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Basil Barrington and DJ Keo are back. Today we explore the fascinating yet perplexing world of "Golden Kamuy," Netflix's unique offering. In this review, we dive into the film's striking visuals and the creative potential that shines through its unconventional storytelling. We'll discuss how different writing choices might have elevated this cinematic experience, turning its strangeness into brilliance. Tune in to discover what makes "Golden Kamuy" an intriguing blend of beauty and bewilderment.You can check out clips and full video episodes on YouTube at https://www.youtube.com/behindthegroove
Episode #297 Join host Keith Reza as he sits down with writer and actor Jim Piddock for a fascinating conversation about writing, acting, and the entertainment industry. Jim shares insights into his book, writing process, and experiences working in both TV and film. Learn about the challenges of writing comedy and the journey of getting a script turned into a movie. Jim also discusses his experiences as an actor in projects he has written, as well as working with other writers and actors. Don't miss this lighthearted and entertaining discussion filled with valuable insights from a seasoned industry professional. Jim's Links Website https://jimpiddock.com/ Instagram https://www.instagram.com/jimpiddock/ Facebook https://www.facebook.com/jim.piddock X https://x.com/realjimpiddock Keith's Links Support the show on https://patreon.com/rezarifts61 Follow Keith on all social media platforms! https://www.facebook.com/realkeithreza https://www.instagram.com/keithreza https://www.twitter.com/keithreza https://www.tiktok.com/keithreza Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/ Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! #KeithReza #JimPiddock #writeractor #entertainmentindustry #TVwriting #filmwriting #comedywriting #scriptwriting #acting #workingwithactors #writingprocess #hauntings #spirits #lighthearteddiscussion #valuableinsights
Breaking down a scene in a project you know is easy mode. What happens when you try to break down a scene without context? Professional screenwriters Alexie and Theo both bring two scenes the other has never seen before: Theo's bringing THE LOBSTER and Alexie's bringing the pilot of GENTLEMAN JACK. They'll table-read them and see if their analyses are spot on or off the mark! How the scenes reveal character Techniques used by the writer Connections to the overall material And here are the screenplays to follow along: THE LOBSTER script GENTLEMAN JACK pilot script Resources & Links Website Script Vault OUR COURSES Writing the Short Writing the Scene Writing the Feature Writing the Pilot
Last year, we both tried different habits for hitting our screenwriting goals. Join Alexie and Theo LIVE to discuss which ones actually worked and which ones we're leaving behind in 2023. We'll get into: Healthy habits that worked (and didn't work!) for us last year Strategies for making and hitting big goals Projects we're hoping to accomplish Useful Links Browse Our Free Courses: https://youngscreenwriters.teachable.... Discord: https://youngscreenwriters.com/discord
It's forty years since the film version of SOMETHING WICKED THIS WAY COMES was released! So in this episode, I take a detailed look at the origins of SWTWC, going all the way back to the short story "The Black Ferris" (1948) and working through to the shooting of the film. Bradbury wrote the screenplay, and the film was directed by his good friend Jack Clayton (director of Room at the Top (1959) and The Innocents (1961). So everything must have worked out really well...
Chase Thomas is the Sports Renaissance Man, Atlanta Sports Guy & VFL. On today's program, Chase is joined by author and sportswriter and film critic Will Leitch to talk about his career, Luke Altmyer transferring to his beloved Illinois, writing the book 'How Lucky', his writing process, writing his new book due out later this year, fatherhood and fandom, if the Cardinals are real contenders in the NL in 2023 and much more. Host: Chase Thomas Guest: Will Leitch Learn more about your ad choices. Visit podcastchoices.com/adchoices
THE LAST PICTURE was the winner of BEST DIRECTION at the June 2022 FEMALE Film Festival. Ally May attended the UCLA Writing Program, the Academy of Film Writing, SF Film School, the Directing Actors Workshops and Sundance Directing Actors Programs. Ally has written 7 award-winning screenplays. She has been an Athena Finalist, Austin finalist, ScreenCraft Finalist, Page Finalist, Final Draft Finalist and more. Ally has directed 6 short films which have placed in festivals including - NOLA, Napa Film Festival, Sonoma Film Festival, Oregon Film Festival, Toronto Independent Film Festival, Los Angeles Independent Film Fest and more. Watch the Festival Today. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1's film critic from 2008 to 2019, as well as the editor of the magazine's film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1's film critic from 2008 to 2019, as well as the editor of the magazine's film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1's film critic from 2008 to 2019, as well as the editor of the magazine's film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1's film critic from 2008 to 2019, as well as the editor of the magazine's film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
The Earth Dies Streaming: Film Writing, 2002-2018 (N+1 Books, 2018) collects the best of A. S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper's, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah's aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism—pioneered by James Agee, Robert Warshow, and Pauline Kael—and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times. In this conversation with host Annie Berke, A. S. Hamrah discusses his influences as a critic, lays out the challenges and shortcomings of film criticism today, and explains the differences between film and television. Currently the film critic for The Baffler, A. S. Hamrah was n+1's film critic from 2008 to 2019, as well as the editor of the magazine's film review supplement. He has worked as a movie theater projectionist, a semiotic brand analyst, a political pollster, a football cinematographer, a zine writer, and for the film director Raúl Ruiz. He lives in New York. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
What a pleasure it was to chat with Ms. Tonya Todd! Tonya is an author, actress, and activist living in Las Vegas and bringing her incredible talent and stories to life. Get into our conversation on representation and diversity in film, advocating on behalf of others, Batman, and our Oscar predictions (GO WILL SMITH!). Also, be sure to follow Tonya and check out her podcast, 52 Love! Chat Soon!
Podcasting isn't hard when you have the right partners, and the team at Buzzsprout is passionate about helping you succeed. Join over a hundred thousand podcasters already using Buzzsprout. Following the link in the show notes let's Buzzsprout know we sent you, gets you a $20 Amazon gift card if you sign up for a paid plan, and helps support our show. Click the link below to get started for FREE.https://www.buzzsprout.com/?referrer_id=399292Today we're flipping the script and giving you guys an update on my feature film, DeadZone. As we start this series, wanted to get into the behind the scenes of my process. How I plan, produce, and push out my projects. Today I'm getting into how I organize my ideas and shot lists. Here's what listeners can learn:- How To Organize Your Ideas- Developing Ideas Into Potential Film Scenes- Tracing Story Threads- Story StructureDeadZone Film WebsiteDeadZoneFilm.comPodcast: Hardwood Rod Podcast (@hardwoodrod)Host: Rodrigo Roque IV (@rodrigo.filmmaker) My Website: RodrigoRoque4.comSubscribe and Share on all platforms. Follow us on Instagram & Facebook @hardwoodrodInterested in Sponsoring or being on the Podcast? Contact us at info@relionmedia.comCheck out the new merch!www.HardwoodRod.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.buymeacoffee.com/hardwoodrod)
In the latest podcast, writers Rahul Desai and Pankaj Sachdeva discuss film festival coverage, sound design, music and Shakun Batra's filmography.
Natalia Keogan is a film critic who is especially passionate about the gendered and sexualized aesthetics of horror, LGBTQ+ cinema, Spanish-language films, punk music and anti-fascism. Women's reproductive and mental health issues are also subjects of interest in her work. In other words…Natalia is a perfect guest for The Trace Podcast! We talk about how she fell in love with movies, the ethics of “A Clockwork Orange”, horror films, and her favorites of 2021. You can read her wonderful work at Paste Magazine, Filmmaker Magazine, and other places. Thanks for being on the show Natalia!
Rahul Desai and Pankaj Sachdeva discuss the craft of film criticism, reviews and more in the second part of their "Writing" series.
For further information go to: www.jenniferjhammond.com Sej Saraiya is a fine-art and documentary photographer and filmmaker who graduated from the University of Southern California with an MFA in Film Writing. In 2018, she was recognized as the Ambassador of the GIIFF (Garifuna Indigenous Int'l Film Festival, a prestigious honor for indigenous preservation through the arts. She has produced several photography shows both in India and Los Angeles and her work has been exhibited both in India and the United States. Her fine-art photographs hang in private collections in Belgium, Zurich, Mumbai, New York, Houston, Canada, South Africa and Los Angeles. She continues to photograph indigenous cultures throughout the world, while shooting portraits for personal brands that are creating a positive change on our planet.
Writer-blogger Pankaj Sachdeva chats with film critic Rahul Desai about their shared love for cinema, writing and everything in between.
This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen. Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com
Show Notes and Links to Edoardo Ballerini's Work and Allusions/Texts from Episode On Episode 42, Pete talks with Edoardo Ballerini about a myriad of topics, all revolving around art and creativity in some way. They discuss Edoardo's artistic upbringing, language and translation, his writing for film and other forms, his acting, his award-winning narration of audiobooks and newspaper articles, his literary inspiration, and much more. Edoardo Ballerini, described on multiple occasions as “The Golden-Voiced Edoardo Ballerini,” is a two time winner of the Audiobook Publishers Association's Best Male Narrator Audie Award (2013, Beautiful Ruins, by Edoardo Ballerini; 2019, Watchers by Dean Koontz). He has recorded nearly 300 titles, including classic works by Tolstoy, Dante, Stendhal, Kafka, Calvino, Poe, Emerson, Whitman and Camus, best-sellers by James Patterson and David Baldacci, modern masterpieces by Tom Wolfe, Karl Ove Knausgaard, and André Aciman, and spiritual titles by The Dalai Lama and Thich Nhat Hahn. On screen, Ballerini is best known for his role as junkie "Corky Caporale" on The Sopranos (HBO) and as the star chef in the indie classic Dinner Rush. He has appeared in over 50 films and tv shows, including a series regular role in the critically acclaimed Quarry, (Cinemax) and recurring roles in Boardwalk Empire (HBO), 24 (Fox) and Elementary (CBS). Ballerini's work as a narrator has garnered international attention. Articles on his work and career have appeared in The New York Times (US), The Guardian (UK), Aftenposten (Norway) and MediaPost (US), among others. In 2019 he recorded Robert Alter's translation of The Hebrew Bible in its entirety. In 2020 he added Leo Tolstoy's War and Peace to his growing list of titles. He is also a two time winner of the Society of Voice Arts Award, and was recently named a “Golden Voice” by AudioFile Magazine, an honorific bestowed to only 35 narrators in the magazine's 20 year history. Other authors Edoardo has voiced include Chuck Palahniuk, Eve Ensler, Carson McCullers, Jay McInerney, Stephen Greenblatt, Jeffrey Deaver, Danielle Steel, Chuck Palahniuk, Louis L'Amour, Adriana Trigiani, Isabel Allende, Stieg Larsson, James Salter, Paul Theroux and Jodi Picoult. Besides narrating audiobooks, Edoardo is also a regular contributor to Audm, where he narrates the best in long-form journalism for The New York Times, The New Yorker, Vanity Fair, Atlantic Monthly, The London Review of Books, and many other publications. He is a graduate of Wesleyan University and lives in New York. Edoardo Ballerini reads an excerpt from Martin Eden by Jack London Edoardo Ballerini's Personal Website Edoardo Ballerini on Italics-”The Voice of God” Video Edoardo Ballerini Profile in The New York Times: "The Voice of God. (And Knausgaard, Whitman, Machiavelli..." May 13, 2020 Edoardo Ballerini reads Beautiful Ruins, Chapter One-YouTube excerpt -at about 4:35, Edoardo describes his life growing up among family in New York and Milan, as well as growing up with artsy and creative parents and their parents' artistic friends -at about 6:45, Edoardo talks about his dual identities as Italian-American (or “Italian AND American”), as well as his love of language being fueled by growing up bilingual/multilingual -at about 9:35, Edoardo talks about his reading interests as a kid, including myths, followed by a “dip away” into math and science, and then a return to poetry in high school and then his interest in being a writer in late adolescence -at about 11:25, Edoardo talks about the importance of “place” in his writing, acting, and other art -at about 14:05, Edoardo talks about the literature that has given him “chills at will,” especially the “book that changed [his] life”-Joyce's Ulysses -at about 17:10, Edoardo talks about being a man of many talents and interests, and he hones in on audiobook narration and the importance and tough balance of being an interprete as an audiobook narrator -at about 21:05, Edoardo talks about what it means on a daily basis to be a “creative” -at about 24:25, Edoardo talks about his mom's influence on him as she was a photo historian, especially with regard to him becoming an actor, a visual and literary medium -at about 25:55, Edoardo talks about his beginnings as an actor -at about 27:45, Edoardo talks about his beautiful interaction with Aaliyah during the filming of Romeo Must Die -at about 29:40, Edoardo talks about his run of four episodes on The Sopranos, including the incredible circumstances involved in filming a crucial scene with Michael Imperioli as a relapsing Christopher Moltisanti -at about 34:45, Edoardo talks about his role as Ignatius D'Alessio in Boardwalk Empire, including how the run ended -at about 36:25, Edoardo talks about the movie in which he starred and that he directed, Good Night, Valentino -at about 44:05, Edoardo talks about how he got started as an audiobook narrator about 10 years ago, which coincided with the growth of the iPod, iPhone, Audible.com, etc. -at about 47:35, Edoardo talks about continuity and recording long books -at about 49:50, Edoardo talks about “one of the luckiest breaks of [his] life” in getting to narrate (and doing a stellar and award-winning job) Jess Walter's Beautiful Ruins -at about 54:00, Edoardo talks about his love for Martin Eden by Jack London, the wonderful recent Italian movie adaption, and Edoardo's recording of Martin Eden on audiobook -at about 1:01:50, Edoardo thrills with a reading from Martin Eden -at about 1:03:25, Edoardo talks future projects and laughs in response to The New York Times dubbing his voice “The Voice of God…” You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Allison Hamilton Rohe joins Alex Burket on the Rise to the Challenge Podcast. Allison Hamilton-Rohe is a Personal Style Coach helping individuals feel confident and find their inner beauty. She talks about the path she took to get to the career path that she is on. We talk about her love for film writing and how did she find this passion. We talk about the sacrifices she made with her career and family. Allison talks about so much more on the Rise to the Challenge Podcast.Check out more about Allison Hamilton-Rohe with the links below.• https://www.instagram.com/allison_dailyoutfit/ • https://www.linkedin.com/in/allisonhamiltonrohe/ • https://nl.pinterest.com/DailyOutfit/ • https://twitter.com/DailyOutfit • https://www.youtube.com/channel/UCJvlj3LaPVixZAwXAIcxR8Q • https://www.facebook.com/allisonhamiltonrohe/
Alrik and Liz welcome writer, director and social media queen Jessica Ellis on the show to talk about making her first feature film, What Lies West! Jessica also talks about her life as a working writer, how she is staying motivated during the pandemic and the reality of what 50k twitter followers actually means when you are running a crowdfunding campaign. We also have producer and filmmaking sales consultant Alec Trachtenberg on the show to give us some tips on advertising your film and finally we've got a the short film 'We Are Having Sex' from writer/director Michael Callahan! Where to Find Jessica, Alec and Michael! Jessica Ellis' Website Jessica Ellis on Twitter Alec Trachtenberg's New Book! Alec Trachtenberg on Instagram! Michael Callahan's Website! Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook
In this podcast, Paul Farren talks to Irish journalist, film historian and author Wayne Byrne about the craft of writing about film. From his early days reviewing films for the Leinster Leader, through writing his first book, Include Me Out: The Cinema of Tom DiCillo, to working on his latest project on the Nightmare on Elm Street franchise, Wayne reflects on his journey to date and how he approaches writing about film and why he does it. http://filmireland.net/
Lee's website: https://www.leechambers.com/Sum Of Random Choice book link: https://www.amazon.com/Sum-Random-Chance-Lee-Chambers-ebook/dp/B008I3SJPE/ref=sr_1_1?keywords=THE+SUM+OF+RANDOM+CHANCE&qid=1564493330&s=gateway&sr=8-1Audio book The Pineville Heist: https://www.amazon.com/Pineville-Heist-Mr-Lee-Chambers/dp/0986494313/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=Minddog's Dollar Tree Link: https://shareasale.com/r.cfm?b=1363046&u=1659788&m=64888&urllink=&afftrack
In this episode I start my look at the works of James Agee. Before jumping into his collaboration with Walker Evans, let's check out his film writings. This episode covers the first year or so of his work with THE NATION.
Hilliard, Chris, and Lynelle White are joined by Geoffrey Thorne to talk about the climate that coronavirus has created for film/TV writers! Support the show via the Patreon link. Remember support is love! We invest countless hours per week to deliver the actionable content that goes into this podcast. This episode is brought to you by http://www.avgearguy.com/. Mention the Screen Writers' Rant Room for 5% off your next order. Get the Rant Room T-shirt HERE!!! Connect with Us on Social Media Geoffrey Thorne on Twitter Lynelle White on Twitter Chris Derrick on Twitter Lisa Bolekaja on Twitter Hilliard Guess on Twitter The Screenwriters Rant Room on Facebook The Screenwriters Rant Room on Twitter
Alfre Woodard joins as the first guest of this episode. She starts off by revealing why she says “yes” to a role (1:09). She talks about the prisons she visited with Chinonye Chukwu in preparation to play the role of Bernadine (2:54). She explains how an actor’s body is their instrument and that they are trained to play the notes of their emotions. (4:14)Hollywood Unscripted Alfre discusses her character’s fractured relationship with her husband (5:55), why her profession put the relationship in that position (7:10) and how Bernadine is emotional in a different way than an artist would be (8:20). She goes further into the actors’ preparation for their roles, reveals the affect it had on her (12:32), describes how the actors were able to show up ready to work together (13:45), and how emotion is not something to be afraid of (14:41). Chinonye Chukwu, writer and director of , then joins (17:46) and describes how the process of writing this film led her to uproot her life in order to deepen her research (18:04). She discusses choosing to write the story from the perspective of the prison warden (20:18) and talks about teaching her college filmmaking curriculum in a women’s prison (20:37).ClemencyHollywood Unscripted She recalls how Alfre came aboard the project (21:51) and then talks about working with the team - cinematographer Eric Branco (23:29); editor Phyllis Housen (24:24); actors Danielle Brooks (24:28), Richard Schiff (26:08), and Wendell Pierce (26:29); and producer Bronwyn Cornelius (27:17).Clemency Chinoye tells how changes to the script were made to focus on Bernadine’s story (27:57). She describes how it feels to have a financially viable film (29:01) and her next steps (30:02). Finally, she discusses how she chose to begin and end (31:26) the film, the ability to bring joy to a heavy set (33:03), and her advice to aspiring filmmakers (34:28). Learn more about and Scott Tallal: https://www.curtco.com/hollywoodunscriptedHollywood Unscripted And Follow Us: Facebook: https://www.facebook.com/curtcomedia Instagram: https://www.instagram.com/curtcomedia Twitter: https://www.twitter.com/curtcomedia A CurtCo Media production https://www.curtco.com
This episode is a tour through the television comedy world form the 70s through the 00s. Kevin Kelton is television writer-producer who started with a game show, continued on Saturday Night Live for seasons 9 and 10 where he wrote sketches for legends like Eddie Murphy, Billy Crystal, and Jim Belushi. He went on to write for sitcoms like Night Court and Boy Meets World as well as articles for National Lampoon Magazine. Kevin now teaches TV and Film Writing for UCLA In this interview we travel from the comedy scene in New York to the Comedy Store scene in the late 1970s when there was the strike and suicide of Steve Lubetkin. We then pivot to his television writing career. Kevin's links Web: https://www.kevinkelton.com Facebook: https://www.facebook.com/KevinBKelton Twitter: https://twitter.com/kevinkelton Instagram: https://www.instagram.com/keltonmedia/ And don’t forget to support the podcast by subscribing for free, reviewing, and sharing. Web: https://unstructuredpod.com/ Twitter: https://twitter.com/unstructuredp Facebook: https://facebook.com/unstructuredp Instagram: https://instagram.com/unstructuredp Join the Facebook group: fb.com/groups/unstructured
Tomorrow in Manhattan, a film festival opens in honor of the late movie critic Pauline Kael, born 100 years ago this month. A film festival - for a critic? WNYC's Sara Fishko has more in this episode of Fishko Files. "Losing It at the Movies: Pauline Kael at 100" runs at Quad Cinema tomorrow, June 7 through Thursday, June 20. David Denby is a critic and staff writer for The New Yorker. Peter Rainer is the film critic at the Christian Science Monitor and author of "Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era." Amy Taubin is a film critic and contributing editor at Artforum, Film Comment, and Sight & Sound. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne Shulmister & Jared PaulEditor: Karen Frillmann
On the January 3, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by the /Film writing staff, including senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista, to count down their top 10 movies of 2018. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: What did you guys think of this year in movies? #10 Chris: is Ben's #8 (make Blindspotting joke) HT: Minding the Gap Ben: A Quiet Place #9 Chris: is Ben's #6 (make Hereditary joke) HT: is Ben's #8 (make Blindspotting joke) Ben: is Chris' #1 (make First Reformed joke) #8 HT: Burning Chris: is HT's #3 (make The Favourite joke) Ben: Blindspotting(HT's #9) (Chris' #10) #7 Chris: Destroyer HT: is Ben's #2 (make Spider-verse joke) Ben: Sorry to Bother You #6 Chris: Mandy HT: Eighth Grade Ben: Hereditary(Chris' #9) #5 Chris: is Ben's #1 (make Annihilation joke) Ben: Mission: Impossible – Fallout HT: is Chris' #2 (make Roma joke) #4 Ben: Searching Chris: is Ben's #3 (make Beale Street joke) HT: Paddington 2 #3 Ben: If Beale Street Could Talk(Chris' #4) Chris: is HT's #2 (make You Were Never Really Here joke) HT: The Favourite (Chris' #8) #2 Chris: Roma(HT's #5) Ben: Spider-Man: Into the Spider-Verse (HT's #7) HT: You Were Never Really Here(Chris' #3) #1 Chris: First Reformed(Ben's #9) HT: Shoplifters Ben: Annihilation (Chris's #5) Caveats: Are there any films you've yet to see that you think could be contenders? Honorable Mentions The lists presented separately: Ben Pearson's Top 10 Movies of 2018 A Quiet Place First Reformed Blindspotting Sorry to Bother You Hereditary Mission: Impossible – Fallout Searching If Beale Street Could Talk Spider-Man: Into the Spider-Verse Annihilation Hoai-Tran Bui's Top 10 Movies of 2018 Minding the Gap Blindspotting Burning Spider-Man: Into the Spider-Verse Eighth Grade Roma Paddington 2 The Favourite You Were Never Really Here Shoplifters Chris Evangelista's Top 10 Movies of 2018 Blindspotting Hereditary The Favourite Destroyer Mandy Annihilation If Beale Street Could Talk You Were Never Really Here Roma First Reformed Other articles mentioned: ‘Annihilation' Spoiler Review: A Strange, Haunting Masterpiece Hoai-Tran Bui's Top 10 Movies of 2018 So Far Ben Pearson's Top 10 Movies of 2018 So Far Chris Evangelista's Top 10 Movies of 2018 So Far All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
On the April 18, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson and writers Chris Evangelista & Hoai-Tran Bui to talk record the /Film writing staff edition of the 2018 Summer Movie Wager. What will be the top ten films of this summer's box office? We try to predict the unpredictable! You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Jacob Hall Avengers: Infinity War Jurassic World: Fallen Kingdom The Incredibles 2 Solo: A Star Wars Story Deadpool 2 Mission: Impossible – Fallout Ant-Man and the Wasp Hotel Transylvania 3 Skyscraper Ocean's 8 Dark Horses Mamma Mia: Here We Go Again! Action Point The Equalizer 2 Brad Oman Avengers: Infinity War Jurassic World: Fallen Kingdom Solo: A Star Wars Story Incredibles 2 Deadpool 2 Ant-Man and the Wasp Mission: Impossible - Fallout Hotel Transylvania 3: Summer Vacation Ocean's 8 Christopher Robin Dark Horses Skyscraper The Meg Tag Ben Pearson 1 Avengers: Infinity War 2 Incredibles 2 3 Jurassic World: Fallen Kingdom 4 Deadpool 2 5 Solo 6 Hotel Transylvania 3 7 Ant-Man and the Wasp 8 Mission Impossible Fallout 9 Ocean's 8 10 Mamma Mia Dark Horses: Crazy Rich Asians The Equalizer 2 Skyscraper Chris Evangelista Infinity War Solo Jurassic World Incredibles 2 Deadpool 2 Mission: Impossible - Fallout Ant-Man and the Wasp The First Purge Skyscraper Christopher Robin Dark Horse: Ocean's 8 The Meg Sicario 2 Hoai-Tran Bui Avengers Infinity War Incredibles 2 Jurassic World Fallen Kingdom Solo Deadpool 2 Mission: Impossible Fallout Skyscraper Ocean's 8 Mamma Mia: Here We Go Again Ant-Man and the Wasp Dark Horses The Meg The First Purge Equalizer 2 Other articles mentioned: 2018 Summer Movie Wager /Filmcast episode Play along with us on theSummerMovieWager.com All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Please feel free to send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
42 Minutes 279: David Bushman & Arthur Smith - Twin Peaks FAQ - 06.20.2017 Just the FAQs ma'am or that's how the program gets to the bottom of Twin Peaks: The Return Part 7 with the help of David Bushman and Arthur Smith, authors of the Twin Peaks FAQ. Topics Include: Twin Peaks, The Return, Part 7, Twin Peaks Community, Pieter Dom, Television Historians, Film Writing, David Lynch, Missing Pieces, Awesome Con, Annie, New York, Scott Ryan, The Blue Rose Magazine, Hazel Drew, Deer Meadow Podcast, Collaboration, Research, Mystery, Reset, Time. http://amzn.to/2tclKQ0
Topics: Twin Peaks, The Return, Part 7, Twin Peaks Community, Pieter Dom, Television Historians, Film Writing, David Lynch, Missing Pieces, Awesome Con, Annie, New York, Scott Ryan, The Blue Rose Magazine, Hazel Drew, Deer Meadow Podcast, Collaboration, Rese...
Welcome to the New York Film Academy Hour. If this is your first time joining us we’d like to introduce you to Peter Rainer one of the most prolific and exquisite reviewers of cinema alive today. His work has appeared in the LA Times and New York magazine and he currently is film critic for The Christian Science Monitor and NPRs Film Week. His latest book is the essay collection Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era. Today, Mr. Rainer joins us, so that he may educate us on one of the greatest actors ever committed to celluloid. A titan of the stage, Marlon Brando was a revelation. Not just a beast of an actor, but an early and loud voice against racism and oppression within the Hollywood system. Today Rainer will walk us through some of the greatest moments in Brando’s career including The Wild One, A Street Car Named Desire, On the Waterfront, Last Tango in Paris, and Reflections in a Golden Eye. Follo
We chat with Julius Sharpe, writer for Family Guy, The Cleveland Show, The Grinder, and co-creator of upcoming Fox show Making History. He's got a ton of experience in TV writer's rooms, and he wants to share it with you. Follow Julius on Twitter at @juliussharpe.
We chat with Peter Iliff, the writer of Point Break, Patriot Games, and Varsity Blues!
Dan Gregor, writer for How I Met Your Mother, My Crazy Ex-Girlfriend, and The Comedians chats with us about structure and character, and how doing sketch and improv at Upright Citizens Brigade influenced him as a comedy writer.
We chat with Brent Forrester, showrunner for the Judd Apatow's "Love" on Netflix and former writer for The Office, King of The Hill, The Simpsons, and Mr. Show.
Welcome back to Ugly Talk! This month, we know things about Film Writing and the Three Act Structure. Travis is out of town on business, so Matt brought in Kevin Colmar and Charlotte Adams to discuss what they know about filmmaking, film writing, film direction, and what of it can be applied to games and how.
Joe, Ami and Dirk talk about film writing, pitching films, and trends in the movie industry, why they work and why they don't (sometimes). When then talk about the portrayal of women in film and tv. We also have a spirited round of "Certified Fun" and "Almost Fun" where we talk about what we loved, and what could have been better about Tomorrowland, Jupiter Ascending, Interstellar, and Aliens.
Rodney Vance, chair of the La sierra Film & TV, shares his knowledge on creating a script and taking it to the screen. For information about Carole Dean and From the Heart Productions please visit www.FromtheHeartProductions.com.
Who's doing the good writing about film these days and how do you find it? 2:42 - Box Office: Lee Daniels gets in on Tyler Perry's marketing tactics. 24:30 - Feature Segment: What kind of writing about film is exciting us these days? What do we look for in good film writing? 40:25 - Overlooked Gems: Kev's pick makes Dave nostalgic for Fametracker, Dave's pick casts new light on a tired genre. Also, here's the Spielberg Face video essay we mention at the end as well as Los Angeles Plays Itself. Talking Pictures is hosted by Kevin Smokler (@weegee) and David Dylan Thomas (@movie_pundit).