Podcast appearances and mentions of cash me outside

Cash Me Outside, Samsung! – DTNS Live 5015 – Daily Tech News Show Clockwise #604: The Web Is Not This Big Scary Place - Relay Double Tap - The Podcast Where Blind People Talk Tech CES 2025: Chefman Chef iQ Smart Cooker and MiniOven Astrophotography by Stealth Part Three — by Brian Hoffman CSUN 2025: HCLTech Accessibility as a Service Support the Show Security Bits — 11 May 2025 Transcript of NC_2025_05_11 Join the Conversation: allison@podfeet.com podfeet.com/slack Support the Show: Patreon Donation Apple Pay or Credit Card one-time donation PayPal one-time donation Podfeet Podcasts Mugs at Zazzle NosillaCast 20th Anniversary Shirts Referral Links: Parallels Toolbox - 3 months free for you and me Learn through MacSparky Field Guides - 15% off for you and me Backblaze - One free month for me and you Eufy - $40 for me if you spend $200. Sadly nothing in it for you. PIA VPN - One month added to Paid Accounts for both of us CleanShot X - Earns me $25%, sorry nothing in it for you but my gratitude

Wikipedia fights against new rules that might remove the anonymity of its editors, Samsung announced a new way to transfer funds via cell phone, and we celebrate 20 years of Podfeet! Starring Sarah Lane, Rob Dunewood, Alison Sheridan, Amos, and Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

In this episode, I had the incredible opportunity to chat with Barbara Bregoli, the mother of Danielle Bregoli, famously known as Bhad Bhabie or the "Cash Me Outside" girl. Barbara shared her life story, from her Brooklyn upbringing and career in finance to the challenges of being a single mother. She opened up about the infamous Dr. Phil appearance, clarifying misconceptions and discussing Bhad Bhabie's evolution into a rapper. Barbara also revealed her personal battles with breast cancer and the impact on her family, as well as the recent news of Dani's leukemia diagnosis. Through it all, Barbara's resilience and unwavering support for her daughter shone brightly, offering a deeply personal and inspiring narrative Timestamps: 00:00:00 - Introduction and Guest Welcome 00:00:20 - Barbara Bregoli's Background and Dr. Phil Appearance 00:00:50 - The Origin of "Catch Me Outside" Phrase 00:28:03 - Bhad Bhabie's Leukemia Diagnosis 00:30:36 - Alabama Barker Feud, Bhad Bhabie's OF earnings and more 00:35:17 - The Kardashian's, Bhad Bhabie's future goals and more Get Tickets To Our Virtual Live Podcast show May 1st at 7pm EDT. Here's the link for tickets: https://www.eventbrite.com/e/david-yontef-sarah-fraser-virtual-live-show-ask-us-anything-51-7pm-tickets-1276780297239?aff=erelexpmlt  MY Go Big Podcasting Courses Are Here! Purchase Go Big Podcasting and learn to start, monetize, and grow your own podcast. USE CODE: TIKTOK20 for 20% OFF (code expires April 30th, 2025) **SHOP my Amazon Marketplace - especially if you're looking to get geared-up to start your own Podcast!!!** https://www.amazon.com/shop/thesarahfrasershow Show is sponsored by: Horizonfibroids.com get rid of those nasty fibroids LittleSaints.com use code TSFS for 20% off your first order, these are my FAV non-alcoholic cocktails, enjoy better sleep, less stress, and more! Nutrafol.com use code TSFS for FREE shipping and $10 off your subscription Prolonlife.com/tsfs 15% off sitewide plus a $40 bonus gift when you subscribe to their 5-Day Nutrition Program! ● Try their detox that has REAL FOOD and WORKS! Rula.com/tsfs to get started today. That's R-U-L-A dot com slash tsfs for convenient therapy that's covered by insurance. Quince.com/tsfs for FREE shipping on your order and 365 day returns Follow me on Instagram/Tiktok: @thesarahfrasershow   ***Visit our Sub-Reddit: reddit.com/r/thesarahfrasershow for ALL things The Sarah Fraser Show!!!*** Advertise on The Sarah Fraser Show: thesarahfrasershow@gmail.com Got a juicy gossip TIP from your favorite TLC or Bravo show? Email: thesarahfrasershow@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode:  E1031 PERSONAL PODCAST – Cash Me Outside    Description:  Steve installed an obstacle course for a bed, but the dogs like it, Kelly is not a veterinarian, but she plays one in real life.  Steve rants about work/life balance and staycations are the only thing in the future.    Coupled with Chaos full episodes and bonus content subscriptions are available here:  Premium Content, including Additional 90 Day Fiancé episodes, coverage of other TLC and A&E shows and even some crime news along with more personal podcast episodes are available by subscription at:    Supercast: https://coupledwithchaosnetwork.supercast.tech/    Patreon:  https://www.patreon.com/coupledwithchaos    Apple: Coupled with Chaos Channel: https://podcasts.apple.com/us/channel/coupled-with-chaos/id6442522170    Contacts us:  Email: Coupledwithchaos@gmail.com    Web site: https://coupledwithchaos.com    Facebook: @Coupledwithchaos    Instagram: @Coupledwithchaos    Twitter: @CoupledwChaos 

Episode: PERSONAL PODCAST – Cash Me Outside  Description: Steve installed an obstacle course for a bed, but the dogs like it, Kelly is not a veterinarian, but she plays one in real life.  Steve rants about work/life balance and staycations are the only thing in the future.  Coupled with Chaos full episodes and bonus content subscriptions are available here: Premium Content, including Additional 90 Day Fiancé episodes, coverage of other TLC and A&E shows and even some crime news along with more personal podcast episodes are available by subscription at:  Supercast: https://coupledwithchaosnetwork.supercast.tech/  Patreon:  https://www.patreon.com/coupledwithchaos  Apple: Coupled with Chaos Channel: https://podcasts.apple.com/us/channel/coupled-with-chaos/id6442522170  Contacts us: Email: Coupledwithchaos@gmail.com  Web site: https://coupledwithchaos.com  Facebook: @Coupledwithchaos  Instagram: @Coupledwithchaos  Twitter: @CoupledwChaos 

Candice Lim and Kate Lindsay dive into the battle between Bhad Bhabie and Alabama Barker. Nine years ago, Bhad Bhabie was introduced to the world on Dr. Phil as Danielle Bregoli, a 13-year-old wild child who shot to viral fame as the “Cash Me Outside” girl. Bregoli, also known as rapper Bhad Bhabie, has recently made online waves for her diss track war with Barker, begging the question: why can't the internet stop watching an internet meme and a nepo baby fight online? And did Kendrick Lamar and Drake's beef create the ultimate template for feuds going forward? This podcast is produced by Alexandra Botti, Daisy Rosario, Candice Lim, and Kate Lindsay. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim and Kate Lindsay dive into the battle between Bhad Bhabie and Alabama Barker. Nine years ago, Bhad Bhabie was introduced to the world on Dr. Phil as Danielle Bregoli, a 13-year-old wild child who shot to viral fame as the “Cash Me Outside” girl. Bregoli, also known as rapper Bhad Bhabie, has recently made online waves for her diss track war with Barker, begging the question: why can't the internet stop watching an internet meme and a nepo baby fight online? And did Kendrick Lamar and Drake's beef create the ultimate template for feuds going forward? This podcast is produced by Alexandra Botti, Daisy Rosario, Candice Lim, and Kate Lindsay. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim and Kate Lindsay dive into the battle between Bhad Bhabie and Alabama Barker. Nine years ago, Bhad Bhabie was introduced to the world on Dr. Phil as Danielle Bregoli, a 13-year-old wild child who shot to viral fame as the “Cash Me Outside” girl. Bregoli, also known as rapper Bhad Bhabie, has recently made online waves for her diss track war with Barker, begging the question: why can't the internet stop watching an internet meme and a nepo baby fight online? And did Kendrick Lamar and Drake's beef create the ultimate template for feuds going forward? This podcast is produced by Alexandra Botti, Daisy Rosario, Candice Lim, and Kate Lindsay. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim and Kate Lindsay dive into the battle between Bhad Bhabie and Alabama Barker. Nine years ago, Bhad Bhabie was introduced to the world on Dr. Phil as Danielle Bregoli, a 13-year-old wild child who shot to viral fame as the “Cash Me Outside” girl. Bregoli, also known as rapper Bhad Bhabie, has recently made online waves for her diss track war with Barker, begging the question: why can't the internet stop watching an internet meme and a nepo baby fight online? And did Kendrick Lamar and Drake's beef create the ultimate template for feuds going forward? This podcast is produced by Alexandra Botti, Daisy Rosario, Candice Lim, and Kate Lindsay. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show: 1. The funds do not exist;' Mysterious case of $1.8b found in state's bank reportedly solved https://abcnews4.com/news/local/the-funds-do-not-exist-mysterious-case-of-18b-found-in-states-bank-reportedly-solved-wciv-abc-news-4-charleston-south-carolina-sc-governor-gov-henry-mcmaster-state-treasurer-curtis-loftis 2. 'If you want to take it outside ...': Rep. Nancy Mace challenges Rep. Jasmine Crockett at House hearing - https://www.nbcnews.com/politics/congress/nancy-mace-challenges-jasmine-crockett-house-hearing-rcna187731 3. SC governor issues order to raise flags to full staff during Trump inauguration - https://www.live5news.com/app/2025/01/15/sc-governor-issues-order-raise-flags-full-staff-during-trump-inauguration/ 4. President Joe Biden is coming to Charleston on Sunday https://www.postandcourier.com/politics/biden-visiting-charleston-sunday/article_a4b44030-d281-11ef-9ce3-a74a448ac49e.html 5. DOJ says Charleston apartment giant worked with other landlords to keep rents high - https://www.postandcourier.com/business/greystar-real-estate-charleston-lawsuit-landlord-rents/article_bd350df4-cdd8-11ef-acc6-53f729434c2b.html 6. Best of Charleston - https://holycitysinner.com/entertainment/nominate-holy-city-sinner-for-best-of-charleston-2025/ This episode's music is by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Bhad Bhabie: Bhad Bhabie is back with more drama as she talks about her boyfriend beating her up and cheating on him with Chief Keef. Birthday Break: Mike and Jeff take over to discover some Nightcore Bhad Bhabie and we have cake for Jim's birthday! Dr. Pepper Guy: First we get a visit from the editor of Corey Feldman Artist: The Man Behind The Love and then we get a new video featuring Dr. Pepper Guy! FUCK YOU WATCH THIS!, THE BEAR!, KANYE WEST!, CLIPSE!, KENNY G!, USE THIS GOSPEL!, PRINT OUT GUNS!, HALO!, BATMAN!, WARTHOG!, BATMOBILE!, HAPPY BIRTHDAY!, BIRTHDAY CAKE!, RIZZLER CAKE!, COREY!, CALLER!, JESSICA!, HIPPOPOTAMUS!, HOOKING UP!, COREY FELDMAN!, THE BIRTHDAY!, BHAD BHABIE!, DR PHIL!, CASH ME OUTSIDE!, CHIEF KEEF!, DOMESTIC VIOLENCE!, GHETTO!, BEAT UP!, ERIK!, CELEBRITIES!, BEING FAIR!, HI BITCH!, ELO!, NIGHT CORE!, EDM!, BHAD BHABIE REMIX!, NIGHT COURT!, BON JOVI!, GREAT BRITISH BAKING SHOW!, COCO BUNS!, NBA CARD PACKS!, DONRUSS!, ADAN GONZALES!, EDITOR!, MASTERS!, FOOTAGE!, DON DOKKEN!, STAUNCH!, JAKE PERRY!, 2020-DEAD!, BOX SET VERSION!, DR PEPPER GUY!, THE DARK KNIGHT!, PREDATOR HUNTERS!, PUMPKIN HEAD!, STALKING!, ABUSE!, ATTACK!, PUNCH!, KICK!  You can find the videos from this episode at our Discord RIGHT HERE!

Winning the lottery should be the ultimate dream, right? Not for Katie (Awkwafina), whose winning ticket for California's Grand Lottery comes with a deadly twist—anyone with a losing ticket can legally take her out to claim the prize. Cue the chaos, as Katie teams up with Noel (John Cena), a quirky, no-nonsense lottery protection agent, to dodge bounty hunters, neighbors, and even cops. This Prime Video original is a wild ride filled with action, comedy, and outrageous twists. At the TruVue Podcast, we bring the barbershop talk to the box office and dive deep into this chaotic flick. It's not about the review—it's the conversation with the crew that keeps it real. From Katie's daring escapes to Noel's WWE-worthy beatdowns, we keep it real on the reels while breaking down all the madness. Our podcast is unapologetically NSFW, so come prepared for spoilers, raw humor, and unfiltered opinions. Cash us outside with this one—you won't want to miss it! Contact Us: YouTube Instagram Facebook X (Formerly Twitter) Email: TruVueSocial@gmail.com Website LinkedIn Fanbase #JackpotMovie #Awkwafina #JohnCena #TruVuePodcast #BarbershopTalk #BlackCreators #PrimeVideo #ActionComedy #MovieReview #CashMeOutside

Beyoncé has officially ascended to her throne as Queen of the Grammys, as she received 11 nominations on Friday, making her the most-nominated artist of all time, with 99 total. Her husband Jay-Z is second with 89, followed by Paul McCartney with 84. The late Quincy Jones is 4th with 80. 100-year-old Jimmy Carter has become the oldest Grammy nominee ever, with a nod for his spoken-word album, "Last Sundays in Plains: A Centennial Celebration". Obviously, if he wins, that'll be a record too.  Sabrina Carpenter played the Chase Center in San Fransisco on Saturday night, a woman in the pit allegedly squatted and URINATED right on the floor, Exorcist style. So far, no one has posted video of the actual deed, but there IS a video of people standing around the wet floor where it supposedly happened. And it cuts to pictures of people holding up their phones, with the message "I Got Peed on in the Pit to See Sabrina Carpenter" on them in block letters.Jerry Cantrell called music streaming a "bad business" model for any musician trying earn a living.·         Dave Grohl isn't the only one who doesn't think Taylor Swift sings live. A British singer named Fil Henley (who was also on X Factor many years ago) analyzed the audio from several shows on the Eras Tour, and he's convinced of it, too. Metallica, Green Day, Foo Fighters and Blink-182 are up for Rock Tour of the Year and U2 are up for Residency of the Year at the 36th annual Pollstar Awards. The awards will be handed out on February 19th in Los Angeles.TVBhad Bhabie . . . you know, the Cash Me Outside girl . . . has cancer, and is under a doctor's care. https://www.tmz.com/2024/11/08/bhad-bhabie-may-have-cancer-danielle-bregoli/ Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Beyoncé has officially ascended to her throne as Queen of the Grammys, as she received 11 nominations on Friday, making her the most-nominated artist of all time, with 99 total. Her husband Jay-Z is second with 89, followed by Paul McCartney with 84. The late Quincy Jones is 4th with 80.  100-year-old Jimmy Carter has become the oldest Grammy nominee ever, with a nod for his spoken-word album, "Last Sundays in Plains: A Centennial Celebration". Obviously, if he wins, that'll be a record too.   Sabrina Carpenter played the Chase Center in San Fransisco on Saturday night, a woman in the pit allegedly squatted and URINATED right on the floor, Exorcist style. So far, no one has posted video of the actual deed, but there IS a video of people standing around the wet floor where it supposedly happened. And it cuts to pictures of people holding up their phones, with the message "I Got Peed on in the Pit to See Sabrina Carpenter" on them in block letters. Jerry Cantrell called music streaming a "bad business" model for any musician trying earn a living.·          Dave Grohl isn't the only one who doesn't think Taylor Swift sings live. A British singer named Fil Henley (who was also on X Factor many years ago) analyzed the audio from several shows on the Eras Tour, and he's convinced of it, too.  Metallica, Green Day, Foo Fighters and Blink-182 are up for Rock Tour of the Year and U2 are up for Residency of the Year at the 36th annual Pollstar Awards. The awards will be handed out on February 19th in Los Angeles.TV Bhad Bhabie . . . you know, the Cash Me Outside girl . . . has cancer, and is under a doctor's care. https://www.tmz.com/2024/11/08/bhad-bhabie-may-have-cancer-danielle-bregoli/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

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On this edition of THE CLASSIC METAL SHOW, Neeley and Chris discuss the surprising return of the "Cash Me Outside" girl. She claims to have made $50 million on OnlyFans.com in the past year. Is this a shocking success story or just another internet sensation? Neeley and Chris analyze her rise to fame and the controversy surrounding her claims. Tune in to hear their thoughts on how she transformed from a viral meme to a millionaire. Don't miss this episode of THE CLASSIC METAL SHOW as they break down the latest internet buzz. #ClassicMetalShow #CashMeOutside #OnlyFans #ViralSensation #InternetFame #Controversy #Millionaire #SuccessStory #SocialMediaStar #InternetBuzz #Podcast #MetalTalk NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not. Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

News with Sean 5-7-2024 …Cash Me Outside Girl is making bank on OnlyFans

Dax, who found his passion for writing while on a bus with his basketball team, transitioned into music, gaining recognition with his mixtape "2pac Reincarnation Vol 2: As Told By Dax" in 2017. He continued to release music, with notable singles like "Cash Me Outside" and "Dear God". Dax's career further expanded with the release of his debut studio album "Pain Paints Paintings" in October 2021, followed by successful singles like "Dear Alcohol" and a collaboration with Elle King. With his success, he was able to build 2.3 million Instagram followers, 6.34 million YouTube subscribers, and 3.4 million monthly listeners on Spotify, Dax has established himself as an indie music superstar. Join ForeverFan Today and Use Promo Code: NOLABELS02

Full Court Press: An R-Rated Jersey Swap, Anthony Edwards' Incredible Dunk, and a New Podcast Rec NBQ&A Spectacular: Food, Muppets, Jean Shorts, and More!   And Also: Novakain, Tootsie Roll Owl, Mr. Bucket, Basketball Violence, Deep Dish Hot Dogs, Rotten Anchovy, Cash Me Outside, Split Croatia, Jean Shorts, Anti-Sleeve, Fully Matching Tennis Outfits, Big Face Coffey, Fruit By The Foot, Pool Noodles, Sweetums, Highway Hypnosis, Crocs  Sponsor: Tab for a Cause: Raise money for charity every time you open a new browser tab. Visit www.tabforacause.org/horse to start raising money today. Perfect for tab monsters like Adam!  Find Us Online - website: horsehoops.com - patreon: patreon.com/horsehoops - twitter: twitter.com/horse_hoops - instagram: instagram.com/horsehoops - facebook: facebook.com/horsehoops HORSE is hosted by Mike Schubert and Adam Mamawala. Edited by Kensei Tsurumaki. Theme song by Bettina Campomanes. Art by Allyson Wakeman. Website by Kelly Schubert. About Us On HORSE, we don't analyze wins and losses. We talk beefs (beeves?), dig into Internet drama, and have fun. The NBA is now a 365-day league and it's never been more present in pop culture. From Kevin Durant's burner accounts to LeBron taking his talents anywhere to trusting the Process, the NBA is becoming a pop culture requirement. At the same time, sports can have gatekeepers that make it insular and frustrating for people who aren't die hard fans. We're here to prove that basketball is entertaining to follow for all fans, whether you're actively watching the games or not. Recently featured in The New York Times! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave and Chuck the Freak talk about Kate Middleton conspiracies, the most unhealthy drinks, people will tip more if there's a smiley face on your receipt, man shot by hunter who mistook him for a turkey, truck driver leaves truck before being hit by train, skydivers make hard landing, woman forgot about winning lotto ticket, family finds stolen art in their attic, betting on March Madness, Michigan man arrested for jerking in theater during a lesbian movie, Sydney Sweeney nudes malware scam, Richard Simmons' dying post confusion, Matthew Lawrence says director wanted him to get nude, Cash Me Outside girl has a baby, Nic Cage wants to do a live version of a Spider-Man Noir, audiences want more original content, Drake gives pregnant woman cash at concert, man shoots at teens who ding-dong-ditched him, someone tried to break into former prison, man with mullet leads police on chase with ‘Will Run' license plate, man sets ex's car on fire, crocodile handler almost gets junk bit off, how did you almost lose your genitals?, old woman impersonates FBI, woman saved from cougar attack, runaway spends night in a Target, New York man kept an alligator in his swimming pool, retailer apologizes for racist email, partner's sleeping habits keeping you up at night, retired cop tackles robbery suspect, winning lottery player told new gas station employee he was going to sell him a winner,  guy's migraines turn out to be tapeworm in his head from eating raw bacon, working 9-5 jobs, the teen busted speeding on his way to get laid, and more!

Will Tom Holland return for ‘Spider-Man 4'? The ‘Cash Me Outside' girl is pregnant. Macaulay Culkin gets his star on the Hollywood Walk Of Fame. We chat with Christine Sinclair from her retirement party! Jamie Foxx's first public speech since his hospitalization. Taylor Swift is Time Magazine's Person of the Year. Plus, Vanilla Ice opens up about his friendship with the late Tupac Shakur. 

November 10, 2023If you're tired of the direction this country is taking, #JoinTheRevolution and help support this program and our mission to help turn the ship around: HEREThe Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness."That Was AWESOME!"The Paulie P vs David DePeppy started yesterday - and it's still just as weird as it was over a year ago when the schnizz went down. The brother of the dude who was found dead in the Colorado amusement park has spoken to reporters - and that's a weird story too. Cash Me Outside girl may be having the last laugh on all of us. The FBI is getting scarier every day. Phil Bell's Morning Update: HEREKal had a scheduled doc appointment to be evaluated for an addidichtomy, so here's a best of. Link:OtherworldBehold the new DailyMojo TSA Shirt!! Shout out to Peter Serefine and his latest book:A More Tyrannical KingTeaching Series - Use promo code: Mojo50Our affiliate partners:We've partnered with The Wellness Company – a based, dedicated group of medical pros – including Dr. Peter McCullough – to bring you a single trustworthy source for your health.GetWellMojo.comPromo Code: Mojo50Dave and his crew were roasting historically great coffee before some of these newcomers even thought about creating a coffee brand. He's still the best, in our eyes!AmericanPrideRoasters.comNothing says “I appreciate you” like an engraved gift or award. Ron and Misty (mostly Misty) have the perfect solution for you if you need a gift idea for family or your employees!www.MoJoLaserPros.comWe love to support Mike Lindell and his company. He's a real patriot and an American success story!MojoMyPillow.com Promo code: Mojo50Be ready for anything from a hurricane to man-created stupidity (toilet paper shortage, anyone?). The tools and food storage you need to weather the storm.www.PrepareWithMojo50.com Stay Connected:WATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com (RECOMMEDED)Rumble: HEREFacebook: HEREMojo 5-0 TV: HEREFreedomsquare: HEREOr just LISTEN:Mojo50.com

The United States continues to pour money into Ukraine despite neglecting what's needed at home. A fighter jet goes missing. Articles surface that put citizens in camps if they get COVID; is there something there? Russell Brand becomes demonetized after sexual assault allegations arise. Country star Maren Morris attempts to distance herself from the music that brought her fame after realizing it's not the echo chamber she wishes it would be...

Boosie Vs. His Daughter: Boosie is going to war with his baby mama and his daughter since he considers them ungrateful and his daughter has a response. Friendship: Jeff is drunk and things get introspective. Does Jim hate Jeff? Where Do We Go From Here?: TELL MEEEEE! FUCK YOU WATCH THIS!, THE BEAR!, DRAKE!, 21 SAVAGE!, RICH FLEX!, STRAIGHTEST MEN ALIVE!, AUTISM!, MEMORIES!, ABANDONED HOUSE!, OPPS!, OPPY!, BOOSIE!, BEEF!, DAUGHTER!, ARRESTED!, BABY MAMA!, DISS TRACK!, SHOTS FIRED!, MUSIC!, UNGRATEFUL!, CHILD SUPPORT!, BENZ!, SAD!, PETTY!, MY STRUGGLE!, TORIANA HATCH!, 2 LITTLE KIDS FIGHTING!, SANDWICHES!, BRAZILIAN VIDEO GAMES!, FRANCE ON THE MAP!, ACROSS THE OL POND!, TTS!, BRAZIL!, PROSTITUTE!, SON!, FOOTBALL GAMES!, EMBARRASSING THE FAMILY!, MONSTER TRUCK!, BLACK HER EYE!, TUTTI FRUITTI!, BOOSIE!, OFF THE CLIFF!, LIL RICHARD!, SPERM DONOR!, CASH ME OUTSIDE!, THE FUCK!, HOOD RAT!, MOIST CRITICAL!, YOUTUBE FRONT PAGE!, PHILIP DEFRANCO!, ALL APOLOGIES!, NIRVANA!, COREY FELDMAN!, YES DADDY!, FART!, STOP THE SHOW!, FRUSTRATED!, FRIENDS!, STIMMING!, DRAMATIC!, NEEDLING!, INTERNET JEFF!, PAYING ATTENTION JEFF!, WAR MODE!, KRISTIN!, FEED JEFF TO A GATOR!, CALL IN!, REASSURANCE!, GROUP TEXT!, STEPHEN KING!, STAND BY ME!, THE SHINING!, KUBRICK!, MISERY!, DON'T LOOK NOW!, ENDING!, HANG OUT!, BOTTOMS!, GROW!, COW!, SEEDS!, BEANSTALK!, GIANT!  You can find the videos from this episode at our Discord RIGHT HERE!

Heif Dogg Is Back!

The dominance of Atlanta's hip-hop scene has been discussed often, but not in the way Joe Coscarelli covered it in his new book, Rap Capital. Joe, a New York Times music reporter since 2015, spent four years and interviewed over 100 sources to get the contemporary story about Atlanta's culture-defining music scene.Characters are what move the story forward in Joe's book, not discography, record sales, or cultural relevance. Lil Baby is featured prominently, as is his mom. Joe's relationship with the hit rapper dates back to 2017 when Lil Baby was still a mixtape artist. Another recurring character is Quality Control Music's Kevin “Coach K” Lee, who has deep-rooted ties with the city's most well-known artists across eras.Joe came onto the show to take us through the book's journey — both for him to write it and the characters themselves. Here's what we covered:[2:40] How the book came together and finally clicked[6:42] Role of Quality Control's Coach K in Atlanta story[10:11] Lasting effects of pandemic on music industry[12:38] Which era of Atlanta hip-hop to focus on? [14:09] How streaming helped launch Atlanta rap into the mainstream[16:10] Building trust with his sources despite racial differences[18:10] Did Joe receive any pushback while reporting?[20:19] Evolution key to Atlanta rap's longevity [25:05] Adapting Rap Capital into a movie[29:45] The crumbling of mainstream culture Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Joe Coscarelli, @joecoscarelli  Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Joe Coscarelli:  I wanted to tell the story through characters, through people, not just, you know, you can run down the discography of all the amazing Atlanta musicians, right? You can go through the label history, read the reviews. But I always want to sort of pull back like, who's behind these people? Who's behind that person? So that's why I think, you know, mothers were huge, fathers, you know, friends, people who are around these artists growing up, I wanted them to be human characters, and I wanted the side characters to be as big of a part as the famous people 'cause I think they're as crucial to the equation. [00:00:30] Dan Runcie: Hey, welcome to the Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip hop culture to the next level.  [00:00:58] Dan Runcie: Today's guest is Joe Coscarelli. He's the author of Rap Capital: An Atlanta Story, and he's a culture reporter at The New York Times. And this book that he wrote, Rap Capital, I cannot recommend it enough. If you listen to this podcast, if you read the newsletter, if you watch any of the clips from our conversations or any of the posts on social media, this book is made for you. It's a street-level epic about the most consequential music culture today, Atlanta Rap. Joe put so much thought and care into how the book came together and tying everything from the Atlanta murders that happened decades ago and how that shaped the rap culture and the broader culture for black folks in Atlanta that we see today, and how that led to someone like Lil Baby, how that led to someone like Coach K having such an influence over hip hop music and the culture for decades now. This book was a great opportunity as well to have a trip down memory lane. A lot of us understand how influential Atlanta's been, but it was great to have it be told from a unique way. We also talked about broader trends happening in the streaming era right now in music, what a movie or film or TV show adaptation could look like for Rap Capital, and more. Here's our conversation. Hope you enjoy it. All right. Today we had Joe Coscarelli, the author of Rap Capital: An Atlanta story and read the book, really enjoyed it, and I got to ask because I was going through the synopsis and you said this was four years in the making, and I got to imagine with a book like this, there was some point when things started to click in that four-year process. When did you feel like things were coming together for you? [00:02:40] Joe Coscarelli: So I knew that there was a book in this stuff because I had done a handful of stories through my day job at The New York Times about Atlanta. I started this beat in late 2014. So., You know, my first couple years on the job, streaming was really taking over and specifically rap music and streaming. So I just found myself over and over again talking to the same group of people, right? I did a Migos Story, did a QC story that featured Lil Baby, one of his first interviews. I wrote about Drew Findling who's a lawyer in the book that's all over the news these days in various capacities. So I knew from those stories that there was something here. But I didn't know what it was going to be. I knew I wanted to not just tell a history, but follow characters in real-time as they tried to make it. That's something I always want to do in my work. You know, so my favorite art ever is like Hoop Dreams or a music documentary like Dig!, which follows two bands across a long period of time. One of them makes it, one of them doesn't make it. That's always what I want to bring to my reporting is this idea of a journey, right? And it doesn't even matter what the destination is, but following, specifically artists and musicians as they're trying to make something out of their lives, that to me, is just a timeless tale, right, of ambition and dreams, and so I knew I had a handful of characters that I wanted to go on this trip with, but I didn't really know how it tied into the broader story of Atlanta until a real marathon brunch interview with Lil Baby's mother, Lashawn. He was, you know, he and I had a rapport at that point. I'd interviewed him a few times. I did talk to a lot of people around him, and he was kind enough to set me up directly with his mom. And, you know, we sat down at a brunch place outside of Atlanta. And, you know, she said, I asked him, I asked Dominique, her son, we're like, what do I tell him? And he told her tell him everything. And she really did, her whole life story became part of the book, especially the foundation of the book, in the first part. And she had such an incredible life on her own. You know, I hope she writes a memoir someday. But when I learned really that she had been friends in school with an early victim of the Atlanta child murders, which were happening on the west side of Atlanta in the late seventies, early eighties, that she had a firsthand relationship to that historical event that I feel like really left its mark on the city. And she was open. She said it sort of affected the kind of mother that she became, and I think ultimately helped set Dominique, Lil Baby, on his path. And all of that could be traced to, like, something she went through as a kid that also spoke more broadly to Atlanta and the way it has developed socially, politically, culturally, especially Black Atlanta over the last 40, 50 years. So that was a real breakthrough moment for me, and I knew that I could start with her story, which in many ways was also the story of Atlanta in the last, you know, half a century. [00:05:30] Dan Runcie: And in reading that first piece, too, I could see how much care and thought was put into it from your perspective of going through what happened with those murders and then how that traces directly to someone like Lil Baby because it's hard to tell the story of Atlanta hip hop without doing all of that. And that's something that I think is often missing with so much of the discussion about Atlanta's run, which is why I feel like your book does stand as its own and is able to have a unique voice and perspective on this.[00:05:58] Joe Coscarelli: I appreciate that. Yeah, I wanted to tell the story through characters, right, through people, not just, you know, you can run down the discography of all the amazing Atlanta musicians, right? You can go through the label history, read the reviews. But I always want to sort of pull back like, who's behind these people? Who's behind that person, you know? So that's why I think, you know, mothers were huge, fathers, you know, friends, people who are around these artists growing up, I wanted them to be human characters, and I wanted the side characters to be as big of a part as the famous people 'cause I think they're as crucial to the equation. [00:06:31] Dan Runcie: And of course, Lil Baby is one of the central characters. Another one is Coach K, who's one of the folks leading up Quality Control Music. Why was it important for him to be a central character in this too? [00:06:42] Joe Coscarelli: So Coach K is amazing because you can tell basically the last 30 years of rap music only through his career, right? When I said I wanted to be able to trace characters back through the years to artists and eras, like, Coach has seen it all, right? This is a man who was passing out Church fans to promote Pastor Troy and the congregation in the mid-nineties. Then he goes from that to representing all these producers who were, you know, crucial to founding the trap sound, someone like Drama Boy. And then he's working with Young Jeezy, right, as the Snowman mythology takes over and, you know, Def Jam South and the explosion of trap music on a national scale. Coach is behind that, right? You know, there's a moment I talk about in the book where they put the commercial on the radio right, in Atlanta, when the Jeezy's mixtapes, Trap or Die are coming out, right, and it's All Traps Closed today, like National Holiday, you know, like these are the things that Coach was cooking up behind the scenes. Then he works with Gucci Mane, right, who was blood rivals with Jeezy. And then that brings you up to the present day, and in 2013, he and P, his partner Pierre Thomas, they founded Quality Control, and then they have Migos, right, and then they have a Lil Yachty, and then they have Lil Baby. And through Coach K, you could talk about every single one of those careers and so many more that he was on the periphery of, even if he wasn't the main executive or manager involved. So I just think, you know, there's nobody more crucial to that ecosystem at this moment and through the last couple of decades than Kevin Lee, Coach K. [00:08:14] Dan Runcie: Yeah, and I think one of the things that stands out about their run, too, is that it wasn't just one artist and they faded and rose with that artist. And I think that's what we've seen a lot in the streaming era, frankly, from a lot of the record labels that have rose up. They had the runs, and even when one star started to fade from a group that was the hottest group in the moment, they had others that came through, and you're seeing that infrastructure. I feel like that's one thing that sets them apart from a lot of the others at this moment. [00:08:42] Joe Coscarelli: Totally. For them, it's all about artist development, right? Like, I remember being around them in the office, you know, in late 2017 and they were talking about whether they should have gone after Bhad Bhabie, you know, the Cash Me Outside girl. And like they would see little things pop up and think like, oh, should we get in on that viral moment? And then they would be like, No, that's not what we do. We build artists, we build careers, we build brands. And something that's so special about Quality Control and why they were able to, you know, be the backbone of this book is because they are invested in that sort of old school Motown-esque record business thing of I'm going to pluck someone who might not even think they're a musician, and we're going to believe in them, and we're going to back them, and we're going to build it from the ground up, right, and we're going to build it Atlanta first. Whereas so much in the viral marketing, streaming world of today is going top-down, right? It's a TikTok hit, then it's a major label deal, and this person's probably never even played a show before. They're still very invested in the grassroots bottom-up approach, and I think that's worked for them so many times now that the playbook is, you know, you can't deny it.[00:09:48] Dan Runcie: Yeah, and I think that also that goes with something that I've seen you talk about even outside of the book as well, just some of the challenges that a lot of the artists and labels have right now in terms of now that the pandemic has, at least in this stage that we're in right now, there's still some lasting effects in terms of how that's shaping the charts, how that's shaping how music's released. What have you been seeing there from that perspective? [00:10:11] Joe Coscarelli: I mean, you know, a lot of people have been writing this year, yourself included, about the sort of stagnancy of the charts, how, you know, there aren't a lot of new breakout hits, especially in rap music, which had been so dominant for the last decade, essentially, as things started to move online and towards streaming. And I think you're right that a lot of that is pandemic hangover, right? Like, people were not outside like they used to be. Artists were not sort of feeling that energy, that creative energy. They were creating often, like, in a little bubble. I'm sure you get projects like a Beyoncé's RENAISSANCE that comes out of that pandemic moment and maybe speaks to some people's hopes and dreams for what the next few years will be, a little freer. But you don't have any chance for that sort of grassroots development, right? So we saw a lot of things come off of TikTok, but as I was getting at, like, those people, they haven't had the opportunity to touch their fans, right, to speak to the sort of ground swell of support. So you get a lot of things that feel fleeting and then you have something massive, right? Bad Bunny or like Morgan Wallen that's just like lodged up there at the top of the charts 'cause I think those guys had a fully formed thing going into the pandemic and were able to ride it through. You know, when you think about a lot of rap, especially regionally, that's bubbling now, there's a lot of drill, right? Like, you think of the stuff coming out of Brooklyn and the Bronx and that sound traveling all over the country. And I think, you know, since Pop Smoke, we haven't really had a sort of mainstream emissary for that sound. And it is such a local, such a hyper-local, such an underground phenomenon that you haven't really had someone translate it for the mainstream, you know, maybe that's going to be Ice Spice, maybe that's going to be Fivio Foreign, and like, you know, maybe it's going to be someone younger. But I think we're still waiting, right, for what that next wave, especially in rap, is going to be. You see the sort of sun may be setting on the trap era that's described in the book in the rise of drill as the default of what a rap song sounds like, but again, that hasn't really crossed over quite yet. [00:12:11] Dan Runcie: Yeah, it's been fascinating just to see how the streaming era has shaped things, specifically with how much you focused on it in the book. And with a topic like Atlanta hip hop, there are likely so many sectors that you could have dove in on, and of course, Lil Baby being a central figure did lend itself to the streaming era. But how did you decide which era to focus on? Because there's so many time spans that you probably could have done and equally deep dive on.[00:12:38] Joe Coscarelli: I always knew I wanted to tell a contemporary story, right? Like, I'm more of a reporter than I am a historian. So I'm not a musicologist, I'm not a music critic. You know, I've never really written criticism in terms of album reviews or show reviews, things like that. So I knew I wanted to be able to witness as much as I could firsthand and write about that because that's what I love to do in my work, getting back to this idea of, you know, being a fly on the wall for someone's journey, for someone's rise, for someone's fall even. So it was always going to be contemporary, right? And I feel like you have to tell a little bit of the history, right? You have to talk about Freaknik, you have to talk about OutKast, and the Dungeon Family, and LaFace Records, and So So Def to be able to get to this moment. But I think for me, like, I'm not someone who writes about music nostalgically. Sure, I love the stuff I grew up on, but I'd rather look forwards than backwards. And I think, character-wise, I just want to stay with the cutting edge, right? I want to see what's next. I want to see who's changing things, who's, you know, who's moving things forward. And that's just what I seek out in my life and in my job. So I think it was always going to be as contemporary as possible. [00:13:46] Dan Runcie: Yeah, that makes sense. I think that streaming also allowed us to see more growth from the areas that I think, in a lot of ways, were a bit held back from gatekeepers controlling everything. And I think Atlanta's a perfect example of that, even though they had the massive rise, you know, nineties, early 2000s, it went to another level this past decade. [00:14:09] Joe Coscarelli: Yeah. And I think you know that sort of in-between time, right, when you think about post-Napster and file sharing, post-CD crash in the early 2000s. But pre-streaming, like, a lot of what became the go-to playbook for streaming was happening in the underground mixtape scene, especially in Atlanta and in the South. And you think of things like DatPiff or you know, sites like that where free mix tapes were coming out and it was all about quantity, right, in a way that really set these artists for the streaming era, right? You think of Lil Wayne's mixtape run, Gucci's mixtape run, and then Future's mixtape run. It was just about music, music, music, music. And so Migos sort of got in at the tail end of that and they released, you know, whatever it is, 5, 7, 10 mixtapes before they put out a proper debut album. And then when they finally hit with something like Culture, their second proper full length, the world had finally caught up to them and the rest of the Atlanta artists. And yet there's this whole group in between that gets left behind, right? Like, I'd love to read a book about Travis Porter and Rich Kidz and you know, these Atlanta rappers who are really, like, laying the groundwork for a lot of this, even like Rocko or you know, early career Future. Like these guys, I think if they would've come out once Spotify was as big as it is now, they would've been huge national and international stars. And instead, they sort of get caught in this in-between zone. So, you know, I think, I love to see when art lines up with the technology of the moment, and I think these Atlanta rappers were in the perfect place at the perfect time to take advantage of that explosion. [00:15:39] Dan Runcie: Yeah, I agree. And then even reading it too, and thinking about this conversation we're having, so much of you framing this as you're a reporter, you're capturing what's happening contemporary, and given the insights and the things that people are sharing with you, the amount of trust that you were needed to develop with them, and we talked a lot about the aspect of race and how that plays in. How did you navigate that yourself as a white man and trying to tell this black story and making sure that you're capturing it in the best way possible? [00:16:10] Joe Coscarelli: Yeah. You know, obviously, I thought about this a lot in the reporting, in the conception of the book, and certainly in the writing and the editing. I think the job of any journalist, right, is to be like a respectful, humble, open-minded guest in other people's worlds, right, and to be well aware of what you know and what you don't know. Like, that goes for when I'm interviewing a female artist, a trans songwriter, reggaeton star. I think, like, to navigate spaces where you're not an insider, like, it's best to come prepared and engaged and curious. Like, I did my research, I knew what I was talking about to the extent that I could, but I also was eager to, like, defer to people who are the experts, right? I made sure that everyone from artists to managers, family members, like, they knew that I wanted to take whatever platform I had with the book and with my work at The New York Times, and sort of take their work seriously to shine a light on it, and recognize it as important as it is, right, this cultural product that has this immense influence and impact. So I wanted to really preserve these moments to the best of my ability for the history books. And I think that my subjects got that right away. You know, I don't think it took a lot of time for them to spend with me to see that I was really dedicated in that mission, that I was going to be respectful of their time and space, interested in the work that they were doing and the lives they were living. And then, like, your credibility travels, right? One person can vouch for you with another, you know, with a collaborator, with a family member. And I just wanted to just defer to them and their experiences. And I think I took that with me in the writing of the book. You know, of course, there's analysis, there's observation, but I really wanted people to speak for themselves. The book is very quote-heavy. I really wanted to capture people as they are, do an accurate portrayal of what it is they've been through. Hopefully, I think the quality speaks for itself. But I wanted to, you know, give these people whatever, spotlight, whatever platform I can offer. And then tell the truest version of how they relate it to me. [00:18:03] Dan Runcie: Yeah, I think that's the best and the most fair way to do it. Along the way though, did you receive any pushback or any type of challenge as you were doing this?[00:18:10] Joe Coscarelli: There's very little. I think I'm fortunate enough to, you know, have an institution like The New York Times behind me. I think, you know, people take that name seriously. It opens a lot of doors, whether or not I was a good reporter. And I think when you can open the door and then when you show up, and you're thorough, and you're accurate, you know, I'd written a lot about these people before the book, I think that the trust just grows and grows. And I was also finding people really at the beginning, right, of their careers in a lot of cases, like Lil Baby, like, you know, he may not be able to spell my last name, but he knows that I was that guy with him listening to his mixtape tracks as they were deciding what was going to be on, you know, his second, his third mixtape. And he's seen me for years along the way, supporting that journey, you know, engaging with the work, like I said. And, you know, meeting people at the beginnings of things, they remember, right, who was there with them and who was supportive and who got it. And I think that that went a long way for me with my subjects. I think the other thing is like, you know, in the music industry, whether it's rap, you know, southern rap, regional street rap, like, there's always a white guy around, you know. I talk about this in the book, whether it's a dj, a producer, a manager, you know, this is a trope, this is a tradition. And I think, you know, sometimes it goes well, sometimes it goes poorly. But I try to always be above board and respectful in my dealings. But I think, you know, when you're riding around in Atlanta, with a rapper and you look like I do, you know, someone's just going to assume that I'm either from the label or I'm from The FADER, you know, something like that.[00:19:41] Dan Runcie: Exactly. Exactly. But no, I think that, given this, as you mentioned, yeah, there's plenty of precedent for people having done this before. And yeah, I think the care that you bring into it with the book is clearly shown. And thinking about that, as you mentioned, just you driving around Atlanta, getting a feel for the vibe of the city and everything else, spending so much time there, how do you feel about the run that Atlanta's currently having and how this will continue? Because I think that like anything, people are always thinking of what is the next thing. How long does this last? We, of course, saw the east and west coast rise and fall. What do you feel, like, the next decade or so it looks like for Atlanta in hip hop? [00:20:19] Joe Coscarelli: I mean, the thing that's been so amazing about Atlanta, the reason it can be the subject of a book like this is because every time you would think it was over, they would just come up with a new thing, right? So like, you know, you think back to OutKast, you think back to So So Def, you know, you have the run of Ludacris, who becomes, you know, this crazy mainstream success story, you have Gucci, and Jeezy, and the rise of trap, and T.I., you know, becomes this huge crossover star. And then you think that that's over. And then you have crunk, and you have Lil Jon, and you think that's over. And then here's comes Waka Flocka Flame coming up from under Gucci, you know. Even someone like Gucci, he's helped birth three, four micro-generations of Atlanta rappers. And, you know, someone like Young Thug comes out and you're like, oh, like, this is too eccentric. This is never going to happen, right? Like, this is only for the real heads, only for people listening underground, and then all of a sudden he's on SNL, right? And he's in Vogue. And just over and over again, you have these guys sort of breakthrough with something that seems like it's too outre. It's too avant-garde. You know, even Migos and their sort of like punk repetition, you know, people heard Bando and said like, oh, this is annoying. Like, this is going nowhere, and then all of a sudden the whole radio sounds like that. So there's a part of me that does feel like, you know, this book is sort of capturing a contained era, right? The first 7, 8, 9, 10 years of streaming and the intensity and the tragedy of the YSL indictment. Like, maybe that's a hard stop to this era. But I think you can never count Atlanta out, right? So like, you might not know exactly what's coming next, but there's always more kids like this, like coming up with something new, taking what came before them, putting like a twist on it, and then all of a sudden it's on the radio, right? So like, even me, like, I see like a real post-Playboy Cardi, you know, sort of experimental streak in a lot of these rappers. I think there's some drill influence coming into Atlanta. And I don't think the next generation has really revealed itself yet, but I'm very confident that based on the infrastructure that's there, based on the amount of talent, the artists who call it home, both from there and not, like, I really think there'll be another wave, and there's just always another wave, in a way that even New York, you know, has struggled to bring the championship belt back that many times, you know? But I think, you know, Atlanta's regeneration has always been sort of its calling card. [00:22:41] Dan Runcie: Yeah, and I think one of the things that stands out about Atlanta too, and this is a bit of a sad way to frame it, but they've been able to withstand the jail time or the charges that happen for a lot of the rappers that are in their prime. Of course, we saw that happened with the West Coast in the nineties, Death Row, and you know, everything with Suge Knight and Tupac. I think we saw that a bit with the East Coast as well. But Atlanta, unfortunately, whether it's T.I., Gucci, like, a lot of them have served time, but the city still has been able to still thrive in hip hop because there was always someone else coming through. And I think even more recently now with Gunna and Thug, dealing with the RICO case and everything, who knows how that'll end up. But I think the difference for them and the city now as opposed to other areas is that even if you know, let's say that they may not be able to make music or this hinders their rise, there are other folks that can continue to have the city continue to rise up in the music around it.[00:23:38] Joe Coscarelli: Yeah, and I think so much of this music, right, the music that's come out of Atlanta in the last 30 years, like, it comes from struggle, right? It comes from necessity. And the things you're describing, whether it's, you know, violence, death, you know, the criminal justice, the weight of the state on these young black men, mostly. And they do tend to be men, especially in this scene, though that's changing too. You know, I think when people feel backed into a corner, like, art can come from that, right? So whether it's YSL directly or it's the people, they influence, the people from their neighborhood who are going to fill that void. I think, you know, the people hear the urgency in this music, right? They hear the, whether it's the joy or the pain, you know, there's a lot of feeling here. And I think, yeah, the tough times, people bounce back out of that. And trap is so much about that in general that I think it'll just continue to happen.[00:24:29] Dan Runcie: Definitely. And in the beginning of this conversation, you talked a little bit about how Hoop Dreams and that type of story was definitely an inspiration, and of course, that was nearly a three-hour long movie, if I remember correctly, the timeframe there. In terms of this book, already reading it, maybe through the first few chapters, I was like, oh, this is going to get turned into some type of TV or series or a movie or something like that. I could already see that happening. Was that in the back of your mind as you were thinking about what this could look like? Obviously, I'm sure you're so focused on the book, but were you, as you're thinking about the inspiration, were you thinking about multimedia adaptations? [00:25:05] Joe Coscarelli: You know, I wasn't as much as I should have been, right? Otherwise, I would've been recording my audio better to turn it into a podcast, to then turn it into a doc series or whatever it is. I'm very much like a print writer, right? Like, I'm a newspaper reporter. I don't even think about images really as much as I think about words. And yet, like, so much of my influence, like, you know, Hoop Dreams was always the sort of the north star of this, but, like, I'm a huge consumer of television and film and stories of all kinds. So I knew I wanted the scope of the story to at least have that potential, right, to feel grand, to feel cinematic, to feel like it was about a time and a place and characters, which I think, you know, is often easier to do in a visual medium. So I had it in mind. But I was really too focused on just getting the words down on the page and getting the material I needed. I hope you're right and that now that this thing exists, right, this big book, like you said, Hoop Dreams is a three-hour movie, and this is like the book equivalent of a three-hour movie. It's almost 400 pages, so it has that sort of epic quality. And I think there is, you know, hopefully, more to mine there, not necessarily in recreating the stories that I've already captured, but in that essence, in that spirit and the way that Atlanta sort of goes in waves and goes in cycles. I hope there's a way to be able to capture that visually as well. [00:26:23] Dan Runcie: If you could handpick any director you would want to lead a project on Rap Capital who'd you pick?[00:26:29] Joe Coscarelli: Oh, man. All time. I mean, that's a tough one. Look, I mean, what Donald Glover and Hiro Murai have done with their Atlanta series, you know, it's much more surreal than this. It's fictionalized, but the parts of it that are based, you know, more on earth and more in the music industry, like, are just captured so well. I think, Hiro, as a director specifically, was able to, you know, all the aerial shots, like the highways, the roads, the woods, like that version of Atlanta is really seared in my mind. And, you know, I know they've done their version, but I think there's more to do. But then there's like the younger generation, right, of video directors and stuff that I'm just waiting to be able to see their worlds on a larger scale, you know, someone like Spike Jordan or someone like Daps who have their hand in, or, you know, Keemotion, like people who have their hand in a lot of the visual representation of this music on YouTube. And I think I would love to see what they would do, right? I would love to see the present-day music video directors' version of Belly, right, in Atlanta. Like, Belly, one of my favorite, you know, top five favorite movies ever, and has that sort of that music video quality to it in a lot of ways, but then blown up for the big screen. Like, I want some of those guys to have a canvas like that to paint on. [00:27:42] Dan Runcie: Yeah, that's a good answer because I think that, especially the Hiro one, because I think that Atlanta, as a TV show, does capture so much of it. And you're right, the episodes that are set in earth and not the surreal, you know, messages. But yeah, the ones that are set in earth do capture a lot of the intricacies about the music industry and I think the reality, which is I think something you do in the book as well. I also think that some of the newer music video directors, too, just given the world that they're capturing, do so much of that well, too, and I think having that is key because, of course, some of the more established names have a picture of Atlanta, but it may be more relevant to that, you know, LaFace era of Atlanta, which, while very impactful, isn't what your book is about.[00:28:27] Joe Coscarelli: Yeah, I think there's a new wave, right, and the people who are responsible for the iconography of this wave. You know, even the crazy run of Young Thug videos, I think the director Be EL Be, is that his name? You know, just super, super surreal sort of dream world stuff. But I want to see what those guys can do with the present day, given the budgets, you know, if they were given a Hollywood-size budget instead of a rap video-size budget.[00:28:53] Dan Runcie: Well, I will definitely be keeping an eye out for that because I feel like it's one of these inevitable things and it'll be fun to watch for sure. [00:28:59] Joe Coscarelli: Fingers crossed. Yeah. [00:29:00] Dan Runcie: Yeah. All right. Well, before we wrap things up, I do want to go back to one thing about the music industry because you had tweeted something out, I forget how long ago it was, but Punch from TDE had, shoutout to Punch, he had asked a question about when did the personalities become bigger than the music, and you had responded and said, well, there's some nuance here. Look at someone like Rod Wave who is, you know, selling multiple times more than someone like Megan Thee Stallion. And I think Rod Wave is someone that, unless you know the music, you're not necessarily tapping in, versus Megan who's someone that's performing at all the big award shows and has a lot of the big features, how do you make sense of that dichotomy between those examples and maybe what it says about where we are in the industry and how to make sense of it?[00:29:45] Joe Coscarelli: I think there's just been a real crumbling of the monoculture, right? Like, before. You would expect, if somebody had a number one hit, if somebody had a number one album, everyone would know who they were, right? I would know, you would know, your mom would know, my grandma would know. They would at least have some vague idea, right, of who Shania Twain was, or you know, Katy Perry, whoever it may be, even Ed Sheeran, to name one of the last, I think, monoculture stars. Whereas today everything is so fragmented, right? You write about this in your newsletter, whether it's streaming TV or movies or music, like, everything finds its own little audience, and it's sometimes it's not even that little, you know. Jon Caramanica, the pop music critic here at the Times, and I collaborated on a piece, you know, I think probably almost four years ago at this point, saying like, your old idea of a pop star is dead. Your new idea of a pop star is, you know, it's Bad Bunny. It's BTS. It's Rosalía who's not selling a ton of albums, but can pack out two shows at Radio City Music Hall without saying a word of English, basically, you know. And people are finding these artists on their own, right? You think of NBA YoungBoy, another one who's like, basically, the biggest rap artist we've had over the last five years, and he gets no radio play. He's never been on television, he's never played SNL. He has, you know, maybe one magazine cover, national magazine cover in his past, that happened when he was, you know, 16, 17 years old. And yet, like the numbers on YouTube are bigger than Ariana Grande's, for instance, you know. So I think these audiences have just splintered. And there are a few people who permeate, right, personality-wise, you know, Megan Thee Stallion or whatever. But often the music is somehow divorced from that, right? Like, I think there's far more people who know these next-generation stars from being in commercials or, you know, Bad Bunny in a Corona commercial or whatever it is, then can sing one of their songs word for word. And I think that's fine. You know, I think that a lot of artists have found freedom in that, right? I keep coming back to artists who sing in Spanish primarily. Like, before I would be that to cross over, you had to change, right? You had to start singing in English, at least somewhat, like a Shakira or whatever it is. But now, that's no longer a prerequisite because your audience is going to find you on Spotify, they're going to come to your shows, they're going to buy merch. And even if you're not getting played on Z100 or, you know, Top 40 radio, you can still have as much of a footprint. It's just not in that same everybody knows the same 10 people way, you know? [00:32:10] Dan Runcie: Yeah. I think that the fact that someone like Bad Bunny has an album that's not in English, that has been on the top of the US charts for, what, 30%, 40% of the weeks of the year is incredible. [00:32:24] Joe Coscarelli: Yeah. Yeah. And you know, I think that he is a celebrity, right, he is in films, he's in Bullet Train, he's in commercials, whatever. But I still think if you, you know, maybe it's different in New York, but if you went on the street and you asked, you know, your average 42-year-old white woman who Bad Bunny was, or to name a Bad Bunny song, it might not happen. But he's still selling out Yankee Stadium, you know, so it's this weird give and take of, like, what makes a hit these days, what makes a superstar. I think, you know, to bring it back, like, Lil Baby is in this boat too. Like, he's as close to, we have, I think, in the new school as a mainstream superstar, right, headlining festivals, you know, he's performing at the World Cup. He is sponsored, you know, Budweiser sponsors him. He's in, you know, all sorts of commercials, and he is really moved into that upper echelon. But he is still not a celebrity, right, in the way that a 50 Cent or a Jay-Z is to everyone. But he is to a certain generation. So it'll be interesting to see if he can sort of push past that last barrier and become a household name. But he doesn't need it, right? He doesn't have to be a household name to be the biggest rapper in the country. [00:33:28] Dan Runcie: Right. I think the part that I'm really fascinated by, too, is how this separation of, yes, you can be someone that is more known for personality than music, how that will translate to the labels they're assigned to, which of course are in the business of people actually streaming and listening to your music, and they're not necessarily in the business of selling personality or selling brand deals, right? Like, they're not getting the Pepsi deals or they're not, like, that's Pepsi doing that, you know what I mean? So it'll be interesting to see what that looks like 'cause obviously I know that there are legal challenges and transgressions with maybe why someone like a Rod Wave or like an NBA YoungBoy may not be getting asked to perform at the Grammy's, right? Like, I think that's pretty easy to understand. Or even someone like a Summer Walker who I think that does very well from a streaming perspective, but I think, you know, personally, just isn't the personality type to want to be all out there, right? [00:34:21] Joe Coscarelli: Yeah, has no interest in being a celebrity, but I think it's almost healthier, right, for some of these artists to be able to say, like, I've seen what happens on the fame side, and I don't want that part. I just want to make my music and play for my fans. Like, I think that's becoming maybe more and more of a possibility, where you can speak directly to your fans and not have to play the game, right, with the gatekeepers that might not actually be turning into anything at this point other than mind share. So, yeah, there's a lot of different kinds of stardom right now, and I think, like, the cult star, the, like, mass cult star, Tyler, the Creator, you know, the way he built up his career. You've written about this over so many years. Like, he doesn't have a smash hit, he doesn't have an Old Town Road, you know, or a Call Me Maybe, or whatever it is. He doesn't have that defining record or pop cultural moment. He just has years and years and years of solid growth, and people respond to that, and that you can pack arenas on that just as easily as you, and maybe even more effectively than you can on the back of one or two massive hits.[00:35:25] Dan Runcie: Yeah, definitely. Yeah, definitely now, for sure. It'll be fascinating to watch and I'll be looking out for your continued reporting and thoughts on this, yeah, such a fascinating time in the industry. But Joe, it's been a pleasure, man. Hey, if anyone listening, if you are a fan of this podcast, believe me, this is a book. I can't recommend it enough. You'll enjoy it. But Joe, for the folks listening, where can they get Rap Capital? [00:35:47] Joe Coscarelli: Rap Capital: An Atlanta Story, out October 18th, available wherever books are sold, Amazon, Barnes & Noble. Get an audiobook, should be out soon at your local bookstore. Yeah, hopefully, you'll be able to find it. Rap Capital. Thanks so much for having me. [00:36:00] Dan Runcie: Awesome. Thanks for coming on and great work again. [00:36:02] Joe Coscarelli: It was really fun. Thanks. [00:36:03] Dan Runcie: Really good.[00:36:04] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast, go ahead, rate the podcast. Give it a high rating and leave a review. Tell people why you liked the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

This week Joe & Shyler discuss what Harry Styles and Olivia Wilde had to say about fans and their relationship.  Plus, Bhad Bhabie, aka "Cash Me Outside" girl, has a new scholarship available.  And, does Fenty's & MSCHF's new collaboration have Shyler's attention? Photo credit: ReutersSee omnystudio.com/listener for privacy information.

in this episode we talk about claims made against Dr Phil's turnabout ranch detention center, todays children vs children in the past and much more --- Support this podcast: https://podcasters.spotify.com/pod/show/cleveland-d-holmes/support

FLIGHT 785 is chatting about Bhad  Bhabie, a robot getting beat down in Tennessee, and "Abby Is Not Right." Pull up a chair, and feel the vibe. Give us a 5 star review on Apple Podcasts or on whatever platform you listen on. Follow us on Instagram, Snapchat, Twitter, or Clubhouse. The handle is: @flight785. Or, send us an email:  flight785podcast@gmail.com "Flight 785 Podcast, I don't talk about aviation, but I'm still fly!"

Welcome to the Strange Noise Podcast! On today's episode, Machine Gun Kelly is making his directorial debut with 'Good Mourning' releasing in May. Ken Jeong walks off the set of 'The Masked Singer'. Logic takes issue with how DefJam is handling the release of his new music. Bhad Bhabie aka "Cash Me Outside" girl hates being linked to the 2016 viral video. Then Billie Eilish and Hayley Williams of Paramore sing 'Misery Business' at Coachella. All this and more on this episode. Enjoy!!    INSTAGRAM | @thestrangenoisepodcast  FACEBOOK | @thestrangenoisepodcast  TWITTER | @thestrangenoise

Grab a Catch Me By the Pool cocktail and get the scoop on some “Bhad" Boca Bishes — from a larger than life reality star to Bhad Babie (aka "Cash Me Outside” girl) and an HOA board member who forgot her mic was hot! Who did we recently have lunch with? What went down at Easter brunch? Listener comments and more. Our Bougie Bible picks include sexy Japanese cuisine tailored to the American palette and a healthy line of drugstore cosmetics.SOURCES:https://nypost.com/2022/04/18/cash-me-outside-girl-bhad-bhabie-pays-6-1m-for-florida-home/https://nypost.com/2022/04/20/bhad-bhabie-i-made-50m-dont-call-me-cash-me-outside-girl/https://www.sun-sentinel.com/features/fl-fea-cash-me-outside-girl-snapchat-debut-20190208-story.htmlhttps://www.sun-sentinel.com/features/fl-fea-cash-me-outside-girl-snapchat-debut-20190208-story.htmlhttps://www.the-sun.com/news/3493906/cash-me-ousside-girl-bhad-bhabie-retire-onlyfans/https://www.dailymail.co.uk/tvshowbiz/article-10530775/Mama-Junes-boyfriend-Justin-Stroud-arrested-warrant-drug-charges-Florida.htmlhttps://bocanewsnow.com/2022/04/07/seven-bridges-drama-board-member-threatens-former-member-on-hot-mic/

This is the Idiot News Network where idiots aren't just in the news, they report the news! For Friday April 29th, 2022:Jubal Fresh reports on a delicious new breakfast cereal hitting the aisle of a grocery store near you! Alex Fresh reports on a "celebrity" that lied about how much money they're making! English Evan reports on the new mayor of hell! Social Media Producer Christian Gray Snow advices you its fine to read the fine print!Leave a rating and review wherever you listen. It will help the show out in a big way. If that's not your thing, you can find us on social media here:https://instagram.com/thejubalshowhttps://twitter.com/thejubalshowhttps://www.tiktok.com/@thejubalshowLeave a rating and review wherever you listen. It will help the show out in a big way. If that's not your thing, you can find us on social media here:https://instagram.com/thejubalshowhttps://twitter.com/thejubalshowhttps://www.tiktok.com/@thejubalshow

On this edition of THE CLASSIC METAL SHOW, Neeley and Chris talk about the return of the "Cash Me Outside" girl, and how she claims to have made 50 million dollars on OnlyFans.com in the last year. Get all our episodes at www.theclassicmetalshow.com. Interact with The Classic Metal Show at https://classicmetalshow.locals.com. **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!! WEBSITE: http://www.thecmsnetwork.com THE CMS PODCAST NETWORK: https://www.cmspn.com HEAVY METAL TELEVISION: https://www.heavymetaltelevision.net CMStv: https://www.cmstv.net CMSRadio: https://www.cmsradio.net CMSPN App: Search "The CMS Network" In Your iOS or Android App Store! Become A VIP On Locals: https://classicmetalshow.locals.com RUMBLE: https://rumble.com/c/cms BITCHUTE: https://www.bitchute.com/channel/cms/ ODYSEE: https://odysee.com/@ClassicMetalShow:a ROKU: Search "The Classic Metal Show" in the Roku Channels AMAZON: Search "The CMS Network" To Add Our Channel SOCIALS Minds: https://www.minds.com/ClassicMetalShow/ Parler: https://parler.com/cmspn Gab: https://gab.com/theclassicmetalshow Locals: https://classicmetalshow.locals.com Gettr: https://gettr.com/user/chrisakin CENSORED BIG TECH: Facebook: https://www.facebook.com/cmspn Twitter: https://twitter.com/cmsrocks Instagram: https://www.instagram.com/cmspn1/ YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** #theclassicmetalshow #comedy #parody #neeley #chrisakin #shockjocks #popculture #sex #hardrock #heavymetal #celebrities #socialjustice #socialmedia #woke #politics #humor #dating #relationships --- Send in a voice message: https://anchor.fm/cmspn/message

@classicmetalshow We're Too Old For OnlyFans! ♬ original sound - Big Top by Sir Cubworth [tcb-script async="" src="https://www.tiktok.com/embed.js"][/tcb-script]On this edition of THE CLASSIC METAL SHOW, Neeley and Chris talk about the return of the "Cash Me Outside" girl, and how she claims to have made 50 million dollars on OnlyFans.com in the last year.Get all our episodes at www.theclassicmetalshow.com.Interact with The Classic Metal Show at https://classicmetalshow.locals.com.**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!!WEBSITE: http://www.thecmsnetwork.comTHE CMS PODCAST NETWORK: https://www.cmspn.comHEAVY METAL TELEVISION: https://www.heavymetaltelevision.netCMStv: https://www.cmstv.netCMSRadio: https://www.cmsradio.netCMSPN App: Search "The CMS Network" In Your iOS or Android App Store!Become A VIP On Locals: https://classicmetalshow.locals.comRUMBLE: https://rumble.com/c/cmsBITCHUTE: https://www.bitchute.com/channel/cms/ODYSEE: https://odysee.com/@ClassicMetalShow:aROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our ChannelSOCIALSMinds: https://www.minds.com/ClassicMetalShow/Parler: https://parler.com/cmspnGab: https://gab.com/theclassicmetalshowLocals: https://classicmetalshow.locals.comGettr: https://gettr.com/user/chrisakinCENSORED BIG TECH:Facebook: https://www.facebook.com/cmspnTwitter: https://twitter.com/cmsrocksInstagram: https://www.instagram.com/cmspn1/YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**#theclassicmetalshow #comedy #parody #neeley #chrisakin #shockjocks #popculture #sex #hardrock #heavymetal #celebrities #socialjustice #socialmedia #woke #politics #humor #dating #relationships

Did the "cash me outside" girl REALLY make over $50 MILLION of Only Fans?  See omnystudio.com/listener for privacy information.

Today on the Woody and Wilcox Show: Woodpecker attacks world's largest hockey stick; Cash Me Outside girl buys a $6 million mansion; It Happened in Florida; Woody Game Wednesday; Delayed voice mail notifications; Get High with Jimmy John.com; Netflix will offer a version with commercials; New show hosted by Snoop Dogg; And so much more!

April 19, 2022Day 760 of 15 days to flatten the curve.The Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness.The mask mandate is no more, but its supporters aren't going down without a fight. The Ukraine/Russia conflict machine continues to roll out propaganda making it hard to know where the truth is - now torture chambers are in the headlines. But to whom do they belong? The American Culture War is a battle of epic proportions that will have far-reaching effects on our lives. Cash Me Outside girl is a shining example of weird.Dan Andros weighs in on the latest social drama with the Libs of Tik Tok founder being doxxed. Links:https://www.faithwire.com/https://twitter.com/DanAndroshttps://www.faithwire.com/podcasts/the-43-podcast/Peter Serefine's Liberty Minute & Aaron Barker's Breakdown are part of the show, as well. Links:https://www.liberty-lighthouse.com/https://www.spreaker.com/show/the-breakdown-with-aaron-barker_1All things in one place: https://linktr.ee/realbradstaggs All things in one place: https://linktr.ee/realronphillips WATCH The Daily Mojo LIVE 7-9a CT:Rumble: https://rumble.com/c/StewPetersFacebook: https://www.facebook.com/MoJo50Radio  Mojo 5-0 TV: https://www.mojo50.com/mojo50tv Or just LISTEN:https://www.mojo50.com/

MJ teased something about Florida yesterday, but can the rest of the crew remember what it was about? Turns out, Florida lands on the top 10 list for this! MJ had a hectic experience at the post office yesterday, but he revealed a hack that got him in and out way faster than most people. Today's Morons in the News features a Jacksonville woman who was selling making fake IDs at her place of work, and a new driver who ran over tombstones! There is a fire weather warning for several Tampa Bay counties today. Roxanne brought in a new toy she's obsessed with, and wants to use it on other members of the show. News came out that Britney Spears got a speeding ticket, but MJ wants to know if any cop listeners would give Britney Spears a ticket. One cop reveals that he has pulled over a famous Tampa Bay area resident before. How did that go? Do you know what sex-somnia is? You might want to listen to the definition, because you might have this. From Froggy Productions... It's Hal Herman Heardle! Listeners must guess the song with a one, two, and three beat clue. This week, it's the '90s! The federal mask mandate for transportation has become null and void after a Tampa judge struck down on it yesterday. Now, masks on airlines aren't required. The "Cash Me Outside" girl recently just bought a home with cold hard cash. How in the world did she score millions of dollars?

2pm - The Big Lead @ 2 // GUEST:  Frank Dahlquist, Eastside firefighter being fired this week for not being vaccinated despite being issued an exemption // Cash Me Outside girl buys a mansion // Awesome Audio See omnystudio.com/listener for privacy information.

Chuck is back and rested from vacation. They talk about the Hawks Game One loss to the Heat. We also learn today that the "Cash Me Outside" girl has a nicer house than any of us. Plus, Today Was A Good Day.  See omnystudio.com/listener for privacy information.

Yessir! Your favorite guys are back in their respective chairs fresh off The Shapeup for another week on your favorite show's favorite show. With Covid-19 mutating as quickly as it is, what Greek letter will be chosen next? Lil Barbed Wire makes an appearance, which leads to a hunger gameish idea. Cuomo...anti-vaxers supporter...lockdowns....OH MY! We're all feeling it too and it's sad to say, but outside is expensive, so while you're indoors listening to us, don't forget S.O.S!

Texas is officially open like the girls' hearts are for crab legs. And just like that—Instagram likes are gone overnight. But, the ladies have mixed feelings about one-night stands during a first date. Tune in to also hear this weeks' pop culture recap, from Coi Leray's daddy issues to Cash Me Outside's call to arms against boot camp facilities. 

We are excited today to announce that we have made money for the first time on the podcast. Plus...we wrap up the Morgan Wallen story, tackle PC culture on Ten After Laughter with the funniest human ever to live..and on Vital Vinyl, I'll have one of the most cherished of my collection to spin for you. --- Send in a voice message: https://anchor.fm/darren-minor5/message Support this podcast: https://anchor.fm/darren-minor5/support

Welcome back for another deep dive Wednesday. Today we're talking all things cash cash money and why it's an investment asset. The most interesting thing about this ep is arguably the title, but I'm sure as a SOTM OG listener you'll go ahead and listen anyway.Joining you for this week's deep dive you've got Victoria Devine, Georgia King (The OG's, the Originals, and according to them - the best!)Do you love the podcast SICK and want more SOTM? Course ya do. Join our Facebook page to share your money wins and money confessions, follow us on Insta for daily inspo to keep you on track and DEFINITELY subscribe to our newsletter, the written recap of the pod's key takeaways, including some bonus bits you won't want to miss.Finally, if you're in a money mess and need help untangling the muddle - we've got you sorted - simply record your question and send it through to us at podcast@shesonthemoney.com.au and you may just end up on the podcast!The advice shared on She's on The Money is general in nature and does not consider your individual circumstances. She's on The Money exists purely for educational purposes and should not be relied upon to make an investment or financial decision. Victoria Devine is an Authorised Representative of Australia Pacific Funds Management Proprietary Limited ABN 34 132 463 257 - AFSL 339151.See omnystudio.com/listener for privacy information.