Podcasts about insep

In the latest episode of the Pro Insight Podcast, Pro Insight's Florian Kurth sat down with INSEP Forward Meissa Faye and Olimpia Milano Guard Omar Karem at the Adidas Next Generation EuroLeague Tournament in Belgrade, Serbia.

Avec, Stephane Floccari, docteur agrégé de philosophie, il a publié plusieurs ouvrages dont Le sport émoi (Éd. Insep. Henri Quinson, écrivain, il a connu plusieurs vies , après avoir été trader il est devenu moine puis a œuvré dans les cités de Marseille. Il a fondé la Fraternité Saint-Paul et a écrit plusieurs ouvrages dont Et l'homme devint Dieu (Éd. Le Passeur) Bertrand Vergely, normalien,philosophe, essayiste il a enseigné à l'institut théologique Saint Serge et a écrit plusieurs ouvrages dont La puissance de l'âme - Sortir vivant de l'émotion (Éd. Trédaniel), Main basse sur la pensée (Éd. Salvator) et La vraie morale se moque de la morale (Éd. Trédaniel)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Anne-Laure est préparatrice physique à l'INSEP ou elle s'occupe plus spécifiquement de la réathlétisation. Elle travaille aussi avec Enguerrand Aucher sur Performforeveryone.

Si les performances sportives sont la plupart du temps reliées aux qualités physiques et athlétiques, la question de la santé mentale est, elle, toujours trop négligée. La préparation mentale est-elle toujours taboue en France ? Pourquoi ce sujet fait-il tant débat ? Comment faire pour progresser mentalement afin d'atteindre ses objectifs ? Benoît Boutron et Yohan Durand tentent de répondre à toutes ces questions avec l'aide précieuse de Meriem Salmi, psychologue des plus grands sportifs Français comme Teddy Riner, Romain Grosjean ou encore Rénelle Lamote. L'ancienne responsable du suivi psychologique à INSEP pendant 13 ans vous donne tous les leviers pour progresser mentalement. Entre écoute de soi, performance et santé mentale, Meriem Salmi revient sur son parcours, sur le quotidien des sportifs de haut-niveau et les difficultés pour accepter l'échec ou combattre la peur.Dans le bon plan matos, RMC Running vous propose de remporter deux packs de boissons isotoniques de la marque MX3 ! Restez attentifs et à l'écoute !

Ra đời tại Thế Vận Hội Rio 2016, trong bối cảnh khủng hoảng tị nạn ở châu Âu, đội tuyển người tị nạn Olympic và Paralympic tham dự sự kiện Paris 2024 với một gánh nặng trên vai. Họ đại diện cho hơn 100 triệu người tị nạn, phải rời bỏ quê hương trên toàn cầu do xung đột, hay chiến tranh..., đồng thời truyền tải đi thông điệp về hy vọng, về tình đoàn kết và hội nhập. Những ngày vừa qua, báo chí Pháp không ngừng ca ngợi vận động viên khuyết tật người Afghanistan Zakia Khudadadi, được Paris cấp quy chế tị nạn từ năm 2021. Với thành tích của mình sau quá trình tập luyện tại Trung tâm huấn luyện thể thao quốc gia (INSEP), ở Vincennes, ngoại ô Paris, Zakia Khudadadi là một trong 8 thành viên của Đội tuyển người tị nạn dự Paralympic Paris 2024, thi đấu môn Para Taekwondo, hạng 47 kg. Cô cũng là vận động viên tị nạn giành được chiếc huy chương đầu tiên, mang tính lịch sử cho đội tuyển đại diện cho hơn trăm triệu người trên thế giới, phải rời bỏ quên hương đi tị nạn xa xứ.Zakia đến Pháp trong hoàn cảnh đặc biệt, vào tháng 08/2021. Trước những đe dọa bị bắt giữ bởi chế độ Taliban, vốn rất hà khắc với phụ nữ, đặc biệt là các nữ vận động viên, cô đã đăng tải một video lên mạng xã hội, xin trợ giúp từ quốc tế, giúp cô rời khỏi Kabul để thực hiện ước mơ tham dự Thế Vận Hội Paralympic Tokyo. Video đó đã loan tải tới Pháp và giúp cô lên được chuyến bay rời Afghanistan, trong bầu không khí hỗn loạn tại phi trường ở Kabul, khi Taliban lên nắm quyền.Sau thành tích huy chương đồng hôm 29/08 vừa qua, cô chia sẻ với France 24 : “Chiếc huy chương này thể hiện cam kết của tôi đối với những người phụ nữ khác tại Afghanistan. Tôi đã cố gắng thể hiện tốt nhất, chiến thắng của tôi là để bày tỏ sự ủng hộ của mình đối với tất cả những phụ nữ, những cô gái hiện đang ở trong ngục tù của Taliban, đối với tất cả những người tị nạn ở Pháp và trên thế giới”.Tại buổi lễ khai mạc Paralympic, diễn ra tại đại lộ Champs-Élysées và quảng trường Concorde ở thủ đô Pháp hôm 28/08, trái ngược với truyền thống để đoàn Hy Lạp tiến vào trước, đoàn vận động viên tị nạn Paralympic đã đi đầu, mở ra buổi diễu hành của 184 phái đoàn khác nhau trên thế giới, gồm hơn 4.400 vận động viên khuyết tật. Cao ủy người tị nạn Liên Hiệp Quốc, Filippo Grandi, cho rằng “sự hiện diện của phái đoàn người tị nạn Paralympic trên trường quốc tế, gửi đi một thông điệp về "hy vọng" cho hàng triệu người tị nạn trên thế giới, và cho tất cả chúng ta. Đội tuyển gồm các vận động viên đầy tài năng này nhắc nhở chúng ta về tầm quan trọng của việc cho phép những người khuyết tật có cơ hội tham gia vào xã hội một cách bình đẳng.” Đội tuyển người tị nạn được ra đời như thế nào ?Đội tuyển người tị nạn Olympic và Paralympic được ra đời trong bối cảnh cuộc khủng hoảng người tị nạn ở châu Âu vào năm 2015. Vào tháng 10 năm đó, nhân cuộc họp của Đại Hội Đồng Liên Hiệp Quốc về cuộc khủng hoảng tị nạn liên quan đến hàng triệu người trên thế giới, chủ tịch Ủy ban Olympic quốc tế Thomas Bach, đã đưa ra thông báo thành lập một đội tuyển dành riêng cho những người tị nạn. Ông Thomas Bach khẳng định rằng “được nhìn thấy họ tham gia thi đấu là một khoảng khắc tuyệt vời và chúng tôi hy vọng có thể chia sẻ với tất cả mọi người. Chúng tôi muốn dang rộng cánh tay tiếp đón các vận động viên trong cộng đồng Olympic, bên cạnh các vận động viện khác, không chỉ tranh tài thể thao cùng nhau, và có thể cùng sống tại làng Olympic”.Ủy ban quốc tế Olympic muốn nhấn mạnh đến sự hiện diện của một phái đoàn đa văn hóa, đại diện cho hàng triệu người phải đi tị nạn, tha hương, do xung đột địa chính trị, chiến tranh,…Gần một năm sau đó, 10 vận động viên, có nguồn gốc từ Syria, Nam Sudan, Ethiopia, hay Cộng Hòa Congo đã có mặt tại Thế Vận Hội Rio ở Brazil vào năm 2016, tranh tài cùng 11.000 vận động viên đến từ hơn 200 phái đoàn trên thế giới. Quyết định này được coi là một thông điệp “hòa bình, hòa nhập và về hy vọng” cho hàng triệu người buộc phải tha hương trên khắp thế giới, truyền cảm hứng bằng tinh thần thể thao, bằng sự kiên cường và lòng dũng cảm.Sự xuất hiện của các vận động viên tị nạn tại Thế Vận Hội Rio 2016 cũng đã truyền cảm hứng cho nhiều bộ phim, chẳng hạn như phim Les nageuses của đạo diễn Sally El Hosaini, kể về một câu chuyện có thực về hai chị em vận động viên bơi, người Syria, Yusra và Sarah Mardini. Cuộc nội chiến ở Syria đã thôi thúc hai chị em rời khỏi đất nước, vượt biển trên chiếc thuyền thô sơ, nguy hiểm, vượt rừng để đến Đức. Với giấc mơ được tham dự Olympic Tokyo, Yusra không ngừng nghỉ luyện tập tại một câu lạc bộ bơi ở Đức. Tuy nhiên, tình hình địa chính trị bất ổn khiến cô không thể tham dự dưới màu cờ Syria. Thông báo thành lập Đội tuyển Olympic cho người tị nạn đã thắp lại hy vọng tham gia Olympic cho Yusra, dù cô muốn được công nhận là vận động viên có thực lực để tranh tài chứ không phải được tuyển đi thi vì “lòng thương hại đối với người tị nạn”.Tài năng thể thao bỏ xa chặng đường tị nạn gian nanĐể được lựa chọn vào đội tuyển này, các vận động viên tị nạn phải tuân thủ một số tiêu chí, phải đạt được thành tích cao trong môn thể thao của mình, và được cơ quan tị nạn của Liên Hiệp Quốc công nhận quy chế tị nạn. Ủy ban Olympic Quốc tế cho biết cũng xét đến “sự đại diện mang tính cân bằng trong các môn thể thao, về giới tính và cả về khu vực”.Bà Anne-Sophie Thilo, phụ trách về truyền thông của Đội tuyển người tị nạn Olympic, trả lời RFI Pháp ngữ, đưa ra nhận định : “Mọi người thường nhìn họ dưới ống kính "người tị nạn", nhưng trên hết, đó là những vận động viên, là những con người. Điều kết nối các vận động viên này với nhau trong một đội tuyển, là hành trình tị nạn của cá nhân của mỗi người. Dĩ nhiên, đó là các vận động viên trẻ, muốn có trải nghiệm và họ thường trò chuyện, trao đổi về thể thao nhiều hơn là các chủ đề khác.”Tại Thế Vận Hội ở Brazil 2016, 10 vận động viên thi đấu dưới màu cờ của Olympic. Năm năm sau đó, tại Tokyo, đội tuyển người tị nạn Olympic chính thức được thành lập, với gần 30 vận động viên. Paris 2024 là lần thứ ba các vận động viên Olympic và Paralympic của đội tuyển người tị nạn tham gia thi đấu. Tại Thế Vận Hội năm nay, nếu đội tuyển Paralympic gồm 8 vận động viên, thì đội tuyển người tị nạn Olympic hồi tháng Bảy vừa qua gồm 36 vận động viên, hầu hết là người Iran, Afghanistan, Syria và một số nước châu Phi, được cấp quy chế tị nạn ở các nước châu Âu.Tại sự kiện do Paris tổ chức, lần đầu tiên, cả đội tuyển người tị nạn Olympic và Paralympic được thi đấu dưới lá cờ trắng, in hình trái tim đỏ, bao quanh bởi các mũi tên đen, cùng các vòng tròn Olympic, tạo nên biểu tượng riêng của đội tuyển người tị nạn. Nếu vận động viên tị nạn nào giành được huy chương vàng, là cờ này sẽ được kéo lên trên nền bài hát của Thế Vận Hội, thay cho quốc ca.Bà Masomah Ali Zada, người Afghanistan, cựu vận động viên đua xe đạp, hiện là lãnh đạo của đội tuyển người tị nạn Olympic, trả lời RFI Pháp Ngữ, cho biết : “Đội đã lớn mạnh. Lần cuối cùng tôi tham gia, đội chỉ có 29 người, thì nay lên đến 36 người. Có thể nói là gia đình Olympic đã lớn mạnh. Điểm chung của tất cả các vận động viên, đó là tinh thần kiên cường và đều có giấc mơ được tham gia vào Thế Vận Hội. Họ đã gặp nhiều khó khăn trên chặng đường của mình, nhưng không ai bỏ cuộc.” Về phần mình, cô Nyasha Mharakurwa, cựu vận động viên quần vợt, người đứng đầu đội tuyển tị nạn Paralympic muốn nhấn mạnh đến tài năng của các vận động viên khi vượt qua nhiều đối thủ, được công nhận, như tất cả những người khác, đạt điều kiện để tham gia Thế Vận Hội. Cô Nyash giải thích : “Tại các phái đoàn khác, lớn mạnh hơn, cạnh tranh cao hơn nhưng không phải ai cũng giành được huy chương, ngay cả các nước phát triển. Đó là bằng chứng cho thấy sự hiện diện của các vận động viên tị nạn tại sự kiện này là hoàn toàn xứng đáng. Điều quan trọng nhất theo tôi là việc tuyển chọn các vận động viên vào đội tuyển tị nạn. Bởi vì, trái với phái đoàn từ các quốc gia mà họ đã biết đi tìm vận động viên ở đâu, thì đối với những vận động viên tị nạn, họ phải di chuyển. Ngoài việc thay đổi quốc tịch theo nơi mà họ sinh sống, trong vài tháng, họ có thể trở thành vận động viên trong một tình huống khác.”Chính vì vậy theo cô Nyasha, từ nay cho đến Thế Vận Hội Los Angeles 2028, cần phải liên lạc với tất cả các hiệp hội thể thao, thành viên của Ủy ban Paralympic quốc tế, để có thể mở rộng đội tuyển tị nạn, kết nạp thêm thành viên mới. Sự ra đời của đội tuyển tị nạn Olympic và Paralympic, không chỉ để giúp các vận động viên có cơ hội tham gia vào sự kiện thể thao lớn nhất hành tinh 4 năm một lần, mà còn hỗ trợ họ trong quá trình luyện tập, để đi tranh tài, bởi đa phần, họ không nhận được trợ giúp như các vận động viên đến từ các nước khác.

Dans cet épisode captivant du Squad de la Performance, nous plongeons au cœur de la natation artistique avec Anthony Fournier, kinésithérapeute du sport spécialisé en thérapie manuelle. En tant qu'expert travaillant avec les danseurs du ballet et la Fédération Française de Natation Artistique, Anthony partage son expérience unique à l'intersection de l'art et du sport.Au fil de notre conversation, nous explorons comment cette discipline fascinante, qui combine grâce et endurance, est à la fois un art visuel et une performance sportive de haut niveau. Anthony nous dévoile son rôle clé dans la préparation et la récupération des athlètes et les stratégies qu'il utilise pour prévenir les blessures. Nous discutons également des défis quotidiens d'un kiné pendant les compétitions internationales, de l'équilibre entre entraînement physique et technique, et de la place essentielle du stretching dans la performance de ces sportifs.Cet épisode est une immersion complète dans l'univers des athlètes artistes, où chaque mouvement est travaillé pour atteindre l'excellence. Si vous êtes curieux de découvrir comment l'art et le sport se rejoignent pour créer des performances aquatiques spectaculaires, cet épisode est fait pour vous ! ▬▬▬▬▬▬▬▬▬▬▬ TIMELINE ▬▬▬▬▬▬▬▬▬▬▬ Chapitre 1 : Natation Synchronisée - Sport, Art ou les Deux ?Discussion sur la nature hybride de la natation artistique, entre performance sportive et expression artistique. Chapitre 2 : Éviter l'Hyperspécialisation - L'Importance de la Diversité Corporelle Chapitre 3 : Une Journée Type d'un Kiné en Compétition Chapitre 4 : Collaboration avec les Structures de Haut Niveau (Pôles, INSEP etc) Chapitre 5 : La Charge de Travail des Athlètes de Natation Artistique. Éclairage sur les volumes d'entraînement (nombre d'heures par semaine, répétition des mouvements, etc.).Rôle de la chorégraphie dans cet entraînement. Chapitre 6 : Blessures Courantes et Prévention Les types de blessures les plus fréquentes chez les nageuses artistiques. Stratégies pour les prévenir. Chapitre 7 : La Bobologie en Compétition - Les Solutions de l'Instant. Les soins courants prodigués par Anthony en pleine compétition. Outils et techniques préférés pour soulager rapidement les athlètes. Chapitre 8 : Stretching et Kinésithérapie - Une Alliance Essentielle Quand et comment intégrer le stretching dans la routine des athlètes ? La place du kiné dans ce processus. ▬▬▬▬▬▬▬▬▬▬▬ MES RÉSEAUX SOCIAUX ▬▬▬▬▬▬▬▬▬▬▬ Instagram : ⁠⁠⁠⁠⁠⁠https://www.instagram.com/max.physiosport/⁠⁠ Tiktok : ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@max.physiosport⁠⁠⁠ Linkedin : ⁠⁠⁠https://www.linkedin.com/in/maxence-ponthus-16ba27161/⁠⁠ ▬▬▬▬▬▬▬▬▬▬▬ SES RÉSEAUX SOCIAUX ▬▬▬▬▬▬▬▬▬▬▬ https://www.instagram.com/antho.artsports/ ▬▬▬▬▬▬▬▬▬▬▬ PARTENAIRE ▬▬▬▬▬▬▬▬▬▬▬ Clique sur le lien ci dessous ⁠ https://www.NUTRIPURE.fr/fr/?s=maxphysio⁠ ou Entre le code " maxphysio " à la création du compte sur ⁠nutripure.fr⁠ pour une remise de 10% toute l'année. **Références :** Allez, ne rate pas cet épisode bourré de conseils et d'astuces pour améliorer tes performances !

La France a sa fabrique des champions, l'Insep. Dans « La Story », le podcast d'actualité des « Echos », nous rediffusons un épisode de juillet 2021 où Pierrick Fay et Laurent-David Samama faisaient découvrir l'Institut national du sport, de l'expertise et de la performance qui est derrière la plupart des médailles tricolores.Retrouver l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastoryLa Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en juillet 2021 et juillet 2024. Rédaction en chef : Clémence Lemaistre. Invité : Laurent David Samama (journaliste pour « Les Echos Week-End »). Réalisation : Willy Ganne et Nicolas Jean. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Eliot Blondet-POOL/SIPA. Sons : BFM TV, Olympic Channel, Ina, France 2, Franceinfo, Canal+, France 24. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Parmi les chiffres spectaculaires associés aux J.O. : la logistique pour nourrir les athlètes, avec la cantine du village olympique et ses 3 500 places, accessibles 24 heures sur 24, pour nourrir au quotidien 14 500 sportifs, ce qui représente 40 000 repas journaliers. Si une alimentation saine et équilibrée est recommandée pour tous, qu'en est-il des organismes des sportifs, sollicités au maximum au cours des compétitions ? Quels sont les besoins des athlètes en quête de performance ? Apports en vitamines, minéraux, protéines : faut-il adapter son alimentation en fonction de la discipline ? Comment veiller à une hydratation optimale ?Nous abordons également la question du sommeil des sportifs de haut niveau, avec un accent particulier sur la qualité du repos, qui va conditionner la performance.L'impact de ce sommeil sur les résultats sportifs fait l'objet d'études, pour comprendre les variables en termes de récupération, de cicatrisation musculaire ou de prévention du risque de blessures. Comment concilier la performance avec les entraînements intensifs, décalage horaire et stress ambiant ? Julien Louis, nutritionniste sportif de l'équipe cycliste française Décathlon AG2R, professeur associé en nutrition et physiologie de l'exercice à l'Université John Moores de Liverpool en Angleterre et chercheur associé en nutrition à l'Institut national du sport, de l'expertise et de la performance (Insep, Paris), Dr Jonathan Taieb,médecin spécialiste du sommeil et directeur de l'Institut médical du sommeil, praticien à l'Hôpital Hôtel Dieu de Paris, APHP. Reportage à la Cantine de l'Insep, avec Charlie DupiotChroniques spéciales : « L'édito du Doc » du Dr Philippe Le Van, directeur des services médicaux de Paris 2024 « La rencontre du jour » : Manon Hily, double championne de France d'escalade en difficultés et infirmière en soins intensifs à Marseille. Elle a participé aux épreuves de qualification aux JO, avec Louise Caledec « L'archive du jour » : Alain Mimoun parle de sa préparation et de son alimentation lors des Jeux olympiques de Melbourne en 1956 Programmation musicale : ► Harry Belafonte - Day O ► Monsieur Periné ; Cimafunk – Catalina

Parmi les chiffres spectaculaires associés aux J.O. : la logistique pour nourrir les athlètes, avec la cantine du village olympique et ses 3 500 places, accessibles 24 heures sur 24, pour nourrir au quotidien 14 500 sportifs, ce qui représente 40 000 repas journaliers. Si une alimentation saine et équilibrée est recommandée pour tous, qu'en est-il des organismes des sportifs, sollicités au maximum au cours des compétitions ? Quels sont les besoins des athlètes en quête de performance ? Apports en vitamines, minéraux, protéines : faut-il adapter son alimentation en fonction de la discipline ? Comment veiller à une hydratation optimale ?Nous abordons également la question du sommeil des sportifs de haut niveau, avec un accent particulier sur la qualité du repos, qui va conditionner la performance.L'impact de ce sommeil sur les résultats sportifs fait l'objet d'études, pour comprendre les variables en termes de récupération, de cicatrisation musculaire ou de prévention du risque de blessures. Comment concilier la performance avec les entraînements intensifs, décalage horaire et stress ambiant ? Julien Louis, nutritionniste sportif de l'équipe cycliste française Décathlon AG2R, professeur associé en nutrition et physiologie de l'exercice à l'Université John Moores de Liverpool en Angleterre et chercheur associé en nutrition à l'Institut national du sport, de l'expertise et de la performance (Insep, Paris), Dr Jonathan Taieb,médecin spécialiste du sommeil et directeur de l'Institut médical du sommeil, praticien à l'Hôpital Hôtel Dieu de Paris, APHP. Reportage à la Cantine de l'Insep, avec Charlie DupiotChroniques spéciales : « L'édito du Doc » du Dr Philippe Le Van, directeur des services médicaux de Paris 2024 « La rencontre du jour » : Manon Hily, double championne de France d'escalade en difficultés et infirmière en soins intensifs à Marseille. Elle a participé aux épreuves de qualification aux JO, avec Louise Caledec « L'archive du jour » : Alain Mimoun parle de sa préparation et de son alimentation lors des Jeux olympiques de Melbourne en 1956 Programmation musicale : ► Harry Belafonte - Day O ► Monsieur Periné ; Cimafunk – Catalina

À l'occasion des JO de Paris 2024, 10 500 athlètes vont concourir dans 329 épreuves. Des sportifs de haut niveau, qui ont su se démarquer de leurs rivaux, lors des qualifications, grâce à l'alliance de la performance physique et de la préparation psychique. Comment au fil des années, l'encadrement repère, sélectionne, valorise et accompagne-t-il les meilleur.es ? Avec nos invités, nous nous intéressons à ce qui distingue un bon sportif d'un athlète d'excellence, mais aussi en termes de motivation, ce qui pousse à cet engagement dans le sport et la compétition.  Entraînement, exigence, endurance, gestion du stress…Comment les sportifs sont-ils accompagnés sur le plan psychologique et physique ? Comment gérer les émotions avant et après la compétition ? Hubert Ripoll, fondateur du premier laboratoire français de psychologie cognitive appliquée au sport, à l'Institut national du sport (INSEP) et auteur du livre Le mental des champions. Comprendre la réussite sportive, édité par la petite biblio Payot psychologie. en duplex (France Bleu Provence)  Témoignage de l'athlète Enzo Lefort, champion olympique d'escrime, avec Tom Malki Reportage de Tom Malki sur les « championnes de demain », à l'Institut national du footballChroniques spéciales : « L'édito du Doc » du Dr Philippe Le Van, directeur des services médicaux de Paris 2024 « La rencontre du jour » : Christophe Audouard, porteur de la flamme olympique et capitaine de l'équipe de France des greffés et transplantés, avec Louise Caledec « L'archive du jour » : Jeux olympiques de Sydney en 2000 avec Marie-José Pérec Programmation musicale : ► Modjo - Lady (Hear me tonight)► Faada Freddy – So amazing

À l'occasion des JO de Paris 2024, 10 500 athlètes vont concourir dans 329 épreuves. Des sportifs de haut niveau, qui ont su se démarquer de leurs rivaux, lors des qualifications, grâce à l'alliance de la performance physique et de la préparation psychique. Comment au fil des années, l'encadrement repère, sélectionne, valorise et accompagne-t-il les meilleur.es ? Avec nos invités, nous nous intéressons à ce qui distingue un bon sportif d'un athlète d'excellence, mais aussi en termes de motivation, ce qui pousse à cet engagement dans le sport et la compétition.  Entraînement, exigence, endurance, gestion du stress…Comment les sportifs sont-ils accompagnés sur le plan psychologique et physique ? Comment gérer les émotions avant et après la compétition ? Hubert Ripoll, fondateur du premier laboratoire français de psychologie cognitive appliquée au sport, à l'Institut national du sport (INSEP) et auteur du livre Le mental des champions. Comprendre la réussite sportive, édité par la petite biblio Payot psychologie. en duplex (France Bleu Provence)  Témoignage de l'athlète Enzo Lefort, champion olympique d'escrime, avec Tom Malki Reportage de Tom Malki sur les « championnes de demain », à l'Institut national du footballChroniques spéciales : « L'édito du Doc » du Dr Philippe Le Van, directeur des services médicaux de Paris 2024 « La rencontre du jour » : Christophe Audouard, porteur de la flamme olympique et capitaine de l'équipe de France des greffés et transplantés, avec Louise Caledec « L'archive du jour » : Jeux olympiques de Sydney en 2000 avec Marie-José Pérec Programmation musicale : ► Modjo - Lady (Hear me tonight)► Faada Freddy – So amazing

durée : 00:20:02 - L'invité de 8h20 : le grand entretien - par : Simon Le Baron - Que mangent les sportifs des JO ? Le chef trois étoiles Alexandre Mazziaa a été chargé de préparer les repas au village olympique. L'ancienne championne de judo Véronique Rousseau est aujourd'hui diététicienne-nutritionniste du sport à l'Institut national du sport (Insep). - invités : Alexandre Mazzia, Véronique ROUSSEAU - Alexandre Mazzia : Chef du restaurant "AM", Véronique Rousseau : Professeur de sport, diététicienne-nutritionniste à l'INSEP

durée : 00:20:02 - L'invité de 8h20 : le grand entretien - par : Simon Le Baron - Que mangent les sportifs des JO ? Le chef trois étoiles Alexandre Mazziaa a été chargé de préparer les repas au village olympique. L'ancienne championne de judo Véronique Rousseau est aujourd'hui diététicienne-nutritionniste du sport à l'Institut national du sport (Insep). - invités : Alexandre Mazzia, Véronique ROUSSEAU - Alexandre Mazzia : Chef du restaurant "AM", Véronique Rousseau : Professeur de sport, diététicienne-nutritionniste à l'INSEP

Aujourd'hui, j'ai eu le plaisir d'interviewer Florent Bodin, le réalisateur du documentaire Champion(s), qui a partagé son immersion dans l'intimité des athlètes olympiques français à l'INSEP. Nous avons discuté du message puissant véhiculé par la série documentaire, mettant en avant les valeurs, la résilience et les coulisses méconnues du sport de haut niveau français. Florent a souligné les motivations des athlètes et l'importance des objectifs à court terme pour atteindre le succès. La confiance et le temps passé ensemble sont essentiels pour capturer des moments authentiques avec les sportifs. L'entourage des athlètes joue un rôle crucial, tout comme la diversité des disciplines à l'INSEP et la gestion de la pression et des blessures. Enfin, nous avons évoqué l'impact des médailles olympiques et l'importance de célébrer les athlètes paralympiques, encourageant les auditeurs à regarder le documentaire pour soutenir ces athlètes remarquables. ▬▬▬▬▬▬▬▬▬▬▬ TIMELINE ▬▬▬▬▬▬▬▬▬▬▬ 0:00 Introduction 4:31 Le message de la série Champion(s) 10:12 Perception des champions en France et à l'étranger 16:30 La mentalité dans le sport français 22:01 Pénétrer dans l'intimité des staff de l'INSEP 28:15 Points communs et différences entre les disciplines 44:45 Rôle des préparateurs physiques à l INSEP 50:49 Impact des blessures sur les sportifs 55:20 Différences culturelles dans la formation des athlètes 58:07 Média training et image des athlètes 1:01:26 La vie des athlètes en dehors de l'INSEP 1:03:53 Suivi psychologique des athlètes français 1:22:31 Anecdotes & détermination de Sacha Zoya 1:27:36 Dossard manquant et disqualification 1:30:39 Le choix des athlètes pour les Jeux Olympiques de Paris 2024 ▬▬▬▬▬▬▬▬▬▬▬ MES RÉSEAUX SOCIAUX ▬▬▬▬▬▬▬▬▬▬▬ Instagram : ⁠⁠⁠⁠⁠⁠https://www.instagram.com/max.physiosport/⁠⁠ Tiktok : ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@max.physiosport⁠⁠⁠ Linkedin : ⁠⁠⁠https://www.linkedin.com/in/maxence-ponthus-16ba27161/⁠⁠ ▬▬▬▬▬▬▬▬▬▬▬ SES RÉSEAUX SOCIAUX ▬▬▬▬▬▬▬▬▬▬▬ https://www.instagram.com/florent_bodin/ ▬▬▬▬▬▬▬▬▬▬▬ PARTENAIRE ▬▬▬▬▬▬▬▬▬▬▬ Clique sur le lien ci dessous ⁠https://www.NUTRIPURE.fr/fr/?s=maxphysio⁠ ou Entre le code " maxphysio " à la création du compte sur ⁠nutripure.fr⁠ pour une remise de 10% toute l'année. **Références :** Documentaire Champion(s) : https://www.france.tv/slash/champions/ Allez, ne rate pas cet épisode bourré de conseils et d'astuces pour améliorer tes performances !

durée : 00:04:53 - franceinfo junior - Sur le sujet, les enfants de franceinfo junior se mettent à table et interviewent Arthur Voisin, nutritionniste et diététicien à l'Institut national du sport et de la performance (INSEP).

La flamme olympique est arrivée vers 17h à l'Insep et a été relayée par d'anciens porte-drapeaux olympiques comme Christine Caron, Marie-José Pérec, Laura Flessel ou encore David Douillet. La flamme est ensuite attendue au sommet de la tour Eiffel.

La flamme olympique est arrivée vers 17h à l'Insep et a été relayée par d'anciens porte-drapeaux olympiques comme Christine Caron, Marie-José Pérec, Laura Flessel ou encore David Douillet. La flamme est ensuite attendue au sommet de la tour Eiffel.

Il était une fois, l'histoire d'un enfant né sous le signe du taekwondo, qui avait décidé très jeune que les tatamis seraient son royaume. Le petit Dylan, à l'âge de 5 ans, ne savait pas encore que les rues de Cergy-Pontoise allaient être le théâtre de ses premiers pas vers l'excellence.

The emblematic agency Leclercq Associés, after issues #19 and #20 of Season 2, returns to Com d'Archi for a series of podcasts, with guests and themes of its choice. This week, we open the series with a fluoroscopy on the subject of "Wood that cities are made of"! This is the theme and the title of the book that the agency Leclercq Associés has just published at Park Books; an opportunity to look at the theme of the investigation conducted by Michèle Leloup journalist, with François Leclercq, Paul Laigle and Charles Gallet architects associates, during the production of this beautiful book. Cyrille Weiner, photographer and editorial director, as well as Jad Hussein for the graphic design are also mentioned. The question of the context of the publication of the book, the role given to wood in general and also in particular in the manufacture of the French city today, indications on the way the sector works are all subjects to be found in this issue of Com d'Archi Podcast.Because wood is an ideal building material for sustainable architecture. But how do we actually source it, and how do we ensure that our forestry practices and processing are updated for the future? How does the use of wood challenge traditional notions of expertise and qualification in architecture, engineering and construction? The field survey reported here provides an overview of the current urban policy-induced paradigm shift affecting both the construction sector and project designers.A pioneer in high-level sports and educational architecture at the turn of the millennium, Leclercq Associés bases its investigation on the references presented in the book: five major wood construction projects deeply rooted in their environment: Lycée Jean-Baptiste Corot in Savigny-sur-Orge (2000-2009), the INSEP sports campus in Paris (2005-2014), Lycée Nelson Mandela on the Île de Nantes (2011-2014), the Arboretum eco-campus in Nanterre, and Sous Le Signe Du Bois, a residential complex in Vélizy-Villacoublay.Esther reads this text. The book can be ordered from the Leclercq Associés website._____Image DR © Leclercq AssociésSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

The NBA's next season is set to kick off with the "Michael Jordan" of French basketball, Victor Wembanyama. All eyes are on the 2.24-metre-tall mega talent who joined the San Antonio Spurs in June. He follows in the footsteps of Tony Parker, who was inducted into the NBA's Hall of Fame in August. France in Focus takes a look at the players who have made it into the American league, past and present. We also head to the French mecca of sports, INSEP, to see the rigorous training French athletes follow. Lastly, we look at what it means for French clubs and France when they lose their star players to the NBA.

Depuis quelques semaines l'équipe française de break dance, ou “breaking”, le nom officiel de la discipline, a commencé l'entrainement pour les JO 2024 dans le temple français des champions olympiques, l'Institut national du sport, de l'expertise et de la performance (Insep). Entourés de toute une équipe de pros qui les préparent, ces autodidactes sont ravis. Et bien décidés à décrocher des médailles pour cette nouvelle discipline aux JO sans dénaturer leur danse née dans les ghettos de New York. Sur le terrain: François d'Astier et Jacques-Alexandre Brun Réalisation: Michaëla Cancela-Kieffer Cet épisode a été diffusé pour la première fois le 10 octobre 2022    Retrouver l'article de François ici: https://information.tv5monde.com/info/le-breaking-trouve-son-rythme-avant-les-jo-de-paris-473384 Sur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ? Ecrivez-nous à podcast@afp.com ou sur notre compte Instagram. Vous pouvez aussi nous envoyer une note vocale par Whatsapp au + 33 6 79 77 38 45.  Si vous aimez, abonnez-vous, parlez de nous autour de vous et laissez-nous plein d'étoiles sur votre plateforme de podcasts préférée pour mieux faire connaître notre programme !  

Depuis quelques semaines l'équipe française de break dance, ou “breaking”, le nom officiel de la discipline, a commencé l'entrainement pour les JO 2024 dans le temple français des champions olympiques, l'Institut national du sport, de l'expertise et de la performance (Insep). Entourés de toute une équipe de pros qui les préparent, ces autodidactes sont ravis. Et bien décidés à décrocher des médailles pour cette nouvelle discipline aux JO sans dénaturer leur danse née dans les ghettos de New York. Sur le terrain: François d'Astier et Jacques-Alexandre Brun Réalisation: Michaëla Cancela-Kieffer   Retrouver l'article de François ici: https://information.tv5monde.com/info/le-breaking-trouve-son-rythme-avant-les-jo-de-paris-473384 Sur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ? Ecrivez-nous à podcast@afp.com ou sur notre compte Instagram. Vous pouvez aussi nous envoyer une note vocale par Whatsapp au + 33 6 79 77 38 45.  Si vous aimez, abonnez-vous, parlez de nous autour de vous et laissez-nous plein d'étoiles sur votre plateforme de podcasts préférée pour mieux faire connaître notre programme !