Podcasts about elisabeth r

“He is the hottest hoarder you've ever seen!” - Steve on Ryan Phillippe's character On this week's episode, the 2025 Listener Request Month comes to a close with a rowdy discussion about the ridiculously tame PG-13 horror movie, Wish Upon! Why on Earth did they care about avoiding an R rating with this fake Final Destination movie? What is with all the dumpster diving? Why couldn't this wish box talk or be accompanied by a ghost or something? And where is literally any faculty administrator with all the bullying going down at this school? PLUS: How can one be a slut for wontons?  Wish Upon stars Joey King, Ryan Phillippe, Ki Hong Lee, Mitchell Slaggert, Shannon Purser, Sydney Park, Elisabeth Röhm, Alice Lee, and Sherilyn Fenn as Mrs. Deluca; directed by John R. Leonetti. This week's episode is sponsored in part by Huel! New customers visit Huel.com SLASH WHM today and use our code WHM to get 15% off your first order plus a Free Gift! Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

In this special edition of the RECET transformative podcast, we revisit the recent RECET festival, where speakers from around the globe discussed ‘Green Transformations.' In this excerpt, three panelists charted the history of nuclear energy—from its ‘dark past' to, perhaps, its ‘green future.' Stephen Gross is the author of Energy and Power: Germany in the Age of Oil, Atoms and Climate Change (Oxford University Press, 2023). He was joined by Elisabeth Röhrlich, author of Inspectors for Peace: A History of the International Atomic Energy Agency (Johns Hopkins University Press, 2022). They spoke alongside Anna Weichselbraun, from the University of Vienna, who is currently finishing a manuscript on knowledge production at the International Atomic Energy Agency. The discussion was moderated by Rosamund Johnston (RECET). Stephen G. Gross is Associate Professor of History and Director of the Center of European and Mediterranean Studies at New York University. After working at the Bureau of Economic Analysis (Department of Commerce) in Washington DC, he received his PhD in history from UC Berkeley. He is the author of Energy and Power: Germany in the Age of Oil, Atoms, and Climate Change (Oxford University Press, 2023) and Export Empire: German Soft Power in Southeastern Europe, 1890-1945, which explores the political economy of the Nazi Empire. His research has been supported by the Fulbright Fellowship, the German Academic Exchange Program, the Institute for New Economic Thinking, the Andrew Carnegie Foundation, and the Andrew Mellon New Directions Fellowship, through which he earned a certificate of sustainable finance at Columbia University. Elisabeth Röhrlich is Associate Professor at the History Department of the University of Vienna and Vice Dean of the Faculty of Historical and Cultural Studies. Her expertise is in twentieth century global and international history, the history of international organizations, the history of the nuclear age and the Cold War, and Austrian contemporary history. She received her PhD in history from the University of Tübingen, Germany, and has held fellowships at the Norwegian Institute for Defense Studies, the German Historical Institute and the Woodrow Wilson International Center for Scholars (both in Washington D.C.), and Monash University South Africa. She is the author of a prize-winning book about the former Austrian chancellor Bruno Kreisky (Kreiskys Außenpolitik, Vienna University Press, 2009), and her writings on the history of the International Atomic Energy Agency (IAEA) have been published in journals such as the Diplomacy and Statecraft, Cold War History, and the Journal of Cold War Studies. Her monograph "Inspectors for Peace" on the history of the IAEA was published with Johns Hopkins University Press in 2022. Anna Weichselbraun is a postdoc researcher at the Department of European Ethnology at the University of Vienna. She works at the intersection of historical anthropology of knowledge, semiotics and science and technology studies with an empirical focus on the global governance of technology in the long 20th century. She is currently revising her book manuscript on nuclear knowledge practices at the International Atomic Energy Agency. Rosamund Johnston is the Principal Investigator of Linking Arms: Central Europe´s Weapons Industries, 1954-1994 at RECET. She is the author of Red Tape: Radio and Politics in Czechoslovakia, 1945-1969 which appeared with Stanford University Press in March 2024. Her research has been published in Central European History and a number of edited volumes. She has also written for the Journal of Cold War Studies, East Central Europe, Harvard Ukrainian Studies, Scottish newspaper The National, and public broadcaster Czech Radio. Johnston is the author of one book of public history, Havel in America: Interviews with American Intellectuals, Politicians, and Artists, released by Czech publisher Host in 2019.

MAAAAAAAAYYYYYHEEEEEMMMMMMMThe chaos continues, and this week Debbie Gibson gets lost in Mecha Sharks eyes as she returns from MEGA SHARK VS GIANT OCTOPUS in a smaller role.Taking over the reigns is Elisabeth Röhm as Rosie and STARGATE SG-1 Star Christopher Judge as Jack Turner. Together, as husband and wife, they have to overcome personal issues, and a giant shark that returns, using a mechanized shark submarine, and their love.I also talk about seamen a lot, so there's that.Check out our friends:Twisted TalesDeath Before BoosJoin the Patreon!For only $2 CAD a month you'll get a bonus episode each month, a newsletter, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bucket of Chum Website⁠⁠⁠⁠⁠⁠Follow me on Letterboxd ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE⁠Check out the YouTube Channel Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Merry X-mas with an excourse into the future past. Pjotr Baumann - oder wenn Sie es genau wissen wollen- Ralf Wendt ist mein Name - ich war verantwortlich für diese Live-Übertragung. Dank an all die Menschen, die den Prozess geführt haben: an Thomas Rabisch - den Verteidiger, Larissa Wallat- die Verteidigerin, Stephanie Kurtenbach, die Richterin, Smillar J alias Tuli, die Zeugen Jan Langhammer - Naturschutz-Beamter, Shooresh Fezoni - Biologe, Leon Kostner - VS, Jasmina Al-Qaisi - Bine, Gerd Kiermeyer - Ranger, Prof. Dr. Jesse, Lynn Margulis, Frau Prof. Rosi Braidotti, Elisabeth Rändel und ein Dank an die Reporterinnen Veronika Grandke und Tina Klatte, Abir Tawakawalna und Donna Haraway und ein Gruß an die Akteurinnen der Letzten Generation, der Fridays for Future-Bewegung, der Bewegung Extinction Rebellion, der Gruppe Ende Gelände und Dank an Leo Kurtenbach, an die Simultanübersetzerin Ute Seitz, den Bienenforscher Prof. Dr. Robert Paxton, an arte, an das Kunstforum, an Bruno Latour, an David Abram und Richard Powers, an Lukas Holfeld, Hartmut Rosa, Julia Grillmayr, Judith Elisabeth Weiss, an Greta Alfaro, an Greta Thunberg, an Markus Wirtemberger, an Palladia, an die wunderbare Rikki Ducornet, an die MusikerInnen Thies Streifinger, Stephan Ludwig, Valentin Kurtenbach, Anna Oberbeck, an den Winzer Lars Reifert, den Geiseltalsee e.V., das "Assembly of desire" in Assam - speziell an Mriganka, an Burghard Vogel für die Bild-Begleitung und natürlich an die revolutionäre Symbionts-Gruppe am Geiseltalsee. Ein besonderer Dank geht an das Landgericht Halle für die Ermöglichung von Filmaufnahmen und an Dr. Frank Steinheimer für seine nie endenden Bemühungen um ein anderes Naturverständnis und die Tikuna nahe Leticia am Amazonas für ihre erhellenden Auffassungen dessen, was wir immer noch externalisierend als Natur bezeichnen. Folge direkt herunterladen

Hur många sorters orgasm finns det egentligen, och är det någon vits att jobba sig fram till alla varianter? Eller finns det andra sätt att bli mer orgasmisk, fri och storslagen i uttrycket av sin sexuella kraft? Förra veckan var det Daniel som var här för tredje gången, och nu är hans fru här, Elisabeth som också varit med i två tidigare avsmitt, 53 och 104. Hon har genomgått en fantastisk process från arg och låst i sin lust när det var som jobbigast i relationen, till en fullfjädrad sex queen som vet vad hon vill och inte är rädd att växa, blomma och be om mer. Så idag är det kombinationen av en längtan efter en närmare relation till sina orgasmer och behovet av partners som inte backar för att verkligen gå all-in när de experimenterar med det, som är temat för vårt samtal. Läs mer om mig på www.sexinspiration.sePrivat coaching för singlar, par och flersammaOnlinekurser i alla möjliga sorters sexInstagram: Sexinspiration Hosted on Acast. See acast.com/privacy for more information.

Seminar ved Elisabeth Rønne Sangild, der har fået titlen "Det kvindelige seminar for mænd og kvinder." Optagelsen er fra tirsdag eftermiddag på Hjallerup bibelcamping.

Vandaag gaan we het hebben over afscheid nemen, loslaten, vakantie vieren, bijtanken en reflecteren: wat hebben we geleerd dit jaar? Wat zijn de goede voornemens? We kijken terug op een heel schooljaar maar ook een compleet podcastseizoen. Welkom bij de laatste aflevering van 'Mijn eerste jaar voor de klas', waarin we een schooljaar lang de startende docenten Elisabeth en Maurice volgden.

Sommige leerlingen vragen het uiterste van je. Ze houden zichzelf moeilijk in de hand en zijn de stuiterballen in je klas. Mogelijk is dan bijvoorbeeld ADHD vastgesteld. Je kunt óók zomaar te maken krijgen met kritische ouders. Die kom je tegen op een ouderavond en trekken jouw professionaliteit in twijfel. En weer iets anders: wat als je over 5 minuten een toets moet afnemen het kopieerapparaat is stuk… Allemaal uitdagende situaties, die je als starter kunnen overvallen. En waar je wel wat hulp bij kunt gebruiken. Dus daarom deze aflevering 10 van Mijn eerste jaar voor de klas.

Dat de puberleeftijd een uitdagende leeftijd is, daar is weinig controverse over. En aangezien de hele middelbareschooltijd nou net de periode is dat jonge mensen jarenlang volop puberen, en aangezien jij daar als leraar elke dag mee te maken hebt, gaat aflevering 9 precies daar over: wat zijn de specifieke kenmerken van de pubertijd, en hoe ga jij daar zo goed mogelijk mee om. Met als doel natuurlijk om de leerlingen – in deze onstuimige levensfase – zich toch optimaal te laten ontwikkelen.

“Ohhh, dan heb je heel veel vakantie toch?!” Dat hoor je nog al eens op een feestje, als je vertelt dat je leraar bent. Maar ondanks die berg aan vakantiedagen, verlaat ruim 20% het onderwijs in de eerste vijf jaar… Een groot probleem, wat kunnen we daar aan doen? En hoe ervaart ons dappere duo hier aan tafel de werkbelasting? Daarover gaat aflevering 8 van Mijn eerste jaar voor de klas.

Natuurlijk ben jij enorm enthousiast over jouw vak en gemotiveerd om de stof over te brengen. Maar kijk je in de ogen van jouw leerlingen dan is het een heel ander verhaal. Welke middelen gebruik jij om je leerlingen actief te krijgen en geboeid? Wat werkt voor jou? En, ook belangrijk: hoe blijf je zélf gemotiveerd? Dat gaan we vandaag bespreken, en we gaan ons best doen veel praktische tips uit te delen voor op en top gemotiveerde leerlingen!Daarover en meer in deze aflevering van Mijn eerste jaar voor de klas.

Soms lijkt het er in de les op dat iedereen de stof snapt. Maar als je dan de resultaten van jouw proefwerk bekijkt, zijn die om te huilen. Je vraagt je af: waarom hebben ze niet meer vragen gesteld in de les?!Het is een typisch praktijkonderwerp, dat voor veel beginnende docenten een uitdaging van formaat is. Hoe zorg je ervoor dat de klas de stof snapt en dat iedereen goed mee kan komen? Dat het goede niveau en leerdoelen behaald worden? We hebben het dan ook over beoordelen en feedback geven aan individuele leerlingen.Daarover en meer in deze aflevering van Mijn eerste jaar voor de klas.

Je bent een groentje, een newbee, of netjes gezegd: een starter in het onderwijs. Met die baan komen niet alleen volle klassen, maar ook collega's, begeleiders en een werkgever. Hoe manifesteer je je dan? Als buigzame nieuwkomer die zich makkelijk aanpast, of als een frisse kracht met eigen ideeën en een mening? En word je goed begeleid door de school? Of koester je de vrijheid en kies je gewoon je eigen pad? Daarover gaat deze aflevering van Mijn eerste jaar voor de klas. En we hebben een speciale gast dit keer, want de interne begeleider van Elisabeth, die al even kort te horen was in aflevering 2 over klassenmanagement, schuift vandaag even aan. Joost Overmars begeleidt al een werkend leven lang starters en dit jaar gaat hij met pensioen. Dat was voor ons een buitenkansje om hém eens te vragen hoe hij na al die jaren terugkijkt op starten in het onderwijs.

Wat voor type docent ben jij of wil je worden? En wat vind je hierin belangrijk?Voel je je eigenlijk wel een bepaald type, of ben je gewoon jezelf?Hoe ontwikkel je een goede band met je leerlingen zonder overwicht te verliezen?En wat betekent “professioneel zijn”, en in hoeverre heb je een voorbeeldfunctie?Zie hier, zomaar wat vragen waar elke docent een antwoord op moet vinden. De zoektocht naar jouw stijl en identiteit als docent is een avontuur dat tijd nodig heeft. En het is hét thema van deze aflevering.Maar we beginnen zoals altijd met terugblikken.

Elisabeth: Régine Crespin Venus: Grace Bumbry Junger Hirt: Jeanne Diamond Tannhäuser: Dimiter Uzunov Wolfram: Raymond Wolansky Landgraf Herrmann: William Wildermann Walther: Carlo Cossutta Biterolf: Renato Cesari Heinrich: Richard Carl Knoll Reinmar: Malcolm Smith Conductor: Oscar Danon Lyric Opera of Chicago 18 November 1963 In-house recording

De lerarenopleiding bereidt je zo goed mogelijk voor op lesgeven. Maar al doet de theorie nog zo zijn best, de praktijk tapt uit een ander vaatje. Soms lijkt het wel alsof je bepaalde thema's hebt gemist tijdens de opleiding. Hoe leg je iets ingewikkeld zo uit dat echt iedereen het snapt? Hoe voer je oudergesprekken? Wanneer is nou écht het moment daar om een leerling de klas uit te sturen? Hoe je omgaat met alles waar de opleiding je niet op voorbereidt, daar gaan we het vooral over hebben in deze aflevering.Maar we beginnen zoals altijd met terugblikken.

Elisabeth Røed Gundersen - Søndag 13.11.22 by Froland Misjonskirke

Elisabeth Røed Gundersen - Søndag 13.11.22 by Froland Misjonskirke

Klassenmanagement! We zullen het er waarschijnlijk bijna elke aflevering wel over hebben, maar in deze aflevering is het echt het hoofdthema.

Wie stelle ich mein Planungsbüro auf, damit es zukünftige Aufgaben in der Baubranche erfüllen kann? Seit 2020 kooperiert Rüthnick Architekten eng mit der SSP AG Architekten Ingenieure Integrale Planung in Bochum und ist sehr erfolgreich in der gemeinsamen Projektakquisition und Projektbearbeitung. 2021 veränderten beide Büros die Zusammensetzung des Gesellschafterkreises der Rüthnick Gesellschaft von Architekten mbH und heißen seither SSP Rüthnick Architekten GmbH. Nun, ein gutes Jahr später, fragen wir einmal nach, wie es kam und wie es läuft. Und so sprechen wir in dieser Folge über die Bürostrukturen, ihre Aufgaben und Ziele mit der Geschäftsführung der SSP Rüthnick Architekten GmbH, Elisabeth Rüthnick und Wolfgang Planitzer gemeinsam mit Marius Scheffer.

Elisabeth (lesgevend op een school in Nieuwegein) en zij-instromer Maurice (lesgevend in Amsterdam) zijn begonnen. Natuurlijk zijn ze niet helemaal nieuw voor de klas, ze hebben al de nodige stage-en opleidingsuren achter de rug. En toch is volop meedraaien vanaf de start van een volwaardig schoolseizoen andere koek. De eerste vier weken zitten meteen vol hoogtepunten en "uitdagingen".Wat doe je bijvoorbeeld als de klas echt niet wil, omdat "we echt te moe zijn, juf!". En hoe overtuig je pubers dat Nederlands toch echt wel een leuk vak is? Onze vaste coach aan tafel, schoolopleider Rikkert, houdt het hoofd koel en voorziet ons duo en jou als luisteraar steevast van de nodige tips en vragen die dwingen tot zelfreflectie. Overigens staat onze presentatrice Tinka zelf ook al meer dan 20 jaar voor de klas, dus verwacht van haar ook rake adviezen!In deze eerste aflevering maken we even goed kennis met onze startende docenten, en draait alles om de hectiek van de eerste weken. Hoe belangrijk is het eigenlijk om de boel meteen zo neer te zetten zoals je het wil hebben? Of krijg je nog wel een tweede kans voor een eerste indruk?

The duo also discusses their other exciting new respective directing projects coming up

The duo also discusses their other exciting new respective directing projects coming up

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedom (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Olympics celebrity supporter and an advocate for inclusion Elisabeth Röhm joins the Inclusion Revolution Radio podcast. Listen to the show to hear podcast host Novie Craven and Elisabeth Röhm discuss Elisabeth's inspiration to get involved with the Special Olympics movement, her role leading up to Special Olympics World Games Berlin 2023, her acting career, and more!

It pays to know who lives next door - whether it's the shady guy who keeps looking your way or the sweet old cat lady.

Francesca Miranda es una diseñadorade moda salvadoreña. Ella vende sus diseños en todo el mundo.Ha vestido a varias celebridades como Rebecca Mader, Sofia Milos, Andrea Minski, Elisabeth Röhm, Perrey Reeves, Shenae Grimes, Ashlan Gorse, Nadia Dawn, la esposa de Shaun Toub, Lorena Toub, Teyonah Parris y Jennifer, la esposa. En 2015, Adele eligió presentar uno de sus diseños de vestidos de novia en un artículo en la revista Glamour. Hoy presenta The Gloria.

On this special edition of "Listen in With KNN '' presented by FOX Sports Radio, host Kelsey Nicole Nelson welcomed special guest Celebrity Supporter and Law & Order alum Elisabeth Röhm. Elisabeth joins the show to discuss the recent addition of a $30 million dollar gift from Tom Golisano, Paychex founder, philanthropist, and father of a son with an intellectual disability, and the continued growth of Special Olympics Health. #LIWKNN #ListenInWithKNN --

Today on The Dr. Christopher Hall Show, Dr Hall and Neil will interview  Elisabeth Röhm of Law In Order and Notorious Nick.She will discuss her career and Special Olympics.

Today on The Dr. Christopher Hall Show, Dr Hall and Neil will interview Elisabeth Röhm of Law In Order and Notorious Nick.She will discuss her career and Special Olympics.

"Know Thy Neighbor" is a short story by Elisabeth R. Lewis. It was first published in the February 1953 issue of Galaxy Science Fiction. This is the only recorded work from Elisabeth R. Lewis, and it's a real shame. This is one of my favorite works I've read in the two seasons of Vintage Sci-Fi Shorts. If you know anything about Elisabeth R. Lewis' life or career, please send me a note on Twitter at @SciFiShortsPod. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Nick Newell will have his life story told in a new film due out on Aug. 6 with former "Teen Wolf" star Cody Christian playing the Bellator veteran and former World Series of Fighting title contender. "Notorious Nick" stars Christian alongside Barry Livingston, Kevin Pollack and Elisabeth Rohm in a film that will document Newell's rise up from the wrestling room until eventually becoming a mixed martial artist after he was born with congenital amputation on his left arm. The new trailer just released on Tuesday gives a look at what to expect in the upcoming film with Newell taking center stage in the dramatization about his real life. Here's the synopsis for "Notorious Nick," which will be released by Lionsgate: "Even though he was born with a partial left arm, Nick Newell (Cody Christian) dreams of being a fighter. After wrestling in high school, Nick becomes a fierce competitor when his best friend, Abi, introduces him to mixed martial arts. Suddenly, a tragedy provides Nick with an unexpected opportunity, but to succeed he must commit to becoming the fighter he always hoped to be. Elisabeth Röhm (American Hustle) and Kevin Pollak (The Usual Suspects) also star in this thrilling underdog tale based on an inspiring true story." The film will be released on demand starting on Aug. 6 with DVD release following on Aug. 17. "I just hope that it's something that people can relate to," Newell told MMA Fighting in 2016 about the film. "I know that might not make sense, but if you really look deep into it - me, I've never made a big deal out of having one hand. It's never been, like, 'look at me, I have one hand. Look at me, I'm doing this. I'm going to show this and prove this.' I'm a human and I have my difficulties or flaws, if you want to call it that. I don't think there's anything wrong with it, but you know, I have my problems. But everyone has problems and everyone has obstacles that they face. "I'm talking about any dream that you have. There's always something that makes it more difficult for you than others to do things, and there's a lot of people who are in situations similar to me. Maybe they have different goals, but they're facing challenges and you can't always see them. So I feel like it's going to be something that a lot of people can relate to. I look at myself as being a normal person and just an everyday guy, who, there was nothing special about me. I just had a dream to be the best at what I loved, to be the best version of myself and see how far it could go. And it went pretty far."

In this bonus episode, Kevin chats with actress Elisabeth Röhm, who played Serena Southerlyn from 2001-2005. Elisabeth gives her perspective of Serena's final scene ("Is this because I'm a lesbian?"). She also discusses her new true crime podcast "Killer's Vault." For exclusive content and more, sign up on Patreon.: https://www.patreon.com/partnersincrimemedia See omnystudio.com/listener for privacy information.

Nick Newell will have his life story told in a new film due out on Aug. 6 with former "Teen Wolf" star Cody Christian playing the Bellator veteran and former World Series of Fighting title contender. "Notorious Nick" stars Christian alongside Barry Livingston, Kevin Pollack and Elisabeth Rohm in a film that will document Newell's rise up from the wrestling room until eventually becoming a mixed martial artist after he was born with congenital amputation on his left arm. The new trailer just released on Tuesday gives a look at what to expect in the upcoming film with Newell taking center stage in the dramatization about his real life. Here's the synopsis for "Notorious Nick," which will be released by Lionsgate: "Even though he was born with a partial left arm, Nick Newell (Cody Christian) dreams of being a fighter. After wrestling in high school, Nick becomes a fierce competitor when his best friend, Abi, introduces him to mixed martial arts. Suddenly, a tragedy provides Nick with an unexpected opportunity, but to succeed he must commit to becoming the fighter he always hoped to be. Elisabeth Röhm (American Hustle) and Kevin Pollak (The Usual Suspects) also star in this thrilling underdog tale based on an inspiring true story." The film will be released on demand starting on Aug. 6 with DVD release following on Aug. 17. "I just hope that it's something that people can relate to," Newell told MMA Fighting in 2016 about the film. "I know that might not make sense, but if you really look deep into it - me, I've never made a big deal out of having one hand. It's never been, like, 'look at me, I have one hand. Look at me, I'm doing this. I'm going to show this and prove this.' I'm a human and I have my difficulties or flaws, if you want to call it that. I don't think there's anything wrong with it, but you know, I have my problems. But everyone has problems and everyone has obstacles that they face. "I'm talking about any dream that you have. There's always something that makes it more difficult for you than others to do things, and there's a lot of people who are in situations similar to me. Maybe they have different goals, but they're facing challenges and you can't always see them. So I feel like it's going to be something that a lot of people can relate to. I look at myself as being a normal person and just an everyday guy, who, there was nothing special about me. I just had a dream to be the best at what I loved, to be the best version of myself and see how far it could go. And it went pretty far."

Nick Newell will have his life story told in a new film due out on Aug. 6 with former "Teen Wolf" star Cody Christian playing the Bellator veteran and former World Series of Fighting title contender. "Notorious Nick" stars Christian alongside Barry Livingston, Kevin Pollack and Elisabeth Rohm in a film that will document Newell's rise up from the wrestling room until eventually becoming a mixed martial artist after he was born with congenital amputation on his left arm. The new trailer just released on Tuesday gives a look at what to expect in the upcoming film with Newell taking center stage in the dramatization about his real life. Here's the synopsis for "Notorious Nick," which will be released by Lionsgate: "Even though he was born with a partial left arm, Nick Newell (Cody Christian) dreams of being a fighter. After wrestling in high school, Nick becomes a fierce competitor when his best friend, Abi, introduces him to mixed martial arts. Suddenly, a tragedy provides Nick with an unexpected opportunity, but to succeed he must commit to becoming the fighter he always hoped to be. Elisabeth Röhm (American Hustle) and Kevin Pollak (The Usual Suspects) also star in this thrilling underdog tale based on an inspiring true story." The film will be released on demand starting on Aug. 6 with DVD release following on Aug. 17. "I just hope that it's something that people can relate to," Newell told MMA Fighting in 2016 about the film. "I know that might not make sense, but if you really look deep into it - me, I've never made a big deal out of having one hand. It's never been, like, 'look at me, I have one hand. Look at me, I'm doing this. I'm going to show this and prove this.' I'm a human and I have my difficulties or flaws, if you want to call it that. I don't think there's anything wrong with it, but you know, I have my problems. But everyone has problems and everyone has obstacles that they face. "I'm talking about any dream that you have. There's always something that makes it more difficult for you than others to do things, and there's a lot of people who are in situations similar to me. Maybe they have different goals, but they're facing challenges and you can't always see them. So I feel like it's going to be something that a lot of people can relate to. I look at myself as being a normal person and just an everyday guy, who, there was nothing special about me. I just had a dream to be the best at what I loved, to be the best version of myself and see how far it could go. And it went pretty far."

Nick Newell will have his life story told in a new film due out on Aug. 6 with former "Teen Wolf" star Cody Christian playing the Bellator veteran and former World Series of Fighting title contender."Notorious Nick" stars Christian alongside Barry Livingston, Kevin Pollack and Elisabeth Rohm in a film that will document Newell's rise up from the wrestling room until eventually becoming a mixed martial artist after he was born with congenital amputation on his left arm.The new trailer just released on Tuesday gives a look at what to expect in the upcoming film with Newell taking center stage in the dramatization about his real life.Here's the synopsis for "Notorious Nick," which will be released by Lionsgate:"Even though he was born with a partial left arm, Nick Newell (Cody Christian) dreams of being a fighter. After wrestling in high school, Nick becomes a fierce competitor when his best friend, Abi, introduces him to mixed martial arts. Suddenly, a tragedy provides Nick with an unexpected opportunity, but to succeed he must commit to becoming the fighter he always hoped to be. Elisabeth Röhm (American Hustle) and Kevin Pollak (The Usual Suspects) also star in this thrilling underdog tale based on an inspiring true story." The film will be released on demand starting on Aug. 6 with DVD release following on Aug. 17."I just hope that it's something that people can relate to," Newell told MMA Fighting in 2016 about the film. "I know that might not make sense, but if you really look deep into it - me, I've never made a big deal out of having one hand. It's never been, like, 'look at me, I have one hand. Look at me, I'm doing this. I'm going to show this and prove this.' I'm a human and I have my difficulties or flaws, if you want to call it that. I don't think there's anything wrong with it, but you know, I have my problems. But everyone has problems and everyone has obstacles that they face."I'm talking about any dream that you have. There's always something that makes it more difficult for you than others to do things, and there's a lot of people who are in situations similar to me. Maybe they have different goals, but they're facing challenges and you can't always see them. So I feel like it's going to be something that a lot of people can relate to. I look at myself as being a normal person and just an everyday guy, who, there was nothing special about me. I just had a dream to be the best at what I loved, to be the best version of myself and see how far it could go. And it went pretty far."Here's the trailer: https://www.youtube.com/watch?v=74vTuDfXWpE

Actress Elisabeth Röhm shares her personal journey and the lessons she's learned about resiliency and well-being on a new episode of At the Heart of It with Nancy Brown.

Elisabeth Rébeillé-Borgella, en dernière année de doctorat en histoire moderne franco-écossaise à l'université d'Edimbourg. Ma thèse porte sur Semé Stuart d'Aubigny (1542-1583), courtisan français et favori du roi Jacques VI d'Ecosse, elle est encadrée par Julian Goodare. Elle présente ici les saisons 1 et 2 d'OULANDER où elle analyse les thématiques suivantes : Place de l'histoire dans la série notamment avec la figure de Frank qui est historien et qui va faire découvrir à Claire, lors de leur voyage de noces, des endroits importants de l'histoire des Highlands. Claire, grâce à ses propres connaissances et celles transmises par son mari, tente plusieurs fois de changer le cours de l'histoire comme nous l'avons vu précédemment, mais aussi avec de simples conseils qu'elle donne comme celui destiné à la sœur de Jamie Jennie de planter des pommes de terre lors de l'épisode 14 de la saison 1. L'Ecosse et l'histoire de l'écosse au cœur de la série ainsi que la question de l'identité écossaise. Les clans des Highlands et leur culture, l'identité écossaise Qu'est-ce qu'un clan écossais au XVIIIe siècle dans les Highlands ? Culture clanique très forte et montrée (Saison 1, épisode 4 : Le Serment d'Allégeance), la relation Colum/Dugal, les relations entre les différents clans. Ecosse vs Angleterre Le point de vue de Claire anglaise du XXe, les raids des Redcoats, le diner avec les Anglais (saison 2, épisode 6 : Le Commandant de la Garnison), l'expression de l'identité écossaise et de l'identité jacobite (deux choses différentes !!) La médecine et les croyances Claire, femme médecin/guérisseuse. La place des croyances, le procès pour sorcellerie (épisode 11 : La marque du diable) La rébellion Jacobites de 1745 La cause jacobite en Ecosse (version romantique dépeinte dans Outlander) et les batailles de Prestonpans et Culloden Place de la France dans la rébellion (saison 2, épisodes 1 à 7) Le personnage de Bonnie Prince Charlie Conclusion : place d'Outlander dans la réception de l'histoire écossaise et dans le tourisme en Ecosse. Plus d'infos sur https://www.histoireenseries.com

Elisabeth Røed Gundersen - Søndag 09.05.21 by Froland Misjonskirke

Oskar Frantzèn & Elisabeth Rösehag of FLIGHT OF ICARUS and Jon chat about getting COVID, Swedish Eurovision, music theory; two tracks 'Our Burning Star', 'Fly Away', and the up-coming album, Cleo. 'Our Burning Star' https://youtu.be/ZDmSE5Nw9Ic Find out more about FLIGHT OF ICARUS at: http://www.worldoficarus.com -------------------------------------------------------------------------------------------------------------------------- Jon Harris of The Rock Metal Podcast interviews rock and metal bands to get the scoop on their latest two songs and news! Want to be on The Rock Metal Podcast? Email Jon at TheRockMetalPodcast@gmail.com Want to support The Rock Metal Podcast? Donate here: https://www.paypal.me/JonJHarris Want to be on our newsletter list? Provide your email address at https://mailchi.mp/af7a2332e334/therockmetalpodcastnewsletter

Kritiken zu "Sea Fog", "Blood On My Name" und "The Mighty Ducks - Game Changers" Review, Kritik Lockere Filmkritiken zum selbst mitmachen! Meldet euch via Mail (info@tele-stammtisch.de), Facebook, Twitter oder Instagram für den nächsten Podcast an! Website | PayPal | BuyMeACoffee Titel: Sea Fog Original: Haemoo Startdatum: 25.3.2021 Länge(min): 111 FSK: 16 Regie: Sung-bo Shim Darsteller: Kim-Yoon-Seok,Yeri Han,Yoo-Chun Park uvm. Verleih: Koch Media GmbH Trailer Titel: Blood On My Name Original: Blood On Her Name Startdatum: 25.3.2021 Länge(min): 85 FSK: 16 Regie: Matthew Pope Darsteller: Will Patton,Elisabeth Röhm,Bethany Anne Lind uvm. Verleih: Koch Media GmbH Trailer Titel: The Mighty Ducks Game Charger Original: The Mighty Ducks Game Charger Startdatum: 26.3.2021 Länge(min): 10x42 FSK: keine Angabe Regie: Michael Spinner,Jay Karas Darsteller: Emilio Estevez,Laura Graham,Brady Noon uvm Verleih: Disney + Trailer Teilnehmer*innen: Rene Facebook Renes Nerd Cave Website | Facebook | Twitter | Instagram Till Facebook | Letterboxd Berg Facebook Steven Spoilberg Website | Facebook | Twitter | Instagram | YouTube Steven Facebook Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! i used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen

Hollywood bigshot and industry insider Michael Holland welcomes us to HIS turf as we continue our transition from the cemeteries of Sunnydale to the morgues of LA. The conversation this time covers two episodes often dismissed as early-series filler, but which we argue actually have important things to say about the characters and the developing themes of the show. In 106, “Sense & Sensitivity,” we get some needed background on Det. Kate Lockley, including a genuinely marvelous emotional performance by Elisabeth Röhm, and insight into the interpersonal dynamics between our heroes. (Bonus: Angel as Magnum P.I.!) And in 107, “Bachelor Party,” Allen Francis Doyle gets a powerfully humanizing (or rather half-humanizing) storyline that makes the most of what will turn out to be the very limited time we get with the character, fleshing him out more in one episode than many shows give their cast in a full season.   NEXT: philosopher Frenchman Matthieu Cravatte joins me to probably get really sad as we discuss episodes 108, “I Will Remember You” and 109, “Hero.” Bring your own tissues.     BREAKDOWN 00:00:55  -  Intro / Guest 00:14:57  -  Main Topic 01:38:43  -  Outro / Next     LINKS Michael’s Blog  -  Holland Imaginarium     MUSIC “Conversations (feat. Wesley Mead)” by Azura (2017) “Too Sensitive” by Op Ed, Satellite (2018)

2/24/2021 – Mike and returning cohost, actress Ellee Jo Trowbridge welcomed the return of actress and country artist Shae Smolik to ConversationsRadio episode 93. Shae Smolik is an award-winning actress, and Country music singer. Splitting her time between Los Angeles and Iowa, Shae is a natural. Shae has appeared and starred in movies on SyFy, Netflix, Hallmark, Lifetime, TruTv, Amazon, Apple TV and more. She has appeared on ‘Criminal Minds,’ and Lena Waithe’s ‘The Chi.’ She was also cast as Gracie Hickey – one of the lead roles in the Go-90 series ‘Play By Play' - now streaming on RokuTV. She got her start as a model at just 6 years old. Soon after arriving in LA, she booked a National ‘Tide’ commercial, obtained her SAG card and was off and running - booking lead roles in short films, web series and National commercials. She starred opposite Elisabeth Röhm in her feature film debut 'Trafficked' then booked the lead role of 'Irene' in the horror/thriller 'The Hatred.' It’s all about her new EP - Don’t Take Him Down - available on all digital platforms - which she recorded in Nashville not too long ago. She has more music and a video dropping soon. Shae and Ellee know each other well and both starred on ‘Play by Play’ Follow Shae on Instagram @shaesmolik Enjoy the podcast!  

Now that Percy is on Mars, operations are beginning, images are being downloaded, and Pamela will finally talk about this mission on air. Plus, a Weekend Update on all the stories from last week and an interview with Dr. Elisabeth R. Newton about finding exoplanets in a river of young stars.

On this episode of Craft Service, Alaina and Malik talk with Elisabeth Röhm, actress, writer, and philanthropist as she discusses her role as a new female director and shares some personal insight from her experience in the industry. 

Elisabeth Røed Gundersen - Søndag 08.11.20 by Froland Misjonskirke

In this episode of the Strange Horizons podcast, editor Anaea Lay presents Elisabeth R. Moore's “A Layer of Catherines.” You can read the full text of the story here.

I fjor sommer hørte fastlege Elisabeth Rødland om Bright Line Eating og Spis deg fri for første gang. Det endret livet hennes – og trolig fremtiden til mange av hennes pasienter. I dagens episode forteller Elisabeth om en test, som viste hvor hekta hun var på sukker. Hvis du vil finne ut hvor på skalaen du havner, gå til www.spisdegfri.no/test og få svar.

I fjor sommer hørte fastlege Elisabeth Rødland om Bright Line Eating og Spis deg fri for første gang. Det endret livet hennes – og trolig fremtiden til mange av hennes pasienter. I dagens episode forteller Elisabeth om en test, som viste hvor hekta hun var på sukker. Hvis du vil finne ut hvor på skalaen du havner, gå til www.spisdegfri.no/test og få svar.

Episode Description: You may know actress Elisabeth Rohm from her 5 year stint as Serena Southerlyn on Law & Order, but today she tells us how radical resilience has been the ongoing theme of her life. Listen in as Lis tells us how she learned to free fall with confidence, count on herself more than anyone else, and find her joy. Hear why all of us need to be reinventing, diversifying and most of all letting love into our lives. Show Notes: Follow Elisabeth Rohm on instagram and watch her “Lunch with Lis” Lives- @elisabethrohm Get a cameo message from Lis: https://www.cameo.com/easton08 Join her FB beauty group for all her skincare advice! facebook.com/groups/beautywithlis.com Guest Bio Elisabeth was recently in the Roger Ailes biopic BOMBSHELL for Lionsgate and director Jay Roach, portraying Fox News host Martha MacCallum, and will be seen in the upcoming Ted Melfi Netflix film THE STARLING opposite Melissa McCarthy. Lis is starring in the upcoming Lifetime film MORTAL DANGER, which is slated to premiere in July, and is currently preparing to direct her first feature. Elisabeth recently appeared in the Lifetime feature FAMILY PICTURES opposite Justina Machado and previously co-starred in David O. Russell’s JOY opposite Jennifer Lawrence and Robert De Niro. This was her second collaboration with David following the huge success of AMERICAN HUSTLE in which she had a pivotal role opposite Bradley Cooper, Christian Bale and Amy Adams (the film won numerous accolades for its ensemble cast including the coveted SAG Award and both films were nominated for Oscars.) Elisabeth also had a key role in TRIBES OF PALOS VERDES opposite Jennifer Garner for IFC Films and Relativity Media. Other notable film credits include TRAFFICKED with Ashley Judd and GOING UNDER opposite Bruce Willis and Jason Momoa. Elisabeth also has a rich body of work in the television space notably starring as “Serena Southerlyn” on LAW & ORDER for five seasons and “Kate Lockley” on The WB series ANGEL. More recently, Elisabeth co-starred with Dylan McDermott and Maggie Q on STALKER for CBS and starred opposite Eric Dance on THE LAST SHIP for TNT and Michael Bay. She also had memorable arcs on Will Arnett’s Netflix series FLAKED, CBS’s Hawaii Five-0, and The CW hit show JANE THE VIRGIN.

Autor: Hager, Elisabeth R. Sendung: Lesart Hören bis: 19.01.2038 04:14

Elisabeth Rötzer, Präsidentin Institut für Natürliche Empfängnisregelung Österreich https://iner.org/de/ https://iner.org/de/mitmachen/news.html

05 - Warum unsere Kinder lesen müssen - Elisabeth Röttsches by Timon Radicke & CDU Herne

Elisabeth Røed Gundersen - Søndag 23.06.19 by Froland Misjonskirke

From her television role as Assistant District Attorney Serena Southerlyn on, Law & Order to acting across the likes of Chrisitan Bale in the Academy Award-nominated film, American Hustle. Elisabeth Röhm is not taking life for granted. This working actress' day job is to disappear into the roles of other people, but she is also honest and kind. In 2013 she wrote the book, "Baby Steps: Having the Child I Always Wanted" which documented her infertility struggles. She also blogs for People.com about parenting.In this conversation, Bobbi and Elisabeth talk about the power of positivity in career and life. Also, how to juggle a demanding job while being a present mother.

In this episode of the PS You’re Interesting podcast, Jeff Jenkins's guest is Elisabeth R. Gerber, Associate Dean for Research and Policy Engagement; Jack L. Walker, Jr. Collegiate Professor of Public Policy (UMich). They discuss the move from Political Science departments to public policy departments - how the focus has moved from theory development to theory application, and how engagement with community stakeholders outside of the university can help solve real world problems. Plus they look at some of the other questions Gerber asks in her research ... including her interest in the future of work.    Email: bedrosian.center@usc.edu Twitter: @BedrosianCenter

Today’s guest is a powerhouse force of knowledge, inspiration, and passion. From her big break on Law & Order, to her work with David O. Russell, she is full of incredible stories that detail her determination and unwillingness to give up. Her approach to her career has been uniquely strategic---she’s made her personal growth just as important as her artistic growth, and through that she’s cultivated a resilience that enables her passion to stand firm through every high and every low that comes with a dynamic Hollywood career.  Elisabeth Röhm is a German-American television and film actress. She is best known for playing Assistant District Attorney Serena Southerlyn in the American TV series Law & Order and Detective Kate Lockley in the TV series Angel, and for her work with David O. Russel in American Hustle and Joy. In addition to her on-screen work, she is also an accomplished writer. As an advocate and voice for women’s fertility issues and heart disease, she is a featured blogger for People Magazine, as well as a published novelist. Instagram: @elisabethrohm

Lotte live von der Nationalversammlung ist ein sechsteiliges Radio-Feature, das um 100 Jahre zeitversetzt „live“ von der Nationalversammlung in Weimar berichtet. Die Ausstrahlung der Sendungen findet von Februar bis August 2019 statt. Lotte live von der Nationalversammlung ist eine Produktion von Radio Lotte Weimar, mit Unterstützung des Deutschen Nationaltheaters Weimar. Gefördert durch die Initiative Thüringen 19_19, den Weimarer Republik e.V. und vom Bundesministerium der Justiz und für Verbraucherschutz aufgrund eines Beschlusses des Deutschen Bundestages. Stab: Idee und Leitung: Christian Faludi Regie und Produktion: Carolin Franke und Ida Pruchnewski Technik: Burkhard Blum Musik: Richard Siedhoff Besetzung Teil 1: Wolfgang Kammerer als Reichspräsident Friedrich Ebert Johanna Geißler als Abgeordnete Marie Juchacz Intendant des DNT Hasko Weber als Intendant des DNT Ernst Hardt Oberbürgermeister Peter Kleine als Oberbürgermeister Martin Donndorf Shanghai Drenger als Lokalreporter der Weimarischen Landeszeitung „Deutschland“ Andreas Menzel als Reporter der Vossischen Zeitung Christian Faludi als Mäzen Harry Graf Kessler Franz Schiecke als amerikanischer Reporter Philip M. Powers Synchronisation: Carolin Franke Erzählerin – Lotte: Svea Geske Foto: Marie Juchacz und Elisabeth Röhl (MSPD) in Weimar, Berliner Illustrirte Zeitung vom 9. März 1919

You know her voice. Now hear her wisdom! Law & Order, American Hustle and The Oath actor Elisabeth Röhm shares ups and downs, what she's learned + why she may have a bonus career as a motivational speaker. It's two east-coast women hanging out in Elisabeth Rohm's west-coast home. Check out what happens! You'll hear about: Law & Order Sam Waterston's advice What you don't know about Jerry Orbach American Hustle Auditioning for David O. Russell Sarah Lawrence Uta Hagen Life lessons from mom Making friends New Yorkers Dusseldorf Getting fired from One Life to Live Getting hired on Law & Order Being a full-time mom AND a working mom Life after divorce IVF Giftbags and takeaways       # EXTRAS: Behind-the-scenes photos: https://www.reallyfamouspodcast.com/now/elisabeth-rohm   Join my special insider group! http://eepurl.com/dnbUWL   Donate to Really Famous podcast and get major appreciation from me: https://www.reallyfamouspodcast.com/donate   Watch me interview Elisabeth Rohm on VIDEO (available November 15!): https://youtu.be/EaI8ZV7Y_Is   #  I want to interview ... YOU! (Or someone you know.) Want to do something spectacular for someone in your life? Give them an episode of Really Famous (for their own private collection...or yours!). I'll interview anyone you like -- your family member, friend, colleague, you -- and package it as a podcast episode. It won't air on Really Famous, but you'll have a major keepsake -- forever. Get started here: http://eepurl.com/dLXpZY # GET A FREE WEEK OF THERAPY From our sponsor, BetterHelp: Convenient, affordable, private online counseling. Anytime, anywhere. To get your free trial, click here.    # Say hi on social media. Share your thoughts with me - and everyone! Twitter: @kara1to1 https://twitter.com/kara1to1 Instagram:  @reallyfamouspodcast https://www.instagram.com/reallyfamouspodcast/ Facebook:   @karamayerrobinson https://www.facebook.com/karamayerrobinson # Celebrity interview by Kara Mayer Robinson. Music - Take a Chance by Kevin MacLeod - incompetech - Creative Commons

Ein Monat ist vergangen und es ist Zeit für die zweite Folge von Shot Stories! Dieses Mal im sommerwarmen Kreuzberg mit Negronis und der tiroler Autorin Elisabeth R. Hager. Es geht um Austriazismen, das Anderssein und gelockerte Gummibänder. Also: Schnürsenkel auf und viel Spaß! Elisabeths erster Roman "Kometen": https://bit.ly/2IZpCN1 Am 23.06. liest sie im http://ori-berlin.de . Miku könnt ihr über ihren Blog frlnkhml.wordpress.com oder via Twitter et.al. @frln_khml erreichen.

País Estados Unidos Dirección David O. Russell Guion David O. Russell, Annie Mumolo Música David Campbell, West Dylan Thordson Fotografía Linus Sandgren Reparto Jennifer Lawrence, Robert De Niro, Bradley Cooper, Isabella Rossellini, Diane Ladd, Édgar Ramírez, Virginia Madsen, Elisabeth Röhm, Dascha Polanco, Jimmy Jean-Louis, Madison Wolfe, Erica McDermott, Isabella Crovetti-Cramp, Arthur Hiou, Damien Di Paola Sinopsis Joy Mangano, una humilde trabajadora de Long Island, acabó convirtiéndose en una popular inventora de productos del hogar y también en uno de los rostros más conocidos de la teletienda americana.

Dave Mussen is on Uncontained to kick of Halloween, and talk about his movie Fat Ass Zombies. Think Shaun of the Dead, Tucker and Dale VS. Evil, mixed with Team America. A horror movie that doesn't take its self too seriously blended with an aspect of satire. We also talk about his movie that primed shortly after we talked called Trafficked starring Ashley Judd, Anne Archer, Elisabeth Röhm, Sean Patrick Flanery, Madison Wolfe, and Patrick Duffy. Trafficked is about a whole different kind of monster. The human trafficking kind. Don't worry tho Dave is one of the good guys.I hope this episode helps get you in the mood for Halloween with all the zombie talk. Please plug your ear buds in and join the conversation to see how Dave Mussen lives uncontained.https://www.facebook.com/dave.mussen.7http://www.imdb.com/name/nm5131183/?ref_=nm_mvhttp://www.imdb.com/title/tt2989692/https://twitter.com/DaveMussen @DaveMussenwww.fatasszombies.comhttps://twitter.com/FatAssZombies @FatAssZombies#conspiracytheory #zombies #FatAssZombies #FAZ #Horror #Trafficked #FAZ #FatAssZombies #zombies #zombie #FAZiscoming #zombiemakeup #zombiewalk#zombiemode #zombiemovie #brains #scary#america #horror #comedy #politicalmemes #organic #bodyparts #fakenews #vegan#undead #undeadarmy #freedomcake #brainless #freedom #merica #meateater #Uncontained #LiveUncontained #Podcast #PodcastLovers #Podcasting #Podcastculture #Interview #conversation #AaronStaticRender #UncontainedPod See acast.com/privacy for privacy and opt-out information.

So this one seems like something we should have done a long time ago, but that would be too easy! Of course you don’t want to do a movie like this without Patty Robinson! This week the crew watched Mega Shark VS Mecha Shark starring Christopher Judge, Elisabeth Röhm, Matt Lagan, Deborah Gibson and is directed by Emile Edwin […]

iTalk movies is a long-form interview series featuring leading members of the film community. In this episode, our host Frank Moran interviews K. Rocco Shields, David Tillman and Katherine LaNasa from Love Is All You Need? on the Popcorn Talk Network. Love Is All You Need? a is football love story set in a world where the social norm is reversed: homosexuality is mainstream and heterosexuality is taboo. Although the norms are reversed, this film is inspired by true events. The story unfolds in a small Indiana town that is rocked to its core when Jude, (Briana Evigan) the star quarterback of the local university strikes up a forbidden love affair with a Ryan, (Tyler Blackburn) a sports journalism major. When the couple is outed by Jude's girlfriend (Emily Osment) the community's powerful religious leader (Elisabeth Röhm) begins a vitriolic crusade from the pulpit against all heterosexuals setting off a series of catastrophic events in the lives of an 11 year ol --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Learn more about your ad choices. Visit megaphone.fm/adchoices

País Estados Unidos Director John Pasquin Guión Marc Lawrence, Katie Ford, Caryn Lucas Música Randy Edelman Fotografía Peter Menzies Jr. Reparto Sandra Bullock, Regina King, Enrique Murciano, Diedrich Bader, Elisabeth Röhm, Heather Burns, William Shatner, Ernie Hudson, Treat Williams, Leslie Grossman, Nick Offerman, John DiResta, Lusia Strus, Susan Chuang, Roxana Ortega Sinopsis La agente del FBI Gracie Hart (Sandra Bullock) aparece poco después de haber logrado frustrar un atentado contra el concurso de belleza para elegir a Miss Estados Unidos. A la vez que actúa como agente secreto, ella participa como concursante para la elección de Miss Simpatía, y se convierte en la sensación de los medios de comunicación. Las cosas no le han ido muy bien últimamente a Gracie. Todavía no recuperada del impacto de un idilio roto y preocupada por ocupar un nuevo puesto en la fama, se está arriesgando a trabajar como agente secreto, lo cual le encanta, y acepta ahora trabajar para el FBI de la única forma posible: ataviada y caracterizada para el programa de entrevistas como "la cara del FBI".

Ashley Beyer returns to join the guys in a screening of this rather odd and confusing horror film starring Elisabeth Röhm and Kaylee DeFer and directed by Britt Napier. Purge your evening with us!