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Indie, Punk, Pow Wow, Latin, Dub Step, Hip Hop, New Folk, Res Metal and more from members of the Metis, Ojibwe, Cree, Purepeche, Dakota, Seminole, Mohawk, Mi'kmaq, Pomo, Seneca, Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Edzi'u - Sugar Dump Babes - Smoking Hataalii - Brown Fool Eyes NSigma & Jodie B - Breaking Point Prada West & Joey Stylez - Family over Everything Wayne Lavesque - Ojibwa Quaterback Baby & Prado Monroe - DOMDADI Indian Giver - Today is a Good Day NICK THE NATIVE - FANGS sunsetto & Sinead Harnett - DON'T LEAVE ME BEHIND Young Spirit - Indian Horse Nancy Sanchez - You Are GDubz & MAKADE - DEAD Under Exile - Redrum Buffalo Weavers - Trees And Leaves B-Side Players - Por El Barrio hay:u & Cameron Tallchief - Daydreaming GHST.NOIZ - u just don't die sometimes All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.

For this week's episode of the Plural Pod, Gareth and Joel consider how and why we end up with multiple copies of the same album. There are reviews of fresh pressings from Kathryn Williams & Withered Hand, Portishead and the Pet Shop Boys. We dig into the world of second hand records and find out some of the highest value titles snapped up this week, including a corking bit of Northern Soul. Phil from Norman Records gives us the inside track on life at one of the vinyl community's favourite online retailers and Tom from Cheap Indie Vinyl provides some top tips for bargain records this week. All that and your thoughts on Record Store Day. Get in touch with us via pluralofvinylpod@gmail.com or @PluralVinylPod on Twitter. You can also Whatsapp via 07455680866 Join the Cheap Indie Vinyl WhatsApp channel:https://whatsapp.com/channel/0029VaWT9tnElagoIHB2ed1GBear Tree reduced items: https://beartreerecords.com/collections/sale Red House Records – RSD sale: https://redhouserecords.co.uk/collections/record-store-day-2024 Hosted on Acast. See acast.com/privacy for more information.

[00:00:00] Larry O'Nan: We could have failed miserably, Tommy, but that was okay. I learned a long time ago, and even in the book that I've written, I did a foreword about the freedom to fail. And I was afraid to step out and do things, and I had a guy that I was working with, and he said, Larry, freedom to fail is what you've got. [00:00:19] Larry O'Nan: No one's ever done it before. Go ahead and step into it. All you can do is go back and do it again. If it doesn't work, then try something else. And freedom to fail never became a barrier to me. If this is not the way to do it, we'll figure it out later and tweak it and do it again. ++++++++++++++++++ [00:00:34] Tommy Thomas: My guest today is Larry O'Nan, and Larry is a graduate of the University of Colorado. He and his wife, Pat, served on the staff of Cru, previously known as Campus Crusade for Christ, for 18 years. And during this time, Larry dedicated 13 years to developing and overseeing the accelerated growth of many fund development initiatives, resulting in more than 150 million raised for evangelism and development programs worldwide. I first met Larry in July of 1973. I had joined the staff of Campus Crusade and had been assigned to report to Larry. It's an immense pleasure to get to interview my first boss. Larry, Welcome to NextGen Nonprofit Leadership. [00:01:20] Larry O'Nan: Tommy, it's so good to be with you. Thanks a lot for inviting me to dialogue with you a little bit today about all kinds of things. We've got a long history. [00:01:28] Tommy Thomas: We could go in a lot of directions. We could do a whole podcast on reminiscing about memories, but there was one that stuck in my mind. And I don't know if you remember or not.  It was the summer of ‘74 and Larry and I had traveled to Korea to attend this big conference, Expo 74, with a million and a half of our good friends. And after the conference, we traveled around Southeast Asia, but the leg of the trip that I remember was with the Philippines. And it was so hot, and it was so humid, I was raised in the south and I thought I knew what heat and humidity was, but they put a whole new definition on it over there. I remember we shared a bedroom that had two single beds and one oscillating fan. I can remember lying in my bed and that fan would hit me and then it would go away and it'd go over, swing over to Larry's side of the room, and hit him. And it'd go back and forth. And I thought, a lot of significant learning took place on that trip, but the heat and the humidity and that oscillating fan stick out in my memory, Larry. [00:02:34] Larry O'Nan: Oh, my goodness. And I was in the Philippines about two years ago. I chair a board of a nonprofit in the Philippines called Little Feet and Friends, and I was sharing a room with a Filipino pastor that was with me. And I was laying there thinking at least the last time I was here, it wasn't oscillating. I was actually in the only air-conditioned room on that entire compound. [00:03:00] Tommy Thomas:  Yeah, they get used to that heat over there. It's amazing. It is amazing. Before we dig too deep into your career and the books you've written and that kind of thing, I want to go back to your maybe to your childhood a little bit. Growing up in Colorado, what are two or three things that you remember most about your childhood? [00:03:18] Larry O'Nan: My father was a pastor in Western Colorado at the time. And Tommy, the things that stuck with my head the most was learning to do something from nothing. Dad was encouraging. I had a horse that was 36 inches tall, a Grand Canyon pony horse. And I learned to make money with that little rascal. He about killed me on a race, but I decided that I could take him to the richer part of my town. And for a quarter, I could get a kid to ride on the back of the horse and I could make more money in three hours as a 10- or 12-year-old than I could if I was doing anything else. So, learning to do something from nothing, taking an idea and creating something from it. And believe it or not, over and over again in my life, I've seen that same pattern kick into gear many times. Because too many times I was told to go do it, but there's no plan. [00:04:09] Tommy Thomas:   What was high school like in Western Colorado? [00:04:13] Larry O'Nan: Western Colorado is a unique area in that we were the major town between Denver and Salt Lake. And it was a rural community, but it was also a cosmopolitan mixing area. It was the largest city, and it was there that I got involved in theater a great deal. I knew I was going to become famous in the theater world for five years. Even into my junior year in college, I knew that's where I was aiming. I began not only liking the acting, but I really got into the directing and the back of the scene, what goes on behind to make a show work. Again, it was taking something from almost nothing and creating in six weeks, a full production of South Pacific or you name the shows that we did. We did a lot of major shows. [00:04:59] Larry O'Nan: And over again, when I was in high school, I started seeing that there was a need for some people to come in and do the backside of the curtain to make the front of the curtain actually work. And so I've enjoyed the backside of the curtain all my life and standing back in the back of a room, watching it happen when it goes off. So that was my high school days. From there, I went to university. And majored in theater up to my junior year in college when I decided I wanted to get out of that field and ended up with a double major in English education and was supposed to become a drama coach and a debate coach and an English teacher. And I never went that way. I went into full time ministry. [00:05:43] Tommy Thomas: What are people always surprised to find out about you? [00:05:47] Larry O'Nan: Oh, my goodness. What were they surprised to find out about me? Probably that I think it was a surprise to even me too, is that when I would make a commitment to do something, I later discovered I have a high degree of responsibility in my whole system, but I cannot give up on things. When I say I'm going to do something, I do it, and that's probably surprised me as much as it did them. But it would also bother me when things happen when people would not follow through. Because to me, everybody should have that same value. I discover people are different, but in defining what my strengths were, I really discovered one of those was maximizing the occasion, but the other one was a driving force to be responsible, to get it done. Even today. I've got to say no, because if I say yes, I'm caught with a responsibility to carry through and do something. [00:06:41] Tommy Thomas: What do you remember about the first time you had people reporting to you as a manager? [00:06:48] Larry O'Nan: When I was in my second year at the University of Pennsylvania, working with Campus Crusade in the Ivy League area, I was assigned a responsibility to have a music group come through the area. And they gave me 30 days of time with that group. And I decided if I was going to have them for 30 days and they were going to charge me by the day, I was going to get my money out of them. And I about killed the group because I started organizing people on every campus in five states to get ready for this group to come to town. And we did, I think 32 concerts in 30 days. They never told me not to do it. They just told me to schedule the group and I overscheduled them. But I had good teams on all these campuses, both Ivy League and state campuses and Christian colleges that were in that area. [00:07:38] Larry O'Nan: And I learned from that experience that people will do what you tell them to do if you lay out a clear plan and help them get there. So, to me, it's not about me getting the credit, it's about the people that I recruit to do the job where they own it. And then I can sit back and help them be successful at it. For years, that's the way I functioned. Now, later, I got into developing more people when I got into early fund development. There was only two of us who started off with a huge project that no one had any clue what to do about. But within 13 years, I had about 100 people and seven departments working for me. [00:08:18] Larry O'Nan: And again, it was more of a facilitator role and an encourager role that I saw my leadership to be not a one that went ahead and get it done. So even when I started writing books and doing other things, I developed teams that were working on those things and they had as much ownership on the project that I did, and they felt that ownership, I think, and it carried the whole program. So, to say I was really leading. Yeah, I was influenced, but I was more by encouraging them to go get the job done and help us get it done together. So that happened. +++++++++++++++++++++++++ [00:08:54] Tommy Thomas: So, you were on the campus staff. How did you get over into fundraising? [00:09:02] Larry O'Nan: I almost tripped over that one. I did two years at the University of Pennsylvania. Then that music group came through. It was called the New Folk at the time. And when I killed them in 30 days, they asked me that summer, if I would move out of the campus ministry and had started advancing that Eastern United States group that had, I think, 30 states under its wing. And I started doing the advanced work and setting up all of their concerts for the next couple of years. And that led me into music. Eventually, after a number of years there, I put seven groups together for the Ministry of Crew and both Asia and Africa and Europe, and then a number of groups here in the United States. [00:09:44] Larry O'Nan: I found myself in 1972 out of a job, and I was asked by the then Senior Vice President of the organization if I would help him with a project and I took a brand-new staff guy into that room to say, what is the project? And he went to his hotel bathroom. He was headquartered in an old facility that had hotel rooms that were converted to offices. He pulled back the shower curtain. There were 28 boxes of pledge cards. Representing almost 2 million in pledges made by 80,000 students in Dallas, Texas earlier that summer.  It had been 90 days since those boxes had been touched. No one had a clue what was in them and the only responsibilities, could you take these boxes and see if you can convert them into commitments from the people that made these pledges. [00:10:36] Larry O'Nan: So, 90 days later, those 28 boxes started saying, this is what you call fund development. And I had no clue. No one was, there was no roadmap. There was nobody advising us. We just had to make it successful. And that got me into fund development. And little did I know that those 28 boxes would lead to a career that included 30 years of consulting with Christian nonprofits after that. It was a journey that I never expected, but it was using all my skill package. So, the way I did that job all those years was just leveraging my strengths and staying away from my weaknesses. [00:11:18] Tommy Thomas: So, I guess I didn't think about this back then. So, you were a year into this when I came along. [00:11:25] Larry O'Nan: I probably was about a year into it.  I think Tommy, you and I were heavily involved in the I Found It campaign, the Here's Life America campaign that was going on. That was one of those jobs I was assigned. This is before you got there, but it was basically we need to raise 12 to 15 million in the next two years. How are you going to do it? And again, there was no plan. There was no advice. There was nobody telling us what to do. I was working casually with a consulting firm out of New York, shared with them the challenge that was before me, and he helped me formulate a plan. And we raised about 12 million in 18 months. But it was going from zero. [00:12:09] Larry O'Nan: And I think you came into play through that process. And we recruited representatives to work across the United States. I think I had about 15 or 18 field reps. And we were training cities how to raise the money to accomplish their city objectives. So again, it was taking something from nothing, creating an idea, formulating a plan, and then working the plan. And that pattern is, I've done that over and over again over my years. So, you and I started when there was nobody telling us what to do. And those days it was a wing and a prayer and Tommy go get on an airplane and go do X. And if we had an hour or two or a day before, we would figure out what to do the next day and we'd go do it. [00:12:58] Larry O'Nan: We could have failed miserably, Tommy, but that was okay. I learned a long time ago, and even in the book that I've written, I did a foreword about the freedom to fail. And I was afraid to step out and do things, and I had a guy that I was working with, and he said, Larry, freedom to fail is what you've got. No one's ever done it before. Go ahead and step into it. All you can do is go back and do it again. If it doesn't work, then try something else. And freedom to fail never became a barrier to me. It became “if this is not the way to do it, we'll figure it out later and tweak it and do it again”. So that's how it started. [00:13:35] Larry O'Nan: And I ended up spending 13 years doing the ministry of Cru, and then I consulted with them for another 10 - 12 years beyond that. As one of my clients when I was doing the fund development, because at that time, I was specializing in major partner development, and we were doing a lot of other initiatives, and I worked with them. Just this last week, I was in Spain and repeated some of the same stuff that we did 45 years ago in Spain again, except not in the context of Cru now. But if what Cru gave birth to is a network of nonprofit Christian organizations, and in this case in Europe. They were jokingly calling me the great grandfather of this activity that I was attending, because I was there and the guys that I trained and equipped and mentored were there, and then the leadership that they had developed through their work were there, and we had about 150 people at that conference. From 20 countries, sitting in about 15 organizations. It's fun to watch it work because you can stand in the back of the room and say, my goodness, this really did work. [00:14:47] Tommy Thomas: Go back to failure for a minute. Why do you think most of us are afraid to fail? [00:14:54] Larry O'Nan: I think there's an expectation that failure is bad to begin with.  So, we hear the word failure, and we don't want to fail. But when you realize that if you don't have the freedom to fail, you may not take the risks that will take to get the job done.  I've seen people have never reached their maximum potential because they're stumbling about what would happen if it didn't work? And I had the same feeling when I first started these things, and nobody was there to walk beside me. And then when I realized that if you don't do it one way, you just roll up your sleeves and go try another way. Now, I believe that if you learn a pattern and then mess up too much on it, that needs to be corrected. [00:15:40] Larry O'Nan: But generally, I think most people are afraid to fail. In fact, my concern is that I watched the Z generation. I've got a 23-year-old grandson, and there's a lot of these kids that are really afraid to step out and be bold and do something. They're almost frozen because they could get whiplash and could really take them down. And their self-esteem, they don't want to fail. So, they won't do anything. They will end up taking no less of a job. They will not take the risks. And that's the sad part. I feel like we got to help people endorse failure. I looked at the Old Testament. Moses had a huge potential failure when he picked up two million people in Egypt to go across the desert and it took him 40 years to get there. [00:16:25] Larry O'Nan: But he figured out how to navigate that particular venue with all the problems they had. But I think God gives us the freedom to fail. I don't think God is up there with a big stick saying, I'm going to give you a lower grade because it didn't work out right. I think that the key to good leadership is giving people the freedom to fail. I just think a lot of young adults coming up today are almost frozen and maybe the expectation on them is not fair as well. [00:16:56] Tommy Thomas: So yeah, failure is tied into risk. What's the biggest risk you've ever taken? [00:17:05] Larry O'Nan: Probably stepping into some arenas where I knew the potential of it not succeeding was really great, but we had to do it anyway. I was involved with a dream of Dr. Bill Bright to see a billion dollars raised for the Great Commission and the amount of funding and the way we were going to go about doing it was petrifying. But if you didn't step out and test some of those ideas out, you never would have known they worked. At that time the only organizations in the U.S. that achieved a billion dollars of income of any kind was probably Harvard and Stanford. And we were in an evangelical nonprofit culture. And the idea of raising money that had never ever been raised before was just a big gulp. And it was a huge risk because the reputation hangs on the risk. Now, I was not the upfront guy. I was doing much more of the logistics. And making it happen, but it takes those kinds of people behind the scenes. You can have a good guy on the platform, but if he doesn't know what he's doing, it's going to crumble pretty fast. ++++++++++++++++ [00:18:22] Tommy Thomas:   What have you learned about resilience over the years? [00:18:27] Larry O'Nan: Keep at it. I think there's a tendency to if it doesn't work you get out of here. In fact, a few weeks ago, somebody said the frustration that I have with the young generation is that in fact, this was a tax guy. He said for most adults, they come in and they have a W2 form, or they have maybe two jobs, maybe three, if they're really getting entrepreneurial. He said the young generation is coming in with 10 or 12 W2 forms because they kept quitting and going to something else. He said they don't know where they're going because they don't stay long enough to figure out even what they're good at. And I think that is a reflection on our culture. But I'm still committed to trying to help people look at the longer term. [00:19:14] Larry O'Nan: My grandson just graduated from Biola University, and I said to him a few weeks ago, I said, now, the key thing is to stay at this job for 8, 10 weeks because his tendency is if this doesn't work, there's probably something over here that could work. Now he's not one to jump fast, but much of the culture jumps fast. So, to be on the job for two weeks and quit because you don't like the hours, you don't learn very much that way. Tommy, when you and I were doing what we were doing together, we were sticking through it for two or three years at a time, slugging up against all kinds of risks and all kinds of barriers.  And I think we had some good times, but we did not know where we were going. God seemed to be getting us there. [00:20:01] Tommy Thomas: Yeah, I'm thinking back. I don't ever remember thinking about quitting. It was hard at times. But we did have good times along the way. We had things to celebrate and for the most part we got there. I think we were a pretty good fundraising group, that group of 15 that you had together. And then the tour we took when I managed that music group, the Crossroads, when we brought them in from Asia and I think back. I don't think that I've thought about quitting, I don't have any kids or grandkids, so I'm probably not as tied to these next generations as a lot of my guests are. So I'm always interested in what you're seeing out there and in that context. [00:20:43] Larry O'Nan: We were doing that Tommy back in those days and I called it fundraising back then. Now I'm a consultant with funded up mode, but fundraising is really an exchange. It's I get something, and you get something. Unfortunately, that's what is going on in most of the activities. My direct mail stuff that I get from all kinds of political and non-political sources is offering me something in exchange for something else. Almost every one of them. If not, they're trying to lean on my emotion of what's going to happen to a kid if I don't send them money. So, it 's fundraising. Now I'm not anti-fundraising. I don't think it's sinful. It is manipulated to a great extent because if you use the right words and say the right things, you can bend a person to do something that they may not want to do. With fundraising there is also the concept of the donor. And our secular society has used that term very broadly. [00:21:45] Larry O'Nan: A donor is a person that gives blood, gets a needle in his arm, resists the fact that he had to do it, but sometimes does it for the higher cause of what the blood will do. And if he gets anything, it's a sugar cube or a cookie at the end of sitting there giving blood. I always cringed at fundraising and having donors because I felt like there was a higher calling and we were trying to get money. So even during the times that you were working with him, we were doing good fundraising. Yeah, but we were not yet into Fund Development. Fund development is the word. Development itself is steps and stages in growth and advancement. That means you have to take a person on a journey for them to see what they can do and what can happen together. [00:22:35] Larry O'Nan: And then when I really got into the Theology of Stewardship, I dismissed the word fundraising and donor completely from the vocabulary. We started calling them partners. We started using the word Fund Development, not fundraising.   We started seeing that the people that could give resources were equally involved in ministry, just as much as I was involved in ministry. [00:22:59] Larry O'Nan: I just had a different ministry. I was helping spend some of their money, and they were giving the money that God had entrusted to them. So, the radical change came in about 1978-79, when as a circumstance, I was assigned to figure out the Theology of Stewardship for Cru. They could say, knowing about Cru's history they must have had a very solid organization. It was a wing and a prayer with a visionary behind it. So, the visionary was a post war, and at that time, a handshake was as good as your word. So, the people in the ministry like Cru were doing it and it was relational development. I would say that true, but it really was a, I have no idea what I need next. [00:23:57] Larry O'Nan: But now if I figure out what I need next, I'll ask you again. So, there was some core concepts there, but there wasn't a fund development initiative or a strategy at that time. And I raised my personal support with minimal training and a prayer over me. That was about it. And that's the way you probably did. It was not until the late seventies when I was assigned and what had actually happened, Tommy, was I was invited to a meeting. I had been fairly successful with you and other strategies. We were raising funding, and I was invited to a meeting and the people that were in the meeting were higher up than I was. [00:24:39] Larry O'Nan: And I was probably one of about a dozen people in this room. And we had consultants advising the ministry on if it was even possible for a Christian ministry to raise a billion dollars. And they'd done the study, they'd done feasibility work, they'd done all their homework, and they said it's possible to do that, but if you do not figure out how to teach stewardship, you're going to create enemies rather than partners. Because many ministries will see you competing and taking money out of the orchard, so to speak, rather than expanding the orchard. The Ministry of Cru was not prepared to set up another ministry, and the consultants were very firm on that meeting that day, and I was just that little nobody in the room and listening to all of this. [00:25:29] Larry O'Nan: And somebody in the room as they, it was an impasse of this has got to happen or you probably were not going to raise the resources. And somebody said why don't we just sign that to Larry and let him figure out what the stewardship theology is of Campus Crusade. And that got the entire room to say, okay, we delegated that responsibility off, let's get back to more strategic things related to the campaign. But in my area of responsibility, now I had an assignment, and I was responsible to figure out something that nobody probably that day really cared if I ever figured out. But I did, because it was a responsibility that was assigned to me. And about, within the next two years, I brought two or three guys along with me, and we said, what in the world would a stewardship theology be? [00:26:17] Larry O'Nan: What is, what are we meaning by that? And we started looking at Scripture. And other things that were written out there. And we started to formulate what we would call a stewardship theology. And that radically changed what we did into the early eighties and moving forward, because now we were involving and inviting partners to be involved in changing the world rather than just begging for money and running from it. And it radically changed. I think even Cru today and many organizations I worked with, probably 30 organizations over the last 30 years. And I've tried to impact their thinking about how they see their people, how they relate to them. And you get a lot more people in partnership when you're treating them as partners. [00:27:02] Larry O'Nan: Joining hands and walking together in this world, rather than, I am the one that's called in the ministry, and you've got money, so please give it to me so I can go spend it. I'm responsible to the steward and ironically, the steward never gives up his responsibility of his stewardship. So, if a man is making significant money or a couple has made good money in their business, A good steward does not just give it away and dispense it. They want to know how you're doing with it. So, accountability. I want to go see it. I want to touch it. I want to know why you did it the way you did. [00:27:40] Larry O'Nan: What's the ROI? Are we making an investment? It's God's resources at work. How are you spending it correctly? It changes the dynamic of a lot of things. If you're looking at stewards correctly and realizing, it's a God ordained assignment that we've got as individuals. to use whatever God's given us effectively. So, I've been on this trip for a long time, and I love it. I never knew I would be getting into it. That wasn't my plan. It started off with those 20 boxes. [00:28:14] Tommy Thomas: I'm just saying you got me thinking. The first time I remember the term fund development was when my wife and I were working with the YMCA, and they didn't call it fundraising. They called it Fund Development. And now that I'm looking back and thinking about that, it seemed like we were partnering with people more than we were just you know, asking for a contribution. So that makes a lot of sense. [00:28:40] Larry O'Nan: And the concept of stewardship is way beyond if you're a believer or not a believer.  God basically has created us to take care of his stuff. He never gave it to us. So, you'll see in scripture that God gave them, gave the Garden of Eden to them. No, he didn't give it to them. He allowed them to live in his garden. His basic assignment to Adam and Eve, if you go back to Genesis 2, was to take care of my stuff and you can name all the animals. And I'm going to come down. I'm going to be so interested in what you're doing that in the cool of the day, we're going to walk around the garden and talk with each other. But the responsibility of being a steward was not taken away from Adam when he blew it. He was going to make a lot more work for him. [00:29:25] Larry O'Nan: He had to go pull weeds and take care of things differently by the sweat of his brow, as the scripture said. But the responsibility never changed. God still owns it all, and God wants us to take care of his stuff. Now, God's got five other things he wants us to do as well, but they're all related to stewardship. It's when an organization embraces the idea of partnering with the ministry, whether I chair a board of an organization here in San Bernardino County called Santa Claus Incorporated. That's its legal name. In 1951, it was incorporated as Santa Claus Incorporated, and we help about 225,000 kids a year that are some of the most desperate kids in Riverside and San Bernardino counties. [00:30:11] Larry O'Nan: And it's all about finding partners to work with us so that those kids can have what they need in terms of sometimes toys at Christmas. It could be shoes. It could be anything else they need. Backpacks. We work with school districts. We work with kids in crisis that are coming out of homes that the state's taken kids away from their parents. And it's all about helping the kid have a sense of well-being while he's under a state of crisis. But over and over again, the stewardship there is that we've got people nationally, and locally, they volunteer their time, they volunteer their money internationally, their organizations that are partnering with us to help us through, we work with some very large nonprofit facilitating type groups in New York and Washington DC that help us get goods. [00:31:06] Larry O'Nan: So, we give around six and a half million dollars' worth of product away every year because of partnerships.  Nobody feels like we have gouged them for money. Nobody feels like we've messed up their life. We've not been offensive to them. They are seeing that we're working together to accomplish a goal. So, whether it's a secular, humanitarian, or a very fine church, or a very fine nonprofit, evangelistic group, whatever it is, are we really treating and working in partnership with the people that God has placed in the hands of that organization to make that organization work? And when you mess up, they stop giving, but they don't, their money doesn't disappear, but they'll give it someplace else. If you abuse a relationship, they're going to go someplace else. ++++++++++++++++++ [00:31:54] Tommy Thomas: Join us next week, as we conclude this conversation with Larry O'Nan.  We will continue our discussion about lifestyle stewardship and fund development. I also asked Larry to talk a bit about his new book, Intentional Living and Giving, which was released in early April. ​​Links & Resources JobfitMatters Website Next Gen Nonprofit Leadership with Tommy Thomas The Perfect Search – What every board needs to know about hiring their next CEO Larry O'Nan's Website  Larry O'Nan's Email: Larry@LarryONan.com  Connect tthomas@jobfitmatters.com  Follow Tommy on LinkedIn Listen to Next Gen Nonprofit Leadership with Tommy Thomas on: Apple Podcasts | Spotify | Stitcher | Google Podcasts  

Indigenous made Pop, Roots/Rock, Indie, Country, R&B, Hip Hop, Ambient Dance, New Delta Blues, New Folk, Punk, and Techno. By artists from the Wolastoqiyik, Apache, Ojibwa, Cree, Metis, Greenlandic Inuk, Mi'kmaq, Blackfoot, Piipaash and Quechan Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Cole Hatty - Baby Doormat Matney & Stevie Salas - Rebel Saint Sebastian Gaskin - Ghost iskwē - Exhale Mitchell Makoons - Summertime 28 Tha Native & MC Supernatural & MC Crenshaw & Un learn The World & Raza & Lomel & Jordy Wheeler - Earth's Dying Muskrat Singers - Big B Said Ok! Burnstick - Hands Tied Jerry Sereda - One Good Richard Inman - Lethbridge Country Blue Andachan - Transend Catie St.Germain - High Forever Tonemah - Missouri Tarrak - Ua Reyna Tropical - Puerto Rico Smokey Campbell - After Im Gone Quinn Bonnell - Long Way Down Wyatt c. Louis & Wild Pink - Oh Vibrant Sky iiwaa - Day In The Life Classic Roots - Pow Wow Bounce No More Moments - Burn It All Mattie Comeau - Keep the Fire Illiano - When I Awake Brother Dege - The Battle Of New Orleans All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.

Latest up from Spoken Label features the return of our friend, the amazing Grant Curnow. Grant Curnow is an alternative comedian/ tragic novelty folk singer – amateur time lord. Based in Manchester, Grant has performed 3 full length shows at the Edinburgh Fringe Festival as part of the PBH Fringe: Amateur Time Lord Hour (2016),  A New Folk (2018), and Salvador Dalek (20220. Currently touring Salvador Dalek throughout the UK and has played various comedy festivals (Leicester Comedy Festival, Faversham Fringe, Morecambe Fringe, Buxton Fringe, Greater Manchester Fringe). Grant is always found with a ukulele and his trusted comedy sidekick, Mini Dalek.  His debut album "Troubles of an Amateur Timelord" is out on seahorse records and can be streamed on Spotify "https://open.spotify.com/album/0XSU7Z3sS3burD46xAsops"

Indigenous made Electro-soul, Hip Hop, Indie, Alternative RnB, Soul, New Folk, Dance, Rock, Chicano, Res Metal, Black Metal, Country, Jazz, and Techno from member of the Mi'kmaq, Haisla, Mvskoke, Metis, Comanche, Yaqui, Shoshone, Yupik, Plains Cree, Ojibwe, Chicano, Cherokee, Navajo, Iñupiaq and Oglala Nations and communities. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Jodie B - Metamorphosis Snotty Nose Rez Kids & Electric Fields - Red Future Sten Joddi & Skitzoe - What I Do Iskwe - A Little Piece Pj vegas & Tippie 1-800- DONT ASK Pamyua - Ayaprum Wyatt C. Lewis - Carefree QVLN - Lua Cheia Jessa Sky - We Are Not Lost Native Pool Boy - This Chapter Has No Plans Las Cafeteras - Cumbia de Mi Barrio Tanya Tagaq - Tanya's Lullaby Alliance & Sharel Cassity & Colleeen Clark - Syl-O-gism Jeremy Dallas - Ten Minutes Ago Toosick & Antonex - Calling Back My Spirit Red Poets Society & Twin City Tone & Tall Paul - You Understand Brother Dege - Turn Of The Screw Eye - Respect Must be Taught Downtown Yonge BIA & Jace Martin - Beautiful Broken Pieces (live) 'lisnááhí - Renegade Lawrence Paul &  Chumz - Ruthless Martin Desjalis - Truck Driver Man Backwater Township - Recorda Me Michael Begay & Thollem McDonas - Standing Horizon Alisa Amador & Quinn Christopherson - I Need To Believe Sean Beaver - Summer-Winter Solstice All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.

An epic new folk song debuts this week to commemorate the spooky and sad legend of the SS CLALLAM, a passenger vessel that sank exactly 120 years ago in one of the deadliest disasters ever in local waters.

Award-winning and Billboard-charting artist Flamy Grant is a shame-slaying, hip-swaying, singing-songwriting drag queen from western North Carolina. Her 2022 debut record, Bible Belt Baby, was nominated for Best Pop Album at the San Diego Music Awards, and she is a winner of the 2023 Kerrville Folk Festival New Folk Competition. Both a powerhouse vocalist and an intrepid songwriter, Flamy blends the art of drag with her iconic folk/rock sound to create a memorable musical experience. Flamy is the first drag performer to appear on Christian music charts, with both her song “Good Day” and her Album Bible Belt Baby reaching #1 on iTunes — the latter staying at the top for nine consecutive days. Additionally, “Good Day” debuted at #20 on Billboard's Christian digital sales chart. Flamy has collaborated with Adeem the Artist, Jennifer Knapp, Semler, and Derek Webb. In addition to playing the New Folk winner's showcase at the 2023 Kerrville Folk Festival, she has played Wild Goose Festival in North Carolina, San Diego Pride's SheFest, and is headlining Blount County Pride in East Tennessee this September. It's no accident that Flamy's drag name is an homage to Amy Grant, the undisputed queen of Christian music and 90s chart-topping pop artist. Much of Flamy's music centers on the queer spiritual journey, telling stories of resilience and recovery from religious trauma in a world where LGBTQ+ people are frequently ignored by, harmed in, or ejected from religious spaces. With a bold lip, a big lash, and a blistering voice, Flamy drags audiences to a soulful, uplifting church of her own making. This down-to-earth diva has entertained music lovers from Los Angeles to Nashville with her funny, frank, and fabulous songs. Connect with Flamy Grant TikTok: 93.4k Instagram: 15.5k Facebook: 3.9k Twitter/X: 3.4k YouTube: 2.9k Threads: 2.3k Spotify • Apple Music • Amazon • Bandcamp • SoundCloud

Hour 2 Remember Ollie North? If Biden is impeached we could have another Great American Folk Hero Audio from WGIG-AM and FM in Brunswick, GA

Flamy Grant is a shame-slaying, hip-swaying, singing-songwriting drag queen from western North Carolina. Her 2022 debut record, Bible Belt Baby, was nominated for Best Pop Album at the San Diego Music Awards, and she is a winner of the 2023 Kerrville Folk Festival New Folk Competition. Both a powerhouse vocalist and an intrepid songwriter, Flamy blends the art of drag with her iconic folk/rock sound to create a memorable musical experience. Flamy has collaborated with Adeem the Artist, Jennifer Knapp, Semler, and Derek Webb. In addition to playing the New Folk winner's showcase at the 2023 Kerrville Folk Festival, she has played Wild Goose Festival in North Carolina, San Diego Pride's SheFest, and is headlining Blount County Pride in East Tennessee this September. Much of Flamy's music centers on the queer spiritual journey, telling stories of resilience and recovery from religious trauma in a world where LGBTQ+ people are frequently ignored by, harmed in, or ejected from religious spaces. NEXT STEPS: - Check out Flamy's website for tour dates and so much more! - Follow Flamy on TikTok, Instagram, and Twitter. - Listen to Flamy's music on Apple Music and Spotify. - Is Flamy doing a show near you? If so, go see her! ___________________________________________ Reach out to us anytime and for any reason at hello@letsgiveadamn.com. Follow Let's Give A Damn on Facebook, Instagram, & Twitter to keep up with everything. We have so much planned for the coming months and we don't want you to miss a thing! If you love what we're doing, consider supporting us on Patreon! We can't do this without you. Lastly, leave us a 5-star rating and review on Apple Podcasts! Have an amazing week, friends! Keep giving a damn. Love y'all!

With a banjo and an arpa llanera, Larry Bellorín and Joe Troop are fusing traditional Venezuelan and Appalachian folk music. Israel passed the first part of a deeply divisive overhaul of its judicial system, which limits the Supreme Court's ability to block government decisions. Former President Trump faces a possible civil rights charge related to his alleged efforts to overturn the 2020 election. His campaign and criminal defense are increasingly overlapping when it comes to fundraising. The only other time that both Hollywood actors and writers striked simultaneously was 1960. The industry was relatively new, and TV was the big disruptor.

Annie Mosher is one of Nashville's revered singer-songwriters, a writer's writer who has won the Kerrville Folk Festival's prestigious New Folk award and is a favorite at the famed Bluebird Cafe.  She discusses her brand new release, Goldfish.     Craft Brewed Music® The music discovery app that streams music for serious listeners - now included free and forever "in" the Music Discovery App Pint Glass (downloaded via QR printed on glass). http://www.craftbrewedmusic.com   The Craft Brewed Music Podcast Music interviews for serious listeners. Available on all major podcast platforms. https://www.podlink.to/CBMPodcast

The Raiders have a new head coach in Tom Cable and a new folk hero emerges in Bruce Gradkowski.

CBM artist and friend Richard Bennett returns to the show to talk about his new album (which he hinted at in his earlier appearance on Episode 4), New Folk Faves & Tall Tale Tunes.  Richard was articulate, funny, and self-effacing, as always, and we thoroughly enjoyed the chat.     Craft Brewed Music® The music discovery app that streams music for serious listeners. http://www.craftbrewedmusic.com   The Craft Brewed Music Podcast Music interviews for serious listeners. Available on all major podcast platforms. https://www.podlink.to/CBMPodcast

Indigenous made Rock, Pop, Lounge Music, Blues, New Folk, hiphop, Rez Metal and more. Brought to you by Tunes From Turtle Island and Pantheon Podcasts.  Brought to you by Turtle Island Radio and Pantheon Podcasts. Please, during this difficult time when artists can not play to live audiences, if you like the music you hear, go out and buy some of it. :) Tracks on this week's show are:Mimi O'Bonsawin - Here's To The WomenCody Coyote - RunBlue Moon Marquee - Scream, Holler and HowlPricelys & Eekwol - Aunty KnowsNanook - Its A TrapBreach Of Trust - Settle  for NothingJulian Taylor - SeedsN'we Jinan Artists - UtopiaDjarin - Come Down On MeLacey Hill - Love WinsShawn Michael Perry - Light of DayThe Northwest Kid - BaldheadDigging Roots - She Calls MeTerry Uyarak - Aniqsaatuinnarit IIMato - War PaintLiving Dead Girl - AliveAll songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info at https://artist.link/tunesfromturtleisland

 Indigenous made Pop, Indie, Hiphop, RnB, Rap, New-Folk, Traditional, Inuit Pop, and more.  Brought to you by Turtle Island Radio and Pantheon Podcasts. Please, during this difficult time when artists can not play to live audiences, if you like the music you hear, go out and buy some of it. :) Tracks on this week's show are:Uyarakq - PerrutileqaatEadsé - StayStreet Pharmacy - Love AstronautTribal Wave & BVCK - Wake UpAmanda Rheaume - Do About HerConrad Bigknife - I Like The Way You ShineJayli Wolf - Child Of The Government (stripped down version)Ken Waters & Victoria Groff - ShimmyHayley Wallis - Think Of YouWhisperhawk - Black CloudMyles Bullen & Unique Unknown - I wrote my will on a chalkboard in case things changeViolent Ground & Melody McArthur - Meant For MoreThomas X - One TimeGrant-Lee Philips - Peace Is a Delicate ThingKerey Harper - Mr Lo-fiManitou Mkwa Singers - Lonely Nights All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info at https://artist.link/tunesfromturtleisland   

OUR NEW OPENING THEME SONG TO MATCH OUR NEW LOOK AND FEEL --- Send in a voice message: https://anchor.fm/folkesunfettered/message

Upcoming new indie folk release This Too Shall Pass and more fun with Puns With Stevie!! --- Send in a voice message: https://anchor.fm/sounds-safe/message

IPR Music hosts Karen Impola, Barney Sherman and Bob Dorr share their top picks for new music releases of 2021

Homesteading 101. Want to learn about herbal remedies, raised beds and rearing goats? Well, Joseph Parish and Demmarest Haney of Feywood Grove Farm on Hills Road can help you. Reporter Holly Conners visited them to learn about their Feywood Grove Folk School in Albert Bridge.

https://booritsandthemissingyears.hearnow.com/PATREON: https://www.patreon.com/minddogtvSponsors:https://podmatch.com/signup/minddogtvhttps://mybookie.com Promo Code minddoghttps://record.webpartners.co/_6_DFqqtZcLQWqcfzuvZcQGNd7ZgqdRLk/1https://apply.fundwise.com/minddoghttps://myvitalc.com/minddog. promo code minddogtvhttps://skillbuilder.academy/dashboard?view_sequence=1601856764231x540742189759856640&promoCode=MINDDOG100OFFhttps://shareasale.com/r.cfm?b=599839&u=1659788&m=52971&urllink=&afftrack=https://enticeme.com/#minddog

This week we teach the ways of love.     New Folk in Scotland every Tuesday and Celluroids every Friday    Video podcasts and more content over at folkinscotland.com   Help support the show and get exclusive access On The Spectrum shows. https://www.patreon.com/thederekfindasarchive

This week we learn self defence splits in Gymkata.   New Folk in Scotland every Tuesday and Celluroids every Friday    Video podcasts and more content over at folkinscotland.com   Help support the show and get exclusive access On The Spectrum shows. https://www.patreon.com/thederekfindasarchive

This week we lift the skirt of propaganda.   New Folk in Scotland every Tuesday and Celluroids every Friday    Video podcasts and more content over at folkinscotland.com   Help support the show and get exclusive access On The Spectrum shows. https://www.patreon.com/thederekfindasarchive

This week we find out what waits below...its not pretty.   New Folk in Scotland every Tuesday and Celluroids every Friday    Video podcasts and more content over at folkinscotland.com   Help support the show and get exclusive access On The Spectrum shows. https://www.patreon.com/thederekfindasarchive

Goron eats and Derek barely does...this week, food.   New Folk in Scotland every Tuesday and Celluroids every Friday    Video podcasts and more content over at folkinscotland.com   Help support the show and get exclusive access On The Spectrum shows. https://www.patreon.com/thederekfindasarchive

Thoughts about new Coach Urban Meyer, the end of season awards, and so much more.

How criminals are used to cause more crime

Kieffer Sutherland, Sex Workers and much more. New Folk in Scotland every Tuesday and Film Guffs every Friday.   More exclusive podcasts and content over at  FolkinScotland.com   Help support the show https://www.patreon.com/thederekfindasarchive

In this episode, I sat down with Emily Scott Robinson, singer songwriter extraordinaire. Originally from North Carolina, Emily and her husband now travel around in their RV. She and I met at Folk Alliance International in 2016, and the following August, Emily played our very first house show. As I note with her, she played in our series before we knew we wanted a series. Emily has toured widely and honed her skills as a solo performer. She is well known for her great songwriting, and amazingly beautiful voice. She won Kerrville's New Folk several years ago, an most recently won the Telluride Troubadour Contest last June. Her most recent album, Traveling Mercies has caught the attention of Billboard Magazine, No Depression, and American Songwriter, and frequently takes a spin on our turntable. In this podcast, we talk about Covid, Black Lives Matter, and how she approaches songwriting. In addition, she tells us the story of her quarantine inspired single--The Time for Flowers. You will hear the song in this episode, and can watch the video she and her husband made for it here: https://www.youtube.com/watch?v=gqZzjLaHBIg, inspired by the Amor Towles novel, A Gentleman in Moscow. You can find her webpage here: https://www.emilyscottrobinson.com/#home-section, and you can order cds, vinyl, merch from her store. You can find her music page on Facebook at https://www.facebook.com/emilyscottrobinson/, and if you would like to contribute to an independent musician during this difficult time, here are her Venmo and PayPal connections. @emilyscottrobinson on Venmo // emily.scott.robinson@gmail.com on PayPal

New Folk in Scotland every Tuesday and Film Guffs every Friday   Video podcasts and more content over at  folkinscotland.com   Help support the show https://www.patreon.com/thederekfindasarchive

The Susie Glaze New Folk Ensemble live on Folkscene. Recorded 10-21-19. Interviewed by Allen Larman. Engineered and mastered by Peter Cutler.

In Episode 20 of the Link Lee Woodmansee sits down with Dr. Kent Sweatman, Pastor of Oak Cliff Baptist Church. Kent talks about how his church approaches worship in all of its facets, and how fellowship is an integral part of their worship of Jesus. Kent also explores what musical stylings catch his attention the most, which includes everything from Beethoven to New Folk. Sprinkled in there is also a moment where he takes the blame for causing Apple products to be so expensive.

Calling Todd Kessler a singer/songwriter simply wouldn’t do him justice. The rising folk-rock star is the consummate storyteller, with a remarkable ability to take listeners on a winding, wonderful, and introspective journey through the depths of the human experience. Kessler’s highly anticipated new album, About Memory, was released on November 3, 2017. The album finds Kessler going back to his roots, producing a timeless folk sound with hints of alt-rock and classic Americana.Recorded in Los Angeles at New Monkey Studio (made famous by Elliot Smith), About Memory was produced by Marc Daniel Nelson (Fleetwood Mac, Colbie Caillat) and Ran Jackson (Katy Perry, Goo Goo Dolls) and mastered by Eric Boulanger, who has worked with industry titans like Adele, Green Day, and Neil Young. “When a songwriter can tell a story that is specific to them, yet allows the listener to hear him or herself in it, that’s the pinnacle for me,” shares Kessler. To date, Kessler has released two singles from About Memory: “Old Fashioned Way” and “The Letter.” Born and raised in the Chicago suburbs, Kessler graduated from the University of Illinois with a degree in Music Theory and Composition. Shortly after graduating, he released his first LP, We Are the Musicmakers. In 2012, Kessler formed Todd Kessler and The New Folk, and they released their first album, Sea Fever, which was produced by Manny Sanchez (Patrick Stump, Umphrees McGee). The album’s release was supported with a lengthy residency at Schubas Tavern, but as it happened, Kessler missed part of the residency when he was chosen as part of Team Ceelo on NBC’s The Voice. Gaining exposure from The Voice, Todd Kessler and the New Folk began touring more, playing festivals like Summerfest, Taste of Chicago and Mile of Music. Between 2013 and 2015, the band worked on new material and released two singles: “Exactly Where I Should Be” and “Have Yourself A Merry Little Christmas.” But, as members of the New Folk began getting married and having children, life on the road became arduous. Eventually, the New Folk agreed to a break, disbanding indefinitely to spend time with their families. Influenced by artists like Paul Simon, Fleetwood Mac, Ryan Adams and David Gray, Kessler continues to evolve into the bold storyteller he’s always wanted to be.“I like to call myself a realistic optimist,” says Kessler. “I will always tend to see the bright side of things but don’t shy away when things get real.” Radio One Chicago airs live every Thursday night from 6p to 8p cst on 88.7f, wluw.org

Neyla Pekarek has been the cellist for Denver folk-rock group The Lumineers since 2010. Despite that band's demanding touring schedule, the Colorado native found time to write and record the original folk opera "Rattlesnake," which she'll release as an album later this year. It's based on the life of Northern Colorado pioneer "Rattlesnake" Kate McHale, who in 1925 allegedly killed 140 snakes to save her life and that of her three-year-old son. Pekarek and her band visited the CPR Performance Studio to play four songs from "Rattlesnake." She also spoke with Alisha Sweeney about how she discovered the story of Rattlesnake Kate as a student at the University of Northern Colorado, recording the album with M. Ward in Portland, Ore., and going on tour with U2 last year.

Korby Lenker, Megan Slankard, and Alex WongThese three amazing singer/songwriters stopped by CAU on their way to perform at "Space" in Evanston. That was over a year ago and the files were lost, but now found. Check out the Bio on these artists and you can see just how amazing they areKORBY LENKER: Korby Lenker is a sneaky-good songwriter. And singer. And multi-instrumentalist. An abbreviated list of Lenker's achievements so far includes: a significant amount of airplay on the legendary Seattle indie rock station KEXP; a BBC 2 interview with Bob Harris, which is only about the highest honor a rootsy singer-songwriter touring the U.K. can get; opening slots for acts ranging from Willie Nelson to Ray LaMontagne, Nickel Creek, Keith Urban, Susan Tedeschi and Tristan Prettyman; a successful run with one of the hottest young West Coast bluegrass bands of the aughts; and wins in the Merlefest folk songwriting contest as well as the Kerrville Folk Festival's elite New Folk songwriting competition. Lenker's composition "My Little Life" brought him the Kerrville honors this year. It doesn't seem possible that one song could work so well in such disparate worlds, but it also proved its powers as a galvanizing piece of indie-pop, drawing a small army of likeminded, rising Nashville artists and personalities--Jeremy Lister and Katie Herzig to name two--to make lip-syncing, ukulele-strumming cameos in Lenker's music video. MEGAN SLANKARD: "Nearly everyone who encounters this attractive and sophisticated singer-songwriter agrees that she has 'star' written all over her," says Acoustic Guitar Magazine about Megan Slankard. "She forges a distinctive sound with her smooth and courageous vocal dynamics, intelligent and diverse song styles, and sheer infectious enthusiasm." Slankard, who has sold just over 20,000 copies of her three CDs, self-produced her first CD at age eighteen and her third with help from Counting Crow's guitarist Dan Vickrey, and is currently working on a new project. Last year Slankard formed a new alt-rock band, and is already getting industry attention having been selected as a semi-finalist in Discmaker's 2007 Independent Music World Series and a finalist in the 2008 Musician's Atlas/Borders Books Independent Music Awards - even before the official release of her new band's first album, scheduled for mid-2008. Slankard and her music have appeared on TLC's "What Not To Wear", generating purchases by TV viewers after her first appearance that placed her second CD "Freaky Little Story" on the 5 spot on Amazon.com CD sales charts and on the Top-10 Rock Bestseller list on CDBaby.com. Because of the episode's popularity, the show's producers featured her in a follow-up episode, bringing her back onto the Top-10 with "Freaky Little Story". Upon its release months later, "A Little Extra Sun" also reached the Top-10 sales chart. Her songs have also earned over 175,000 plays on MySpace.com, and "Freaky Little Story" remains a Top-20 all time Rock Bestseller on CDBaby.com to this day. Slankard's music has also been featured on San Francisco AAA station KFOG's compilation CD and has been spun over 500 times on Modesto, CA. She has been featured in Rockgrl Magazine, Owl Magazine, The Synthesis, and online sources Fresh Tracks and Women In Rock, in addition to Acoustic Guitar magazine, whose editors named "Freaky Little Story" one of their top albums of 2005. She was a final selection artist for RPM Direct Presents: Unsigned Artists Volume 3 compilation CD; an A&R Online featured artist; a Song and Film Spotlight artist; and, an Acoustic Cafe featured artist on the "One to Watch" syndicated radio program (sponsored by the USA Songwriting Competition). Slankard also co-wrote and performed on the title track of Dire Straits founding member David Knopfler's new record, "Ship of Dreams". Megan has performed in over 200 cities in five different countries, including at showcases in Boston (NEMO) and Toronto (NXNE), on three tours as support for David Knopfler (Germany and England), and at the international festival InGuitar in Zurich (Switzerland). She will resume touring after the completion of the new CD. ALEX WONG: Alex Wong is a Brooklyn-based producer, writer and performer whose signature sonic style resonates in all he creates-from cinematic pop soundscapes to electronic tinged theater scores to his honest, direct songwriting. He has produced recordings with leading artists such as Delta Rae, Ari Hest, Elizabeth and the Catapult, Melissa Ferrick, Vienna Teng and Grammy nominee Ximena Sarinana. Alex has garnered critical acclaim for his songwriting collaborations with recording artists Amber Rubarth (The Paper Raincoat), Vienna Teng, Paul Freeman, Elizabeth and the Catapult and Alex Berger (Independent Music Award winner). His songwriting has been heard in film and television projects such as "The Last Song" (Disney/Touchstone), "One Tree Hill," and "The Lincoln Lawyer" (Lion's Gate). His solo project, A City On A Lake, is releasing it's debut self-titled album (featuring vocal performances from Ari Hest and Ximena Sarinana) was released in 2012.Click to view all four videos from this Podcast

The Decemberists may have finally met their match. The band has been working with British singer Olivia Chaney under the name Offa Rex — a reference to an Anglo-Saxon king. Their album, released on July 14 and produced by local whiz Tucker Martine, is called “The Queen of Hearts.”

Find out more about Whit at her website: http://whithill.com She mentions early days singing back-up with Dick Siegel.  She also talks about her transition from being a dancer and choreographer (which she still does) into a singer-songwriter. Songwriting is Whit's favorite thing—she'd rather do that than anything else.  She says its like fishing…some days you drop a line in and see if anything is biting…and if it's not, don't take it too seriously…just come back tomorrow.  She also talks about her process of putting things aside (sometimes for months or even years) and picking it back up later, and all of the sudden the missing piece is there. Whit talks about how Wilhagen's was one of the ways she plugged in to the local songwriting scene early on. https://www.facebook.com/Wilhagans-111596205547631/ Whit talks about a former dance student who came back into her life years later as a singer-songwriter, Dana Falconberry.  Watch Dana's Tiny Desk Concert on NPR here: http://www.npr.org/event/music/201517132/dana-falconberry-tiny-desk-concert What does it mean to be a successful singer-songwriter? Whit talks about her history with the Kerrville Folk Festival, each May in Kerrville, TX.  She won the New Folk competition in 2012.  She talks about the process of submitting, playing, and now supporting new finalists. http://www.kerrville-music.com/ She talks about her approach to coaching other songwriters.  She also isolates a few key tenets for her in songwriting.  We discuss how critiques are crucial in getting even simple feedback — does this make sense to the audience?  Or offering a small tweak that could open a song up. Where does Whit learn about songwriting now? We discuss Object Writing.  Whit likes to begin a cowrite session with a object writing exercise.  It opens everyone up, and can spark interesting creativity. Whit's memoir “Not About Madonna” is in part about, yes, that Madonna.  We talk about her early friendship with Madonna, and her process of writing the memoir. To learn more about Whit as a songwriting coach, you can reach out to her at whithill@gmail.com.   http://www.hexagonpodcast.com/episode/episode-17-whit-hill

Most great startup ideas don’t grab your attention right away. It takes a while before the founder’s vision becomes obvious to the rest of us. On the other hand, the startups that immediately grab all the press attention often go out of business shortly after shipping their first product. Reality never seems to live up the to promise. And then there are products like Orphe. This LED-emblazoned, WiFi-connected, social-network enabled dancing shoe seems made for fluffy, flashy Facebook sharing, but only when you really dig into it, do you understand what it really is and the potential it has in the marketplace. Today we sit down with Yuya Kikukawa, founder of No New Folk Studio and the creator of the Orphe, and we talk about music, hardware financing, and why this amazing little shoe is finding early adopters in places from game designers to hospitals. It’s a great conversation, and I think you’ll really enjoy it. Show Notes The inspiration for musical shoes Why Yuya's first musical instrument attempt was a failure The biggest challenge in moving from prototype to production Orphe's technical specs How Orphe is being used in hospitals and other healthcare applications How small Japanese startups can achieve global distribution Where the next big startup opportunities in Japan will be Why most hardware startups fail Links from the Founder No New Folk Studio Hompage See Orphe in action Check out Yuya's blog Follow Yuya on Facebook Check out PocoPoco on YouTube [shareaholic app="share_buttons" id="7994466"] Leave a comment Transcript Disrupting Japan, episode 90. Welcome to Disrupting Japan, straight talk from Japan’s most successful entrepreneurs. I’m Tim Romero, and thanks for joining me. You know, most good startups are obvious. I don’t mean that I could have had the idea before the founders did. By obvious, I mean that right away you can understand the problem the company is solving for their customers and how they’re doing it. Naturally, that makes it easier for the customers to buy. Most non-obvious startups are in reality still struggling to find the product market fit and are probably not long for this world. And then there are products like Orphe, an LED-emblazoned WiFi-connected social sharing enabled dancing shoe. Yeah, it sounds like something you would find on Indiegogo and that one time not too long ago, it was. But when I sat down with Yuya Kikukawa, founder of No New Folk Studio and the creator of the Orphe, it became clear that this was not some quirky side project or some overfunded crazy hardware startup. This was something really different. We talked about the original inspiration for the shoe and what does and does not qualify as a musical instrument and how Orphe is being used by the artistic community in Japan. But we also dive into the technology inside it, and that, well, that’s something special. That’s why this quirky little blinking shoe is starting to get used by game and UI designers, as well as hospitals and sports trainers in Japan. It’s a fascinating discussion but you know, Yuya tells the story much better than I can. So let’s hear from our sponsor and get right to the interview. [pro_ad_display_adzone id="1411"  info_text="Sponsored by"  font_color="grey"  ] [Interview] Tim: I’m sitting here with Yuya Kikukawa of No New Folk Studio. Thank you for sitting down with me. Yuya: Thank you for inviting. Tim: Now, you guys make Orphe which is an LED dance shoe but it’s so much more than that. Can you describe what Orphe is exactly? Yuya: Yeah. Orphe is kind of world’s first smart LED shoes. Smart means it has a computer inside of the sole, at the same time there are about 100 full color LEDs. The computer can control each pixel. So the user can change the color through the smartphone application. Tim: Okay. It’s always so hard to describe dance and visual effects on an audio podcast.

El programa de hoy está dedicado al new folk: a partir de la década de los 50, 60 y 70 del siglo XX surgió en algunos países un interés o revival por la música folklórica que condujo a la formación y difusión de diversos conjuntos musicales de este género; algunos de ellos, produjeron formas modernizadas de esta música que se conoce actualmente como música folklórica contemporánea o folk directamente. El indie folk es un género que surgió en la década de 1990 a cargo de compositores de indie rock y que poseía fuertes influencias del folk rock de los años 50, 60 y 70. En el 2000 ha experimentado un crecimiento muy significativo. En nuestros días se presentan una serie de bandas americanas y europeas que se unen a un género que hoy está en la cima. Sintonías: Raúl Rodríguez, Ali Khattab, Ara Maliquian & Fernando Egozcue, Andrés Márquez, Colina & Serrano, Guillermo McGill, Paquito de Rivera, Fernando Egozcue. Poema: Blowind in the wind, Bob Dylan

The Grand Rapids guitarist and singer chatted and performed during this week’s Local Spins on WYCE, which also debuted new tracks by The Turnips, Everyday Junior, Monte Pride and more. Check out the Local Spins Artist Spotlight story, podcast and video.

March To May’s Darren Guyaz and Beth Wesche first met in December 2012.? March 2013, the folk/indie/Americana duo had co-written their first two songs, by April they had a paid gig under their belts, and by May they had a name and shows booked out into the months ahead. Before settling in Seattle, Washington, where the act is now based, both Darren and Beth had traversed the Western Hemisphere separately.  Darren migrated from the northern Appalachians to his birth-state of Montana, before heading on a South American adventure across the Andes mountain range, eventually falling in love with Seattle and the Pacific Northwest. The daughter of a US Foreign Service Officer, Beth also spent time in the Andes, as well as a host of US states on both coasts, before moving to Seattle. The duo has drawn comparisons to acts like The Civil Wars, Damien Rice, the Swell Season, The Banner Days, and Robert Plant and Alison Krauss.  The Water’s Edge is the debut release from March To May, out April 25th, 2015 thttp://www.marchtomay.com  Billy Grima singer-songwriter, born in Blacktown, NSW Australia, Billy started writing at a very young age and was singing in a church choir by the age of 8 years old. At 15, Billy moved to Canada and settled in Toronto. Like classic singer/songwriters, Billy Joel, Jim Croce, James Taylor and Bob Dylan, life's daily realities and everyday events are a source of Billy's inspiration. His smooth and soulful sound has earned him comparisons to contemporaries Jason Mraz, Ed Sheeran, Jack Johnson and even Bruno Mars  

Todd Kessler, Season 3 "The Voice" contestant joins Mary E.. Kessler is the front man for The New Folk, a band out of Chicago. They are getting ready to appear on the Bud Light stage at the annual "The Taste of Chicago" July 13th.  The New Folk celebrated the release of their debut album, Sea Fever, with an August 2012 “Practice Space Presents” residency at Schuba's Tavern, but the story behind The New Folk began in 2005 as singer/songwriter Todd Kessler went in to the studio to record his debut album. That album, entitled We Are The MusicMakers, was released in 2006 and with the backing of his original band helped Kessler to make his name in the local Chicago music scene.  In 2007 and 2008, in the midst of touring the Midwest, Kessler teamed up with Producer Greg Magers to record his next two albums, the Veronika EP and Boomerang, only garnering him more praise and recognition on the road and at home. It was while recording Veronika that The New Folk began to take root with the addition of Bob Parlier on drums, Sam Smiley on guitar and Graham Burris on bass. The quartet began playing out in 2008 in support of Boomerang, still under the name of Todd Kessler, but it was during the next two years and the addition of a string section (Elana Hiller and Chris Bauler), a horn section (David Ben-Porat and Ben Bell Bern) and a second vocalist (Molly Parlier) that the band began to make waves with their signature alternative folk/pop sound. 2009’s double-single release “Golden Bird,” along with headlining shows at Schuba's, Lincoln Hall, Double Door and Millennium Park, solidified the band’s place as a respected group in Chicago, and in 2010, the band began playing shows under the name Todd Kessler and the New Folk.  

Mary E. welcomes Todd Kessler and Peter Nye. Both are world-class musicians taking the Chicagoland area by storm! Todd Kessler will be sharing  "Halleluja" and talking about his performance with The New Folk at the "Taste of Chicago" july 12th. Nye will be performing at Water's Edge overlooking beautiful Lake Michigan tonight, July 11th.  Todd Kessler of The New Folk celebrated the release of their debut album, Sea Fever, with an August 2012 “Practice Space Presents” residency at Schuba's Tavern, but the story behind The New Folk began in 2005 as singer/songwriter Todd Kessler went in to the studio to record his debut album. That album, entitled We Are The MusicMakers, was released in 2006 and with the backing of his original band helped Kessler to make his name in the local Chicago music scene.   Peter Nye is a singer song writer and founder of The Chicago Bluegrass Band. A multi-instrumentalist playing guitar, banjo and bass, Pete has toured Scandinavia, the EU and the US. His musical style is varied and includes: Celtic, C&W, Jazz, Blues and Rock.He is described as simply a bold man on stage, a fantabulous flat picker and lead singer with a gritty music sensibility honed by years of playing country music roadhouses. As a veteran performer with over thirty years on the Midwest music scene, Pete delivers a powerful vocal performance complimented by sizzling flat-picked leads and rock-solid rhythm work. Peter began cultivating his musical skills at the age of 13 playing the local Honky-tonks around Chicago.

Morgan Blair joins us via skype from her home in New York. We talk Brooming The Ceiling, Sezio, Road Tripping, Thrifting, Graceland Too, Album Covers, Shiny Things, Creative Process, Soul Pancake, Risk, Seinfeld, and New Folk

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what's going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what's necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what’s going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what’s necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what’s going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what’s necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what's going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what's necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what’s going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what’s necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom welcomes new folks to the podcast, talks about polygonal graphics, a new Ape Reality specific tshirt and a release of the Simulation.

Tom welcomes new folks to the podcast, talks about polygonal graphics, a new Ape Reality specific tshirt and a release of the Simulation.