Podcasts about Johann Sebastian Bach

Johann Sebastian Bach is one of the great composers of all time. What stands out is not only how great his music is, but how much of it he wrote. On this episode we look at his story as well as his habits, strategies, and tactics to see how he left such a lasting impact. 00:00 The Impact of Bach's Music 01:30 Introduction to Johann Sebastian Bach 03:30 Bach's Universal Appeal and Religious Devotion 07:45 Bach's Early Life and Musical Dynasty 09:30 Bach's Mischievous Youth and Early Career 18:00 Bach's Passion for Music and Conflict with Authority 35:45 Bach's Move and Pursuit of Greatness 41:00 Bach's Idyllic Time in Weimar 49:115 Bach's Final Years in Leipzig 55:20 The Famous Encounter with Frederick the Great 01:09:00 Bach's Death and Enduring Legacy 01:10:00 Key Takeaways from Bach's Life ---- Sponsors: TakeoverPod.Supercast.com - All premium content for just $7/month AustinLab.AI - Provides advanced AI tools for businesses of any size GainsInBulk.com/ben - Use code Ben for 20% off instantized creatine and more Speechify.com/ben - Use code Ben for 15% off Speechify premium Founders Podcast

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Moin! Wir vom Team um "Philipps Playlist" wollen den Podcast immer weiter verbessern. Um das zu tun, möchten wir gerne Deine Meinung, Deine Ideen und Deine Kritik hören. Und ganz nebenbei möchten wir auch Dich und alle anderen besser kennenlernen. Vielen Dank, dass du an dieser Umfrage teilnimmst, das hilft uns wirklich sehr: https://umfrage-ndr.limequery.com/247836?lang=de-informal Ruhige, fließende Musik löst Gedanken auf wie Nebel am Morgen. Der Atem fließt still. Dein Herz ruht in sich selbst. Diese Musikstücke hast Du in der Folge gehört: Midori Hirano – "Motivational Speech" // Johann Sebastian Bach – "Sarabande / Französische Suite Nr. 4" // Midori Hirano – "His Ambition" // Robert Schumann – "Fantasiestücke – Des Abends" // John Barry – "Ein unmoralisches Angebot" // Hanna Havrylets – "Tropar / Prayer" // Den Podcast "Wir Tier" vom BR findest Du hier: https://1.ard.de/wir-tier Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Hello and welcome to the History of the Germans: Episode 194 – The Fuggers of Augsburg, which is also episode 10 of Season 10 “The Empire in the 15th Century”Jakob Fugger had been dubbed the Richest Man Who Ever Lived, but there are many more contenders, my favorite being an African, Mansa Musa, the ninth Mansa of the Mali empire whose generous gifts during a visit to Mecca in 1324 triggered a currency crisis.That is something Jakob Fugger would never have done. He never was a flamboyant banker who impressed his contemporaries with lavish displays of wealth. He was actually fairly dull. If anyone in the firm of Fugger was flamboyant, it was the chief accountant. So if Jakob is a bit of a pale shadow, the story of what happened in the world of European Finance between 1480 and 1520 is anything but boring. Within just 40 years the heart of the banking industry moved from Florence and Venice where it had held sway since it was invented and moved north, into a medium sized Swabian city, Augsburg.That is as if JP Morgan, Goldman Sachs and Morgan Stanley closed their doors and in their stead some local players from Scandinavia or Mexico took over the financing of the Global economy. I am not kidding, something like that really happened back in the late 15th century.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

durée : 00:10:40 - Le Disque classique du jour du mercredi 14 mai 2025 - Yoann Moulin achève ici ce périple dans le répertoire de la musique de clavecin allemand du XVIIe siècle. Nous voici aux portes de l'art de Johann Sebastian Bach avec les compositeurs qui ont été ses modèles directs et qui lui ont transmis les principes des styles italiens et français.

durée : 00:10:40 - Le Disque classique du jour du mercredi 14 mai 2025 - Yoann Moulin achève ici ce périple dans le répertoire de la musique de clavecin allemand du XVIIe siècle. Nous voici aux portes de l'art de Johann Sebastian Bach avec les compositeurs qui ont été ses modèles directs et qui lui ont transmis les principes des styles italiens et français.

Am 11. Mai fand zum dritten Mal das Bach-Radeln in Karlsruhe und Umgebung statt. Unbekanntere Kirchen und vor allem deren Orgeln sollen dabei vorgestellt werden, es erklingt die Musik von Johann Sebastian Bach. Sebastian Kiefl war bei der 30-km-Radtour dabei und hat Eindrücke eingesammelt.

Sct. Pauls Kirke, Aarhus stift. 3. s. e. påske Prædikant: Morten Aagaard Organist: Thomas Kristian Nielsen Vært: Malene Fenger-Grøndahl Salmer: DDS 754: Se nu stiger solen DDS 218: Krist stod op af døde DDS 217: Min Jesus lad mit hjerte få DDS 725: Det dufter lysegrønt af græs Introitus: Laudate Komponist: Knut Nystedt Motet: Prismeagtigt spalter lyset døden. Komponist: Thomas Kristian Nielsen Postludium: Krist stod op af døde Koralbearbejdele af Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) - Sonata n. 6 in sol maggiore per violino e clavicembalo, BWV 10191.       Allegro [0:00] 2.       Largo [3:39]3.       Allegro [5:33] 4.       Adagio [10:13] 5.       Allegro [13:54] Rachel Podger, violinoTrevor Pinnock, clavicembalo

Václav Luks ist Mit-Kurator des diesjährigen Originalklang-Festivals FEL!X, das dem »Böhmischen Kulturraum« in diesem Jahr einen Schwerpunkt widmet. Luks möchte das Publikum von heute ansprechen, indem er die Regeln und Absichten der Komponist:innen früherer Zeiten respektiert und die Werke des Barock auf diese Weise verständlich macht. Luks spricht über seine 20jährige Beziehung zu seinen Ensembles Collegium 1704 und Collegium Vocale 1704, den Unterschied von Johann Sebastian Bach und Jan Disma Zelenka, weitere bedeutende Komponisten des »Böhmischen Kulturraums« und erläutert der Host Katherina Knees, ob es aus seiner Sicht einen böhmischen Musikstil gibt. https://felix-originalklang.koeln/ https://collegium1704.com/

Ravensburg, and you are very much forgiven if you cannot place it on the map, is today a town of 50,000 in the far south eastern corner of Baden-Württemberg between Friedrichshafen, home of the Zeppelins, and the city of Ulm and its majestic church tower. If you have heard of it, it may be because of Ravensburger, the publisher of puzzles and boardgames, but you would not have associated it with any great mercantile or commercial activity.Nevertheless, in the 15th century it housed the headquarters of a company that held a near monopoly in the trade between Spain and the empire and in certain wares, namely linen and a special cloth variously called barchent, bombast or fustian.Before we get into Ravensburger and the Grosse Handelsgesellschaft, we need to put the whole region into the context of the free imperial cities of the 15th century.Trading routes of the HABW_11_03_Ravensburger_Handelsgesellschaft.jpg (4957×3535)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

Für Robert Schumann gibt es nur ganz oder gar nicht: Entweder lähmt ihn seine Depression oder er ist buchstäblich nicht zu bremsen. Dann komponiert er ein Klavierquartett auch schon mal in Windeseile. Von Michael Lohse.

As part of our Earth Serenade series, we honor French organist and Bach specialist Andre Isoir, who died in 2016. Working with Isoir's son, Daniel, we bring you this lovely and serene Fantasia and Fugue in C minor, by Carl Philipp Emmanual Bach, the son of Johann Sebastian Bach. Cinematography by astronauts on Expeditions 71 aboard the International Space Station in 2024. It's a magical journey and tribute to Andre Isoir. Series: "Earth Serenade" [Arts and Music] [Show ID: 40758]

As part of our Earth Serenade series, we honor French organist and Bach specialist Andre Isoir, who died in 2016. Working with Isoir's son, Daniel, we bring you this lovely and serene Fantasia and Fugue in C minor, by Carl Philipp Emmanual Bach, the son of Johann Sebastian Bach. Cinematography by astronauts on Expeditions 71 aboard the International Space Station in 2024. It's a magical journey and tribute to Andre Isoir. Series: "Earth Serenade" [Arts and Music] [Show ID: 40758]

Från moln till Mozart, från kustlinjer till livets slut, återfinns fraktaler. Helena Granström funderar över verklighetens och konstens struktur. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.När en matematiker försöker sig på att skämta kan det låta såhär:Vad står bokstaven B för i Benoit B Mandelbrot? Rätt svar: Benoit B Mandelbrot. Huruvida denna vits någonsin åstadkommer några skrattsalvor ska jag låta vara osagt, men den som förstår poängen har i alla fall också förstått vad som kännetecknar fraktalerna, de matematiska objekt som utforskades ingående av just denne Mandelbrot: att de innehåller delen som är helheten som innehåller delen som är helheten, och så vidare.Därav skämtets poäng: Namnet Benoit B Mandelbrot inneslutet i namnet Benoit B Mandelbrot inneslutet i namnet Benoit B Mandelbrot i all oändlighet.Man kan tänka på ett blomkålshuvud, eller ännu hellre på en romanesco: Bryt loss en bukett, och du kommer i denna bukett att få se det stora huvudet i mindre format. Bryt loss en mindre bukett av denna bukett, och så ännu en mindre från denna: Samma sak upprepar sig, med allt mindre kålhuvuden som fortsätter att spira från allt mindre kålhuvuden. En ovanligt hänförande fraktal kallad Mandelbrotmängden upptäcktes av Mandelbrot själv, och karakteriseras av att en förhållandevis enkel formel ger upphov till en närmast outtömlig komplexitet: ett outgrundligt överflödande universum alstrat av en simpel instruktion. Inför denna rikedom är det svårt att hålla fast vid tanken på att matematiken bara skulle vara något som människan har hittat på: ”Mandelbrotmängden är”, som matematikern Roger Penrose påpekat, ”inte något som det mänskliga sinnet har uppfunnit; den upptäcktes.” Precis på samma sätt som Mount Everest, finns den bara där.Men fraktalerna existerar alltså inte enbart i den rena matematikens sfär, utan i högsta grad i verkligheten: Vi kan finna dem i kustlinjer och floddeltan, ormbunkar och åskviggar, blodkärl och neuroner, galaxkluster och bergskedjor och moln. I var och en av dessa strukturer ser man helheten upprepa sig i de mindre delarna: Den som betraktar en del av en bergig kust kan inte utifrån dess form avgöra om det är en liten sträcka som de ser på nära håll, eller en längre på stort avstånd; och varje liten del av ett moln skulle, betraktad för sig själv, lika gärna kunna vara det stora molnet självt. Till och med vår arvsmassa är arrangerad enligt denna struktur, inpassad i den trånga cellkärnan genom identiska vikningar som sker i mindre och mindre skala. Naturen är, med andra ord, i högsta grad fraktal – och år 2016 kom ett antal polska kärnfysiker lite oväntat också fram till slutsatsen att detsamma gäller litteraturen.Det är en häpnadsväckande upptäckt, även om den kanske är lite mindre fruktbar än vad en författare skulle önska – för hur gärna jag än vill skulle jag inte kunna låta varje stycke i denna essä utgöra en miniatyr av helheten – och varje mening en miniatyr av varje stycke – och varje ord en miniatyr av varje mening. Även om det hade varit outsägligt elegant. Den amerikanska författaren Paul Auster har visserligen gjort gällande att den första meningen i hans roman Mr Vertigo innehåller essensen av hela verket – men den fraktala strukturen i kända verk av författare som Virginia Woolf och Robert Bolano låter sig avtäckas först genom ingående statistisk analys. De litteraturintresserade polska fysikerna genomförde till exempel en kartläggning av fördelningen av meningarnas längd i de romaner de studerade: Vad som framträdde var en form av idealt fraktalmönster, särskilt skönjbart i den typ av litteratur som brukar betecknas som medvetandeström. Mest fraktal av alla – till och med multifraktal, det vill säga innehållande fraktaler av fraktaler – lär James Joyces svårgenomträngliga Finnegan's Wake vara. När det gäller lyrik har en ambitiös forskare med en besläktad metod lyckats med konststycket att finna Cantormängden, en annan känd fraktal, i form av förekomsten av ordet know i en dikt av den amerikanske poeten Wallace Stevens. Och även i musiken är det möjligt att finna fraktala strukturer – föga förvånande till exempel hos en kompositör som Johann Sebastian Bach, i vars tredje cellosvit en musicerande matematiker lyckats identifiera ett påfallande exakt exempel på samma Cantormängd.Bevisar det att konstnärerna, tidigare än matematikerna, har förmått att uppfatta tillvarons inre struktur? Att dessa skapande människor på ett omedvetet vis har anat formen hos de kärl som fyller människokroppens lungvävnad, hos de kärl i vilka dess blod flödar och hos det nätverk av nervceller som överhuvudtaget gör aningar – omedvetna eller inte – möjliga. Kanske är det denna djupt liggande intuition som Mandelbrot själv också anspelar på när han konstaterar att barn inte undrar ”över temperaturen hos en gas eller kollisioner mellan atomer, utan över formerna hos träd, moln och blixtar.” Undrar de, för att de i dessa former identifierar något märkvärdigt bekant, något som lånar sin form också åt deras eget inre?Men å andra sidan skulle författarnas benägenhet att skriva fram fraktaler kunna ges en mer prosaisk förklaring än så, för också det mänskliga livets yttre ramar låter oss ju stifta bekantskap med det fraktala: Dygnet kan förstås som en miniatyr av året som i sin tur kan framstå som en miniatyr av det mänskliga livsförloppet. Men inte bara det: Möjligen, skriver matematikern Michael Frame i den märkliga lilla skriften The Geometry of Grief, kan även sorgen sägas uppvisa en självlikhet på olika skalor, eftersom varje sorg i sin tur består av många små delsorger, varje förlust av en mängd olika möjligheter eller tillfällen eller erfarenheter som för alltid gått förlorade. Inuti sorgen över en älskad människas bortgång, oövervinnerlig i sin väldighet, finns sorgen över att aldrig mer få hålla hennes hand, över att aldrig mer få höra hennes röst, över att aldrig mer få vända sig till henne med sina tankar. Och det faktum att de många små sorgerna liknar den stora sorgen i art om än inte i storlek gör det möjligt, fortsätter Frame sitt resonemang, att öva sig: Att lära sig ett sätt att tackla den väldiga, till synes ohanterliga sorgen, genom att prövande och försiktigt ta sig an de mindre sorgerna, en i sänder. Och betraktat med den fraktala geometrins blick framstår på sätt och vis hela livet så, som en repetition i liten skala för de stora skeenden som hela tiden – och samtidigt, bara långsammare – utspelar sig: varje glädje en liten replik av den större glädjen, varje misslyckande och varje närmande och varje känslosvall en replik av sina större motsvarigheter av vilka de också utgör en del. Och förstås – detta är väl den fraktala livsstrukturens dystraste sida – utgör var och en av tillvarons otaliga förluster en sorts miniatyr av den slutliga förlust som väntar oss alla, den av livet självt.Hur man ska gaska upp sig efter en sådan nedslående insikt är inte helt klart – men kanske kan åtminstone matematikerna ibland oss finna lättnad i ännu ett exempel på humor för de få:–Hur gick det för matematikern som blev gammal och sjuk, dog han? –Nejdå. Han förlorade bara några av sina funktioner. Helena Granströmförfattare med bakgrund inom fysik och matematik

The counts, dukes and ultimately kings of Württemberg had risen to the top by winning the genetic lottery. Their eldest sons tended to be competent, some even extremely so, their wives brought in dowries and sometimes entire counties, and they ruled for long enough that the next generation took over when they were ready.But all that falls apart in the 15th century. They are suddenly afflicted with the disease of dynasties, states inherited by babies and buffoons, some of them managing to be both. That would normally be the death nail for a noble House, but not this time. The Landtag, the Estates of Württemberg step in to protect the fledgling state, deposing buffoons when necessary and ruling on behalf of the babies. This is one of the lesser known and even more extraordinary political histories in europe and well worth listening to.And as a bonus we also investigate why the regions around Stuttgart, Mannheim, Karlsruhe and Freiburg have become hubs of technology and precision engineering, an area where there was no coal, no mining or any other natural advantage – except for the wine – no seriously, it was the wine. Can Winegrowing Cause Rural Development? Evidence from Baden-Württemberg | European Review of Economic History | Oxford AcademicThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion

Brandenburg - nicht nur Rainald Grebe widmete diesem Bundesland eine Hymne: Johann Sebastian Bach komponierte gleich 6 Konzerte für den Markgrafen von Brandenburg, die später als "brandenburgische" bekannt wurden. Ein barockes Best Of, in dem Bach alle möglichen Instrumente seiner Zeit kombiniert und durch Charme und Leichtigkeit bezaubert - ebenso wie durch den Mut zum Experiment. Von Dominik Mercks.

Aujourd'hui nous sommes le mardi 29 avril, de la deuxième semaine du temps pascal et nous fêtons sainte Catherine de Sienne, vierge et docteur de l'Église, patronne de l'Europe .Née en 1347, Catherine est la vingt-troisième enfant d'un teinturier de Sienne. Illettrée, elle aura cependant un tel rayonnement qu'elle parviendra à faire revenir le Pape d'Avignon à Rome. Nous demandons la grâce d'être unis comme elle au mystère... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Fais-nous marcher à ta lumière de Claude Bernard, Jo Akepsimas interprété par Ensemble vocal Resurrexit - Chantons en Église - 24 chants pour les temps de l'Avent et de Noël © ADF-Bayard Musique ; Concerto in D Minor BWV1043 Largo de Johann Sebastian Bach interprété par Daniel Estrem - Baroque Concertos on 8 String Guitar © Creative Commons by-nc-sa license from Magnatunes.

Vandaag een aflevering in de serie "In Stukken". Die Kunst der Fuge van Johann Sebastian Bach wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: fagottist Alban Wesly en klavecinist Tineke Steenbrink.

What is it like to be a prince? Well, not quite what it is set out to be, in particular when you are a smaller prince, not in stature, but in land.The margraves of Baden are such princes. In the 15th century their main territory, a slither of South-West Germany, just 60km long was too small to play on the European, even on the German stage, but too big to escape the need of massive palaces and warfare.What makes Baden so fascinating is that despite its handicap, it managed to become a medium sized state, one half of Baden-Württemberg. The way there was a long one, involving friendship and loyalty to the death, piratical princesses, alchemy, someone called the Türkenlouis, a sun-shaped city and some skilled diplomacy. Hyperlink to map of Baden: HABW_06_01.jpg (5750×6500)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Johann Sebastian Bach: Cantata No. 4 “Christ lag in Todesbanden”: Opening ChorusSiegen Bach Choir CollegiumJohann Rosenmuller Ensemble Ulrich Stotzel, conductorZdenek Macal, conductorMore info about today's track: CPO 555098-2Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Episodio #172en este episodio de Dirección Coral Online analizo *Clone*, un cuento de Julio Cortázar que emplea una estructura basada en *La Ofrenda Musical* de Johann Sebastian Bach. Explico cómo cada personaje corresponde a un instrumento de la obra y cómo esta organización influye en la narración. También profundizo en la presencia de Carlo Gesualdo, cuya vida y música aportan un trasfondo temático clave en la historia del grupo vocal protagonista del cuentoSuscribirte a mi newsletter https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234 

An accomplished cellist, TED Fellow Joshua Roman has practiced his instrument daily since he was a child — until a severe case of long COVID almost robbed him of his ability to play. In an inspiring talk, he plays a piece by Johann Sebastian Bach, shares how he found his way back to music and then performs a staggering new solo composition, titled "Immunity." Hosted on Acast. See acast.com/privacy for more information.

An accomplished cellist, TED Fellow Joshua Roman has practiced his instrument daily since he was a child — until a severe case of long COVID almost robbed him of his ability to play. In an inspiring talk, he plays a piece by Johann Sebastian Bach, shares how he found his way back to music and then performs a staggering new solo composition, titled "Immunity."

An accomplished cellist, TED Fellow Joshua Roman has practiced his instrument daily since he was a child — until a severe case of long COVID almost robbed him of his ability to play. In an inspiring talk, he plays a piece by Johann Sebastian Bach, shares how he found his way back to music and then performs a staggering new solo composition, titled "Immunity."

Between the time the first Nobel Prize was awarded in 1901 and 1933, a total of 31 were awarded to German scientists and politicians. To name just a few, Wilhelm Röntgen (1901), Max Planck (1918), Albert Einstein (1921) and Werner Heisenberg (1932) for Physics, Emil Fischer (1902), Fritz Haber (1918), Walther Nernst (1920) and Hans Fischer (1930) for chemistry, Emil von Behring (1901), Robert Koch (1905) and Otto Warburg (1931) for medicine, Theodor Mommsen (1902), Gerhart Hauptmann (1912) and Thomas Mann (1929) for literature and Gustav Stresemann for peace. The UK and France received 17 and 15 respectively, whilst the US picked up just 6 during that same period. How could German universities rise to such dominance during the 19th and early 20th century from very humble beginnings? That is what we will look at in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

This weekit is back to the political landscape of the empire. We will travel upriver from Mainz via Worms and the not yet existent cities of Mannheim and Ludwigshafen to Heidelberg, my old hometown. And there we will meet the man who held one of the empire's most confusing titles, the count Palatinate of the Rhine, Elector and High Steward of the Empire. His name is Friedrich, Friedrich der Siegreiche, Frederick the Victorious, and being victorious is barely half of what is interesting about him.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

In this episode, we trace the journey of repair from the biblical story of Eden to the present-day church. We begin by looking at the rupture in Eden, the first human failure, which sets the stage for the entire narrative of repair in the Bible. The church, we argue, serves as the modern-day extension of God's original plan for renewal, where heaven and earth collide, and where God's work of restoration continues. Yet, this place of healing is also where significant ruptures can occur, often leaving members hurt and disillusioned.   The conversation highlights the delicate balance between idealism and realism when it comes to the church's role in repairing relational fractures. The church, like any human system, is not immune to dysfunction, but it is also the place where God's mission of restoration is most powerfully present. We discuss how leaders in the church must navigate the complexities of repair, creating spaces of safety and vulnerability while also confronting their own wounds. This episode offers listeners a deeper understanding of how spiritual growth and relational healing are inextricably linked, both for individuals and the community as a whole.     * * * Episode Links and References When Narcissism Comes to Church - Chuck DeGroat When the Church Harms People - Diane Langberg Redeeming Power: Understanding Power and Abuse in the Church - Diane Langberg Matthew 18:15-17 John 16:33   Artistic Offerings to Reflect On The Incredulity of Saint Thomas - painting by Caravaggio St. Matthew Passion (BWV 244) by Johann Sebastian Bach  . . . . . Stay connected: Instagram, Facebook YouTube (Unedited videos of each episode AND the Post Show Conversation.) Please subscribe to the podcast so you never miss an episode and we always welcome your reviews on Apple Podcasts.  Sign up to access the Being Known Podcast applications, the weekly exercises that connect what you are learning to your life in a practical way. 

"Wie weit doch Unverschämtheit Ignoranz bisweilen trägt" - besser als der englische Schriftsteller Samuel Johnson hätte man die Erfolgsgeschichte des ominösen Augenarztes John Taylor wohl nicht charakterisieren können. Wo immer dieser Kurpfuscher sein medizinisches Können zum Besten gab, war das Unheil nicht weit. Die schwarze Liste seiner Opfer ist lange. Unter ihnen: Johann Sebastian Bach und Georg Friedrich Händel, für die das erhoffte "Fiat lux" in ewiger Dunkelheit endete. Unser ZOOM erzählt die Geschichte.

“We should note the force, effect, and consequences of inventions which are nowhere more conspicuous than in those three which were unknown to the ancients, namely printing, gunpowder and the compass. For these three have changed the appearance and the state of the world.” wrote Francis Bacon in 1620. And almost everybody agreed.Printing changed everything, but how exactly did it change everything? That is a question nobody posed properly until Elisabeth L. Eisenstein got on the academic stage in the 1970s and the debate has not yet stopped. In this episode I will try to take you through some of Eisenstein's ideas on the how of the change and, in the end, attempt a raincheck on what we can learn from it for the information revolution we are living through right now. No worries, this is still the History of the Germans, so we will talk facts and dates and processes, with only occasional attempts at breaking into the ivory tower…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

This podcast is now well into its fourth year and I have established my process for research, script writing and recording. As for research, that usually means going to the London Library and bend down to the lowest shelf to dig up some age-old copy of a German language book that happens to be the one and only works that goes into the kind of detail on the topic at hand you guys have gotten used to. Imagine my confusion when I started looking into Johannes Gutenberg and found not just a few books, but whole shelves of books in English, German, French, Italian and dozens more talking about even the most intricate details of the life and works of the inventor of the printing press.Drowning in this avalanche of material, I realized that at a minimum this story requires two episodes, one about how Gutenberg came to achieve this breakthrough and then the impact his invention had on the world and on the Germans in particular. Hence today's episode is about the man and his invention, though about the man we know so very little….And here is a video that helps understnding how the machine works: How a Gutenberg Printing Press WorksAnd a book recommendation: The Gutenberg revolution : the story of a genius and an invention that changed the world : Man, John, 1941- : Free Download, Borrow, and Streaming : Internet ArchiveThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick...

Episode 80: Johann Sebastian Bach and MerlinAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we are setting off on our tour of the empire for real. And where better to start than with the most senior, most august of the seven prince Electors, the archbishop of Mainz, archchancellor of the empire, and holder of the decisive vote in imperial elections. We have already encountered a number of archbishops of Mainz in this podcast, from the treacherous Frederick who tried to overthrow Otto the Great (ep.3), to Willigis, the eminence grise of the empire under Otto II, Otto III and Henry II (ep.10-19) , Adalbert, first advisor and then adversary of Henry V (ep. 40), Peter von Aspelt, the man who put the Luxemburgs on the Bohemian throne (ep. 145) and lots more. But this series is not about grand imperial politics, but about the grimy territorial skullduggery inside the empire. And for Mainz this is a story that is deeply entangled with the history of Hessen. Where Mainz is ancient, tracing its' eminence back to a saint who had come across the water, Hessen was a new kid on the block amongst the imperial princes. But a very successful one. And at its beginning stood the 24 year-old daughter of a saint holding up her baby son to be acclaimed lord by the people, or some such thing. Maps of Mainz, the Landgraviate of Thuringia and Hessen: Maps • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion

Johann Sebastian Bach droht zu erblinden, die Folge wäre der Ruin. Im März 1750 lässt er sich vom Augenarzt und Scharlatan John Taylor operieren: ein riskanter Entschluss! Von Christian Kosfeld.

Many German histories skip over this period in order to get to the Reformation, which is a shame. Because the 15th century did not just shape the physical appearance of the country, but much of its geographical and mental make-up. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

Nemone Lethbridge is a barrister who was called to the bar in 1956. One of very few female barristers working at the time, she encountered misogyny and was one of the trailblazers for women working in the legal profession who followed behind her. At her first Chambers, she wasn't allowed to share a toilet with her male colleagues and had to use the facilities in a nearby café. It was hard for her to find work and for some time she represented the Kray twins. After her marriage to a writer, and former convicted criminal was revealed, she was forced to leave the legal profession and they moved to Greece for a number of years where both of them had careers as writers having their work filmed for the BBC. Nemone returned to the Bar in 1981 and continues to do pro bono work at 92 years old. She lives in London.DISC ONE: Go Down, Moses - Paul Robeson DISC TWO: O Come, O Come, Emmanuel - The Choir of King's College Cambridge DISC THREE: Scarborough Fair – Simon & Garfunkel DISC FOUR: I Wanna Go Back to Dixie - Tom Lehrer DISC FIVE: Mozart: Le nozze di Figaro, K. 492 / Act 3: "Sull'aria ... Che soave zeffiretto" Performed by Edith Mathis (soprano), Gundula Janowitz (soprano), Orchester der Deutschen Oper Berlin and conducted by Karl Böhm DISC SIX: Strose to Stroma sou – Mikis Theodorakis DISC SEVEN: September Song - Gracie Fields DISC EIGHT: Herz und Mund und Tat und Leben, BWV 147: Chorale. Jesus bleibet meine Freude (Arr. for Piano) (Jesu, Joy of Man's Desiring) Composed by Johann Sebastian Bach and performed by Lang Lang BOOK CHOICE: The Rubaiyat of Omar Khayyam LUXURY ITEM: A doll CASTAWAY'S FAVOURITE: Mozart: Le nozze di Figaro, K. 492 / Act 3: "Sull'aria ... Che soave zeffiretto". Performed by Edith Mathis (soprano), Gundula Janowitz (soprano), Orchester der Deutschen Oper Berlin and conducted by Karl BöhmPresenter: Lauren Laverne Producer: Sarah Taylor