Podcasts about Johann Sebastian Bach

Even after I publish a Countermelody episode on a favorite singer, I continue to collect material on them, which I then occasionally fold into a potpourri episode of vocal and musical delights. I have dubbed such episodes part of my “Rescue Mission” series and I'm tempted to call today's episode I'm tempted to call “Friend Edition” (even though there are several good friends I've made in recent years who are not represented today). Be that as it may, I do love putting out such episodes, especially as it gives new listeners some idea of the range and depth of the podcast, and the joys of dipping into Countermelody's back catalogue. For today's episode I spread the net particularly wide, and in some cases went way back into my archives so present you with some rarities which I have programmed in such a way to take us from the despair and confusion that many of us are feeling right now into a place of both resolution and resolve to keep holding on and fighting for what is right. Today's setlist includes many Countermelody favorites: tenors George Shirley, Peter Pears, and Jerry Hadley; baritones William Parker and Jorma Hynninen, mezzo-soprano Maureen Lehane; and sopranos Eleanor Steber, Carol Neblett, Sarah Reese, Anne Wiggins Brown, Veronica Tyler, Annabelle Bernard, Denise Duval, Lois Marshall, Gloria Davy, and April Cantelo; with appearances by other great singers who have not yet been featured in full episodes, including Franco Corelli, Sandra Warfield, Helen Watts, Émile Belcourt, Valerie Masterson, and, in memoriam, Béatrice Uria-Monzon. We hear music from César Franck, Ottorino Respighi, Johann Sebastian Bach, Giacomo Puccini, Pyotr Il'yich Tchaikovsky, Franz Schubert, George Gershwin, Gioachino Rossini, Leonard Bernstein, Coleridge-Taylor Perkinson, Emmanuel Bondeville, and Giacomo Meyerbeer. As always, queer artists and artists of color are prominently featured, as one of my objectives in producing this podcast is to foreground such historical artists as essential to our growth and self-awareness. If you're just getting to know the podcast, this is as good a place to start as anywhere! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Den 20. Juli kann een e ganz besonnesche Velostuer maachen. De Start ass op der Mierscher Gare, an a puer Etappe fiert een op Schëndels, Mamer, Kohler a Péiteng. Bei all Statioun kann een e Concert mat Musek vum Johann Sebastian Bach lauschteren. De Rosch Mirkes, President vun der Bach-Vereenegung Lëtzebuerg huet mam Marie Trussart iwwer de Programm geschwat an ënner anerem verroden, wéi de Projet entstanen ass.

When you enter the great hall of the Thomas Jefferson building at the Library of Congress in Washington, the first exhibit you will be facing is their Gutenberg Bible. And it is one of the finest Gutenberg bibles around, one of only three surviving pristine copies on vellum. This was the kind of bible that was so expensive to produce, it bankrupted Gutenberg. When the Library of Congress bought it in 1930, they paid $375,000, roughly $7.5m in today's money. But this is not the most expensive piece in the library's collection. That would a work by two Germans, Martin Waldseemüller and Matthias Ringmann. And it is not even a book, but a map. Not a small map, it is 2.3m or 91 inches wide and 1.3m or 50 inches tall. And this map, printed in 1507 claimed to be:A DESCRIPTION OF THE WHOLE WORLD ON BOTHA GLOBE AND A FLAT SURFACE WITH THE INSERTIONOF THOSE LANDS UNKNOWN TO PTOLEMYDISCOVERED BY RECENT MENAnd the authors wrote that the three continents known since antiquity, Europe, Africa and Asis, quote "have in fact now been more widely explored, and a fourth part has been discovered by Amerigo Vespucci (as will be heard in what follows). Since both Asia and Africa received their names from women, I do not see why anyone should rightly prevent this [new part] from being called Amerigen—the land of Amerigo, as it were—or America, after its discoverer, Americus, a man of perceptive character." End quote. This fourth part, they said was “surrounded on all sides by the ocean”. And indeed, in the left lower corner we find a fourth continent, a thin, stretched thing, with few place names and a western shore that hints at the Peruvian bulge, unmistakably, South America and then to north of it a very indistinguishable blob of land.This map, proudly displayed as America's Birth Certificate, is full of the most intriguing mysteries. How did Waldseemüller and Ringmann know that the Americas had a western shore, when it was only in 1513, 6 years later, that a European first glanced the Pacific? How did the name America stick though Amerigo Vespucci had neverled an expedition, not even commanded a ship? But most of all, why was this first map of America drawn not by a Spanish or Portuguese navigator, but by two Germans in the employ of the duke of Lorraine, working in St. Die, which is as far away from the sea as one can get in Western Europe. And then, more generally, what did the Germans have to do with the discoveries, the maps and globes that told the world about them? That is what we will explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram:

Isaiah 62:6-12, 1 Timothy 1:12-17, Romans 5Hymn: Jesu, Joy of Our Desiring

Enjoy the beautiful and meditative music of Johann Sebastian Bach's Wer weiß, wie nahe mir mein Ende (“Who knows how near to me is my end”). The music is conducted by Rudolf Lutz with the Chor & Orchester der J. S. Bach-Stiftung, and is set to images from various astronauts aboard the International Space Station. Series: "Arts Channel " [Arts and Music] [Show ID: 40952]

Enjoy the beautiful and meditative music of Johann Sebastian Bach's Wer weiß, wie nahe mir mein Ende (“Who knows how near to me is my end”). The music is conducted by Rudolf Lutz with the Chor & Orchester der J. S. Bach-Stiftung, and is set to images from various astronauts aboard the International Space Station. Series: "Arts Channel " [Arts and Music] [Show ID: 40952]

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the fifth season:Christmas Oratorio, Johann Sebastian BachMass in B Minor, Johann Sebastian Bach (x2)Trois Chansons Bretonnes, Henk BadingsThe Sweetheart of the Sun, Eric William BarnumEin Deutsches Requiem, Johannes BrahmsThe Music Makers, Edward ElgarThe Ground, Ola GjeiloKalinda, Sydney GuillaumeMeasure Me, Sky, Elaine HagenbergMessiah, George Frideric HandelLas Amarillas, Stephen HatfieldGloucester Service, Herbert HowellsWhere the Light Begins, Susan LaBarrO Magnum Mysterium, Morten LauridsenSymphony No. 2 (The Resurrection), Gustav MahlerElijah, Felix MendelssohnVespers of 1610 , Claudio MonteverdiExaudi, Jocelyn MorlockAve Verum Corpus, Wolfgang Amadeus MozartLacrimosa (from Requiem), Wolfgang Amadeus MozartMori quasi il mio core, Giovanni Pierluigi da PalestrinaThe Call, Roxana PanufnikI Was Glad, Hubert Hastings ParryBogoroditse Devo (from All-Night Vigil), Sergei RachmaninoffTo the Hands, Caroline ShawGod So Loved the World (from The Crucifixion), John StainerIf Ye Love Me, Thomas TallisDona Nobis Pacem, Ralph Vaughan WilliamsVa Pensiero (from Nabucco), Giuseppe VerdiHere are the composers that our guests suggested you check out:Dominick ArgentoJohann Sebastian BachBenjamin BrittenSaunder ChoiJennifer Lucy CookRob DietzReena Esmail (our guest on Episode 50)Rachel FogertyJoshua HinesKevin JohnsonSusan LaBarrAndrew LippaRyan MainIly Matthew ManianoFrancis PoulencZanaida Robles (x2)R. Murray SchaferRobert SchumannCaroline ShawBarbara StrozziTracy Wong (our guest on Episode 58)Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Uechter d'Welt huet dës Plack zanter 70 Joer Kultstatus: rieds geet vum kanadesche Pianist Glenn Gould sengem Enregistrement vum Johann Sebastian Bach senge “Goldberg-Variatiounen” am Joer 1955. Dem Glenn Gould seng Plack huet sech an deene 70 Joer zu deem wuel bedeitendste klasseschen Enregistrement vun allen Zäit entwéckelt an de Pianist Glenn Gould gouf domat quasi deen éischte Pop-Star op enger klassescher Concertsbün. Beim Glenn Gould kann een ouni Zweiwel den Term vum Ausnamekënschtler benotzen, hien huet d'Musek vum Bach wéi keen anere gespillt, krut an der Interpretatioun vun anere Komponisten awer net d'Unanimitéit. De Glenn Gould hat en aussergewéinlecht Talent, nieft dem absolutte Gehéier hat hien och eng enorm musikalesch Memoire, wann hien eng Suite vun Noute just eemol héieren huet, da konnt hie se ëmmer nees um Piano reproduzéieren. De Glen Gould, deen 1932 gebuer gouf, ass awer schonn 1982 am Alter vun nëmme 50 Joer gestuerwen, mee duerch säin Enregistrement vun de “Goldberg-Variatiounen” gouf hien onstierflech.

Diese Flitterwochen waren gut! Joaquín Rodrigo macht aus seinen Erinnerungen ein Konzert für Orchester und Gitarre. Logisch – denn er hat die Flitterwochen ja auch in einer spanischen Stadt verbracht! Von Michael Lohse.

Geri Dönüyoruz'un 89. bölümünde Mahir Ünsal Eriş ve Töre Sivrioğlu'nun konuğu Memet Ali Alabora. Müzik Larousse serisinin yeni bölümü için bir araya gelen üçlü, Johann Sebastian Bach'ın oğullarından başlayan sohbette, Boccherini, Brahms, Bizet ve Brucker'e uğrayıp Borodin'e kadar ilerliyor.

Geri Dönüyoruz'un 89. bölümünde Mahir Ünsal Eriş ve Töre Sivrioğlu'nun konuğu Memet Ali Alabora. Müzik Larousse serisinin yeni bölümü için bir araya gelen üçlü, Johann Sebastian Bach'ın oğullarından başlayan sohbette, Boccherini, Brahms, Bizet ve Brucker'e uğrayıp Borodin'e kadar ilerliyor.

Johann Sebastian Bach and Emily Dickinson arrive to talk to us about music and words as transmission, not performance. They talk about the depth of meaning and purpose of your name. They also teach us that we each have a natural tone that we can sound and how this creates entaglement with each other and blossoms into something larger. To join the Foundations course starting June 30, click here Use coupon code "freefriend" or "50off" To book a 55-minute connect call with Gary, click here For more info about the new 7 Rays Activations program, please click here For retreat info, click here          

Folge 277: Könnten sich hinter den Noten der Sonaten und Partiten versteckte Botschaften verbergen? Darüber diskutieren Maul und Schrammek heute und entdecken außerdem in der C-Dur-Sonate Bachs „Große Fuge“.

When two brothers, Ernst and Albrecht of Saxony divided up their enormous inheritance that comprised Thuringia, Meissen and the electorate of Sachsen-Wittenberg, they not only undermined their power base as the de facto #2 amongst the imperial principalities and planted the seed for a conflict that would play a key role in the Reformation but they also laid the foundations for the modern Länder of Thuringia and Saxony. And this division was not driven by the usual family feud but came after 20 years of largely harmonious government and a shared childhood trauma. Why they took, or had to take this fateful step, is what we will discuss today.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Part 1 Metamagical Themas by Douglas R. Hofstadter Summary"Metamagical Themas: Questing for the Essence of Mind and Pattern" is a collection of essays by Douglas R. Hofstadter, published in 1985. The book explores a variety of themes related to consciousness, creativity, and the nature of patterns found in human thought and culture. Here are some key aspects of the book's content:Patterns and Symmetries: Hofstadter delves into the concept of patterns, emphasizing how they manifest not only in mathematics and art but also in human cognition and language. He introduces the idea that many intellectual phenomena can be seen as instances of underlying patterns that recur across different domains.Self-Reference and Strange Loops: A significant portion of the book discusses self-reference as a cognitive phenomenon. Hofstadter introduces the notion of "strange loops," which are recursive structures that can create a sense of self-awareness and consciousness, exemplified in his earlier work, "Gödel, Escher, Bach."Fine-Tuning of Human Thought: The essays investigate how human minds create, recognize, and manipulate patterns. Hofstadter discusses the cognitive processes involved in understanding abstract concepts, highlighting the role of analogies and metaphors in shaping thought.The Nature of Consciousness: Hofstadter engages with questions about what consciousness is, how it arises, and its implications for understanding the mind. He champions the idea that consciousness is an emergent property of the complex interplay of simpler cognitive processes.Interconnectedness of Disciplines: The book celebrates the interconnectedness of various fields, linking mathematics, computer science, linguistics, and philosophy. Hofstadter uses examples from these disciplines to illustrate his theories about mind and pattern.Exploration of Creative Thinking: Hofstadter discusses creativity as a form of pattern recognition and generation, illustrating how new ideas arise from the manipulation of existing structures. He emphasizes the importance of playfulness and exploration in the creative process.Cultural Reflections: A recurring theme is the relationship between culture and cognition. Hofstadter examines how cultural artifacts and shared knowledge influence individual thought processes.Overall, "Metamagical Themas" serves as a philosophical inquiry into the nature of thought and the underlying structures that shape our understanding of reality. Through a diverse range of topics, Hofstadter invites readers to reflect on the complexity and beauty of human cognition.Part 2 Metamagical Themas AuthorDouglas R. Hofstadter is an American cognitive scientist best known for his works in the fields of cognitive science, artificial intelligence, and philosophy of mind. He was born on February 15, 1945, and is perhaps most famous for his Pulitzer Prize-winning book Gödel, Escher, Bach: An Eternal Golden Braid (1979), which explores deep connections between the works of mathematician Kurt Gödel, artist M.C. Escher, and composer Johann Sebastian Bach. Metamagical ThemasMetamagical Themas: A Quantum Look at Funny Paper was published in 1985. The book is a collection of Hofstadter's essays that delve into various themes including mathematics, cognitive science, and philosophical issues. It is noted for its engaging writing style and explores complex topics in an accessible way, often combined with humor and playfulness. Other Notable WorksHofstadter has authored and edited several influential books, including:Gödel, Escher, Bach: An Eternal Golden Braid (1979) His most famous work, exploring patterns and connections across different fields.Metamagical Themas: A Quantum Look at Funny Paper (1985) A collection of essays reflecting on diverse topics.The Mind's I: Fantasies and Reflections on Self and Soul (1981, co-edited) An anthology

Folge 276: Im Mittelpunkt steht die Chaconne der d-Moll-Partita und damit auskomponiertes Weltkulturerbe. Maul und Schrammek nehmen das Stück genau unter die Lupe und zeigen auch faszinierende Bearbeitungen.

So, why did Holland really leave the empire? Was it because the valiant and tragic countess Jacqueline was “hunted down from one land to the other, all of them mine”. Was it a story of misogyny, betrayal, incompetence and ruthless power politics. Yes, it was. But it was a also a story of economic and climate change and one that links into the herring trade of the Hanseatic League, the decline of Teutonic Knights and even into the Hussite Revolt, topics that seem distant, but mattered. This week we focus on this, the latter part of the storyThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

This Day in Legal History: Atkins v. VirginiaOn June 20, 2002, the U.S. Supreme Court delivered a landmark ruling in Atkins v. Virginia, holding that the execution of individuals with intellectual disabilities violates the Eighth Amendment's prohibition on cruel and unusual punishment. The case centered on Daryl Renard Atkins, who was convicted of abduction, armed robbery, and capital murder in Virginia. During the penalty phase of his trial, defense attorneys presented evidence that Atkins had an IQ of 59 and functioned at the level of a child. Despite this, he was sentenced to death.In a 6-3 decision, the Court reversed its earlier stance from Penry v. Lynaugh (1989), which had allowed such executions. Justice John Paul Stevens, writing for the majority, emphasized the "evolving standards of decency" in American society, noting that a growing number of states had barred the death penalty for individuals with intellectual disabilities. The Court recognized that such defendants are at a heightened risk of wrongful execution due to difficulties in assisting their own defense and the possibility of false confessions.The decision did not establish a national standard for determining intellectual disability, leaving that to the states, but it set a constitutional floor by barring executions in these cases outright. Atkins significantly reshaped the legal landscape of capital punishment, prompting states to revise death penalty statutes and sentencing procedures.The ruling reinforced the importance of individualized sentencing and safeguarded vulnerable populations from the most severe penalties. It also underscored the role of psychological and scientific evidence in constitutional interpretation. While not without criticism, Atkins remains a cornerstone of Eighth Amendment jurisprudence and a key moment in the Court's ongoing reevaluation of capital punishment.Technology giants Apple and Meta are currently facing possible penalties under the EU's Digital Markets Act (DMA), but the European Commission has decided not to immediately fine them—even if they don't fully comply by the deadline next week.In April, both companies were fined—€500 million for Apple and €200 million for Meta—and given 60 days (ending 26 June) to align their practices with DMA requirements. Apple was penalized for preventing app developers from directing users to alternatives outside its platform, infringing DMA fairness rules. Meta was fined for its “pay or consent” system, which required users to either pay for an ad-free experience or agree to extensive personal data use; the Commission saw this as limiting user choice.Since November 2024, Meta has offered a new, lower-data personalized advertising model, which remains under Commission review. The current situation involves ongoing dialogue: any future fines will depend on the outcome of that review and will be imposed only after detailed assessments, rather than automatically once the deadline passed.These April fines were deliberately modest—reflecting the short duration of non-compliance and signaling the EU's priority on achieving compliance over punishment, marking a softer approach compared to previous, harsher antitrust actions. The situation also plays into broader economic tensions: EU leaders have threatened digital advertising taxes in response to recent US tariffs, while a US trade report criticized EU digital regulation as a trade barrier.Tech giants Apple and Meta to escape sanctions for failing to meet EU digital rules | EuronewsA U.S. appeals court has temporarily allowed Donald Trump to retain control over California's National Guard, despite a legal challenge from California Governor Gavin Newsom. The decision from the 9th U.S. Circuit Court of Appeals pauses an earlier ruling by Judge Charles Breyer, who found Trump had unlawfully federalized the Guard without meeting statutory requirements or adequately coordinating with Newsom.The court stated Trump likely acted within his authority and that even if coordination with the governor was insufficient, Newsom lacked the power to override a presidential order. Still, the court left open the possibility of further challenges under laws barring federal troops from engaging in domestic law enforcement. Newsom plans to pursue his challenge, arguing Trump is misusing military force against civilians.The case stems from Trump's deployment of 4,000 National Guard troops and 700 U.S. Marines to Los Angeles earlier in June to suppress protests tied to his immigration policies—actions Newsom said infringed on state sovereignty and legal limits on military involvement in civilian matters. The Trump administration argued troops are protecting federal property, not performing law enforcement.During a hearing, the appellate judges examined whether courts can assess a president's decision to federalize troops under a law allowing such moves only during invasion, rebellion, or when civilian enforcement fails. The court found the last condition may have applied, given protest-related violence. However, it rejected the Justice Department's claim that such presidential decisions are beyond judicial review.The Insurrection Act and related federalization authority are central to this case. The Act allows a president to take control of a state's National Guard in limited situations—such as rebellion or when laws can't be enforced by normal means. This case illustrates both the expansive view of executive power and the judiciary's role in checking it, even amid claims of national emergency.US court lets Trump keep control of California National Guard for nowPresident Trump has once again extended the deadline for TikTok to be sold to a U.S. owner, granting a third 90-day reprieve through an executive order despite lacking a clear legal basis for the extensions. The move allows TikTok to continue operating in the U.S. while negotiations persist to transfer ownership from China-based ByteDance to an American entity. The previous extension fell through when China withdrew from talks following Trump's new tariffs.This delay has not yet faced a court challenge, even though the original ban—passed by Congress and upheld by the Supreme Court—briefly took effect in January. Trump's personal popularity on the platform, where he has more than 15 million followers, adds a political twist to the ongoing negotiations. TikTok praised the decision and emphasized its importance to 170 million users and 7.5 million U.S. businesses.Despite concerns from national security officials and lawmakers like Senator Mark Warner, who accuse the administration of ignoring known risks, the repeated extensions suggest a softening of resolve. Analysts describe the situation as a recurring political maneuver with no clear endpoint—likening it to the endless debates over the debt ceiling.Meanwhile, TikTok continues to roll out new features and expand its services, including AI tools debuted in Cannes, signaling confidence in its long-term U.S. presence. Tech giants Apple, Google, and Oracle remain engaged with TikTok, reassured that the administration won't penalize them under current law.Public opinion has shifted, with fewer Americans now supporting a ban compared to 2023. Concerns remain over data privacy, but many citizens are unsure or opposed to banning the app outright.Trump extends TikTok ban deadline for a third time, without clear legal basisThis week's closing theme is by Johann Sebastian Bach. Johann Sebastian Bach, one of the most influential composers in Western music history, composed the Goldberg Variations, BWV 988, in 1741. Originally written for harpsichord, the work consists of an aria followed by 30 variations, returning to the aria at the end in a da capo structure. It was likely commissioned by Count Hermann Karl von Keyserlingk, a Russian diplomat suffering from insomnia, who wanted music to soothe his sleepless nights—though this origin story is debated.The aria, which opens and closes the piece, is a gentle, sarabande-like melody in G major. Unlike other variation sets built on melodies, Bach bases the Goldberg Variations on the aria's bass line and harmonic structure. This allows for extraordinary variety in texture, form, and mood across the variations, while keeping a consistent foundation.The aria itself is simple and elegant, consisting of two balanced halves, each repeated. Its serene tone contrasts with the technical brilliance and contrapuntal complexity found in many of the following variations. Yet, the aria's emotional restraint and clarity set the tone for the entire cycle.Over the centuries, the Goldberg Variations have come to be seen as a pinnacle of keyboard composition. The aria, both opening and closing the work, serves as a kind of spiritual bookend—calm, contemplative, and timeless. Performers often approach it with reverence, as a moment of stillness and symmetry amid musical adventure.Without further ado, Johann Sebastian Bach's Goldberg Variations, BMV 988 – the aria. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Today begins a two part series about how the Low countries modern day Belgium, Netherlands and Luxemburg shifted out of the Holy Empire. These lands, with the exception of Flanders, had been part of the empire for hundreds of years, ever since Henry the Fowler acquired Lothringia for east Francia in 925 – not by conquest but through diplomacy – as was his way.There are two ways to tell the story of the split away from the empire, one is about the dynastic machinations, the marriages, poisonings and inability to produce male heirs, the other one is about economics and the rising power of the cities. This, the first episode will look at the dynastic story, the pot luck and cunning plans that laid the groundworks for the entity that became known as the Low Countries to emerge, whilst the next one will look at the economic realities that thwarted the ambitions of one of the most remarkable women in late medieval history, Jacqueline of Bavaria, countess of Holland, Seeland and Hainault, and why that was ultimately a good thing, not for her and not for the empire, but for the people who lived in these lands.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

Music has played an important role in church history. In previous episodes, we've talked about many composers who wrote hymns specifically for the church. However, there were also musicians like Bach who wrote sacred and secular music for the glory of God. Bach's compositions covered a wide range of emotions and were filled with theological insights. Join Sophia, Trinity, and Linus as they talk to Dr. Paul Grime, professor of Pastoral Ministry and Mission at Concordia Theological Seminary, about this important composer and his faith.   Show Notes: Bach's pieces that were mentioned in the podcast: Bach's Coffee Cantata: https://www.youtube.com/watch?v=nifUBDgPhl4 The piece Bach wrote shortly before his death is Vor deinem Thron tret ich hiermit ("I hereby come before Your throne"). The catalog number is BW 668. https://www.youtube.com/watch?v=9XTCZ1iUQeQ The cantata movement with the plucking strings imitating the knocking at the door is Cantata 61 (BWV 61), based on the Advent hymn "Savior of the Nations, Come." The movement with the plucked strings begins at the 9:32 mark. The whole cantata is a great example of the genre. https://www.youtube.com/watch?v=MzWJsRjanC4

Folge 274: Welche Werke für Violine solo hätte Johann Sebastian Bach theoretisch kennen können, als ihm die Idee zu den Sonaten und Partiten kam? Diese Frage beschäftigt Maul & Schrammek in dieser Folge.

On November 14th and 15th 1475 one of the grandest events in the history of the Holy Roman Empire took place, the Landshuter Hochzeit, the nuptials of Georg, the Rich, son of Ludwig, the Rich and grandson of Heinrich, the Rich, all of them dukes of Bayern-Landshut, and Hedwig, the daughter of king Kasimir IV of Poland and Lithuania. The event attracted 10,000 guests, amongst them the Counts Palatine on the Rhine, the Dukes of Württemberg, the archduke Maximilian of Austria and the emperor Friedrich III himself. It lasted several days during which the eminent invitees as well as the citizens of Landshut ate, drank, danced and watched an endless row of tournaments, plays and musical performances.The fame of these festivities reverberated through the ages, so that in the 19th century the burghers of the town decided to stage the event again, initially annually and nowadays every 4 years. The reenactment involves over 2,000 participants, and culminates in a procession through the city, complete with bridal carriage, musicians and Landsknechte, all in splendid historical costumes.Which leaves us with more questions than answers. How come the most powerful ruler of central Europe, Kasimir King of Poland and Grand Duke of Lithuania married one of his precious daughters to the son of the ruler of half a duchy, hundreds of miles from his capital; secondly, how such a duke became so rich he could afford to stage an event that counted amongst the grandest weddings of this already very ostentatious century; and lastly, why Landshut is today a gorgeous, but only medium sized country town, and by no means the beating heart of Bavarian commerce, culture and politics. That is what we are going to explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture Controversy

As you can hear from my voice, I am still all bunged up. I tried to record this episode in the usual way and quite frankly it was horrible. But the show has to go on. So I did have to resort to other means. I cloned my voice with elevenlabs and what you will hear now is not me, but bionic me. If that is not for you, just wait, maybe a week, hopefully no longer and I will record the episode again, this time in the traditional good old human way. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Unfortunately I have been felled by manflu a much belittled affliction. So no Agnes Bernauer and Bavarian dukes. That will be next week.For now some completely random stories about Berliner, aka Bismarck Doughnuts for our American friends, why and where and how - featuring Felix Mendelssohn, Richard Wagner, Frederick the Great and Cato the Elder and a guy who cuts the hearts out of one age-old culinary traditions...The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

Johann Sebastian Bach is one of the great composers of all time. What stands out is not only how great his music is, but how much of it he wrote. On this episode we look at his story as well as his habits, strategies, and tactics to see how he left such a lasting impact. 00:00 The Impact of Bach's Music 01:30 Introduction to Johann Sebastian Bach 03:30 Bach's Universal Appeal and Religious Devotion 07:45 Bach's Early Life and Musical Dynasty 09:30 Bach's Mischievous Youth and Early Career 18:00 Bach's Passion for Music and Conflict with Authority 35:45 Bach's Move and Pursuit of Greatness 41:00 Bach's Idyllic Time in Weimar 49:115 Bach's Final Years in Leipzig 55:20 The Famous Encounter with Frederick the Great 01:09:00 Bach's Death and Enduring Legacy 01:10:00 Key Takeaways from Bach's Life ---- Sponsors: TakeoverPod.Supercast.com - All premium content for just $7/month AustinLab.AI - Provides advanced AI tools for businesses of any size GainsInBulk.com/ben - Use code Ben for 20% off instantized creatine and more Speechify.com/ben - Use code Ben for 15% off Speechify premium Founders Podcast

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Hello and welcome to the History of the Germans: Episode 194 – The Fuggers of Augsburg, which is also episode 10 of Season 10 “The Empire in the 15th Century”Jakob Fugger had been dubbed the Richest Man Who Ever Lived, but there are many more contenders, my favorite being an African, Mansa Musa, the ninth Mansa of the Mali empire whose generous gifts during a visit to Mecca in 1324 triggered a currency crisis.That is something Jakob Fugger would never have done. He never was a flamboyant banker who impressed his contemporaries with lavish displays of wealth. He was actually fairly dull. If anyone in the firm of Fugger was flamboyant, it was the chief accountant. So if Jakob is a bit of a pale shadow, the story of what happened in the world of European Finance between 1480 and 1520 is anything but boring. Within just 40 years the heart of the banking industry moved from Florence and Venice where it had held sway since it was invented and moved north, into a medium sized Swabian city, Augsburg.That is as if JP Morgan, Goldman Sachs and Morgan Stanley closed their doors and in their stead some local players from Scandinavia or Mexico took over the financing of the Global economy. I am not kidding, something like that really happened back in the late 15th century.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

Ravensburg, and you are very much forgiven if you cannot place it on the map, is today a town of 50,000 in the far south eastern corner of Baden-Württemberg between Friedrichshafen, home of the Zeppelins, and the city of Ulm and its majestic church tower. If you have heard of it, it may be because of Ravensburger, the publisher of puzzles and boardgames, but you would not have associated it with any great mercantile or commercial activity.Nevertheless, in the 15th century it housed the headquarters of a company that held a near monopoly in the trade between Spain and the empire and in certain wares, namely linen and a special cloth variously called barchent, bombast or fustian.Before we get into Ravensburger and the Grosse Handelsgesellschaft, we need to put the whole region into the context of the free imperial cities of the 15th century.Trading routes of the HABW_11_03_Ravensburger_Handelsgesellschaft.jpg (4957×3535)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

An accomplished cellist, TED Fellow Joshua Roman has practiced his instrument daily since he was a child — until a severe case of long COVID almost robbed him of his ability to play. In an inspiring talk, he plays a piece by Johann Sebastian Bach, shares how he found his way back to music and then performs a staggering new solo composition, titled "Immunity." Hosted on Acast. See acast.com/privacy for more information.