Podcast appearances and mentions of mark gould

When FedNow launched last July there was a lot of excitement in the financial community about the first new payments rail from the Fed in fifty years. There was also some trepidation. What would the rollout look like? Would banks take a wait-and-see approach? And how would the presence of RTP affect adoption?Now, almost eight months later we have answers to many of these questions. My next guest on the Fintech One-on-One podcast is Mark Gould, the Chief Payments Executive at the Federal Reserve Financial Services. He is the head of FedNow and has steered the Fed through its successful launch and now into its growth stage.In this podcast you will learn:The many different roles Mark has held at the Fed.What the Fed's role is exactly in the payments system.The number of banks that are now on board with FedNow.How the FedNow system actually works.What Mark's pitch is when talking to prospective banks.The difference between signing up for send and receive.How fintech companies should think about FedNow.The primary use cases that are flowing through FedNow right now.How Mark thinks about RTP from The Clearing House.The idea of interoperability between RTP and FedNow.How Mark expects the mix of payment types to evolve over the next decade.The tools that the Fed has in place to prevent fraud.The transaction limits that are in place today.The short term product roadmap for FedNow.When Mark thinks there will be ubiquitous availability of instant payments.What it will take for consumers to have an expectation that payments will be instant.Connect with Mark on LinkedInConnect with Federal Reserve Financial Services on LinkedInConnect with Fintech One-on-One:Tweet me @PeterRentonConnect with me on LinkedInFind previous Fintech One-on-One episodes

When FedNow launched last July there was a lot of excitement in the financial community about the first new payments rail from the Fed in fifty years. There was also some trepidation. What would the rollout look like? Would banks take a wait-and-see approach? And how would the presence of RTP affect adoption?Now, almost eight months later we have answers to many of these questions. My next guest on the Fintech One-on-One podcast is Mark Gould, the Chief Payments Executive at the Federal Reserve Financial Services. He is the head of FedNow and has steered the Fed through its successful launch and now into its growth stage.In this podcast you will learn:The many different roles Mark has held at the Fed.What the Fed's role is exactly in the payments system.The number of banks that are now on board with FedNow.How the FedNow system actually works.What Mark's pitch is when talking to prospective banks.The difference between signing up for send and receive.How fintech companies should think about FedNow.The primary use cases that are flowing through FedNow right now.How Mark thinks about RTP from The Clearing House.The idea of interoperability between RTP and FedNow.How Mark expects the mix of payment types to evolve over the next decade.The tools that the Fed has in place to prevent fraud.The transaction limits that are in place today.The short term product roadmap for FedNow.When Mark thinks there will be ubiquitous availability of instant payments.What it will take for consumers to have an expectation that payments will be instant.Connect with Mark on LinkedInConnect with Federal Reserve Financial Services on LinkedInConnect with Fintech One-on-One: Tweet me @PeterRenton Connect with me on LinkedIn Find previous Fintech One-on-One episodes

The Coast Guard's Mark Gould on why it's so difficult to tow the Cape Cordell to safety + The idea of expanding the recreational fishery has struck a chord with listeners + NL Senator Mohamed Ravalia has questions for the Federal Fisheries minister about fishery rules and regulations.

Trumpeter Dave Bilger has had a stellar career as both a performer and also as an educator. He was principal trumpet with the Dallas Symphony, and following that, principal trumpet with the Philadelphia Orchestra for many years. In addition to the 27 years he's taught at the Curtis Institute of Music, he's also Professor of Trumpet at the Northwestern University Bienen School of Music and has given master classes around the world.As an example of how music can have a profound influence on a person's, and even a family's, life, we begin our conversation with my asking Dave about how he was able raise funds in order to bring Baset Azizi from Afghanistan to the United States and how that impacted not only Baset, but his family as well. Dave continues by talking about his two main teachers and their different approaches to teaching, David Hickman and Mark Gould... in addition to his week of study with Tom Stevens. As a student, Dave was a member of the summer student orchestra, the Colorado Philharmonic, and talks about what it was like to have Michael Sachs (principal trumpet, Cleveland Orchestra) and Doug Prosser (principal trumpet, Rochester Philharmonic) as room-mates during his second year. We end part one with an extended discussion of auditions, including musical preparation, mental approaches, and some current issues with the orchestral audition process.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Terry Billard lost his boat and he has some advice for mariners + Mark Gould, regional supervisor of the Maritime Rescue Sub-Centre in St. John's, on how rescues can go smoothly

Alex Johnson, creator of the Fintech Takes newsletter, and I are happy to bring you this very special episode of Fintech Recap. We had the honor of sitting down with Mark Gould, the Chief Payments Executive for Federal Reserve Financial Services.For context, we recorded this episode in mid-July, on the eve of the launch of FedNow. We had the chance to hear from Mark on:* Mark's background and 30+ year career at the Federal Reserve* More than interest rate policy: The Fed's Federal Reserve Financial Services group, which is responsible for payments products like cash, ACH, wires — and FedNow* The creation and launch of FedNow, including potential uses cases and possible impacts on other payment methods* How Mark thinks about defining “success” for FedNow* and much, much more!Many thanks to Mark and his team for taking the time to sit down and speak with Alex and me on the future of US payments!Existing subscriber? Please consider supporting this newsletter by upgrading to a paid subscription. New here? Subscribe to get Fintech Business Weekly each Sunday: Get full access to Fintech Business Weekly at fintechbusinessweekly.substack.com/subscribe

Chief Payments Executive of the Federal Reserve, Mark Gould, stops by the studio for this special episode of Fintech Recap with Alex and Jason to chat about the evolution of instant payment and how FedNow is attempting to make the clearing and settling of payments instant and final.  Are checks obsolete? How much money does the Fed clear daily? And has the amount of money in circulation increased or decreased within the last ten years?  Mark's answering all of Alex's and Jason's questions and unraveling what a successful rollout of FedNow will look like in the imminent and distant future.  Sign up for Alex's Fintech Takes newsletter for the latest insightful analysis on fintech trends, along with a heaping pile of pop culture references and copious footnotes. Every Monday and Thursday: https://workweek.com/brand/fintech-takes/   Follow Mark: LinkedIn: https://www.linkedin.com/in/mark-gould-7241098/   Follow Jason: Newsletter: https://fintechbusinessweekly.substack.com/ LinkedIn: https://www.linkedin.com/in/jasonmikula/   Follow Alex:  LinkedIn: linkedin.com/in/alexhjohnson Twitter: twitter.com/AlexH_Johnson

Is 11 years in prison for streaming football matches disproportionate, considering worse crimes get less time behind bars? On this episode of The Straight Shootin' View our co-host SSLJA welcomes Coach JBK & Nathan 'Arsenal' on as they talk about a recent court case involving a friend of SSLJA's (Mark Gould) who was jailed for 11 years for his role as the ringleader of the group behind the illegal streaming platform Flawless, which streamed Premier League matches, including matches NOT shown due to the 3pm blackout rule. There Is a petition for Mark Gould which you can sign here - https://www.change.org/p/stop-the-injustice-disgraceful-sentencing-of-the-11-years-for-a-streaming-service?source_location=topic_page SSLJA, Nathan & JBK discuss the case and give their views on the 11 year sentence for Mark Gould, in comparison to the others behind Flawless who got 3 years each and they discuss the Premier League taking this unusual step of privately prosecuting individuals so aggressively and discuss some comparisons of worse crimes, that have got less than 11 years. Our co-hosts look at a few examples of other cases and also look at why people turn to piracy in the first place, and if the Premier League are basically forcing people to illegally stream, in a cost of living crisis that people need respite from, but unfortunately have to pay exorbitant prices for. For more info visit: Our Website - http://www.pitch-talk.comhttp://Facebook.com/pitchtalkhttp://Twitter.com/pitchtalk @pitchtalk https://www.instagram.com/pitchtalk/http://Youtube.com/pitchtalk Find & Subscribe to our audio - Add us to your favourite podcast app via RSS Feed - https://anchor.fm/s/8839b7e0/podcast/rss Anchor FM - https://anchor.fm/pitchtalk Apple Podcasts - https://podcasts.apple.com/gb/podcast/pitch-talk-podcast/id445883703 Google Podcasts - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL3BpdGNodGFsay9mZWVkLnhtbA Spotify - https://open.spotify.com/show/0y9lR6WJaNLyAr7diAHhqh#upsell Amazon Music - https://music.amazon.co.uk/podcasts/ee0280cc-f15b-49bb-a3e2-b688e0dd49d5/Pitch-Talk-Podcast? PlayerFM - https://player.fm/series/pitch-talk-podcast-2859976 Mixcloud Archive (Incl. Classic podcast episodes) - https://mixcloud.com/pitchtalk/ #Piracy #FlawlessIPTV #PremierLeague #MarkGould #profit #illegalstreaming #3PMBlackout #TVCoverage #Broadcasting #SkySports #BTSport #TVRevenue #Nintendo #GaryBowser #LucianoMoggi #Calciopoli #EFLChampionship #LeagueOne #LeagueTwo #PitchTalk #Vlogs #EFL #Podcast #EPL #ApplePodcasts #GooglePodcasts #AnchorFM #money #football #players #coaching #soccer #GrassRootsFootball #UEFA #FA #FIFA #FootballVideos #opinion #facebook #twitter #igtv #instagram #YouTube

After calling off his attempt to cross the Atlantic in the smallest boat ever, Andrew Bedwell needed to be rescued. That involved a huge effort... at taxpayers' expense. We got a description of that rescue from head of Search and Rescue with the Coast Guard in St. John's. (Anthony Germain with Mark Gould)

Star Wars, Indiana Jones, Harry Potter: movies move our hearts and form our minds. How does classical Christian education equip students to see the deeper meanings of movies, and even start making their own?   Feature film director and Trinity film teacher Mark Gould shows us how, in this friendly guide to classical Christian education. 

What Serverless Can Do For You? With Mark GouldEpisode SummaryOn this episode, Cloud Security Engineer at Manhattan Associates, Mark Gould, joins Matt to talk about serverless computing. Mark is a Cybersecurity specialist, with a focus on the Google Cloud Platform, and is a Certified Google Architect.Today, Mark talks about serverless computing, the security risk to consider, and working with DevOps teams. What are the top three metrics to start with for automation and security? Hear about cloud automation, Mark's NSG alerting system, and his greatest accomplishments in recent years. Timestamp Segments·       [01:22] About Mark.·       [02:49] About Manhattan Associates.·       [04:46] How does cloud fit in?·       [06:16] Automation in the cloud.·       [09:03] Modernization at Manhattan Associates.·       [10:18] Serverless computing.·       [14:39] Security risks with using serverless functions.·       [17:58] Mark's NSG alerting system.·       [21:27] Three metrics for automation and security.·       [23:33] What should security teams be doing differently when working with DevOps?·       [25:43] What is Mark most proud of?·       [27:45] How does Mark continue to learn?·       [30:31] Is Manhattan Associates hiring? Notable Quotes·       “You definitely have to pick what kind of processes you want to automate and make sure that you're willing to put in the work to maintain them.”·       “Sometimes serverless isn't always the cheapest option.”·       “Leaders are learners.” Relevant LinksManhattan Associates:           https://www.manh.comLinkedIn:         https://www.linkedin.com/in/mark-gould-15a7a3149Comprehensive, full-stack cloud security Secure infrastructure, apps and data across hybrid and multi-cloud environments with Prisma Cloud.

Today's guest is my good friend Jerome Burns. For those of you who might not know Jerome, he is that crazy trumpet player that has been posting his insane transcriptions for the trumpet of Meshuggah guitar solos. Jerome is a graduate of the Manhattan School of music where he studied under Mark Gould, and is also a specialist on the music of Karheilnz Stockhausen, having completed the Master's Degree in Aus Licht under the tutelage of Marco Blaauw in Holland. This episode deals with many subjects most notably “student” mentality and its trappings, and the music of Karlheinz Stockhausen. This episode was recorded over a year ago, so some of the talk might seem dated. I wanted to have Jerome on because he was successful at something that the vast majority of people in the professional classical music sphere failed to do: create meaningful and unique online musical content during the COVID lockdowns. While even lauded professionals were posting lackluster videos of themselves playing orchestral excerpts and warmups, Jerome delighted us all every Monday with his fiendishly difficult and profound renditions of metal music transcriptions. By doing this, in my mind, he joined the ranks of other artists like Håkan Hardenberger, Wynton Marsalis, Dan Rosenboom, Peter Evans, Stephanie Richards, and a selected few more who offered listeners something worth their attention. I eagerly await what is next from Jerome, when he finally puts all he has learned in the last two years into a practical setting, you will surely see me purchasing the first ticket. --- Support this podcast: https://anchor.fm/artssalon/support

Tense moments overnight for a vessel and her crew near St. John's.The Gypsy Mariner, a fishing boat out of Quebec sank about 60 nautical miles from the coast. To find out more, we spoke to Mark Gould, a supervisor with the Canadian Coast Guard Maritime Search and Rescue in St. John's

Coast Guard supervisor Mark Gould on ending the search and rescue effort for two missing turr hunters; Oceana Canada's science director, Robert Rangely on the 2021 Fishery Audit.

In Part 2, Mark and I discuss differing views of interpretation, specifically with the Hindemith Sonata for Trumpet and Piano. The question is always this: How faithful should the performer be to the exact text of the music? Mark, of course, has some very definite ideas! We also talk about his time with the Metropolitan Opera, and end this part of our conversation with a discussion of historical performance practice.

A section of Mark's book, Gould on Music deals with music in a post pandemic world. Most of our time in the Bonus Room is spent on this subject, but we also talk about what it is like to teach as a player and also as a non/former player.

Mark Gould is one of the most interesting, controversial, and hilarious musicians on the classical (and jazz) musical scene today. His new book, Gould on Music, is a fascinating look into many aspects of music, especially teaching. So it was interesting to hear Mark’s thoughts on so many different aspects of music and the music business.In Part 1 of our conversation, I ask Mark about a number of his ideas about teaching, how he approaches each individual student differently, and how using humor can be a help in teaching, including ways to make concepts memorable. I ask him how he would teach me as a young student, he talks about the sound and approach of Adolph Herseth, and we end with a few funny stories of his time with the Metropolitan Opera.

This is an edited version of this interview. Exclusive bonus content is available to my Patreon patrons. You can find out more about becoming a patron at www.patreon.com/studioHFL Show notes for this interview and all others are available at www.studiohfl.com/blog

This Episode We Cover:• Movie Trivia - 1:08• Interview with Mark Gould - Movies, Milestones, and Memories – 4:42• What The Bag Ladies Show is about, who we are helping, and how it helps us – 56:27• Famous quote of the Day by Albert Einstein – “Only a life lived for others is a life Worthwhile.” • This Week's Drawing Winner – 1:00:11• Voluntourism Sizzle | Directed by Mark Gould – Hover and click the suggested video on the upper right of the screen.Movie Trivia: 1. What was the first feature-length animated movie ever released? (a) Bambi(b) Snow White and the Seven Dwarfs (c) Fantasia 2. What movie did Tom Hanks get his first Academy Award Nomination (a) Big (b) A League of their Own (c) Sleepless in Seattle 3. What movie did Steven Spielberg win his first Oscar for Best Director? (a) Raiders of the Lost Ark(b) E.T. (c) Schindler's List 4. In Risky Business what song did Tom Cruise famously lip-sync in his undies? (a) Old Time Rock and Roll (b) American Woman (c) Play that Funky Music 5 How many Oscars has Meryl Streep been nominated for? (a) 13 (b) 18 (c) 21 6 What is the highest grossing movie of all time? (a) Avengers: Endgame (b) The Lion King (c) Black PantherVoluntourism Preview Clip – Hover and click the suggested video on the upper right of the screen. (in youtube)Crush it this week with Compassion! Buy A Bag - Help A Cause - Change A LifeBe sure you register online at https://thebagladiesshow.com​ for our weekly drawing with a chance to win purses, bag ladies merchandise, gift cards, cash prizes, shopping sprees, and even a safari to KenyaIn order to fund these projects we need your help. You can do this in two main ways:Buy a handbag from our collectionLike, share, and subscribe you to our channelsPlease Subscribe & Review Our Show Below and Don't Forget To Share!This Episode:Mark Gould | Director, Editor & ProducerMovies, Milestones, and MemoriesIPhone & Apple Listeners – Subscribe and Leave Review Here: https://podcasts.apple.com/us/podcast/the-bag-ladies-show/id1553624471Watch Our Videos And Subscribe Here: YouTube Channel https://www.youtube.com/channel/UCmRi5_nKC0TXQLBanPgbVLAFollow Our Facebook For Giveaways & Updates! Facebook Page https://www.facebook.com/thebagladiesshowcoffee bags handmade bags TBLS first podcast episode charity podcast podcast launch the bag ladies show

Our sponsor: Houghton Hornswww.houghtonhorns.comStuart Stephenson joined the Atlanta Symphony Orchestra as Principal Trumpet at the beginning of the 2013-14 season. He has also been a guest musician with the Los Angeles Philharmonic, New York Philharmonic, National Symphony Orchestra, and the Kansas City Symphony.Stuart is on faculty at the Aspen Music Festival and School and has performed at the Sun Valley Summer Symphony, Grand Teton Music Festival, and Mainly Mozart Festival in San Diego. He is also on faculty at Emory University and Georgia State University in addition to maintaining a private teaching studio.Stuart holds a bachelor’s degree from The Juilliard School and a master’s degree from Northwestern University. Stephenson’s notable teachers include Barbara Butler, Charlie Geyer, Chris Martin, Tom Rolfs, Tom Cupples, Adel Sanchez, Raymond Mase, and Mark Gould.Support the show (https://thatsnotspit.com/support/)

The legend himself, Mark Gould, returns to the podcast. Mark talks about all things teaching, performing, and his new book, “Gould On Music.” We're surveying the listeners of The Brass Junkies! Head over to https://www.pedalnotemedia.com/survey to share your thoughts with us for a chance to win a $100 AmEx gift card or free admission to a future Brass Junkies Workshop! You can find show notes including links to everything mentioned in this episode on the Pedal Note Media website: http://www.pedalnotemedia.com/the-brass-junkies-podcast/ For instant access to the complete back catalog of exclusive bonus content including extra interviews with guests, additional content from Lance and Andrew like the Music Practice Coach Show and the Jacobs Quotes Podcast, become a Patreon patron of the show today: https://www.patreon.com/thebrassjunkies

Atse Theodros is a freelance trumpet player and brass repair tech at J. Landress Brass in New York City. After apprenticing at the shop during his last year of study at Manhattan School of Music, Atse has spent the last 5 years carving out his niche as a member of the small but mighty team. J. Landress Brass, Manhattan's only brass shop, is in high demand for cleaning, repairs, and instrument sales for NYC's busy freelancers. As a brass tech, Atse is involved in cleaning, repairs, polishing, and general triage when a player walks through the door with a non-functioning horn and says "I've got a show at 8!".Born and raised in Orlando, Florida, Atse holds a Bachelor’s in Music Education degree from the University of Florida, earning certification to teach K-12 in the state of Florida. Atse earned a Master of Music degree as well as a Professional Studies Certificate at Manhattan School of Music in the Orchestral Performance Program, studying under Mark Gould and Ethan Bensdorf. Other primary teachers include Vincent Penzarella, Thomas Smith, and Dr. Joyce Davis. He is an active musician in the greater New York and Florida regions. Orchestral experience includes a position as Associate Principal/3rd Trumpet with the Ocala Symphony Orchestra in Ocala, Florida. Atse has performed under the baton of such conductors as Leonard Slatkin, Kurt Masur and participated in master classes with James Thompson, Thomas Hooten, and Michael Sachs. Atse maintains an active lifestyle, enjoying various sports such as football and basketball in time outside of music as well.Support the show (https://buymeacoff.ee/doublerspodcast)

SHOW NOTES:  Trumpet Player Elmer Churampi, from Peru talks about how discipline has been key for his success as a musician and how having a positive mindset have help him overcome challenges in his career He began playing the trumpet when he was four years old with his father who is also a trumpet player that plays on street bands. Elmer was invited to be part of the National Youth Orchestra of Peru when he was seven years old and was a soloist three times with the National Symphony of Peru at the ages of 7, 8 and 9 performing Carnaval de Venecia, the Haydn Trumpet Concerto and the Arutunian Trumpet Concerto. When he was 10 years old, he was accepted to the National Conservatory of Music from Peru. Elmer was invited to be part of the professional orchestra of the Conservatory of Peru as a second trumpet when he was 12. At the age of 13, he played concerts with the Orquesta de los Reyes, the Opera Orchestra from Peru. In 2010 he attended the Interlochen Summer Camp with a full scholarship, playing first trumpet in every concert. Elmer was accepted to the Interlochen Arts Academy with a full scholarship and studied for three years with Ken Larson. During that time, Elmer won competitions including Young Artist in 2013, Jack Kent Cooke Award in 2013 and the Interlochen Young Artist Award in 2013. Elmer was also interviewed and featured on the radio program From the Top. He was invited by Mark Gould and Jen Lindemann to perform at the Banff Center of Arts in the brass festival in 2013. During his freshman year, Elmer won the concerto competition at New England Conservatory as well as the MTNA brass competition in Chicago. In 2015 and 2016, Elmer won first place in the National Trumpet Competition in the undergraduate division. He also won the Young Artist brass award in Texas. In 2017, Elmer was the soloist for the Boston Philharmonic in the South America tour, recently Elmer was the winner of the Boston Pops concert Competition. Elmer recently graduated from the New England Conservatory with a bachelors in trumpet performance under the instruction of Ben Wright and Tom Rolfs, Second and Principal Trumpet of the Boston Symphony Orchestra. Elmer has played with the Boston Pops, the Boston Symphony and the Chicago Symphony. Look up more information: Support the show: If you find value in this Podcast, please consider leaving a review on Apple Podcast. It would help me reach more people and I would be forever grateful! You can make a donation to the show via venmo @satsvara or Paypal punsuspensivo@gmail.com It helps me to keep creating content for you. You can also make a donation through anchor here to help me keep creating content for all of you https://anchor.fm/satsvarapodcast/support CONNECT WITH(guest) : * Instagram: @Elmerchurampitrumpet CONNECT WITH ME : * Instagram : @sat.svara * YouTube Channel : http://www.youtube.com/puntosuspensivo * Website: http:/www.satsvara.squarespace.com OTHER: This Podcast was distributed by Anchor: anchor.fm/app Cover art: Natalie Osorio Intro Music: Blossom - SOMM --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/satsvarapodcast/support

We've said it and we stand by it: modernization is a must. But change involves more than your technology. How do you get your teams up to speed so they can support your new software effectively? Joining us to spin his own team’s transformation tale is Mark Gould, Chief Technical Offer for Spindlemedia. Mark talks about the process of developing his team at the same time as updating their core tax-office software, covering juicy, people-centric topics like individual empowerment, remote challenges and opportunities, documentation and automation, and getting buy-in on new technology. He also goes into the actual business benefits of their team-building efforts and highlights the perks of having such savvy coaches along the way (#humblebrag).

For the first act of this episode, we’ve paired Steve Vacchi’s performance of music by Jean-Daniel Braun with Carol Stabile, Interim Dean of the Clark Honors College. For the second act, we’ll hear some music and thoughts from special guest Mark Gould, former co-principal trumpet of the Metropolitan Opera. Finally, Sarah Viens brings it home with a familiar song for the moment.    Orchestra Next wants to thank all of our musicians for hanging in there during this trying time. And we also wish to thank our supporters who have made this project possible. If you’d like to help support this project, please visit orchestranext.com.

Mark has been criticized by lesser intellects for his bold activities, but it is undeniable that behind Mark's antics is a true concern for the arts and a deep love for music. I cannot overstate how important this love is when attempting to transform or criticize the nature of art. Currently there is a lot of talk about how to improve classical music to better reflect modernity, and the sinner's and catholic school children mea culpas in vogue are more often than not repulsive and useless. Most people joining these conversations seem to be dishonest actors. We need to fine-tune our senses to distinguish between the people seeking change because they want to preserve things, and those who simply critique to destroy. Mark of course belongs to this first group. --- Support this podcast: https://anchor.fm/artssalon/support

Welcome to ONE. In each episode Robert interviews ONE Christian to hear their story. Join us in learning about this ONE body of Christ, ONE story at a time.In Episode 3, we’ll talk with Mark Landre Gould. Mark is a multi-talented guy…Director, Producer, and Editor (IMDB.com https://www.imdb.com/name/nm2348678/) as well as writer and teacher. Mark serves on the Worship Planning Team at NorthPark Community Church serving as the Production Director. Mark and I talk about his journey from New Mexico to Cal Arts and how he views his work in “the industry” as a vessel for the gospel through authentic relationships.

TBJ138: Julie Landsman on being the first woman in the brass section of The Met, the teaching of Carmine Caruso and JFL. Legendary is a term that gets thrown around a lot. Sometimes, it is deserved. This is one of those times. We're playing around with the show notes organization. Let us know your thoughts! In this fun and lively discussion, we cover: Julie being on our initial “wish list” of guests Working with both Sam and Mark Gould in a quintet Trio with Dave Taylor and Gould Played Principal horn for the Met for 25 years Andrew Balio (née Anil) and the sheep Getting into The Met in 1985 Working with a bunch of dudes First woman in the brass section at The Met Only a few of them welcomed her, most did not Her only defense was to outplay them Leading by example Challenges growing up that helped shape her abilities, drive, and approach Working to be heard and developing her own voice Disaster at the banjo Joe Greco was her band director and led her to the horn Carmine Caruso was brought in to help out her band program which continued to cement her approach and drive Howard Howard from The Met as another major influence Hearing Denis Brain recordings Caruso method, no-nonsense approach Paralysis through analysis The precision timing of movement A platform for your musicality The importance of repetition JFL Warburton Mouthpiece, JFL model is on the way Missing playing with The Met (she left in 2010) Taking a leave of absence when she turned 50 The Rule of 80 The experience of watching students succeed and perform with them Pilkington playing injured  Starting to teach at the University of Houston and Rice when she played with the Houston Symphony Giving and getting with and from teaching Asking for help and giving help when it is needed Deciding at 13 to become Principal at The Met Moving to California to teach at USC Teaching on both coasts for two years before moving to Southern California permanently Take a chance, follow a dream Meeting Jens for the first time LINKS: Julie's website Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm. Julie's bio: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner’s “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.

TBJ123: Sam Pilafian Tribute On October 25, 2019, Sam Pilafian would have turned 70. To mark this special occasion we decided to reach out to some of Sam's best friends to ask for stories, thoughts, reflections, and impressions. Mark Gould, Marty Hackleman, Jose Sibaja, Michael Sachs, JD Shaw, Patrick Sheridan, and Jose Sibaja shared stories ranging from hilarious to moving and we hope you find it as therapeutic as we have. Happy Birthday, Sam! #yeahman ----- We are happy to announce the next offering from Pedal Note Media: The Brass Legacy Project! Each season will feature stories from people around the music business about a different brass legend. Who better to feature in Season One of the Brass Legacy Project than Sam Pilafian! Sign up for the Brass Junkies newsletter and be the first to learn about when Season One will launch. Yeah man! ----- Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

In this episode, Billy Hunter, Principal Trumpet with the Metropolitan Opera, talks about how meditation transformed his approach to music-making – from practicing to preparing for audition, and performing. Billy elaborates on: How he used and still uses meditation and mindfulness to center himself before a performance How he focuses his mind on “Intending to play well” when performing How he believes in the importance of a regular meditation practice – in the cumulative effect of practicing meditation daily Why he wants to feel like he's practicing when he's performing How Bikram Yoga brought him a lot of focus How mindfulness helps him learn faster   ALL ABOUT BILLY: http://www.metorchestramusicians.org/billy-r-hunter-jr Instagram: https://www.instagram.com/billyhunter1812/   A native of Austin, Texas, Billy Hunter is currently Principal Trumpet with the Metropolitan Opera in New York and Assistant Principal Trumpet with the Grant Park Symphony Orchestra in Chicago. Before this, he was Principal with the New World Symphony and Spoleto Festival Italy orchestras, and has performed as Guest Principal with the Frankfurt Radio Symphony in Germany, Malaysian Philharmonic in Kuala Lumpur, and the Charleston Symphony Orchestra. Other orchestras he has performed with are the New York Philharmonic, Boston, Baltimore, and Dallas Symphonies. As a chamber musician and soloist Mr. Hunter has performed with several ensembles and music festivals including Grant Park Orchestra, New World Symphony, University of Texas Symphony and Wind Ensemble, Prometheus Chamber Orchestra, Eastern Music Festival Orchestra, American Brass Quintet, the Martha's Vineyard Chamber Music Festival and the MET Chamber Ensemble. His honors and awards include first prize in the Kingsville International Solo Competition Brass and Non-string divisions, second prize in the National Trumpet Competition, recipient of the Roger Voisin Trumpet award as a fellow of the prestigious Tanglewood Music Center in the Berkshires, and most recently, the University of Texas at Austin Outstanding Young Alumnus Award. A graduate of the University of Texas at Austin and the Juilliard School, his teachers have included Mark Gould (former Principal Trumpet of the Met), Raymond Mase  (Principal Trumpet of the NYC Ballet and ABQ), Raymond Crisara (former trumpet of the Met and NBC Symphony), and Harry Shapiro (former horn player of the Boston Symphony).   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Richard Cutcher is joined by this week's guest co-host captive veteran Malcolm Cutts-Watson to discuss how captives can address and risk finance climate change, and the future of captive management. Nick Hentges, co-CEO of Captive Resources, and Mark Gould, CEO of Gould Construction, Inc and an active group captive member, outline the rationale and benefits of being in a group captive. In the second half, Richard sits down for a debate on the role and model of captive managers with Paul Owens, CEO of the Willis Towers Watson Global Captive Practice, Beecher Carlson's Jason Flaxbeard, and Gary Osborne, of Risk Partners. For more information on our guests and to subscribe to our mailing list, visit the Global Captive Podcast website: http://www.globalcaptivepodcast.com Follow the LinkedIn page: https://www.linkedin.com/company/global-captive-podcast Find us on Twitter and Instagram: @CaptivePodcast

Episode 5 of the Global Captive Podcast, supported by R&Q, will be released on Monday, 29 April. This trailer provides a sneak peak at contributions from our guest co-host Malcolm Cutts-Watson, group captive experts Nick Hentges and Mark Gould and a clip from our captive management roundtable featuring Gary Osborne, Paul Owens and Jason Flaxbeard. You can subscribe to the Global Captive Podcast on SoundCloud, Spotify, Apple Podcasts or any other podcast platform.

Legendary trumpeter Jim Pandolfi has one of the most amazing stories in music. Or most places. In this fun and lively discussion, we cover: How Andrew and Jim first met in NYC many moons ago Applesauce Life out on Cape Cod (in the Dagobah System) "The older I get, the better I was" 15 years playing with The Met (wearing telescoping glasses due to an eye condition, macular degeneration) Having to leave before his vision loss got too bad How determination became the byword of his career The impact his attitude had on the other folks around him Playing loud (like really loud) in Japan on Samson and Delilah Overcoming the involuntary response with excellence Be a musician who happens to play the trumpet Practicing golf in his apartment (between the aquarium, the big-screen TV, the piano and his horns) Mark Gould locking in musically and personally Surviving in a symphony orchestra (the 3 most important rules) Only needed 4 or five notes to make an assessment of someone's playing The development of his teaching style and philosophy Everybody wants to play loud but most play too heavy (bear down too much) Listening to Bryn Terfel, connecting the power coming from the reserve (feel the reserve, don't push) How they get the fork to their mouth in the morning Pick up your chest Have the sound come from behind your sternum Take pause Single tonguing Set and forget tonguing The difference between thinking and concentration How well can you concentrate? Puttin' on the Ritz (during Flying Dutchman) More Gould stories (with Rich Kelley cameos) Peter Weller playing Clifford Brown tunes on Pandolfi's horn while driving golf balls between opera acts Mel Broiles influence on Jim Fantastic Mel stories (both music- and aviation-related) "Mel Broiles, Starring in His Own Movie" LINKS: Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.  

TBJ84: Brass legend Mark Gould boldly goes where no other guests have gone before! Mark Gould, the former Principal trumpet of The Met, the mastermind behind Pink Baby Monster and author of the hilarious new book, "Orchestra Confidential" joins Andrew & Lance in an episode filled with laughs, stories and swear words. Like, a lot of swear words. WARNING: As mentioned in the above description, this interview is more "adult" than our usual fare. If you are sensitive to this sort of thing, maybe sit this one out. You've been warned. In this fun and lively conversation, we cover: The first time Gould conducted The Boston Brass Kenton Christmas Carol show How his new book "Orchestra Confidential" came to be Pink Baby Monster, Elixirs and the Banff stories Reagan masks and inflatables in the "Desert Jews" show at ITG Pink Baby Monster's origin on 9/9/01, starting as a song and growing into a group after 9/11 Making a hip-hop record w/Brian McWhorter Pink Baby Monster being covered in the Daily News How he got banned from ITG What a Conductor Can’t Say Snobbery in jazz music Training young musicians Project-based training with a deadline What he would do if starting out today Collaboration wish list (David Lynch) Harry Watters PBM, “Conducting the National Brass Ensemble Album” video Masterclasses Heavy valve caps make all the difference Q: How high can you play? A: Exactly Playing with Jim Pandolfi in The Met LINKS:   Mark's new book, Orchestra Confidential Pink Baby Monster YouTube channel Juilliard bio Mannes bio Harry Watters TBJ episode Ken Watters TBJ episode Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Hip-BoneMusic's monthly interview series, "Bone2Pick". August 2015: Michael Davis interviews Mark Gould. http://www.hip-bonemusic.com

Trumpeter and former Boston Brass colleague Rich Kelley joins Andrew & Lance in a fun conversation about life on and after the road. Rich dropped out of Juilliard, where he studied with Mark Gould, because he had too many gigs! He has played on Broadway, with Meridian Arts Ensemble and Boston Brass and regularly plays with the Boston Pops and the Brass Band of Battle Creek. Shockingly, he’s also a really great guy! We get some great Boston Brass stories along the way, he talks about having perfect pitch and how much fun it is to play in a trio with his two daughters.  Rich also may or may not have had a mistaken identity run in with the authorities in Altus, Oklahoma.  Rich's NEC Bio NEW SPONSOR!!! Thanks to the Mary Pappert School of Music for becoming a sponsor! Find out about the brass goings-on at Duquesne HERE! Check out Parker Mouthpieces fine offerings (including the Andrew Hitz and Lance LaDuke models) at http://www.parkermouthpieces.com/ Want to help the show? Take a minute to leave us a rating and a review on iTunes. You can help offset the costs of producing the show by making a small donation at https://www.patreon.com/thebrassjunkies. Your support is greatly appreciated! Lastly, you can do us a huge favor just by sharing the show with your friends! Produced by Joey Santillo

In the second episode of our Amazing Hawaii Comic interviews series, the NERDWatch talks to local comic book artist Mark Gould, the author of Native Sons: Ring of Fire.

Two things to learn about Mark Gould, if you don't already know them. 1: He was principal trumpet of the Met Opera for an absolutely staggering 29 years; and 2: He's a man that says what he means, and means what he says. This makes for a veritable storm of interestingness constantly surrounding him, from his side project Pink Baby Monster (performances sometimes usually NSFW), to running for president in 2012, to his students' total infestation of the professional trumpet scene (obviously in large part wrought by his teachings), and NOW—to one of our best Brass Chats yet

From Tallahassee to Hallandale, we've got you covered with only the best jazz coming out of Florida; including brand new Jazz infused with blues & rich Americana, thrilling Gypsy Jazz from Orlando, hip-shaking funk, sparkling trio pieces and we reach back to 1995 to reveal a gem you may have missed or forgotten about. Artists include Jamie Ousley, Chuck Owen, Jack Wilkins & more!visit our Facebook pagecheck out our blogHosts: Allison Paris & Kenny MacKenzie   1. Introduction - Allison, Kenny2. "Surge" - Chuck Owen & the Jazz Surge (Temple Terrace, FL) website saxes - Jack Wilkins (solo), Jerry Kalber, Bob D'Angelis, Dan Jordan,           Mark Gould, Rex Wertz, David Pate & Brian Snapptrumpets - Ron Turner, Brian O'Flaherty, Mike Iapichino & Tom              Parmertertrombones - John Allred (solo), Herb Bruce, Keith Oshiro,            Chris Clifton, Joe Barati & Jim HallWarren Bernhardt - piano, Mark Neuenschwander - bass &Adam Nussbaum - drumsFrom the album "Chuck Owen and the Jazz Surge"purchase cd at Sea Breeze Jazz 3. "Red Light" - The Cook Trio (Orlando, FL)  website Jason Cook - guitar, Kyle Jones - bass, Ian Cook - guitarfrom the album "Moonlight"purchase cd at CD Baby  or  download at Itunes   4. Announcements - Kenny(background music by the Frank Capek Quartet)   5. "Song of the Anvil" - Jack Wilkins (Tampa)   websiteJack Wilkins - composer, tenor saxophone; Per Danielson - piano, Keith Oshiro - trombone Corey Christiansen - guitars, Jon Metzger - vibraphone, marimba Mark Neuenschwander - bass, Paul Keesling - percussion, Danny Gottlieb - drumsfrom the album "The Blue & Green Project" on Summit Records purchase cd at Summit Records (free shipping) or download at Itunes   6. "The E Cycle" - Ermesc Gonzalez (Plant City, FL)   websiteErmesc Gonzalez - composer, guitar; Aldemar Valentine - bassFreddie Burgos - drumsfrom the album "Introspection"download album or tracks at Ermesc's Website7. Announcements - Allison8. "Down East River Drive" - Frozen Water (Tallahassee) websiteAndre Bowers - composer, piano, bass, drum programmingGlen Stoudemire - percussion, with Adam Cambira - tenor sax,D-Roc - guitarfrom the album "Summer's Walk"purchase album download via payloadz at Andre's site9. "With You" - Jamie Ousley (Hallandale, FL)   websiteJamie Ousley - composer, piano; Joe Davidian - piano, Austin McMahon - drums, cajonFrom the album "A Sea of Voices" on Tie Recordspurchase cd or download mp3s at CD Babyall proceeds from "A Sea of Voices" go to the Sunshine State Interfaith Power and Light organization. visit them here... 10. Announcements - Kenny(background music from "Second Chances" by Allison Paris)11. Closing announcements - AllisonPalm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2012 Kenny MacKenzie. All rights reserved.