Podcast appearances and mentions of Neil Evans

The VA is set to resume its electronic health record modernization program in 2026, nearly three years since it was paused in 2023. During the pause, the agency focused on developing a new strategy for deployment to improve success and boost patient safety. VA now plans to jumpstart the program with a focus on functionality and interoperability of the system, Dr. Neil Evans, VA's acting program executive director of VA's Electronic Health Record Modernization Integration Office explains. Evans discusses how this shift in thinking is building the foundation of a stronger, more functional EHR program. He said the EHR rollout will be conducted in “waves,” where geographically connected medical centers will deploy at the same time so that patients who maneuver between them will have their record accessible no matter where they seek care.

Welcome, my beautiful friends, to another transformative episode of Money 911! I'm your host, Kris Miller, and today we're talking about something that could literally change your life—hidden money. Yes, you heard that right! What if I told you that there may be money out there, already yours, just waiting for you to claim it? Money that could ease your stress, support your dreams, and help you build the future you deserve? Today's guest, Neil Evans, is a financial detective, uncovering billions of dollars in hidden funds for individuals and businesses. His company, Apropos Communications, works on a contingency basis—meaning if they don't find you money, you don't owe them a dime. He's here to pull back the curtain on how you can unlock financial opportunities that have been hidden in plain sight. So, if you've ever felt weighed down by debt, if you're wondering how to breathe easier in your financial life, or if you're just curious about what you could be missing—then stay tuned. This conversation might just be the miracleyou've been waiting for! Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on No Simple Road we're stoked to welcome Nick Gerlach back! Nick is the co-host of Andy Frasco's World Saving Podcast, saxophonist, trivia master, and one hell of a professional conversationalist! Nick just released his new EP with his band The Cultet entitled 'Concrete Lullaby' out now! Nick shares with us about the process of creating new musical projects that defy genre conventions. From forming an organ trio with Tommy Sugar and Neil Evans to recording tracks like the grunge-inspired "Waltzing into the Abyss," we share the highs and lows of producing original music, the thrill of performing at iconic venues like Red Rocks Amphitheater, and the odd rise of the jam band scene. We've got some personal stories, hilarious nickname origins, and a reflection on the evolving landscape of live music and entertainment. We answer some very important questions with Nick like... Can a venue change the way we experience live music forever? Yes, we're talking about The Sphere, the groundbreaking venue revolutionizing live performances. We pit the dazzling visuals of recent Phish and Dead & Company shows against each other, debate the influence of social media on concert experiences, and share a laugh over the logistical chaos of phone-locking at a Dave Chappelle show. Imagine the same system at a Grateful Dead event—pandemonium! Is the Sphere is setting new standards for live entertainment, making every show an unforgettable spectacle? Nick even is so kind to Trivia Master the three of us toward the end of the episode! Make sure to check out The Cultet's new EP 'Concrete Lullaby' streaming everywhere and check Nick out on Andy Frasco's World Saving Podcast! And make sure to head to Nick's website www.nicholasgerlachscult.org -For THE BEST MUSHROOM CHOCOLATES EVER go over to @MELTMUSHROOMS ON INSTAGRAM and shoot them a DM for a menu of all the amazing flavors of MUSHROOM CHOCOLATE BARS and MAKE SURE TO TELL THEM NSR SENT YOU FOR $20 OFF YOUR FIRST ORDER! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -venuellama.com is back! Head over and sign up for your free Llama Account now and start rating venues! INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music.

History in the making! This is the UK's first regular mainstream show for bisexuals. Hosted by bi activist and writer Lewis Oakley and bisexual journalists Nichi Hodgson and Ashley Byrne, Bisexual Brunch is a unique podcast for people from all over the world who identify as bi to come together and celebrate their sexuality.  Bisexual Brunch along with Nichi, Ashley and Lewis were included in the UK Pride Power List  2021. Lewis managed to stay in the list in 2022 and soared to No 79 while MIM, the production company behind Bisexual Brunch was also named UK Production Company of the Year 2021 (Silver winner). Most recently it was revealed Bisexual Brunch's listening figures are in the top 10% of podcasts worldwide - and the show reaches 108 countries, more than half the world!Journalist and author Rebecca Cox is the guest presenter/panelist joining Ashley and Lewis for an episode putting stereotype myths around bisexuality to the test. There's another Bi Icons profile -  this time British WW1 poet Wilfred Owen. Was he gay? Or really bi? The team talk bi visibility day and give their verdict on Bi Pride UK while the Ask a Bisexual Question hears from a bi women in a r'ship with another bi woman with a very different way of seeing her bisexuality. And Neil Evans from Stockport tells his bisexual journey story Bisexual Brunch is recorded in Manchester and London and is a Made in Manchester Production 

The Department of Veterans Affairs says its pause on a new electronic health record (EHR) will probably continue for much of next year.That timeline is frustrating lawmakers, who say the VA has little to show for the project, after five years and billions of dollars going into it.But VA officials and the contractor behind the project said upcoming EHR rollouts will go more smoothly, once the current “reset” period ends.Neil Evans, acting program executive director of VA's EHR Modernization Integration Office, said the department is targeting summer 2024 for the Oracle-Cerner EHR rollout to continue. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Department of Veterans Affairs says its pause on a new electronic health record (EHR) will probably continue for much of next year. That timeline is frustrating lawmakers, who say the VA has little to show for the project, after five years and billions of dollars going into it. But VA officials and the contractor behind the project said upcoming EHR rollouts will go more smoothly, once the current “reset” period ends. Neil Evans, acting program executive director of VA's EHR Modernization Integration Office, said the department is targeting summer 2024 for the Oracle-Cerner EHR rollout to continue. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, your intrepid host falls down a rabbit hole while doing research for one thing, and ends up discovering something "new" that must be investigated further, the 1987 action/comedy Oklahoma Smugglers. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   You were probably expecting the third part of the Miramax Films in the 1980s series, and we will get to that one the next episode. But as often happens while I'm researching, I'll fall down a rabbit hole that piques my interest, and this time, it was not only discovering a film I had never heard of, but it fits within a larger discussion about disappearing media.   But before we get started, I need to send out a thank you to Matthew Martin, who contacted me via email after our previous episode. I had mentioned I couldn't find any American playdates for the Brian Trenchard-Smith movie The Quest around the time of its supposed release date of May 1st, 1986. Matthew sent me an ad from the local Spokane newspaper The Spokesman-Review dated July 18th, 1986, which shows the movie playing on two screens in Spokane, including a drive-in where it shared a screen with “co-hit” Young Sherlock Holmes. With that help, I was also able to find The Quest playing on five screens in the Seattle/Tacoma area and two in Spokane on July 11th, where it grossed a not very impressive $14,200. In its second week in the region, it would drop down to just three screens, and the gross would fall to just $2800, before disappearing at the end of that second week. Thank you to Matthew for that find, which gave me an idea.   On a lark, I tried searching for the movie again, this time using the director's last name and any day in 1986, and ended up finding 35 playdates for The Quest in Los Angeles, matinees only on Saturday, October 25th and Sunday, October 26th, one to three shows each day on just those two days.   Miramax did not report grosses.   And this is probably the most anyone has talked about The Quest and its lack of American box office. And with that, we're done with it. For now.   On this episode, we're going to talk about one of the many movies from the 1980s that has literally disappeared from the landscape. What I mean by that is that it was an independently made film that was given a Southern regional release in the South in 1987, has never been released on video since its sole VHS release in 1988, and isn't available on any currently widely used video platform, physical or streaming.   I'll try to talk about this movie, Oklahoma Smugglers, as much as I can in a moment, but this problem of disappearing movies has been a problem for nearly a century. I highlight this as there has been a number of announcements recently about streaming-only shows and movies being removed from their exclusive streaming platform, some just seven weeks after their premieres.   This is a problem.   Let me throw some statistics at you.   Film Foundation, a non-profit organization co-founded by Martin Scorsese in 1990 that is dedicated to film preservation and the exhibition of restored and classic cinema, has estimated that half of all the films ever made before 1950 no longer exist in any form, and that only 10% of the films produced before the dawn of the sound era of films are gone forever. The Deutsche Kinemathek, a major film archive founded in Berlin in 1963, also estimates that 80-90% of all silent films ever have been lost, a number that's a bit higher than the US Library of Congress's estimation that 75% of all silent film are gone. That includes more than 300 of Georges Méliès' 500 movies, a 1926 film, The Mountain Eagle, that was the second film directed by Alfred Hitchcock, and London After Midnight, considered by many film historians to be “the holy grail” of lost films. A number of films from directors like Michael Curtiz, Allan Dwan, and Leo McCarey are gone. And The Betrayal, the final film from pioneering Black filmmaker Oscar Micheaux, is no longer with us.    There are a number of reasons why many of these early movies are gone. Until the early 1950s, movies were often shot and printed on nitrate film, a highly flammable substance that can continue to burn even if completely submersed in water. During the earlier years of Hollywood, there were a number of fires on studio lots and in film vaults were original negatives of films were stored. Sometimes, studios would purposely incinerate old prints of films to salvage the silver particles within the nitrate film. Occasionally, a studio would destroy an older film when they remade that film with a new cast and director. And sometimes films, like Orson Welles' original cut of The Magnificent Ambersons, would be dumped into the ocean off the Southern California coast, when studios no longer wanted to pay to store these elements.   Except Oklahoma Smugglers does not fit into any of those scenarios. It's less than forty years old, in color, with a synchronized soundtrack. It's crime was being a small budgeted independently distributed movie from an independent production company that was only released in a small section of the United States, and never got any traction outside of that region.   Not that this alone is why it disappeared.   You may recall hearing about David Zaslav, the head of the mega entertainment conglomerate Warner Brothers Discovery, cancelling the release of two completed films, a Batgirl movie that would have featured Michael Keaton's return as Batman a full year before The Flash, and a sequel to a fairly successful Scooby Doo animated movie. Warner Brothers had spent more than $200m between the two films. They were shot, edited and scored, and ready for release. Then Zaslav decided these were of the quality he expected for Warner Brothers movies, and wrote them off for the tax break. Unless someone at Warners somewhere down the line decides to pay back the tax incentive to the Fed, these two movies will never legally be allowed to be shown, effectively making them lost films.   Again, there are many ways for a film to become lost.   In our case, it seems that Oklahoma Smugglers is an unfortunate victim of being the one and only film to be produced by Cambridge Entertainment Corporation, based in Needham MA. The company was founded on September 10th, 1986 and went into involuntary dissolution on December 31st, 1990, so it's very likely that the company went bankrupt and no company was interested in picking up the assets of a small independent production company with only one tangible asset, this movie.   So here is what I could find about Oklahoma Smugglers.   The film was produced and directed by Ota Richter, whose only previous film work was writing, producing a directing a horror comedy called Skullduggery in 1982. The film has its fans, but they are few and far between. Three years later, in 1985, Richter would work with a first time screenwriter named Sven Simon to come up with the story for Oklahoma Smugglers. When the script was completed, Richter would raise the money he would need to shoot the movie in Toronto with a no-name cast lead by George Buzz and John Novak, and a four week production schedule between February 24th and March 21st, 1986. One can presume the film was locked before September 10th, 1986, when Cambridge Entertainment Corporation was founded, with Ota Rickter as its treasurer. The other two members of the Cambridge board, company President Neil T. Evans, and company Secretary Robert G. Parks, appear to have not had any involvement with the making of the movie, and according to the Open Corporates database, the men had never worked together before and never worked together again after this company.   But what Neil Evans did have, amongst the six companies he was operating in and around the Boston area at the time, was a independent distribution company called Sharp Features, which he had founded in April of 1981, and had already distributed five other movies, including the Dick Shawn comedy Good-bye Cruel World, which apparently only played in Nashville TN in September 1982, and a 1985 documentary about The Beach Boys.   So after a year of shopping the film around the major studios and bigger independent distributors, the Cambridge team decided to just release it themselves through Sharp Features. They would place an ad in the September 16th, 1987 issue of Variety, announcing the film, quote unquote, opens the Southeast on September 18th, just two days later.   Now, you'll notice I was able to find a lot of information about the people behind the film. About the companies they created or had already created to push the film out into the market. The dates it filmed, and where it filmed. I have a lot of sources both online and in my office with more data about almost every film ever released. But what I can't tell you is if the film actually did open on September 18th, 1987. Or how many theatres it played in. Or how much it grossed that first weekend. Or if any theatres retained it for a second week. Or any reviews of the movie from any contemporary newspaper or magazine. Outside of the same one single sentence synopsis of the movie, I had to turn to a Finnish VHS release of the film for a more detailed synopsis, which roughly translates back into English as such:   “Former Marines Hugo and Skip are living the best days of their lives. Hugo is a real country boy and Skip again from a "better family." Together they are a perfect pair: where Skip throws, Hugo hurls his fists. Mr. Milk, who offers security services, takes them on. Mr. Milk's biggest dream is to get hold of his nemesis "Oklahoma Smuggler" Taip's most cherished asset - a lucrative casino. Mr. Taip is not only a casino owner, but he handles everything possible, from arms smuggling to drugs. The fight for the ownership of the Oklahoma Smuggler casino is a humorous mix of fistfights, intrigues and dynamite where Hugo and Skip get the hero's part. What happens to the casino is another matter.”   Okay, that sounds like absolute crap.   But here's the thing.   I actually enjoy checking out low budget movies that might not be very good but are at least trying to be something.   I would be very interested in seeing a movie like Oklahoma Smugglers. But I can't the darn thing anywhere. It's not posted to YouTube or Vimeo or any video sharing service I know of. It's not on The Internet Archive. It's not on any of the Russian video sites that I occasionally find otherwise hard to find movies.   There's no entry for the film on Wikipedia or on Rotten Tomatoes. There is an IMDb page for the film, with a grand total of one user rating and one user review, both from the same person. There's also only one rating and mini-review of it on Letterboxd, also from the same person. There is a page for the film on the Plex website, but no one has the actual film.   This film has, for all intents and purposes, vanished.   Is that a good thing?   Absolutely not.   While it's highly likely Oklahoma Smugglers is not a very good movie, there's also a chance it might actually be stupid, goofy fun, and even if its a low quality dupe off a VHS tape, it should be available for viewing. There should be some kind of movie repository that has every movie still around that is in the public domain be available for viewing. Or if the owners of a movie with a still enforceable copyright have basically abandoned said copyright by not making the film available for consumption after a certain amount of time or for a certain amount of time, it also become available. This would not only help films like Oklahoma Smugglers be discovered, but it would also give film lovers the chance to see many movies they've heard about but have never had the opportunity to see. Even the original theatrical version of the first three Star Wars movies are no longer available commercially. Outside of a transfer of the early 1990s laserdisc to DVD in 2004, no one has been able to see the original versions in nearly twenty years. The closest one can get now are fan created “Despecialized” editions on the internet.   Film fans tend to think of film as a forever medium, but it's becoming ever increasingly clear that it far from that. And we're not just talking about American movies either. When I said it is estimated that half the films ever made are considered lost, that includes movies from all corners of the globe, across several generations. From Angola and Australia to the former Yugoslavia and Zambia. Gone forever.   But every once in a while, a forgotten film can come back to life. Case in point, The Exiles, a 1958 film written, produced and directed by Kent Mackenzie, about a group of Native Americans who have left their reservation in search of a new life in Los Angeles' Bunker Hill neighborhood. After premiering at the 1961 Venice Film Festival, the film was never picked up for theatrical distribution, and for many years, the only way to see it was the occasional screening of the film as some college film society screening of the one 16mm print of the film that was still around. Cinephiles were aware of the film, but it wouldn't be until the exceptional 2004 video essay Los Angeles Plays Itself by Thom Anderson that many, including myself, even learned of the film's existence. It would take another four years of legal maneuvering for Milestone Films to finally give The Exiles a proper theatrical and home video release. The following year, in 2009, with new public exposure to the film, the Library of Congress included The Exiles on their National Film Registry, for being of culturally, historically or aesthetically" significance. In the case of The Exiles, much of Bunker Hill was torn down shortly after the making of the film, so in many ways, The Exiles is a living visual history of an area of Los Angeles that no longer exists in that way. It's a good film regardless, but as a native Angelino, I find The Exiles to be fascinating for all these places that disappeared in just a few short years before my own birth.   So, that's the episode for this week.   Thank you for joining us. We'll talk again next week, when we continue our miniseries on Miramax Films in the 1980s.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Oklahoma Smugglers.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.  

On this episode, your intrepid host falls down a rabbit hole while doing research for one thing, and ends up discovering something "new" that must be investigated further, the 1987 action/comedy Oklahoma Smugglers. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   You were probably expecting the third part of the Miramax Films in the 1980s series, and we will get to that one the next episode. But as often happens while I'm researching, I'll fall down a rabbit hole that piques my interest, and this time, it was not only discovering a film I had never heard of, but it fits within a larger discussion about disappearing media.   But before we get started, I need to send out a thank you to Matthew Martin, who contacted me via email after our previous episode. I had mentioned I couldn't find any American playdates for the Brian Trenchard-Smith movie The Quest around the time of its supposed release date of May 1st, 1986. Matthew sent me an ad from the local Spokane newspaper The Spokesman-Review dated July 18th, 1986, which shows the movie playing on two screens in Spokane, including a drive-in where it shared a screen with “co-hit” Young Sherlock Holmes. With that help, I was also able to find The Quest playing on five screens in the Seattle/Tacoma area and two in Spokane on July 11th, where it grossed a not very impressive $14,200. In its second week in the region, it would drop down to just three screens, and the gross would fall to just $2800, before disappearing at the end of that second week. Thank you to Matthew for that find, which gave me an idea.   On a lark, I tried searching for the movie again, this time using the director's last name and any day in 1986, and ended up finding 35 playdates for The Quest in Los Angeles, matinees only on Saturday, October 25th and Sunday, October 26th, one to three shows each day on just those two days.   Miramax did not report grosses.   And this is probably the most anyone has talked about The Quest and its lack of American box office. And with that, we're done with it. For now.   On this episode, we're going to talk about one of the many movies from the 1980s that has literally disappeared from the landscape. What I mean by that is that it was an independently made film that was given a Southern regional release in the South in 1987, has never been released on video since its sole VHS release in 1988, and isn't available on any currently widely used video platform, physical or streaming.   I'll try to talk about this movie, Oklahoma Smugglers, as much as I can in a moment, but this problem of disappearing movies has been a problem for nearly a century. I highlight this as there has been a number of announcements recently about streaming-only shows and movies being removed from their exclusive streaming platform, some just seven weeks after their premieres.   This is a problem.   Let me throw some statistics at you.   Film Foundation, a non-profit organization co-founded by Martin Scorsese in 1990 that is dedicated to film preservation and the exhibition of restored and classic cinema, has estimated that half of all the films ever made before 1950 no longer exist in any form, and that only 10% of the films produced before the dawn of the sound era of films are gone forever. The Deutsche Kinemathek, a major film archive founded in Berlin in 1963, also estimates that 80-90% of all silent films ever have been lost, a number that's a bit higher than the US Library of Congress's estimation that 75% of all silent film are gone. That includes more than 300 of Georges Méliès' 500 movies, a 1926 film, The Mountain Eagle, that was the second film directed by Alfred Hitchcock, and London After Midnight, considered by many film historians to be “the holy grail” of lost films. A number of films from directors like Michael Curtiz, Allan Dwan, and Leo McCarey are gone. And The Betrayal, the final film from pioneering Black filmmaker Oscar Micheaux, is no longer with us.    There are a number of reasons why many of these early movies are gone. Until the early 1950s, movies were often shot and printed on nitrate film, a highly flammable substance that can continue to burn even if completely submersed in water. During the earlier years of Hollywood, there were a number of fires on studio lots and in film vaults were original negatives of films were stored. Sometimes, studios would purposely incinerate old prints of films to salvage the silver particles within the nitrate film. Occasionally, a studio would destroy an older film when they remade that film with a new cast and director. And sometimes films, like Orson Welles' original cut of The Magnificent Ambersons, would be dumped into the ocean off the Southern California coast, when studios no longer wanted to pay to store these elements.   Except Oklahoma Smugglers does not fit into any of those scenarios. It's less than forty years old, in color, with a synchronized soundtrack. It's crime was being a small budgeted independently distributed movie from an independent production company that was only released in a small section of the United States, and never got any traction outside of that region.   Not that this alone is why it disappeared.   You may recall hearing about David Zaslav, the head of the mega entertainment conglomerate Warner Brothers Discovery, cancelling the release of two completed films, a Batgirl movie that would have featured Michael Keaton's return as Batman a full year before The Flash, and a sequel to a fairly successful Scooby Doo animated movie. Warner Brothers had spent more than $200m between the two films. They were shot, edited and scored, and ready for release. Then Zaslav decided these were of the quality he expected for Warner Brothers movies, and wrote them off for the tax break. Unless someone at Warners somewhere down the line decides to pay back the tax incentive to the Fed, these two movies will never legally be allowed to be shown, effectively making them lost films.   Again, there are many ways for a film to become lost.   In our case, it seems that Oklahoma Smugglers is an unfortunate victim of being the one and only film to be produced by Cambridge Entertainment Corporation, based in Needham MA. The company was founded on September 10th, 1986 and went into involuntary dissolution on December 31st, 1990, so it's very likely that the company went bankrupt and no company was interested in picking up the assets of a small independent production company with only one tangible asset, this movie.   So here is what I could find about Oklahoma Smugglers.   The film was produced and directed by Ota Richter, whose only previous film work was writing, producing a directing a horror comedy called Skullduggery in 1982. The film has its fans, but they are few and far between. Three years later, in 1985, Richter would work with a first time screenwriter named Sven Simon to come up with the story for Oklahoma Smugglers. When the script was completed, Richter would raise the money he would need to shoot the movie in Toronto with a no-name cast lead by George Buzz and John Novak, and a four week production schedule between February 24th and March 21st, 1986. One can presume the film was locked before September 10th, 1986, when Cambridge Entertainment Corporation was founded, with Ota Rickter as its treasurer. The other two members of the Cambridge board, company President Neil T. Evans, and company Secretary Robert G. Parks, appear to have not had any involvement with the making of the movie, and according to the Open Corporates database, the men had never worked together before and never worked together again after this company.   But what Neil Evans did have, amongst the six companies he was operating in and around the Boston area at the time, was a independent distribution company called Sharp Features, which he had founded in April of 1981, and had already distributed five other movies, including the Dick Shawn comedy Good-bye Cruel World, which apparently only played in Nashville TN in September 1982, and a 1985 documentary about The Beach Boys.   So after a year of shopping the film around the major studios and bigger independent distributors, the Cambridge team decided to just release it themselves through Sharp Features. They would place an ad in the September 16th, 1987 issue of Variety, announcing the film, quote unquote, opens the Southeast on September 18th, just two days later.   Now, you'll notice I was able to find a lot of information about the people behind the film. About the companies they created or had already created to push the film out into the market. The dates it filmed, and where it filmed. I have a lot of sources both online and in my office with more data about almost every film ever released. But what I can't tell you is if the film actually did open on September 18th, 1987. Or how many theatres it played in. Or how much it grossed that first weekend. Or if any theatres retained it for a second week. Or any reviews of the movie from any contemporary newspaper or magazine. Outside of the same one single sentence synopsis of the movie, I had to turn to a Finnish VHS release of the film for a more detailed synopsis, which roughly translates back into English as such:   “Former Marines Hugo and Skip are living the best days of their lives. Hugo is a real country boy and Skip again from a "better family." Together they are a perfect pair: where Skip throws, Hugo hurls his fists. Mr. Milk, who offers security services, takes them on. Mr. Milk's biggest dream is to get hold of his nemesis "Oklahoma Smuggler" Taip's most cherished asset - a lucrative casino. Mr. Taip is not only a casino owner, but he handles everything possible, from arms smuggling to drugs. The fight for the ownership of the Oklahoma Smuggler casino is a humorous mix of fistfights, intrigues and dynamite where Hugo and Skip get the hero's part. What happens to the casino is another matter.”   Okay, that sounds like absolute crap.   But here's the thing.   I actually enjoy checking out low budget movies that might not be very good but are at least trying to be something.   I would be very interested in seeing a movie like Oklahoma Smugglers. But I can't the darn thing anywhere. It's not posted to YouTube or Vimeo or any video sharing service I know of. It's not on The Internet Archive. It's not on any of the Russian video sites that I occasionally find otherwise hard to find movies.   There's no entry for the film on Wikipedia or on Rotten Tomatoes. There is an IMDb page for the film, with a grand total of one user rating and one user review, both from the same person. There's also only one rating and mini-review of it on Letterboxd, also from the same person. There is a page for the film on the Plex website, but no one has the actual film.   This film has, for all intents and purposes, vanished.   Is that a good thing?   Absolutely not.   While it's highly likely Oklahoma Smugglers is not a very good movie, there's also a chance it might actually be stupid, goofy fun, and even if its a low quality dupe off a VHS tape, it should be available for viewing. There should be some kind of movie repository that has every movie still around that is in the public domain be available for viewing. Or if the owners of a movie with a still enforceable copyright have basically abandoned said copyright by not making the film available for consumption after a certain amount of time or for a certain amount of time, it also become available. This would not only help films like Oklahoma Smugglers be discovered, but it would also give film lovers the chance to see many movies they've heard about but have never had the opportunity to see. Even the original theatrical version of the first three Star Wars movies are no longer available commercially. Outside of a transfer of the early 1990s laserdisc to DVD in 2004, no one has been able to see the original versions in nearly twenty years. The closest one can get now are fan created “Despecialized” editions on the internet.   Film fans tend to think of film as a forever medium, but it's becoming ever increasingly clear that it far from that. And we're not just talking about American movies either. When I said it is estimated that half the films ever made are considered lost, that includes movies from all corners of the globe, across several generations. From Angola and Australia to the former Yugoslavia and Zambia. Gone forever.   But every once in a while, a forgotten film can come back to life. Case in point, The Exiles, a 1958 film written, produced and directed by Kent Mackenzie, about a group of Native Americans who have left their reservation in search of a new life in Los Angeles' Bunker Hill neighborhood. After premiering at the 1961 Venice Film Festival, the film was never picked up for theatrical distribution, and for many years, the only way to see it was the occasional screening of the film as some college film society screening of the one 16mm print of the film that was still around. Cinephiles were aware of the film, but it wouldn't be until the exceptional 2004 video essay Los Angeles Plays Itself by Thom Anderson that many, including myself, even learned of the film's existence. It would take another four years of legal maneuvering for Milestone Films to finally give The Exiles a proper theatrical and home video release. The following year, in 2009, with new public exposure to the film, the Library of Congress included The Exiles on their National Film Registry, for being of culturally, historically or aesthetically" significance. In the case of The Exiles, much of Bunker Hill was torn down shortly after the making of the film, so in many ways, The Exiles is a living visual history of an area of Los Angeles that no longer exists in that way. It's a good film regardless, but as a native Angelino, I find The Exiles to be fascinating for all these places that disappeared in just a few short years before my own birth.   So, that's the episode for this week.   Thank you for joining us. We'll talk again next week, when we continue our miniseries on Miramax Films in the 1980s.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Oklahoma Smugglers.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.  

“It is different, it is unique, and people are not used to seeing a piano in this harmonious mustard colour.” Since the launch of the Casiotone keyboard in 1980, the electronic keyboard has become a popular addition to our homes. A more affordable and portable option to the classic piano, it opened up an exciting new era of musical expression to a generation of consumers. Although they started out making calculators and watches, they have since sold over 100 million musical instruments. Their latest model, the PX-S7000 in “harmonious mustard” from the Casio Privia range, is not only going down a storm with musicians but it's also a thing of beauty winning design awards for its unusual look. Neil Evans is the Electronic Music Division of Casio in the UK and Ireland. He tells us about the cultural impact and evolution of the casio keyboard… and also plays us some tunes. Find out from Neil how the sound samples have evolved over the years, how their dedication to detail makes playing the keyboard a truly sensory experience, and why that sleek and lightweight design is so important.We also hear from Brian Thompson, who heads up PTC's CAD division. He explains how Casio uses Creo to further develop its Privia range in terms of ECAD-MCAD collaboration, and how the software helps the company to balance the electronic and mechanical aspects of the design. This is especially important with customers placing more and more emphasis on aesthetics.Find out more about Casio here.Find out more about CREO here.Your host is Paul Haimes from industrial software company PTC. Episodes are released bi-weekly. Follow us on LinkedIn and Twitter for updates.Third Angle is an 18Sixty production for PTC. Executive producer is Jacqui Cook. Sound design and editing by Ollie Guillou and Clarissa Maycock. Location recording by Hannah Dean. And music by Rowan Bishop.

Anthony Manton, Neil Evans and Jett Hatton look at tomorrow's Royal Randwick meeting.

Before the onset of COVID-19, the Department of Veterans Affairs already had the biggest telehealth program in the nation, but the pandemic forced the agency to rapidly scale its existing capabilities to continue to deliver critical health care to veterans in a remote environment. Dr. Neil Evans joins us to discuss the progress VA has made with telehealth, how remote care offerings are closing the digital divide and the next steps in this journey.

On this episode of Moose Talks, we sit down with Fort St. John Councillor Trevor Bolin to talk about the 108th Street/Alaska Highway intersection and the news that the Ministry of Transportation will be installing a camera to monitor the intersection.Then, the Crystal Cup Pond Hockey Challenge and Sid Davis Memorial Cup are returning to Charlie Lake after several years on hiatus, so we chat with organizers Neil Evans and Jamie Osterlund about what it means to be back on the pond.Tune in to Moose Talks Friday mornings at 10 on Moose FM and live on the Moose FM and Energeticcity.ca Facebook pages. Hosted on Acast. See acast.com/privacy for more information.

Racing NSW's Neil Evans joins Andrew Bensley to recall his favourite moments of the racing season, and provide his tips for today's racing at Kembla Grange.

Daily tipping segment, today featuring Neil Evans, Peter Ellis, Nick Lloyd, Simon Orchard & The Watchdog.

Daily tipping segment, today featuring Neil Evans, Peter Ellis, Simon Orchard, The Watchdog & Luke Gatehouse.

103.7 The Buzz

Daily tipping segment, today featuring Neil Evans, Peter Ellis, Nick Lloyd, Simon Orchard, The Watchdog, Scott Steele & Leo Schlink.

Neil grew up in Builth Wells, a small town in rural Wales, where his parents still live. Neil went to college at the University of Hull in Yorkshire, studying environmental management. He met his future wife (American exchange student) during his time at Hull. Over the next few years he spent time in both countries, until he got married in 1996. Neil moved to Fairfax County, Washington, DC suburbs and still lives there Neil got his first professional job in the late ‘90s as an environmental policy analyst working on contracts supporting the Department of Energy. Feeling underused and bored he asked about proposals after seeing a few being worked. Over the last 20 years Neil  has worked at half a dozen or so companies of different sizes with differing offerings. The majority of his time has been spent at smaller companies where he is been part of small proposal departments or the only proposal professional. The last three plus years of his career have been at ASRC Federal, an Alaskan Native Corporation leading all of ASRC Federal's defense and intel proposals. Neil is APMP Practitioner Certified. Support the show

For decades, everyone understood what geology was – a discipline with a long tradition, reasonably clear boundaries, and well defined career opportunities. Now it's a bit more complicated. The emphasis is on interdisciplinary studies, systems thinking, and a lot more focus on the boundaries of geology rather than its core.That reimagination of geology has been embraced with enthusiasm by Arizona State University in the USA, where geology sits inside the “School of Earth and Space Exploration”. So who better to discuss the future of geology than Meenakshi Wadhwa, the director of the School; planetary geologist and tireless promoter of widening access to geoscience? On our side this conversation involves Iain Stewart and Neil Evans, and Meena begins by talking about her experiences getting into geology as a woman from India.

In this episode I have a conversation with Neil Evans who is the Managing Director of VEKA. Neil talks us through his journey into the fenestration world all the way to the position he's in today.

The COVID-19 pandemic presented new opportunities and challenges when it comes to care and access for the Department of Veterans Affairs. Neil Evans and Leonie Heyworth discuss how they've worked together to expand health offerings, increase access to telehealth, and leverage lessons learned to combat future crises.

If you take a look at the website of the British Geological Survey, you'll see that its primary role is the production of geoscience knowledge. No surprise there. But is that enough? Karen Hanhøj, the new director of the BGS, thinks that its mission needs to go further. She argues that geoscience needs to be a more outward looking discipline. It isn't enough simply to do research - to produce geoscience knowledge. It's also vitally important that we make people aware that geoscientists have information that is relevant to public debate and the policy making process. Too often geoscientists are just not at the table when policy issues that are underpinned by geological science are being debated. This conversation with Karen is rich with insights that come from a career spent at the interface between business, science and policy making. The conversation involves Iain Stewart, Cam McCuaig and Neil Evans - along with Karen.  As is so often the case, it begins by looking at the biggest challenges facing geoscience today.

Our guest for this podcast is Scott Tinker, who runs the Bureau of Economic Geology at the University of Texas. However these days he's much more widely known as the driving force behind films like “Switch” and “Switch On” that explore issues around energy access and the energy transition. Scott is passionate about the need for the economy and the environment to - as he puts it -  “play well together”, and he sees geoscience as a vital part of that relationship. For some, Scott is a controversial figure, but whatever your views about "Switch", he is a powerful advocate for geoscience. Few people come away from listening to Scott without feeling inspired. So sit back and enjoy the company of one of the best science communicators in the world. (As usual, on our side the conversation it's Iain Stewart, Cam McCuaig and Neil Evans asking the questions. Although please note that Iain's laptop battery ran out half way through this conversation, so the discussion finishes without him. It happens to the best of us!)

Laura Tyler is Chief Technical Officer at the global resources company BHP - a role which gives her a unique insight into the future of mining and the role of geologists in building sustainable economic development. She began her career in Australia as a geological engineer, working in civil engineering and mining operations, and she retains a deep passion for her geological roots.Listening to Laura in full flow, what becomes clear is her total belief in the value of Geology's mission as sustainability and the energy transition become dominant themes throughout society. “There are so many things we can solve with Geology”, as she puts it. In this conversation she fires out fascinating and provocative thoughts on subjects as varied as geology and leadership, the education and training of geologists, and the need for technical excellence in everything that geologists do.In this conversation (with Iain Stewart, Cam McCuaig and Neil Evans), she begins by talking about the origins of her love for geology.

The spooky season is upon us, so please join us as we debut our homebrew witch class for D&D 5e, adapted from Neil Evans' witch class! We even create a witch reminiscent of a couple of Disney princesses... and a villain. CW: Brief mention of horror movies and serial killers from 02:03 to 02:55. For more information, please check out our website. Email: acoupleofcharacterspod at gmail dot com. Twitter, Instagram, Patreon: ACoCPodcast. Bookshop dot org storefront and gift cards. Episode notes: Transcript. Dezmund character sheet. Homebrew witch class. Homebrew witch class accessible version. Neil Evans' Witch Class. Neil Evan's Witch Class plain text. Dyslexia friendly versions: Transcript. Dezmund character sheet. Homebrew witch class. Mentioned books: Gulliver's Travels by Jonathan Swift. Mentioned episodes: Nothing But Net. The Bard with No Name. The Rise of Sandwalker. Critical Role Season 2. Dungeons & Dragon Types: Website. Twitter. Cover art: Copyright Chandra Reyer 2019.

Leanne Brown looks forward to the Euro 2020 final between England and Italy with Neil Evans, Vice Captain of Hambledon Vets.

Racing NSW's Neil Evans joins Andrew Bensley to preview big day at Royal Ascot and provide us with a few tips for the program.

Racing NSW's Neil Evans joins Andrew Bensley to preview Day 2 of the Royal Ascot carnival.

Racing NSW's Neil Evans joins Andrew Bensley to preview night 1 of Royal Ascot 2021. He also provides us with some tips as well.

We are back this week with episode 09 featuring Harding Academy Football Head Coach Neil Evans.

BOOK YOUR SEAT FOR MIXMASTERS LIVE: https://mixmasters.liveThis podcast was recorded at our last Ibiza villa retreat in September 2019. We invited Roger Sanchez, DJ Mag, London Sound Academy to take part in a live, round-table mastermind session to discuss career questions with our 10 retreat students. There is over 3 hours of absolute golden knowledge packed into this episode and will help any DJ or producer or anyone who works in the electronic music industry. We had beers & food and had an open discussion about all things music industry. Or was it grilling & bullshit? Enjoy

Latest developments in the presidential transition process Robert Shea, Principal at Grant Thornton Public Sector, describes what agencies are doing to plan for the reelection or election of a new president and prepare for the next administration Thrift Savings Plans updates in light of the COVID-19 pandemic Greg Klingler, Director of GEBA Wealth Management, discusses the Thrift Savings Plan and investment patterns during the coronavirus pandemic Expanding telehealth options for veterans during the coronavirus Dr. Neil Evans, Chief Officer of the Office of Connected Care at the Department of Veterans Affairs, discusses the explosion of telehealth since the pandemic began and efforts by the VA Office of Connected Care to make it easier for veterans to use this capability

Hear from the Chief about what VA is doing in telehealth.  Dr. Neil Evans, Chief Officer of VA Connected Care, talks to host Jim Fausone. 

This week’s one hour radio broadcast is dedicated to a review of national security as host Dale Throneberry talks with Rebecca Grant about our relationship with other nations around the world and recent military news. Co-host Jim Fausone offers a pre-recorded interview with Dr. Neil Evans, MD. Dr Evans is the Chief Officer of the VA Office of Connected Care and provides insight into the successful Telehealth program offered by the VA.

Alex Kershaw discusses “The Liberator”; the epic WWII story of Army Officer Felix Sparks and the liberation of Dachau, getting animated for a new Netflix series. Plus job search advice from “Mission Transition” by retired Army Officer Matthew J Louis and Dr. Neil Evans talks about VA telehealth services in the coronavirus era. See omnystudio.com/listener for privacy information.

Club Room: Backstage returns with Anja Schneider hosting an extended discussion on the impact of the Covid-19 pandemic on the music and nightlife industry, featuring interviews with Circo Loco resident and founder of Bridge 48, Davide Squillace, Voitek from renowned production duo Catz n Dogz, founder of Electric Ibiza and Artistic Director at Amnesia Ibiza, Neil Evans, and Andrea and Ludovico of Italian techno twosome, Reform who are soon to be making a debut release on Sous Music.

Club Room: Backstage sees Anja Schneider ditching the turntables in favour of a microphone as the lauded DJ, renowned talent scout and trailblazing label owner of Sous Music gets to grips with the opinions of industry heads as they discuss the most pressing issues effecting the electronic music right now. Club Room: Backstage returns with Anja Schneider hosting an extend discussion on the impact of the Covid-19 pandemic on the music and nightlife industry, featuring interviews with Circo Loco resident and founder of Bridge 48, Davide Squillace, Voitek from renowned production duo Catz n Dogz, founder of Electric Ibiza and Artistic Director at Amnesia Ibiza, Neil Evans, and Andrea and Ludovico of Italian techno twosome, Reform who are soon to be making a debut release on Sous Music.

I’m sure that everyone listening to this podcast that works in the industry knows or has heard of Neil Evans from promoting some of the best events in Ibiza to managing well-known names in dance music. He’s been going to Ibiza since 1999 and since then has worked on so many different projects in nearly all of the clubs on the island including Space, Amnesia, Privilege, Pacha and Ibiza Rocks and also co-founded Electric Ibiza which is a 360º artist and label management and event promotion company. We talk about his beginning in the industry, what’s missing in Ibiza nowadays, balancing his work as a promoter and a manager, DJ fees, his very exciting projects for 2020 and more!   Check out Electric Ibiza here: https://www.facebook.com/ElectricIbiza/

Harry Moyse is a Research Fellow at Warwick University in England specializing in interdisciplinary and applied mathematics. He received his Ph.D. in Mathematical Biochemistry in 2019 under the supervision of Neil Evans.Harry’s research interests include mathematical and biochemical tools for improving transplant outcomes, machine learning applied to text datasets, and wider applications of mathematics and machine learning techniques in protein biochemistry. He has worked with the New Zealand Department of Conservation to stop the extinction of the land snail Powelliphanta Augusta, is the cofounder of an online software retail company called Moonbox Software, and currently works for the Institute for Advanced Teaching and Learning at the University of Warwick to produce interdisciplinary and applied maths online teaching materials.We talk about the differences between Pure and Applied Math(s) and Mathematicians, His research saving an endangered species of snails in New Zealand, machine-learning on text datasets, and much more!We would like to thank Harry for being on our show "Meet a Mathematician" and for sharing his stories and perspective with us!www.sensemakesmath.comPODCAST: http://sensemakesmath.buzzsprout.com/TWITTER: @SenseMakesMathPATREON: https://www.patreon.com/sensemakesmathFACEBOOK: https://www.facebook.com/SenseMakesMathSTORE: https://sensemakesmath.storenvy.comSupport the show (https://www.patreon.com/sensemakesmath)

Coach Evans is off the social media grid, so if you want to get a hold of him, shoot him an email @ revans@harding.edu If you have an opinion about Coach Evans' approach using two way players or want to share with us what you do, tweet at us and let's start a discussion! @KYPDPODCAST

Dr. Neil Evans, an active clinician to veterans, discusses how he became involved in efforts with improving services to veterans by increasing access to care using digital health technologies

Charles Worthington, chief technology officer at the Department of Veterans Affairs, and Drew Myklegard, executive director of Project Special Forces at VA, discuss how the department’s new healthcare APIs will help providers access data and get veterans the care they need. Dr. Neil Evans, chief officer of Connected Care at the Veterans Health Administration, discusses how the Blue Button system will be improved by the new VA Health API, and how data sharing has improved healthcare. Nicole Ogrysko, reporter at Federal News Network, Adam Mazmanian, executive editor of FCW and Nancy Ognanovich, congressional leadership reporter at Bloomberg Government, discuss what’s happening with the government shutdown, and how federal employees are being impacted.

Medical house calls largely disappeared sometime in the 1960s. Now they're making a comeback, only virtually, thanks to 21st-Century technology. At the Veterans Health Administration, telemedicine has been a major project and now it's expanding. Dr. Neil Evans, chief of the Office of Connected Care at the VHA, joined Federal Drive with Tom Temin for the latest.

In this episode of On the Road with Beer Sessions Radio, host Jimmy Carbone travels to the Capital region near Albany, New York. You’ll hear from the farmers of Indian Ladder Farms about how they became leaders in the region for growing hops, and about how the farm brewery license, created by lawmakers in the nearby capital, has enhanced their business and made their farm more viable. The license to brew and serve beer on site has allowed local beverage producers to prosper. In the nearby town of Rensselaerville, you’ll meet the people behind a brewery that is primarily dedicated to learning the best ways to use New York State grains and hops in beer. Finally, we visit the capitol building in Albany and a nearby brewer who has chosen not to source completely locally-- for some unexpected reasons. Carey Institute / Helderberg Brewery Helderberg Brewery is a project of the Carey Institute’s Sustainable Communities Program, located on the Carey Institute’s 100-acre estate in Rensselaerville. It is a fully operational farm brewery and brewery incubator led by Rebecca Platel, the Sustainable Communities Program and Brewery Manager, and Greg Hostash, the Head brewer. Helderberg works to build a farm-to-glass supply chain connecting farmers, malt houses and craft beverage producers in the Capital Region. They've hosted workshops since 2013 for farmers interested in growing hops and small grains, and provide frequent hands-on learning and technical workshops for the region’s many craft beverage producers. Indian Ladder Farms Laura Ten Eyck, the great granddaughter of Indian Ladder Farms founder, Peter Ten Eyck, and her husband, Dietrich Gehrig, are continuing their family’s century-old tradition of living close to the land. What began in 1916 as a dairy farm with Guernsey cattle has developed over four generations to become a prolific apple orchard that yields delicious cider. Indian Ladder Farms now grows its own hops and barley, much to the delight of those who have a passion for the beer they brew. Their vision is to stay “hyper-local,” growing ingredients and making their own products for the Albany community while preserving the pristine landscape via a land trust. Laura and Dietrich recently published The Hop Grower’s Handbook, which provides an inspiring account of the history of hop cultivation on the land surrounding their farm as well as practical guidance for those who would like to join the ‘farm to glass’ movement. C.H. Evans Brewing Co. / Albany Pump Station Now located in the original water pumping station for the Albany Water Works, C. H. Evans Brewing Co. has been the work of the Evans family for three generations. Their original brewery was built in Hudson, NY in 1786 and it continued production until prohibition in 1920. In 1999, Neil Evans decided to revive his family’s historic brewery. Today, Neil and Head Brewer Scott Veltman, formerly of Brewery Ommegang, are rebuilding the Evans' beer legacy by sourcing ingredients from local farmers as frequently as possible and recreating historic early 19th century recipes like Albany Ale. C.H. Evans also has developed new classics; such as their Award-winning English style Kick-Ass Brown Ale, a real crowd pleaser.

Adobe After Effects is a staple in the visual effects post-production world. It is used in large-scale Hollywood productions, network television, and even by the Office of Communication here at Andover. The software’s co-founder, David Simons, is a member of Andover’s class of 1986. On this episode of Every Quarter, Simons sits down with Neil Evans to discuss his career path to Adobe, the struggles of having one of the first personal computers at Andover, and his advice for aspiring coders. Simons’ new project, Character Animator, combines elements of After Effects with live action puppetry technology and has been featured recently on the Stephen Colbert Show [embedded below] and a live episode of The Simpsons.

What makes you laugh? Is it the observational stand-up of Louis C.K.? Sketches on Saturday Night Live? Mark Maron’s podcast that you always listen to first before EQ? You see, comedy is subjective. What makes one person laugh probably won’t make another person laugh, and humor is rarely an acquired taste. It’s not like you turn thirty and suddenly like Seinfeld. Well, maybe that’s a bad example. The point is, you either get the joke or you don’t. In the early nineties, The Farrelly Brothers struck gold with a string of blockbusters that seemed to make everyone laugh. Dumb and Dumber. There’s Something About Mary. Kingpin. Outside Providence. Shallow Hal. Fever Pitch. You couldn’t escape their slapstick premises and earnest storytelling that made them the two of the most successful writers and directors in Hollywood. They’ve worked with comic icons like Bill Murray, Jim Carrey, Ben Stiller, Jack Black, Alec Baldwin and Jimmy Fallon, but as Bobby Farrelly, Class of 1977 recently recounted at a Phillips Academy All-School meeting, the brothers had no real movie-making aspirations growing up, and sort of fell into the trade after a few failed ventures in Los Angeles. Upon his first visit back to Andover in forty years, Bobby sat down with Neil Evans to talk the current state of comedy, how to be funny in today’s politically correct climate and what he learned from being kicked out of Andover.

This week we talk to fullback Michael Gordon. Mick talks about the disappointing performance last week and what needs to change ahead of Friday nights game against Newcastle.We also talk to Wyong Roos Stephen Marks as the Roos continue to impress in the  Intrust Super premiership and Neil Evans from Betting.Club gives us the market updates.

This week the boys talk to coach Trent Robinson. Trent talks about the great preparation the team had leading up to this years NRL season.We look back at last weeks victory over Souths,  discuss the impact the new signings have had so far and look forward to Friday nights match against a much improved Manly outfit.We also talk to some of our future stars in Lathan Hutchinson-Walters and Kobie Rugless from our Matthew Shield team and as well as Neil Evans from Betting.Club for the latest market updates.

This week we talk to Co-captain Boyd Cordner about his form so far this season. How he is relishing in his role as captain, State of Origin honours and of course Thursday nights match against the Bunnies.We also look at last weeks results from Wyong Roos and our junior reps and as always Neil Evans from Betting.Club gives us the latest markets.

This week we look back at our victory over the dogs.We check in with the Wyong Roos after their win against the Knights and find out how our junior rep teams went against the magpies.Dylan Napa and Daniel Tupou share their culinary skills and love of country music  with us and Neil Evans from Betting.Club gives us the early markets ahead of Saturday nights match against the Penrith Panthers.

This week we talk to new recruit Luke Keary. We find out about his 1st impressions of the club and his partnership with Mitchell Pearce.Stephen Marks gives us an update from the Wyong Roos, Neil Evans gives us the latest betting markets from betting.club and "Beetso" gives us the Jnr reps and u20's report.Plus details of the new Eastern Suburbs Junior Rugby League and our preview of Thursday nights game against the Dogs

Playwright David Hare discusses his screenplay for the film Denial, starring Rachel Weisz and Tom Wilkinson, about Holocaust scholar Deborah Lipstadt's legal battle with Holocaust denier David IrvingAs the Liverpool Everyman Repertory Company is revived, after over two decades, John talks to Artistic Director Gemma Bodinetz and actors Melanie La Barrie and Elliott Kingsley about their opening production of Fiddler on the Roof, and the history of the company, which in its previous 1970s incarnation launched the careers of Julie Walters, Jonathan Pryce and Bill Nighy. The £40,000 Artes Mundi art prize, the UK's biggest contemporary art prize, has been won by filmmaker and artist John Akomfrah, who discusses his winning artwork, Auto Da Fé, which weaves together different moments over 400 years of history when communities were persecuted or driven from their land. Do dogs prefer Bach or Bob Marley? Neil Evans, professor of integrative physiology at the University of Glasgow reveals the results of a study examining canine musical preferences.Presenter: John Wilson Producer: Edwina Pitman.

In this episode of On the Road with Beer Sessions Radio, host Jimmy Carbone travels to the Capital region near Albany, New York. You’ll hear from the farmers of Indian Ladder Farms about how they became leaders in the region for growing hops, and about how the farm brewery license, created by lawmakers in the nearby capital, has enhanced their business and made their farm more viable. The license to brew and serve beer on site has allowed local beverage producers to prosper. In the nearby town of Rensselaerville, you’ll meet the people behind a brewery that is primarily dedicated to learning the best ways to use New York State grains and hops in beer. Finally, we visit the capitol building in Albany and a nearby brewer who has chosen not to source completely locally-- for some unexpected reasons. Carey Institute / Helderberg Brewery Helderberg Brewery is a project of the Carey Institute’s Sustainable Communities Program, located on the Carey Institute’s 100-acre estate in Rensselaerville. It is a fully operational farm brewery and brewery incubator led by Rebecca Platel, the Sustainable Communities Program and Brewery Manager, and Greg Hostash, the Head brewer. Helderberg works to build a farm-to-glass supply chain connecting farmers, malt houses and craft beverage producers in the Capital Region. They've hosted workshops since 2013 for farmers interested in growing hops and small grains, and provide frequent hands-on learning and technical workshops for the region’s many craft beverage producers. Indian Ladder Farms Laura Ten Eyck, the great granddaughter of Indian Ladder Farms founder, Peter Ten Eyck, and her husband, Dietrich Gehrig, are continuing their family’s century-old tradition of living close to the land. What began in 1916 as a dairy farm with Guernsey cattle has developed over four generations to become a prolific apple orchard that yields delicious cider. Indian Ladder Farms now grows its own hops and barley, much to the delight of those who have a passion for the beer they brew. Their vision is to stay “hyper-local,” growing ingredients and making their own products for the Albany community while preserving the pristine landscape via a land trust. Laura and Dietrich recently published The Hop Grower’s Handbook, which provides an inspiring account of the history of hop cultivation on the land surrounding their farm as well as practical guidance for those who would like to join the ‘farm to glass’ movement. C.H. Evans Brewing Co. / Albany Pump Station Now located in the original water pumping station for the Albany Water Works, C. H. Evans Brewing Co. has been the work of the Evans family for three generations. Their original brewery was built in Hudson, NY in 1786 and it continued production until prohibition in 1920. In 1999, Neil Evans decided to revive his family’s historic brewery. Today, Neil and Head Brewer Scott Veltman, formerly of Brewery Ommegang, are rebuilding the Evans' beer legacy by sourcing ingredients from local farmers as frequently as possible and recreating historic early 19th century recipes like Albany Ale. C.H. Evans also has developed new classics; such as their Award-winning English style Kick-Ass Brown Ale, a real crowd pleaser.

In this episode of On the Road with Beer Sessions Radio, host Jimmy Carbone travels to the Capital region near Albany, New York. You’ll hear from the farmers of Indian Ladder Farms about how they became leaders in the region for growing hops, and about how the farm brewery license, created by lawmakers in the nearby capital, has enhanced their business and made their farm more viable. The license to brew and serve beer on site has allowed local beverage producers to prosper. In the nearby town of Rensselaerville, you’ll meet the people behind a brewery that is primarily dedicated to learning the best ways to use New York State grains and hops in beer. Finally, we visit the capitol building in Albany and a nearby brewer who has chosen not to source completely locally-- for some unexpected reasons. Carey Institute / Helderberg Brewery Helderberg Brewery is a project of the Carey Institute’s Sustainable Communities Program, located on the Carey Institute’s 100-acre estate in Rensselaerville. It is a fully operational farm brewery and brewery incubator led by Rebecca Platel, the Sustainable Communities Program and Brewery Manager, and Greg Hostash, the Head brewer. Helderberg works to build a farm-to-glass supply chain connecting farmers, malt houses and craft beverage producers in the Capital Region. They've hosted workshops since 2013 for farmers interested in growing hops and small grains, and provide frequent hands-on learning and technical workshops for the region’s many craft beverage producers. Indian Ladder Farms Laura Ten Eyck, the great granddaughter of Indian Ladder Farms founder, Peter Ten Eyck, and her husband, Dietrich Gehrig, are continuing their family’s century-old tradition of living close to the land. What began in 1916 as a dairy farm with Guernsey cattle has developed over four generations to become a prolific apple orchard that yields delicious cider. Indian Ladder Farms now grows its own hops and barley, much to the delight of those who have a passion for the beer they brew. Their vision is to stay “hyper-local,” growing ingredients and making their own products for the Albany community while preserving the pristine landscape via a land trust. Laura and Dietrich recently published The Hop Grower’s Handbook, which provides an inspiring account of the history of hop cultivation on the land surrounding their farm as well as practical guidance for those who would like to join the ‘farm to glass’ movement. C.H. Evans Brewing Co. / Albany Pump Station Now located in the original water pumping station for the Albany Water Works, C. H. Evans Brewing Co. has been the work of the Evans family for three generations. Their original brewery was built in Hudson, NY in 1786 and it continued production until prohibition in 1920. In 1999, Neil Evans decided to revive his family’s historic brewery. Today, Neil and Head Brewer Scott Veltman, formerly of Brewery Ommegang, are rebuilding the Evans' beer legacy by sourcing ingredients from local farmers as frequently as possible and recreating historic early 19th century recipes like Albany Ale. C.H. Evans also has developed new classics; such as their Award-winning English style Kick-Ass Brown Ale, a real crowd pleaser.

Neil Evans reminds us that we must forgive.

Transcript -- Sandra Betts and Neil Evans discuss the issues of gender and race in Welsh society.

Sandra Betts and Neil Evans discuss the issues of gender and race in Welsh society.