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4 episodes with Thea Musgrave
3 episodes with Thea Musgrave
2 episodes with Thea Musgrave
2 episodes with Thea Musgrave
2 episodes with Thea Musgrave
What does it take to perform at your best in critical moments?It's what differentiates the great from the good. Being at the top of your game requires years of courage, skill, and discipline. This is why some falter whilst others shine.In this episode I am joined by the multi-award-winning trumpet soloist, Alison Balsom. She shares what it takes to get to, and sustain, the highest levels of performance. These are concepts and practises that leaders in all fields would do well to apply.Alison talks about how she chooses the right repertoires to play and people to work with. She also discusses the importance of finding your own interpretation of a piece and what it's like to perform with the conductors and musicians.Music plays a huge role in all our lives, whether we know it or not.This conversation is for anyone looking to perform at the highest of levels and pushing the frontiers of their craft.“It's certainly a high wire act” – Alison BalsomYou'll hear about:● Alison's process for finding the right work● How to know when the project is right for you ● Building relationships in orchestras● What helps Alison to excel?● How do you know you've impacted people?● Alison's mindset minutes before taking the stage● You are not better in rehearsal● Has Alison had moments of self-doubt?● How Alison nurtures and looks after herself● The impact Alison wants to have on the worldAbout Alison Balsom:Alison has performed as a solo trumpeter worldwide with many of the greatest conductors and orchestras of our time, including Pierre Boulez, Lorin Maazel, Claudio Abbado, the New York Philharmonic Orchestra, Philadelphia Orchestra and London Philharmonic Orchestras, as well as The Balsom Ensemble, a handpicked group of leading Baroque soloists.Balsom has commissioned much music, and had hundreds of works written for her, including by composers such as Betsy Jolas, Dobrinka Tabakova, James MacMillan, and Thea Musgrave.She has been awarded an OBE for Services to Music, and has dedicated her career to broadening the artistic horizons of the trumpet.Resources:Profile: https://bit.ly/3LTvGV0Discography: https://bit.ly/3AbVE3DConcerts: https://bit.ly/3LXD026My resources:Take my new Becoming a Strategic Leader course (https://bit.ly/3KJYDTj)Sign up to my Every Day is a Strategy Day newsletter (http://bit.ly/36WRpri) for modern mindsets and practices to help you get ahead. Subscribe to my YouTube channel (http://bit.ly/3cFGk1k) where you can watch the conversation.For more details about me:● Services (https://rb.gy/ahlcuy) to CEOs, entrepreneurs and professionals.● About me (https://rb.gy/dvmg9n) - my background, experience and philosophy.● Examples of my writing https://rb.gy/jlbdds)● Follow me and engage with me on LinkedIn (https://bit.ly/2Z2PexP)● Follow me and engage with me on Twitter (https://bit.ly/36XavNI)
The Memory Palace is a proud member of Radiotopia from PRX. Music Je ne pas si c'est tout le monde - Theme Comedie from Vincent Delerm's score to the film of the same, long name. Forbin's Hi Fi from Michel Colombier's score to Colossus: The Forbin Project Boo's Lullaby by Maria Chiara Agriro and Jamie Leeming Helle (Ballade) from the great Phillipe Sarde score to that picture. L'Espagne pour memoire from Michel Portal's score to Un et a la garoupe The Rain Never Stops on Venus by Michael Wollney Je t'ai meme pas dit by Vincent Delerm. From a Dream by Oregon A version of Narcisus for Clarinet and Electronics as played by Thea Musgrave. Notes Good sources if you want to know more are Peter Manseau's book about spirit photography and the spiritualist age (Cutting intersects interestingly with that crea), The Apparitionists, as well as this article by Jerry Ryan about the history of aquariums in Boston.
SynopsisOn today's date in 2012, at the Royal Albert Hall in London, the BBC's SCOTTISH Symphony, under the direction of SCOTTISH conductor Donald Runnicles, gave the world premiere of a new orchestral piece by the SCOTTISH composer Thea Musgrave.You might be forgiven for asking, “Were any bagpipes involved?” No, but the piece did involve the next best thing – if you're Scottish that is–namely the Loch Ness monster. The new piece was entitled Loch Ness – A Postcard from Scotland and here's how Thea Musgrave described her new work:“This Scottish loch is famous for its monster - only very occasionally seen. In this lighthearted work he, the monster (a tuba), emerges from the depths (E flat) to find the sun (A major) coming out from a thick mist (string clusters). “As he plays he is warmed by the sparkling sun (trumpets) and by the strains of an ancient Scottish melody. As the sun goes down, he dives back into the deep waters with a big splash. Then a cool moon rises, a light breeze ruffles the surface of the waters, and all is at peace.”Music Played in Today's ProgramThea Musgrave (b. 1928) Loch Ness – A Postcard from Scotland BBC National Orchestra of Wales; William Boughton, conductor. Lyrita 372
Donald Macleod celebrates the programme's 80th anniversary with highlights from 10 memorable interviews Composer of the Week is one of the longest-running strands on the BBC, first heard on the airwaves during the Second World War on the 2nd of August 1943. The first to be featured was Mozart – and today, the programme tells the stories of well-known and rediscovered composers across classical music, jazz, contemporary and beyond. Donald Macleod celebrates its 80th anniversary with highlights and behind-the-scenes stories from his encounters with some of our greatest living composers. Across the week, he looks back on 10 memorable interviews from his nearly 25 years in the presenter's chair, showcasing the range of musical styles and personalities he's encountered. Part 1 includes interviews with Stephen Sondheim, Judith Weir, Meredith Monk, Steve Reich & Harrison Birtwistle. Part 2 includes interviews with Hans Werner Henze, Adolphus Hailstork, Thea Musgrave, Anoushka Shankar & Oliver Knussen. Music Featured: Stephen Sondheim: Pretty Little Picture (from A Funny Thing Happened on the Way to the Forum) Jule Styne/Stephen Sondheim: Everything's Coming Up Roses (from Gypsy) Stephen Sondheim: Free (from A Funny Thing Happened on the Way to the Forum) Stephen Sondheim: There's Always a Woman (from Anyone Can Whistle) Judith Weir: Variations For Judith, No 5 Judith Weir: Vertue for chorus Judith Weir: Piano Quartet (1st movement) Judith Weir: Airs from Another Planet for wind quintet and piano (excerpt) Meredith Monk: Gothum Lullaby Meredith Monk: Quarry (Quarry Weave 2) Meredith Monk: Dolmen Music (excerpt) Steve Reich: The Cave (excerpts from Act III) Steve Reich: Different Trains (iii. Europe, After the War) Steve Reich: Piano Phase (remixed by D*Note) Harrison Birtwistle: Virelai (sous une fontayne) Harrison Birtwistle: The Minotaur (Part Two – excerpt) Harrison Birtwistle: The Moth Requiem Hans Werner Henze: Chamber Concerto, Op 1 (final movement) Hans Werner Henze: Serenade for piano trio (Adagio, Adagio) Hans Werner Henze: Scorribanda sinfónica Hans Werner Henze: Requiem (excerpt) Adolphus Hailstork: Fanfare on Amazing Grace Adolphus Hailstork: Three Spirituals for Orchestra Adolphus Hailstork: Symphony No 2 (excerpts) Thea Musgrave: On the Underground, Set 1: Sometimes Thea Musgrave: Two's Company Anoushka Shankar: Traces of you Anoushka Shankar: Voice of the Moon Anoushka Shankar: Red Sun Oliver Knussen: Flourish with Fireworks, Op 22 Oliver Knussen: Music for a Puppet Court, Op 11 Oliver Knussen: …Upon One Note Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anniversary Special: Composers in Conversation https://www.bbc.co.uk/programmes/m001p28b And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod celebrates the programme's 80th anniversary with highlights from 10 memorable interviews Composer of the Week is one of the longest-running strands on the BBC, first heard on the airwaves during the Second World War on the 2nd of August 1943. The first to be featured was Mozart – and today, the programme tells the stories of well-known and rediscovered composers across classical music, jazz, contemporary and beyond. Donald Macleod celebrates its 80th anniversary with highlights and behind-the-scenes stories from his encounters with some of our greatest living composers. Across the week, he looks back on 10 memorable interviews from his nearly 25 years in the presenter's chair, showcasing the range of musical styles and personalities he's encountered. Part 1 includes interviews with Stephen Sondheim, Judith Weir, Meredith Monk, Steve Reich & Harrison Birtwistle. Part 2 includes interviews with Hans Werner Henze, Adolphus Hailstork, Thea Musgrave, Anoushka Shankar & Oliver Knussen. Music Featured: Stephen Sondheim: Pretty Little Picture (from A Funny Thing Happened on the Way to the Forum) Jule Styne/Stephen Sondheim: Everything's Coming Up Roses (from Gypsy) Stephen Sondheim: Free (from A Funny Thing Happened on the Way to the Forum) Stephen Sondheim: There's Always a Woman (from Anyone Can Whistle) Judith Weir: Variations For Judith, No 5 Judith Weir: Vertue for chorus Judith Weir: Piano Quartet (1st movement) Judith Weir: Airs from Another Planet for wind quintet and piano (excerpt) Meredith Monk: Gothum Lullaby Meredith Monk: Quarry (Quarry Weave 2) Meredith Monk: Dolmen Music (excerpt) Steve Reich: The Cave (excerpts from Act III) Steve Reich: Different Trains (iii. Europe, After the War) Steve Reich: Piano Phase (remixed by D*Note) Harrison Birtwistle: Virelai (sous une fontayne) Harrison Birtwistle: The Minotaur (Part Two – excerpt) Harrison Birtwistle: The Moth Requiem Hans Werner Henze: Chamber Concerto, Op 1 (final movement) Hans Werner Henze: Serenade for piano trio (Adagio, Adagio) Hans Werner Henze: Scorribanda sinfónica Hans Werner Henze: Requiem (excerpt) Adolphus Hailstork: Fanfare on Amazing Grace Adolphus Hailstork: Three Spirituals for Orchestra Adolphus Hailstork: Symphony No 2 (excerpts) Thea Musgrave: On the Underground, Set 1: Sometimes Thea Musgrave: Two's Company Anoushka Shankar: Traces of you Anoushka Shankar: Voice of the Moon Anoushka Shankar: Red Sun Oliver Knussen: Flourish with Fireworks, Op 22 Oliver Knussen: Music for a Puppet Court, Op 11 Oliver Knussen: …Upon One Note Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anniversary Special: Composers in Conversation https://www.bbc.co.uk/programmes/m001p28b And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
This episode, in which the host is joined by his wonderful girlfriend, features Thea Musgrave's Aurora and Rainbow and a random assortment of topics including climate change and female politicians.
Robert and Eamonn just about made it through the autumn - even a brief encounter in Dublin - and chat through recent times, looking forward to 2023. After lockdowns and the post-crisis desperation for work, has anything changed? Music by Kim Porter, Thea Musgrave, Judith Weir, H.Diack Johnstone, Monteverdi and some 16th century pluckers. Performances by Chamber Choir Ireland, National Youth Choir of Scotland, Bath Camerata, New College, Oxford, I Fagiolini (and José Feliciano).Support this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.
Super excited to welcome back Doris Hall-Gulati, to The Story!Most recently, Doris won a 2018 GRAMMY AWARD as clarinet soloist with “The Crossing” on an Oratorio by Lansing McLoskey titled ZEALOT CANTICLES. Doris can also be heard on the MMC, Naxos and New World record labels. About the recent Naxos recording of Hansen's "Nymphs and Satyr Ballet Suite," Paul Cook of classicstoday.com, was moved to say, "I was particularly taken (by) Doris Hall-Gulati on the clarinet." A new recording of clarinet and bass clarinet works by John Carbon was released in September 2017, and in 2018 she has recorded new works with several composers and is awaiting their release. Most recently, Doris has recorded works with Lyric Fest, Mendelssohn Club of Philadelphia, The Crossing and composer Kile Smith.After being awarded First Prize in the Louise D. McMahon International Music Competition, Doris gave her New York City debut, performing the world premiere of John Carbon's "Rhapsody for Clarinet and Orchestra," at Avery Fischer Hall, Lincoln Center, with Gerard Schwarz and the New York Chamber Symphony. About the performance, Allan Kozinn of The New York Times wrote, "... a demandingly agile clarinet line, played with both virtuosity and nuance by Doris J. Hall-Gulati, wove its way through a variegated orchestra fabric." Ms. Hall-Gulati made her Carnegie (Weill) Hall debut playing with the Alaria Chamber Ensemble, and her Merkin Hall debut, premiering Thea Musgrave's "Ring Out Wild Bells," with the Philadelphia Trio.In addition to her position as Principal Clarinet in The Chamber Orchestra of Philadelphia, The Ocean City, NJ Pops Orchestra and the PA Philharmonic Orchestra. Doris is also Acting Principal Clarinet/ Bass Clarinetist of Opera Philadelphia and Assistant Principal/Bass Clarinetist with the Lancaster Symphony. She also performs regularly with the PA Ballet, The Philly Pops, the Delaware Symphony, Orchestra 2001 and Vox Amadeus. In 2011, Doris became an Artist-in-Residence at Franklin & Marshall College in Lancaster, PA and is happy to have joined the faculty of the Lancaster Bible College in 2015.Doris earned her Bachelor's degree from the Peabody Conservatory of Music, and she received a Masters in Music studying on a graduate fellowship from the University of Michigan. Doris is a Phi Kappa Lambda. Her principal instructors have been Ignatius Gennusa, Loren Kitt, and Fred Ormand. She was introduced to chamber music by Karen Tuttle, whom Doris greatly admired.Find Doris' work here:Youtube: https://www.youtube.com/channel/UCAnH0WHnyRA4RDB-E3S0ulwSpotify: https://open.spotify.com/artist/61CswefV5Xl3aTf0MMCWMw...Support this podcast at — https://redcircle.com/the-story/donations
I can't overstate how excited I am to introduce new guest, Doris Hall-Gulati, to The Story!Most recently, Doris won a 2018 GRAMMY AWARD as clarinet soloist with “The Crossing” on an Oratorio by Lansing McLoskey titled ZEALOT CANTICLES. Doris can also be heard on the MMC, Naxos and New World record labels. About the recent Naxos recording of Hansen's "Nymphs and Satyr Ballet Suite," Paul Cook of classicstoday.com, was moved to say, "I was particularly taken (by) Doris Hall-Gulati on the clarinet." A new recording of clarinet and bass clarinet works by John Carbon was released in September 2017, and in 2018 she has recorded new works with several composers and is awaiting their release. Most recently, Doris has recorded works with Lyric Fest, Mendelssohn Club of Philadelphia, The Crossing and composer Kile Smith.After being awarded First Prize in the Louise D. McMahon International Music Competition, Doris gave her New York City debut, performing the world premiere of John Carbon's "Rhapsody for Clarinet and Orchestra," at Avery Fischer Hall, Lincoln Center, with Gerard Schwarz and the New York Chamber Symphony. About the performance, Allan Kozinn of The New York Times wrote, "... a demandingly agile clarinet line, played with both virtuosity and nuance by Doris J. Hall-Gulati, wove its way through a variegated orchestra fabric." Ms. Hall-Gulati made her Carnegie (Weill) Hall debut playing with the Alaria Chamber Ensemble, and her Merkin Hall debut, premiering Thea Musgrave's "Ring Out Wild Bells," with the Philadelphia Trio.In addition to her position as Principal Clarinet in The Chamber Orchestra of Philadelphia, The Ocean City, NJ Pops Orchestra and the PA Philharmonic Orchestra. Doris is also Acting Principal Clarinet/ Bass Clarinetist of Opera Philadelphia and Assistant Principal/Bass Clarinetist with the Lancaster Symphony. She also performs regularly with the PA Ballet, The Philly Pops, the Delaware Symphony , Orchestra 2001and Vox Amadeus. In 2011, Doris became an Artist-in-Residence at Franklin & Marshall College in Lancaster, PA and is happy to have joined the faculty of the Lancaster Bible College in 2015.An advocate for new music, Doris has performed in music festivals and on multiple Series as soloist and chamber musician throughout the world. Doris is a member of the FULBRIGHT-HAYS awarded ensemble Trio Clavino, performing throughout the US, Europe and Asia. Doris also performs annually with Beyond Ourselves, a group of chamber musicians who performs to help raise monies for MCC (Mennonite Central Committee) peace-keeping efforts around the world. In 2018, this four-member ensemble plus guests raised funds for the MCC/MDS post-hurricane efforts in Puerto Rico and Haiti. Doris also spent time in CUBA and BERMUDA in June 2017, volunteering as a clarinet instructor and mentor.Doris earned her Bachelor's degree from the Peabody Conservatory of Music, and she received a Masters in Music studying on a graduate fellowship from the University of Michigan. Doris is a Phi Kappa Lambda. Her principal instructors have been Ignatius Gennusa, Loren Kitt, and Fred Ormand. She was introduced to chamber music by Karen Tuttle, whom Doris greatly admired.Doris and her husband Andy are active in the Catastrophic Relief Alliance. This is a grass roots organization composed of college students and local craftspeople whose mission is to help those in need. CRA strives to provide support by rebuilding homes affected by natural disasters. Their most recent trip was in January 2019, traveling to New Orleans to assist with the continued recovery from the Hurricane Katrina devastation.Find Doris' work here:Youtube: https://www.youtube.com/channel/UCAnH0WHnyRA4RDB-E3S0ulwSpotify: https://open.spotify.com/artist/61CswefV5Xl3aTf0MMCWMw...Support this podcast at — https://redcircle.com/the-story/donations
Synopsis In a creative life that spanned over 60 years, the American composer Howard Hanson never wavered in his belief that music should be tonal in nature and fundamentally Romantic in style, with strong and clear melodic lines. By the mid-1950s, many other European and American composers were espousing a far different approach to music, favoring an abstract and often densely complex style, more in harmony with the non-representational canvases of the painter Jackson Pollack than the meticulous realism of, say, Norman Rockwell. On today's date in 1955, this music, Hanson's Symphony No. 5, had its premiere performance by the Philadelphia Orchestra under Eugene Ormandy. It's the most compact of Hanson's seven symphonies, a single-movement work in three sections lasting just 15 minutes. Hanson titled the work “Sinfonia Sacra” or “A Sacred Symphony,” and suggested it was inspired by the account of Christ's resurrection in the Gospel of St. John. “The Sinfonia Sacra does not attempt programmatically to tell the story of the first Easter,” wrote Hanson, “but does attempt to invoke some of the atmosphere of tragedy and triumph, mysticism and affirmation of this story, which is the essential symbol of the Christian faith.” Music Played in Today's Program Howard Hanson (1896 - 1981) — Symphony No. 5 (Sinfonia Sacra) (Seattle Symphony; Gerard Schwarz, cond.) Delos 3130 On This Day Births 1632 - Italian composer Giovanni Battista Vitali, in Bologna; 1864 - American music publisher Gustave Schirmer, Jr., in New York City, son of the German-born music publisher Gustave Schirmer, Sr. 1915 - French composer Marcel Landowski in Prêt L'Abbé (Finistère); 1939 - Brazilian composer, conductor and pianist Marlos Nobre, in Recife; Deaths 1956 - French composer French composer Gustave Charpentier, age 95, in Paris; Premieres 1743 - Handel: oratorio “Samson,” at Covent Garden Theatre in London, and possibly the premiere of Handel's recently-completed Organ Concerto Op. 7, no. 2 at the same concert (Gregorian date: Mar. 1); 1874 - Rimsky-Korsakov: Symphony No. 3, in St. Petersburg (Gregorian date: Mar. 2); 1893 - Berlioz: "La Damnation de Faust" (as a staged opera), in Monte Carlo with a cast headed by tenor Jean de Reske; Berlioz conducted the first concert performance of this work (as an oratorio) at the Opéra-Comique in Paris on Dec. 6, 1946; 1893 - Brahms: Intermezzo No. 1, for piano, from Op. 117, in Vienna; 1895 - Loeffler: Quintet for three violins, viola and cello, at Boston's Union Hall by the Kneisel Quartet joined by violinist William Kraft; 1916 - Daniel Mason: First Symphony (first version), by the Philadelphia Orchestra, Leopold Stokowski conducting; 1919 - Deems Taylor: chamber suite "Through The Looking Glass," by the New York Chamber Music Society; 1947 - Menotti: one-act opera "The Telephone," in New York City at the Heckscher Theater; 1952 - Prokofiev: Sinfonia Concertante, Op. 125 (as "Cello Concerto" No. 2), in Moscow, with Sviatoslav Richter conducting and Mstislav Rostropovich the soloist; 1955 - Hanson: Symphony No. 5 ("Sinfonia Sacra"), the Philadelphia Orchestra, Eugene Ormandy conducting; 1965 - Ginastera: Harp Concerto, by harpist Nicanor Zabaleta , with the Philadelphia Orchestra, Eugene Ormandy conducting; 1998 - Thea Musgrave: "Phoenix Rising," at the Royal Festival Hall in London, by the BBC Symphony, Andrew Davis conducting. Links and Resources On Howard Hanson
Synopsis On today's date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer, teacher, and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral music, you're probably familiar with Duruflé's serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Duruflé's Op. 5 premiered in 1935, his Op. 9 in 1947, so you might reasonably conclude the composer was a slow worker – which he was. He was also a very self-critical perfectionist whose catalog of works is rather small, but exquisitely crafted. In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. Duruflé's music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and orchestral composers like Debussy, Ravel, and Duruflé's own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain, when asked to describe Duruflé's music, replied "it is a perfectly honest art… He was not an innovator but a traditionalist… Duruflé evolved and amplified the old traditions, making them his own." Music Played in Today's Program Maurice Durufle (1902-1986) — Organ Suite, Op. 5 (Todd Wilson, o (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas)) Delos 3047 On This Day Births 1752 - Italian composer Muzio Clementi, in Rome; 1878 - English composer Rutland Boughton, in Aylesbury; Deaths 1837 - Irish composer John Field, age 54, in Moscow (Julian date: Jan.11); 1908 - American composer and pianist Edward MacDowell, age 47, in New York; 1981 - American composer Samuel Barber, age 70, in New York; Premieres 1724 - Bach: Sacred Cantata No. 73 ("Herr, wie du willst, so schicks mit mir") performed on the 3rd Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1729 - Bach: Sacred Cantata No. 156 ("Ich steh mit einem Fuss im Grabe") probably performed in Leipzig on the 3rd Sunday after Epiphany as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1895 - MacDowell: Suite No. 2 (":Indian"), at the old Metropolitan Opera House in New York City, by the Boston Symphony, with Emil Paur conducting; On the same program, MacDowell appeared as the soloist in his own Piano Concerto No. 1; 1933 - Bartók: Piano Concerto No. 2, in Frankfurt, with Hans Robaud conducting and the composer as soloist; 1936 - Chavez: "Sinfonia India," on a radio broadcast by the Columbia Symphony, conducted by the composer; 1948 - Diamond: Symphony No. 4, by the Boston Symphony, Leonard Bernstein conducting; 1963 - Peter Mennin: Symphony No. 7, by the Cleveland Orchestra, George Szell conducting; 1973 - Elliott Carter: String Quartet No. 3, in New York City, by the Juilliard String Quartet; This work won the Pulitzer Prize for music in that year (This was Carter's second Pulitzer Prize); 1999 - Thea Musgrave: "Three Women," in San Francisco, by the Women's Philharmonic, A. Hsu conducting; Others 1894 - Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir; On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh; 1943 - Duke Ellington and his orchestra present their first concert at Carngie Hall in New York, presenting the "official" premiere of Ellington's "Black, Brown and Beige" Suite (This work had received its world premiere at a trial performance the preceding day at Rye High School in Rye, New York). Links and Resources On Dvořák On Ellington
If you've ever wondered why you love blue and hate the colour khaki, or have spent hours arguing over a colour chart because you and your partner can't agree on how to paint the bedroom, you'll be fascinated by Professor Anya Hurlbert. She's a neuroscientist and a leading researcher into how the brain perceives colour, and why we feel so strongly about it. Brought up in Texas, studying at Princeton and Harvard, she is now Professor of Visual Neuroscience at the University of Newcastle; she's also spent years advising the National Gallery on how to show their pictures so we can see the colours most vividly. She's married to the science writer Matt Ridley. In conversation with Michael Berkeley, Anya Hurlbert discusses the scientific research that reveals the world's favourite colour: blue. She talks about how the brain processes colour, and why colour perception is so individual and so bafflingly complex. A few years ago for instance, ten million people took to Twitter to argue about the colour of ‘The Dress' – was it blue and black, or white and gold? Professor Hurlbert got hold of the real dress, put it in a tent in Newcastle, and invited people to come look at it. So, can she tell us what colour it is really? Music is incredibly important in Anya Hurlbert's life, and she grew up with an ambition to be a concert pianist. She still finds that playing Bach ‘calms her soul'. Music choices include Bach, Beethoven, and two composers she believes should be better known: Thea Musgrave and Elisabeth Lutyens. She chooses a song by Schubert which is all about the colour green. And she reveals her passion for country music, with Jerry Jeff Walkers “Up Against the Wall, Red Neck Mother”. Produced by Elizabeth Burke. A Loftus Media production for BBC Radio 3
Fanny Mendelssohn, Felix Mendelssohn's older sister, was a talented pianist and composer. So was Clara Schumann, wife of composer Robert Schumann. Also featured: music of Elizabeth-Claude Jacquet de la Guerre, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Amy Beach, and Thea Musgrave.
Half a millennium after the composer's death, Tom Service explores the enduring appeal of Josquin des Prez with the scholar Bonnie Blackburn and soprano Kate Ashby. Tom also catches-up with the 21 year-old conductor Stephanie Childress, recently appointed Assistant Conductor of the St Louis Symphony Orchestra, and hears her thoughts about why conducting matters in the world right now. Professor of Musicology at Oxford University, Jonathan Cross; the Founder and CEO of Grange Park Opera, Wasfi Kani; and The Royal Opera’s Director of Opera, Oliver Mears join Tom to discuss whether opera is doing enough to reflect diversity of voice, repertoires, and composers. And, Tom speaks to the Scottish-born composer Thea Musgrave at her home in Los Angeles about compositional decisions in a time of pandemic, and Light at the end of the tunnel. With thanks to New York based Utopia Opera for their kind permission to feature music from their 2018 production of Thea Musgrave's 'The Story of Harriet Tubman', with MaKayla M. McDonald singing the title role. The production celebrated Thea’s 90th birthday with the orchestra of Utopia Opera conducted by William Remmers. Julian Grant was the orchestrator.
This week we hear works by Richard Strauss, Anton Webern, Erwin Schulhoff, Akira Ifukube, Bruno Maderna, Christopher Rouse, Thea Musgrave, John Adams, Frano Parać, Carl Vine, and Rufus Wainwright. 171 Minutes – Week of November 16, 2020
On today’s date in 2012, at the Royal Albert Hall in London, the BBC’s SCOTTISH Symphony, under the direction of SCOTTISH conductor Donald Runnicles, gave the world premiere of a new orchestral piece by the SCOTTISH composer Thea Musgrave. You might be forgiven for asking, “Were any bagpipes involved?” No, but the piece did involve the next best thing¬–¬if you’re Scottish that is–namely the Loch Ness monster. The new piece was entitled “Loch Ness – A Postcard from Scotland” and here’s how Thea Musgrave described her new work: “This Scottish loch is famous for its monster - only very occasionally seen. In this lighthearted work he, the monster (a tuba), emerges from the depths (E flat) to find the sun (A major) coming out from a thick mist (string clusters). “As he plays he is warmed by the sparkling sun (trumpets) and by the strains of an ancient Scottish melody. As the sun goes down, he dives back into the deep waters with a big splash. Then a cool moon rises, a light breeze ruffles the surface of the waters, and all is at peace.”
On today’s date in 2012, at the Royal Albert Hall in London, the BBC’s SCOTTISH Symphony, under the direction of SCOTTISH conductor Donald Runnicles, gave the world premiere of a new orchestral piece by the SCOTTISH composer Thea Musgrave. You might be forgiven for asking, “Were any bagpipes involved?” No, but the piece did involve the next best thing¬–¬if you’re Scottish that is–namely the Loch Ness monster. The new piece was entitled “Loch Ness – A Postcard from Scotland” and here’s how Thea Musgrave described her new work: “This Scottish loch is famous for its monster - only very occasionally seen. In this lighthearted work he, the monster (a tuba), emerges from the depths (E flat) to find the sun (A major) coming out from a thick mist (string clusters). “As he plays he is warmed by the sparkling sun (trumpets) and by the strains of an ancient Scottish melody. As the sun goes down, he dives back into the deep waters with a big splash. Then a cool moon rises, a light breeze ruffles the surface of the waters, and all is at peace.”
This podcast shares highlights from our inaugural 2019 Composium. Listen to Thea Musgrave‘s inspiring keynote speech, and our first panel discussion hosted by broadcaster Katy Hamilton, with speakers Lucy Schaufer mezzo-soprano, Zoe Martlew, cellist and composer, James Murphy, Chief Executive of the Royal Philharmonic Society and Vanessa Reed, Chief Executive of the PRS Foundation. Composium was kindly supported by Penny McCracken & John Mumford, The John S Cohen Foundation and The Michael Tippett Musical Foundation. In partnership with PRS for Music and Wild Plum Arts.
In our February 2020 podcast, we discuss cellist Sheku Kanneh-Mason’s entry into the Official UK Album Chart, the first cellist in history to do so. We also analyse the nominees for Best Original Score at this year’s Oscars, BAFTAs and Golden Globes, and look at who from the classical music was named on the New Year’s Honours list this year.Also this episode, we listen to extracts from both our cover CD and our Recording of the Month, the latter of which is pianist Angela Hewitt performing Bach’s Partitas. Plus, we bring you the nominees for this year’s BBC Music Magazine Awards!As usual, we each bring along a recording we’ve discovered and have been enjoying this month, from piccolo music by Thea Musgrave to Spanish piano music by Granados.This episode is presented by editor Oliver Condy, who is joined by editorial assistant Freya Parr and reviews editor Michael Beek. It was produced by Ben Youatt and Jack Bateman.News:Judith Bingham: The Drowned LoversMaria Forsström (mezzo-soprano), Swedish Chamber Choir/Simon PhippsChandos CHSA5255Elgar: Enigma Variations – NimrodSheku Kanneh-Mason (cello), Ben Davies (cello), Hannah Roberts (cello), Josephine Knight (cello), Caroline Dearnley (cello), Ashok Khluda (cello)Decca 4850241The Magazine:Beethoven: Symphony No. 5: I. Allegro con brioBBC Philharmonic/Gianandrea NosedaJS Bach: Partita No. 1 in B flat: VI. GigueAngela Hewitt (piano)Hyperion CDA68271/2First Listen:Phantasm: Clavierubung IIIThe Well-Tempered ConsortPhantasmLinn CKD618Granados: Oriental (Danza Espanola)SaudadesRomain Nosbaum (piano)ARS Produktion ARS38287Thea Musgrave: Piccolo Play: IV. Les PapillonsMighty MetamorphosesPeter Verhoyen (piccolo), Stefan De Schepper (piano)Etcetera Records KTC1668 See acast.com/privacy for privacy and opt-out information.
durée : 01:00:14 - En pistes, contemporains ! du dimanche 05 janvier 2020 - par : Emilie Munera - David Hill, Twanie Olson, Philipp Glass, Dusapin, Marciej Staszewski, Pawel Lukaszewski, Thea Musgrave, Matt Smith, Samuel Andreyev - réalisé par : Claire Lagarde
O'Hooley and Tidow the English Folk duo from Yorkshire talk to us about their track Gentleman Jack and perform Beryl.We discuss how some women's centre are being used to facilitate community payback, and how this is affecting vulnerable women with Dr Kate Paradine the CEO of Women in Prison, Nicola Harding who has a PHD in Community Punishment and is a Criminology researcher at Lancaster University and from Sharna Kennedy from the Women's Centre Tomorrow's Women Wirral.The Scottish American composer Thea Musgrave tells us about still working at 91, her career in music and how she copes with some hearing loss. We look at job sharing with two women Maggy Pigott and Judith Killick who job shared for 23 years and received a joint CBE. We discuss how 50 years on from the Stonewall riots whether the visability of lesbians has changed with Angela Mason former Stonewall Director 1992-2000, Kate Davies the novelist, Angela Wild the lesbian feminist activist from Get the L Out and from Phyll Opoku-Gyimah.Julie Heldman the former American tennis player who won 22 tournaments tells us about her time on the tennis circuit and the role of her mother Gladys in her pursuing her tennis career.Presented by Jenni Murray Producer: Rabeka Nurmahomed Editor: Jane Thurlow
It's 50 years since the Stonewall riots, a defining moment in the history of the gay rights movement. We ask how visible lesbians were in those early days and how or whether this has changed as rights have progressed and the movement is now ever more inclusive.Scottish-American composer Thea Musgrave is one of the most respected composers of opera and classical music. At 91 she's still working and is soon to have the world premiere of her trumpet concerto at the Cheltenham Music Festival. Lisa Taddeo spent eight years talking to three women about their sex lives. Why? And what does the book have to tell us about shame, intimacy, pleasure and love?Presenter: Jane Garvey Interviewed guest: Angela Mason Interviewed guest: Angela Wild Interviewed guest: Kate Davies Interviewed guest: Thea Musgrave Interviewed guest: Lisa Taddeo Producer: Lucinda Montefiore
The playwright David Hare is adapting Ibsen’s Peer Gynt, an epic story of vanity and egotism. He tells Tom Sutcliffe his radical new working keeps the mountain of trolls but becomes a contemporary reflection of toxic masculinity in the age of the selfie. The writer Lucy Hughes-Hallett reincarnates ancient myths and folklore in her collection of short stories, Fabulous. Old tales from Orpheus to Mary Magdalen and Psyche, find new homes in the lives of a people-trafficking gangmaster and a well-behaved librarian. The great story-teller Stephen Fry breathes fresh life into the Greek myths as he prepares to embark on his first UK tour for forty years. From the creation of the Cosmos and the feuding of the Gods, to the extraordinary battles and epic journeys of the heroes, these tales still echo for audiences today. Alison Balsom is a world-renowned trumpeter who moves seamlessly through different periods of music in her curation of this year’s Cheltenham Music Festival. She explains her deep passion for the world of baroque music and the excitement of playing a new piece for the very first time, as she prepares for the premiere of Thea Musgrave’s Trumpet Concerto. Producer: Katy Hickman
Panelen saknar svindelkänslan i en ny Debussy-inspelning, men hyllar Torbjörn Iwan Lundquists ekologiska symfoni. Och så möter vi en musikens grand old lady, den skotska tonsättaren Thea Musgrave, 90. Veckans skivor: DEBUSSY LA MER/LE MARTYRE DE SAINT SÉBASTIEN Musik av Claude Debussy: Förspel till En fauns eftermiddag, Havet och Den helige Sebastians martyrium Philharmonia Orchestra i London Pablo Heras-Casado, dirigent Harmonia Mundi HMM 902310 Betyg: 4 LOUIS COUPERIN PAVEL KOLESNIKOV Musik av Louis Couperin Dances from the Bauyn Manuscript Pavel Kolesnikov, piano Hyperion CDA 68224 Betyg: 4 ANA DE LA VEGA MOZART/MYSLIVECEK FLUTE CONCERTOS Flöjtkonserter av W.A. Mozart och Josef Myslivecek Ana de la Vega, flöjt Engelska kammarorkestern Pentatone PTC 5186 723 Betyg: 2 TORBJÖRN IWAN LUNDQUIST Symfoni nr 3 och 4 av Torbjörn Iwan Lundquist Göteborgssymfonikerna Torbjörn Iwan Lundquist och Sixten Ehrling, dirigenter Sterling CDM 3004-2 Betyg: 5 Musikrevyn möter: Thea Musgrave Det var den klassiska musiken som lyfte den skotska tonsättaren Thea Musgrave, 90, ur krigets mörker 1945. Efter att ha upplevt en musikfestival i hemstaden Edinburgh utbildade hon sig till pianist och dirigent och studerade för bland andra Nadia Boulanger i Paris. Nu är hon aktuell på tonsättarfestivalen i Stockholms konserthus. Sofia Nyblom har träffat henne. Johans bästa: "Man måste våga överdriva" Musikrevyns programledare Johan Korssell väljer sina favoriter i den aktuella skivutgivningen. Den här veckan rekommenderar han en ny inspelning av Gustaf Mahlers sjätte symfoni under ledning av Teodor Currentzis, utgiven på Sony.
Over 60 years of composing, Thea Musgrave is a powerful voice that demand respect around the world. We're taking a deep-dive into her massive library and showcasing her eclectic range including chamber, orchestral, and electronic works. Hosted by Seth Boustead Produced by Dan Goldberg Music Turbulent Landscapes BBC Symphony Orchestra; Osmo Vänskä, conductor Concerto for Orchestra Gervase de Peyer, clarinet; Scottish National Orchestra; Alexander Gibson, conductor Green Scottish Ensemble Impromptu No. 1 Nicolas Daniel, oboe; Emer McDonough, flute
Composer Thea Musgrave celebrated her 90th birthday this year, an event marked by celebrations and concerts around the world, including the BBC Proms and the Edinburgh International Festival. She has published more than 150 compositions, including major orchestral works and numerous operas, and continues to write every day. Thea was born in Edinburgh in May 1928, and still has sharp memories of hearing news of the Dunkirk evacuation in 1940. She learned the piano as a child, but had ambitions to become a doctor. She began medical studies at the University of Edinburgh, but after struggling with the sciences, she switched to the music department, which happened to be in an adjacent building. In the early 1950s, she spent four years studying composition with Nadia Boulanger in Paris before moving to London and establishing herself as a prominent member of British musical life. In 1970 she became Guest Professor at the University of California, Santa Barbara. In 1971 she married the American opera conductor Peter Mark, and she has lived in the United States since 1972. She was awarded a CBE in 2002, and earlier this year she was presented with The Queen's Medal for Music. Presenter: Lauren Laverne Producer: Sarah Taylor
Composer Thea Musgrave celebrated her 90th birthday this year, an event marked by celebrations and concerts around the world, including the BBC Proms and the Edinburgh International Festival. She has published more than 150 compositions, including major orchestral works and numerous operas, and continues to write every day. Thea was born in Edinburgh in May 1928, and still has sharp memories of hearing news of the Dunkirk evacuation in 1940. She learned the piano as a child, but had ambitions to become a doctor. She began medical studies at the University of Edinburgh, but after struggling with the sciences, she switched to the music department, which happened to be in an adjacent building. In the early 1950s, she spent four years studying composition with Nadia Boulanger in Paris before moving to London and establishing herself as a prominent member of British musical life. In 1970 she became Guest Professor at the University of California, Santa Barbara. In 1971 she married the American opera conductor Peter Mark, and she has lived in the United States since 1972. She was awarded a CBE in 2002, and earlier this year she was presented with The Queen's Medal for Music. Presenter: Lauren Laverne Producer: Sarah Taylor
Donald Macleod is in conversation with Thea Musgrave as she celebrates her 90th birthday. Donald and Thea begin by discussing her dream of becoming a composer, and the dreams that have inspired her works. Born in Edinburgh, Thea left her medical degree for music, winning a composition prize which took her to Paris to study with Nadia Boulanger. A dream about a subversive clarinettist helped formed the idea for her breakthrough commission from the CBSO, the Concerto for Orchestra. They talk about her early electronic experimentation, and her idea of the dramatic abstract, where she experiments with spatial configurations of players and acoustic possibilities. Thea is also one of Britain’s most prolific living opera composers, bringing to the stage stories of figures like Mary Queen of Scots, Harriet Tubman, and Simón Bolívar. In 1970 she was offered the post of Guest Professor at the University of California at Santa Barbara and has lived and made her life as a composer in the States ever since. Donald asks her about her approach to teaching and encouraging young composers. They look at the importance of visual art in Thea’s life and imagination, leading to significant compositions inspired by Edward Hopper and J. M. W. Turner. Finally, Thea reflects on the continuing pleasure she derives from composing, as well as her on-going friendships with players, and she stresses the vital part that music plays in all of our lives. Music featured: Driving in the Highlands (Excursions for piano duet) Four Madrigals Rorate Coeli Impromptu for flute and oboe Concerto for Orchestra Niobe for oboe and pre-recorded tape Concerto for horn and orchestra Wild Winter I The Peace Chorus (Mary Queen of Scots, Act 1) The Seasons Helios - Concerto for oboe and orchestra On the Underground, Set 2: The Strange and the Exotic Night Windows for oboe and piano Turbulent Landscapes for orchestra On the Underground, Set 1: Sometimes Songs for a Winter’s Evening Two’s Company – a concerto for percussion and orchestra Presenter: Donald Macleod Producer: Rosie Boulton for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Thea Musgrave: https://www.bbc.co.uk/programmes/m0000kg9 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Fanny Mendelssohn, Felix Mendelssohn's older sister, was a talented pianist and composer. So was Clara Schumann, wife of composer Robert Schumann. Also featured: music of Elizabeth-Claude Jacquet de la Guerre, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Amy Beach, and Thea Musgrave.
Sharks have long held a prominent place in mythology, the imagination and even religion for centuries. As The Meg, a thriller about a 75-foot-long prehistoric shark, hits cinema screens nature writer Philip Hoare and film critic Isabel Stevens discuss the ways in which sharks have been represented in the arts. How much is the cultural representation of these 400 million year old mysterious creatures of the deep a reflection of our own human fantasies and anxieties?This year the distinguished composer Thea Musgrave celebrated her 90th birthday. The event is being marked with a series of special performances including Turbulent Landscapes, her sequence of movements inspired by the land and seascapes of JMW Turner, at the Edinburgh Festival. She talks to Front Row about her career: her work, her teachers, her inspirations and why she puts drama at the heart of her work.Award winning mentalist and illusionist Derren Brown reveals what it is that inspires his work on stage and screen and the art he creates in his spare time as both a painter and street photographer.Presenter: John Wilson Producer: Hannah Robins.
Thea Musgrave is a Scottish-American composer and a delight. This year, she and the music world have marked her 90th birthday. Jay sat down with her in her home in New York to talk things over. They talk about her life and her music – and other people's music. Her husband, the conductor Peter Mark, chimes in with an excellent cameo. Source
Een tip voor het Festival Oude Muziek in augustus: muziek van renaissance-componist Heinrich Isaac, die precies 500 jaar geleden overleed, door Hesperion XXI olv Jordi Savall. We tippen het Oranjewoud Festival dat van 1 tot 5 juni plaatsvindt. Muet muziek van Valentin Silvestrov door pianist Maarten van Veen; en het mooie Death Speaks van David Lang. Vandaag is componiste Thea Musgrave jarig, ze wordt deo volente 89. Bekend door opera's en orkestmuziek, maar schreef ook mooie kamermuziek. Maandag 29 mei speelt de jonge pianist Lucas Debargue in het Concertgebouw het Vierde pianoconcert van Rachmaninoff. Een mooie nieuwe CD van het Rein Godefroy Trio: It will come.
Today in 2008, Scottish composer Thea Musgrave's Rainbow had its London premiere. Originally composed for the opening of the Royal Concert Hall in Glasgow in 1990, this London performance at the BBC Proms was in honor of Musgrave's 80th birthday year.
Conductor and composer Esa-Pekka Salonen celebrates the music of Polish composer Witold Lutoslawski and his landmark work from the early 1960s, Jeux Venitiens. Writer Paul Griffiths explains how the composer used chance within the score to create rhythmic complexity; and we hear from Lutoslawski himself, in conversation with Thea Musgrave in 1973.
Scotland Inspired is an ambitious exploration of the arts in Scotland through a strand of 26 radio programmes. In those, a range of artists gives 15-minute 'personal journeys' that illustrate their inspiration and the lineage of their artform. Introduced by actress, Ashley Jensen the series presents an informed but personal overview of the development of the arts in Scotland, from the Scottish Enlightenment to the present day. The 15-minute 'journeys' provide individual snapshots from a broad range of practising painters, writers, musicians and filmmakers which will evolve into a comprehensive tapestry of creativity that demonstrates how relevant the arts are to life in Scotland in the 21st century. In this, the nineteenth in the series, we hear from composer Thea Musgrave.
Utah-based poet and singer, Lara Candland and composer-performer Christian Asplund have evolved a unique style of performance involving an ethereal and lush mix of speech, singing, live sampling, looping, layering, drones, and electronics. They will draw from poems in Candland's recently published Alburnum of the Green and Living Tree and her recently completed chapbook about surgery Physic at the Table.Lara Candland’s book Alburnum of the Green and Living Tree was just released from BlazeVox. Her work has appeared or is forthcoming in Fence, The Colorado Review, Barrow Street, Greatcoat, Fine Madness, The Quarterly and other journals. Her pamphlet, Tongue Child was published by the University of South Carolina’s Palanquin/TDM series. She has been a finalist in The Motherwell, Hudson, and St. Lawrence book awards. She has also been the recipient of an AWP Intro Award, She is a founder and the librettist for Seattle Experimental Opera, and a finalist in the Genesis Prizes. Her opera, Sunset with Pink Pastoral with husband and composer Christian Asplund, was performed by Almeida Opera in London’s Sadler’s Wells Theatre. Candland has taught poetry, college writing, food writing and fiction writing at various colleges and universities around the country as an itinerant grad student/follower of a grad student, and is currently exploring the intersection between written down works and live improv with electronic sampling. Christian Asplund is a Canadian-American composer-performer based in Utah where he is Composer-in-Residence at Brigham Young University. He has degrees from University of Washington, Mills College, and Brigham Young University where his teachers have included Stuart Dempster, John Rahn, Joel-Francois Durand, Alvin Curran, Chris Brown, Thea Musgrave, and Meyer Kupferman. He cofounded Seattle Experimental Opera which has produced seven of his operas. He has performed with such musicians as Christian Wolff, Eyvind Kang, Larry Polansky, Daniel Good, Francois Houle, Michael Bisio, Robert Reigle, Gino Robair, and Phil Gelb in a variety of venues and recordings in the U.S., Canada, and Europe. His scores are published by Frog Peak Music. Asplund is also an active scholar and has published articles and chapters on music theory and critical theory.
In December we celebrated Thea Musgrave’s 80th birthday with her new piece, Green..
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