Podcasts about Emily Carr

In this episode Gary Mansfield speaks to Carrie Jean Goldsmith (@CarrieJeanGoldsmith) Carrie Jean Goldsmith is a Canadian-born artist residing in the UK, celebrated for her abstract paintings that emphasize colour, light, and tonal gradation. Her creative process involves layering various media, embracing diverse brush marks and the luminosity of paint to produce unforeseen outcomes. This method allows her to craft imagery that is both compelling and ambiguous, often evoking a sense of light and occasionally drawing subtle connections to landscapes without being site-specific. Over more than two decades, Carrie's artistic journey has evolved from representational landscapes to a more abstract and gestural approach. Initially inspired by Canadian artist Emily Carr, she began by painting trees and forests, gradually deconstructing these images into shapes and light. The constraints of the COVID-19 lockdowns prompted her to adopt a looser style, characterised by broad swathes of colour and visible brushstrokes, leading to a more intuitive and expressionistic technique. In her studio practice, Goldsmith begins her day by completing ongoing works to reacquaint herself with her materials and techniques before embarking on new pieces.She often prepares multiple canvases in advance, allowing her the freedom to explore and experiment without interruption. This approach underscores her commitment to spontaneity and the celebration of serendipitous discoveries in her art. For more information on the work of Carrie Jean Goldsmith go tohttps://www.CarrieJeanGoldsmith.com/ To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Emily Carr, was in my opinion, the greatest artist Canada has ever produced. Devoted to art for most of her life, recognition came late for her. Her work is now celebrated and she has become a national treasurer. Support: patreon.com/canadaehx Merch: https://www.ohcanadashop.com/collections/canadian-history-ehx Donate: buymeacoffee.com/craigu Donate: canadaehx.com (Click Donate) E-mail: craig@canadaehx.com Twitter: twitter.com/craigbaird Threads: https://www.threads.net/@cdnhistoryehx Tiktok: https://www.tiktok.com/@cdnhistoryehx YouTube: youtube.com/c/canadianhistoryehx Want to send me something? Craig Baird PO Box 2384 Stony Plain PO Main, Alberta T7Z1X8 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Phil meets with senior curator Richard Hill from the Vancouver Art Gallery to discuss a moody and mysterious work by the matriarch of Canadian art... Support the show

Today on Bailey & Johnny: We had a Bad Guy situation all about sharing a car, we learned that Vancouver Island only has ONE bird friendly city plus Johnny's getting his wisdom teeth out tomorrow so we got your recommendations on what to eat and not eat after the surgery! Who's The Bad Guy - (00:01:14) The More You Novak - (00:06:45) Eulogy for Johnny's Wisdom Teeth - (00:09:48) Soft food recommendations - (00:12:17) TL;DR - (00:18:52)  Emily Carr painting - (00:22:05)  Pitbull and Bon Jovi - (00:24:26)  5K A Day Keywords (00:26:45) Have a funny story to share? Voice memo us on social media and you could be included in the next episode. Listen live weekdays 530 -10 am PST on the iHeartRadio app and 1073virginradio.ca

Former Hedley frontman Jacob Hoggard was acquitted in a high-profile sexual assault case; and an Emily Carr original is found inside a barn.

Granville Island wants to reimagine vacant Emily Carr space. Guest: Tom Lancaster - General Manager, Granville Island Learn more about your ad choices. Visit megaphone.fm/adchoices

Granville Island wants to reimagine its vacant Emily Carr space. A viral video showing Jon Bon Jovi help talk a woman off the ledge of a bridge in Nashville is sparking conversations around suicide prevention. NDP leader Jagmeet Singh is now OPPOSING the Carbon Tax! Will this ramp up pressure for Premier Eby? Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

Nola McConnan is unapologetically herself in the best ways, determined, self-reliant, and charmingly fierce. She has supported herself as an artist throughout her career, with mentorship and support, despite failing grade 13 French, and she turned a rec room into a room of her own. Please take note - when she talks about Sheilah, that is one of her older sisters. And due to timing, I wasn't able to include the amazing account of her family's connection with Emily Carr. Please be sure to check out her website https://merriweatherdesignstudio.com/

Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from educe, from the Latin, meaning "to lead forth" or "lead out of," which then led her to think, leading out of … what? From where and to where? And who is doing the leading? For whom? And why? Weaving in her personal conversations and experiences alongside different cultural texts – from Valley of the Bird Tail to An Education to Tom Wayman's “Did I Miss Anything?” – she ultimately focuses on M. NourbeSe Philip's She Tries Her Tongue, Her Silence Softly Breaks to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.Also in this episode – our first giveaway ever! The first person to write to Linda (gettinglitwithlinda@gmail.com) with the correct response to the question Linda poses in this episode will receive a copy of Willie Poll's My Little Ogichidaa in addition to a gift from Getting Lit With Linda.In the Takeaway, she notes that this episode is being released during Indigenous History Month, and so she recommends her listeners to visit the website, www.jelisautochtone.ca, which was produced by Dr. Colette Yellow Robe (member of the N. Cheyenne Nation in the USA), in addition to Cherie Dimaline's The Marrow Thieves.References:An Education, Scripted by Nick Hornby (3:55)Willie Poll, My LItle OchigidaaValley of The Bird Tail (4.40)Emily Carr, Klee Wyck (5.15)Clarke, Irwin's expurgation of Klee Wyck (5:30)Residential schools (6.15)Re-education Camps, Vietnam (6:50)Kim Thuy, Ru Tom Wayman's “Did I miss Anything?” (8:10)M, NourbeSe Philip, She Tries Her Tongue, Her Silence Softly Breaks (9.50; 13.10; 15.10 )Zong! (13:40)“Discourse on the Logic of Language” (16.50)Music: Raphael Krux (The Madness of Linda) and Brian Teoh (Finally See the Light)Assistant Producer: Marco Timpano Hosted on Acast. See acast.com/privacy for more information.

Subscriber-only episodeSend us a Text Message.Inspired by Barbara Comyns, who lived with an unusual assortment of pets over the years, this bonus episode explores female authors who owned pet monkeys. Amy discusses Virginia Woolf and her Nazi-disarming marmoset Mitz, Nellie Bly's fez-wearing travel companion, McGinty, and other primates who captured the hearts of some lesser-known women writers, including Miles Franklin, Mickey Hahn, Emily Carr and Clarice Lispector. For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Justin welcomes artist Danielle Caners on to the podcast to talk about her journey as an artist, from Emily Carr to New York Comic Con. Check out Danielle's work: https://daniellecaners.com/ Transition clips are from Alice in Winderland (1951) - https://youtu.be/KLIqErnQCuw?si=MT0tYcCkTrA5PNMy Follow the gang on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/gmbchomichuk/⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/chasingartwork/⁠⁠⁠⁠⁠⁠⁠⁠⁠ GMB Chomichuk's online store ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.gmbchomichuk.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠ Chasing Artwork's online store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.chasingartwork.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Production: Dan Vadeboncoeur Titles: Jesse Hamel & Nick Smalley --- Send in a voice message: https://podcasters.spotify.com/pod/show/gmb-chomichuk/message

On this episode of Do it Again But Better, Jess chats to actor, writer, marriage celebrant, comedian and one woman show machine, Emily Carr, as they compare notes on the joys of marrying people for a living, the hilarious insults people hurl at you when they see you in a TV commercial, and Em's tendency to be cast as the 'Miss Honey' type. As more drinks are consumed, the discussion veers far and wide towards ageing in the industry, women's mental health, and the somewhat planning of ridiculous hypothetical weddings.You can catch Emily in Duck Duck Goose at Theatre Works from April 3-13th. You can find her on Instagram at @emilyclarecarrEmily Carr is an actor, writer, celebrant & MC based in Melbourne. A graduate of QUT Drama, she has also trained with esteemed institutions such as NIDA and The Groundlings, refining her skills in acting, comedy and improv. With an extensive background in theatre and film, Emily has developed a passion for creating her own work. Her recent accomplishments include writing and headlining two solo shows ‘Beige Bitch' and ‘Beauty Queen,' both of which earned great critical acclaim, some lovely validation and the physical exhaustion of playing multiple characters at rapid speed while still drinking beer after every show. In the midst of writing her next show, Emily is excited to begin rehearsals for "Duck Duck Goose," set to grace the stage at Theatre Works in April with That Production Company.You can find your host, Jess Stanley, on Instagram at @jstanny or at www.jessicastanleyactor.comYou can check out Jess's theatre company, Spinning Plates Co. at @spinningplatesco or at www.spinningplatesco.comYou can find Jess as a marriage celebrant at @stanbymeceremonies or at www.stanbymeceremonies.comYou can follow the Do It Again But Better podcast at @doitagainbutbetterThis podcast was created, recorded and edited on the unceded lands of the Wurundjeri people of the Kulin Nation. Always was, always will be. Hosted on Acast. See acast.com/privacy for more information.

 Kyle Scheurman paints more than just landscapes; his art illustrates the urgency of our changing climate and the need for its conservation. Madison's conversation with the artist and dedicated activist focuses on the precarious situation of British Columbia's old growth forests—a tale of both beauty and betrayal.Kyle's narrative-driven, highly saturated paintings challenge us to see beyond his style and to grapple with the environmental reality they reveal upon closer inspection. Delving into the complex legacy of Canadian landscape painting, we draw connections between the celebrated works of the Group of Seven and Emily Carr, and the contemporary role of art and art history in environmental discourse.  We discuss the how the government is addressing the situation, the tireless efforts of forest protectors, and the stark realities of ongoing deforestation in Canada. How can art address these problems, and can art be a solution to them? Kyle shares his journey as an artist who not only pictures the natural world but fights for its future.Kyle's InstagramKyle's WebsiteView Kyle's available work through Bau-Xi Gallery  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Corri-Lynn Tetz was born in Calgary, Alberta and lives and works in Montreal. She studied at Red Deer College, Emily Carr and graduated from the MFA program at Concordia University. Tetz has received project support from the Conseil des Art et des Lettres du Quebec, The Canada Council for the Arts, the Elizabeth Greenshields Foundation, and in 2016, was awarded the Brucebo Residency Fellowship. Her work was featured in the Magenta Foundations Carte Blanche: A Survey of Canadian Painting and in 2012, she was as a finalist in the RBC Painting Competition. Corri's paintings have been exhibited across Canada, Sweden and the United States. Most recently, her work was featured in a large-scale, solo exhibition at Contemporary Calgary, in Calgary, Alberta.

Join family therapists and authors Ken Dolan-Del Vecchio and Nancy Saxton-Lopez as we celebrate the publication of Grant Hayter-Menzies' newly released book, Freddie: The Rescue Dog Who Rescued Me. Grant will read excerpts from his beautifully written biography of this special little dog. To purchase Freddie: The Rescue Dog Who Rescued Me on Amazon.com: https://www.amazon.com/Freddie-Rescue-Dog-Who-Rescued/dp/1772034614/ref=sr_1_1?crid=FZ7P9NKF2QLP&keywords=freddie+the+rescue+dog&qid=1696528337&sprefix=freddie+the+rescue+dog+%2Caps%2C80&sr=8-1 Grant's brief bio: After a decade of writing biographies of extraordinary but unsung women active in the arts, diplomacy and politics, Grant Hayter-Menzies turned to writing about the lives of extraordinary but unsung animals: Rags, mascot and dispatch dog of the American First Division in WWI France; the thousands of elderly, neglected former war horses abandoned in Egypt by British forces at the termination of WWI and saved by Englishwoman Dorothy Brooke; Woo, the Javanese monkey companion of Canadian artist and writer Emily Carr; and Muggins, fundraising dog of WWI Victoria, BC. His memoir of his rescue dog, Freddie (ca 2009-2021), who inspired him to write about animals, has recently been published in Canada. Grant is literary executor of playwright William Luce (1931-2019), the award-winning author of Broadway classic The Belle of Amherst. Grant lives in Sidney, British Columbia, with his partner Rudi and rescue dog Niko. Learn more at https://grantmenzies.wixsite.com/author. Reach Ken at kenddv@gmail.com; Nancy at nsaxtonlopez@csmpc.com We are happy to announce our affiliation with Bereave, a company that offers beautifully crafted granite pet memorial plaques. When you purchase one of their plaques using the link that follows you are also supporting our podcast. https://shareasale.com/r.cfm?b=2399618&u=3798931&m=141340&urllink=&afftrack= To support our work on this podcast with a one-time gift: Venmo @Ken-Dolan-DelVecchio or ⁠PayPal⁠ (https://www.paypal.com/paypalme/kenddv?country.x=US&locale.x=en_US) To support this podcast with a monthly subscription: https://anchor.fm/kenneth-dolan-del-vecchio/support ⁠The Pet Loss Companion (book) on Amazon⁠: https://www.amazon.com/Pet-Loss-Companion-Healing-Therapists/dp/1484918266/ref=sr_1_3?dchild=1&keywords=pet+loss+companion&qid=1612535894&sr=8-3mpa... ⁠To subscribe on YouTube⁠: https://www.youtube.com/@thepetlosscompanion6602 (and hit the "subscribe" button) ⁠To RSVP for the next cost-free zoom pet loss support group facilitated by Ken (October 10th at 6 pm ET)⁠: https://www.dakinhumane.org/petloss.html This program is a friend of Dakin Humane Society in Springfield, Mass. Dakin is a 501 (c) (3) community-supported animal welfare organization that provides shelter, medical care, spay/neuter services, and behavioral rehabilitation for more than 20,000 animals and people each year. Since its inception in 1969, Dakin has become one of the most recognized nonprofit organizations in central Massachusetts and a national leader in animal welfare. You can learn more about Dakin and make a donation at ⁠dakinhumane.org⁠. For a list of financial resources to help with payment for veterinary care visit the ⁠community tab on our YouTube channel⁠: https://www.youtube.com/@thepetlosscompanion6602/community  and note the addition of  https://get.scratchpay.com/veterinary --- Send in a voice message: https://podcasters.spotify.com/pod/show/kenneth-dolan-del-vecchio/message Support this podcast: https://podcasters.spotify.com/pod/show/kenneth-dolan-del-vecchio/support

In this edition: • The Gallery's history with Emily Carr and the Emily Carr Trust • How the gallery has worked to preserve the works in our care • How the exhibition is organized • Connection to the new gallery • About the digital offerings – mobile guide and visitor poll  • Why should we care about Emily Carr?

I had the pleasure of meeting up with these beautiful friends out on Vancouver island in Victoria! Make sure to find and reach out to your community. Because they feed your soul. Soul sisters clicking in a furry of ideas and laughter. What a pleasure. Thank you Susan Salvati for Hosting and Jessa Dupuis (who you can look forward to hearing on the podcast soon), and Kylie O-Grady.   Some of the littlest taught me the most, some of the apparent biggest were really insignificant – Emily Carr⁠ If we slow down to breath, take in what is right in front of us, not behind, not in the future (both beyond our control) right here, right how, the this' and that's.   Knowing that all the bits and pieces of a day, the most insignificant and Emily points out, are the most extraordinary. If you'd like a way to support us hit "like and subscribe". And if you really connected be sure to ⁠⁠join our free community⁠⁠, or sign up for ⁠⁠our newsletter⁠⁠! All the love friends xo Brandi ⁠⁠Discover your creativity! Join our free Sketchbook Project! ⁠⁠ ⁠LISTEN HERE⁠ ⁠Join our Free Colour Me Happy Community⁠! ⁠Order our new book HERE!⁠ ⁠Mural Class - Scale Your Art Practice! ⁠ ⁠Learn more about our Portrait Class! ⁠ ⁠GET OUR FREE MURAL BUNDLE⁠ ⁠Sign up for our Newsletter⁠ ⁠ORDER Custom Artwork Class⁠ ⁠Go to brandihofer.ca⁠ ⁠Get our FREE Mural Bundle!! We give your are tips and break down the numbers on how we increased our NET profits by 394% in just one year.

Nearly 90 years after Nazi Germany stripped art dealer Max Stern of his gallery in Dusseldorf and forced the German Jew to liquidate his large art collection to non-Jews, Stern's heirs have agreed to sell one of the stolen paintings back to the City of Dusseldorf. The painting is called “Portrait of the Artist's Children” (1860) by Dutch master Wilhelm von Schadow. It's actually been hanging in the Dusseldorf mayor's office for half a century. For years, Max Stern's heirs have been tracking it down, as one of nearly 400 of his wartime paintings–worth an estimated $50 million today–that disappeared into the Nazi coffers in 1937, before Stern himself fled his native city for London. Eventually, Stern arrived in Canada as a refugee in 1941, and established a storied career as a prominent art dealer, promoting such Canadian artists as the Group of Seven and Emily Carr. After he died childless in 1987, Stern's estate went to Concordia University, McGill and Hebrew University, which have been funding the Max Stern Art Restitution Project for about 20 years. The story of how this latest Dusseldorf deal was done, and why Germany gets to keep the painting, has been fraught with controversy. On The CJN Daily, we're joined by Clarence Epstein, the Montreal art historian who oversaw the decades-long hunt for Stern's lost art, and is just back from the symbolic handover ceremony in Dusseldorf. What we talked about Learn more about the Max Stern collection and efforts to repatriate the 400 works in The CJN. Visit the Max Stern Art Restitution Project website Buy Cantor Moshe Kraus's 2023 memoir The Life of Moshele der Zinger at Indigo. Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Zachary Kauffman is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network. To subscribe to this podcast, please watch this video. Donate to The CJN and receive a charitable tax receipt by clicking here.

In mokuhanga, nature plays a large part in the process. Using wood, water, natural paper, and even natural pigments can bring you closer to the natural world, closer to the root of all things. From that natural process, many mokuhanga artists will use nature as a subject in their work. By portraying the mountains, forests, rivers and lakes, these subjects manifest the world from a different perspective on paper.  On this episode of the Unfinished Print, I speak with Michigan-based mokuhanga printmaker Mary Brodbeck. Her work delves deeply into the natural world and colours of Michigan. Mary speaks on her mokuhanga process, colours, and technique, learning by watching, her early experiences with Japan, and the nature of the creative process. We also discuss the exhibition In Kalamazoo, Michigan, Cross Currents: East/West, with her teacher Yoshisuke Funasaka.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Mary Brodbeck  - website, Instagram, Facebook Becoming Made Documentary - is a documentary produced by Mary Brodbeck. It is a document about mokuhanga, its practitioners, and those associated with the art form. You can find the documentary here.  Cross Currents East/West - is an exhibition held in Kalamazoo, Michigan. It is an exhibition showcasing the works of Japanese mokuhanga and serigrapher Yoshisuke Funasaka and his student Mary Brodbeck. Both artists are exhibiting various works. The exhibit runs from May 12-July 28th, 2023. You can find more information regarding the exhibition here.  Western Michigan University - is a public research university based in Kalamazoo, Michigan, USA. and was established in 1903. You can find more information here. Yoshisuke Funasaka - is an award-winning mokuhanga and serigrapher based in Tōkyō, Japan. You can find a fine biography about Funasaka here at asianartscollectoion.com. Black Night Ginza (1991) 24 4/5" x 17 3/4" Ox-Bow School of Art - was founded in 1910 and is associated with the School of the Art Insitute of Chicago (SAIC). It is a nonprofit artist's residency located in Saugatuck, Michigan. You can find information here.  sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.  Daniel Smith Pigments - is a company which makes various types of paints, pigments, and mediums. It was started by Dan Smith in 1976. More info can be found, here.  shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Fuji-san From Yamazaka (1931) by Hiroshi Yoshida shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.   vellum - is a plant-based, translucent and opaque paper constructed with cellulose. Used as tracing paper and has multiple uses. You can find more information about vellum and its uses here.   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. You can find my interview with The Unfinished Print can be found here.  Richard Steiner - is a mokuhanga printmaker, author and teacher based in Kyōto, Japan. He is originally from Michigan and moved to Japan over fifty years ago. Richard prints many different subjects and themes. You can find his interview with The Unfinished Print here.  floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block, blotting and immaculate borders are positives of this registration method. It is an "L" shape.  Mark Nepo - is a poet and philosopher who lives and works in Kalamazoo, Michigan. He has written many books on spirituality and manifesting a wonderful positive life. You can find more information on his website here.  Michigan, USA -  originally inhabited by various indigenous cultures and tribes such as early Hopewell Culture, Ojibwe, and Iroquois. European settlers settled in the early 17th century. Michigan, located in the Midwestern region of the United States, has a rich and varied history.  The French ceded Michigan to the British in 1763 following the French and Indian War, and it became part of the United States after the American Revolution. Michigan became a state in 1837, and its early years were marked by rapid industrialization and growth. The state became a hub for lumber production, mining, and manufacturing, particularly in the automotive industry. In the early 20th century, entrepreneurs such as Henry Ford and Ransom Olds revolutionized the automotive industry, and Detroit became known as the "Motor City." The state also played a prominent role in the Civil Rights Movement, with figures such as Rosa Parks and the Rev. Martin Luther King Jr. making essential contributions. In recent decades, Michigan has faced economic challenges, particularly in the wake of the automotive industry's decline. However, the state remains a necessary research, manufacturing, and innovation center. It is home to major universities and research institutions such as the University of Michigan and Michigan State University. You can find more information about Michigan at Michigan.org.    Lawren Harris (1885-1970) - was a member of the Canadian group of painters, The Group Of Seven. He lived in the United States (New Hampshire and New Mexico), ultimately returning to Canada in 1940. He painted the Canadian landscape predominantly in Ontario in Algonquin Park and Algoma.      Greenland Mountains (ca. 1930) oil on canvas 107.4 x 128.4 cm   The Group of Seven - was a group of landscape painters from Canada. The artists were Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson 1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917) and Emily Carr (1871–1945) were not "official" members, they are considered to be a part of the group because of their relationships with members. More info can be found here. A fine article on the CBC by Cree writer Matteo Cimellaro discusses The Group of Seven's role in Canadian nationalism and the exclusion of First Nation's voices in their work. You can find this article here.      Tom Thomson - Round Lake, Mud Bay (1915) oil on wood 21.5 x 26.8   Algoma - is a geographical district in the Northeastern Canadian province of Ontario. Algoma runs on the Lakes Superior and Huron. It has famously been represented in art by The Group of Seven. You can find more information about Algoma here.    © Popular Wheat Productions opening and closing musical credit - Get On The Good Foot - Pt. 1 & 2 by James Brown. From the record Get On The Good Foot (1972) Polydor.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye. "Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own." -Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye. "Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own." -Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye. "Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own." -Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye. "Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own." -Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

There's a built-in optimism and passion to Sung Lee that's contagious—and he is well-loved by many because of it. He was employee number one at Herschel Supply, first as a graphic designer and, over the course of a decade, became the brand's creative director. Now, Sung leads creative at premium, contemporary dinnerware brand Fable. He was born in Korea and spent his childhood there. An architect, his father was the definition of a stoic, emotionally closed Asian father. His mother, an art teacher, continuously nurtured his creative side, encouraging him to draw, paint, and go to art school. Their upper middle class life ended when the IMF economic crisis hit Korea and, one day, Sung was suddenly told they had to live with an aunt. It turned out his father had borrowed money to keep his business afloat, and the Korean equivalent of the yakuza had come around to settle and his father wanted to keep the family safe. Eventually, the family moved to Canada, with Sung applying to an ESL school—he struggled until his mother enrolled him in a Korean art school, where he made some friends. This brought him to Emily Carr, where he learned to present his work in English phonetically. On a trip back to Korea, his father expressed he was sick—his parents returned to Canada, leaving 23-year-old Sung to sell their house in Korea. As he drove home from the airport, his mother told him his father had cancer and, two weeks later, Sung's father passed. To move through grief, Sung took on a physical warehouse job. After a few months, his creative spirit came back. He started by launching a fashion show and landed a job at a small design agency that had an office beside Vans, where Lyndon Cormack worked prior to launching Herschel Supply with his brother Jamie. It was an instant meeting of like design minds, leading to a deep bond with the Cormacks and launching his long career as a creative director.  In this conversation, we examine the effects on not sharing emotions with his family members; how Sung found skateboarding as a teen and its influence on him; his chapter at art school; navigating his father's passing, surviving in Canada and processing his grief; the story of how he landed the job as employee number one at Herschel Supply, where he spent a decade; the roles of a graphic designer versus creative director at a company; his current interest in AI and its impact on design; Korea's cultural dominance; the love for “han” or sorrow amongst Koreans; and much more.      [TIMESTAMPS]6:41 - Growing up and family history16:36 - His transition to Canada25:16 - Reflection on processing his father's death 39:48 - Skills he learned from being a graphic designer to being a creative director 41:56 - His creative process 45:32 - What's fascinating him right now47:20 - His transition from Herschel to Fable  53:10 - What a good feeling feels like for him54:16 - One thing that can change someone's perspective 56:20 - Missing Korea57:32 - How he met his wife01:06:41 - Korean cultural dominance01:14:53 - Expressing his emotions now01:15:36 - Looking back at his life's journey01:20:01 - What he would say to his dad right now01:21:08 - The kind of life he hopes for his daughter01:23:32  - What 'han' means to Koreans01:26:27 - Final question 01:28:29 - Where to find him[TODAY'S SPONSORS]Before Company: https://beforecompany.com/discount/CRAFT10 - get 10% off your entire order; one-time use per customer; no expiry dateotō healing: https://www.instagram.com/otohealing/ - email otohealing at gmail.com to get 10% off your initial sound therapy sessionBefore Company: https://beforecompany.com/discount/CRAFT10 - get 10% off your entire order; one-time use per customer; no expiry dateotō healing: https://www.instagram.com/otohealing/ - email otohealing at gmail.com to get 10% off your initial sound therapy session

The history of mokuhanga in Canada is small, yet strong. There are Canadian mokuhanga printmakers who have helped grow the art form in Canada and throughout the world, such as Walter J. Phillips (1884-1963), David Bull, Elizabeth Forrest, Barbara Wybou, to name but a few. But what if there was a tradition of printmaking you could never think have a connection with Japanese mokuhanga, thriving and growing in the Canadian Arctic?  Norman Vorano is the Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. In 2011 Norman published a book, with essays by Asato Ikeda, and Ming Tiampo, Inuit Prints: Japanese Inspiration.  This book opened me to the world of how various print traditions, so far away from each other, could influence one another. In this case, the Inuit of the Canadian Arctic in what is now known as Kinngait, have built one of the most thriving and economically sustainable print traditions in the world. But what I didn't know is that mokuhanga and the Japanese print tradition had a huge part to play in their early success.  I speak with Professor Norman Vorano about Inuit history and culture, how the Inuit print tradition began, how an artist from Toronto made his way to the Arctic, then to Japan, then back to the arctic, changing everything. Norman also speaks on how the work of sōsaku hanga printmaker U'nichi Hiratsuka influenced the early Inuit printmakers, and we discuss tools, pigments, and the globalization of art.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Norman Vorano PhD - is Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. For more information about Inuit printmaking and their association with mokuhanga you can get Norman's book, Inuit Prints: Japanese Inspiration (2011). For additonal information about Inuit printmaking and mokuhanga, Norman lectured on the subject for The Japan Foundation Toronto in 2022. The online lecture can be found, here.  A few topics that Norman and I really didn't have a chance to explore, but alluded too, was process. As wood is scarce in the Arctic, stone carving (soapstone), and linocuts are and were used. Also there is a chain within Inuit printmaking much like the hanmoto system of mokuhanga in Japan, where the Print Studio chooses images drawn by others in the community and those images are carved and printed by carvers and printers associated with the Print Studio in the Kenojuak Cultural Center in Kinngait, and then sold to the public.  Queens University at Kingston - is a public research university located in Kingston, Ontario, Canada. What began as a school for the Church of Scotland in 1841 has developed into a multi faculty university. More info can be found on their website, here.  Canadian Museum of History - one of Canada's oldest museums the CMH focuses on Canadian and world history, ethnology, and archeology. The museum is located in Gatineau, Québec, Canada. More info can be found on their website, here.  The Eastern Arctic of Canada - is a portion of the Arctic archipelago, a chain of islands (2,400 km or 1,500 mi) and parts of Québec and Labrador, located throughout the northern portion of the country of Canada. The Eastern portion discsussed in the episode is comprised of Baffin Island (Qikiqtaaluk - ᕿᑭᖅᑖᓗᒃ),  and Kinngait (Cape Dorset).  Kinngait (ᑭᙵᐃᑦ) - is located on Dorset Island at the southern part of Baffin Island in the territory of Nunavut, Canada. It was called  Cape Dorset until 2020, when it was renamed “high mountain” in the Inuktitut language.  Distant Early Warning Line (DEW)- was a radar system located in the Arctic regions in Canada, the Aleutian Islands of Alaska, the Faroe Islands, Greenland and Iceland. Its purpose was to help detect any aggression, militarily, from the then Soviet Union. This system was overseen by the Royal Canadian Air Force and the United States Air Force. It ceased activity in 1993.  The Canadian Guild of Crafts - also known as La Guilde, was established in 1906 in Montréal, Quebec, Canada. It has focused its work on preserving First Nations crafts and arts. It began working with James Houston (1921-2005) in 1948, having the first Inuit exhibition in 1949 showcasing Inuit carving and other crafts. It exists and works today. More information can be found, here. James Archibald Houston - was a Canadian artist who worked and lived in Kinngait (Cape Dorset) until 1962. He worked with La Guilde and the Hudson's Bay Company, bringing Inuit arts and crafts to an international community starting in 1948 through to the Cape Dorset co-operative of the 1950's. His work in helping to make Inuit art more commerical for the Inuit people has been documented in Norman Vorano's book, Inuit Prints: Japanese Inspiration (2011), as well as several articles from La Guilde, which can be found, here. Drum Dancer (1955) - chalk on paper West Baffin Eskimo Co-Operative - is the co-operative on Kinngait (Cape Dorset) established in 1959 and created by the Department of Natural Resources and Northern Development represented by Don Snowden and Alexander Sprudz, with James Houston. It focuses on drawings, prints, and carvings. More info can be found on their website, here.  The Department of Indian Affairs and Northern Development - in 2019 it was replaced by the Department of Indigenous Services Canada. The ISC is a government department whose responsibility is to colaborate and have an open dialogue with First Nations, Inuit and Métis peoples in Canada.  Terry Ryan (1933-2017) - was an artist and the arts director of the West Baffin Eskimo Co-Op in 1960 and General Manager in 1962. His work with the Cape Dorset Print Studio, bringing artists from all over Canada, helped to push the studio's work throughout the world. There is a fine Globe and Mail article about Terry Ryan's life and accomplishments, which can be found here.  Kenojuak Cultural Center - is located in Kinngait, and was opened in 2018 with a space of 10,440 sq ft. The KCC is a community center and space for sharing. It has a large printmaking studio, meeting spaces and exhibition spaces for work as well as a permanent gallery. It is associated with the West Baffin Eskimo Co-Operative.  Early Inuit Art - for more information regarding early Inuit art on record, from first European contact, La Guilde discusse this very topic in their article Going North: A Beautiful Endeavor, here. Grand-Mère, Québec - is a city in the province of Québec in Canada. Located in the region of Maricie, with a population of around 14,000. It was founded in 1898 and is made famous for the rock formation which shares its name. Grand Mère means ‘grandmother.' It is known for hunting and fishing tourism.  The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group because of their individual relationships with the other member of the group. More info can be found, here. A fine article on the CBC by Cree writer Matteo Cimellaro, discusses the role The Group of Seven played in Canadian nationalism and the exclusion of First Nation's voices in their work. This can be found, here.      Tom Thompson - The Jack Pine (1916-1917)   Moosonee, Ontario - is a town located in Northern Ontario, Canada. It was first settled in 1903, and is located on the Moose River. It's history was of trapping, and is a gateway to the Arctic. English and Cree is spoken.   Moose Factory, Ontario - is a town first settled in 1673, and was the first English speaking town in Ontario. Much like Moosonee, Moose Factory has a history of fur trading, in this case by the Hudsons Bay Company. Like Moosonee there is a tourist industry based on hunting and fishing. The population is predominantly Cree.    Cree (ᓀᐦᐃᓇᐤ) - are a Canadian First Nation's people who have lived on the land for centuries. Their people are divided into eight groups through region and dialect of language:   Attikamekw James Bay Cree Moose Cree Swampy Cree Woods Cree Plains Cree Naskapi and Montagnais (Innu)   For more information regarding history, tradition of the Cree people of today, Heritage Centre: Cree Nations, and the Cree Nation Government website can get you started.    John Buchan (Lord Tweedsmuire, 1875-1940) - was the 15th Governor General of Canada serving from 1935-1940 (his death). He was born in Scotland, but committed himself to Canada when taking to his position as Governor General. He was also a writer of almost 30 novels.    sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.    Un'ichi Hiratsuka (平塚 運一) - (1895-1977) - was one of the important players of the sōsaku hanga movement in mokuhanga. Hiratsuka was a proponent of self carved and self printed mokuhanga, and taught one of the most famous sōsaku hanga printmakers in Shikō Munakata (1903-1975). He founded the Yoyogi Group of artists and also taught mokuhanga at the Tōkyō School of Fine Arts. Hiratsuka moved to Washington D.C in 1962 where he lived for over thirty years. His mokuhanga was multi colour and monochrome touching on various subjects and is highly collected today.      Mara Cape, Izu (1929)   Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shikō is famous for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.      Castle ca 1960's   Venice Bienale  - is a contemporary art exhibition that takes place in Venice, Italy and which explores various genres of art, architecture, dance, cinema and theatre. It began in 1895. More info, here.   Sao Paolo Biennal - is held in Sao Paolo, Brazil and is the second oldest art bienale in the world. The Sao Paulo Biennal began in 1951. It's focus is on international artists and Brazilian artists. More info can be found, here.    German Expressionism - was produced from the early twentieth century to the 1930's and focused on emotional expression rather than realistic expression. German Expressionists explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found,  here, on Artsy.net    Vasily Kandinsky (1866-1944) : Poster for the First Exhibition of The Phalanx, lithograph 1901.  Yanagi Sōetsu (1889-1961) - was an art critic, and art philosopher in Japan, who began writing and lecturing in the 1920's. In 1925 he coined the term mingei (rural crafts), which he believed represented the “functional beauty” and traditional soul of Japan. While on paper an anti-fascist, Yanagi's early views on the relationship of art and people, focusing on the group and not the individual, going back to a Japanese aesthetic; veering away from Western modernity, was used by Japanese fascists leading up to and during the Pacific War (1941-1945). For more information about Yanagi and the mingei movement in Japan during war time check out The Culture of Japanese Fascism, Alan Tasman ed. (2009) mingei movement - began with the work of Yanagi Sōetsu in the 1920's. The movement wanted to return to a Japanese aesthetic which honoured the past and preserved the idea of the “everyday craftsman,” someone who went away from industrialization and modernity, and fine art by professional artists. It was heavily influenced by the European Arts and Crafts Movement (1880-1920) as conceived by Augustus Pugin (1812-1852), John Ruskin (1819-1900), and William Morris (1834-1896).    Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   Stuben Glass Works - is a manufacturer of glass works, founded in 1903 in New York City. It is known for its high quality glass production working with talented glass designers.    Ainu - are a First Nations peoples with a history to Japan going back centuries. They traditionally live in the northern Japanese island of Hokkaido as well as the northern prefectures of Honshū.  There are approximately 24,000 Ainu in Japan. Made famous for the face, hand and wrist tattooing of Ainu women, as well as animist practices, the Ainu are a distinct culture from the Japanese. There has been some attempts by the Japanese goverment to preserve Ainu heritage and language but the Ainu people are still treated as second class citizens without the same rights and prvileges of most Japanese. More information about the Ainu can be found at the World Directory of Minorities and Indigenous People, here.    baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.    Keisuke Serizawa (1895-1984) - was a textile designer who was a Living National Treaure in Japan. He had a part in the mingei movement where he studied Okinawan bingata fabric stencil dying techniques. He also used katazome stencil dying technqiues on paper in the calendars he made, beginning in 1946.      Happiness - date unknown: it is an ita-e (板絵) work, meaning a work painted on a piece of wood, canvas, metal etc.    National Museum of Ethnology (Minpaku) - is a research institute and public museum located on the old Expo '70 grounds in the city of Suita, Osaka Prefecture. It provides a graduate program for national and international students, doctorate courses, as well as various exhibitions. More information can be found on their website, here.    Prince Takamado Gallery -  is a gallery located in the Canadian Embassy in Tōkyō. It has a revolving exhibition schedule. It is named after Prince Takamado (1954-2002), the third son of Prince Mikasa Takahito (1916-2016). More info can be found, here.   Carlton University - is a public resesarch university located in Ottawa, Ontario, Canada. It was founded in 1942 in order to provide a serivce for returning World War II veterans. More information about the university can be found, here.     Kenojuak Ashavak (1927-2013) - was an Inuit graphic designer and artist born in Ikirisaq, Baffin Island. She moved to Kinngait (Cape Dorset) in 1966. Kanojuak Ashavek has made some of the most iconic imagery of Inuit art in Canadian history. One of her images, The Enchanted Owl was the subject of a TV Ontario short from TVO Today, and can be found here. The famous National Film Board of Canada documentary (1963) about her and her work can be found, here.       Luminous Char, stonecut and stencil, 2008. © Dorset Fine Arts   Inuit Prints: Japanese Inspiration -  was an Inuit print exhibtion at the Prince Takamado Gallery held at the Canadian Embassy in Tōkyō in 2011. It later toured across Canada.    Osaki washi - is a paper making family located in Kōchi, Japan. His paper has been provided to Inut printmakers for many years. The print by Kenojuak Ashavak, and printed by Qiatsuq Niviaksi,  was the one aluded to in Norman's interview as hanging on the washi makers wall.    Norman discusses, near the end of the interview, about how Inuit leaders were stripped of their power. The Canadian government instituted more policing in post war Canada, especially during the Cold War. The RCMP and other government officials used colonial practices such as policing, culturally and criminally, to impose Canadian practices from the South onto the Inuit.      Pitaloosie Saila - Undersea Illusion,  lithograph 2012     Lukta Qiatsuk (1928-2004)       Owl -  Stonecut print on paper, 1959. Canadian Museum of History Collection, © Dorset Fine Arts. Kananginak Pootoogook (1935-2010)       Evening Shadow: stone cut and stencil, 2010 © Dorset Fine Arts   Eegyvudluk Pootoogook (1931-1999)     Eegyvudluk Pootoogook w/ Iyola Kingwatsiaq , 1960, photo by Rosemary Gilliat Eaton, Library and Canadian Archives.      Our First Wooden Home: lithograph, 1979.     Osuitok Ipeelee (1922-2005)       Eskimo Legend: Owl, Fox, and Hare - stencil print, 1959 Canadian Museum of History Collection © Dorset Fine Arts.    Iyola Kingwatsiak (1933-2000)       Circle of Birds: stencil on paper, 1965   © Popular Wheat Productions opening and closing musical credit - From Professor Henry D. Smith II, lecture entitled, The Death of Ukiyo-e and the Mid-Meiji Birth of International Mokuhanga, as told at the 4th International Mokuhanga Conference in Nara in November, 2021.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  All photos of Inuit artists and works of Inuit artists have been either provided by Norman Vorano, or have been sourced from elsewhere. These are used for educational purposes only. Any issues please reach out.   

Join family therapists and authors Ken Dolan-Del Vecchio and Nancy Saxton-Lopez as they speak with special guest Grant Hayter-Menzies. Grant has authored many books. His latest, forthcoming this year, chronicles the life of Freddie, Grant and his partner Rudi's recently deceased rescue dog. Nancy and Ken have had the privilege of corresponding with Grant for some time and reading advance copies of "Freddie, The Rescue Dog Who Rescued Me." They can't say enough good things about Grant and his writing and they're certain that you'll enjoy and find solace in what he has to say. Grant's brief bio: After a decade of writing biographies of extraordinary but unsung women active in the arts, diplomacy and politics, Grant Hayter-Menzies turned to writing about the lives of extraordinary but unsung animals: Rags, mascot and dispatch dog of the American First Division in WWI France; the thousands of elderly, neglected former war horses abandoned in Egypt by British forces at the termination of WWI and saved by Englishwoman Dorothy Brooke; Woo, the Javanese monkey companion of Canadian artist and writer Emily Carr; and Muggins, fundraising dog of WWI Victoria, BC. His memoir of his rescue dog, Freddie (ca 2009-2021), who inspired him to write about animals, comes out in fall 2023 in Canada. Grant is literary executor of playwright William Luce (1931-2019), the award-winning author of Broadway classic The Belle of Amherst. Grant lives in Sidney, British Columbia, with his partner Rudi and rescue dog Niko. Learn more at https://grantmenzies.wixsite.com/author. To support our work on this podcast with a one-time gift: Venmo @Ken-Dolan-DelVecchio or PayPal (https://www.paypal.com/paypalme/kenddv?country.x=US&locale.x=en_US) To support this podcast with a monthly subscription: https://anchor.fm/kenneth-dolan-del-vecchio/support The Pet Loss Companion (book) on Amazon: https://www.amazon.com/Pet-Loss-Companion-Healing-Therapists/dp/1484918266/ref=sr_1_3?dchild=1&keywords=pet+loss+companion&qid=1612535894&sr=8-3mpa... To subscribe on YouTube: https://www.youtube.com/@thepetlosscompanion6602 (and hit the "subscribe" button) To RSVP for the next cost-free zoom pet loss support group facilitated by Ken (March 14th at 6 pm ET): https://www.dakinhumane.org/petloss.html This program is a friend of Dakin Humane Society in Springfield, Mass. Dakin is a 501 (c) (3) community-supported animal welfare organization that provides shelter, medical care, spay/neuter services, and behavioral rehabilitation for more than 20,000 animals and people each year. Since its inception in 1969, Dakin has become one of the most recognized nonprofit organizations in central Massachusetts and a national leader in animal welfare. You can learn more about Dakin and make a donation at dakinhumane.org. For a list of financial resources to help with payment for veterinary care visit the community tab on our YouTube channel: https://www.youtube.com/@thepetlosscompanion6602/community and note the addition of https://get.scratchpay.com/veterinary --- Send in a voice message: https://anchor.fm/kenneth-dolan-del-vecchio/message Support this podcast: https://anchor.fm/kenneth-dolan-del-vecchio/support

Many mokuhanga printmakers today touch on different mediums when they create their work. It could be sculpture, bookbinding, or installation. There is no limit as to what can be accomplished with mokuhanga.  On this episode of The Unfinished Print I speak with mokuhanga printmaker and artist Katie Baldwin. Based in Alabama where she is an Assistant Professor at the University of Alabama, Huntsville. Katie has travelled the world, from Poland to Taiwan. She is involved in several collaborative groups, such as ShiftLab, wood+paper+box, and The Mokuhanga Sisters.  Katie speaks on her early days of making mokuhanga, her time at Nagasawa Art Park, the influence of her artist father, studio space and what it does to her work. We also discuss the concept of "craft," and her evolution as an artist.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Katie Baldwin - website, Instagram   Progress from the Two Stories Series (2013) - woodblock and letterpress  Tornado Shelter (Practice Evacuation) [2021]  Neighbourhood 2 from Things Left Behind Series (2010)  portion from Multiple Discovery by Shift-Lab (2022) artists book Fire Drill (ca. 2020) Evergreen State College - is a state funded college located in Olympia, Washington, USA. It covers environmental justice, history, amongst other subjects. More info can be found, here.  letterpress - is a type of relief printing by using a printing press. It was popular during Industrialization and the modernity of the West. By the mid twentieth century, letterpress began to become more of an art form, with artists using the medium for books, stationary, and greeting cards. woodblock printing in Europe - first starting in and around 1400, woodblock printing in Europe used the medium to represent Chirstian subjects. Albrecht Dührer (1471-1528) made detailed devotional works with woodcuts. Another famous style of woodcutting in Europe was using the chiaroscuro (light and dark) method of drawing within a woodcut as seen in the work of Louis Cranach the Elder (1472-1553). More info can be found, here.  The Four Horseman of The Apocalypse (1496-1498) woodcut The Werewolf or the Cannibal (date unknown) woodcut Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Awaji Island - is located in the Seto Inland Sea in Japan. It is famous for its Naruto whirlpools, the longest suspension bridge in the world in the Akashi Kaikyo Bridge. It is also a connection to both Shikoku Island, and the main land of Honshu. More info can be found, here.    Vandercook Press - is a proof printing press manufactured by Vandercook & Sons, beginning in 1909. They made different types of presses, such as letterpress and offset. They are now a part of NA Graphics.    shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.    codex - is a type of book binding in the Western method and is a precursor to the modern book.    Wells College - is a private college located in Aurora, New York, USA. The school provides various courses in the social sciences, science, and environmental studies. More info can be found, here.    National Taiwan Normal University -  was founded in 1922 and serves many different avenues of study. Their Department of Fine Arts, holds a Bienniel Print Exhibit, more info here  and here.   Taoyan International Print Exhibition 2021 - was a print exhibition showcasing international printmakers in the town of Taoyan, Taiwan. More info, here.    aizuri-e - a late Edo Period (1603-1867) type of printmaking where the woodblock print is predominantly in blue, or shades of the color blue. The blue colour was usually a Prussian Blue imported into Japan around 1790. artelino have a great description of Prussian Blue and aizuri-e, here.   Fullbright Scholarship - is a scholarship that covers various types of grants. Beginning in 1946, this particular scholarship provides grants and exchanges for many countries and for various students, scholars, and professionals. More info, here.    Puli, Nantou, Taiwan (埔里鎮) - is a township located in the Nantou County, a mountainous and landlocked portion of Taiwan. Known for its nature, lakes, and national parks. More info, here.    sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking, and cloth.    Art Taipei - is organized by the Taiwan Art Gallery Association (TAGA) and is an art fair which takes place once a year in October. More info can be found, here.    Chiang Kai-shek Memorial Hall (國立中正紀念堂) - is a landmark located in Taipei, Taiwan. It is in memoriam to the leader of the Republic of China, Chiang Kai-shek (1887-1975), who lived in exile in Taiwan from 1949-1975.    sumi - is a rich black stick, or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists.  It is made from the soot of burnt lamp oil. Used in key blocks predominantly in traditional mokuhanga, it can also be used to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here.   Shift-Lab  - is an international artists collective which started in 2013. The collective is made up of Katie Baldwin, Denise Bookwalter, Sarah Bryant, Macy Chadwick, and Tricia Treacy. Their works are a blend of bookmaking, sculpture, mokuhanga, printmaking, and drawing. More info can be found, here. Below is work from Shift-Lab and each individual artist within the collective, other than Katie Baldwin, whose work can be found above. Info regarding the collective can be found, here. Click on the artists name for their respective website's.    Tetrahedron (2011) by Denise Bookwalter - digital/dimensional print    The pine cone is an object of veneration (2012) by Sarah Bryant - letterpress   Observations on Listening (2012) by Macy Chadwick - letterpress, polymer plate   SLOT (2018) by Tricia Treacy - one page from the SLOT piece. - risograph, hand binding, foil-stamping    CODEX Book Fair and Symposium - is a biennaly held book fair and is hosted by CODEX, a foundation created in 2005 by Peter Rutledge Koch, and Susan Filter. Their aim is to promote the book form as art. The next book fair will take place in 2024. More info can be found, here.    The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. website,  Instagram   wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.    Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here.   Cover of Kansas City Collection (2014-2015), catalogue   Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here.  Berry Flower (2020) The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group without being "officially" a part of the group because of the group relationship with the artists. More info can be found, here.    Collaborative Mokuhanga Groups of the past - usually associated with the sōsaku hanga movement of the early 20th century, these collaborative mokuhanga groups shared and disseminated their work amongst themselves, teaching techniques and methods, strengthening the creative print movement in Japan. Some famous print groups were The First Thursday Society as founded by Onchi Kōshirō (1891-1955), and the Yoyogi Group founded by Un'ichi Hiratsuka (1895-1997). Printmaking during this time was predominantly male, so we see Japan and that time period through the eyes of men. There were female printmakers, such as Keiko Minami (1911-2007), although she lived abroad and not in Japan. In Japan you had the Joryū Hanga Kyōkai, the first woman's printmaking society who held their first show in Tōkyō. Artists such as Iwami Reika (1927-2020), and Kobayashi Donge from this group, made mokuhanga prints.    Moon and Water (ca. 1972) - by Iwami Reika    Eve In A Circus by Kobayashi Donge (date unknown) - etching on paper   In Cahoots - is a residency program based in Petaluma, California, USA. It focuses on letterpress, relief printmaking, and artists books. It is run by Mary Chadwick. More info can be found, here.    Mise-en-Scène  - is an artists project by wood+paper+box, currently in progress. More info, here.      © Popular Wheat Productions opening and closing musical credit - Planet Rock by Afrika Bambaataa (1982) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

Our guest Linda Dayan Frimer is a renowned artist and author. She has used her art to inspire people and to help people heal. Her latest book 'Luminous: An artist's story as a guide to radical creativity' is a culmination of her artistic career and includes over 120 images of her evocative paintings. Her art has been compared to Emily Carr. It is also very healing and her book includes exercises to help bring folks in touch with her inner artist.

Artist Mega McGrath has a beautiful, poetic soul. To be in her presence is to converse about the profound, and her ability to listen creates a natural sense of comfort.  She grew up in a suburb outside of Vancouver in a traditional, steadfast family. Her mother consistently encouraged her instinctual creativity and musicality, from guitar lessons to drawing and painting. There was no specific structure to how she expressed her artistic inclinations. In high school, art became more prominent—Mega was encouraged and supported by an incredible teacher who allowed her a lot of creative license. Despite being raised Christian, she was drawn to Buddhism at a young age and began to foster her own relationship with spirituality outside what she was taught.  After high school, she went to Emily Carr for a few years. It was an experience that was necessary, but she truly thrived once she dove headfirst into carving out her professional art career during third year. Since then, Mega's practice has continued to evolve from text art to ornamentation & abstraction—she's worked with the likes of Nike, Red Bull Music, Hypebeast Inc., Dripped Coffee in New York, The Diamond, Tiffany & Co., Reigning Champ, Ivanhoe Cambridge, Wesgroup, and Lagree West Pilates Studio.In this conversation, we explore where her artistic nature came from and if she was acutely aware of her abilities as a child; navigating feelings and emotions through art; her deep passion for astrology, the planets and time; how Mega practices spirituality at this stage in her life and connecting to something greater than yourself; what language and words means to her; loving liminal spaces; her visual process as a seasonal cycle of death & rebirth; what she feels her future self would say to her current self; and much more.TIMESTAMPS5:23 - Growing up6:55 - What her parents were like8:27 - How she saw art growing up13:38 - Observations about the world16:56 - How she goes through spirituality know19:18 - What school was like after high school 21:37 - What language means to her24:47 - What quotes are resonating with her right now26:58 - How she feels about art in her life right now29:46 - How do you say the most with saying the least? 33:40 - Does she fear death35:05 - How she views time39:28 - Is it easier to let go because of how she views time42:30 - Does she feel connected to all things43:45 - What she feels like when she is the most empowered 46:47 - What colour is she drawn to this year50:10 - What her future self would say to present self51:40 - Exciting things she is doing53:00 - What she would say to her high school art teacher now54:55 - Final question 56:35 - Where to find her

by Miriam Sagan in Rag Trade

The Canadian artist created landscapes unlike her contemporaries', intuiting the web of life beneath the canopy and putting it on canvas. As a painter in early 20th-century British Columbia, Emily Carr approached her subject matter through a colonial lens and expressed what she saw with a modernist style developed in the studios of London and Paris. She earned renown for her early depictions of Indigenous cultures, work that would later be criticized as appropriative.  It was later in her career, though, that she focused more intently on the forests themselves, intuiting a web of life beneath the canopy that would eventually be proven by science. Her paintings from this era are unlike those of her contemporaries, capturing the mystery and majesty of these natural landscapes in vivid form. Crosscut's resident historian Knute Berger explored this part of Carr's career in a recent episode of his Mossback's Northwest video series, but there is more to the story. For this episode of the Mossback podcast, Berger and co-host Sara Bernard discuss how Carr's living landscapes came to be and how the power of the Pacific Northwest's forests have long inspired powerful artwork, personal reverie and even a kind of evangelism. Before listening, we suggest you watch the Mossback's Northwest episode about Emily Carr here. --- Credits Hosts: Sara Bernard, Knute Berger Producer: Jonah Cohen Executive producer: Mark Baumgarten

https://www.chetdoxas.com/ (Chet Doxas) talks about his album Rich in Symbols II, which he released from Brooklyn on September 9, 2022. The album is dedicated to Canada's Group of Seven painters, plus two often associated artists, Tom Thomson and Emily Carr. Chet also turns the tables on me (33:42) and opens up the conversation beyond his album. Thank you to Pearson Instruments for sponsoring this episode. Learn more about Brad Pearson, luthier & guitar tech in Vancouver, at https://www.pearsoninstruments.ca/?utm_source=podcast&utm_medium=episode-description (pearsoninstruments.ca). Thank you to 12TH ST Sound for sponsoring this episode. Get up to 20% off at this recording studio in New Westminster via https://www.12thst.ca/rcp/ (12thst.ca/rcp). Sign-up for the free weekly article by Will Chernoff at https://www.rhythmchanges.ca/?utm_source=podcast&utm_medium=episode-description (rhythmchanges.ca).

We're still on summer break in the HSC Office of Faculty Development! This month, take a few minutes to learn about our team as we prepare great interviews for the fall. In this week's Faculty Feed Bite, we're talking with Emily Carr, MA, who joined the team in July 2022 as the Faculty Development Program Manager. Emily is your first point of contact for all things Faculty Development at the University of Louisville Health Sciences Center. UofL faculty can check out the Educator Grand Rounds that we discussed in the episode.

Robin and Lis discuss the controversial art of Emily Carr, a Canadian painter who captured Indigenous landmarks in British Columbia - but was she perpetuating a harmful narrative or aiding representation?  Connect with Us! On Instagram @thedigitaldustpodcast + check out our website!  Have suggestions and comments? Email us: thedigitaldustpodcast@gmail.com

In 1871, the federal government signed Treaties 1 and 2 with the Indigenous, taking over much of southern Manitoba and southeastern Saskatchewan. This was also the year that BC joined Confederation. While Canada lost a great artist, Paul Kane, this year, it gained a new great artist, Emily Carr. Boris Fundraiser: https://gofund.me/e2b58b58 Vote for Canadian History Ehx at Canada Podcasting Awards: https://canpodawards.ca/vote/cultural/ Support: patreon.com/canadaehx Donate: https://www.buymeacoffee.com/craigU Donate: canadaehx.com (Click Donate) E-mail: craig@canadaehx.com Twitter: twitter.com/craigbaird Tiktok: https://www.tiktok.com/@cdnhistoryehx YouTube: youtube.com/c/canadianhistoryehx Learn more about your ad choices. Visit megaphone.fm/adchoices

S4 E19: On Location Victoria British Columbia - Emily Carr, James Bay Inn and Beacon Hill Park (audio version) Tea Toast & Trivia Podcast hosted by Rebecca Budd On Location, James Bay Inn and Beacon Hill Part Victoria, British Columbia. Passages from Emily Carr's Autobiography “Growing Pains” Public Domain (Canada)Voice and photography by Rebecca Budd Music by #EpidemicSound 1) Christoffer Moe Ditlevsen “End of an Era” www.epidemicsound.com/track/dgEeXjlQge/ 2) Howard Harper-Barnes “A Leaf Falls” www.epidemicsound.com/track/vCliROg8VZ/ 3) Johannes Bornlof “I Will Love You To The End” www.epidemicsound.com/track/VAhZ2EgIiq/ 4) Howard Harper-Barnes “No One Else on Earth” www.epidemicsound.com/track/722bbcNU24/

S4 E19: On Location Victoria British Columbia - Emily Carr, James Bay Inn and Beacon Hill Park Tea Toast & Trivia Podcast hosted by Rebecca Budd On Location, James Bay Inn and Beacon Hill Part Victoria, British Columbia. Passages from Emily Carr's Autobiography “Growing Pains” Public Domain (Canada)Voice and photography by Rebecca Budd Music by #EpidemicSound 1) Christoffer Moe Ditlevsen “End of an Era” https://www.epidemicsound.com/track/dgEeXjlQge/ 2) Howard Harper-Barnes “A Leaf Falls” https://www.epidemicsound.com/track/vCliROg8VZ/ 3) Johannes Bornlof “I Will Love You To The End” https://www.epidemicsound.com/track/VAhZ2EgIiq/ 4) Howard Harper-Barnes “No One Else on Earth” https://www.epidemicsound.com/track/722bbcNU24/

Established artists have found mokuhanga to be an asset to their practice. It is a medium which can be very different to what an artist may currently be focused on. It builds patience, and helps creativity.  Timothy Laurin is an established artist, who has worked in several artistic mediums, such as letterpress, screen printing, glass, intaglio, and mixed media. Tim discovered mokuhanga a few years ago and has decided to pursue the art form. On this episode of The Unfinished Print I speak with artist Timothy Laurin about his discovery of mokuhanga, the rituals of process, memory and contemporary society. We also speak on the matrix of mokuhanga, gallery relationships, and how ones own environment can affect what an artist produces.  Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Tim Laurin - Print Collective, Octopus Studio Press,  Instagram , Twitter Georgian Bay - is a large bay off of Lake Huron in Southern, Ontario, Canada. It is known for cottages, fishing, hunting, and beautiful sunsets. It is a part of the Canadian Shield, and was painted by such artists as Tom Thompson (1877-1917). It is about two hours drive from Toronto.  Barrie, Ontario - is a city with a population of 145,000. It was originally populated by the Anishinaabeg People and the Wendant. It was then populated by white settlers in 1828. intaglio printmaking - is a style of printmaking, the opposite of relief printmaking, where scratches made with a burin are made on the plate (copper, zinc, aluminum) and then dipped in acid. Then ink and pigment is rubbed on with a brayer, brushes, etc. More info can be found, here.   washi - is a type of naturally fibrous Japanese paper made for many different types of artistic pursuits. Mokuhanga printmakers use washi, sized and unsized, to produce their woodblock prints. More info from the Japanese Paper Place, can be found, here.  birch plywood - is a hardwood used in various ways, such as furniture building, homes, and woodblock. There are white birch, black birch, and white birch. It can be purchased, as well as other woods, in thin veneer and pasted onto regular plywood, or purchased as birch plywood in many hardware stores.  John Milton Cage Jr. - (1912-1922) was a composer and music theorist who was influenced by Zen Buddhism and Indian philosophy. One of his beliefs was to "free the creative gesture from all intentional subjectivity." Life is chance. More info can be found, here.  representational art - is art which identifies something which exists in real life. Métis - is in reference to a group of Indigenous peoples from Canada. Recognized in 1982 by the Constitutional Act of Canada. Emerging in the Northwest of Canada during the late 18th century, they are the offspring of Indigenous women and European fur traders.  The homeland of the Métis is considered as, Saskatchewan, Alberta, Ontario, British Columbia, the Northwest Territories and parts of the Northern United States. More info can be found, here.  kitakata - is a specific type of washi made of Philippine gampi, and sulphite pulp. For bookbinding, and mokuhanga and other types of printmaking.  More info, here.  William Morris - (1834-1896) was a textile maker, poet and artist. He produced over fifty patterns of wallpaper based on the movement of nature. More info from the Victoria & Albert Museum, here.   Arts and Crafts Movement - was an artistic movement as a opposition to the industrial world. the movement originally began in mid-19th Century Britain, moving across Europe and the Atlantic to the America's. More info can be found, here.  Sheridan College - is a college located on three campuses, Brampton, Mississauga, and Oakville in Ontario. It is a practical college with various programs such as business, special effects, television, film, etc. More info can be found, here.  The Japanese Paper Place - is a Japanese paper brick and mortar store located in West Toronto. The Unfinished Print interview with owner Nancy Jacobi, can be found, here. The JPP's website can be found, here.  Early Canadian History - is fraught with colonialism and displacement. There is not enough space to speak on the subject but more information can be found, here through the lens of Indigenous history.  Ojibwe - historically from the Great Lakes Region of Canada and the United States, the Ojibwe fished, and hunted as well as harvested wild rice and participated in the fur trade. More info can be found, here.  The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group without being "officially" a part of the group because of the group relationship with the artists. More info can be found, here.  The Canadian Shield - is exposed rock located throughout North America, Mexico and Greenland.  Robert Motherwell - (1915-1991) was an artist who worked in printmaking and painting. He was a contemporary of Jackson Pollock (1912-1956), and Willen de Kooning (1904-1997). More info can be found, here.  Flextools - is a tool brand founded in 1986. The tools are for woodworking, woodcut, and other wood related carving. More information can be found, here.  Daniel Smith Pigments - is a company which makes various types of paints, pigments, and mediums. It was started by Dan Smith in 1976. More info can be found, here.  Winsor & Newton - is a British artist supply company, started in 1832,  which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here.  Holbein - is a pigment company based in Japan, Canada, and the United States. Their pigments are lush and strong. More info, here. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com opening and closing credit music - We Three by Cory Weeds, from the album Just Coolin' (2022) © Cellar Live © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Cemre Demiralp is an incredible force of nature, not one to live her life without bringing meaningful change to the world. She has spent much of her art career thus far working at various museums and institutions, mainly with established blue chip artists and creatives: Kerry James Marshall, Robert Buck, Lara Favaretto, Ian Wallace, Simon Starling, Oliver Stone, Yoko Ono, and Solange Knowles. Currently, she operates the Shumka Centre for Creative Entrepreneurship at Emily Carr University, helping to create programs, mentorship, and resources for supporting emerging artists and creative practitioners in sustainable, real world ways. Cemre is also heading up and organizing Emily Carr's grad art show, which opens this May.She was born in Istanbul, Turkey, the only daughter of a spiritual mother and atheist father. Curious and independent, and usually surrounded by elders & adults, Cemre was encouraged by her parents to have opinions—and to express them. At 17, she moved to France for schooling and at 19, she left her home country for Canada, where she double majored in Art History and Political Science at the University of British Columbia. Cemre's career in art kick-started during university, as she reached out to galleries and centres to offer her help.           In this conversation, we talk about her childhood in Istanbul; her journey into the art world and the existing systems within it that she hopes to improve; the importance of respecting another's journey in life; how feeling like a migrant is an untangling for her; how she brings what she learned working with blue chip artists to her current role at Emily Carr with emerging artists; interfacing creativity with running a viable business; the way she would approach curating an art show; what she wants others to know about the people & culture of Turkey; and more.

Natasha Negrea (Executive Producer, TVO Arts) and Catherine Baird (Director, TVO Arts), discuss TVO's latest project, TVO Arts, and how it hopes to make some iconic Canadian art more accessible to all. They are joined by artist Camille Turner whose work is featured in the series. See omnystudio.com/listener for privacy information.

You are the hero of this audio adventure through a dreamscape. Happy New Year 2022! Wishing you great sleeps, much growth, and big love.  Story, voicework, and audio mix by Marlene Wurfel > www.marlenewurfel.com Train sounds & miscellaneous by: Benboncan; Caquet; Mredig & Inspector J via a Creative Commons Attribution Licence freesound.org https://creativecommons.org/licenses/by/3.0/ Music A Simple Lullaby by Jesse Keller via Jamendo Blue Dream by Cheel via YouTube audio library Sea of Ancestry by Jesse Gallagher via YouTube audio library Snowy Peaks by Chris Haugen via YouTube audio library * Emily Carr and Woo are real historical figures you can learn more about :)

In this episode we take a moment to look into the great Pacific NW artist Emily Carr, her life, and work. This is a quick, quirky overview of...

Brian interviews Sarah Milroy. Sarah is Chief Curator at the McMichael Canadian Art Collection and we discuss Uninvited: Canadian Women Artists in the Modern Moment. She joined the McMichael Canadian Art Collection in September 2018 as Chief Curator. Previously she was Chief Art Critic for the Globe and Mail from 2001 to 2011 and, from 1991 to 1996, editor and publisher of Canadian Art. In recent years, she has worked with Ian Dejardin on ground-breaking exhibitions of Emily Carr, David Milne and L.L. FitzGerald, and has just opened her survey exhibition Early Days: Indigenous Art at the McMichael.

Welcome to Morning Prayer! I'm so thankful you've found yourself here, with this community, today. The Psalm for today mentions waiting in silence on God's loving-kindness. So that's my invitation to you: set aside these few minutes as holy. Wait before Jesus until you see, feel, hear, and somehow know his love anew. This is Ordinary Time, Proper 9, in the Church Calendar. As always, our general order comes from the Book of Common Prayer (1979) Daily Office and Scripture readings from the Revised Common Lectionary. We'll sing “Hungry” by Kathryn Scott throughout today's time of prayer. We'll read Psalm 48 followed by the Gloria Patri. Our Lesson is Mark 6:1-13. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it at https://benwardmusic.com/prayerrequest. If you'd like to be on the email list visit https://benwardmusic.com/email. Visit https://patreon.com/morningprayer to give and support Morning Prayer monthly. Go to https://www.paypal.com/donate?hosted_button_id=LUAEY98ADT8UG to give a one-time gift. Artwork is by Emily Carr. https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=57964 Hungry Kathryn Scott Hungry I come to You for I know You satisfy I am empty but I know Your love does not run dry So I wait for You So I wait for You I'm falling on my knees Offering all of me Jesus You're all this heart is living for Broken I run to You for Your arms are open wide I am weary but I know Your touch restores my life I'm falling on my knees Offering all of me Jesus You're all this heart is living for Prayer of Confession Most merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen. Psalm 48 1 Great is the Lord, and highly to be praised; * in the city of our God is his holy hill. 2 Beautiful and lofty, the joy of all the earth, is the hill of Zion, * the very center of the world and the city of the great King. 3 God is in her citadels; * he is known to be her sure refuge. 4 Behold, the kings of the earth assembled * and marched forward together. 5 They looked and were astounded; * they retreated and fled in terror. 6 Trembling seized them there; * they writhed like a woman in childbirth, like ships of the sea when the east wind shatters them. 7 As we have heard, so have we seen, in the city of the Lord of hosts, in the city of our God; * God has established her for ever. 8 We have waited in silence on your loving-kindness, O God, * in the midst of your temple. 9 Your praise, like your Name, O God, reaches to the world's end; * your right hand is full of justice. 10 Let Mount Zion be glad and the cities of Judah rejoice, * because of your judgments. 11 Make the circuit of Zion; walk round about her; * count the number of her towers. 12 Consider well her bulwarks; examine her strongholds; * that you may tell those who come after. 13 This God is our God for ever and ever; * he shall be our guide for evermore. Mark 6:1-13 (NRSV) Jesus came to his hometown, and his disciples followed him. On the sabbath he began to teach in the synagogue, and many who heard him were astounded. They said, “Where did this man get all this? What is this wisdom that has been given to him? What deeds of power are being done by his hands! Is not this the carpenter, the son of Mary and brother of James and Joses and Judas and Simon, and are not his sisters here with us?” And they took offense at him. Then Jesus said to them, “Prophets are not without honor, except in their hometown, and among their own kin, and in their own house.” And he could do no deed of power there, except that he laid his hands on a few sick people and cured them. And he was amazed at their unbelief. Then he went about among the villages teaching. He called the twelve and began to send them out two by two, and gave them authority over the unclean spirits. He ordered them to take nothing for their journey except a staff; no bread, no bag, no money in their belts; but to wear sandals and not to put on two tunics. He said to them, “Wherever you enter a house, stay there until you leave the place. If any place will not welcome you and they refuse to hear you, as you leave, shake off the dust that is on your feet as a testimony against them.” So they went out and proclaimed that all should repent. They cast out many demons, and anointed with oil many who were sick and cured them. The Apostles' Creed I believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord. He was conceived by the power of the Holy Spirit and born of the Virgin Mary. He suffered under Pontius Pilate, was crucified, died, and was buried. He descended to the dead. On the third day he rose again. He ascended into heaven, and is seated at the right hand of the Father. He will come again to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting. Amen. The Lord's Prayer Our Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, for ever and ever. Amen. Collect of the Day Proper 9, Rite Two O God, you have taught us to keep all your commandments by loving you and our neighbor: Grant us the grace of your Holy Spirit, that we may be devoted to you with our whole heart, and united to one another with pure affection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen. The grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit, be with us all evermore. Amen. (2 Corinthians 13:14)

Welcome to Morning Prayer! I'm so thankful you've found yourself here, with this community, today. The Psalm for today mentions waiting in silence on God's loving-kindness. So that's my invitation to you: set aside these few minutes as holy. Wait before Jesus until you see, feel, hear, and somehow know his love anew. This is Ordinary Time, Proper 9, in the Church Calendar. As always, our general order comes from the Book of Common Prayer (1979) Daily Office and Scripture readings from the Revised Common Lectionary. We'll sing “Hungry” by Kathryn Scott throughout today's time of prayer. We'll read Psalm 48 followed by the Gloria Patri. Our Lesson is Mark 6:1-13. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it at https://benwardmusic.com/prayerrequest. If you'd like to be on the email list visit https://benwardmusic.com/email. Visit https://patreon.com/morningprayer to give and support Morning Prayer monthly. Go to https://www.paypal.com/donate?hosted_button_id=LUAEY98ADT8UG to give a one-time gift. Artwork is by Emily Carr. https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=57964 Hungry Kathryn Scott Hungry I come to You for I know You satisfy I am empty but I know Your love does not run dry So I wait for You So I wait for You I'm falling on my knees Offering all of me Jesus You're all this heart is living for Broken I run to You for Your arms are open wide I am weary but I know Your touch restores my life I'm falling on my knees Offering all of me Jesus You're all this heart is living for Prayer of Confession Most merciful God, we confess that we have sinned against you in thought, word, and deed, by what we have done, and by what we have left undone. We have not loved you with our whole heart; we have not loved our neighbors as ourselves. We are truly sorry and we humbly repent. For the sake of your Son Jesus Christ, have mercy on us and forgive us; that we may delight in your will, and walk in your ways, to the glory of your Name. Amen. Psalm 48 1 Great is the Lord, and highly to be praised; * in the city of our God is his holy hill. 2 Beautiful and lofty, the joy of all the earth, is the hill of Zion, * the very center of the world and the city of the great King. 3 God is in her citadels; * he is known to be her sure refuge. 4 Behold, the kings of the earth assembled * and marched forward together. 5 They looked and were astounded; * they retreated and fled in terror. 6 Trembling seized them there; * they writhed like a woman in childbirth, like ships of the sea when the east wind shatters them. 7 As we have heard, so have we seen, in the city of the Lord of hosts, in the city of our God; * God has established her for ever. 8 We have waited in silence on your loving-kindness, O God, * in the midst of your temple. 9 Your praise, like your Name, O God, reaches to the world's end; * your right hand is full of justice. 10 Let Mount Zion be glad and the cities of Judah rejoice, * because of your judgments. 11 Make the circuit of Zion; walk round about her; * count the number of her towers. 12 Consider well her bulwarks; examine her strongholds; * that you may tell those who come after. 13 This God is our God for ever and ever; * he shall be our guide for evermore. Mark 6:1-13 (NRSV) Jesus came to his hometown, and his disciples followed him. On the sabbath he began to teach in the synagogue, and many who heard him were astounded. They said, “Where did this man get all this? What is this wisdom that has been given to him? What deeds of power are being done by his hands! Is not this the carpenter, the son of --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message

This week I sat down with Aylin Daniela Benavides or Dani. Dani is studying industrial design at Emily Carr. She has had a very close relationship with hard work all of her life and we sat down to talk about it. The trials and tribulations she has gone through on her journey from Costa Rica to Houston and then on to Vancouver are a testament to the power of work ethic and drive. I hope you all enjoy the conversation as much as I did. 0:00 Intro 1:23 The BIG Question 6:00 Personal responsibility 13:30 Dani's life journey and introduction to work 20:40 Working 90+ hours per week 27:50 Shit customers 31:00 Immigration interrogation- CRAZY story 39:00 Feeling bad for saying no 45:00 Planting talk 57:00 Closing Remarks --- Support this podcast: https://anchor.fm/samuel-vila/support

An exploration of the life and art of the most famous Canadian female painter Emily Carr, with a particular focus on her spirituality. Her focus in painting was to portray nature in a way that would communicate God and connect her to the divine.  The Copyright for all material on the podcast is held by L'Abri Fellowship. We ask that you respect this by not publishing the material in full or in part in any format or post it on a website without seeking prior permission from L'Abri Fellowship. © Canadian L'Abri 2018

Susan Vreeland, who died on August 23, 2017 at the age of 71, was the best-selling author of several novels, most of them concerning the field of painting — beginning with her second book, “Girl in Hyacinth Blue”, which focused on a work of the Dutch artist Vermeer. A high school English teacher for many years, she was past forty when she published her first novel, “What Love Sees”. After the Vermeer book in 1999, she went on to write six more works of fiction over the course of the next fifteen years. Richard Wolinsky interviewed Susan Vreeland on January 24, 2002, when she was on tour for her third novel, “The Passion of Artemisia,” about the female baroque painter Artemisia Gentileschi. Susan Vreeland's later books included “The Forest Lover,” about the Canadian painter Emily Carr, and e linked short story collection focusing on the French impressionists, “Life Studies.”  Her final novel, ‘Lisette's List,' was published in 2014. Set in the south of France during world war II, it features as characters Pablo Picasso and Marc Chagall. “Girl in Hyacinth Blue” became a made for television film, “Brush with Paint” starring Ellen Burstyn and Glenn Close. The post Susan Vreeland (1946-2017) appeared first on KPFA.

http://thesparkandtheart.com/135 – Jackie was a guest on the show a couple years ago as she had just finished up as lead animator on the film Book of Life. Her goal through everything she's done was to one day work at Disney. Well, she made it and now we talk about if she feels like she's ‘Made it'. **- Links for this episode -**Jackie Koehler - http://www.jackiekoehler.com/about-me-and-this-site.htmlJackie's First visit - http://www.TheSparkAndTheArt.com/30Matt Roberts (Disney) - https://about.me/gouletniacDisney Internships - https://www.disneyanimation.com/careers/interns-apprenticesEmily Carr - http://www.ecuad.ca/Nerd Corps - https://en.wikipedia.org/wiki/DHX_Studios_VancouverAnimation Mentor - http://www.animationmentor.com/