Podcasts about Johann Sebastian Bach

Meanwhile... France is sending a baguette-shaped rocket into space, pornography was accidentally shown on TV screens on a ferry, Stephen looks into the story of a runaway pig, a fat raccoon is taking England by storm, our very own Corey Bernhard learned to play a recently-unearthed tune by Johann Sebastian Bach, and the Parmigiano Reggiano consortium is working overtime to line up Hollywood product placements for the King of Cheeses. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In dieser Folge Leipzig Weekly bekommt ihr ein Update zum Fall Roger Berger: Der Soziologie-Professor war vor gut einer Woche handgreiflich geworden, gegenüber einer aktivistischen Person. In dieser Woche haben sich das Rektorat der Uni Leipzig, die Gleichstellungsbeauftrage und der Student:innen-Rat dazu geäußert. Außerdem sprechen wir über zwei bislang unbekannte Werke von Johann Sebastian Bach. Und ihr erfahrt, warum die Stadt Leipzig für die Quarterbeck-Arena erstmal Geld ausgeben muss - um langfristig zu sparen. Redaktion: Fabian Schaar Moderation: Bjarne Koppelmann Falls ihr mehr von uns hören wollt, schaut gerne auf unseren Social-Media-Kanälen vorbei: Instagram: instagram.com/mephisto976 Threads: www.threads.com/@mephisto976

Was sind die größten Hits der klassischen Chormusik? Sie haben abgestimmt, und nun stehen die Ergebnisse fest: Der zweite Platz geht an Johann Sebastian Bachs monumentale h-Moll-Messe.

Today's headlines include: Australia will not host next year’s UN climate change summit, COP31, after months of back-and-forth with Türkiye. Meta has announced it will roll out a social media ban for users under 16 on its platforms, a week ahead of Federal legislation coming into effect. U.S. officials are in the Ukrainian capital Kyiv as part of renewed efforts to end the war. And today’s good news: Long-lost classical music pieces by renowned composer Johann Sebastian Bach have been performed for the first time in 320 years. Hosts: Lucy Tassell and Zara SeidlerProducer: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

(00:58) 275 Jahre nach dem Tod des Komponisten sind zwei Kompositionen für Orgel neu Johann Sebastian Bach zugeschrieben worden. Weitere Themen: (06:15) Band für eine Stunde – für den SRF Showcase haben drei Musikerinnen und Musiker aus den Sparten Jazz, klassische Musik und Hip-Hop zusammengearbeitet. (10:48) Einer der einflussreichsten Denker unserer Zeit: Zygmunt Bauman hat die grossen Brüche des 20. Jahrhunderts am eigenen Leib erfahren hat – und sie in die Sprache der Gegenwart übersetzte. Vor 100 Jahren ist er geboren. (14:54) Alice Ceresa. Sie galt zeitlebens als eine der bedeutenden Autorinnen der italienischen Avantgarde. Dabei war Ceresa Schweizerin - jetzt ist eines ihrer Werke auf Deutsch erschienen. (20:39) Comic für Alt und Jung – seit 40 Jahren stellen «Calvin und Hobbes» die kleinen und grossen Fragen des Lebens.

Mit seinem Wohltemperierten Klavier setzte sich Johann Sebastian Bach ein musikalisches Denkmal. Er demonstrierte in seinem Werk seine perfekte Beherrschung des Kontrapunkts.

Sheikh Hasina, in exile in India, was sentenced to death in absentia for crimes against humanity. The former Prime Minister was found guilty of ordering the use of lethal force against protesters, resulting in the deaths of around 1,400 people. Hasina denies the charges and her supporters say they are politically motivated. Also on the programme: we ask what led to Donald Trump's sudden U-turn on the Epstein files; and the discovery of two organ pieces by a teenaged Johann Sebastian Bach.(PICTURE: Bangladeshi Attorney General Md Asaduzzaman addresses the media in Dhaka, 17 November 2025 CREDIT: MONIRUL ALAM/EPA/Shutterstock)

Ungleiche Kosten für Pflegeheimplätze in Stadt und Land, Regierungskoalition sucht Einigung bei Rentenreform, Zahl der Wohnungslosen seit 2023 um 11 Prozent gestiegen, In China will Finanzminister Klingbeil Handelsbeziehungen verbessern, Deutsche Waffenlieferungen nach Israel wieder angelaufen, US-Präsident Trump nun doch für Veröffentlichung der Epstein-Akten, Spatenstich für Rechenzentrum mit hohen KI-Kapazitäten in Lübbenau/Brandenburg, Kessler-Zwillinge nach 60 Jahren Bühnenkarriere mit 89 Jahren gestorben, Trauer um Schauspieler Felix Eitner, Musiksensation: Zwei kurze Orgelwerke stammen vom damals 18-jährigen Johann Sebastian Bach, Das Wetter

Ungleiche Kosten für Pflegeheimplätze in Stadt und Land, Regierungskoalition sucht Einigung bei Rentenreform, Zahl der Wohnungslosen seit 2023 um 11 Prozent gestiegen, In China will Finanzminister Klingbeil Handelsbeziehungen verbessern, Deutsche Waffenlieferungen nach Israel wieder angelaufen, US-Präsident Trump nun doch für Veröffentlichung der Epstein-Akten, Spatenstich für Rechenzentrum mit hohen KI-Kapazitäten in Lübbenau/Brandenburg, Kessler-Zwillinge nach 60 Jahren Bühnenkarriere mit 89 Jahren gestorben, Trauer um Schauspieler Felix Eitner, Musiksensation: Zwei kurze Orgelwerke stammen vom damals 18-jährigen Johann Sebastian Bach, Das Wetter

Hoy nos visita McEnroe para presentarnos su nuevo trabajo, La vida Libre. También viajamos a Berlín con nuestra corresponsal para escuchar dos piezas inéditas de Johann Sebastian Bach. También entrevistamos al Premio Ojo Crítico de Artes Plásticas 2019, David Bestué, que acaba de inaugurar un proyecto en la Plaza de España de Bruselas. Repasamos lo mejor de las artes escénicas con Marta García-Miranda y nos introducimos en la obra de Kiyoshi Kurosawa con Vicente Monroy.Escuchar audio

Os textos das cantatas de Johann Sebastian Bach são muito ruins, porque foram escritos por poetas menores, mas isso foi conveniente para o compositor, porque assim ele podia alterar esses textos de acordo com as necessidades de suas composições e, dessa forma, ter mais liberdade na criação musical. Essa é a opinião do jornalista suíço Franz Rueb, que ele expõe no livro 48 Variações sobre Bach, publicado no Brasil em 2001 pela Editora Companhia das Letras, em tradução de João Azenha Júnior. Nesse livro, escrevendo sobre os textos das cantatas de Bach, Rueb observa que o compositor precisava de textos que lhe garantissem a maior liberdade possível. Ou seja, precisava de um texto que ele pudesse mexer, alterar, trocar, de acordo com as necessidades da composição, o que dificilmente poderia ser feito se se tratasse de um poeta consagrado e de um texto canonizado. No entanto, continua o jornalista suíço, não é o sentido intrínseco desses textos que chama a atenção, mas sim a música de Bach. “A música de Bach é que nos arrebata, nos toca, nos comove e nos enleva, deitando por terra todo o caráter duvidoso desses textos de cantatas, mesmo que sejam ‘ruins' e incompreensíveis”, escreve Rueb. Uma cantata de Bach com letra de um dos "poetas menores" citados por Rueb é apresentada nesta edição de Manhã com Bach: a cantata Vergnügte Ruh, beliebte Seelenlust, "Repouso feliz, amado prazer da alma” (BWV 170). A letra é de autoria do poeta e escritor alemão Georg Christian Lehms (1684-1717), que nasceu em Liegnitz - atualmente uma cidade da Polônia -, estudou na Universidade de Leipzig, tornou-se poeta da corte de Darmstadt e morreu de tuberculose aos 33 anos de idade. Manhã com Bach exibe ainda a Suíte Orquestral Número 1 em Dó Maior (BWV 1066). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 15 e 16 de novembro de 2025. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

Ungleiche Kosten für Pflegeheimplätze in Stadt und Land, Regierungskoalition sucht Einigung bei Rentenreform, Zahl der Wohnungslosen seit 2023 um 11 Prozent gestiegen, In China will Finanzminister Klingbeil Handelsbeziehungen verbessern, Deutsche Waffenlieferungen nach Israel wieder angelaufen, US-Präsident Trump nun doch für Veröffentlichung der Epstein-Akten, Spatenstich für Rechenzentrum mit hohen KI-Kapazitäten in Lübbenau/Brandenburg, Kessler-Zwillinge nach 60 Jahren Bühnenkarriere mit 89 Jahren gestorben, Trauer um Schauspieler Felix Eitner, Musiksensation: Zwei kurze Orgelwerke stammen vom damals 18-jährigen Johann Sebastian Bach, Das Wetter

In deze week bij Kalm met Klassiek is het thema 'Instrumentaal'. Het idee erachter? Allemaal oorspronkelijk gezongen werken, maar dan in een instrumentale uitvoering, om zo de kracht van muziek te illustreren. Het gaat om vijf stukken die je ook zonder tekst recht in de ziel weten te raken. De eerste is een emotionele aria van Johann Sebastian Bach. 'Aus Liebe will mein Heiland sterben' komt oorspronkelijk uit de Matthäus-Passion, en staat hier op zichzelf, in een prachtig verstilde pianoversie door de Nederlandse broertjes Arthur en Lucas Jussen.  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

Folge 293: Mühlhausen ist ein besonderer Ort, der als freie Reichsstadt direkt dem Kaiser unterstellt ist. Auch wenn er nur kurz bleibt, reiht sich Bach würdig in dortige Musiktradition ein.

Johann Sebastian Bach, der leidenschaftliche Kaffeeliebhaber, komponierte um 1734 die Kaffeekantate - ein musikalisches Spiegelbild der Leipziger Kaffeehauskultur.

Johann Sebastian Bach hatte ein feines Gespür für die technischen Möglichkeiten und das klangliche Potential der Traversflöte - ein Instrument, das sich mehr und mehr etablierte und das Bach in seiner Leipziger Zeit immer häufiger anstelle der Blockflöte einsetzte. Die h-Moll-Flötensonate BWV 1030 komponierte Bach vermutlich um 1736–1737. Sie ist die längste und komplexeste von Bachs Flötensonaten und gilt als Höhepunkt seiner Auseinandersetzung mit dem Instrument. Anders als die meisten seiner anderen Flötensonaten ist BWV 1030 keine Triosonate mit Generalbass, sondern eine Sonate für zwei gleichberechtigte Partner: Flöte und Cembalo treten in einen engen Dialog, wechseln sich in Themenführung und virtuosen Passagen ab und schaffen so eine dichte musikalische Struktur. In der Diskothek werden sechs unterschiedliche Aufnahmen der Flötensonate BWV 1030 von J.S. Bach verglichen. Gäste von Eva Oertle sind der Flötist Marco Brolli und die Cembalistin Urte Lucht.

Construído no século 16, o órgão da Sankt Johanniskirche, a luterana Igreja de São João, na cidade de Lüneburg, no norte da Alemanha, será restaurado ao custo de mais de 2 milhões de euros, conforme anunciou a emissora de rádio e televisão alemã NDR. As obras tiveram início no mês passado e deverão estar concluídas em meados de 2028. Esse órgão foi tocado por Johann Sebastian Bach durante os dois anos em que o compositor viveu naquela cidade, entre 1700 e 1702, quando tinha entre 15 e 17 anos de idade. Na época, Bach era estudante secundarista bolsista na Michaelisschule, a escola ligada à Michaeliskirche, a Igreja de São Miguel, também situada em Lüneburg. Na mesma época, o organista da Igreja de São João era o grande compositor alemão Georg Böhm. Bach teve contato direto com Böhm durante os dois anos em que viveu em Lüneburg e com ele tomou aulas de órgão, tocando o imponente instrumento renascentista da Igreja de São João, que por isso hoje é conhecido como o Órgão Bach-Böhm. Estão preservadas pelo menos duas músicas para órgão compostas por Bach em Lüneburg, obras que o jovem compositor provavelmente tocou no órgão da Igreja de São João. Essas músicas são exibidas nesta edição de Manhã com Bach: a Partita sobre o coral Christ, der du bist der helle Tag (BWV 766) e a Partita O Gott, du frommer Gott (BWV 767). O podcast apresenta ainda a cantata Nun komm der Heiden Heiland, "Agora vem o Salvador dos gentios" (BWV 61). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 8 e 9 de novembro de 2025. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

Folge 292: In Mühlhausen komponiert Bach seine ersten geistlichen Kantaten und schafft damit aus dem Stand Spitzenwerke dieser Gattung. Maul & Schrammek kommen jedenfalls aus dem Schwärmen nicht mehr raus.

Aujourd'hui, nous sommes le 9 novembre et nous fêtons la Dédicace de la Basilique du Latran.En ce dimanche où Jésus oriente nos cœurs vers l'essentiel, je prends le temps de me mettre en Sa présence, lui qui est le Temple véritable. « Seigneur donne moi d'être le Temple vivant de... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : The Kingdom of God de The community of Taizé interprété par - Chants d'assemblée, vol. 1 © Communauté du Chemin Neuf ; Concerto in D Minor BWV1043 Largo de Johann Sebastian Bach interprété par Daniel Estrem - Baroque Concertos on 8 String Guitar © Creative Commons by-nc-sa license from Magnatunes.

Music for Meditation, Sarabande from Quatrème Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.

Bach gilt als einer der bedeutendsten Komponisten überhaupt. Dass bei in seinen Werken so etwas Zeitloses mitschwingt, das war nicht immer so. Beinahe hätte der Zahn der Zeit so an ihm genagt, dass er für alle Zeiten vergessen gewesen wäre.

Es waren vor allem die vielstimmigen Werke von Johann Sebastian Bach, die den Wallauer Pfarrerssohn Jonathan Hofmann schon früh für Musik begeisterten. Diese Begeisterung überträgt er heute als Dirigent von gleich mehreren Chören und deren Publikum.

How long can an emperor not be an emperor. The official record stands at 25 years, that is how long Friedrich III had stayed out of the core areas of the Holy Roman Empire. That meant 25 ears of Imperial Diets without the presence of an Emperor, 25 years of stasis on the challenges of the time, the reform of the empire and the defense against the Ottoman expansion. But sometime in the late 1460s the apathic emperor Friedrich III, dubbed the Imperial Arch Sleepy head awakes and does what he had never done before, something. And that something turned into a lot of things, some related toimperial reform, but the most significant something for European history was a marriage, well, an engagement for now, followed by a flight down the river Mosel away from the intended father of the bride. Yes, it is that famous marriage, just not in the way you may have thought it happened. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

Jeden Tag beleuchten wir diese Woche das Leben von Johann Sebastian Bach aus einem anderen Blickwinkel. Stur soll er gewesen sein, eigenwillig, bockig und leicht cholerisch. Einiges spricht dafür, aber andererseits ...

Warum uns Bachs Musik so anspricht, darüber haben sich bereits viele Forscher den Kopf zerbrochen. Unsere Reihe über den Komponisten Johann Sebastian Bach beschäftigt sich heute mit der Zahlenmystik in den Werken des großen Thomaskantors.

Zwanzig Kinder hatte Johann Sebastian Bach. Dafür braucht es zwei Frauen, gute Nerven und ein solides Einkommen. Dass dieser Bach ein Familienmensch war, darum geht es in der ersten Folge unserer Reihe über Johann Sebastian Bach.

Folge 291: Nach vier Jahren wird es Bach in Arnstadt zu eng, er bewirbt sich mit Erfolg auf die Organistenstelle der Blasiuskirche in Mühlhausen. War es ein entscheidender beruflicher Aufstieg?

fWotD Episode 3101: Gott der Herr ist Sonn und Schild, BWV 79 Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 31 October 2025, is Gott der Herr ist Sonn und Schild, BWV 79.Gott der Herr ist Sonn und Schild ('God the Lord is sun and shield'), BWV 79, is a church cantata for Reformation Day by Johann Sebastian Bach. He composed it in 1725, his third year in the position of Thomaskantor in Leipzig, and led the first performance on 31 October that year. It is possibly his first cantata for the occasion. He used most of the music for two of his four short masses in the 1730s.The text was written by an unknown poet, who did not refer to the prescribed readings for the day. He began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's "Nun danket alle Gott", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's "Nun laßt uns Gott dem Herren". Bach composed a work of "festive magnificence", structured in six movements, with an aria following the opening chorus, and a recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity within the structure by using the horns not only in the opening but also as obbligato instruments in the two chorales, the first time even playing the same motifs.Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet again for his Missa in G major, BWV 236, and the music of an alto aria for his Missa in A major, BWV 234.This recording reflects the Wikipedia text as of 01:19 UTC on Friday, 31 October 2025.For the full current version of the article, see Gott der Herr ist Sonn und Schild, BWV 79 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

Today we will talk a lot about Matthias Corvinus, the legendary renaissance king of Hungary whose library outshone that of the Medici in Florence and whose standing army was one of the greatest – and most expensive - military forces in 15th century Europe. Why are we talking about a Hungarian ruler in a series about the Habsburgs? Trust me, there is a good reason beyond it being a fascinating life story.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Folge 290: Es ist schwierig, Bachs erster Ehefrau Maria Barbara gerecht zu werden, da praktisch keinerlei Dokumente zu ihr überliefert sind. Maul & Schrammek versuchen sich dennoch an einer tiefen Reverenz.

It is November 1462 and the emperor Friedrich III and his young family are huddling together in the cellars of the Hofburg. The citizens of Vienna are shooting cannonballs into the 13th century castle, the walls are crumbling and any moment now the angry crowds may break in. Outside, supporting the insurrection stood his own brother, calling on him to give up. Two crowns he has already lost and a third is about to be knocked off his head as the imperial princes had ganged up on him. Friedrich III was a man who firmly believed in ancient laws and traditions and was profoundly ill suited for a world where, as Picciolomini wrote in the last sentence of his history of the emperor Friedrich III quote: “We are of the opinion that empires are won by weapons, not by legal means!” Friedrich III and with him the Habsburgs hit rock bottom, but how and why exactly he ended up there, and w hat that tells us about the profound changes during this period of history is what we are going to explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman...

Folge 289: Eine seiner weitesten Reisen unternimmt Bach im Winter 1705/06, als er von Arnstadt zu seinem Idol Dietrich Buxtehude nach Lübeck aufbricht. Dafür riskiert er gern daheim eine Rüge wegen Urlaubsübertretung.

Sunday Worship for October 19, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen. Prelude—Chorale preludes on LIEBSTER JESU, WIR SIND HIER (ELW 510): Johann Sebastian Bach; Johann Gottfried Walther; Johann Christoph Bach • Introit—Psalm 74:22a, 20a, 21 • Gathering Hymn —Word of God, Come Down on Earth, (ELW 510) • First Reading—Genesis 32:22-31 • Psalm 121 • Second Reading—2 Timothy 3:14–4:5 • Gospel—Luke 18:1-8 • Sermon— Pastor Dan Peters, "Keep Questioning" • Hymn of the Day—Ask the Complicated Questions (ACS 1005)   • Distribution Hymns—This Is Christ's Body (ACS 967) • Sending Hymn —All My Hope on God Is Founded (ELW 757)  • Postlude—Prelude and Fugue in F major, attributed to JS Bach⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

Johann Sebastian Bach is a towering cultural icon, a composer who might be seen as the poster boy for “serious music” and spent most of his career in the service of the church. But he played many roles in the course of his life, and could be funny, sassy, conniving, obstinate, and rebellious. Donald Macleod dives into Bach's secular music, and follows his trail as he makes his way in the world, from courts to coffee houses, building a family, two-timing his bosses, and even a stint behind bars.Featured music: Brandenburg Concerto No 5, BWV1050 (i. Allegro) Flute Sonata in E minor, BWV1034 Capriccio in honorem Johann Christoph Bach BWV993 Partita for solo violin No. 2 in D minor, BWV1004 (v. Chaconne) Organ Sonata No 4, BWV528 Lute Suite No 1 in E minor, BWV996 Partita for Solo Violin in E major, BWV1006 (IV. Menuet) Fugue in G minor for violin and basso continuo, BWV1026 Trio Sonata No 2 in C minor, BWV 526 Concerto after Vivaldi in A minor, BWV593 (i. Allegro) Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd!' (excerpt) Toccata and Fugue in D minor, BWV565 Prelude and Fugue in F minor Prelude in D minor, BWV851 Brandenburg Concerto No 5, BWV1050 (iii. Allegro) Cantata BWV134a ‘Die Zeit, die Tag und Jahre macht': Ergetzet auf Erden Bach Collegium Japan Cello Suite No 2 in D minor, BWV1008 (Sarabande and minuets) French Suite No 4 in E-flat major, BWV815 (1st-4th movements) Brandenburg Concerto No 4 in G major, BWV1049 Harpsichord Concerto BWV 1054 (iii. Allegro) Double Violin Concerto, BWV1043 (1st movement) Cantata, BWV214 “'Tönet, ihr Pauken'” (opening chorus) Orchestral Suite No 2, BWV1067 (3rd – 7th movements) Cantata BWV211 'Schweigt stille, plaudert nicht' (Coffee Cantata) “Peasant” Cantata – Mer hahn ein neue Oberkeet, BWV212: “Wir gehn nun wo der Dudelsak” Double Violin Concerto, BWV1043 (2nd movement) Orchestral Suite No 3, BWV1068 (iii. Gavotte to v. Gigue) Goldberg Variations, BWV988 (Aria and Variations 1-5) Musical Offering, BWV1079: Ricercar a 6 The Contest Between Phoebus and Pan, BWV201 (“Pan ist Meister”….end)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johann Sebastian Bach: https://www.bbc.co.uk/programmes/m002kdkg And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Our journey today will take us away from the emperor Friedrich III who will spend most of the episode holed up in his castle at Wiener Neustadt, fretting and gardening. Instead we look at the dramatic life of his younger cousin, Ladislaus Postumus, king of Hungary, king of Bohemia and Archduke of Austria. This will take us back to Prague and its complex religious politics, to Vienna where the people fall for the alluring promises of a populist and to Hungary where one of the greatest generals of the age squares up against Mehmet II, the conqueror of Constantinople.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

El 9 de octubre de 2025 celebramos el Día Mundial de la Visión, una fecha que ha servido de inspiración para el nuevo programa de nuestro director de orquesta, Andrés Salado, titulado La Alboreá: Música a ciegas. Esta propuesta artística nos invita a reflexionar sobre la relación entre la música y la percepción, más allá de lo visual.Paradójicamente, esta inspiración no fue posible para Georg Friedrich Haendel, quien, además de sufrir un delicado estado de salud, enfrentó graves problemas de visión. A lo largo de los años, se sometió a varias intervenciones quirúrgicas, siendo la última a manos del controvertido oculista John Taylor.Taylor, más que un médico, era un personaje pintoresco: viajaba por Europa en su carromato, operando ojos con una temeridad que dejaba a muchos pacientes peor de lo que estaban. Haendel no fue la excepción. Tras la operación, quedó completamente ciego y aún más debilitado. Curiosamente, Johann Sebastian Bach también fue intervenido por Taylor, con el mismo trágico desenlace: la ceguera total.Sin embargo, la historia de la música está llena de ejemplos de artistas que, a pesar de la ceguera, lograron carreras brillantes. Es el caso de María Teresa von Paradis, compositora vienesa del siglo XVIII, quien perdió la vista a los tres años. Su talento la llevó a recorrer Europa ofreciendo conciertos y componiendo decenas de obras. Y más cerca de nuestro tiempo, encontramos la historia de Andrea Bocelli. Nació con glaucoma congénito, pero fue un accidente jugando al fútbol —un balonazo en la cabeza a los 12 años— lo que le dejó completamente ciego. Para cualquier niño, ese momento podría haber significado el fin de muchos sueños. Pero en Bocelli despertó algo más profundo: una necesidad de expresarse a través de su voz. Escuchar audio

Hello friends of the History of the Germans. I am afraid there will not be an episode this week. I would have preferred to say that I have caught a bug or something, but the truth is, I just could not put something together that lives up to your and my standards. Sorry, this does not happen very often, but it does. The muse was busy somewhere else or missed the entry point for my humble attic. So, rather than wasting your time with something sub-par, I decided to call it off for this week. I will go back to the drawing board and make sure something sensible shows up in your feed next week.If however you need your weekly fix of German history content, you can go to the History Rage Podcast where Paul Bavil allowed me to go on for far too long about my pet hate, which is people endlessly repeating Voltaire's quip that the Holy Roman empire was neither Holy, nor Roman nor an empire. Not only is that joke 200 years old, it isn't even accurate. https://pod.fo/e/3330ceAnd if you are of a gentler disposition and cannot bear me losing my rag, you can always prepare yourself for next week's episode by listening back to some older episodes where we have discussed the mid-15th century in the Hanseatic League, Prussia, Bohemia and Germany. For instance episode 122, where we heard how right around this time the Hanseatic League's stranglehold over the Baltic led to a collapse of the once sprawling herring fair in Scania and the rise of the Dutch herring industry based in Amsterdam. In episode 136 we covered the 13-year long war between the Teutonic Knights and the cities and major aristocrats of Prussia, that started in 1454 and ended up with the loss of Gdansk and Western Prussia. The Mainzer Stiftsfehde and the Furstenkrieg that also fall into this period is so complex, we had to break it down into multiple podcasts. Episode 186 about Mainz and Hessen, 189 about the Count Palatine on the Rhine and his conflict with Friedrich III, 191/192 where we look at the involvement of Baden and Wurttemberg, and 196 and 197 about the internecine warfare in Bavaria that linked into it. Or just think of a number, any number between zero and 209, and listen to that episode. Either that or listen to any of the thousands ad thousands of other great episodes talented podcasters put out every week.See you next week.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you...

Johann Sebastian Bach - Herz und Mund und Tat und Leben: Jesus Bleibt Meine FreudeHungarian Radio ChorusBudapest Failoni Chamber OrchestraMatyas Antal, conductorMore info about today's track: Naxos 8.554042Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Today we – and the Habsburgs – stride back on to the grand stage of European politics. Not with a titan of history or monarch whose long and fruitful reign resonates across the centuries, but with Friedrich III, better known as the Reichserzschlafmütze - the imperial arch sleepy head, Or perhaps more fittingly the imperial arch dawdler.He ruled from 1440 to 1493, a total of 53 years - the longest reign of any Holy (or unholy) Roman Emperors (bar Constantine VIII). And yet, is also the most derided of reigns. In 1878 the Historian Georg Voigt sneered: “He was not remotely capable of handling such far-reaching politics, leaving Bohemia to its own devices, the Hungarian throne dispute to the helpless queen dowager, Austria to the arrogant dynasts, and the mercenary and robber bands.” “His light, simple hair, his long face with little movement, and his sedate gait betrayed a sluggish, deliberate nature, to which any enthusiasm, indeed any excitement, was alien. His love of peace has been endlessly mocked, but it was based on a completely dull sense of manhood and honour. No prince was so easily consoled by such insolent and repeated insults.” End quote.Modern historians are kinder, praising his thorough education and dogged determination to preserve what was left of the majesty of the Holy Roman Emperors. But even they can't avoid calling him flabby, underhand and happy to sell out his friends and allies. Not exactly the kind of guy one wants to spend three or four episodes with. But this is history, not Hollywood. The nice guys do not usually win by yanking hard on the levers of destiny. More often than not tenacious men of low cunning, who weasel their way through, are the ones who are bringing the results.And results he did get. At the end of his reign, the empire had changed profoundly. The open constitution of the Middle Ages had given way to a denser and more structured organization.Why and how Friedrich III – despite all his many shortcomings - got to move the needle of German history is what we will look at over the next few weeks.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

Last week we saw the family slowly climbing out of the hole that Friedrich IV of the Tyrol had dug them. But despite all these consolidation efforts, the family was still in the second league of European princely families. Then, just 25 years after Ernst the Iron married down into minor Polish royalty, his first cousin once removed, Albrecht V became King of Hungary, King of the Romans and King of Bohemia, all in one single year, 1438. How was that possible? Here is friend of the podcast, Eneas Silvio Piccolomini summarizing events: quote Albrecht grew up and married Elizabeth, daughter of King Sigismund. She was a very beautiful woman, who lived with him most virtuously. After the Bohemians had turned to heresy and terrorised all their neighbours with wars, he alone, with great strength, protected Moravia and Austria, and the damage he inflicted upon the Bohemians was not less than the damage he took from them. He was always in arms and, like the Bohemians, used waggon formations in battle. Making his soldiers undergo hard military training, Albrecht was the only one of all their neighbours whom the Bohemians feared, having been often defeated by him and put to flight.When his father-in-law Sigismund died, the Hungarians soon called him to the kingship, and the Bohemians followed suit. Thus, in a very short time, he gained two large kingdoms. In the meantime, the electors of the Empire, having heard about Sigismund's death, elected Albrecht as King of the Romans and sent their decree to him in Vienna.” End quoteBish bash bosh – that is it, end of episode. Thanks for coming.OK, maybe we have to go with Skipper from the Penguins of Madagascar and demand: Kowalski- AnalysisThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture Controversy

Walk through most neighborhoods, and you get at least a general sense of people's back yards. But where the truly wealthy live on enormous gated parcels of land, you quickly notice it's almost impossible to either see or know what's going on back there. With all that space and total anonymity, it really could be… anything. Music: Michele Nobler, 'Choral Prelude in F Minor' by Johann Sebastian Bach, all rights reserved. The National Alliance to End Homelessness will receive 25% of all sales in the Knifepoint Horror shop through September: knifepointhorror.dashery.com Learn more about your ad choices. Visit megaphone.fm/adchoices