Podcast appearances and mentions of Rian Johnson

We're back on the wellness beat with Nicole Kidman in Nine Perfect Strangers season 2 on Prime (1:16:15), Facing off against a machine with chess wizard Gary Kasparov in Rematch on Disney+ (1:26:03), and re-examining the Lockerbie disaster with The Bombing Of Pan Am 103 on BBC1 (1:06:32). Plus Rian Johnson drops by to discuss Poker Face (36:44-53:00) and we even manage to slip some Star Wars questions in there as well. (Episode 337)Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

🛸 ¡Bienvenidos a Frikingos de la Galaxia! En una galaxia muy, muy lejana... donde los fans peleaban más que los Jedi... donde los foros ardían más que Mustafar... llegó una película que dividió a la Fuerza en dos: The Last Jedi... también conocida como: El episodio que dejó a Luke con cara de 'me quiero ir' y a Yoda lanzando rayos como si a Pikachu le hubiesen echado droja en la bebida. 😜 Hoy, en este Frikingos de la Galaxia especial, nos sumergimos en el agujero negro emocional que fue el troleo maestro de Rian Johnson. ¿Fue arte incomprendido o sabotaje con sable láser? ¿Deconstrucción genial o destrucción gratuita? ¿Una película valiente... o el mayor plot twist desde que Jar Jar sobrevivió a tres películas? En este programa hablaremos detenidamente sobre: 🌀 Luke Skywalker en modo: viejo gruñón que toma leche azul. ☄️ Leia flotando en el espacio a lo Mary Poppins. 🎲 El Casino Planet, también conocido como “perdimos media hora de nuestras vidas”. 🤦 Decisiones absurdas de los personajes. 🎙️ Y como no podía ser de otra manera, el Capi de la Friking Express no estará solo en esta travesía por los restos de la saga. ¡Contará con su tripulación de élite! O… al menos, con los únicos lo bastante valientes (o insensatos) como para volver a ver Los Últimos Jedi sin necesidad de terapia previa. ✨ Joseja, el Bécquer Millennial del Frikiverso, nos recitará una desgarradora oda a Snoke… aunque solo le dio tiempo a escribir la mitad (como al personaje, vaya). Versos que sangran midi-clorianas. 🎮 Desde el rincón gamer del Halcón Frikiano llega el Jugón de la Friking Express, y firme defensor de Jar Jar Binks (sí, aún quedan). Nos contará por qué esta película le hizo abandonar el universo Star Wars más rápido que el Halcón en salto hiperespacial. Spoiler: no volvió hasta que el Mandaloriano le devolvió la fe… y el WiFi. 🧠 Rulo, el Vigilante del Multiverso Freak, se enfunda hoy la toga del abogado del diablo. Viene decidido a defender Los Últimos Jedi con capa, espada y argumentos... aunque reconoce que se le rompió la espada en cuanto vio a Luke tirando el sable. Pero eh, lo intenta, que eso ya es heroico. 🦾 Y aunque no podrá subirse a bordo esta vez, tenemos una grabación exclusiva del legendario Julwiki, el podcaster de adamantium. Su voz, templada por los años y endurecida por el trauma, nos ofrece una reflexión sosegada sobre el filme. ¿Habrá hecho las paces con Rian Johnson? ¿O seguirá gritando su nombre cada vez que se pisa una LEGO del Halcón Milenario? 🎙️ Todo esto y mucho más en el programa donde la Fuerza se ríe contigo. 👉 Dale al play, suscríbete y comenta cuál fue tu trauma o carcajada favorita del Episodio P(ocho). Porque aquí no hay haters… ¡solo frikingos con cicatrices emocionales! Síguenos en nuestras redes sociales y echa un vistazo a nuestro vídeo-podcast en YouTube: -YouTube: https://www.youtube.com/@frikingosdelagalaxia4365 - Facebook: https://www.facebook.com/FrikingosGalaxy?locale=es_ES - X (antes Twitter): https://x.com/FrikingosGalaxy - Instagram: https: //www.instagram.com/frikingosdelagalaxia/ - Ivoox: https://www.ivoox.com/podcast-frikingos-galaxia-cine-y_sq_f1417787_1.html - Apple Podcast: https://podcasts.apple.com/es/podcast/frikingos-de-la-galaxia-cine-y-ocio/id1479825939 - Spotify: https://open.spotify.com/show/0LCxVBSt3Kt9cDhlcLKeZc

This week, we check out the first four episodes of Rian Johnson and Natasha Lyonne's awesome throwback detective series, POKER FACE! We loved the first season (you know it's the truth) and can't wait to see what's next on the show.  1:00-28:00 TV Diaries 28:30- Poker Face S02 #PokerFace #PeacockTV #TheTVDudes

After more than two years, Rian Johnson's Poker Face -- aka "What if Columbo, but a lady named Charlie who's a human lie detector" -- is back for its second season on Peacock. Does it still deliver a pleasing throwback mystery vibe? David J. Roth returns to discuss. Around The Dial takes us through the second season of Conan O'Brien Must Go and Netflix's special Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor; Killing It; and Untold: Shooting Guards. Mike presents the episode "A Mercy" from The Terror for induction into The Canon. Then, after naming the week's Winner and Loser, we kick off a new season of Game Time with a very long drive between fictional TV cities in America -- hey, kind of like Charlie! Gas up and join us! GUESTS

Dentro de nuestro ciclo dedicado a la trilogía de secuelas de Star Wars, llegamos a un punto álgido con la película tal vez, más divisoria de la historia de la franquicia. Un film que dividió a los fans, que generó multitud de polémicas y que no deja indiferente a nadie. Rian Johnson recogió el testigo de JJ Abrams y llegó dispuesto a ponerlo todo patas arriba, y vaya si lo hizo. Los últimos Jedi a examen con unos acalorados debates, donde las opiniones van a sobrevolar cual Halcón Milenario esquivando disparos láseres. Se vienen al planeta minero de Crait para esta lucha encarnizada, Ale Oñate y Juandi, bajo el control riguroso del Líder Supremo, Salva Vargas. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, José Percius, Diana, Josemaria1975, Francisco Javier Chacón, Kal-el__80, David, Cohaggen, Elena Gómez, Álex El Cimerio, Iván Alonso, Javi y Belethparmaiel. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera

There has been a lot of talk around Sinners. Good, bad, or ugly, everyone seems to have an opinion about it. Is it really the best movie of the young year? Is it grossly overrated? Something else entirely? Whatever the case, audiences are going out to see it in drovers. What is being overlooked by many is the biggest irony surrounding it.We spend a lot of time talking lovingly of the theater experience. It was a big part of growing up and still remains fun even as adults. So it sucks to hear when the CEO of Netflix says theaters are outdated. It is not so much his opinion that matters, but the fact that he actually has the power to make movie theaters obsolete.Which makes it all the better when someone like Rian Johnson talks about how he wants Knives Out 3 in as many movie theaters as possible for as long as it can. Since he has a deal with Netflix, we all know where the movie will eventually end up. The fact that he wants a run that is longer than a week or two is nice to hear. The detective noir is a genre that does not get the love it used to. A part of this may be due to burnout. The 1930s - 1950s saw a huge number of them released. Many of them are considered classics. There has not been a good one in quite a while so when one bills itself as a triumphant return, we were all in.Exaggeration is a part of marketing. We get that. But Dark My Light has no film noir elements, at all. There are exactly zero moments. Instead, it is a science fiction movie that wants to be about a character. The question is not why did they market as something it is not. It is not even whether what they ended up doing worked. The real question is did this movie even have a script?Karate tournament movies were all the rage back in the day. Jean-Claude Van Damme was able to build a career off of them while the legacy of The Karate Kid still lives on. We could not wait to see Absolute Dominion. Sure, the idea may be the flimsiest excuse ever to have a globe spanning battle for supremacy, but nostalgia is a powerful draw.Regrettably, Absolute Dominion lacks any of the charm of the movies from our childhood. It is way more confusing than it has to be, ignores its most interesting subplot, and lacks any of the tension these types of films need. We also try to figure out who Alex Winter owes money to. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Alan Alda's The Four Seasons gets a modern glow-up with Steve Carell, Tina Fey and Colman Domingo on Netflix this week (40:53), plus Rian Johnson's Poker Face comes crashing back with its second season on Sky (51:04), and Malpractice returns with more embattled medics on ITV (1:00:05). Meanwhile, Kay manages to completely hijack the listener question with a stealthy soap query. It's okay to be disgusted.(Episode 335)Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

In this episode, we break down Knives Out and why it's one of the smartest mystery movies in recent years. We dig into how Rian Johnson brilliantly subverts the classic whodunnit formula, hides the plot twist in plain sight, and uses structure to shift audience expectations. We also highlight the layers in the writing, the standout performances, and how Johnson's script turns a familiar genre on its head without ever losing its suspense or charm.Chapters:00:00:00 Intro Convo: Why this movie is so good00:14:26 "It's what you do with the truth" is key to this story00:17:13 Perfectly depicting the family as bad people but real00:22:50 The opening scene is writing masterclass00:25:43 Rian Johnson's biggest change right before filming00:26:59 Back to: Why the opening scene is perfect00:30:46 Stories of why the characters were perfectly cast00:34:24 Returning to why the opening scene is perfect again00:38:27 What is was like on set filming with big stars for Rian Johnson00:39:34 What makes the script so phenomenal00:42:06 Benoit Blanc piano key explained00:44:46 What makes Benoit Blanc such a great character00:47:00 Chris Evans going back to his acting roots00:48:08 The beautiful details in this movie00:52:35 The theme of playing games00:55:40 How they made this movie look so beautiful00:58:18 Our official rating of Knives Out01:04:36 Final thoughts01:05:41 Cue the music

Das Wochenende ist da und ihr sucht noch einen heißen Serientipp? Wir empfehlen euch eine der interessantesten Krimi-Serien der letzten Jahre: Poker Face könnt ihr aktuell bei Sky/WOW und Amazon Prime Video streamen. In der von Knives Out-Regisseur Rian Johnson kreierten Serie spielt Natasha Lyonne eine Hobby-Detektivin, die sofort erkennt, wenn eine Person lügt. Mit dieser Gabe löst sie zahlreiche Kriminalfälle. Warum kein Serienfan Poker Face verpassen sollte, verraten euch Jenny und Esther. *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

Is the Force still with us? In this episode, we're joined by long-time Star Wars fan Bhaskar to break down the current state of the franchise—from the highs of Andor to the lows of The Acolyte. We talk about the Disney+ overload, the trilogy that derailed itself, the missed opportunities, and whether it's time for a creative hiatus. There's plenty of fun, frustration, and fandom to go around—this one's for the galaxy brains. ✨Watch on YouTube: https://youtu.be/MDgfxhURWtg

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Hello, and welcome to an all-new Films for the Void, episode #102! In this episode, Landon has his first collaboration with a member of The Rolling Tape staff: Cameron Ritter, coming to us live from North Carolina! The pair talk about two noir-specific films: Rian Johnson's 2005 film BRICK and Carl Franklin's 1991 film ONE FALSE MOVE, as well as discuss which movies coming out this summer - all on the latest episode of Films for the Void!Next Episode: Kenneth Branagh's 1994 film MARY SHELLEY'S FRANKENSTEIN and Neil Jordan's 1994 film INTERVIEW WITH THE VAMPIRE with special guest Megan Loucks!TIME STAMPS00:02:08 Summer Movie Preview00:28:43 Brick00:48:46 One False MoveTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

The Searchers are back with another episode, this one starting off the next arc: "the philosophical hitman." Chris picked Looper starring Joseph Gordon-Levitt and Bruce Willis, directed by the now-infamous Rian Johnson. Does this movie hold up, or not? Listen and find out! Next up will be a new Cinema Crusade episode followed by a review on Crying Freeman.  If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Recorded live following Filmspotting Fest's opening night screening of BRICK, writer/director Rian Johnson reflects on his high school-set neo-noir classic. Plus Josh's review of A24's new DEATH OF A UNICORN and Round 2 of Filmspotting Madness–Best of the 21st Century (So Far). This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:02:57) "Brick" Setup (00:02:58-00:12:22) "Brick" Q&A (00:12:23-01:03:07) Filmspotting Family (01:03:08-01:06:44) Review (JL): "Death of a Unicorn" (01:06:45-01:11:01) Next Week / Notes (01:11:02-01:16:05) Filmspotting Madness: Round 2 (01:16:06-01:52:40) Credits / New Releases (01:52:41-01:56:46) Notes/Links: -Filmspotting Madness https://www.filmspotting.net/madness -RSVP for Boulder Meetup https://forms.gle/qHxez1HRFNiufYKeA -2025 Ebert Interruptus https://www.colorado.edu/cwa/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Brick. The Brothers Bloom. Looper. Star Wars: Episode VIII - The Last Jedi. Knives Out. Glass Onion. Oh, and maybe the most well-regarded episode of television in modern history. Join Devin Diazoni and Paola Zavala as they journey through the first 20 years of two-time Academy Award-nominee Rian Johnson's career!Support Film Literate on Patreon!Guest: Paola Zavala (Instagram|Letterboxd)

This Friday, The Film Buff dives into Control Freak, the latest Hulu release that signals the rise of a bold new direction in horror. But what exactly is this emerging genre? Why does it matter? And most importantly, why should you experience this film for yourself? Join us as we break down the film's chilling themes, its genre-defining impact, and why Control Freak is a must-watch for horror fans. Those who broughht is Control Freak Cast Kelly Marie Tran – Val Kieu Chinh – Aunt Thuy Scott Takeda – Dr. Chen Callie Johnson – Crystal Miles Robbins – Robbie Zack Gold – Mason Apollo Bacala – Abbot Monk Chelsea Parsons – Rachel Chrissy Morgan – Film Crew Christina Pope – Makeup Artist to Motivational Speaker Ian Choi – Dying Vietnamese Boy Joshua Henry – Monk Justin Piaoan – Young Sang Mikah Fikes – Film Crew Milton Saul – Security Guard Noel Morales – Photographer Nova Mai Murillo – Young Val Samantha Coppola – Ashley Stanley White Jr. – Sanshi Steven Hudson – Monk Toan Le – Sang Vincent Dean – Audience Member Crew Shal Ngo – Writer, Director Arbi Pedrossian – Producer David Brooks – Producer Hatuey Rodriguez – Producer Jenna Cavelle – Producer Miles Alva – Executive Producer Shaum S. Sengupta – Producer More about Control Freak ‘Control Freak' (2025): A Chilling Descent into Supernatural Terror Hulu's Control Freak (2025), directed by Shal Ngo, is a gripping psychological horror film that blends the terror of demonic possession with the high-stakes world of self-help culture. Starring Kelly Marie Tran as Val, a successful yet troubled motivational speaker, the film follows her downward spiral after she becomes infected with a malevolent parasitic entity from her ancestral homeland. As Val's once-perfect life unravels, her struggle to maintain control mirrors the sinister force overtaking her mind and body. With a career built on self-empowerment, she faces the ultimate test: can she conquer a force that thrives on fear and insecurity? The film's tense atmosphere, combined with Ngo's sharp direction, crafts an unnerving portrait of ambition, identity, and the dark forces that lurk beneath the surface. With a supporting cast including Kieu Chinh, Scott Takeda, and Miles Robbins, Control Freak delivers a harrowing journey into the supernatural, pushing the boundaries of psychological horror. The film is set to premiere on Hulu on March 13, 2025, marking one of the streamer's most anticipated horror releases of the yea More about the Kelly Marie Tran Star Wars Drama The Kelly Marie Tran Star Wars controversy stemmed from the intense online harassment she faced after her role as Rose Tico in Star Wars: The Last Jedi (2017). Tran, the first Asian woman to have a leading role in the Star Wars franchise, was targeted with racist and sexist abuse by a subset of fans who disliked her character. The harassment became so severe that she eventually deleted her social media accounts and withdrew from the public eye. In response to the bullying, Tran wrote a powerful essay for The New York Times, stating that she had internalized the negativity and began to believe the racist narratives directed at her. She later compared the experience to an "embarrassingly horrible breakup" and spoke about how therapy helped her reclaim her self-worth. Many industry figures, including Mark Hamill and director Rian Johnson, defended her against the online trolls, but the backlash still affected her career, as her character's screen time was significantly reduced in The Rise of Skywalker (2019)​

This Friday, The Film Buff dives into Control Freak, the latest Hulu release that signals the rise of a bold new direction in horror. But what exactly is this emerging genre? Why does it matter? And most importantly, why should you experience this film for yourself? Join us as we break down the film's chilling themes, its genre-defining impact, and why Control Freak is a must-watch for horror fans.Those who broughht is Control FreakCastKelly Marie Tran – ValKieu Chinh – Aunt ThuyScott Takeda – Dr. ChenCallie Johnson – CrystalMiles Robbins – RobbieZack Gold – MasonApollo Bacala – Abbot MonkChelsea Parsons – RachelChrissy Morgan – Film CrewChristina Pope – Makeup Artist to Motivational SpeakerIan Choi – Dying Vietnamese BoyJoshua Henry – MonkJustin Piaoan – Young SangMikah Fikes – Film CrewMilton Saul – Security GuardNoel Morales – PhotographerNova Mai Murillo – Young ValSamantha Coppola – AshleyStanley White Jr. – SanshiSteven Hudson – MonkToan Le – SangVincent Dean – Audience MemberCrewShal Ngo – Writer, DirectorArbi Pedrossian – ProducerDavid Brooks – ProducerHatuey Rodriguez – ProducerJenna Cavelle – ProducerMiles Alva – Executive ProducerShaum S. Sengupta – ProducerMore about Control Freak ‘Control Freak' (2025): A Chilling Descent into Supernatural TerrorHulu's Control Freak (2025), directed by Shal Ngo, is a gripping psychological horror film that blends the terror of demonic possession with the high-stakes world of self-help culture. Starring Kelly Marie Tran as Val, a successful yet troubled motivational speaker, the film follows her downward spiral after she becomes infected with a malevolent parasitic entity from her ancestral homeland.As Val's once-perfect life unravels, her struggle to maintain control mirrors the sinister force overtaking her mind and body. With a career built on self-empowerment, she faces the ultimate test: can she conquer a force that thrives on fear and insecurity? The film's tense atmosphere, combined with Ngo's sharp direction, crafts an unnerving portrait of ambition, identity, and the dark forces that lurk beneath the surface.With a supporting cast including Kieu Chinh, Scott Takeda, and Miles Robbins, Control Freak delivers a harrowing journey into the supernatural, pushing the boundaries of psychological horror. The film is set to premiere on Hulu on March 13, 2025, marking one of the streamer's most anticipated horror releases of the yeaMore about the Kelly Marie Tran Star Wars Drama The Kelly Marie Tran Star Wars controversy stemmed from the intense online harassment she faced after her role as Rose Tico in Star Wars: The Last Jedi (2017). Tran, the first Asian woman to have a leading role in the Star Wars franchise, was targeted with racist and sexist abuse by a subset of fans who disliked her character. The harassment became so severe that she eventually deleted her social media accounts and withdrew from the public eye.In response to the bullying, Tran wrote a powerful essay for The New York Times, stating that she had internalized the negativity and began to believe the racist narratives directed at her. She later compared the experience to an "embarrassingly horrible breakup" and spoke about how therapy helped her reclaim her self-worth. Many industry figures, including Mark Hamill and director Rian Johnson, defended her against the online trolls, but the backlash still affected her career, as her character's screen time was significantly reduced in The Rise of Skywalker (2019)​

Welcome back to Franchise Me! This week, THATS NOT STAR WARS!!!!! Its the most divisive movie in the Star Wars Franchise as we break down "Star Wars: Episode VIII- The Last Jedi. We discuss the hate surrounding the film, Rian Johnson's direction, and why we think this is actually a masterpiece. Share your thoughts and opinions with us on Bluesky and Instagram @FranchiseMePod, see our rankings on Letterboxd (FranchiseMe) and email us at FranchiseMePod@gmail.com. Check out our website franchisemepodcast.com to see all of our episodes and more.

This week on The Decision Reel, we're putting on our detective hats and diving into Knives Out!

Cat Smiley: Not quite a "bounty" but a real life "Cat Smiley" is being put out. Ask Corey if he will marry Jim and Them at his upcoming appearance at Awesome Con in Washington D.C. Corey's Oopsie: After Corey Feldman announced his old drummer died from a fentanyl overdose last week, the family is rightfully upset. Also, Corey as usual is a dick to his fans on Twitter. Extreme Gong Show: A saint uploaded Corey Feldman and the Truth Movement's performance on the Extreme Gong Show from 1998. Did Corey used to still have it? COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, SUPERCHAT!, OBAMNA!, PRMIERE!, PATREON!, REACHER SEASON!, TRASHBEAST!, FIRST SUPERCHAT NAME!, KNOB JOCKEY!, HANK MCCOY!, FREE TIER!, CANCELED THEIR FREE TIER!, REDBAR!, BOUNTY!, CAT SMILEY!, CONVENTIONS!, COREY FELDMAN!, FELDMANUAL!, AWESOMECON!, DC!, APRIL!, KILLING THEM WITH KINDNESS!, BRYAN LEE O'MALLEY!, RL STINE!, RIAN JOHNSON!, THE LAST JEDI!, LOOPER!, CHRIS HARDWICK!, PROPOSAL!, ROM COM!, PLOT TWIST!, MEET CUTE!, COREY'S TWITTER!, PERSONAL LOSS!, DRUMMER!, TOP 10 MOVIES FROM GOONIES ACTORS!, DOXXED HER NAME!, DUKE GADD!, STEVE GADD!, CAROL GADD!, HILARY DUFF!, HEATHER DAWN MAY!, COMEBACK KING!, BANGER!, LAYERS!, X!, TWITTER!, HEIGHT!, IMDB!, DARK MEDIA!, CUSTOM TUMBLER!, COURTNEY!, DIVORCE!, DEMANDS CAR!, BAKERISTA!, BREAD CAR!, EXTREME GONG SHOW!, 90S!, HOST!, RUBBER CHICKEN!, TRUTH MOVEMENT!, BILL CLINTON!, MONICA LEWINSKY!, WING AND DING!, LOVE BOAT!, CLOCKWORK ORANGE!, ITTY BITTY TITTIES AND A BOB!, NEW COREY THINGS!, ALICE IN CHAINS!, WASHED OUT MOVIE STARS!, SAXOPHONE!, BACKUP SINGERS!, MIDGET!, HEIGHT!, BIT!, BABE OF THE DAY!, ALLISON MCCURDY!  You can find the videos from this episode at our Discord RIGHT HERE!

Questions for the week: What planet in Star Wars would you want to live on? Which of these pleasure places would you visit and what would you do while you're there: Jabba's sail barge or palace, Canto Bight, Dryden's Voss's yacht, Morlana One, Port Borog, Maz Kanata's castle, the pirate planet of Lanupa or somewhere else? If you could have any Star Wars character as your roommate, who would it be and why? Which upcoming Star Wars project are you most excited about? Andor Season 2 The Rey movie The Mandalorian and Grogu movie Or is it any one of the rumored Star Wars projects featuring directors such as Simon Kinberg, Taika Watiti, Dave Filoni, James Mangold, Rian Johnson, Patty Jenkins Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello! Today on the show Kieran, Paul and I have a focused chat on the Holdo maneuver sequence from Rian Johnson's 'The Last Jedi'. It's a scene we were all big fans of when the film came out and remain so today, and there was a lot to chew on with this (one) perfect scene. Expect talk on the career of Laura Dern too!

Jack finally gets her wish as we look at the Rian Johnson debut film Brick, the movie that asks the question "What if high school was actually interesting?" Panelists: Jack, David

Some interesting quotes coming out of Marvel this past week. First, the new spider-man was concerned his NY neighborhood might be too woke. Then Anthony Mackie questioned whether or not America should be a term that defines Sam Wilson. Jason declares Netflix the winner of the streaming wars. Introducing del Toro's Frankenstein! Plus, Rosie sits down with an interview with the director of The Companion, Drew Hancock. See omnystudio.com/listener for privacy information.

How does film and TV make time travel real? Ellen E Jones and Mark Kermode take a quantum leap into the world of time travel and time loops on screen, from Back To The Future to Groundhog Day. Mark speaks to theoretical physicist Sean Carroll about how movies like Bill & Ted's Excellent Adventure and Interstellar have handled the science of time travel - and whether it really is just the stuff of fantasy. And he talks to Star Wars: The Last Jedi and Knives Out director Rian Johnson about the dramatic allure of playing with time, and about Rian's 2012 film Looper, which starred Bruce Willis as a criminal sent back to the past to be eliminated by his younger self. Meanwhile, Ellen explores a sub-genre less concerned with mechanics and physics, and more with emotion and moral dilemmas - the time loop story. She speaks to Black Doves screenwriter Joe Barton about his time loop TV series The Lazarus Project. And film critic Anne Billson runs her through some examples of the genre she finds most - and least - captivating, from Palm Springs to About Time.Produced by Jane Long A Prospect Street production for BBC Radio 4

In this week's episode of Born to Watch, Whitey and Damo tackle one of the most polarising blockbusters in cinematic history—Star Wars: The Last Jedi. You've heard it before: The Last Jedi either reignited the saga with bold creativity or sent it careening off a cliff into a galaxy far, far away from anything recognisable. For Whitey and Damo, it's the latter, and they aren't afraid to say it. If you're tuning in for a spirited debate, prepare for a critical breakdown of what went wrong in the eighth chapter of this iconic franchise in they're The Last Jedi Review.A Bold Direction, But At What Cost?There's no denying that director Rian Johnson set out to craft something new. From the opening moments, it's clear that The Last Jedi wants to subvert expectations. But sometimes, as Whitey and Damo point out, subversion isn't enough. It's one thing to challenge the audience and twist the familiar beats of a beloved saga, but The Last Jedi feels like it's actively rebelling against its own DNA.Despite its criticisms, The Force Awakens almost worked because it carefully balanced nostalgia with new storylines. It honoured the past while paving the way for new heroes; if honouring is completely copying the original movie, then it did an exceptional job. Johnson, however, appears to toss all of that aside in The Last Jedi. Characters you thought would be key players are sidelined. Moments that seem set up for major payoffs are ignored or reinterpreted in ways that feel detached from the series' core.Whitey and Damo's frustration comes down to one fundamental gripe: legacy. The Last Jedi isn't just telling a new story—it feels like it's actively undoing everything that came before it. The legacy characters—Luke, Leia, and even Han, by extension—are treated in ways that left fans scratching their heads. “Why bother bringing them back at all if you're just going to dismantle their arcs?” asks Whitey, echoing a sentiment that has been brewing since the film's release.The Luke Skywalker DilemmaOne of the biggest sore spots for fans (and for Whitey and Damo) is the treatment of Luke Skywalker. Mark Hamill famously voiced his concerns over Johnson's interpretation of Luke, and many fans, including our podcast duo, couldn't agree more. Gone is the hopeful, idealistic Jedi we last saw in Return of the Jedi, replaced by a brooding hermit who has cut himself off from the Force.Character evolution is important, and no one expects Luke to remain static. But The Last Jedi doesn't show us how Luke got to this point—it simply drops us into a version of him that feels unfamiliar and alien. Whitey and Damo argue that there's a difference between developing a character and fundamentally altering them. The Luke in The Last Jedi is so far removed from the original trilogy's hero that it's hard to connect with him on an emotional level.Wasted PotentialAnother major issue that Whitey and Damo have with The Last Jedi is its handling of certain story arcs set up in The Force Awakens. Love or hate J.J. Abrams' mystery box approach established several intriguing threads: Who are Rey's parents? What's the deal with Supreme Leader Snoke? Will Finn's stormtrooper past play a bigger role? Instead of building on these mysteries, Johnson seems to sweep them aside entirely.Without diving too deeply into spoiler territory, let's say that the answers (or lack thereof) are underwhelming at best. Rey's parentage? A twist that feels less like a revelation and more like a dismissal of everything The Force Awakens set up. Snoke? Well, let's just say his story ends abruptly, leaving many wondering why he was even introduced in the first place. Finn? Regrettably reduced to a side plot that feels more like filler than a meaningful continuation of his arc.Whitey and Damo can't help but feel that The Last Jedi wastes its potential. It introduces interesting ideas—new Force powers, morally grey dilemmas—but fails to develop them satisfactorily. Instead, we're left with a film that feels disjointed, unsure of whether it wants to be a part of the larger Star Wars saga or stand apart as something entirely different.The Bright Spots - The VisualsIt's not all doom and gloom, though. Even Whitey and Damo admit that The Last Jedi excels in some areas. Visually, the film is stunning. Johnson and his cinematographer, Steve Yedlin, deliver breathtaking set pieces from the salt plains of Crait to the lush greenery of Ahch-To. The film's colour palette is rich and vibrant, and the space battles are as thrilling as ever.A Divided FanbasePerhaps the most lasting impact of The Last Jedi is the rift it created within the Star Wars community. Fans are still arguing about it to this day, and while some appreciate Johnson's bold approach, others—like Whitey and Damo—see it as a betrayal of what made Star Wars special in the first place.The guys make an interesting point: The Last Jedi isn't a bad movie in a vacuum. It's well-directed, well-acted, and technically impressive. But as a chapter in the Star Wars saga, it falls short. It disconnects from the past in ways that feel disrespectful rather than innovative. And that's where the disappointment lies.Final ThoughtsIn the end, Star Wars: The Last Jedi is a film that tries to do something different. For some, that boldness was refreshing. For Whitey and Damo, it was a misstep—a film that lost sight of what makes Star Wars timeless. As always, they bring their trademark humour and honesty to the discussion, making for an entertaining listen whether you agree with them or not.So, if you're a fan of heated debates and unapologetic opinions, don't miss this week's episode of Born to Watch. Whether you loved or loathed The Last Jedi, one thing's for sure: Whitey and Damo aren't afraid to tell it like it is.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/#BornToWatch #TheLastJedi #StarWarsDebate #WhiteyAndDamoUnfiltered #LegacyMatters #SubversionGoneWrong #LetThePastDie #BornToCritique #PodcastLife #SciFiFrustration

Legendary Emmy and Tony-winning performer Judith Light joins The Art of Kindness with Robert Peterpaul and we couldn't be more excited. The Who's the Boss? lead discusses kindness to others and yourself, life-changing acts of kindness, researching spooky occurrences for her new Apple show BEFORE and more in this heart-lifting conversation. JUDITH LIGHT is known for her extensive body of work onstage, as well as in television and film, recently receiving a star on the Hollywood walk of fame. Her recent projects include Peter Hedge's film The Same Storm, “Julia,” HBO Max's drama series on Julia Child, Starz' horror comedy “Shining Vale” and Searchlight's dark comedy The Menu, alongside Anya Taylor-Joy and Ralph Fiennes. Second seasons of both “Shining Vale” and “Julia” are currently available for streaming. Light starred in The Young Wife and Down Low for FilmNation, both of which premiered at SXSW, and Out of My Mind for Disney+ which premiered at Sundance and can now be streamed on Disney+. Her 2019 film Ms. White Light also premiered at SXSW. She can also be seen in the second season of “American Horror Stories” and Rian Johnson's series “Poker Face” for Peacock, for which she won the Guest Actress in a Comedy Series Primetime Emmy. She currently stars in the Apple TV+ series “Before” alongside Billy Crystal. The full season can now be streamed. Next up, she stars in “The Terror: Devil in Silver” for AMC and Scott Free Productions. Additionally, she is working on a series of producing projects with her production company and Brillstein Creative Partners. Light also co-starred in Ryan Murphy's “Impeachment: American Crime Story” on FX, appeared in Lin Manuel Miranda's film, tick, tick…Boom! for Netflix as well as “The Accidental Wolf,” created by Arian Moyad and now streaming on Topic. In addition to her current projects, Light starred in the anthology series “Manhunt: Deadly Games,” which can currently be found on Netflix, as well as Ryan Murphy's Netflix series “The Politician,” and in the musical finale series of “Transparent,” Amazon Prime's Golden Globe–winning show, created by Joey Soloway, for which Light received a Golden Globe nomination and multiple Emmy and Critics' Choice nominations. Her role in Ryan Murphy's “The Assassination of Gianni Versace: American Crime Story” garnered her an Emmy nomination and Critics Choice nomination.  In 2012 and 2013, Light won two consecutive Tony and Drama Desk awards for her performances in Other Desert Cities and The Assembled Parties; these two performances made her the first actress in nearly two decades to win consecutive Tony Awards. Light also received the 2019 Isabelle Stevenson Tony Award for her extensive philanthropy work. She was also recently awarded the Excellence in Media Award from GLAAD in May 2022. Light sits on the board of directors of the MCC Theater in New York. Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the seventh anniversary of the release of The Last Jedi, and with a little distance from the discourse, the evidence is clear - by box office dollars, ticket sales, DVD sales, critics ratings, and audience surveys, TLJ is one of the most successful Star Wars movies of all time. And that's even when you consider the kind of storytelling corner Rian Johnson was backed into by J.J. Abrams and The Force Awakens. We'll talk about those measures, the movie itself, and the moment it got caught up in that has tainted honest discussion of the movie. We'll also touch on the current United HealthCare situation, the Iraq War, the Howard Stern autobiography, Battlestar Galactica, and more. Punch it! Enjoy the show? For the price of a cup of coffee each month, you can support the independent creator who's been making it for more than ten years: https://patreon.com/sw7x7) ~*~*~*~*~*~ Be sure to subscribe/follow the show on your favorite podcast app! If you have an extra minute, giving a rating or review on that app would be super helpful, too. :-) ~*~*~*~*~*~ Follow the Show: TikTok: https://tiktok.com/@sw7x7 Instagram: https://instagram.com/sw7x7 And may the Force be with you, wherever in the world you may be.

Joanna Robinson and Rob Mahoney leave their family behind to revisit the ‘Breaking Bad' episode “Ozymandias.” They discuss why it's such an important piece of TV history, the Rian Johnson of it all, and their relationship with the AMC drama (1:49). Along the way, they talk about how the show would've been remembered had this episode been its series finale and its lasting legacy on how dramatic television is structured (12:11). Later, they give out a handful of awards, including best line, most iconic shot, favorite overlooked detail, best fit, and much more (28:22). Email us! tiptopinthepink@gmail.com Hosts: Joanna Robinson and Rob Mahoney Producer: Kai Grady Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Because, you know, Life, this week we present a classic ep from the Deucecast Movie Show archives... its Christmas Gifts 2018, first released on December 19th, 2018, with Mikey, Earl, d$, and a returning Clay Shaver...  The original show notes: But joining Mikey, Dave, and #Twitterless Dr Earl, is Friend of the Show, back for his fourth Christmas Gifts episode, "No Just" Clay Shaver! A little chit chat and catch up on movies and documentaries, and then the guys start handing out the merth and merry of Christmas gifts. Amongst those opening Christmas gifts underneath the Deucecast Movie Show tree include Disney head honcho Bob Iger... busybody Tiffany Haddish... a Netflix Oscar of major proportions... Jennifer Garner getting more serious... Rian Johnson a real non-sci fi franchise... and much, much more. Oh, and Clay has a new idea for the masses along the lines of his legendary 30 year reboot rule

In this week's episode, I take a look back at the movies and TV shows I watched in Autumn 2024, and rate them from my least favorite to my favorite. TRANSCRIPT Hello, everyone. Welcome to episode 230 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the Sixth, 2024, and today we are looking at my movie/TV show roundup for Fall 2024. Before we get to that, we'll have an update on my current writing projects and then we will do Question of the Week.   First up, I'm pleased to report that the rough draft of Orc Hoard is done at 78,000 words, so it'll probably end up being about exactly the same length as Half-Orc Paladin, the previous book in the series. I've also written a short story called Commander's Wrath that newsletter subscribers will get a free ebook copy of when Orc Hoard comes out and hopefully we're on track to have that out before Christmas. I'm also 7,000 words into Shield of Deception, which will be the fourth book in The Shield War series and if all goes well, I'm hoping to have that out in January or February. In audiobook news, recording is currently underway for Cloak of Masks and that will probably be out towards the end of January or perhaps February, depending on how long processing takes.   00:01:02 Question of the Week   Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question, what do you listen to while working: genre of music, audiobooks, podcast, nothing else so you can concentrate, et cetera. No wrong answers obviously, and we had quite a few answers.   David says: I listen to audiobooks and music. Music ranges from classical to country to pop, bands and soul artists to instrumental. No rap or heavy metal or dance music or I listen to music from YouTube channels. If I have to really focus on what I'm doing, I'll turn it low so it doesn't distract.   Justin says: video game music is my first choice. It can help you grind in real life just like it does in the game. If that isn't working for me, then rock or classical music with movie soundtracks at third.   Brooks says: I tend to gravitate towards hard rock/punk rock. I have to stay adrenalized. Outside work, I'll listen to almost anything.   Michael says: I find I can't listen to words or lyrics without getting distracted by them, so instrumental music is the way to go. Usually video game music too (the Stelara soundtrack is particularly epic), movie scores (Kingdom of Heaven is one of my favorites), or Dungeon Synth, an amazing music genre I only discovered recently.   Barbara says: sometimes I play music while writing, but most of the time I prefer the silence so I can better hear the voices in my head. Of course, I prefer very specific types of music that always end up coming back no matter how much I try to stray.   Jenny says: lots of EDM and techno if words would distract me or my solid nineties pop punk angsty mix. I also have a giant one I called “I heard it in a video game” for background music. John says: When I did/could work, I enjoyed outlaw country music, particularly that from Texas. Put me in a kick butt and take names kind of mood. When you're a plumber who gets paid by the work done, not the hour, that's where one wants to be.   (A different) John says: I only listen to music when I'm working in the kitchen. I'm eclectic. Sometimes classical music, sometimes ‘80s prog rock with Hawaiian music and occasionally jazz tossed in.   Juana says: I like rock and roll from many eras. I put my eclectic music on shuffle. I also listen to movie soundtracks: Star Wars, Star Trek, Harry Potter, Animal House, et al.   Brandy says: If I'm cooking, I listen to Pandora. There's a pop ‘90s - ‘20s station. I do have a few that are specifically listed, angry or sad, one more angry German metal or Mongolian throat metal, the other more goth and industrial. I read books instead of listening. If I'm proofing, I usually have something on in the background. Today it's Sanctuary Season One.   Morgan says: ADHD means I jump around a lot on what I'm listening to depending on the day, but audiobooks- usually fantasy or horror. Podcasts- Pathfinder actual play podcasts, horror podcasts, and wrestling/gaming news podcasts. Music, whatever artist/album I'm obsessing over at the time, but usually prog rock, metal, or rap.   Matthew says: I always have my iPad for background noise. If I'm particularly invested in getting chapters done, I'll put on something largely audible.   Gary says: audiobooks, podcasts, worship music, Christian hard rock.   Bob says: Retired now, but when I was working I didn't listen to anything-needed to concentrate on what I was doing. When paying bills, I sometimes have some Morse Code on in the background (one of my previous means of paying the bills). On long car trips, it's nice to have some distraction -whatever radio station I can find, preferably one with a story. In truck stops, we used to find some stories on disc that had the actors doing the voice of the characters and some of them were pretty good.   For myself, I almost always listen to music while I'm working and that genre is usually soundtracks and video games, movies, and TV shows (in that order) that I liked, which makes it difficult to discuss music with people, I have to admit. I do listen to podcasts when I'm working outside, so long as I'm not using a power tool that requires earplugs for safe operation (which sadly seems to be most of the time).   00:04:42 Main Topic: Autumn 2024 Movie/TV Review Roundup   Now on to our main topic, the review roundup of the movies and streaming shows I watched in Autumn 2024. I was going to do a combined Autumn/Winter 2024 one, but it was getting a bit too long, so Winter 2024/2025 will be its own post in a few months. I seemed to watch a lot of time travel movies this time around and quite a few with Space Magic. As ever, the grades are totally subjective and based on nothing more than my own thoughts and opinions. Now let's take a look at the movies and streaming shows from least favorite to most favorite.   First up is Escanaba in Da Moonlight, which came out in 2001 and it is a surrealist comedy about hunting traditions set in Michigan's Upper Peninsula. 42-year-old Reuben Sodi is the only man in his family who has never shot a buck, so when he complains about this to his Native American wife, she casts a spell to help Ruben bag his first buck, which results in a very bizarre nighttime journey/vision quest. This includes UFOs, visitations by nighttime spirits, and a Department of Natural Resources officer having a mental breakdown. This was a funny movie, but it was definitely very weird and even more specific. If you're at all familiar with the hunting culture of Upper American Midwest, you'll get the humor. If you're not familiar with it, this will be like watching a movie from another planet. Overall grade: C.   Next up is Looper, which came out in 2012. I didn't actually like this movie very much, but I respect how well done it was. Joseph Gordon Levitt plays Joe and is a type of assassin called a looper living in the US in 2044. About 30 years after 2044, time travel is invented but immediately outlawed. Since it's difficult to get away with murder in 2074 due to advanced technology, crime syndicates have taken to sending people they want eliminated back in time to 2044 where the loopers immediately execute the target in exchange for a big fat payout. Loopers can live like kings, but there's a price. Eventually the loop is closed and the looper's future self is sent back to be killed by his past self. Failure to comply results in an extremely grisly fate at the hands of the syndicate. Joe, being a hardened killer and drug addict, is fine with all this and even helps turn in a fellow looper who failed to close his own loop. Then Joe's future self arrives. Joe is about to kill Future Joe (played by Bruce Willis), but Future Joe escapes and Present Joe has to hunt down and kill Future Joe if he wants to survive.   In the process, Present Joe stumbles across the farm of a woman named Sarah (played by Emily Blunt) and her young son Sid. Present Joe realizes that future Joe has traveled back to kill the child, Sid, who will be responsible for the death of Future Joe's wife in the future. Despite everything he's done, Present Joe is not okay with this and gears up to help Sarah defend Sid from Future Joe. This movie was on the very dark side of noir filmmaking: no good characters, essentially only various degrees of bad people trying to navigate their way through the maze of time crimes. I did strongly dislike how fundamentally nihilistic the movie was and the addition of telekinesis did seem like kind of a plot crutch. There is also some unnecessary nudity. Rian Johnson is actually an excellent filmmaker. Knives Out and Glass Onion were both very good, but I cannot imagine how someone will watch Looper and think, hey, this guy is a good choice for a Star Wars movie. Overall Grade: B-   Next up is Agatha All Along, which came out in 2024. It was extremely well written and well-acted. You almost have to watch it twice just to admire how well put together the plot was. I wasn't expecting to like Agatha All Along, but it is an excellent example of writing a show with a villain protagonist and actually pulling it off. The show is also a good example of something I've talked about before on the podcast and the blog: characters can be likable, emotionally sympathetic, or both. It's sometimes tricky to write a character who's both, unlikable but emotionally sympathetic. By contrast, Agatha Harkness is an excellent example of a character who's both likable and highly, highly unsympathetic. Agatha All Along is indeed a show with a villain protagonist, but Agatha is charismatic enough to remain likable even though she's unquestionably an absolute monster who deserves every bit of suffering she endures.   Actress Kathryn Hahn deserves major credit for making someone as evil as Agatha so charismatic. Agatha retains just enough of a sliver of sympathy to keep the audience from turning on her, but even when she shows flashes of humanity, beneath that there are even more layers of monster. She also does a very sort of a modern Doctor Who/ Sherlock thing where she talks very fast and puts up a flippant and silly facade, but she's actually calculating things several steps in advance and manipulating everyone around her to her final goal. Anyway, the plot of Agatha All Along is that Agatha finally breaks free from the spell of the Scarlet Witch placed on here at the end of Wandavision. However, Agatha doesn't have any magic left, which is a major problem for her because she has very many enemies who very much want to see her dead as soon as possible, but then a mysterious teenager turns up and asks for Agatha's help. He wants to walk the legendary Witches' Road and it has said that someone who walks the road and survives to the end will receive their heart's desire. Since Agatha doesn't have any other options and she has some major enemies, she agrees. Agatha, the teenager, and the Witches' Road itself all have very dark secrets and their reveal makes for some major drama. As I mentioned, the show was very well written and acted. I suspect that may be the secret for movie or TV success in the 2020s economic climate: good actors, an excellent script, and keep your costs down. Overall grade: B   Our next movie is Field of Dreams, which came out in 1989. An Iowa farmer discovers he's a very specific kind of necromancer, like how sports medicine is a specific field of study. Maybe sports necromancy is a specific subclass for evil wizards or something. All joking aside, the main character is Ray Kinsella (played by Kevin Costner) and he's walking his cornfield one day and he hears a mysterious voice tell him “If you build it, he will come.” Ray builds a baseball field in one of his cornfields and began speaking to the ghost of Shoeless Joe, a popular baseball player who died in 1951. Soon a lot of other ghosts arrive and start playing baseball as well. The mysterious voice starts urging Ray to “ease his pain” and Ray concludes this must means Terrance Mann (played by James Earl Jones), an activist writer from the sixties who dropped out of the public eye and is living in seclusion. So Ray starts on a cross country trip to persuade Mann to come to his baseball field. This movie is really perhaps the ur-example of the Feel-Good Eighties Movies and maybe a Baby Boomer movie. The characters speak with near religious reverence for the ‘60s, baseball is the Great American Pastime, and Ray really wants to heal his relationship with the father he rebelled against back in the ‘60s. The best part of the movie was unquestionably James Earl Jones' character and his performance as he resigns himself to Ray's craziness and then starts to believe in it was pretty great. Overall grade: B Next up is Holiday, which came out in 1938. Holiday is a romantic comedy from the 1930s. Cary Grant plays Johnny Case, who has fallen in love with Julia Seton, the daughter of a wealthy New York banking family. However, his more individualistic outlook soon puts him at odds with Julia's more traditionalist family, though this draws the attention of Julia's elder sister Linda (played by Katharine Hepburn). It felt a bit like watching a play and a little research revealed that it was indeed based on a play from 1928, which may be why the film didn't do so well when it originally came out, though it is regarded as a classic today.   Viewers in the Great Depression era would probably find it difficult to sympathize with a man who wanted to turn down a well-paying job at a bank, not out of moral objections to the bank's business practices, but because he would feel constrained. The Seton family is played as eccentric and somewhat troubled, but not as buffoons or villains as rich people were often portrayed in other 1930s movies. Good performances and worth watching as a classic, though sound technology has improved quite a bit in the last 90 years, so you probably will want to watch it with the captions on. Overall grade: B   Next movie is Twisters, which came out in 2024. This is basically the same movie as Twister from back in 1995, but with some of the plot of Pride and Prejudice bolted on. Kate Carter (played by Daisy Edgar-Jones) is an Oklahoma storm chaser with her boyfriend and best friends. One day, one of their storm chases goes horribly wrong, killing Kate's boyfriend and most of their friends. Five years later, Kate is working for the National Weather Service in New York when her old friend Javi, the other survivor of that storm, asks for her help testing a new radar tracking system. Kate reluctantly agrees and they return to Oklahoma and crosses horns with storm YouTuber Tyler Owens (played by Glenn Powell) who makes videos of his truck shooting fireworks into tornadoes. Naturally, Kate and Tyler immediately misunderstand each other in the same way as in Pride and Prejudice but are forced to work together when it turns out that Javi's company might have ulterior motives. I thought this was a thoroughly enjoyable summer popcorn flick. Given how both Covid and the 2023 writers' strike hit this movie's production like two successive freight trains, it's astonishing it turned out so well. Overall grade: A-   Next up is The Rings of Power Season 2, which came out in 2024. I have the same attitude towards this as I do with Starfield. I really like it. In fact, my Xbox told me I played Starfield for 270 hours in 2024, but I get why some people do not. This show is essentially very elaborate fan fiction. The Lord of the Rings movie trilogy, despite the changes from the book, was still recognizably The Lord of the Rings. The Rings of Power is almost entirely its own thing. Nevertheless, I enjoyed this for a couple of reasons and hope it continues. First, it's nice to have an epic fantasy TV series that's not a nihilistic pornographic torture fest like Game of Thrones and House of the Dragon and is more competently executed than Disney's ill-fated Willow Series.   Second, all things must be taken in their context. What do I mean by this? Perhaps a food comparison will illustrate the point. The book the Lord of the Rings is like Kobe beef prepared by the finest chefs in the world, the sort of experience you get maybe once or twice in your life if fortune smiles upon you. The Lord of the Rings movie trilogy is like a high-quality supermarket steak grilled in the backyard by someone who's pretty good at it. The Rings of Power is like McDonald's, but there are times when you really want some McDonald's. In fact, I kind of want a Big Mac after saying all of that, but The Rings of Power is really good McDonald's, the kind of McDonald's you have after driving the car for 250 miles without stopping across one of America's flatter and less populous states. The only place to eat for like a hundred miles in any direction is this McDonald's in the same building as a gas station, so you stop and don't expect very much, but it turns out the fries are crispy and salty and the nuggets are just right.   I don't think it's surprising that The Rings of Power has had such a mixed reception. The Venn diagram of “enjoys Lord of the Rings” has some wildly divergent circles to it and that is a testament to the fact that the Lord of the Rings is such a great work of literature that so many people from so many very different ideological identity groups enjoy and identify with the book. Even ideological identity groups that are mortal foes agree on their approval of the Lord the Rings. So naturally each different group has its own strong opinion of what an adaptation should look like.   With that very long-winded introduction out of the way, I liked season two and I thought it was an improvement over Season One, a lot more narrative tension. Season One perhaps spent too much time setting the table and building context, but Season Two works well in making Season One better in hindsight. The Rings of Power version of Galadriel is improved in Season Two because she was one of the few characters in Season One able to throw off Sauron's mental domination and seduction. The highlight of the season was the toxic dynamic between Sauron and Celebrimbor.  Actors Charlie Vickers and Charles Edwards did an amazing job portraying the slow-moving disaster that Sauron and Celebrimbor's collaboration would create, two intellectual equals working together to create something great, but nonetheless, Sauron twists everything to his own ends. Their final scene together was just astonishingly good. The portrayal of Sauron is both very modern and true to Tolkien, a destructive narcissist who actually believes whatever lies he's speaking at any given moment. He really, truly believes he's going to heal Middle Earth, no matter how many people he has to kill to do it. The scenes with Prince Durin, his father, and one of the dwarven rings of power were great as well. It had the same sort of feel to it as an adult child watching with horror as a beloved parent succumbs to a drug addiction. The best new character the show created (in my opinion) is Adar, one of the progenitors of the orcs. Tolkien himself could never really decide on the origin of the orcs and came up with different thoughts throughout his lifetime. When editing The Silmarillion, Christopher Tolkien settled on the corrupted former elves version, which seems to be what his father had been leaning towards anyway. Rings of Power takes that to its logical conclusion. Adar wants his orcish progeny to live free of the dark lords Morgoth and Sauron, which makes sense because in the books, the orcs hated Morgoth and Sauron and only served them out of fear. Indeed, in The Lord of the Rings, Sauron seems to have secret police and informers among the orcs to keep track of their loyalties. Since the show displays how twisted and cruel Sauron really is, it makes sense that Adar is willing to go to any lengths to stop Sauron, no matter how extreme. The orcs are still monsters, including Adar himself, but they're monsters who want to be free of an even greater monster than themselves. If you've read The Silmarillion or The Lord of the Rings, you'll know all the characters' efforts are doomed to failure, especially Adar and Celebrimbor's, which lends an air of inevitable tragedy to everything that happens. I know some people were mad that Tom Bombadil was basically Wizard Yoda, but I thought it worked. Tom Bombadil is so inscrutable of a character that he can really do whatever he wants so long as he's inscrutable. It was also great how composer Bear McCreary wove a variation of Sauron's theme throughout the show. The soundtrack was A+ work in my opinion. Overall, I enjoyed the show and would like it to continue. If you know the difference between Fëanor, Finwë, Finrod, Felagund, Finarfin, Findulias, Fingon, and Fingolfin (without having to look it up), and in fact have everything about them from The Silmarillion memorized, you'll hate this show. But I think it's worth watching. Overall Grade: A-   Next up is Casa Bonita Mi Amor, which came out in 2024. Way back in the 1990s I saw an episode of Frasier where Frasier and his brother Niles decide to buy a restaurant. A series of hilarious cascading disasters result. At the time I decided I never wanted to own a restaurant and every piece of both factual information and fictional media I have consumed since has not changed this decision. Casa Bonita Mi Amor definitely will not challenge that decision. Apparently, Casa Bonita was a beloved theme restaurant in Colorado that went out of business during Covid. Trey Parker and Matt Stone, creators of South Park, decided to buy the restaurant themselves and reopen it. They budgeted $3.6 million for the restoration of the building. Costs soon swelled to $40 million and the problems were still only just beginning. This is an excellent and entertaining example of the “rich man buys restaurant, soon finds himself over his head” genre of documentary filmmaking. Overall grade: A   Finally, my two favorite things I saw in Autumn 2024 and the first of them is the movie Frequency, which came out in 2000. It's another variant on a time travel story, but I like this one considerably better than Looper. Frank Sullivan is a firefighter and devoted family man living in New York circa 1969. His son John is a police detective living in the house 30 years later in 1999 with emotional problems because he never got over his father's tragic death in a dangerous fire 30 years earlier in 1969.   When the son of a friend stumbles across his father's old ham radio, John lets the kid goof around with it. Later that night, John starts talking to someone on that radio and to his astonishment realizes he's talking to his father from 30 years ago on the same ham radio. Desperate, John tries to warn Frank about the fire that kills him and it works. Frank survives the fire and instead of dying 1969, instead dies in 1989 from lung cancer due to a pack a day habit. The scene where history changes and John suddenly realizes what has happened was pretty great, but this isn't the ending. We're only 40% of the way through the movie. John successfully managed to put right what once went wrong.   However, in doing so, he accidentally also put wrong what once went right. His mother is a nurse and in the original timeline was on bereavement leave the day after Frank's death. In the new timeline, Frank is okay, so she goes to work and saves a patient who otherwise would've died in medical error and the patient happens to be the deadly serial killer known as the Nightingale. To his horror, John realizes that The Nightingale is now free to continue his murder spree and his new target is John's mother and Frank's wife.   As I've mentioned numerous times before, I'm not really a fan of time travel stories, but this one was quite well done. Interestingly, the plot structure was similar to Avengers Endgame. The Avengers go back in time to steal the Infinity Stones to undo Thanos' Snap, but Past Thanos figures out what's going on and follows the Avengers back to the present and attempts to make things even worse than they already are. John manages to save Frank from the fire, but this means the Nightingale serial killer survives and might create a worse present than the one John already has, so that really adds an altogether excellent element of dramatic tension to the entire movie. As one amusing side note, this movie shared Field of Dream's reverence for baseball as the Great American Pastime and John manages to convince Frank he's telling the truth about their time travel radio by accurately predicting the outcome of baseball games. Overall grade: A Now the second favorite thing I watched in Autumn 2024, The Grand Tour: One for the Road, which came out in 2024. I admit that when I started self-publishing in 2011, I knew absolutely nothing about the contemporary United Kingdom, like I couldn't even told you whether the UK used the Pound or the Euro. When I started getting book royalties from Amazon UK, let's just say I learned about currency conversion rates really fast, but as UK book royalties fluctuated as they do, I started reading the UK news since when there's an election or major news event in the UK, book royalties tend to drop for a few days after the same way they do when something similar happens in the US. Because of that, I saw the news article when Jeremy Clarkson was fired from Top Gear in 2015 for punching out a producer. At the time, there were some seasons of Top Gear on Netflix, so I was curious and started watching and was thoroughly entertained.   When Grand Tour started on Amazon, I started watching that as well and I was also thoroughly entertained, but all good things must come to an end. Jeremy Clarkson, Richard Hammond, and James May go on one last road trip adventure across Zimbabwe. The usual hijinks ensue for one last time, and it was a fitting end to Top Gear/The Grand Tour. I'll miss the show, but I am grateful for over a decade of entertainment from Top Gear/The Grand Tour and from the various spinoffs like Clarkson's Farm and James May's travel show. Overall grade: A   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Sweet beans! There's been a murder (not really, relax)... Brian, Steven and Andy kick off the second half of this season with Rian Johnson's 2019 whodunit Knives Out. Joined by returning guest Iris, they're determined to get to the bottom of what makes this murder mystery such a great movie. Some takes will be quite...suspicious... Grab a pen, a notepad, and rule no one out. Enjoy!Timestamps:Introduction – (00:00)Story Time – (02:06)No Cap Recap – (05:30)Opening Lines – (11:26)Best Thing I've Ever Scene – (19:37)Behind the Scenes – (27:32)Winners and Losers – (50:25)grp. Discussion – (01:07:35)Egg Drops – (01:23:52)Cast Away – (01:34:30)grp. Takes – (01:39:16)Last Looks – (01:50:00)

In this episode of The Clean Slate Podcast, we dive into Rian Johnson's Brick, a modern take on the classic noir genre. As part of our Noirvember series, we explore how this stylish indie film blends hard-boiled detective tropes with a high school setting. From its sharp dialogue and moody atmosphere to its unforgettable performances, we unpack what makes Brick a standout in neo-noir cinema. Join us as we unravel the mystery and celebrate the timeless allure of film noir. --- Support this podcast: https://podcasters.spotify.com/pod/show/thecleanslatepodcast/support

Dana and Tom with 5x Club member, Sarah Duncan, and new guest, Liz Arnold (Liz and a Movie), discuss the 2019 whodunnit, Knives Out for its 5th Anniversary: written and directed by Rian Johnson, music by Nathan Johnson, starring Daniel Craig, Ana De Armas, Jamie Lee Curtis, Chris Evans, LaKeith Stanfield, Don Johnson, Toni Collette, Michael Shannon, and Christopher Plummer.Plot Summary: Rian Johnson's Knives Out is a gleeful whodunit that reinvents the genre while paying homage to its classical roots. Set against the backdrop of a sprawling Gothic mansion, the film begins with the suspicious death of Harlan Thrombey, a wealthy mystery writer, after a family gathering. Enter Benoit Blanc (Daniel Craig), a gentleman detective with a syrupy Southern drawl and an eye for deceit.What unfolds is a deliciously twisty investigation into Harlan's eccentric and entitled family, each of whom has motives aplenty. Blanc's razor-sharp intuition and eccentric charm lead him through the maze of alibis and half-truths spun by the quarrelsome Thrombeys.At the heart of the mystery is Marta Cabrera, Harlan's devoted nurse, whose genuine care for her employer is her saving grace—or perhaps her undoing. As the layers of this intricate puzzle peel away, Marta's role becomes pivotal, bringing to light the dark undercurrents of greed and betrayal lurking beneath the family's polished veneer.Chapters:00:00 Introduction and Welcome to Our Guests01:32 Getting to Know Liz Arnold03:47 Cast and Recognition for Knives Out06:17 Personal Connections to 'Knives Out'09:53 What is Knives Out About?13:56 Knives Out's Effect on the Mystery Genre21:30 Plot Summary for Knives Out23:00 Did You Know?24:33 First Break25:18 What's Happening with Sarah and Liz27:07 Ask Dana Anything35:07 Best Performance(s)44:55 Best/Favorite/Indelible Scene(s)53:41 Second Break54:44 In Memoriam55:27 Best/Funniest Lines59:43 The Stanley Rubric - Legacy01:06:09 The Stanley Rubric - Impact/Significance01:10:23 The Stanley Rubric - Novelty01:15:10 The Stanley Rubric - Classicness01:18:37 The Stanley Rubric - Rewatchability01:22:48 The Stanley Rubric - Audience Score and Final Total01:23:58 Remaining Questions for Knives Out01:32:14 Thank You to Our Guests01:34:12 CreditsYou can also get this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/knives-out-2019-ft-sarah-duncan-and-liz-arnoldFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Knives Out, mystery genre, film review, Rian Johnson, movie analysis, character dynamics, audience reception, film performances, cinematic themes, podcast, Knives Out, film analysis, character performance, best scenes, family dynamics, final reveal, legacy, humor, audience reception, novelty, classicness, rewatchabilityRonny Duncan Studios

The brothers discuss Star Wars Episode VII The Force Awakens. Drew absolutely loves this movie, Eric likes it, and Jason was unimpressed. Along the way they discuss Burton Cummings from the Guess Who and Eric Van Lustbader's treachery to Robert Ludlum.   Housekeeping begins at 1:00:25 during which they discuss Rian Johnson, Project Hail Mary by Andy Weir, House of Leaves by Mark Z Danielewski, Will and Harper, and VR Batman.   File length 1:14:14 File Size 52.6 MB   Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

This episode we decided to discuss a movie that FEELS Like Fall the 2019 who done it , "Knives Out". Knives Out is a 2019 mystery film that was written and directed by Rian Johnson. Daniel Craig leads an eleven-actor ensemble cast as Benoit Blanc, a famed private detective who is summoned to investigate the death of the bestselling author Harlan Thrombey (Christopher Plummer). Police rule Harlan's death a suicide but Blanc suspects foul play, and investigates to find the true cause of his death. Johnson produced Knives Out with his longtime collaborator Ram Bergman. Funding came from MRC and a multi-million-dollar tax subsidy from the Government of Massachusetts. Lionsgate managed the film's commercial distribution.Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

Meet your horror hosts in the hallway, it's urgent. We're kicking off Noirvember with a neo-noir whodunnit horror. Instagram Bluesky Chapters 00:00 Introduction to Brick and Neo-Noir 05:59 Moral Ambiguity in Characters 12:04 Loss of Innocence in High School 18:02 Character Analysis and Fan Theories 21:10 Ownership and Control in Relationships 22:00 The Femme Fatale Archetype 23:05 Power Dynamics and Character Relationships 23:58 The Kingpin and the Neo-Noir Aesthetic 25:04 Morally Gray Characters and Their Motivations 25:54 Character Analysis: Tug and Laura 26:52 The Role of Wealth and Manipulation 28:03 The Complexity of Relationships 29:00 The Mystery Unfolds 29:50 Suburban Dynamics and Social Commentary 30:58 The Absence of Adult Figures 31:48 Comparisons to Real-Life Cases 33:04 The Impact of Socioeconomic Status 33:54 Nostalgia for Early 2000s Dynamics 34:58 Classic Noir Elements in Confrontations 36:00 The Use of Payphones and Communication 37:01 The Escalation of Tension 37:56 Climactic Revelations and Shocking Moments 42:40 Iconic Chase Scene Analysis 44:19 Sound Design and Its Impact 46:11 Plot Complexity and Character Dynamics 49:01 Symbolism and Foreshadowing 52:14 Rian Johnson's Directorial Style 55:27 Masterclass vs. Masterpiece 58:12 Final Thoughts and Ratings Keywords Brick, neo-noir, horror, Rian Johnson, isolation, alienation, moral ambiguity, loyalty, betrayal, loss of innocence, character analysis, relationships, femme fatale, power dynamics, neo-noir, morally gray characters, manipulation, suburban dynamics, mystery, socioeconomic status, early 2000s, Brick, Rian Johnson, neo-noir, film analysis, sound design, character dynamics, symbolism, plot complexity, movie review, teenage drama --- Support this podcast: https://podcasters.spotify.com/pod/show/bloody-broads/support

Forbes seems to be turning on Disney Star Wars after they went on a tirade against YouTuber channels like Star Wars Theory doing the exact same thing. Do they know that public opinion is swinging the other way since the election? Mainstream media is increasingly aligning with fan criticisms of Disney's Star Wars, reflecting growing skepticism and discontent regarding the franchise's direction and portrayal of characters. 00:00 Mainstream media is aligning with fan criticisms of Disney's Star Wars, acknowledging conservative audience sentiments. 02:40 Mainstream media is taken aback by backlash against Disney's Star Wars, revealing audience discontent and skepticism about future projects amid accusations of bigotry against critics. 04:58 Disney's Star Wars future is shaky, with only "The Mandalorian" movie confirmed amid skepticism over new projects and past failures. 07:41 Disney's Star Wars struggles continue as The Acolyte is canceled after one season, revealing challenges in moving beyond the Skywalker saga. 09:11 Mainstream media is increasingly critical of Disney's Star Wars, particularly regarding the portrayal of Rey Skywalker and the treatment of original characters. 11:34 Media scrutiny intensifies on Disney's Star Wars as companies appear to enforce strict adherence to facts, leading to controversial departures of outspoken employees. 12:50 Mainstream media is now turning against Disney's Star Wars after previously labeling fans as toxic, while Alyssa is advised to steer clear of political discussions. 14:23 Mainstream media shifts its stance on Disney's Star Wars amid changing political landscapes.

The hosts of Star Wars Generations return for a deeper dive into The Last Jedi, tackling questions from listeners and exploring overlooked aspects of this controversial Star Wars film. From surprising character deaths to stunning visual moments, this episode examines both the triumphs and missed opportunities in Rian Johnson's contribution to the sequel trilogy.Was Supreme Leader Snoke's death a brilliant subversion or a wasteful plot twist? The hosts debate whether killing such a mysterious and menacing character in the second film of the trilogy was the right creative choice, especially given Andy Serkis' compelling performance and the questions left unanswered about Snoke's origins and power.How did Captain Phasma's early demise impact Finn's character arc? The discussion explores how the decision to eliminate Gwendoline Christie's chrome-armored commander may have undermined future storytelling possibilities, particularly regarding Finn's journey as a former stormtrooper.What made the Holdo Maneuver such a memorable moment? The hosts break down why this controversial scene, with its stunning visuals and effective use of silence, stands as one of the most impactful sequences in Star Wars cinema, despite debates about its logic within the universe.Other topics discussed:General Hux's character development and daddy issuesThe significance of Kylo Ren's decision to remain on the dark sideRey's preservation of the Jedi textsLuke's reaction to Han's deathThe hosts' personal experiences with cosplayDeleted scenes that could have enhanced character momentsThe episode concludes by highlighting how The Last Jedi, despite its divisive nature, delivers some of the sequel trilogy's strongest emotional moments and most striking visuals, even as it makes controversial choices with beloved characters and established lore.Bonus member content about Added Muscle by Paul Dini, the next chapter in From a Certain Point of View: A New Hope.Use these links to find the media we discussed and support the podcast!The Last JediTarkin#StarWars #TheLastJedi #StarWarsTheLastJedi #RianJohnson #KyloRen #podcast #StarWarsPodcastWe've started the conversation. Now we want to hear from you!Want to continue the discussion with us? Agree or disagree with what we talked about, or add your own thoughts? We've got options for you!Discord: Join in the conversation about this podcast, my other podcast Superhero Ethics, as well as the rest of the TruStory.FM PodcastEmail: ✉️ swg@theethicalpanda.com

This episode we watch Ridley Scott's 1979 sci-fi masterpiece ALIEN. Cats, robots, AI, goo, chains, family dinners, final girls... this movie has it all!In this episode we watch Ridley Scott's 1979 sci-fi masterpiece ALIEN. This movie has it all:CatsRobotsAIGooChainsGoo covered chainsFamily dinnersFinal girls!Bonus: we talk about our favorite lines from Rian Johnson's Brick AND we give some love to Scarecrow Video and their SOS campaign

Breaking Bad: "Fly" It's a tentpole of the golden age of television, so we had to get to Vince Gilligan's crime thriller eventually...and that meant doing its most divisive episode, a Rian Johnson-directed low-budget chamber piece all about catching a fly! We dig into Bryan Cranston and Aaron Paul's performances, the inventive camerawork, an even lower-budget Spanish remake, and why this episode is not at all filler. Plus, we have an interview with Daniel Roemer, creator of the Amazon Prime TV series Chaser, about creating high concept television like this! Find more from Daniel Roemer:⁠⁠ Linktree⁠⁠ | Instagram: @dfroemer Check out Chaser on Amazon Prime! A proud part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gimmickspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gimmickspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme song:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sources:Vulture retrospective⁠ | ⁠Pardon My Take podcast | AV Club's “Best Show, Worst Episode” roundtable from 2011

Peter Sobczynski joins Erik Childress to get you caught up on all the upgraded (not elevated) horror that you can add to your physical media library this week. But first there is some Jackie Chan, Rian Johnson, Jon Favreau and Sidney Lumet. Oh yes and some Hitchcock and Borchardt. But for your Halloween parties you can get probably the best J-horror remake from Gore Verbinski. Wes Craven delivers one of the most iconic horror characters of all-time. George Romero returns to the Land of the Dead and Tobe Hooper's landmark cinematic achievement celebrates its 50th Anniversary. 0:00 - Intro 1:07 - 88 Films (Project A Collection 4K) 9:27 - Kino (Garbo Talks, Brick 4K, Cowboys and Aliens 4K) 25:09 - Sony (American Movie 4K) 34:21 - Paramount (To Catch a Thief 4K, The Ring 4K) 46:36 - WB (A Nightmare on Elm Street 4K) 1:06:04 - Shout (Land of the Dead 4K) 1:19:32 - Dark Sky (The Texas Chainsaw Massacre 4K) 1:35:01 – New Blu-ray Announcements

Hey everybody! This week we are discussing the Rian Johnson neo-noir mystery, Brick. Listen as we breakdown this fresh, unique, stylistic take on a classic 1940s style noir thriller. Enjoy!

The Alchemist write a dense con in The Brother's Bloom. Key Elements: Will o' The Wisps, Watermelon Camera, Stage Blood Support the Show on Patreon: https://www.patreon.com/filmalchemistpod Check out our Movies and join the Misfit Parade: https://www.misfitparade.net/

In today's video, we're diving deep into the surprising news about "Knives Out 3"! Reports suggest that the latest installment in the Rian Johnson-directed Netflix series has a staggering budget of over $210 million! Why is "Knives Out 3" so expensive to make? We'll break down all the details, including speculation about the "Knives Out 3" plot, the reasons behind the massive budget increase, and what we can expect from the film. We'll also be discussing everything from the "Knives Out 3" trailer, sneak peeks, and updates to exciting news about the "Knives Out 3" cast, including Daniel Craig returning as Benoit Blanc. With the success of the first two films, "Knives Out" and "Glass Onion," fans are eagerly awaiting more from this thrilling series. But does a bigger budget mean a better movie, or is this a sign of Hollywood's budgeting issues? Plus, we've got new details on Ridley Scott's "Gladiator 2" as he discusses working with Russell Crowe, and updates on the upcoming Nova series in the Marvel Cinematic Universe (MCU). Don't miss out on all this and more on today's live episode of The Kristian Harloff Show! Make sure to like, subscribe, and hit that notification bell for more updates on "Knives Out 3," Marvel news, and all things movies! #KnivesOut3 #DanielCraig #RianJohnson #Netflix #GlassOnion #BenoitBlanc #Marvel #MCU #Nova #KristianHarloffShow #Budget #Films #Hollywood #MovieNews  OUR SPONSORS: AG1: Try AG1 and get a FREE 1-year supply of Vitamin D3K2 AND 5 free AG1 Travel Packs with your first purchase at http://www.drinkAG1.com/BIGTHING TUSHY: Stay shower-fresh all summer long and join the 2 million butts who already switched to TUSHY! For a limited time, our listeners get 10% off their first bidet order when you use code BIGTHING at checkout. https://hellotushy.com/BIGTHING HIMS: ● Start your free online visit today at http://www.Hims.com/BIGTHING MANDO: Control Body Odor ANYWHERE with @shop.mando and get $5 off off your Starter Pack (that's over 40% off) with promo code [BIGTHING} at http://www.shopmando.com #mandopod http://www.shopmando.com  

Busy This Week: Busy Philipps is back in all of her annoying glory, this time with a new show on QVC that is essential all product placement. Bodycam Hijinks: We have a fun bodycam video for a change as a crazy lady that is super confident in her craziness brings the laughs. She may or may not have a knife stashed in her hoo-ha iShowSpeed: We check another video of guys messing with cops that are being filmed and show Mike that iShowSpeed jumped 2 CARS LIVE ON STREAM! Not fake at all. FUCK YOU WATCH THIS!, THE BEAR!, PAUL MCCARTNEY!, MICHAEL JACKSON!, SAY SAY SAY!, CUCK IN A ROOM!, I AM HIM!, BETA COREY FELDMAN!, MODERN DAY COREY FELDMAN!, BUSY PHILIPPS!, NEW SHOW!, STREAMING!, BUSY THIS WEEK!, HOME SHOPPING NETWORK!, CANCELED!, LATE NIGHT SHOPPING!, BETTE MIDLER!, HOT GOSS!, CHILI COOKOFF!, OUTFIT!, JACKET!, DYSTOPIAN FUTURE!, ROBOCOP!, LADIES TALKING!, AVERAGE JILL!, VAPID IDIOT!, CORN CHIPS!, HOCUS POCUS!, HELLO DOLLY!, CHARISMA!, STAR POWER!, MAGNETISM!, BETTE RIZZLER!, ICON!, BUTTERS!, FLOWERS!, GIVE YOUR FLOWERS!, MAKING OUT!, CRUEL INTENTIONS!, LICKING BOX!, CHRIS HARDWICK!, DAN HARMON!, RIAN JOHNSON!, RL STINE!, CHOCOLATE REIGN!, TAY ZONDAY!, ADREW DICE CLAY!, DAVID F. SANDBERG!, MAX LANDIS!, CRAZY!, LOWKEY!, TONE!, PAY YOUR BILL!, BODYCAM!, HIGH QUALITY!, NYPD 44 YEARS!, SARCASTIC!, SQUATTER!, KNIFE!, HIDDEN!, PUSSY!, COPS!, BITTING!, HAVING FUN!, FUN COP!, ISHOWSPEED!, CARS!, JUMP!, LIVESTREAM!, MULTIPLE ANGLES!, LIVESTREAM!, SPEED!  You can find the videos from this episode at our Discord RIGHT HERE!

(00:00:00) Dan Auerbach(00:18:10) Music News(00:40:46) Rian Johnson(01:08:11) Bizarre File(01:16:00) Chris Jericho(01:42:46) Fighting Over A Board Game(02:07:37) Bizarre File (02:16:18) Hollywood Trash and The Warning in Studio

Craig Miller is back to tell us about his new book, More Movie Memories. Craig worked in publicity and marketing on Star Wars and The Empire Strikes Back, but in his new book he shares stories about working on films like Superman 2, Heavy Metal, The Muppets Take Manhattan, and The Hand. Did you know Craig was present at a taping of The Dick Van Dyke Show??? This blew our minds and we had to ask him about that! We only scratched the surface in our conversation so we highly suggest picking up More Movie Memories!   Look for Craig Miller and his new book at San Diego Comic-Con (July 25-28) and at BIGS in Fullerton (July 30) for Boonta Eve: Special Edition Anaheim.   Today in Star Wars History - 7/15/20126   Star Wars Celebration Europe III begins in London, England. The convention, held at the ExCeL center, continues through July 17th. Highlights include   Alden Ehrenreich is introduced for the first time as Han Solo in the upcoming (then) untitled Han Solo Star Wars Story. Panel for “Rogue One: A Star Wars Story” - Gwendoline Christie (Captain Phasma) hosts the panel that features cast, crew, an exclusive sizzle reel, and a new trailer. Ben Mendelsohn appears in costume as Director Krennic flanked by two Death Troopers. “Future Filmmakers Discussion” - Lucasfilm Story Group's Pablo Hidalgo hosts the panel that discusses what the future holds for Star Wars. Guests include Kathleen Kennedy, Rian Johnson, Chris Miller and Phil Lord.   SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod Twitter: https://twitter.com/SkywalkingPod Facebook: https://www.facebook.com/skywalkingthroughneverland Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

“Are you all comfortable? Even the murderer?” We watched “Evil Under the Sun” (1982) with our friend and murder mystery expert Hiko Mitsuzuka, and you can find us all turban shopping for the foreseeable future. Now we know there are a ton of Hercule Poirot mysteries to choose from - from Albert Finney to Kenneth Branagh - all of them filled with the most glamorous leading ladies in Hollywood history. But there is something about this version, starring Peter Ustinov that is giving us high camp, high glamour, and we're loving every minute of it. Dames Maggie Smith and Diana Rigg are serving up their finest jewels, turbans and (maybe most importantly) their wittiest barbs as old frenemies with unfinished business. French ingénue Jane Birkin (of the famed Birkin Hermès bag) is not all she appears to be and Roddy McDowell is camping it up - as usual. Oh and if you're not yet familiar with hunky Nicholas Clay in those butt hugging swim briefs - you're welcome. We talk about how much Rian Johnson ripped off… we mean was inspired by this film when making “Glass Onion” and we muse over the various fits and fashions throughout this oh-so-very early ‘80s mystery.  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Actor Noah Segan joins Matt this week to discuss his role as X-wing fighter pilot Stomeroni Starck in the 2017 film Star Wars: Episode VIII - The Last Jedi. Noah talks about how he got the role, the origin of the name Stomeroni Starck and the connection to Poe Dameron, and becoming emotional while touring the Millennium Falcon. Plus, Noah shares how he became good friends with director Rian Johnson and has been lucky enough to be a part of his many projects. Hosted on Acast. See acast.com/privacy for more information.