/podcast/1119-parenting-is-a-joke-102629737/OPHIRA EISENBERG BIOOphira Eisenberg is a standup comedian, writer and host. She has appeared multiple times on CBS's The Late Late Show as well as on Comedy Central, This Week At The Comedy Cellar, Kevin Hart's LOL Network, , HBO's Girls, Gotham Live, Hulu's Up Early Tonight, The Today Show and featured at The New Yorker Festival.She hosted NPR's national comedy trivia show Ask Me Another for 9 years, where she interviewed and played silly games with over 300 celebrities, including Sir Patrick Harris, Rosie Perez, Yo -Yo Ma, Chelsea Handler, Awkwafina, Roxanne Gay, Bob The Drag Queen, Nick Kroll, Matthew McConaughey and more.She is a regular host and teller on The Moth Radio Hour. Her stories are included in three of The Moth's best-selling collections, including the most recent: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.Ophira's own comedic memoir, Screw Everyone: Sleeping My Way to Monogamy, was optioned for a television series. Her comedy special Inside Joke is available on Amazon, and her new comedy album and special Plant-Based Jokes is available through 800 Pound Gorilla Records, and streaming on YouTube.

Last month, The New Yorker published a Personal History about growing up in Ireland during the nineteen-sixties and seventies. It covers the interfaith marriage of the author's parents, which was unusual in Dublin; his mother's early death; and finding his calling in music. The author was Bono, for more than forty years the lyricist and lead singer of one of the biggest rock bands on the planet. As U2 sold out arenas and stadiums, Bono held forth on a range of social causes; he became “the definitive rock star of the modern era,” as Kelefa Sanneh puts it. Bono joined David Remnick at the 2022 New Yorker Festival to talk about his new memoir, “Surrender.” “When I sang in U2, something got ahold of me,” Bono said. “And it made sense of me.” They discussed how the band almost ended because of the members' religious faith, and how they navigated the Troubles as a bunch of young men from Dublin suddenly on the world stage. Bono shared a life lesson from Paul McCartney, and he opened up about the early death of his mother. “This wound in me just turned into this opening where I had to fill the hole with music,” Bono said. In the loss of a loved one, “there's sometimes a gift. The opening up of music came from my mother.”

This year's New Yorker Festival featured two conversations with renowned playwrights: Suzan-Lori Parks and Martin McDonagh. Parks, the first African American woman to receive the Pulitzer Prize for drama, sat down with the staff writer Vinson Cunningham. “The marketplace is telling us that Black joy is what sells,” she said. “I'm very suspicious about what the marketplace wants me to create because I know in my experience where real Black joy resides—and sometimes that's in the place where there might be some traumatic thing that also happened.” A revival of Parks's groundbreaking play, “Topdog/Underdog,” just opened on Broadway.  And McDonagh, who is out with a new film, “The Banshees of Inisherin,” spoke with Patrick Radden Keefe. “The Banshees of Inisherin” traces the story of a friendship breaking apart in the beautiful, remote hills of western Ireland. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.”

Tomorrow marks the last expected public hearing of the Congressional January 6th Committee. The eight previous hearings have already revealed extraordinary information about just how close American democracy came to being overturned during the insurrection. But what has yet to be revealed? Will we learn what Trump was doing while the Capitol was stormed? Will action be taken? The New Yorker's Washington bureau—Evan Osnos, Jane Mayer, and Susan B. Glasser—are joined at the New Yorker Festival by Representative Jamie Raskin, who is both a congressman and a constitutional scholar, to discuss the legal theory of the many possible cases against Donald Trump. “Trump is a one-man crime wave,” Raskin says. “Like, he personally affects the crime rate.”

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about this year's New Yorker Festival, plus the anti-war protests in Russia and more.

Aimee Mann, the celebrated Los Angeles singer and songwriter, recently released an album called “Queens of the Summer Hotel.” It was inspired in part by Susanna Kaysen's best-selling memoir “Girl, Interrupted,” about Kaysen's time in a psychiatric hospital. Mann sat down with Atul Gawande at The New Yorker Festival to talk about the new album, the lessons of living through a pandemic, and how liberated she felt when she broke her ties with major record labels. “When you're at a record label and you're trying to ascertain whether something can be a hit or a single, you listen in a different way—and then everything sounds like garbage,” she said. Mann decided that she didn't “want to keep baring my soul to people who hate everything I'm doing.”  This segment was originally aired November 26, 2021.

Jason Isbell got into the music business early; he had a publishing deal when he was twenty-one. But he really came into his own as a songwriter around ten years ago, as he was getting sober from years of alcohol and drug use. His record “Southeastern,” which comes in the tradition of musicians like Guy Clark, swept the Americana Music Awards in 2014. Isbell spoke with John Seabrook at The New Yorker Festival in 2016, shortly after his record “Something More than Free” was released, and he played a live set of songs including “Different Days,” “How to Forget,” and “Speed Trap Town.”   This segment first aired December 30, 2016.

Across five studio albums, Florence and the Machine has explored genres from pop to punk and soul; the band's most recent record, “Dance Fever,” just came out. Florence Welch, the group's singer and main songwriter, is by turns introspective and theatrical, poetic and confessional. She sat down with John Seabrook at The New Yorker Festival in 2019 to reflect on her band's rapid rise to stardom. She also spoke about her turn toward sobriety after years of heavy drinking. “The first year that I stopped, I felt like I'd really lost a big part of who I was and how I understood myself,” she says. “What I understood is that that was rock and roll, and, if you couldn't go the hardest, you were letting rock and roll down.” But eventually getting sober let her connect more deeply with fans and with the music. “To be conscious and to be present and to really feel what's going on—even though it's painful, it feels like much more a truly reborn spirit of rock and roll,” she says.

Aimee Mann, the celebrated Los Angeles singer and songwriter, recently released an album called “Queens of the Summer Hotel.” The album was inspired in part by Susanna Kaysen's best-selling memoir “Girl, Interrupted,” about Kaysen's time in a psychiatric hospital. Mann sat down with Atul Gawande at The New Yorker Festival to talk about the new album, the lessons of living through a pandemic, and how liberated she felt when she broke her ties with major record labels. “When you're at a record label and you're trying to ascertain whether something can be a hit or a single, you listen in a different way—and then everything sounds like garbage,” she said. Mann decided that she didn't “want to keep baring my soul to people who hate everything I'm doing.” 

Jane Goodall is as revered a figure as modern science has to offer, though she prefers to call herself a naturalist rather than a scientist. Goodall learned a great deal about being human by studying our close relatives among the primates. When she began working, some of her research habits, such as naming her subjects and describing their personalities, caused consternation among other primatologists, who insisted that intelligence and emotion were the exclusive province of human intellect; Goodall persevered, and shifted how we conceive of the relationship between humans and other creatures. She's the author of more than thirty books for adults and children, including a new volume called “The Book of Hope: A Survival Guide for Trying Times.”    In her work as a conservationist and a United Nations “Messenger of Peace,” the eighty-seven-year-old Goodall used to travel as many as three hundred days per year. Since the pandemic began, she's been at her home in England, in the house where she grew up. In a conversation for the New Yorker Festival, The New Yorker's Andy Borowitz (known primarily as a humorist) asked Goodall about the secrets to her success as both a researcher and an advocate. “I'm very passionate,” she told him. “Secondly, I'm probably obstinate and I'm pretty resilient. So knock me over and I'm going to bounce back up. Because I will not be defeated.”

“The Daily Show with Jon Stewart” defined an era. For more than sixteen years, Stewart and his many correspondents skewered American politics. At the 2021 New Yorker Festival, Stewart spoke with David Remnick about his new show, “The Problem with Jon Stewart”; the potential return of Donald Trump to the White House; and the controversy around cancel culture in comedy. “What do we do for a living?” Stewart asks, of comedians. “We criticize, we postulate, we opine, we make jokes, and now other people are having their say. And that's not cancel culture, that's relentlessness.”

“The Daily Show with Jon Stewart” defined an era. For more than sixteen years, Stewart and his many correspondents skewered American politics. At the 2021 New Yorker Festival, Stewart spoke with David Remnick about his new show, “The Problem with Jon Stewart”; the potential return of Donald Trump to the White House; and the controversy around cancel culture in comedy. “What do we do for a living?” Stewart asks, of comedians. “We criticize, we postulate, we opine, we make jokes, and now other people are having their say. And that's not cancel culture, that's relentlessness.”

Kara Walker is one of our most influential living artists. Walker won a MacArthur Fellowship (the “genius” grant) before she turned thirty, and became well known for her silhouettes, works constructed from cut black paper using a technique that refers to craft forms of the Victorian era. Walker has put modest materials to work to address very large concerns: the lived experience and historical legacy of American slavery. Though she often depicts the racial and sexual violence that went largely unspoken for centuries in the past, her work is aimed squarely at the modern world. “What I set out to do, in a way, worked too well,” she said, “which was to say, if I pretty everything up with hoop skirts and Southern belles then nobody will recognize that I'm talking about them. And then they didn't! They said, ‘The past is so bad.' But I'm not from the past. . . . I do live here now. And so do you.” Walker was interviewed at The New Yorker Festival by Thelma Golden, the director and chief curator of the Studio Museum in Harlem.

Oteil & Mike chat with comedian Ophira Eisenberg this week on Comes a Time. Ophira shares her experience doing some comedy shows during COVID, and she and Mike discuss the internal monologue and the many quirks that come along with being a comedian. The three ponder the “inner critic,” its many forms and their aspirations of murdering it.  Ophira Eisenberg is a standup comedian, writer ,and host of NPR's national syndicated comedy trivia radio show and podcast Ask Me Another where she interviews, jokes around with, and plays silly games with Sir Patrick Harris, Rosie Perez, Awkwafina, Roxanne Gay, Bob The Drag Queen, Jessica Walter, Bowen Yang, Debra Messing, Nick Kroll, Chelsea Handler and more. She is also a regular panelist on Hulu's Up Early Tonight. She's appeared on Comedy Central, This Week At The Comedy Cellar, The New Yorker Festival, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, and The Today Show. She is regular host and teller on The Moth Radio Hour. Her stories have also been included in two of The Moth's best-selling collections, including the most recent: Occasional Magic: True Stories About Defying the Impossible. Ophira's own comedic memoir, Screw Everyone: Sleeping My Way to Monogamy was optioned for a feature film. Her comedy special Inside Joke is available on Amazon and iTunes. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Andrew Schwartztol, Christina Collins and RJ Bee. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Harris speaks with Matt Taibbi about the state journalism and the polarization of our politics. They discuss the controversy over Steve Bannon at the New Yorker Festival, monetizing the Trump phenomenon, the Jamal Kashoggi murder, the Kavanaugh hearing, the Rolling Stone reporting on the UVA rape case, the viability of a political center, the 2020 Presidential election, the Russia investigation, our vanishing attention span, and other topics. Matt Taibbi is a contributing editor for Rolling Stone and winner of the 2008 National Magazine Award for columns and commentary. He is the author of several books, including the New York Times bestsellers The Great Derangement, Griftopia, and The Divide. He is currently working on serial book about the failings of the media, titled The Fairway: Thirty Years After Manufacturing Consent, How Mass Media Still Keeps Thought Inbounds. Twitter: @mtaibbi Website: https://taibbi.substack.com

Angharad Yeo on e-sports, Neighbours' first same-sex wedding, controversy around former Trump strategist Steve Bannon's interview on Four Corners and disinvitation to the New Yorker Festival

Angharad Yeo on e-sports, Neighbours' first same-sex wedding, controversy around former Trump strategist Steve Bannon's interview on Four Corners and disinvitation to the New Yorker Festival