Podcasts about Carlo Ginzburg

durée : 00:58:48 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Un courant historique s'est attaché à dévoiler les structures sociales à partir d'indices laissés par des objets, des communautés et des individus. Appelée micro-histoire, celle-ci s'incarne en Italie depuis les années 70 avec Carlo Ginzburg. Il en retrace ici l'itinéraire et sa pensée. - réalisation : Nicolas Berger - invités : Carlo Ginzburg Historien, Professeur à l'Ecole normale supérieure de Pise.; Etienne Anheim Historien, directeur d'études à l'EHESS, membre du comité de rédaction des Annales

Carlo Ginzburg's innovative historical study The Cheese and the Worms looks at the ideas of an obscure 16th century miller, suggesting how popular culture might be integrated into the history of philosophy.

Può un mugnaio del XVI secolo, processato per eresia, farci riflettere sulla nostra condizione di esseri iperconnessi e sul rapporto tra false informazioni e potere? Lo scopriamo in questo episodio di Circolo BOOkweek dove Gianluca Gatta ci parla de IL FORMAGGIO E I VERMI di Carlo Ginzburg, un saggio storico che racconta il processo dell'Inquisizione contro Menocchio, che aveva elaborato una teologia originalissima, frutto dell'incrocio tra letture bibliche, tradizione popolare, libri di avventure e intuizioni personali. Un saggio che ci fa capire come ogni rivoluzione informativa (dalla stampa a Internet) porti con sé il dilemma su chi debba gestire la diffusione del sapere.

Apresentamos aos nossos ouvintes o História em Ação, podcast documental em 4 episódios que reflete sobre Inquisição, Cultura Popular e Intolerância Religiosa na idade moderna e no presente a partir das reflexões provocadas pelo livro O queijo e os vermes do historiador italiano Carlo Ginzburg. Neste episódio: Este episódio entrevistará Cesar Agenor, professor e pesquisador na UNICENTRO e produtor do podcast “Fronteiras no Tempo”. No episódio o contraponto da cultura popular, com as festividades e religiosidades populares, será o enfoque, pensando como isso atravessou a vida da população da época – sobretudo das classes mais baixas. Confira o História em Ação  - todos os episódios já estão disponíveis Spotify Youtube Music Youtube Instagram Arte da Capa: C. A. MENCIONADO NO EPISÓDIO Participação da Isa Soares no Giro Histórico: Fronteiras no Tempo: Giro Histórico #17 Mausoléu Castelo Branco e as resistências de Plínio Marcos Outros episódios do Fronteiras no Tempo apresenta: Fronteiras no Tempo apresenta: MeiaEntradaCast #150 Bingo, o rei das manhãs (e a bizarra década de 80) Fronteiras no Tempo apresenta: MeiaEntradaCast #124 The Mask You Live In Financiamento Coletivo   Existem duas formas de nos apoiar Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo INSCREVA-SE PARA PARTICIPAR DO HISTORICIDADE   O Historicidade é o programa de entrevistas do Fronteiras no Tempo: um podcast de história. O objetivo principal é realizar divulgação científica na área de ciências humanas, sociais e de estudos interdisciplinares com qualidade. Será um prazer poder compartilhar o seu trabalho com nosso público. Preencha o formulário se tem interesse em participar. Link para inscrição: https://forms.gle/4KMQXTmVLFiTp4iC8 Selo saberes históricos   Agora o Fronteiras no Tempo tem o selo saberes históricos. O que é este selo? “O Selo Saberes Históricos é um sinal de reconhecimento atribuído a:● Práticas de divulgação de saberes ou produções de conteúdo histórico ou historiográfico● Realizadas em redes sociais ou mídias digitais, voltadas para públicos mais amplos e diversificados● Comprometidas com valores científicos e éticos.”Saiba mais: https://www.forumsabereshistoricos.com/ Redes Sociais Twitter, Facebook, Youtube, Instagram Contato fronteirasnotempo@gmail.com Como citar esse episódio Fronteiras no Tempo apresenta: História em Ação #2 Cultura Popular e cosmogonias. Locução Isabela Soares e Cesar Agenor Fernandes da Silva. [S.l.] Portal Deviante, 03/07/2024. Podcast. Disponível em: https://www.deviante.com.br/?p=62906&preview=true Material Complementar GINZBURG, Carlo. O queijo e os vermes. São Paulo: Companhia das Letras, 1987. Pessoas que nos apoiam e que merecem nossos agradecimentos Apoios a partir de 12 de junho de 2024  Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Charles Calisto Souza, Erick, Iara Grisi, Manuel Macias, Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Klaus Henrique de Oliveira, João Ariedi, Manuel Macias, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva e Willian SpenglerSee omnystudio.com/listener for privacy information.

Apresentamos aos nossos ouvintes o História em Ação, podcast documental em 4 episódios que reflete sobre Inquisição, Cultura Popular e Intolerância Religiosa na idade moderna e no presente a partir das reflexões provocadas pelo livro O queijo e os vermes do historiador italiano Carlo Ginzburg. Neste episódio: Este episódio entrevistará Cesar Agenor, professor e pesquisador na UNICENTRO e produtor do podcast “Fronteiras no Tempo”. No episódio o contraponto da cultura popular, com as festividades e religiosidades populares, será o enfoque, pensando como isso atravessou a vida da população da época – sobretudo das classes mais baixas. Confira o História em Ação  - todos os episódios já estão disponíveis Spotify Youtube Music Youtube Instagram Arte da Capa: C. A. MENCIONADO NO EPISÓDIO Participação da Isa Soares no Giro Histórico: Fronteiras no Tempo: Giro Histórico #17 Mausoléu Castelo Branco e as resistências de Plínio Marcos Outros episódios do Fronteiras no Tempo apresenta: Fronteiras no Tempo apresenta: MeiaEntradaCast #150 Bingo, o rei das manhãs (e a bizarra década de 80) Fronteiras no Tempo apresenta: MeiaEntradaCast #124 The Mask You Live In Financiamento Coletivo   Existem duas formas de nos apoiar Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo INSCREVA-SE PARA PARTICIPAR DO HISTORICIDADE   O Historicidade é o programa de entrevistas do Fronteiras no Tempo: um podcast de história. O objetivo principal é realizar divulgação científica na área de ciências humanas, sociais e de estudos interdisciplinares com qualidade. Será um prazer poder compartilhar o seu trabalho com nosso público. Preencha o formulário se tem interesse em participar. Link para inscrição: https://forms.gle/4KMQXTmVLFiTp4iC8 Selo saberes históricos   Agora o Fronteiras no Tempo tem o selo saberes históricos. O que é este selo? “O Selo Saberes Históricos é um sinal de reconhecimento atribuído a:● Práticas de divulgação de saberes ou produções de conteúdo histórico ou historiográfico● Realizadas em redes sociais ou mídias digitais, voltadas para públicos mais amplos e diversificados● Comprometidas com valores científicos e éticos.”Saiba mais: https://www.forumsabereshistoricos.com/ Redes Sociais Twitter, Facebook, Youtube, Instagram Contato fronteirasnotempo@gmail.com Como citar esse episódio Fronteiras no Tempo apresenta: História em Ação #2 Cultura Popular e cosmogonias. Locução Isabela Soares e Cesar Agenor Fernandes da Silva. [S.l.] Portal Deviante, 03/07/2024. Podcast. Disponível em: https://www.deviante.com.br/?p=62906&preview=true Material Complementar GINZBURG, Carlo. O queijo e os vermes. São Paulo: Companhia das Letras, 1987. Pessoas que nos apoiam e que merecem nossos agradecimentos Apoios a partir de 12 de junho de 2024  Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Charles Calisto Souza, Erick, Iara Grisi, Manuel Macias, Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Klaus Henrique de Oliveira, João Ariedi, Manuel Macias, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva e Willian SpenglerSee omnystudio.com/listener for privacy information.

durée : 00:11:53 - Les Nuits de France Culture - par : Albane Penaranda - Cet épisode de l'émission "Coda", "Les fiançailles de Satan", diffusé pour la première fois en 1995, entremêle des lectures du sabbat d'après "La Sorcière" de Jules Michelet et "Les Batailles nocturnes" de Carlo Ginzburg, avec des musiques de Franz Liszt, Charles Ives et Philippe Hersant.

To understand modern India, we must understand the history of Hindutva -- and we must wrestle with Savarkar. Vinayak Chaturvedi joins Amit Varma in episode 385 of The Seen and the Unseen to discuss his life and work as a historian -- and the importance of history in shaping the present moment. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) (This episode was recorded in March, 2024.) Also check out: 1. Vinayak Chaturvedi at UC Irvine and Amazon. 2. Hindutva and Violence: VD Savarkar and the Politics of History -- Vinayak Chaturvedi. 3. Peasant Pasts – History and Memory in Western India -- Vinayak Chaturvedi. 4. Imaginary Homelands -- Salman Rushdie. 5. The Road and No Country for Old Men -- Cormac McCarthy. 6. No Country for Old Men -- Joel and Ethan Coen. 7. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 8. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 9. Partha Chatterjee on Amazon, Wikipedia and Columbia University. 10. The Egg -- Andy Weir. 11. Deepak VS and the Man Behind His Face -- Episode 373 of The Seen and the Unseen. 12. The Incredible Insights of Timur Kuran -- Episode 349 of The Seen and the Unseen. 13. Private Truths, Public Lies — Timur Kuran. 14. The Long Divergence — Timur Kuran. 15. Some plagiarism complaints against Claudine Gay: 1, 2, 3, 4. 16. The Exquisite Irony of Claudine Gay's Downfall -- Glenn Loury with John McWhorter. 17. Why Did Harvard Cancel Its Best Black Professor? -- Documentary by Rob Montz on the destruction of Roland Fryer. 18. “A White Male Would Probably Already Be Gone” -- Carol Swain interviewed by Christopher Rufo. 19. How one hearing brought down two Ivy League presidents -- Sareen Habeshian. 20. Carlo Ginzburg and Christopher Bayly. 21. The Birth of the Modern World -- CA Bayly. 22. Recovering Liberties: Indian Thought in the Age of Liberalism and Empire -- CA Bayly. 23. The Indian Ideology -- Perry Anderson. 24. Event, Metaphor, Memory : Chauri Chaura -- Shahid Amin. 25. Peasant Intellectuals: Anthropology and History in Tanzania -- Steven Feierman. 26. Elementary Aspects of Peasant Insurgency in Colonial India -- Ranajit Guha. 27. Maps Are Magic -- Episode 44 of Everything is Everything. 28. On Exactitude in Science — Jorge Luis Borges. 29. Rulers, Townsmen and Bazaars -- CA Bayly. 30. The Cheese and the Worms -- Carlo Ginzburg. 31. From Peasant Pasts to Hindutva Futures? -- Vinayak Chaturvedi. 32. Gita Press and the Making of Hindu India — Akshaya Mukul. 33. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 34. The Life and Times of Vir Sanghvi -- Episode 236 of The Seen and the Unseen. 35. A Rude Life — Vir Sanghvi. 36. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 37. The Importance of the 1991 Reforms — Episode 237 of The Seen and the Unseen (w Shruti Rajagopalan and Ajay Shah). 38. Essentials Of Hindutva -- VD Savarkar. 39. Farewell Waltz -- Milan Kundera. 40. A Zone of Engagement -- Perry Anderson. 41. Spectrum: From Right to Left in the World of Ideas -- Perry Anderson. 42. BR Ambedkar's interview on BBC from 1955. 43. Hindutva before Hindutva: Selected Writings and Discourses of Chandranath Basu in Translation -- Edited by Amiya Sen. 44. The Ferment of Our Founders — Episode 272 of The Seen and the Unseen (w Shruti Kapila). 45. The Many Shades of George Fernandes -- Episode 327 of The Seen and the Unseen. 46. The Life and Times of George Fernandes — Rahul Ramagundam. 47. Hind Swaraj — MK Gandhi. 48. Annihilation of Caste — BR Ambedkar. 49. Understanding Gandhi: Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 50. Understanding Gandhi: Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 51. The Indian War of Independence: 1857 -- VD Savarkar. 52. Savarkar: The True Story of the Father of Hindutva -- Vaibhav Purandare. 53. The Populist Playbook -- Episode 42 of Everything is Everything. 54. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 55. Hindu-Padpaadshahi (Hindi Edition) -- VD Savarkar. 56. Veer Savarkar -- Dhananjay Keer. 57.  GS Sardesai, VK Rajwade and Jadunath Sarkar. 58. The Collected Works of MK Gandhi and BR Ambedkar. 59. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 60. Episodes of the Seen and the Unseen with Srinath Raghavan: 1, 2, 3, 4, 5. 61.  Episodes of the Seen and the Unseen with Manu Pillai: 1, 2, 3, 4. 62. Episodes of the Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5, 6. 63. Episodes of The Seen and the Unseen with Ira Mukhoty, Parvati Sharma and Rana Safvi. 64. John McEnroe plus Anyone -- Edward Said. 65. Distinction: A Social Critique of the Judgement of Taste -- Pierre Bourdieu. 66. Lendl, Becker, McEnroe, & Wilander interviewed in the Tennis Legends Podcast. 67. Ben Böhmer, Sultan+Shepard, Nora En Pure, U2 and New Order on Spotify. 68. The Zone of Interest -- Jonathan Glazer. 69. Oldboy -- Park Chan-wook. 70. Burning -- Lee Chang-dong. 71. Memories of Murder -- Bong Joon-ho. 72. Return to Seoul -- Davy Chou. 73. Past Lives -- Celine Song. 74. Monster -- Kore-eda Hirokazu. 75. The Wind From Far Away -- Amit Varma (on Monster among other things). 76. Shoplifters -- Hirokazu Kore-eda. 77. Nobody Knows --   Hirokazu Kore-eda. 78. Broker --   Hirokazu Kore-eda. 79. A Death in the Family -- Book 1 of Karl Ove Knausgaard's A Struggle. 80. In Search Of Lost Time -- Marcel Proust. 81. My Saga -- Karl Ove Knausgaard's essay for NYT. Amit's newsletter is active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘The Historian' by Simahina.

References Umberto Berlenghini, "Elio Massagrande, il gaucho," Spazio70, https://spazio70.com/estero/esfiltrati-italiani/elio-massagrande-il-gaucho/ Giovanni Bianconi, Ragazzi di malavita - Fatti e misfatti della Banda della Magliana, Milano: Baldini + Castoldi, 2013. Pino Casamassima, Gli irriducibili. Storie di brigatisti mai pentiti. Bari: Laterza, 2012. Dispatch, "Italian top official of NGO at centre of EU Qatar scandal is convicted terrorist," December 17, 2022, https://cde.news/italian-top-official-of-ngo-at-centre-of-eu-qatar-scandal-is-convicted-terrorist/ Enrico Fenzi, Armi e bagagli. Un diario dalle Brigate Rosse. Genova: Costa & Nolan, 2006. Chicco Galmozzi, Figli dell'officina. Da Lotta continua a Prima linea: le origini e la nascita (1973-1976), Roma: DeriveApprodi, 2019. Carlo Ginzburg, "The Case of Adriano Sofri," London Review of Books 19: 7, April 1997, found at https://www.lrb.co.uk/the-paper/v19/n07/carlo-ginzburg/the-case-of-adriano-sofri Carlo Ginzburg, Il giudice e lo storico: Considerazioni in margine al processo Sofri. Roma: Quodlibet, 2020. Gemma Calabresi Milite, La crepa e la luce: Sulla strada del perdono. La mia storia. Milano: Mondadori, 2022. Donatella della Porta, "Left-Wing Terrorism in Italy," in Terrorism in Context, ed: Martha Crenshaw. University Park, PA: Pennsylvania State University Press, 1996. Andrea Tanturli, Prima linea. L'altra lotta armata (1974-1981), vol. 1. Roma: DeriveApprodi, 2018. Steve Wright, "Cattivi Maestri: Some Reflections on the Legacy of Guido Bianchini, Luciano Ferrari Bravo and Primo Moroni," Libcom, January 4, 2008, https://libcom.org/article/cattivi-maestri-some-reflections-legacy-guido-bianchini-luciano-ferrari-bravo-and-primo

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

What is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Dr. Jaume Aurell's innovative study What Is a Classic in History?: The Making of a Historical Canon (Cambridge University Press, 2024) ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Dr. Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

I dagens avsnitt ska vi gräva in i något riktigt intressant – Benandanti, dessa "goda vandrare" från Italien på 1500- och 1600-talet. Carlo Ginzburg har kastat ljus över deras mysteriösa nätter där själarna antar formen av små djur för att bekämpa ondska. Jag delar även med mig om crazy upplevelse jag hade med astral projicering. Det är en historia som jag aldrig kommer glömma och som tog mig bortom det vardagliga. Så, häng med mig när vi utforskar det övernaturliga och gör en resa genom det okända. Okej, nu är det dags att kasta oss in i dagens äventyr. Luta er tillbaka och känn av vibbarna när vi utforskar både det historiska och det personliga i dagens avsnitt. Tack för att ni är här – låt oss dra igång!

A partir d'un texte de Carlo Ginzburg, réflexion sur la cognition humaine et le pistage animale

Carlo Ginzburg"Miti emblemi spie"Adelphi Edizioniwww.adelphi.itBookCity, MilanoSabato 18 novembre 2023, ore 15:00Castello SforzescoCarlo Ginzburg e Adriano Sofri"Spie e altro"www.bookcitymilano.it"Miti emblemi spie"Carlo GinzburgAdelphi«Ci sono libri che, grazie all'intelligenza multiforme con cui sono stati costruiti, esondano dal loro campo scientifico e diventano testi in grado di cambiare definitivamente lo sguardo sulle cose». - Matteo Moca, Blow UpSono molti, e variegati, i temi affrontati in questa straordinaria raccolta di saggi: dalla stregoneria al divieto di conoscere ciò che sta in alto, inteso letteralmente e metaforicamente; dalle pitture erotiche di Tiziano all'«uomo dei lupi» di Freud, interpretato come un lupo mannaro mancato. Da Aby Warburg e i suoi continuatori all'intreccio tra riflessioni sul mito e ideologia nazista negli scritti di Georges Dumézil. Che cosa lega ricerche così distanti tra loro? La prefazione alla prima edizione insisteva sulla morfologia, usata «come una sonda, per scandagliare uno strato inattingibile agli strumenti consueti della conoscenza storica». E alla morfologia si ritorna, in una prospettiva diversa, negli scritti inediti che ora si aggiungono, imperniati sulla nozione di «testo invisibile» (e perciò riproducibile) che era stata proposta in Spie. Radici di un paradigma indiziario. In questa nuova edizione Ginzburg rilegge il libro anche a partire da un tema fondamentale che, almeno in apparenza, in Spie mancava: il rapporto tra indizi e prove. È lecito supporre (come aveva fatto, in passato, lo stesso autore) che la ricchezza cognitiva degli indizi avesse indotto a trascurare l'importanza delle prove? Un dubbio da avvocato del diavolo, che ha portato a riesaminare da un'angolazione inattesa la sequenza che, partendo dalla triade Morelli-Freud-Sherlock Holmes, proietta il lettore da un lato verso i cacciatori del Neolitico, dall'altro verso il presente. E un invito a trasformarsi in cacciatori di indizi, per cercare di rispondere a questa e ad altre domande.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Il nuovo corso della Rai targata Meloni che non ha nessun altro obiettivo se non quello di un vendicativo ripulisti ora ci sta ripensando. L'ultima voce è il ritorno di Flavio Insinna (malvisto per la sua passione per i diritti umani) che starebbe per tornare al timone dell'Eredità, la trasmissione destinata inizialmente a Pino Insegno se non fosse per gli sconcertanti risultati raccolti fin qui. La nuova “egemonia culturale” sognata dalla destra si sbriciola di fronte ai numeri. I vecchi protagonisti dell'azienda di Stato saranno stati anche politicamente antipatici ma hanno una qualità piuttosto indispensabili per lavorare in televisione: vengono guardati. Il punto è che per proporre un'alternativa bisognerebbe averne una traccia in tasca mentre la gestione Rai evidenzia (come in molti altri settori) l'unica volontà di demolire senza avere i materiali per ricostruire a loro immagine e somiglianza. È la caratteristica di questa destra meloniana: funziona solo nella parte dell'oppressa sempre in guerra con nemici guidati da poteri oscuri m quando si ritrova a ottenere le redini non conosce altre maschere se non quella dell'opposizione “dura e pura”. Così in televisione come in Parlamento si assiste a una quotidiana litania lamentosa in cui l'unico appuntamento consiste nel ricordare quanto gli altri siano brutti, sporchi e cattivi. Come ha detto qualche giorno fa lo scrittore Nicola Lagioia “Si fa un gran parlare di egemonia culturale, ma possiamo star tranquilli. Per quanto il ministro si possa adoperare non è per decreto che si può trasformare Giulio Base in un regista più importante di Marco Bellocchio o Marcello Veneziani in Carlo Ginzburg”. #LaSveglia per La Notizia

durée : 00:11:53 - Les Nuits de France Culture - par : Albane Penaranda - Cet épisode de Coda - Les fiançailles de Satan, diffusé pour la première fois en 1995, entremêle des lectures du sabbat d'après "La Sorcière" de Jules Michelet et des "Batailles nocturnes" de Carlo Ginzburg, avec des musiques de Franz Liszt, Charles Ives et Philippe Hersant.

Seriah is joined by Travis Watson, Wren, and Vincent Treewell for wide-ranging, eclectic discussion. Topics include poltergeist activity, the overlap between various paranormal phenomena, a personal cryptid encounter, dashcam footage, a strange figure from a dream showing up in real life, a bizarre encounter with a “terminator”, the bodies of demons, the flaws of cameras, John Keel and ultraterrestrials, the smell of sulfur and decay, Joshua Cutchin, non-material beings leaving tracks, Timothy Renner, “ghost” footprints in flour, spirit boxes and ritual magick, ghost hunting TV, “portalboxes”, daemons vs demons, possession and exorcism, Voudon and riding by saints and ancestors, vampires, the raising of the dead, John Michael Greer's book “Monsters”, Eastern European vampire traditions, Dion Fortune's “The Secrets of Dr. Taverner”, demonic possession and mental illness, crystal “demon traps”, influencer spirits, psychic/astral parasites, Josephine McCarthy's “The Exorcist's Handbook”, lycanthropy, vampire and werewolf folklore, astral travel and werewolf activity, blood magick, Clay Vandiver, Carlos Castenada, shape-shifting, wolf belts, “God's Werewolf”, “The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries” , the benandanti, Carlo Ginzburg, Michael Bertiaux, Wren's transformative mystic experiences as a werewolf fighting grey aliens, a hag-riding experience, Kenneth Grant, H.P. Lovecraft, Orthodox Christian Saint Christopher the dog-headed man, “The Texas Dogman Triangle” by Aaron Deese, haunted places in Texas, the “Rabbits” podcast, Travis's experiences on a Civil War battlefield, Bettina Moss, Dogman theories, Anubis, dogs walking upright, the Oz effect, Native American mounds, thought forms, hoaxing, the trackalacka monster, Jim Mosley, crop circles, theatrical performance and ritual magick, the Orphic Hymns, the importance of story-telling, the “Eternal Darkness” video game, “Archive 81” podcast and Netflix TV series, and much more! This is a fascinating, all over the place conversation, not to be missed!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4656375/advertisement

Dr. Tomas Vincente is a scholar of ancient religion, magic and esotericism. His past work explores the emergence of Christian monotheism and the resulting decline of the chthonic cults of the ancient Mediterranean and Near East. He is dedicated to recovering the integrity of this archaic spirituality of blood and fire, which has been demonised by the Abrahamic religions for two millennia. In the show we discuss his work The Faceless God. The book has a triple focus—Lovecraftian, Egyptian and Sabbatic—which may seem bizarre at first glance. Through an initiated reading of Lovecraft's fiction, relating especially to the figure of Nyarlathotep, certain hitherto unexplored connections are revealed between European witch lore and the Egyptian mysteries of Osiris and Anubis. The claim that there was a germ of truth beneath the diabolical stereotypes and accusations of European witchcraft was advanced long ago by Margaret Murray, who argued that witchcraft was an organised cult of pagan origin, which had somehow survived the processes of Christianization. Dr Vincente's argument is much more subtle, and closer in spirit to the more recent research of Carlo Ginzburg. He would not speak of an organised witch cult, but rather of diverse and analogous survivals of shamanistic practice, which carried forward certain symbolic and ritual elements of archaic and pre-Christian origin. The most novel aspect of his argument lies in the unearthing of the deep symbolic resonances between the lore of witchcraft, relating to the black man and the Goat of Mendes, and the archaic fertility cult of the ram-headed Banebdjedet, who was a totemistic representation of Osiris—or more precisely Osiris in union with Ra in his netherworld aspect. In the Plus show we get into similarities between the Dark Man and the King of the Fairies. We discuss the importance of art and artists and what they bring back from the dark womb. We get into why this experience happens? What is the point of it? Dr Vincente goes on to describe the response to this summons is a radical openness to profound mystery not about the application of will. Big stuff. Show notes: https://theionpublishing.com/authors/tomas-vincente/https://en.wikipedia.org/wiki/Nyarlathotephttps://www.facebook.com/people/Tomas-Vincente/pfbid0sXCvHBXuU7m5LHtDZs1CzYJUjGFLsPZ9ustA13tCXdqSD1ZGA5isNhLxu441MAgJl/?fref=tshttps://skepticaloccultist.com/post/159757289693/the-faceless-godhttps://en.wikipedia.org/wiki/Azathoth Keep in touch? https://linktr.ee/darraghmason Music by Obliqka https://soundcloud.com/obliqka --- Send in a voice message: https://podcasters.spotify.com/pod/show/spirit-box/message

Seriah is joined by Travis Watson, Wren, and Vincent Treewell for wide-ranging, eclectic discussion. Topics include poltergeist activity, the overlap between various paranormal phenomena, a personal cryptid encounter, dashcam footage, a strange figure from a dream showing up in real life, a bizarre encounter with a “terminator”, the bodies of demons, the flaws of cameras, John Keel and ultraterrestrials, the smell of sulfur and decay, Joshua Cutchin, non-material beings leaving tracks, Timothy Renner, “ghost” footprints in flour, spirit boxes and ritual magick, ghost hunting TV, “portalboxes”, daemons vs demons, possession and exorcism, Voudon and riding by saints and ancestors, vampires, the raising of the dead, John Michael Greer's book “Monsters”, Eastern European vampire traditions, Dion Fortune's “The Secrets of Dr. Taverner”, demonic possession and mental illness, crystal “demon traps”, influencer spirits, psychic/astral parasites, Josephine McCarthy's “The Exorcist's Handbook”, lycanthropy, vampire and werewolf folklore, astral travel and werewolf activity, blood magick, Clay Vandiver, Carlos Castenada, shape-shifting, wolf belts, “God's Werewolf”, “The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries” , the benandanti, Carlo Ginzburg, Michael Bertiaux, Wren's transformative mystic experiences as a werewolf fighting grey aliens, a hag-riding experience, Kenneth Grant, H.P. Lovecraft, Orthodox Christian Saint Christopher the dog-headed man, “The Texas Dogman Triangle” by Aaron Deese, haunted places in Texas, the “Rabbits” podcast, Travis's experiences on a Civil War battlefield, Bettina Moss, Dogman theories, Anubis, dogs walking upright, the Oz effect, Native American mounds, thought forms, hoaxing, the trackalacka monster, Jim Mosley, crop circles, theatrical performance and ritual magick, the Orphic Hymns, the importance of story-telling, the “Eternal Darkness” video game, “Archive 81” podcast and Netflix TV series, and much more! This is a fascinating, all over the place conversation, not to be missed! - Recap by Vincent Treewell of The Weird Part Podcast Outro Music is Haishen with Ocean Download

Cilla Banck levde fattig och ensam i skånska Arild. Hennes anteckningsbok ger en säregen bild av hennes tid. Kulturredaktionens Mattias Berg dyker in i en 1800-talsmänniskas värld. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Essän sändes första gången 2017.Vad är egentligen tidens gång? Eller omvärlden? Och vilka spår sätter allt det där i en enskild människas medvetande?I sin ljuvliga lilla bok ”Vad Cilla Banck visste” gör Lundahistorikern Peter K. Andersson ett allvarligt försök att svara på de här omöjliga frågorna. Den är tunn – inte ens 100 sidor – men blir redan efter min första läsning tung av understrykningar och hundöron.Som framgår av titeln, kretsar den kring en viss Fröken Cilla Banck som bodde ensam och fattig i en stuga i skånska fiskeläget Arild mellan 1830 och 1906. Undertiteln är ”En 1800-talsmänniskas världsbild” – vilket ganska exakt fångar Anderssons anspråk. Mikro- eller mentalitetshistoria, som det kallas mer fackmässigt.Men det allra heligaste var ändå hennes egen dopdräktOch att just Cilla Banck intresserar en historiker, beror på att hon – till skillnad från de flesta andra outbildade ur fiske- och bondemiljö vid den här tiden – skrev en sorts dagbok. Där nedtecknade hon verkligen allt möjligt. Från klassiska minnesanteckningar om egna utflykter eller dödsfall i byn till avskrifter ur veckotidningar, psalmböcker, Bibeln och olika slags kalendrar.Dessutom skapade hon med tidens gång ett museum, eller kanske snarare kuriosakabinett, i sitt hem enligt ungefär samma osorterade princip. En samtida besökare vittnar om hur Cilla Banck började med att visa den första tekanna som kom till Arild – och stolt berättade att den tillverkats vid en ”förfärligt stor fabrik” i industrialismens England, för att så småningom föras till lilla Arild av sjömän över havet.Museet var också fullt av betydligt mer långväga föremål. Samma besökare räknar upp ”fågelbon från Indien, träpapegojor från Kanarieöarna, mandarinkostymer, chilenska kalabasser, sjötång från Stilla Hafvet, japanska kokkärl, ryska mjölkbyttor”. Men det allra heligaste var ändå hennes egen dopdräkt.Efter Cilla Bancks död revs museet, vilket knappast hade skett om hon varit en välbärgad kvinna med kulturell nimbus. Men dagboken finns kvar, i all sin målmedvetna gåtfullhet. Peter K. Andersson påpekar att vi nästan alltid betraktar historien ur de mer priviligierades perspektiv. Själv, skriver han, har han ändå försökt ta reda på hur de fattiga – som ofta inte kunde vare sig läsa eller skriva – faktiskt tänkte. Han liknar det arbetet vid en sorts dekryptering: ”som att hitta en gammal mystisk bok skriven med ett chiffer vars system sedan länge gått förlorat.”Stilbildaren i genren, en influens så stark att den samtidigt tycktes släcka ut alla sina efterföljare, var den italienska historikern Carlo Ginzburg som 1976 kom ut med boken ”Osten och maskarna”. Den handlade om en så kallad vanlig människas världsbild några hundra år före Cilla Banck. Nämligen den italienske mjölnaren Menocchios, som på 1500-talet satte sig upp mot kyrkan med sina tankar om skapelsen.Man kan diskutera hur representativ den här mjölnaren faktiskt var. Hur som helst blev han också oerhört intresserad av filosofi – och kyrkan ansåg Menocchios hemsnickrade läror så farliga att han brändes på bål som kättare.Och det är ju ett av mikro- eller mentalitetshistoriens dilemma: att ”ovanliga” människor oftast ändå är intressantare än ”vanliga”. När någon blivit tillräckligt speciell, transformeras åtminstone personen från den ena kategorin till den andra, och lämnar de mindre speciella kvar i historiens skugga.Hur kan man då få reda på någonting alls om dem? Ja, ett sätt, kanske det enda, är att studera hela kollektivet: alltså statistik. Efter att jag själv läst ”Osten och maskarna” när den kom ut i Sverige i början av 80-talet, och då tycktes ligga på vart och vartannat nattduksbord, började jag också studera ämnet i tiden, ekonomisk historia – innan jag alltför snabbt kroknade på alla dessa opersonliga förteckningar. Med viss fasa minns jag särskilt den om årsförbrukningen av salt sill under medeltiden.Cilla Banck gör faktiskt också förteckningar, eller åtminstone listor, men på ett helt annat sätt. Peter K Andersson menar att de påminner om trollformler, som traditionellt användes för att skapa trygghet och kontroll.Så hon listar, bokstavligen, allt mellan himmel och hav. Mycket handlar förstås om religion. Till exempel följande förteckning: ”Guds sons blodsutgjutelser. Först i omskärelsen, 2 i Gethsemane, 3 wid hudflängningen, 4 törnekröningen, 5 wid purpurmantelns afryckande, 6 wid händers och fötters genomborrande, 7 wid sidosårens öppnande”.Men framför allt är det ju havet som i fiskeläget Arild är världens början och slut, alltings mått, livet och döden. Risken för drunkning var också ständigt närvarande. Cilla Banck listar hela släkter som dött ut i sjöfartens spår. Till och med hennes egen bror förekommer i en sådan till synes opersonlig förteckning: ”Efvenledes omnämnes sjömannen Lars Banck som gick bort ifrån skonerten Örnen, det hände i Norsjön den 6 april 1853.”Hon sammanfattar också allt detta tragiska i en speciell lista: ”Döda här i byn i min tid, som jag kan minnas 353 Inberäknade i nämda antal 41 som äro drunknade, 2 som själva afhänt sig lifvet. En hängt sig. Och en sängt sig.”de flesta världshändelser tycks skölja rakt igenom henne, medan disparata erfarenheter och lösryckt information fastnar som drivved i medvetandeströmmen.Under Cilla Bancks levnad förändras ändå den globala sjöfartens villkor dramatiskt. När hon föds 1830 hade det inte gått mer än ett decennium sedan den allra första överfarten med ångbåt över Atlanten. Sedan kom de stora passagerarfartygens tid. Suezkanalen och Nordostpassagen band plötsligt ihop jordklotet på ett nytt sätt – och med undervattenskablarna för telegrafi vid mitten av 1800-talet blev havet det viktigaste kommunikationsmediet även för den mest inbitna landkrabba.På så sätt flyter havets förändringar ihop med mediehistorien. Dagstidningarnas genombrott skedde också just under hennes livstid. När Cilla Banck precis var på väg att lämna tonåren, 1848, grundades Sydsvenska Dagbladet. 1864 blev Dagens Nyheter den första massmarknadstidningen, riktad till många prenumeranter med ett lägre pris.Vad ser vi då av allt det här i hennes dagbok? Eller, för att tala med bokens titel: Vad var det som Cilla Banck visste?På det ger Peter K. Andersson inget rakt svar, hur nu ett sådant skulle se ut. Men han påpekar till exempel att en dagstidning – och då Helsingborgs Dagblad – bara nämns en enda gång i hennes dagböcker. Däremot märks den parallellt framväxande populärpressen desto tydligare.Framför allt handlar det om Triumf: Sveriges billigaste veckotidning, som den kallades i annonserna. Ur den har Cilla Banck bland annat skrivit av artiklar om ”werldens äldsta bibliotek” och ”den fruktansvärdaste jordbäfning som i historisk tid hemsökt menskligheten”. I sina listor kan hon också blanda rena faktauppgifter om digerdöden och Stockholms grundande med en äventyrlig teori om tidpunkten för Jesu återkomst till jorden.Så allt detta visste Cilla Banck. Med sin bok har Peter K. Andersson nu gett oss en ömsint nyckel till hela den här krypterade historien: visat hur en enda person kan fungera som konkret länk mellan abstrakta begrepp som ”makro-” och ”mikro”. Hur de flesta världshändelser tycks skölja rakt igenom henne, medan disparata erfarenheter och lösryckt information fastnar som drivved i medvetandeströmmen.Eller som Andersson själv skriver i bokens allra sista stycke, om Cilla Bancks världsbild: ”Det som utmärker den är inte i första hand dess lantliga utgångspunkt utan dess kumulativa och oanalytiska förhållande till kunskap. Det viktigaste är bara att veta.”Mattias Berg, medarbetare på kulturredaktionenLitteraturPeter K Andersson: Vad Cilla Banck visste. Ellerströms, 2017.

Alessia Conti"Passepartout Festival"https://passepartoutfestival.itPassepartout, il festival culturale della Città di Asti, compie 20 anni e festeggia con un ricco programma che tocca come sempre i temi più vari, dalla geopolitica alla storia, passando per economia, società, ambiente, musica, fotografia, arte e letteratura. Si svolgerà da giovedì 1 a domenica 11 giugno, organizzato dalla Biblioteca Astense Giorgio Faletti con la Città di Asti e la Regione Piemonte. Direttore Scientifico Alberto Sinigaglia. Il titolo di questa speciale edizione, “Fronti”, allude all'invasione russa dell'Ucraina e alle altre guerre in corso. Inoltre, ai nuovi fronti della geopolitica e ai fronti italiani della giustizia, della legalità, della sanità, della natalità, della bioetica, dell'ambiente, della condizione femminile, dello sport, della spiritualità, della cultura, della musica, del potere. Passepartout ha vent'anni. Ha il suo cuore nella Biblioteca Astense e una storia bellissima: dalle stagioni nelle quali ospitò i più noti scrittori latinoamericani a quella che ha portato e porta ad Asti i nostri maggiori storici, romanzieri, artisti, critici d'arte, economisti, magistrati, scienziati, imprenditori, banchieri. Ormai Passepartout è uno dei più quotati appuntamenti nazionali di cultura, di pensiero e di progetto. Arrivata tra le finaliste di Capitale Italiana della Cultura 2025, Asti ha dimostrato di possedere energie e idee che potrebbero molto giovare al ritmo e al futuro della città. Se ne parlerà con i manager Evelina Christillin e Roberto Daneo, il Sindaco di Lampedusa Filippo Mannino e con Donatella Gnetti. Passepartout ha profumo di donna. Nell'Italia in cui due giovani donne sono presidente del Consiglio e capo del maggior partito di opposizione cresce il numero di quelle che guidano università, istituti scientifici e aziende. Le calciatrici si sono prese la scena televisiva; le atlete fanno record; nuotatrici, sciatrici, tenniste collezionano medaglie; una direttrice d'orchestra si divide tra il podio e la responsabilità artistica di un grande teatro. Naturale festeggiare le loro conquiste, ragionando però su quelle mancate: parità di diritti, di lavoro, di compensi, di condizioni economiche e sociali che sono tra l'altro le cause della denatalità. E seguendo con attenzione le lotte e le sofferenze che altre donne affrontano in Turchia, in Iran, dove subiscono violenze e arretramenti della loro condizione umana. In questo solco si inseriscono gli incontri con la direttrice d'orchestra Oksana Lyniv, la calciatrice e allenatrice Carolina Morace, la sociologa Linda Laura Sabbadini, l'atleta e Vicepresidente vicaria del CONI Silvia Salis e la pilota automobilistica Prisca Taruffi. Passepartout ha odore di guerra. È un odore tremendo. Nell'Europa da 77 anni in pace pensavamo di avere la pace garantita per sempre. Pensavamo la "guerra fredda" sepolta nella storia, ci interessavamo di conflitti lontani solo se vi cadeva qualcuno dei nostri diplomatici e militari. Ma l'invasione dell'Ucraina è vicina, disastrosa, ci coinvolge umanamente, politicamente, economicamente. Cambia confini, ridiscute alleanze, crea un nuovo disordine mondiale, suscita nuove paure. Tra storia e futuro se ne parlerà con la giornalista Lucia Annunziata, lo storico Luciano Canfora, l'inviato Rai a Mosca Alessandro Cassieri, Mattia Feltri direttore dell'Huffington Post, il Generale Claudio Graziano, già capo di Stato maggiore della Difesa e Presidente del Comitato militare dell'Unione Europea, Marta Ottaviani inviata della Stampa in Turchia, Angelo Panebianco politologo del Corriere della Sera e il giornalista de Il Giornale Stenio Solinas. Passepartout osserva la società. Ne ha scelto alcuni temi cruciali: la Giustizia, la Legalità, la Sanità dopo il Covid, l'Economia, la Denatalità. Due direttori del Festival dell'Economia di Torino, Pietro Garibaldi e Giorgio Barba Navaretti, appena terminata la manifestazione, riferiranno a Passepartout le ultime analisi sulla crisi economica aggravata dalle tensioni internazionali, dalla crisi energetica, dalla crisi ambientale; le possibili vie d'uscita; le prospettive del Pnrr. Giancarlo Caselli, affronterà la situazione della giustizia, della legalità, della mafia dopo l'arresto del boss Messina Denaro. Pif, popolare attore e regista di cinema e tv, ex inviato de “Le Iene", racconterà come da siciliano ha guardato e guarda la mafia e i suoi capi da Riina a Messina Denaro. Quando riusciremo ad avere una "sanità giusta"? Che cosa dovrebbe offrire, che cosa dovrebbe garantire lo Stato a tutti i cittadini? Qualità, efficienza, diritto, giustizia: un'idea di sanità pubblica secondo l'ex ministro della Salute e professore di Diritto costituzionale di Diritto pubblico alla Cattolica Renato Balduzzi. Linda Laura Sabbadini, sociologa molto nota e direttrice dell'Istat, affronta il crescente problema della natalità, sfatando i luoghi comuni, analisi infondate e spiegandone le vere ragioni. Passepartout ha sete di cultura Covid, minacce di guerra nucleare, crisi economica, diffondono vecchie e nuove paure, alimentate dai nuovi sistemi di comunicazione e dai loro manovratori. Il filosofo Roberto Escobar analizza i volti della paura, inquietanti quando usati da chi ne fa strumento, utili se interpretati nel modo giusto. Lo storico della letteratura Giorgio Ficara il potere, i rapporti di forza sociali, famigliari e politici, in compagnia di due grandi scrittori: Italo Calvino, del quale ricorre il centenario della nascita e Alessandro Manzoni, del quale ricorrono i 150 anni della morte. Due figure internazionali, Carlo Ginzburg e il Cardinale Gianfranco Ravasi, hanno scelto di portare a Passepartout due grandi temi: la libertà e l'umanesimo. La lezione dell'ex ministro della Cultura del Vaticano è dedicata alla memoria del biblista astigiano Paolo De Benedetti. Dell'esperienza di Nova Gorica e Gorizia insieme capitali europee della cultura parlerà il Sindaco di Gorizia Rodolfo Ziberna. Il Prof. Fabrizio Rufo insegnante di Bioetica alla Sapienza tratterà di scienza e democrazia, il filosofo Stefano Zecchi di come la bellezza può essere fondamento del conoscere e dell'agire.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

When the peasants speak, the elites are puzzled. In this episode we talk about how Carlo Ginzburg deciphered testimonies of a miller in a small village in Italy.  To access transcripts for this and other episodes, visit https://store.lrcpodcast.ca Find out how to rapidly make progress in spoken Russian How to listen Give it a try with our free Sample transcripts Learn Russian Conversation on YouTube: https://www.youtube.com/channel/UCQ7pE0ufROXRDlQSlVWiLqQ Ready to leave the classroom and try modern Russian? Learn Russian Conversation is the best place to practice your Russian! If you want to start speaking Russian fluently, you can do it here. Listen to Russian conversations regularly, improve your understanding of spoken Russian, and start speaking Russian today at our Russian Conversation Club.

Incontro con Carlo Ginzburg. Presenta Gian Mario Villalta Quarant'anni dopo la prima edizione, Carlo Ginzburg ripropone la sua celebre Indagine su Piero: un non storico dell'arte confuta sulla base di elementi esterni, legati a committenti e iconografia, la data precoce di un'opera capitale come la Flagellazione di Piero. Si tratta dunque di un libro che discute con gli storici dell'arte? Anche, ma non solo. Si rivolge a tutti coloro che amano la pittura di Piero della Francesca, che appare qui in una luce inattesa. Edizione 2022 www.pordenonelegge.it

In this episode, Caitlin uncorks the history of Italy's beloved Chianti while we drink a blend from Libero that you can find and order here. Mari starts off spooky season with a bang, giving us a rundown of Carlo Ginzburg and how he happened upon the Benandanti. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/alcoholandanecdotes/support

durée : 00:52:20 - L'Heure bleue - Le grand historien Carlo Ginzburg est l'invité de l'Heure bleue...

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Carlo Ginzburg (1939) has taught at the University of Bologna, at UCLA, at the Scuola Normale of Pisa. His  books, translated into more  than twenty languages, include The Night Battles; The Cheese and the Worms; Clues, Myths, and the Historical Method; The Enigma of Piero della Francesca; History, Rhetoric, and Proof; The Judge and the Historian; Wooden Eyes; No Island is an Island; Threads and Traces; Fear Reverence Terror: Five Essays in Political Iconography.  He received the Aby Warburg Prize (1992), the Humboldt-Forschungs Prize (2007), the Balzan Prize for the History of Europe, 1400-1700 (2010) and sixteen honorary degrees from different universities. From https://history.ceu.edu/people/carlo-ginzburg. For more information about Carlo Ginzburg:Previously on The Quarantine Tapes:Elif Shafak about Ginzburg, at 06:55: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-025-elif-shafakJorie Graham about Ginzburg, at 10:45: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-139-jorie-grahamThe New History: Confessions and Conversations: https://www.wiley.com/en-us/The+New+History%3A+Confessions+and+Conversations-p-9780745630212“Being Jewish, Becoming Jewish: Carlo Ginzburg in Conversation with Paul Holdengräber”: https://www.youtube.com/watch?v=gM5RIFd8mjE“Interview with Carlo Ginzburg”: https://www.versobooks.com/blogs/4460-there-is-always-in-history-this-possibility-of-the-unexpected-interview-with-carlo-ginzburg

Iedereen heeft het over stikstof, maar ondertussen zijn achter onze rug 4,2 miljoen gevederde vrienden afgemaakt. Vogelgriep. Reken de kosten voor dit soort speciale operaties door in de prijzen voor eieren en kipfilet, hoeveel stikstof zou dat schelen? Doe dat ook met al het andere vee, wedden dat er geen boer meer hoeft te worden uitgekocht? Marktwerking, maar dan echt. Wat aan de orde komt: Nieuwsgierigheid laat zich in zes soorten indelen. Kan geen toeval zijn dat de detective en de fotografie in plusminus hetzelfde jaar zijn uitgevonden. Hoe in de naam ‘boomchirurg' de mislukking zit ingebakken. -GPS 52.32030, 4.57761 -Danae Bodewes, Schaamteloos nieuwsgierig (2022) -Carlo Ginzburg, Omweg als methode (Hoe sporenzoeken ten grondslag ligt aan verhalen, 1988) -Neil Young, Danger Bird, Zuma (1975)  

Arte, hechizos y saberes de una disidencia cultural. Clase 1 del seminario desarrollado por Esteban Ierardo en 2017 en la Facultad Libre de Rosario. La brujería fue un sistema de creencias cuyo supuesto significado procede, fundamentalmente, de las actas de los procesos de la Inquisición. Por confesiones bajo tortura, emergió el estereotipo de las brujas en los aquelarres; las reuniones nocturnas en los bosques en las que las hechiceras se unían con el demonio para propagar el mal y la oscuridad. Investigaciones actuales, como la del historiador italiano Carlo Ginzburg, sostiene otra tesis: que la brujería era en realidad una práctica mágica para catalizar la fertilización de la tierra y el éxito de las cosechas, desde un posible trasfondo chamánico. La imagen clásica de la brujería, aún instalada en el imaginario colectivo, es entonces un ejemplo de construcción de un estereotipo a instancia de una dinámica de poder. ¡Ayudanos a seguir creciendo y compartiendo contenido abierto y gratuito! Tu aporte es importante https://cafecito.app/facultadlibre Instagram https://www.instagram.com/facultadlibre/ Facebook https://www.facebook.com/facultadlibre/ Spotify https://spoti.fi/2RXedyz Twitter https://twitter.com/FacultadLibre

Works cited Alfredo M. Bonanno, Introduction of “Io so chi ha ucciso il commissario Luigi Calabresi,” Trieste: Edizioni Anarchismo, 2007, found at https://theanarchistlibrary.org/library/alfredo-m-bonanno-i-know-who-killed-chief-superintendent-luigi-calabresi Mario Calabresi, Spingendo la notte più in là. Storia della mia famiglia e di altre vittime del terrorismo, Milano, Arnoldo Mondadori Editore, 2007. Aldo Cazzullo, Il Caso Sofri. Dalla condanna alla "tregua civile."Milano: Mondadori, 2004. Claudia Cernigoi, "1974. Tracce della strategia della tensione." Nuova Alabarda, Dossier no. 3, Trieste, 2012, found at https://issuu.com/lanuovaalabarda/docs/1974._tracce_della_strategia_della_ Erri De Luca, “Tutti noi potevamo uccidere Calabresi,” Micromega, reproduced in Corriere della Sera, del 14 maggio 1996. Carlo Ginzburg, "The Case of Adriano Sofri," London Review of Books 19: 7, April 1997, found at https://www.lrb.co.uk/the-paper/v19/n07/carlo-ginzburg/the-case-of-adriano-sofri Carlo Ginzburg, Il giudice e lo storico: Considerazioni in margine al processo Sofri. Roma: Quodlibet, 2020. Gemma Calabresi Milite, La crepa e la luce: Sulla strada del perdono. La mia storia. Milano: Mondadori, 2022. La Repubblica, "'LA MOGLIE DI MARINO NON DICE LA VERITA,'" February 6, 1990, found at https://ricerca.repubblica.it/repubblica/archivio/repubblica/1990/02/16/la-moglie-di-marino-non-dice.html Giampiero Mughini, Il Grande Disordine: I nostre indimenticabili anni Settanta. Milano: Mondadori, 1998. Thomas Welschen, "Il ‘caso del commissario Calabresi' avvolto da una strategia della tensione nebbiosa [versione pubblica e tags]," Good Italy, Bad Italy. Een complexe nationale identiteit, Universiteit van Amsterdam, 2020/21, found at https://www.studeersnel.nl/nl/document/universiteit-van-amsterdam/good-italy-bad-italy-een-complexe-nationale-identiteit/il-caso-del-commissario-calabresi-avvolto-da-una-strategia-della-tensione-nebbiosa-versione-pubblica-e-tags/9372541

Invité de marque, David Haziza l'est à plus d'un titre. Déjà, parce qu'il aura fait tout le chemin de New York à Paris pour venir se soumettre aux questions de Ferghane Azihari et Peggy Sastre et, ensuite, parce que malgré son relatif jeune âge, on lui constate déjà un beau passif. Élève de l'École normale supérieure, où il a étudié la philosophie, David Haziza a ensuite choisi de poursuivre ses études aux États-Unis, à l'Université de Columbia, pour un doctorat au département de français, où il a également enseigné.Ses recherches, à la croisée de la littérature, de l'histoire des idées et des études religieuses, ont notamment été consacrées à Michelet, en particulier à sa Sorcière, et à l'historien de la mystique et des hérésies juives Gershom Scholem, dont les approches de l'histoire ont été mises en dialogue avec d'autres auteurs et chercheurs, comme Georges Bataille, Carlo Ginzburg ou encore Bakhtine. Soit de quoi commencer à se faire une idée du caractère pour le moins buissonnant de l'œuvre de David Haziza. En 2017, il publie un premier livre aux éditions du Cerf, Talisman sur ton cœur, qui proposait une nouvelle traduction et un commentaire du Cantique des Cantiques. Et pour ce nouvel épisode des Contrariantes, c'est son deuxième ouvrage, paru en janvier chez Grasset, Le procès de la chair – Essai contre les nouveaux puritains qui en aura fait un invité immanquable.Pandémie, féminisme, tueries de masse, parentalité « bienveillante » et autres costards taillés au « sécuritarisme » de droite ayant alimenté les paniques morales et la peur du sexe de la gauche woke… Tout y passe et encore plus. Une parole libre dans un entretien aussi frais que foisonnant. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

如果你关注过最近一年的好书榜单，一定会对《奶酪与蛆虫》《切尔诺贝利的午夜》这两个书名有印象。这两本大部头里的故事一个发生在16世纪的意大利，另一个则迄今短短36年。在这两本聚焦历史角落中的普通人的作品背后，有一个共同的名字——旅居澳大利亚的独立译者鲁伊。在今年的单向街书店文学奖中，她凭借杰出的译笔获得了“年度译者” 奖项提名。 本期节目，同为译者的主播钟娜和鲁伊聊了聊翻译这门技艺：对于鲁伊来说，翻译一本书的过程，也是召唤自己的阅读经验和生命经验，让它们在意想不到的地方和陌生的主题相遇的过程。谁能想到500年前的意大利宗教法庭卷宗，会和雍正皇帝大规模刊发的《大义觉迷录》有共通之处？千里之外的苏联普里皮亚季，和鲁伊在中国东北的故乡又共享怎样的悲喜和坚韧？不同语言和文化间奇妙的契合，作品与译者生命经验的契合，如鲁伊所言，正是翻译中最有趣的体验。 无论是微观史学中的考据，还是纪实文学中的“节制”，都在尝试勾勒具体而复杂的个体面貌。今天的译者，或许正从事着同样的工作，斟酌着一字一句，试图缝合文明的裂缝，传达对人、对问题的真实关切。 【本期嘉宾】 鲁伊，旅居澳大利亚的独立译者。曾任《三联生活周刊》主笔。译有《奶酪与蛆虫》《切尔诺贝利的午夜》《帆与锚：澳大利亚简史》等。 【本期主持】 钟娜，中英双语写作者，译者。译有《聊天记录》《正常人》（豆瓣ID：阿枣） 【时间轴】 01:48 聊聊职业身份转换：人生就像骑单车，一边左摇右摆一边找平衡 07:30《奶酪与蛆虫》：六百年前的一位意大利磨坊主可以有多勇敢？ 18:33 从卡尔维诺到雍正皇帝，都能点亮翻译时的灵感！ 21:22 文本细读是一种奢侈，但对译者来说是本份 35:00《切尔诺贝利的午夜》：在他人的叙述中，找到亲切感和置身其中的勇气 48:29 做文字和素材的减法，虚构和非虚构都在努力逼近某种真实 58:52 译者的主体性：挑选与自身契合的作品，向优秀的写作者学习 本节目由跳岛FM和单向街书店文学奖共同呈现。 书店是永恒的思想之家。自 2016 年起，单向空间发起全国首个书店行业的文学奖评选——单向街书店文学奖，旨在集结中国本土书店对阅读的观察与审美，邀请 100 家中国本土书店提名候选，由权威学者、作家、艺术家、建筑师联合终审，评选出华语出版界在过去一年中最值得关注的声音。我们鼓励年轻的思想和写作者，传递出新的时代性和世界感，倡导不流于消费时代的精神价值。 【节目中提到的人名和作品】 苗炜|苗师傅读书会 Vol.27 鲁伊|把“声儿”小的人从历史的碎片里打捞出来 卡洛·金茨堡谈微观史学｜鲁伊专访金茨堡 人物 卡洛·金茨堡 (Carlo Ginzburg, 1939-)，意大利历史学家，微观史学派的代表学者。节目中提到他的《奶酪与蛆虫：一个16世纪磨坊主的宇宙》、《木头眼睛》(Wooden Eyes: Nine Reflections on Distance)、《线索与痕迹》(Threads and Traces: True, False, Fictive) 及文章《作为人类学家的宗教法庭审判官》（“The Inquisitor As Anthropologist”） 娜塔莉娅·金茨堡 (Natalie Ginzburg, 1916-1991)，意大利作家，卡洛·金茨堡的母亲。代表作《家庭词典》（Family Sayings） 约翰·泰代斯基和安妮·泰代斯基 (John and Anne Tedeschi)，《奶酪与蛆虫》英译者。 亚当·希金博特姆 (Adam Higginbotham, 1968-)，英国作家、记者。代表作《切尔诺贝利的午夜》 张纯如 (1968-2004)，美籍华裔历史学家。鲁伊翻译过她所著的《蚕丝：钱学森传》和她的传记《张纯如：无法忘却历史的女子》。 马克·布洛赫 (1886-1944)，法国历史学家，年鉴学派创始人之一。代表作《封建社会》《为历史学辩护》 作品 《帆与锚：澳大利亚简史》[澳] 杰弗里·布莱内 《意大利童话》[意] 伊塔洛·卡尔维诺 《法国大革命前夕的图书世界》[美] 罗伯特·达恩顿 《且介亭杂文》鲁迅 《大义觉迷录》(清) 爱新觉罗·胤禛 《帝国地图》[阿根廷] 博尔赫斯 《张纯如：无法忘却历史的女子》[美] 张盈盈 【出品人】蔡欣 【节目编辑】何润哲 Yihang 【后期制作】广岛乱 【音乐】DTlina - LoFi Chill 【视觉设计】孙晓曦 石羊

Le paganisme est un terme générique sous lequel on place la plupart des traditions religieuses précédant l'avènement du christianisme. Dans cette émission nous allons présenter les pratiques cultuelles des traditions païennes et leurs évolutions, disparitions et subsistances au cours de la période médiévale et des temps modernes. Le paganisme est tantôt considéré comme un congloméra de sorcellerie et de pratique satanique, tantôt considérée comme la véritable religion aux origines de nos civilisations, et il est parfois difficile de faire la part des choses. Pour comprendre les traditions païennes, il nous faudra arpenter les croyances superstitieuses, la sorcellerie des campagnes et même les courants se revendiquant du néo-paganisme des 19 et 20e siècle. Je vous propose d'explorer la question, sans parti pris et sans ubériser le sujet tant il est complexe. Nous monterons également que le paganisme, bien que disparu, à laisser des traces profondes dans nos civilisations et de nombreuses fêtes peines furent simplement christianisé avec le temps.  Lien de la vidéo : https://youtu.be/QIXPhZwHLSI ⛎ TIPEEE : https://www.tip eee.com/arcana-mysteres-du-monde

Annual reports and lists by different platforms show that psychology, comics about history, and works of literature were the most popular book categories among Chinese readers in 2021, reflecting the major concerns and topics in society.不同平台的年度报告和榜单显示，心理学类、历史漫画类和文学类是2021年中国读者最喜欢的书籍类别，反映了社会的关注热点和话题。Amid the COVID-19 pandemic, the Chinese book market has been experiencing challenges, as sales in 2020 dropped for the first time since 2015 and sales in 2021, although greater compared with the previous year, did not reach the level before the pandemic, according to a report by Beijing OpenBook, a consulting company specializing in the book business.根据开卷的2021年图书零售市场报告显示，在新冠疫情期间，中国的图书市场一直历经挑战，2020年销售额自2015年以来首次下降。尽管2021年有所回升，但仍然没有恢复到疫情前的状态。Sales of online books had been growing by more than 20 percent annually over the previous 10 years before 2020 as online platforms and online shoppers grew. However, as the customer base stabilized, online book sales grew by only 1 percent in 2021 year-on-year.在2020年之前的10年内，随着网络平台和网络购物者的增长，在线图书的销售额每年增长达20%以上。而随着客户群的逐步稳定，2021年在线图书销量同比仅增长了1%。Physical bookstores are still facing serious challenges posed by the pandemic since most activities went online and visitors declined. Book sales in bookshops in 2021 grew by a little over 4 percent, driven largely by books related to the 100th anniversary of the founding of the Communist Party of China, but still dropped by more than 31 percent compared with 2019, according to Beijing OpenBook.实体书店仍然面临着疫情带来的严峻挑战，大部分活动在线上进行，到店的游客数量也有所下降。根据开卷的报告数据显示，2021年实体书店的图书销量仅增长了4%多一点，主要是受建党百年纪念图书推广活动的影响。但与2019年相比仍下降了31%以上。Since 2018, sales of literature kept dropping until 2021 when it grew by 4.6 percent year-on-year. What is prominent is that among the top 100 best-selling fiction works published in 2021, 63 were online literary works, Beijing OpenBook's statistics show.从2018年开始，文学类图书的销量一直在下降，到2021年同比增长4.6%。值得注意的是，根据开卷的报告显示，在2021年出版的最畅销小说100部作品中，有63部是网络文学作品。The most popular genres of online literature in China include fantasy, romance, martial arts and science fiction. Among the 63 online literary works on the top 100 best-selling list of books published in 2021, most were targeted at women readers, and 22 titles from Tangjia Sanshao's Douluo Dalu(Soul Land) series, first run on qidian.com, were among the best-sellers.中国最受欢迎的网络文学类型包括奇幻、爱情、武侠和科幻。在2021年出版的100本最畅销图书榜单上的63部网络文学作品中，大多数是面向女性读者的。在起点网首次上线的唐家三少《斗罗大陆》系列中的22部作品被列入最畅销榜单之中。Shen Yu, a former book editor based in Shanghai, who has observed the industry for more than 10 years, says more people read online literature, which is usually entertaining but lacks in depth and artistic merit, because amid the pandemic people need to find comfort in entertaining texts, in which protagonists usually conquer difficulties and achieve success in either romantic relationships or professional fields.曾在上海工作的前图书编辑沈宇涉足图书行业超过10年。他表示，越来越多的人阅读网络文学。虽然这些作品大多很有趣，但缺乏深度和艺术价值。在疫情期间，人们需要从娱乐作品中寻求安慰，这类作品通常是主人公历经艰难最终在情感上和事业上双丰收的故事走向。Despite the fast growth of online literature, the leading seats on the best-selling list are still taken by classic books, with The Three-Body Problem trilogy books occupying the first three places. Among the 100 best-selling fictional works, 12 were published in 2021, mainly new works by established writers, the new editions of classic books and online youth fiction. Yu Hua's novel Wencheng(The Lost City) sold more than 1 million copies in three months since it was published in March 2021, making 10th place on the top 100 best-selling list.尽管网络文学发展迅速，但最畅销的书籍仍归经典书籍莫属，《三体》三部曲占据了2021年虚构榜单前三位。在100部畅销小说中有12部出版于2021年，主要是知名作家的新作、新版经典图书和网络青春小说。余华的小说《文城》自2021年3月出版以来，在3个月的时间里销量超过了100万册，在畅销书前100位中排名第10位。"In general, compared with cold hard facts in nonfiction, fiction might be able to give readers more comfort," Shen says.“总体来说，与非小说类作品中冰冷的纪实相比，小说类可能会带给读者更多的安慰，” 沈宇说道。Among the 100 best-selling nonfiction works, in addition to British writer Robert De Board's Counseling for Toads: A Psychological Adventure that topped the list, there were 19 other psychological or self-help books. Ten books about family education, and 10 books on economics and finance also entered the list.在最畅销的非虚构类榜单中，除了英国作家罗伯特·戴博德的《蛤蟆先生去看心理医生》位居榜首外，还有19本心理学类或励志书籍进入榜单。另外还有10本家庭教育书籍和10本经济金融类书籍。"In 2020 and 2021, people felt more pressure due to the pandemic. That is why psychological books received more attention. Compared with books that instruct people on how to be successful, books that tell people how to adjust themselves psychologically were more popular, such asDanshariby Japanese writer Yamashita Hiteko," says an analyst from Beijing OpenBook.“在2020年和2021年这两年，新冠疫情让人们的压力更大了。这是心理学类书籍受到更多关注的原因。与教导人们如何成功的书籍相比，告诉人们如何调整心理的书籍更受欢迎，比如日本作家山下英子的《断舍离》。”Additionally, comic books on history were also popular, with 12 titles of theHalf-an-Hourbook series and eight titles ofIf History Is a Group of Catsseries entering the top 100 bestselling nonfiction list.此外，历史漫画书也很受欢迎，《半小时》系列和《如果历史是一群猫》系列都进入了非虚构类畅销书排行榜的前100名。"Comic books have become popular in recent years, first about history and gradually touching fields such as ancient poems, medicine, and science and technology," the analyst from Beijing OpenBook says.“近几年漫画书越来越流行，首先是关于历史的，再逐渐涉及到古诗、医药和科技类，” 开卷公司的分析师介绍道。"This kind of book is easy to follow, catering to people's fragmented reading habits, so it sells well," the analyst says.“这类型的书通俗易懂，迎合了人们碎片化的阅读习惯，所以销路很好。”As one of the results of the advancement of information technology and media, it seems like that people's ability to read and understand long and complicated texts has declined。沈宇说，信息技术和媒体发展的后果之一，就是人们阅读和理解篇幅长且复杂的文本的能力似乎下降了。"We must see such comic books as only being used to popularize basic knowledge rather than elaborate on profound content. Readers usually read them to relax rather than study, so in function they cannot replace normal books on the same topics," the analyst says.“我们必须知道这样的漫画只是用来普及基础知识的，而不是阐述深刻的内容的。读者读这些书通常是为了放松而不是学习。所以在功能上，它们无法取代相同主题的普通书籍，” 分析师说。Besides the best-selling lists, a lot of platforms released their lists of "good books" that highlighted major social concerns of 2021.除了开卷统计的数据外，很多平台也盘点了在2021年反映主要社会问题的好书。At its annual reading ceremony in mid-January, theBook Review Weekly of Beijing Newsreleased a list of 12 books published in China in 2021 that were "most worth reading". Targeted at the middle-income group, the weekly's list, covering 10 fields, including literature, art, history, social sciences, economy, children, education, and lifestyle, came out after rounds of discussions among 12 experts and scholars in related fields.在1月中旬的年度读书会上，《新京报书评周刊》经过多轮筛选，从2021年的出版物中挑选出推荐入围书单，该书单面向中等收入群体，涵盖文学、艺术、历史、思想、社科、经济、儿童、教育、生活、新知10个类别。在82本入围推荐书单的基础上，结合12位业内专家学者和评委的意见，确定了最终的12本推荐书单。Among the 12 books, there are Irish writer Roddy Doyle'sPaddy Clark Ha Ha Ha,Manifeste Incertainby French writer Frederic Pajak,Shaping the Worldby British writers Antony Gormley and Martin Gayford,The Cheese and the Wormsby Italian writer Carlo Ginzburg, andSanbu(Take a Walk) by Chinese illustrator Dawu.12本书籍中包括爱尔兰作家罗迪·道尔的《童年往事》，法国作家费德里克·帕雅克的《不确定宣言》，英国作家安东尼·葛姆雷和马丁·盖福德的《雕塑的故事》,意大利作家卡洛·金兹堡的微观史名著《奶酪与蛆虫》，还有大吴的作品“散步三部曲”——《散步》《露营》《游河》。The Second Shiftby US writers Arlie Hochschild and Anne Machung reflects the general concern in Chinese society regarding the low birthrate and parenting.读者们对美国作家阿莉·拉塞尔·霍赫希尔德和安妮·马钟的《第二轮班：职业父母与家庭变革》的关注反映了中国社会对低出生率和养育子女的普遍关心。In the last two years, the pandemic has largely restricted the physical space for people's activities and cut off connections with nature. Ouyang Ting's Beifang Youkeshu (There Is a Tree in the North) entered the list because it illustrates how people can find nature in their surroundings. The book contains the writer's observations of Beijing's natural environment and her phenological notes on parks, plants, birds, rains, clouds and wind, presenting a vibrant picture of creatures in the city throughout the four seasons of a year.在过去两年中，新冠疫情在很大程度上限制了人们活动的物理空间，切断了人们与自然的联系。欧阳婷的作品《北方有棵树》上榜，得益于它向人们展示了人类以外的自然世界。这本书介绍了作者对北京自然环境的观察和她对公园、植物、鸟类、雨、云、风的物候记录，勾勒出“自然北京”及其周边的盎然生机。"Every spring is different. We must keep our curiosity to ask more questions, which will bring us to farther places," she said at the ceremony.欧阳婷在读书会上说：“每个春天都是不同的。一定要让自己保持好奇，多一些发问，这种好奇心可以把我们带往更远的地方。”

Cilla Banck levde fattig och ensam i skånska Arild. Hennes anteckningsbok ger en säregen bild av hennes tid. Kulturredaktionens Mattias Berg dyker in i en 1800-talsmänniskas värld. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Essän sändes första gången 2017.Vad är egentligen tidens gång? Eller omvärlden? Och vilka spår sätter allt det där i en enskild människas medvetande?I sin ljuvliga lilla bok Vad Cilla Banck visste gör Lundahistorikern Peter K. Andersson ett allvarligt försök att svara på de här omöjliga frågorna. Den är tunn inte ens 100 sidor men blir redan efter min första läsning tung av understrykningar och hundöron.Som framgår av titeln, kretsar den kring en viss Fröken Cilla Banck som bodde ensam och fattig i en stuga i skånska fiskeläget Arild mellan 1830 och 1906. Undertiteln är En 1800-talsmänniskas världsbild vilket ganska exakt fångar Anderssons anspråk. Mikro- eller mentalitetshistoria, som det kallas mer fackmässigt.Men det allra heligaste var ändå hennes egen dopdräktOch att just Cilla Banck intresserar en historiker, beror på att hon till skillnad från de flesta andra outbildade ur fiske- och bondemiljö vid den här tiden skrev en sorts dagbok. Där nedtecknade hon verkligen allt möjligt. Från klassiska minnesanteckningar om egna utflykter eller dödsfall i byn till avskrifter ur veckotidningar, psalmböcker, Bibeln och olika slags kalendrar.Dessutom skapade hon med tidens gång ett museum, eller kanske snarare kuriosakabinett, i sitt hem enligt ungefär samma osorterade princip. En samtida besökare vittnar om hur Cilla Banck började med att visa den första tekanna som kom till Arild och stolt berättade att den tillverkats vid en förfärligt stor fabrik i industrialismens England, för att så småningom föras till lilla Arild av sjömän över havet.Museet var också fullt av betydligt mer långväga föremål. Samma besökare räknar upp fågelbon från Indien, träpapegojor från Kanarieöarna, mandarinkostymer, chilenska kalabasser, sjötång från Stilla Hafvet, japanska kokkärl, ryska mjölkbyttor. Men det allra heligaste var ändå hennes egen dopdräkt.Efter Cilla Bancks död revs museet, vilket knappast hade skett om hon varit en välbärgad kvinna med kulturell nimbus. Men dagboken finns kvar, i all sin målmedvetna gåtfullhet. Peter K. Andersson påpekar att vi nästan alltid betraktar historien ur de mer priviligierades perspektiv. Själv, skriver han, har han ändå försökt ta reda på hur de fattiga som ofta inte kunde vare sig läsa eller skriva faktiskt tänkte. Han liknar det arbetet vid en sorts dekryptering: som att hitta en gammal mystisk bok skriven med ett chiffer vars system sedan länge gått förlorat.Stilbildaren i genren, en influens så stark att den samtidigt tycktes släcka ut alla sina efterföljare, var den italienska historikern Carlo Ginzburg som 1976 kom ut med boken Osten och maskarna. Den handlade om en så kallad vanlig människas världsbild några hundra år före Cilla Banck. Nämligen den italienske mjölnaren Menocchios, som på 1500-talet satte sig upp mot kyrkan med sina tankar om skapelsen.Man kan diskutera hur representativ den här mjölnaren faktiskt var. Hur som helst blev han också oerhört intresserad av filosofi och kyrkan ansåg Menocchios hemsnickrade läror så farliga att han brändes på bål som kättare.Och det är ju ett av mikro- eller mentalitetshistoriens dilemma: att ovanliga människor oftast ändå är intressantare än vanliga. När någon blivit tillräckligt speciell, transformeras åtminstone personen från den ena kategorin till den andra, och lämnar de mindre speciella kvar i historiens skugga.Hur kan man då få reda på någonting alls om dem? Ja, ett sätt, kanske det enda, är att studera hela kollektivet: alltså statistik. Efter att jag själv läst Osten och maskarna när den kom ut i Sverige i början av 80-talet, och då tycktes ligga på vart och vartannat nattduksbord, började jag också studera ämnet i tiden, ekonomisk historia innan jag alltför snabbt kroknade på alla dessa opersonliga förteckningar. Med viss fasa minns jag särskilt den om årsförbrukningen av salt sill under medeltiden.Cilla Banck gör faktiskt också förteckningar, eller åtminstone listor, men på ett helt annat sätt. Peter K Andersson menar att de påminner om trollformler, som traditionellt användes för att skapa trygghet och kontroll.Så hon listar, bokstavligen, allt mellan himmel och hav. Mycket handlar förstås om religion. Till exempel följande förteckning: Guds sons blodsutgjutelser. Först i omskärelsen, 2 i Gethsemane, 3 wid hudflängningen, 4 törnekröningen, 5 wid purpurmantelns afryckande, 6 wid händers och fötters genomborrande, 7 wid sidosårens öppnande.Men framför allt är det ju havet som i fiskeläget Arild är världens början och slut, alltings mått, livet och döden. Risken för drunkning var också ständigt närvarande. Cilla Banck listar hela släkter som dött ut i sjöfartens spår. Till och med hennes egen bror förekommer i en sådan till synes opersonlig förteckning: Efvenledes omnämnes sjömannen Lars Banck som gick bort ifrån skonerten Örnen, det hände i Norsjön den 6 april 1853.Hon sammanfattar också allt detta tragiska i en speciell lista: Döda här i byn i min tid, som jag kan minnas 353 Inberäknade i nämda antal 41 som äro drunknade, 2 som själva afhänt sig lifvet. En hängt sig. Och en sängt sig.de flesta världshändelser tycks skölja rakt igenom henne, medan disparata erfarenheter och lösryckt information fastnar som drivved i medvetandeströmmen.Under Cilla Bancks levnad förändras ändå den globala sjöfartens villkor dramatiskt. När hon föds 1830 hade det inte gått mer än ett decennium sedan den allra första överfarten med ångbåt över Atlanten. Sedan kom de stora passagerarfartygens tid. Suezkanalen och Nordostpassagen band plötsligt ihop jordklotet på ett nytt sätt och med undervattenskablarna för telegrafi vid mitten av 1800-talet blev havet det viktigaste kommunikationsmediet även för den mest inbitna landkrabba.På så sätt flyter havets förändringar ihop med mediehistorien. Dagstidningarnas genombrott skedde också just under hennes livstid. När Cilla Banck precis var på väg att lämna tonåren, 1848, grundades Sydsvenska Dagbladet. 1864 blev Dagens Nyheter den första massmarknadstidningen, riktad till många prenumeranter med ett lägre pris.Vad ser vi då av allt det här i hennes dagbok? Eller, för att tala med bokens titel: Vad var det som Cilla Banck visste?På det ger Peter K. Andersson inget rakt svar, hur nu ett sådant skulle se ut. Men han påpekar till exempel att en dagstidning och då Helsingborgs Dagblad bara nämns en enda gång i hennes dagböcker. Däremot märks den parallellt framväxande populärpressen desto tydligare.Framför allt handlar det om Triumf: Sveriges billigaste veckotidning, som den kallades i annonserna. Ur den har Cilla Banck bland annat skrivit av artiklar om werldens äldsta bibliotek och den fruktansvärdaste jordbäfning som i historisk tid hemsökt menskligheten. I sina listor kan hon också blanda rena faktauppgifter om digerdöden och Stockholms grundande med en äventyrlig teori om tidpunkten för Jesu återkomst till jorden.Så allt detta visste Cilla Banck. Med sin bok har Peter K. Andersson nu gett oss en ömsint nyckel till hela den här krypterade historien: visat hur en enda person kan fungera som konkret länk mellan abstrakta begrepp som makro- och mikro. Hur de flesta världshändelser tycks skölja rakt igenom henne, medan disparata erfarenheter och lösryckt information fastnar som drivved i medvetandeströmmen.Eller som Andersson själv skriver i bokens allra sista stycke, om Cilla Bancks världsbild: Det som utmärker den är inte i första hand dess lantliga utgångspunkt utan dess kumulativa och oanalytiska förhållande till kunskap. Det viktigaste är bara att veta.Mattias Berg, medarbetare på kulturredaktionenLitteraturPeter K Andersson: Vad Cilla Banck visste. Ellerströms, 2017.

Olá pessoal, no mês de novembro conversamos sobre “O queijo e os vermes” (1976) do historiador Carlo Ginzburg. Esse longo episódio tinha como objetivo apresentar aspectos importantes da obra desse grande historiador e, por isso, falamos sobre história, documentação histórica, Inquisição, cultura popular, heresia e bruxaria. Por fim, falamos sobre a adaptação da obra. Livros citados: Os andarilhos do bem (1966), de Carlo Ginzburg História noturna (1989), de Carlo Ginzburg Domenico Scandella, detto Menocchio. I processi dell'Inquisizione (1583-1599) (1990), de Andrea del Col O diabo e a Terra de Santa Cruz (1986), de Laura de Mello e Souza Il mondo magico (1948), Ernesto de Martino   Música da nossa trilha sonora: Rhodesia de Twin Musicom. Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/ Artiste : http://www.twinmusicom.org/ Deixe seus comentários aqui para gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:37 Apresentação 00:08:13 Micro história, historiografia e cultura popular 00:20:00 Inquisição 00:30:25 Menocchio 01:40:00 Indicações Menocchio (2018) https://www.imdb.com/title/tt8300036/ O post #60 – O queijo e os vermes de Carlo Ginzburg apareceu primeiro em Chá das Cinco Com Literatura.

Continuando as discussões do episódio anterior a respeito do humanista Lorenzo Valla e as reflexões feitas por Carlo Ginzburg, vou tratar de outros dois temas. O primeiro é como a História é uma ciência que desmistifica ideologias e mitos, sejam eles de qualquer natureza: política, religiosa, econômica, étnica ou racial. O segundo assunto que quero falar é sobre a importância da posição institucional (universidade, cargos políticos, etc) do (a) historiador (a) para a compreensão de suas pesquisas. Afinal de contas, quem estuda História não faz fora do mundo real. Pauta: I) História e a desmistificação das ideologias II) Como as instituições estão presentes na vida e obra dos (as) historiadores (as)? Siga-me no Instagram: instagram.com/essediafoi.loko Entre em contato comigo via Telegram: t.me/sorrisoronaldo Contribua com esse programa via PIX, entre em contato via Telegram ou Instagram. Imagem do episódio: Fernando Novais, em defesa de doutoramento em 2012. Acervo privado.

E aí, camarada  Esse é o quarto episódio da série: História, uma ciência humana.  Vou dar início a uma reflexão que dividi em duas partes sobre um causo muito interessante vivido por Lorenzo Valla, um humanista do Renascimento italiano, que é narrado por Carlo Ginzburg. Nessa primeira parte quero guiar você, ouvinte, por essa história e sobre as discussões apresentadas por Ginzburg sobre o problema trazido pelos pós-modernos. Pauta: I) Lorenzo Valla contra a Doação de Constantino: um retórico em defesa do latim II) Pós-modernos e os ataques contra a História: quem são eles? o que pensam? como destruí-los?  No próximo episódio essa reflexão sobre as ideias de Ginzburg continuam! Siga-me no Instagram: instagram.com/essediafoi.loko Caso queira falar comigo, entre em contato pelo Telegram: t.me/essediafoiloko Um abraço, um beijo e um chêro!

®Il processo dinamico della tradizione orale, tra ripetizione e variazione rituale, emerge in questo lavoro dalle voci raccolte in diverse zone del sud e del nord d'Italia. Territori che al di là della spinta del mondo moderno, e al di là della percezione ordinaria del tempo, hanno conservato le radici di un racconto tutt'ora vivo come fonte di memoria, cura e conoscenza.Un racconto custodito principalmente dalle donne.Storie parallele di persone che hanno visto cambiare la loro vita da eventi particolari, storie fatali narrate con colori e ritmi a volte dialettali, storie di cure e incanti, che evocano una cultura densa di riferimenti universali.Il meccanismo narrativo si ispira alla pratica storiografica vicina alle ricerche di Carlo Ginzburg.Le regioni italiane da cui provengono le storie narrate dalle donne della medicina e dai testimoni di eventi extra-ordinari, sono principalmente: Sicilia, Sardegna, Piemonte, Liguria.La narrazione è arricchita da alcuni interventi scientifici: Elsa Guggino, antropologa e docente all'Università di Palermo, Luisa Aru e Gabriella Mereu, medici (Cagliari). Realizzazione tecnica a cura di Paolo Modugno - O.A.S.I. Studio - RomaConsulenza per le scelte musicali di Emiliano Li Castro*Le voci sono state raccolte in una ricerca sul campo condotta dall'autrice nell'arco di circa cinque anni in diverse zone del territorio italiano.Prima emissione giovedì 11 e venerdì 12 febbraio 2021

®Il processo dinamico della tradizione orale, tra ripetizione e variazione rituale, emerge in questo lavoro dalle voci raccolte in diverse zone del sud e del nord d'Italia. Territori che al di là della spinta del mondo moderno, e al di là della percezione ordinaria del tempo, hanno conservato le radici di un racconto tutt'ora vivo come fonte di memoria, cura e conoscenza.Un racconto custodito principalmente dalle donne.Storie parallele di persone che hanno visto cambiare la loro vita da eventi particolari, storie fatali narrate con colori e ritmi a volte dialettali, storie di cure e incanti, che evocano una cultura densa di riferimenti universali.Il meccanismo narrativo si ispira alla pratica storiografica vicina alle ricerche di Carlo Ginzburg.Le regioni italiane da cui provengono le storie narrate dalle donne della medicina e dai testimoni di eventi extra-ordinari, sono principalmente: Sicilia, Sardegna, Piemonte, Liguria.La narrazione è arricchita da alcuni interventi scientifici: Elsa Guggino, antropologa e docente all'Università di Palermo, Luisa Aru e Gabriella Mereu, medici (Cagliari). Realizzazione tecnica a cura di Paolo Modugno - O.A.S.I. Studio - RomaConsulenza per le scelte musicali di Emiliano Li Castro*Le voci sono state raccolte in una ricerca sul campo condotta dall'autrice nell'arco di circa cinque anni in diverse zone del territorio italiano.Prima emissione giovedì 11 e venerdì 12 febbraio 2021

Incontro con Carlo Ginzburg. Presenta Gian Paolo Gri Il saggio che fece conoscere al mondo le vicende del mugnaio Menocchio di Montereale Valcellina esce in nuova veste a quarantatré anni dalla prima edizione. Molti degli argomenti che il libro ha portato al dibattito prima storiografico e poi culturale nel senso più ampio, e che riguardano il rapporto tra il potere, la conoscenza e l'esperienza individuale, sono ancora più vivi oggi che appare quasi impossibile capire dove e come si articolino subalternità e libertà, conformismo e coscienza di sé. Edizione 2019 www.pordenonelegge.it

Au menu de ce premier épisode de la série «Encodage» des Balados OIC, Hélène Machinal, Elaine Després et Sarah Grenier-Millette discutent l'article «Signes, traces, pistes. Racines d'un paradigme de l'indice» de Carlo Ginzburg (1980, Le Débat), et revisitent les archives des communications de Joëlle Gauthier (Penser l'enquête de terrain en études littéraires, 2014), d'Anaïs Guilet (Des tweets et des petites madeleines, 2017) et de Laurence Perron (Portrait de l'internaute en détective, 2018). Les épisodes de la série «Encodage» se veulent un complément aux anthologies Encodage, des lettres thématiques composées de contenus provenant de différents sites web de l'écosystème numérique sur le contemporain du Centre Figura, du Laboratoire NT2 et de l'Observatoire de l'imaginaire contemporain. Tout comme les lettres Encodage, cette série de balado vise à revaloriser d'anciens contenus de recherche de notre écosystème sur l'imaginaire contemporain. Vous y entendrez des extraits d'enregistrement de conférences, de communications et de tables rondes issues des dix dernières années auxquelles s'ajouteront de nouvelles discussions et des contributions de chercheuses et chercheurs qui poseront un regard actuel sur ces archives.

Un homme en imperméable et chapeau de pluie s’approche, du fond du jardin de l’Institut culturel italien à Paris. Il s’installe à une table – « faire du ski sur de la neige qui n’a pas été parcourue, c’est mieux, c’est beaucoup mieux ». C’est ce que l’écrivain Italo Calvino disait à Carlo Ginzburg et ce sera le programme aventurier et exigeant d’une vie de recherche.L’historien, inventeur de la microhistoire, auteur du Fromage et les vers ou de l’Affaire Soffri, explore avec une dizaine d’images, les liens étroits qu’il entretient depuis son plus jeune âge avec l’art.À commencer par « La Flagellation » de Piero della Francesca, tableau auquel il consacre un livre – le premier livre de micro-histoire. Et comment, devenu le grand historien que l’on sait, il n’a eu de cesse de revenir encore et toujours à l’histoire de l’art. « L’histoire, n’est pas une forteresse, c’est un aéroport. Alors, on part de l’histoire dans toutes les directions. » Y compris vers cette histoire de l’art qu’il aime et qu’il interroge dans ce film, de Paris à Bologne.

durée : 00:38:21 - Le Temps du débat - par : Emmanuel Laurentin, Bruno Baradat - L'histoire des religions et de la sécularisation, telles qu'elles avaient été instaurées en Europe au XXème siècle ont été profondément bouleversées par les analyses venues d'autres sphères continents. Cette conversation mondiale se propose d'en rendre compte avec nos deux invités. - réalisation : Alexandre Manzanares - invités : Carlo Ginzburg Historien, Professeur à l’Ecole normale supérieure de Pise.; Sanjay Subrahmanyam Professeur à l'université de Californie à Los Angeles, professeur au Collège de France, Chaire Histoire globale de la première modernité.

durée : 00:38:21 - Le Temps du débat - par : Emmanuel Laurentin, Bruno Baradat - L'histoire des religions et de la sécularisation, telles qu'elles avaient été instaurées en Europe au XXème siècle ont été profondément bouleversées par les analyses venues d'autres sphères continents. Cette conversation mondiale se propose d'en rendre compte avec nos deux invités. - réalisation : Alexandre Manzanares - invités : Carlo Ginzburg Historien, Professeur à l’Ecole normale supérieure de Pise.; Sanjay Subrahmanyam Professeur à l'université de Californie à Los Angeles, professeur au Collège de France, Chaire Histoire globale de la première modernité.

Lo scorso 15 aprile, Stroncature ha ospita un approfondimento dedicato alla collana “Microstorie” diretta da Giovanni Levi (direttore della rivista "Quaderni storici") e Carlo Ginzburg per la Giulio Einaudi Editore dal 1981 al 1991. Con il direttore della collana dialogano Francesco Benigno, Giuseppe Marcocci e Lisa Roscioni. Modera Armando Pepe.

Carlo Ginzburg, historiador italiano que lecionou em diversas universidades, como a Universidade de Bolonha, Harvard e a Universidade da Califórnia em Los Angeles (UCLA), além de ser autor de obras fundamentais para a formação de historiadores e historiadoras, como “O queijo e os vermes”, conversou com Eduardo Seabra e Rodrigo Elias para o episódio #10 do Passadorama: “Meu herege favorito”. Além de tratar de Menocchio e da micro-história, Ginzburg também falou sobre acaso, vergonha e sobre formas de combater a ascensão da extrema-direita no Brasil e no mundo. Tradução por Rodrigo Elias, Eduardo Seabra e Maria Clara Lima Dublagem por Angélica Fontella