Podcast appearances and mentions of Paul Booth

It's official, Doctor Who is returning April 12 on BBC One, iPlayer, and Disney+, and will include Doctor Who alum Alan Cumming as an animated ne'er-do-well along with “Eurovision in Space” according to Who scribe Juno Dawson and much more, including children creating comic book creatures, much Big Finish news including friends of the show Riley Silverman and Paul Booth writing Short Trips. and our feature interview with Peter Cocker and Toby Hadoke about the Season 7 Collection Blu-Ray!  Links: Support Radio Free Skaro on Patreon Doctor Who season 2 arrives on BBC and Disney+ on April 12 with Alan Cumming to guest star Disney Season 2 press release Doctor Who “was a top 5 series on Disney+ globally every week it aired” said Disney The Mirror states Juno Dawson's will be “Eurovision in Space”, go out May 17 before the Eurovision final Peter Purves spoke of his time on Doctor Who at the BFI event for The Savages animation Doctor Who Propstore auction raises £245,243 for BBC Children in Need Blake's 7 The Collection Season 2 available for preorder (UK) Doctor Who Magazine #614 Creating Monsters: The Story behind the new Doctor Who comic strip, “Dance ‘Til You Drop” Former Doctor Who VFX provider The Mill shuts down as parent company Technicolor collapses Big Finish – Call Me Master: Inner Demons released Doctor Who's Sacha Dhawan wants Michelle Gomez team-up for Big Finish Big Finish – Doctor Who: The Ruins of Kaerula due June Big Finish Doctor Who Short Trips: Tales from the Vortex due April featuring new writers Film is Fabulous takes hold of giant film collection from a private collector Target Book Club – Celebrating Doctor Who Books with a day of talks and guests – happening July 19 Doctor Who: The Art of Time Travel Hardcover due Nov 20 Michael Herbert's “Things are not always what they seem” The Writing and Politics of Malcolm Hulke available Interview: Toby Hadoke Peter Crocker

The MVCC Library is excited to welcome Dr. Paul Booth, a leading scholar from DePaul University specializing in fandom, pop culture, and media studies. Dr. Booth will delve into the ways media and fan communities shape culture, identity, and creativity in the digital age.

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When the writer Sir Arthur Conan Doyle killed off his most famous literary creation, Sherlock Holmes, readers were so angry that thousands cancelled their subscriptions to the magazine in which the stories appeared. The editor and Conan Doyle himself were overwhelmed with letters from a furious public - fans who instead of accepting the death of their favourite fictional character then started to write and share their own stories featuring Holmes. They eventually formed clubs and appreciation societies, brought together by a common interest.This practice is something we recognise today across the globe. In areas as diverse as sport, music, film and TV (to mention just a few), fans are not just passive consumers as the recent activities of Swifties (Taylor Swift fans) demonstrate. They're actively engaged, creating content of their own and connecting with others to nurture a shared identity. The internet has made that easier than ever before, with fans now using their platform to influence political discourse too.Iszi Lawrence discusses the history and inexorable rise of fandom, with guests Paul Booth, Professor of  Media and Pop Culture at DePaul University in Chicago in the United States; Areum Jeong, Assistant Professor of Korean Studies at Arizona State University in the US and Corin Throsby from the University of Cambridge in the UK, whose research focuses on Romantic literature and early celebrity culture. The programme also includes contributions from Julian Wamble, Assistant Professor of Political Science at George Washington University and the creator of Critical Magic Theory: An Analytical Harry Potter Podcast, and listeners around the world share their fan stories.Produced by Fiona Clampin for the BBC World Service.(Photo: Fans wait to pay for items of merchandise as they visit a pop-up store of South Korean K-pop sensation BTS. Credit: ANTHONY WALLACE/AFP via Getty Images)

Step into the captivating world of tattooing with our esteemed guest, Paul Booth, a legendary tattoo artist celebrated for his dark and provocative style. Paul tells us about his career journey from admiring the tattoos of a classmate to opening a 3 story tattoo shop and gallery in Manhattan. Paul opens up about his unique style evolution, rooted in the bold use of black and gray shading. Explore the profound journey of tattoos as keepsakes that memorialize pivotal life moments and personal histories. Paul shares heartwarming anecdotes about tattoos that symbolize cherished relationships and personal milestones, such as his face tattoo designed by his mentor. Booth's  artistic expression transcends the skin by embracing music, clay, and even the digital domain of AI design. Amidst tales of artistic triumphs and challenges, Paul reflects on the division many see between tattooing and fine art.  His invaluable advice for aspiring artists underscores the importance of genuine artistry over ego, inspiring them to dedicate themselves to their craft. Join us for an inspiring conversation that highlights the enduring power of creativity and the limitless potential of art as a transformative force. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Send us a textIn this episode of the podcast I speak to Paul Booth, sports nutritionist.Paul has carved out a career working with elite ultramarathon runners at his testing facility at Leeds Beckett university and specialises in high carb fuelling and performance.In this episode we talk about the newest trend to sweep ultramarathon running, ingesting 140-150g of carbohydrates per hour, a vast increase from the previously recommended maximum of 90g per hour.We talk about the possible pros and cons of this new approach and whether athletes like David Roche are outliers, or are in fact at the tip of the spear of this revolutionary new approach to in-race fuelling.Paul also talks about his ongoing research and upcoming ultramarathon nutrition conference next year. For details of how you can get involved with Pauls studies on ultramarathon runners and his upcoming ultramarathon conference, contact Paul directly at Leeds Beckett University  - p.booth@leedsbeckett.ac.ukAlternatively, see Pauls website for more details on the above and his nutrition plans for runners.https://performancegainsnutrition.comURS

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Joe Biden has officially withdrawn from the US Presidential race, after several days of Democratic pressure to step aside following his failed debate and concerns surrounding his health. Over the weekend, there was news circulating about the President requesting to see the #polls between #donaldtrump and #kamalaharris while recovering from #covid19 at age 81. On Saturday, there was news that donations are driving up as donors paused their giving calling for a new Democratic Candidate. On Sunday, Biden dropped out making the announcement around midday as we were getting ready to release an episode about why #biden should step aside. After the the announcement, we adjusted the show taped before a live studio audience with special call-in guest contributor, Ricardo McKenzie and Paul Booth who are supporters of the Democratic party and several others from various political or no political affiliations. It was a fierce debate between the host of the show, Renaldo McKenzie and his twin brother, Ricardo McKenzie who contended for different sides of the US political divide. The show was done in audio only with background images and breaking news still for video viewers. This is a production of #theneoliberalcorporation and #theneoliberal Round YouTube Channel and The Neoliberal Round Podcast by #renaldomckenzie https://anchor.fm/theneoliberal Visit us at https://theneoliberal.com or https://renaldocmckenzie.com. Check out our store at https://store.theneoliberal.com. Support us at https://anchor.fm/theneoliberal/support. --- Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support

Mike recalls memories from living in New York City and San Francisco in early 1999. Topics discussed inlcude: living near Golden Gate Park, Imagination Plantation, 3D animation, office fashion, Wild Brain, Fern Gully, tattooing friends at home, Kodik Joe, Chris Woodcock, Sarah, Hotmail, student housing in the Presidio, Damon Soule, 214 Clara Street, Adrian Maseo, Valerie Hursyz, Tweaky Pete, BART tiles, The Simpsons on VHS, Outlaw Dancer, tramp stamp tribal on my sister, tattooing Sadie, Scott Sylvia, A-Team, early posters, James at WARP Records, British electronic music, loud music as a physical force, pot brownies, real house party, solo trip at Yerba Buena, tattooing in the living room, 23, Sope, Benotto track bike, first fixed gear ride, Chris Feasel, FUCK/KILL, the impermanence of tattoos, longevity of fine art works, preserved Japanese bodysuits, Avery and Kamian, NYC visit, staying in Williamsburg with Nalla and Maga, hairless cats, African Grey parrots, NY Tattoo Convention, legalization of tattooing, Tin Tin, The Limelight, Paul Booth, unemployment, East Side Inc, Hells Angels, Andrea Elston, UniMax, cycling over the Williamsburg Bridge/around Manhattan, Biohazard, Ozzy, Rod Stewart, Rhonda Hoelzer, Les Nubians, Scott Campbell, Mr Cartoon, Patrick Conlon, angel tattoo, Kimberly Hooper, street shop economics, yin yang tattoos, “polishing a turd” and NYC Lase.

Simon's latest project features his recently formed U.S. Jazz Octet with three front line horns and vocals. There are special guest appearances by leading U.K. jazz artists, including Tim Garland and Paul Booth and, for the first time, Simon's arrangements appear alongside his original compositions. Simon explains his thinking behind For the Dreamers: “I think that, deep down, I always knew (hoped!) that I would spend some time in America one day; form a band there; do some concerts; and record an album. My only surprise is that it took me until my mid-forties to do it! I wanted to harness my love for many genres of American music, utilise local American musicians and compose music for that particularly confident way they have of playing. This is the resulting album!Support the show

Oak Adams is a black & grey artist from the United States. Drawing inspiration from artists such as The Gurch, Paul Booth, Todd McFarlane, Pushead and The Darkness comic books, he knew early on that the darker side of art was what he wished to pursue. His preferred style leans strongly toward black & grey bio-organic & the macabre, Norse Mythology and portraits. He picked up his first tattoo machine on his own in 1995, but secured an apprenticeship in Indiana with Dave Pritchard in 1997. After traveling extensively, he now makes Salt Lake City, Utah his home. He is the owner of Painted Temple and is an investor in local businesses and real estate. Oak and Mark discuss their potential business deal together and Oak's tattooing history.

 Looking back at 2023 at the music that went under my radar, or I should have played and that I have played. I just can't believe some of the music that has been put out in 2023, there have been so many times my breath has been taken away by what I have listened to and where it has taken me. So this show is just not a round up of 2023, it's what I have listened to during the year be it old or be it new. Info website - www.raysroom.org email - raysroom@mail.com Music Player - https://pod.co/nudirections 2BJazz – Content - Blogs - Interviews - Music Videos - Images - Albums https://www.raysroom.org/2bjazz-1 My Info - https://www.raysroom.org/introducing-ray Please enjoy the music I love from different times and different places. MCR Playlist Artist - Track - (Album) DoomCannon Lex Amor – Time feat (Lex Amor) Thiago Espirito Santo Bruno Cardozo Cuca Teixeira Josué Lopez - The Guardian (Open Roads) The Circling Sun – Jewel (The Circling Sun.1) Antônio Neves Marcos Esguleba – A Pegada Agora E Essa Kamaal Williams – Dogtown Joshua Moshe – Levels Kahil ElZahr - Ritual trio – AFRICANOS-LATINOS Jas Kayser, Ava Joseph, Giacomo Smith – Darness in The Light ( Darkness in The Light.1) Ezra Collective - Samuel L Riddim (Samuel L Riddim) Isobella Burnham – In Power Ambala, Laid Back – Walk With The Dreamers Danny Keane – Afro Cello – Super Full Moon Rework Brian Blade - Live By The Sword Tristan Banks, Paul Booth, John Crawford and, Davide Mantovani - Dust Devil Aja Monet - Why My Love Leon Phal - Balanced Action Surprise Chef - Pash Rash Antônio Neves Marcos Esguleba – A Pegada Agora E Essa Janek Gwizdala – Night Watch Me'shell NdegeOchllo – God Shiva Rymden - The Norwegian Radio Orchestra - Free as a Bird Matthew Halsall - An Ever Changing View ( An Ever Changing View) Gratts featuring Nathan Haines & Mr. Beale – Sun Circles – Original Version Isaiah J Thompson The Soul Messenger (The Power of the Spirit)

Legendary tattoo artist, Filip Leu, sits down to discuss why he is excited to share his work with friends without seeking validation from social media, why no one is a “natural artist,” AI's impact on making art, and why tattooing done with care is what it's all about.This is part 2 of this conversation. Part 1 can be found on Ep 051.Watch THIS EPISODE on YouTubeWatch the BEHIND THE SCENES of this episodeFind Filip at The Leu Family's Family Iron in Bullet, SwitzerlandFind Andrew at Worship Tattoo in Portsmouth, NHBOOKS CLOSED is hosted by Andrew Stortz (@andrewstortz)Music by  Epidemic Sound ***This episode is sponsored by:***EQUAL VISION RECORDSQuality records since 1990Use code BOOKSCLOSED for 20% off you order (excluding pre-order items)TATTOO NECTARAn all natural skin cream, infused with CBD, for use on healing and healed tattoos.Use code BOOKSCLOSED for 20% off your order of Tattoo Nectar today!TATTOO DREAMProcreate stamp brushes, digital flash, downloadable books and online seminars for tattooers by some of the world's leading tattooers.BLACK DAGGER BOOKSA collection of art books from some of the hardest working tattooers in the game, released monthly. Sign up today for a subscription so you don't miss a single edition!DOS-MDigital Optimizations For Tattoo ArtistsHead to digitaltattooers.com to get your FREE consultation setup today!

It's time for some Tales…of the TARDIS, as the Three Who Rule were thoroughly charmed by a nostalgia bomb measuring several megatons with appearances by former Doctors, companions and a Metebelis crystal! There's also a tidal wave of news including SFX magazine's many articles including interviews with RTD, David Tennant and Phil Collinson, novelizations of the three Tennant specials, audio documentaries, Billie Piper returning to Gallifrey One, and our feature look at the new Doctor Who reader Adventures Across Space and Time with Paul Booth, Joy Piedmont, Matt Hills, Tansy Rayner Roberts! Links: Support Radio Free Skaro on Patreon Colourized, omnibus version of The Daleks airing November 23 on BBC Four BBC officially brands the extended Doctor Who universe the “Whoniverse” Tales of the TARDIS dropped on iPlayer November 1, RTD promises bigger plans for it 2005-2022 Doctor Who will not be on Disney+ SFX Doctor Who preview New BBC Doctor Who archive site Covers for the three Tennant special novelizations revealed The Star Beast novelization by Gary Russell Wild Blue Yonder novelization by Mark Morris The Giggle novelization by James Goss Toby Hadoke's Doctor Who report on Newsnight Special Fourteenth Doctor sketch will feature in Children in Need Doctor Who: The Wilderness Years documentary coming to BBC Radio 4 on November 19 Murray Gold: Hitting The Right Notes special coming to BBC Radio Solent on November 23 Doctor Who: The Welsh Connection on BBC Radio Wales on November 23 Doctor Huw on BBC Radio Wales on November 23 Doctor Who edition of Bargain Hunt to air November 23 on BBC One New Doctor Who inflight entertainment channel on board British Airways' flights Billie Piper announced for Gallifrey One Big Finish Doctor Who The Last Day begins Dec 2023 Children of the Circus, audio sequel to The Greatest Show in the Galaxy, available for pre-order Interview: Adventures Across Space and Time Paul Booth Joy Piedmont Matt Hills Tansy Rayner Roberts

 Welcome to the first Jazz Matters show, the response to my Jazz Matters mixes was overwhelming, so I've decided to make it into a monthly show. Jazz is the music that has a special place in my musical heart and this monthly show will lean heavily into Jazz with occasional musical excursions into other genres. The music I select for you will be unlike anything else you'll hardly hear elsewhere, my playlists are always uncompromising, bold and sometimes challenging, often changing in tempo and style to avoid getting stuck into the same groove. Bringing together the music I think the world needs to hear and that mainstream music channels so often overlook. Please feel free to contact me with any comments or suggestions. Info Website - www.raysroom.org My info - www.raysinfo.org email - raysroom@mail.com Please enjoy the music I love. Playlist Rymden & The Norwegian Radio Orchestra – Fee as A Bird Léon Phal – Fuck Yeah Jaco Pastorius - John and Mary Tristan Banks, Paul Booth, John Crawford and, Davide Mantovani - Dust Devil Magnus Ostrom - Safe and Sound Isaiah J. Thompson, Julian Lee, Philip Norris, TJ Reddick, – The Soul Messenger. Don Cherry - Universal Mother Chroma – Afterwards. Jean-Luc Ponty – Ye Ke Ye Ke Yarni, Rachel Shirley, Ben Marks, Jonoa, - Transitions RA-RE – Hidden Treasures Simon Mavin – Good Hair Day Danny Keane – Afro Cello – Super Full Moon Rework Terri Lyne Carrington, Ravi Coltrane, Elena Pinderhughes - Respected Destroyer John Beltran - As The Sun Alfa Mist – Variables Duncan Eagles – Elden Yellowjackets Onyx Manor Ashley Henry - Cranes in the Sky. Yussef Dayes Venna Charlie Stacey - Black Classical Music feat Venna & Charlie Stacey Links Rymden - https://www.rymden-music.com/home Leon Phal - https://leonphal.com/en/home/

Meta just rolled out its Twitter competitor, Threads. And as other social media platforms like Spill, Mastodon, Bluesky and Post are hitting the market, what does this mean for the future of social media? Reset discusses with Ross Schulman of the Electronic Frontier Foundation, Naomi Nix of The Washington Post, Jim Speta of the Northwestern University School of Law, Arionne Nettles of the Northwestern University Medill School of Journalism and Paul Booth of DePaul University.

The Apocalyptic Paul Booth is a series of episodes dedicated to apocalyptic readings of the apostle Paul's letters. Interviews situate Pauline apocalyptic—a stream of similar interpretations of Paul's writings originating in the work of exegetes like Rudolf Bultmann and Ernst Käsemann—among other interpretations (the Old and New Paul readings, for instance) as well as among Second Temple Jewish apocalyptic literature. On this episode, I talk with Dr. Susan Grove Eastman, Associate Research Professor Emeritus of New Testament at Duke Divinity School, as well as an Episcopal priest with two decades of pastoral experience. Dr. Eastman is the author of numerous books on Paul, most recently including Recovering Paul's Mother Tongue: Language and Theology in Galatians (2nd ed., Cascade, 2022), (forthcoming, Cascade, 2023), and the forthcoming Interpretation commentary on Romans. CONNECT: Website: https://wipfandstock.com/ Twitter: https://twitter.com/wipfandstock Facebook: https://www.facebook.com/wipfandstock Instagram: https://www.instagram.com/wipfandstock/ PODCAST LINKS: Water Ave. Coffee (Portland, OR): ⁠https://wateravenuecoffee.com/⁠ SOURCES MENTIONED: Davies, Jamie. The Apocalyptic Paul: Retrospect and Prospect. Davis, Joshua B., and Douglas Harink. Apocalyptic and the Future of Theology: With and Beyond J. Louis Martyn. De Boer, Martinus. Paul, Theologian of God's Apocalypse: Essays on Paul and Apocalyptic. Grove Eastman, Susan. Paul and the Person: Reframing Paul's Anthropology. ———. Recovering Paul's Mother Tongue: Language and Theology in Galatians. 2nd ed. Jervis, L. Ann. Paul and Time: Life in the Temporality of Christ. Linebaugh, Jonathan A. The Word of the Cross: Reading Paul. Martyn, J. Louis. Galatians. OUTLINE: (02:18) – Ethiopian coffee, Keurig coffee (03:45) – Three ways of construing the Apocalyptic Paul (07:54) – Cosmological scope (09:36) – Pauline apocalyptic and other biblical apocalyptic (12:18) – Major historic figures: Kasemann, Barth, Martyn, Beker (15:25) – The influence of Lou (and Dorothy) Martyn and Käsemann (18:13) – Zooming out from the individual to the cosmological (22:21) – Pauline apocalyptic's blind spots: dichotomous thinking (28:37) – Paul and human transformation (33:12) – Paul and the life of the church (39:20) – “Invasion” vs. “incarnation” (43:39) – Contemporary figures: Davies, Jervis, Bowens, Harink (46:31) – Where to start (49:39) – Recovering Paul's Mother Tongue, 2nd ed. (54:18) – Forthcoming: Oneself in Another

The Apocalyptic Paul Booth is a series of episodes dedicated to apocalyptic readings of the apostle Paul's letters. Interviews situate Pauline apocalyptic—a stream of similar interpretations of Paul's writings originating in the work of exegetes like Rudolf Bultmann and Ernst Käsemann—among other interpretations (the Old and New Paul readings, for instance) as well as among Second Temple Jewish apocalyptic literature. Here we interview Douglas Harink, Professor Emeritus of Theology at The King's University in Edmonton, Alberta, whose main areas of interest are in Pauline studies and contemporary theology. His publications include Paul among the Postliberals: Pauline Theology beyond Christendom and Modernity (Wipf & Stock, 2013) and the edited volumes, Paul, Philosophy, and the Theolopolitical Vision: Critical Engagements with Agamben, Badiou, Zizek, and Others (Cascade, 2010) and (with Joshua Davis) Apocalyptic and the Future of Theology: With and Beyond J. Louis Martyn (Cascade, 2012). PODCAST LINKS: Dr. Harink's website: https://douglasharink.ca/ Dr. Harink's author page: https://wipfandstock.com/author/douglas-harink/    CONNECT: Website: https://wipfandstock.com/ Twitter: https://twitter.com/wipfandstock Facebook: https://www.facebook.com/wipfandstock Instagram: https://www.instagram.com/wipfandstock/   SOURCES MENTIONED: Agamben, Giorgio. The Time That Remains: A Commentary on the Letter to the Romans. Badiou, Alain. Saint Paul: The Foundation of Universalism. Barclay, John M. G. Paul and the Gift. Barth, Karl. Church Dogmatics. 14 vols. ———. The Epistle to the Romans. Beker, J. Christiaan. The Triumph of God: The Essence of Paul's Thought. Bowens, Lisa M. African American Readings of Paul: Reception, Resistance, and Transformation. Davies, Jamie. The Apocalyptic Paul: Retrospect and Prospect. Davis, Joshua B., and Douglas Harink. Apocalyptic and the Future of Theology: With and Beyond J. Louis Martyn. De Boer, Martinus C. Galatians. Eastman, Susan Grove. Paul and the Person: Reframing Paul's Anthropology. Harink, Douglas. Paul among the Postliberals: Pauline Theology Beyond Christendom and Modernity. ———. Resurrecting Justice: Reading Romans for the Life of the World. ———, ed. Paul, Philosophy, and the Theopolitical Vision: Critical Engagements with Agamben, Badiou, Žižek, and Others. Jervis, L. Ann. Paul and Time: Life in the Temporality of Christ. Martyn, J. Louis. Galatians. McKnight, Scot, et al., eds. Dictionary of Paul and His Letters: A Compendium of Contemporary Biblical Scholarship. Przywara, Erich. Analogia Entis: Metaphysics: Original Structure and Universal Rhythm. Sonderegger, Katherine. Systematic Theology. 2 vols.   OUTLINE: (02:18) – Starbucks coffee and (much better) craft coffee (05:20) – Apocalyptic Paul in a nutshell: Who rules the world? (08:32) – Tracking Pauline studies as a systematic theologian (by training) (09:46) – Why an apocalyptic reading of Paul? (14:40) – “Reveal/revelation” vs. “apocalypse” (18:53) – Major historic figures: Schweitzer, Bultmann, Käsemann, Beker, Martyn (26:28) – Pulling Pauline apocalyptic into theological territory (30:48) – . . . and on into philosophical territory: Badiou, Agamben, Žižek (36:42) – Kierkegaard: the radical claim God makes on our lives (38:47) – Catholic/Orthodox apocalyptic: O'Regan, Betz, Hart (45:36) – Reconciling Pauline apocalyptic and Paul within Judaism (49:45) – Barth and apocalyptic theology (50:58) – Bible commentaries written in an apocalyptic/theological mode (57:45) – Pauline apocalyptic's critique of salvation history (01:03:35) – Contemporary figures: Gaventa, Eastman, Barclay, de Boer, Brown, Bowens, Jervis, Davies (01:08:31) – Where to learn more about Harink's work

The Apocalyptic Paul Booth is a series of episodes dedicated to apocalyptic readings of the apostle Paul's letters. Interviews situate Pauline apocalyptic—a stream of similar interpretations of Paul's writings originating in the work of exegetes like Rudolf Bultmann and Ernst Käsemann—among other interpretations (the Old and New Paul readings, for instance) as well as among Second Temple Jewish apocalyptic literature. Here we interview Jamie Davies (PhD, St Andrews), Tutor of New Testament and Director of Research at Trinity College, Bristol (UK). His research largely concerns apocalyptic thought in the New Testament and other Second Temple Jewish and Christian literature, with a particular focus on the letters and theology of Paul. He is the author of Paul Among the Apocalypses (T&T Clark, 2016), The Apocalyptic Paul: Retrospect and Prospect (Cascade, 2022), and Reading Revelation: A Literary and Theological Commentary (Smyth & Helwys, in press 2023). COUPON CODE: *Use code “DAVIES23” for 40% off* Dr. Davies' book, The Apocalyptic Paul. (Good through 6/6/2023.)   PODCAST LINKS: Dr. Davies' Twitter: https://twitter.com/JamiePDavies Dr. Davies' academia.edu page: https://trinitycollegebristol.academia.edu/JamieDavies CONNECT: Website: https://wipfandstock.com/ Twitter: https://twitter.com/wipfandstock Facebook: https://www.facebook.com/wipfandstock Instagram: https://www.instagram.com/wipfandstock/   SOURCES MENTIONED: Blackwell, Ben C. Paul and the Apocalyptic Imagination. Bowens, Lisa M. African American Readings of Paul: Reception, Resistance, and Transformation. Davies, Jamie. The Apocalyptic Paul: Retrospect and Prospect. ———. Paul Among the Apocalypses?: An Evaluation of the ‘Apocalyptic Paul' in the Context of Jewish and Christian Apocalyptic Literature. Eastman, Susan Grove. Paul and the Person: Reframing Paul's Anthropology. Gaventa, Beverly Roberts. Apocalyptic Paul: Cosmos and Anthropos in Romans 5–8. Hart, David Bentley. Tradition and Apocalypse: An Essay on the Future of Christian Belief. Käsemann, Ernst. The Testament of Jesus: A Study of the Gospel of John in the Light of Chapter 17. Martyn, J. Louis. The Gospel of John in Christian History: Seven Glimpses into the Johannine Community. ———. History and Theology in the Fourth Gospel. O'Regan, Cyril. “Two Forms of Catholic Apocalyptic Theology.”   OUTLINE: (02:14) – Ethiopian coffee, evening tea (03:40) – Defining “apocalyptic” (06:24) – Apocalyptic vis-à-vis other perspectives on Paul (09:39) – Old and New Perspectives (11:23) – Where to start (13:59) – “An accidental Paul scholar” (15:59) – Paul among other biblical apocalyptic (18:59) – Desert island: Barth, Kasemann, Gaventa (20:49) – Pauline apocalyptic after Kasemann and Martyn: did we forget John? (24:30) – Jewish apocalyptic literature, supersessionism (28:22) – Pauline apocalyptic and Jewish apocalyptic (31:43) – Johannine apocalyptic (34:36) – Why do apocalyptic Paul scholars like Barth so much? (37:14) – Non-Protestants entering the fold: O'Regan, Hart (40:10) – Pauline apocalyptic in an interdisciplinary and generous mode (44:03) – Apocalyptic epistemology (47:28) – New directions in Pauline apocalyptic (50:22) – Teaching apocalyptic to ministerial students (53:34) – How to connect with Jamie

This week's guest interview focuses on all things

* * * Now you can subscribe to Harmonious World for special subscriber-only contentWelcome to the latest episode of Harmonious World, featuring a conversation with drummer, percussionist and composer Tristan Banks.Tristan's new album - View From Above - is out now on Ubuntu Music, featuring saxist Paul Booth, pianist John Crawford and Davide Mantovani on bass. Our conversation wends its way around the tracks on the album itself, touring live and the state of the UK gig industry. Tristan's also manager of the Verdict Jazz Club in Brighton and we touch on all things to do with live performance in this episode.Thanks to Tristan for allowing me to play extracts from View From Above alongside our conversation.Thank you for listening to Harmonious World. Please rate, review and share and don't forget that you can also subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Follow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Heather Booth began speaking out against injustice. In her early twenties, she founded an underground network called Jane. The network eventually helped over 11,000 women get safe, illegal abortions before it was made legal in the U.S. with Roe v. Wade.Heather grew up Jewish and was raised by loving parents. Her mom and dad shared an important Hebrew idiom with her and her brothers: “Tikkun Olam,” which means, “heal the world.” And that's indeed what she's been doing her whole life. In 1966, Heather led a sit-in against the war in Vietnam, becoming the first college campus in U.S. where the students took over an administration building. She co-founded the Chicago Women's Liberation Union. Her husband Paul Booth was also an activist and her partner in justice. Today she's 78 years old and still giving talks, press conferences and showing up physically when the movement calls. LEARN MORE ABOUT HEATHERWebsite http://heatherbooththefilm.com/Watch the movie trailer for the documentary “Heather Booth”Follow Heather on Facebook and TwitterLEAVE US A VOICE MEMOhttp://www.speakpipe.com/ifyouknewme.showREVIEW USHelp other women find us. Rate us on the Apple podcast app or on our website.GET YOUR FREE COFFEE MUGBecome a patron of the podcast before March 1st, and we will send you an exclusive coffee mug as a thank you gift. See blog for images. Pledge any amount to get behind-the-scenes extras, discounts on merchandise and patron-only gifts. Become a patron today. JOIN OUR WALL OF FLAMEHelp us improve women's well-being through the power of story. Pledge $600 or more here and your name, bio and portrait will be added to our virtual monument: The Wall of Flame!SOCIALS & WEBIf You Knew Me websiteInstagramFacebookLinkedinSign Up for our Newsletter!CREDITSProduced by Jamie Yuenger and Piet Hurkmans. Our show's musical intro and outro is taken from the track “Thursday” by the independent artist Nick Takénobu Ogawa. You can listen and support his music on bandcamp here. Other music in this episode is by Blue Dot Sessions Hosted on Acast. See acast.com/privacy for more information.

An insightful and thought provoking discussion this week with Sports and Performance Nutritionist Paul Booth. Paul has a wealth of knowledge and experience from not only his research and lecturing background but his own notable ultra endurance achievements. Our conversation covered a range of topics including fuelling strategies over different length races, the consequences of both underfuelling and overfuelling during ultra racing, gut issues, REDS, fasted training, glycogen training and protein timing. Highly recommend tuning in to this episode for some great takeaways, whatever your goals are over the coming year. To find out more about how you can work with Paul visit www.performancegainsnutrition.com or follow him at @ultra.endurance.nutritionist Keep up to date with my recent coaching insights - here  P.S. Whenever you're ready there are 3 ways you can work with us Strength For Endurance to overcome your pain and return to doing the things you at the level you want. Subscribe to our Youtube Channel - here Arm yourself with a level of knowledge you can call on at anytime. From choosing the best exercises, identifying the warning signs to prevent bigger issues developing or understanding what other factors you could be addressing to unlock your potential, we'll give you the essential tools and resources. Join our SFE Program Pathway - here The proof is in our results and we've taken hundreds of individuals from a place of confusion & despair to a place of confidence and full recovery. Get the highest level of accountability, support, strategy and training starting with our 12 week program. Book a Consultation Call - here Podcast production by Everglade Media

Paul Booth is a performance nutritionist (MSc, MA.Ed, MA, IOPN) who specializes in helping ultra and endurance athletes thrive. Hailing from the UK, Paul has an extensive professional background in academia as well as his own ultra-endurance pursuits. We discuss performance nutrition for ultra athletes from training to competition, coming up with strategies for racing, and dive deep into Kilian Jornet's recent article describing his own nutrition practices. Follow Paul on Twitter @sportnutrient and via his website https://www.performancegainsnutrition.com/. Do you want to dial in your own nutrition and/or training? I offer a unique approach to professional training and nutrition coaching - synchronizing the two to level up health, performance, and flow. To learn more about my services and connect with me, visit http://intheflownutrition.com.

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to!  Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks! This wk fantastic LIVE jazz from Italy & France, funk fusion, cuban & Brazil lyricism, trio magic, classic James Brown, minimalism...these Fantastic Artists have So much to Say, listen TODAY folks!!1 Peter Erskine - Dear ChickLive in Italy FUZZY MUSIC Tr10Alan Pasqua pno Darek Oles bs Peter Erskine drErskine Recorded LIVE during the trio's first tour since the lockdown.  This set reflects the exhilaration found in eating GREAT pasta and playing in a beautiful concert hall! 2 Sefi Zisling – Older & WiserWelcome Sunset TRU-THOUGHTS Tr1Sefi Zisling tpt Yair Slutzki tb Shlomi Alon sx fl Idan Kupferberg perc Omri Shani bs Tom Bollig dr Noam Havkin keys Uzi Ramirez gtr Avner Kelmer vln Yogev Glusman vln Zisling/Havkin/Bollig/ShaniTel Aviv's top trumpeter Sefi Zisling evokes the sound of 70s jazz-funk on new release ‘Welcome Sunset'.   3 Gonzalo Rubalcaba & Aymee Nuviola – El ManiseroLive in Marciac 5Passion Tr8Gonzalo Rubalcaba pno Aymee Nuviola vcRodriguezCuba's most famous song lit with beauty LIVE by genius Gonzalo and Aymee!4 Samora Pinderhughes – MasculinityGrief ROPEADOPE Tr7Marcus Gilmore dr Brad Allen Williams gtr  Boom Bishop bs Clovis Nicolas bs Immanuel Wilkins Lucas Pino sx Elena Pinderhughes fl Argus Quartet str Nio Levon Jehbreal Jackson vc Pinderhughes pnoPinderhughesA heart-wrenching and fragile ballad from Samora yet inextricably tinged with hope in the hands of this incredible ensemble feat Immanuel Wilkins.5 Joyce – Descompassadamente 4'59Natureza FAROUT Tr4Joyce vc gtr Maricio Maestro vc gtr Buster Williams bs Nana Vasconcelos, Tutty Moreno perc Joe Farrell Ion Muniz fl Michael Brecker tnr Mike Mainieri vb Warren Bernhardt keys Claus Ogerman+orchMaestro/MorenoThis gorgeous lost album from 77 was going to be Joyce's international breakthrough release - finally here it is!6 Martha High – JamSoul Brother Where Art Thou? Vol 2 Ropeadope Keith Jenkins gtr Fred Wesley tb Hollie Farris tpt Waldo Weathers Jeff Watkins sx Fred Thomas bs Ron Laster gtr Erik Hargrove Robert ‘Mousey' Thompson dr George ‘Spike' Nealy perc BrownMiss Martha High was discovered by Godfather of Soul, James Brown, aged 18 in the mid '60's while singing with The Four Jewels at the world famous Apollo Theater in New York. 7 Tomasz & Rouhangeze – Planet 9Planet 9 SELF-RELEASE Tr1Tomasz Bura pno Rouhangeze Baichoo vc Mark Mondesir dr Laurence Cottle bsBura/BaichooMeditative sounds from London's mystic duo, circles of gorgeousness driven by subtle drum and bass...8 Lynne Arriale Trio – Sounds Like AmericaThe Lights Are Always On CHALLENGE Tr6Lynne Arriale pno E.J. Strickland dr Jasper Somsen bsArriale“There is always reason to believe in that light; the inherent goodness of people. It shines in those leaders who spoke truth to power and stood up for what is right. They changed the world, often jeopardizing their careers, and in some cases, their lives". 9 Joy Lapps – SerenaGirl in the Yard SELF -RELEASE Tr7Joy Lapps Stpan Colleen Allen cl Courtenay Frazer melodica Jeremy Ledbetter pno Elmer Ferrer gtrAndrew Stewart bs Larnell Lewis dr Rosendo Chendy Léon perc Elizabeth Rodríguez vln Magdelys Savigne percMusical threads from the Caribbean-Cuba-Argentina in this soaring song without words from Grammy nominated Joy. 10 Trypl – NodgeMusic Aid For Ukraine Tr11Ryan Quigley tpt Trevor Mires tb Paul Booth tn Alex Wilson pno Dimitris Christopoulos bs Davide Giovannini drMiresMusic Aid for Ukraine band Trypl featuring Alex Wilson's legendary cuban chops!   

In this episode we speak to Paul Booth the nutritionist to the elites.Paul gives us the inside info on what Damian Hall fuelled with during his recent TdG.We speak about avoiding GI issues, heat acclimation and how to reverse the mid race nausea.We speak about ways to drop body fat in a safe way and ways to build a strong fuelling strategy for ultras of any length.Paul is a super knowledgeable guy and knows his onions! (literally) A must listen for anyone wanting to optimise their pre/mid/post race nutrition plan!URS  

Sign up for our Patreon for bonuses and more! www.themidnightrainpodcast.com    Do you happen to swear? Is it something you happen to do when you stub your pinky toe on the coffee table? What about when you've just finished dinner and you pull that glorious lasagna out of the oven, burn yourself and then drop your Italian masterpiece on the floor, in turn burning yourself once again? Odds are that if you're listening to this show, you have a rather colorful vernacular and aren't offended by those that share in your “darker” linguistic abilities. Those dramatic and often harsh, yet exceedingly hilarious words, have a pretty amazing history. Were they written in manuscripts by monks? Or, did we find them used by regular people and found in prose like the names of places, personal names, and animal names? Well, could they tell us more about our medieval past other than just that sex, torture, plagues and incest was all the rage? Let's find out!   Fuck   Let's start with our favorite word. Let's all say it together, kids. “Fuck!” This most versatile yet often considered one of the worst of the “bad words” doesn't seem to have been around in the English language prior to the fifteenth century and may have arrived later from the German or th Dutch. Leave it to those beautiful Germans to introduce us to such a colorful word. In fact, the Oxford English Dictionary says it wasn't actually used until 1500. However, the name of a specific place may have been used even earlier.   Many early instances of fuck were said to actually have been used to mean “to strike” rather than being anything to do with fornicating. The more common Middle English word for sex was ”swive”, which has developed into the Modern English word swivel, as in: go swivel on it. Some of the earliest instances of fuck, seen to mean “hitting” or “striking,” such as Simon Fuckebotere (from in 1290), who was more than likely in the milk industry, hitting butter, or Henry Fuckebeggar (1286/7) who may have, hit the poor.   The earliest examples of the word fuck in the English language appeared in the names of places. The first of these is said to be found near Sherwood in 1287: Ric Wyndfuk and Ric Wyndfuck de Wodehous. These both feature a kestrel known as the Windfucker which, we must assume, went in the wind. The next definite example comes from Bristol 1373 in Fockynggroue, which may have been named for a grove where couples went for “some quiet alone time.”   However, Somewhere among the indictment rolls of the county court of Chester (1310/11), studied by Dr. Paul Booth of Keele University (Staffordshire), a man whose Christian name was Roger is mentioned three times. His less Christian last name is also recorded. The name being mentioned repetitively pretty much means it did not result from a spelling mistake but rather it's the real thing. Meaning, the man's full name was Roger Fuckebythenavele. Not only does his second name move back the earliest use of fuck in its modern sense by quite a few decades; it also verifies that it is, in fact, a Middle English word. But of course, there are those fuckers that will undoubtedly debate it's fucking origin.   The stem *fukkō-, with its characteristic double consonant, is easy to explain as a Germanic iterative verb – one of a large family of similar forms. They originated as combinations of various Indo-European roots with *-nah₂-, a suffix indicating repeated action. The formation is not, strictly speaking, Proto-Indo-European; the suffix owes its existence to the reanalysis of an older morphological structure (reanalysis happens when people fail to analyze an inherited structure in the same way as their predecessors). Still, verbs of this kind are older than Proto-Germanic.   *fukkō- apparently meant to ‘strike repeatedly, beat' (like, say, “dashing” the cream with a plunger in a traditional butter churn). Note also windfucker and fuckwind – old, obsolete words for ‘kestrel'.   A number of words in other Germanic languages may also be related to fuck. One of them is Old Icelandic fjúka ‘to be tossed or driven by the wind' < *feuka-; cf. also fjúk ‘drifting snowstorm' (or, as one might put it in present-day English, a fucking blizzard). These words fit a recurrent morphological pattern observed by Kroonen (2012): Germanic iteratives with a voiceless geminate produced by Kluge's Law often give rise to “de-iterativised” verbs in which the double stop is simplified if the full vocalism or the root (here, *eu rather than *u) is restored. Kluge's law had a noticeable effect on Proto-Germanic morphology. Because of its dependence on ablaut and accent, it operated in some parts of declension and conjugation, but not in others, giving rise to alternations of short and long consonants in both nominal and verbal paradigms.   If the verb is really native (“Anglo-Saxon”), one would expect Old English *fuccian (3sg. *fuccaþ, pl. *fucciaþ, 1/3sg. preterite *fuccode, etc.). If these forms already had “impolite” connotations in Old English, their absence from the Old English literary corpus is understandable. We may be absolutely sure that *feortan (1/3 sg. pret. *feart, pret. pl. *furton, p.p. *forten) existed in Old English, since fart exists today (attested since about 1300, just like the word fuck) and has an impeccable Indo-European etymology, with cognates in several branches. Still, not a single one of these reconstructed Old English verb forms is actually documented (all we have is the scantily attested verbal noun feorting ‘fart(ing)').   One has to remember that written records give us a strongly distorted picture of how people really spoke in the past. If you look at the frequency of fuck, fucking and fucker in written English over the last 200 years, you may get the impression that these words disappeared from English completely ca. 1820 and magically reappeared 140 years later. Even the first edition of the Oxford English Dictionary pretended they didn't exist. The volume that should have contained FUCK was published in 1900, and Queen Victoria was still alive.   According to the Oxford English Dictionary: Forms:  α. 1500s fucke, 1500s– fuck; also Scottish pre-1700 fuk.   Frequency (in current use):  Show frequency band information Origin: Probably a word inherited from Germanic. Etymology: Probably cognate with Dutch fokken …   In coarse slang. In these senses typically, esp. in early use, with a man as the subject of the verb. Thesaurus » Categories » intransitive. To have sexual intercourse. ▸ ?a1513   W. Dunbar Poems (1998) I. 106   Be his feirris he wald haue fukkit.   transitive. To have sexual intercourse with (a person). In quot. a1500   in Latin-English macaronic verse; the last four words are enciphered by replacing each letter with the following letter of the alphabet, and fuccant has a Latin third-person plural ending. The passage translates as ‘They [sc. monks] are not in heaven because they fuck the wives of Ely.' [a1500   Flen, Flyys (Harl. 3362) f. 47, in T. Wright & J. O. Halliwell Reliquiæ Antiquæ (1841) I. 91   Non sunt in cœli, quia gxddbov xxkxzt pg ifmk [= fuccant uuiuys of heli].]   transitive. With an orifice, part of the body, or something inanimate as an object. Also occasionally intransitive with prepositional objects of this type. [1680   School of Venus ii. 99   An hour after, he Ferked my Arse again in the same manner.]   transitive. To damage, ruin, spoil, botch; to destroy, put an end to; = to fuck up 1a at Phrasal verbs 1. Also (chiefly in passive): to put into a difficult or hopeless situation; to ‘do for'. Cf. also mind-fuck v. 1776   Frisky Songster (new ed.) 36   O, says the breeches, I shall be duck'd, Aye, says the petticoat, I shall be f—d.   transitive. U.S. To cheat; to deceive, betray. Frequently without. 1866   G. Washington Affidavit 20 Oct. in I. Berlin et al. Black Mil. Experience in Civil War (1982) v. xviii. 792   Mr. Baker replied that deponent would be fucked out of his money by Mr. Brown.   transitive. In oaths and imprecations (chiefly in optative with no subject expressed): expressing annoyance, hatred, dismissal, etc. Cf. damn v. 6, bugger v. 2a. See also fuck it at Phrases 2, fuck you at Phrases 1b. 1922   J. Joyce Ulysses ii. xv. [Circe] 560   God fuck old Bennett!   Phrases   Imprecatory and exclamatory phrases (typically in imperative or optative with no subject expressed sense).  P1. Expressing hostility, contempt, or defiant indifference. Categories » go fuck yourself and variants. 1895   Rep. Senate Comm. Police Dept. N.Y. III. 3158   By Senator Bradley: Q. Repeat what he said to you? A. He said, ‘Go on, fuck yourself, you son-of-a-bitch; I will give you a hundred dollars'; he tried to punch me, and I went out.   fuck you. 1905   L. Schindler Testimony 20 Dec. in People State of N.Y. Respondent, against Charles McKenna (1907) (N.Y. Supreme Court) 37   Murray said to me, ‘Fuck you, I will give you more the same.' And as he said that, I grabbed the two of them.   P2. fuck it: expressing dismissal, exasperation, resignation, or impetuousness. 1922   E. E. Cummings Enormous Room iv. 64   I said, ‘F— it, I don't want it.'   P3. fuck me and elaborated variants: expressing astonishment or exasperation. 1929   F. Manning Middle Parts of Fortune II. xi. 229   ‘Well, you can fuck me!' exclaimed the astonished Martlow. Cunt Cunt is a vulgar word for the vulva or vagina. It is used in a variety of ways, including as a term of disparagement. Reflecting national variations, cunt can be used as a disparaging and obscene term for a woman in the United States, an unpleasant or stupid man or woman in the United Kingdom, or a contemptible man in Australia and New Zealand. However, in Australia and New Zealand it can also be a neutral or positive term when used with a positive qualifier (e.g., "He's a good cunt"). The term has various derivative senses, including adjective and verb uses.   Feminist writer and English professor Germaine Greer argues that cunt "is one of the few remaining words in the English language with a genuine power to shock". The earliest known use of the word, according to the Oxford English Dictionary, was as part of a placename of a London street, Gropecunt Lane. Use of the word as a term of abuse is relatively recent, dating from the late nineteenth century. The word appears not to have been taboo in the Middle Ages, but became that way toward the end of the eighteenth century, and was then not generally not allowed to be printed until the latter part of the twentieth century.   There is some disagreement on the origin of the term cunt, although most sources agree that it came from the Germanic word (Proto-Germanic *kunto, stem *kunton-), which emerged as kunta in Old Norse. The Proto-Germanic form's actual origin is a matter of debate among scholars. Most Germanic languages have cognates, including Swedish, Faroese, and Nynorsk (kunta), West Frisian, and Middle Low German (kunte), Middle Dutch (conte), Dutch kut (cunt), and Dutch kont (butt), Middle Low German kutte, Middle High German kotze ("prostitute"), German kott, and maybe Old English cot. The Proto-Germanic term's etymology ia questionable.   It may have arisen by Grimm's law operating on the Proto-Indo-European root *gen/gon "create, become" seen in gonads, genital, gamete, genetics, gene, or the Proto-Indo-European root guneh or "woman" (Greek: gunê, seen in gynaecology). Relationships to similar-sounding words such as the Latin cunnus ("vulva"), and its derivatives French con, Spanish coño, and Portuguese cona, or in Persian kos (کُس), have not been conclusively demonstrated. Other Latin words related to cunnus are cuneus ("wedge") and its derivative cunēre ("to fasten with a wedge", (figurative) "to squeeze in"), leading to English words such as cuneiform ("wedge-shaped"). In Middle English, cunt appeared with many spellings, such as coynte, cunte and queynte, which did not always reflect the actual pronunciation of the word.   The word, in its modern meaning, is attested in Middle English. Proverbs of Hendyng, a manuscript from some time before 1325, includes the advice:   (Give your cunt wisely and make [your] demands after the wedding.) from wikipedia. The word cunt is generally regarded in English-speaking countries as unsuitable for normal publicconversations. It has been described as "the most heavily tabooed word of all English words".   Quoted from wikipedia: Some American feminists of the 1970s sought to eliminate disparaging terms for women, including "bitch" and "cunt". In the context of pornography, Catharine MacKinnon argued that use of the word acts to reinforce a dehumanisation of women by reducing them to mere body parts; and in 1979 Andrea Dworkin described the word as reducing women to "the one essential – 'cunt: our essence ... our offence'".   While “vagina” is used much more commonly in colloquial speech to refer to the genitals of people with vulvas than “cunt” is, its  origins are defined by its service to male sexuality, making “cunt” —  interestingly enough — the least historically misogynistic of the two. “Cunt” has also been used in Renaissance bawdy verse and in Chaucer's Canterbury Tales, but it was not until Shakespeare's era that its meaning began to fundamentally shift, during the dawn of Christian doctrine.   Arguably, if cunt simply means and refers to “vagina”, then why would that be bad? Vaginas are pretty great! They provide people with pleasure, they give life, and they're even a naturally developed lunar calendar! So, why would a person refer to another, assumedly pissy person as a vagina?    So, should we as society fight the negative stereotypes and embrace the term cunt again? It's a tiny word that bears a lot of weight, but it should be anything but scary or offensive. It can be a massive dose of love instead of an enormous force of hate if we actively define our vocabulary rather than letting it define us.   Words only have that type of power when the uptight, vanilla flavored, missionary only Karen's and Kevin's of the world decide they don't like them. This has been going on for as long as we've been using words. So, let's take it back. We love you, ya cunts!   coarse slang in later use. Thesaurus » Categories » The female genitals; the vulva or vagina. Cf. quaint n.1 a1400   tr. Lanfranc Sci. Cirurgie (Ashm.) (1894) 172   In wymmen þe necke of þe bladdre is schort, & is maad fast to the cunte. 1552   D. Lindsay Satyre Procl. 144   First lat me lok thy cunt, Syne lat me keip the key. 1680   Earl of Rochester et al. Poems 77   I fear you have with interest repaid, Those eager thrusts, which at your Cunt he made. 1865   ‘Philocomus' Love Feast iii. 21   I faint! I die! I spend! My cunt is sick! Suck me and fuck me!   A woman as a source of sexual gratification; a promiscuous woman; a slut. Also as a general term of abuse for a woman. 1663   S. Pepys Diary 1 July (1971) IV. 209   Mr. Batten..acting all the postures of lust and buggery that could be imagined, and..saying that the he hath to sell such a pouder as should make all the cunts in town run after him.   As a term of abuse for a man. 1860   in M. E. Neely Abraham Lincoln Encycl. (1982) 154   And when they got to Charleston, they had to, as is wont Look around to find a chairman, and so they took a Cunt   A despised, unpleasant, or annoying place, thing, or task. 1922   J. Joyce Ulysses ii. iv. [Calypso] 59   The grey sunken cunt of the world.   Bitch   Women were frequently equated to dogs in Ancient Greek literature, which was used to dehumanize and shame them for their alleged lack of restraint and sexual urges. This is believed to have originated from the hunter goddess Artemis, who was frequently depicted as a pack of hounds and was perceived to be both beautiful and frigid and savage. According to popular belief, the term "bitch" as we use it today evolved from the Old English word "bicce," which meant a female dog, about the year 1000 AD. The phrase started out as a critique of a woman's sexuality in the 15th century but eventually evolved to signify that the lady was rude or disagreeable.   Clare Bayley has connected this growth of the term "bitch" as an insult to the suffrage struggle and the final passage of women's suffrage in the early 20th century, particularly the 1920s. Men were intimidated when women started to challenge their subordinate roles in the patriarchal power structure, and the phrase started to be used to ferocious and irate females. Men's respect for women and the prevalence of the term are clearly correlated, since usage of the term rapidly decreased during World War II as men's appreciation of women's contributions to the war effort increased.   However, as they competed with women for employment after the war ended and the men went back to work, the word's usage increased once more. As the housewife paradigm started to fade away during the war, the position of women in the workplace and society as a whole underwent an irreparable change. However, males perceived the presence of women in the workforce as a challenge to their supremacy in society.   With songs like Elton John's "The Bitch is Back" ascending the charts in 1974, the slur became more common in mainstream culture and music in the latter decades of the 20th century. As a result of artists like Kanye West and Eminem using the term "bitch" to denigrate women and depict violence against them in their lyrics, hip-hop culture has also long been accused of being misogynistic.   We just need to look at Hillary Clinton's recent campaign for president in 2016 to understand how frequently this slur is leveled at women, especially those in positions of authority who are defying patriarchal expectations and shattering glass ceilings. Rep. AOC being called a "fucking bitch" by a GOP Rep. is another similar example. It is evident that the usage of the phrase and the degree to which males regard women to be a danger are related.   bitch (v.)   "to complain," attested from at least 1930, perhaps from the sense in bitchy, perhaps influenced by the verb meaning "to bungle, spoil," which is recorded from 1823. But bitched in this sense seems to echo Middle English bicched "cursed, bad," a general term of opprobrium (as in Chaucer's bicched bones "unlucky dice"), which despite the hesitation of OED, seems to be a derivative of bitch (n.).   bitchy (adj.) 1925, U.S. slang, "sexually provocative;" later (1930s) "spiteful, catty, bad-tempered" (usually of females); from bitch + -y (2). Earlier in reference to male dogs thought to look less rough or coarse than usual. The earliest use of "bitch" specifically as a derogatory term for women dates to the fifteenth century. Its earliest slang meaning mainly referred to sexual behavior, according to the English language historian Geoffrey Hughes:   The early applications were to a promiscuous or sensual woman, a metaphorical extension of the behavior of a bitch in heat. Herein lies the original point of the powerful insult son of a bitch, found as biche sone ca. 1330 in Arthur and Merlin ... while in a spirited exchange in the Chester Play (ca. 1400) a character demands: "Whom callest thou queine, skabde bitch?" ("Who are you calling a whore, you miserable bitch?").   In modern usage, the slang term bitch has different meanings depending largely on social context and may vary from very offensive to endearing, and as with many slang terms, its meaning and nuances can vary depending on the region in which it is used.   The term bitch can refer to a person or thing that is very difficult, as in "Life's a bitch" or "He sure got the bitch end of that deal". It is common for insults to lose intensity as their meaning broadens ("bastard" is another example). In the film The Women (1939), Joan Crawford could only allude to the word: "And by the way, there's a name for you ladies, but it isn't used in high society - outside of a kennel." At the time, use of the actual word would have been censored by the Hays Office. By 1974, Elton John had a hit single (#4 in the U.S. and #14 in the U.K.) with "The Bitch Is Back", in which he says "bitch" repeatedly. It was, however, censored by some radio stations. On late night U.S. television, the character Emily Litella (1976-1978) on Saturday Night Live (portrayed by Gilda Radner) would frequently refer to Jane Curtin under her breath at the end of their Weekend Update routine in this way: "Oh! Never mind...! Bitch!"   Bitchin' arose in the 1950s to describe something found to be cool or rad. Modern use can include self-description, often as an unfairly difficult person. For example, in the New York Times bestseller The Bitch in the House, a woman describes her marriage: "I'm fine all day at work, but as soon as I get home, I'm a horror....I'm the bitch in the house."Boy George admitted "I was being a bitch" in a falling out with Elton John. Generally, the term bitch is still considered offensive, and not accepted in formal situations. According to linguist Deborah Tannen, "Bitch is the most contemptible thing you can say about a woman. Save perhaps the four-letter C word." It's common for the word to be censored on Prime time TV, often rendered as "the b-word". During the 2008 U.S. presidential campaign, a John McCain supporter referred to Hillary Clinton by asking, "How do we beat the bitch?" The event was reported in censored format:   On CNN's "The Situation Room," Washington Post media critic and CNN "Reliable Sources" host Howard Kurtz observed that "Senator McCain did not embrace the 'b' word that this woman in the audience used." ABC reporter Kate Snow adopted the same location. On CNN's "Out in the Open," Rick Sanchez characterized the word without using it by saying, "Last night, we showed you a clip of one of his supporters calling Hillary Clinton the b-word that rhymes with witch." A local Fox 25 news reporter made the same move when he rhymed the unspoken word with rich.   A study reported that, when used on social media, bitch "aims to promote traditional, cultural beliefs about femininity". Used hundreds of thousands of times per day on such platforms, it is associated with sexist harassment, "victimizing targets", and "shaming" victims who do not abide by degrading notions about femininity   Son of a bitch The first known appearance of "son-of-a-bitch" in a work of American fiction is Seventy-Six (1823), a historical fiction novel set during the American Revolutionary War by eccentric writer and critic John Neal.  The protagonist, Jonathan Oadley, recounts a battle scene in which he is mounted on a horse: "I wheeled, made a dead set at the son-of-a-bitch in my rear, unhorsed him, and actually broke through the line." The term's use as an insult is as old as that of bitch. Euphemistic terms are often substituted, such as gun in the phrase "son of a gun" as opposed to "son of a bitch", or "s.o.b." for the same phrase. Like bitch, the severity of the insult has diminished. Roy Blount Jr. in 2008 extolled the virtues of "son of a bitch" (particularly in comparison to "asshole") in common speech and deed. Son of a bitch can also be used as a "how about that" reaction, or as a reaction to excruciating pain. In politics the phrase "Yes, he is a son of a bitch, but he is our son of a bitch" has been attributed, probably apocryphally, to various U.S. presidents from Franklin Roosevelt to Richard Nixon. Immediately after the detonation of the first atomic bomb in Alamogordo, New Mexico, in July 1945 (the device codenamed Gadget), the Manhattan Project scientist who served as the director of the test, Kenneth Tompkins Bainbridge, exclaimed to Robert Oppenheimer "Now we're all sons-of-bitches." In January 2022, United States President Joe Biden was recorded on a hot mic responding to Fox News correspondent Peter Doocy asking, "Do you think inflation is a political liability ahead of the midterms?" Biden responded sarcastically, saying, "It's a great asset — more inflation. What a stupid son of a bitch." The 19th-century British racehorse Filho da Puta took its name from "Son of a Bitch" in Portuguese. The Curtiss SB2C, a World War 2 U.S. Navy dive bomber, was called "Son-of-a-Bitch 2nd Class" by some of its pilots and crewmen. In American popular culture, the slang word "basic" is used to derogatorily refer to persons who are thought to favor mainstream goods, fashions, and music. Hip-hop culture gave rise to "basic bitch," which gained popularity through rap music, lyrics, blogs, and videos from 2011 to 2014. "Bros" is a common word for their male counterparts. Other English-speaking nations have terms like "basic bitch" or "airhead," such as modern British "Essex girls" and "Sloane Rangers," as well as Australian "haul girls," who are noted for their love of shopping for expensive clothing and uploading films of their purchases on YouTube. Oxford English Dictionary  transitive. To call (a person, esp. a woman) a bitch. 1707   Diverting Muse 131   Why how now, crys Venus, altho you're my Spouse, [If] you Bitch me, you Brute, have a care of your Brows   transitive. To behave like a bitch towards (a person); to be spiteful, malicious, or unfair to (a person); to let (a person) down. 1764   D. Garrick Let. 23 Aug. (1963) II. 423   I am a little at a loss what You will do for a Woman Tragedian to stare & tremble wth yr Heroes, if Yates should bitch You—but she must come.   intransitive. To engage in spiteful or malicious criticism or gossip, esp. about another person; to talk spitefully or cattily about. 1915   G. Cannan Young Earnest i. x. 92   It's the women bitching at you got into your blood.   intransitive. Originally U.S. To grumble, to complain (about something, or at someone). Frequently collocated with moan. 1930   Amer. Speech 5 238   [Colgate University slang] He bitched about the course.   †3. intransitive. To back down, to yield. Obsolete. rare. 1777   E. Burke Let. 9 May in Corr. (1961) III. 339   Norton bitched a little at last, but though he would recede; Fox stuck to his motion.   Shit shit (v.) Old English scitan, from Proto-Germanic *skit- (source also of North Frisian skitj, Dutch schijten, German scheissen), from PIE(proto indo-european) root *skei- "to cut, split." The notion is of "separation" from the body (compare Latin excrementum, from excernere "to separate," Old English scearn "dung, muck," from scieran "to cut, shear;" see sharn). It is thus a cousin to science and conscience.   "Shit" is not an acronym. Nor is it a recent word. But it was taboo from 1600 and rarely appeared in print (neither Shakespeare nor the KJV has it), and even in the "vulgar" publications of the late 18c. it is disguised by dashes. It drew the wrath of censors as late as 1922 ("Ulysses" and "The Enormous Room"), scandalized magazine subscribers in 1957 (a Hemingway story in Atlantic Monthly) and was omitted from some dictionaries as recently as 1970 ("Webster's New World"). [Rawson]   It has extensive slang usage; the meaning "to lie, to tease'' is from 1934; that of "to disrespect" is from 1903. Also see shite. Shat is a humorous past tense form, not etymological, first recorded 18th century.   To shit bricks "be very frightened" attested by 1961. The connection between fear and involuntary defecation has generated expressions in English since the 14th century. (the image also is in Latin), and probably also is behind scared shitless (1936).   shit (n.) Middle English shit "diarrhea," from Old English scitte "purging, diarrhea," from source of shit (v.). The general sense of "excrement" dates from 1580s (Old English had scytel, Middle English shitel for "dung, excrement;" the usual 14c. noun for natural discharges of the bodies of men or beasts seems to have been turd or filth). As an exclamation attested in print by 1920 but certainly older. Use for "obnoxious person" is by 1508; meaning "misfortune, trouble" is attested from 1937. Shit-faced "drunk" is 1960s student slang; shit list is from 1942. Shit-hole is by 1937 as "rectum," by 1969 in reference to undesirable locations. Shitload (also shit-load) for "a great many" is by 1970. Shitticism is Robert Frost's word for scatological writing.   Up shit creek "in trouble" is by 1868 in a South Carolina context (compare the metaphoric salt river, of which it is perhaps a coarse variant). Slang not give a shit "not care" is by 1922. Pessimistic expression same shit different day is attested by 1989. To get (one's) shit together "manage one's affairs" is by 1969. Emphatic shit out of luck is by 1942. The expression when the shit hits the fan "alluding to a moment of crisis or its disastrous consequences" is attested by 1967.   Expressing anger, despair, surprise, frustration, resignation, excitement, etc. 1865   Proc. Court Martial U.S. Army (Judge Advocate General's Office) U.S. National Arch.: Rec. group 153, File MM-2412 3 Charge II.   Private James Sullivan...did in contemptuous and disrespectful manner reply..‘Oh, shit, I can't' or words to that effect.   Ass/Asshole The word arse in English derives from the Proto-Germanic (reconstructed) word *arsaz, from the Proto-Indo-European word *ors-, meaning "buttocks" or "backside". The combined form arsehole is first attested from 1500 in its literal use to refer to the anus. The metaphorical use of the word to refer to the worst place in a region (e.g., "the arsehole of the world"), is first attested in print in 1865; the use to refer to a contemptible person is first attested in 1933. In the ninth chapter of his 1945 autobiography, Black Boy, Richard Wright quotes a snippet of verse that uses the term: "All these white folks dressed so fine / Their ass-holes smell just like mine ...". Its earliest known usage in newspapers as an insult was 1965. As with other vulgarities, these uses of the word may have been common in oral speech for some time before their first appearances in print. By the 1970s, Hustler magazine featured people they did not like as "Asshole of the Month." In 1972, Jonathan Richman of Modern Lovers recorded his song "Pablo Picasso", which includes the line "Pablo Picasso was never called an asshole."   Until the early 1990s, the word was considered one of a number of words that could not be uttered on commercial television in the United States. Comedian Andrew Dice Clay caused a major shock when he uttered the word during a televised MTV awards show in 1989. However, there were PG-13 and R-rated films in the 1980s that featured use of the word, such as the R-rated The Terminator (1984), the PG-13-rated National Lampoon's Christmas Vacation (1989), and the PG-rated Back to the Future (1985). By 1994, however, vulgarity had become more acceptable, and the word was featured in dialog on the long-running television series NYPD Blue, though it has yet to become anything close to commonplace on network TV. In some broadcast edits (such as the syndication airings of South Park), the word is partially bleeped out, as "assh—". A variant of the term, "ass clown", was coined and popularized by the 1999 comedy film Office Space.   The word is mainly used as a vulgarity, generally to describe people who are viewed as stupid, incompetent, unpleasant, or detestable. Moral philosopher Aaron James, in his 2012 book, Assholes: A Theory, gives a more precise meaning of the word, particularly to its connotation in the United States: A person, who is almost always male, who considers himself of much greater moral or social importance than everyone else; who allows himself to enjoy special advantages and does so systematically; who does this out of an entrenched sense of entitlement; and who is immunized by his sense of entitlement against the complaints of other people. He feels he is not to be questioned, and he is the one who is chiefly wronged.   Many would believe the term ass to be used to describe an ungulate or a hoofed mammal of the smaller variety. Those people would be correct. However ass would be used as slang to describe the incompetence of people as they seem to resemble that of a donkey. Slow and stupid. We don't see donkeys in this manner but the people of old may have.   A stupid, irritating, or contemptible person; a person who behaves despicably. Cf. arsehole n. 3, shithole n. 2. Quot. 1954, from a story originally told in 1933, provides evidence for the development of this sense from figurative uses of sense 1. [1954   V. Randolph Pissing in Snow (1976) lxx. 106   When God got the job [of making men and women] done,..there was a big pile of ass-holes left over. It looks to me like the Almighty just throwed all them ass-holes together, and made the Easton family.]   Dick/dickhead   Dick is a common English language slang word for the human penis. It is also used by extension for a variety of slang purposes, generally considered vulgar, including: as a verb to describe sexual activity; and as a term for individuals who are considered to be rude, abrasive, inconsiderate, or otherwise contemptible. In this context, it can be used interchangeably with jerk, and can also be used as a verb to describe rude or deceitful actions. Variants include dickhead, which literally refers to the glans. The offensiveness of the word dick is complicated by the continued use of the word in inoffensive contexts, including as both a given name (often a nickname for Richard) and a surname, the popular British dessert spotted dick, the classic novel Moby-Dick, the Dick and Jane series of children's books, and the American retailer Dick's Sporting Goods. Uses like these have given comic writers a foundation to use double entendre to capitalize on this contradiction. In the mid-17th century, dick became slang for a man as a sexual partner. For example, in the 1665 satire The English Rogue by Richard Head, a "dick" procured to impregnate a character that is having difficulty conceiving:   “The next Dick I pickt up for her was a man of a colour as contrary to the former, as light is to darkness, being swarthy; whose hair was as black as a sloe; middle statur'd, well set, both strong and active, a man so universally tryed, and so fruitfully successful, that there was hardly any female within ten miles gotten with child in hugger-mugger, but he was more than suspected to be Father of all the legitimate. Yet this too, proved an ineffectual Operator.”   An 1869 slang dictionary offered definitions of dick including "a riding whip" and an abbreviation of dictionary, also noting that in the North Country, it was used as a verb to indicate that a policeman was eyeing the subject. The term came to be associated with the penis through usage by men in the military around the 1880s.   The term "dick" was originally used to describe a vile or repulsive individual in the 1960s.   A stupid, annoying, or objectionable person (esp. a male); one whose behaviour is considered knowingly obnoxious, provocative, or disruptive. Cf. dick n.1 6. 1960   S. Martinelli Let. 28 Dec. in C. Bukowski & S. Martinelli Beerspit Night & Cursing. (2001) 132   You shd listen to yr own work being broadcast [on the radio]... You cd at least tell ME when to list[en] dickhead!   Twat noun Slang: Vulgar. vulva. First recorded in 1650–60; perhaps originally a dialectal variant of thwat, thwot (unattested), presumed Modern English outcome of Old English thwāt, (unattested), akin to Old Norse thveit “cut, slit, forest clearing” (from northern English dialect thwaite “forest clearing”)   What does twat mean? Twat is vulgar slang for “vagina.” It's also used, especially in British English slang, a way to call someone as stupid, useless, or otherwise contemptible person. While twat has been recorded since the 1650s, we don't exactly know where it comes from. One theory connects twat to the Old English term for “to cut off.” The (bizarre) implication could be that women's genitalia were thought to be just shorter versions of men's.   Twat was popularized in the mid-1800s completely by accident. The great English poet Robert Browning had read a 1660 poem that referred, in a derogatory way, to a “nun's twat.” Browning thought a twat must have been a kind of hat, so he incorporated it into his own work.   Words for genitalia and other taboo body parts (especially female body parts) have a long history of being turned into abusive terms. Consider a**, d*ck, p***y, among many others. In the 1920s, English speakers started using twat as an insult in the same way some use a word like c**t, although twat has come to have a far less offensive force than the c-word in American English. In the 1930s, twat was sometimes used as a term of abuse for “woman” more generally, and over the second half of the 1900s, twat was occasionally used as slang for “butt” or “anus” in gay slang.   Twat made headlines in June 2018 when British actor Danny Dyer called former British Prime Minister David Cameron a twat for his role in initiating the Brexit referendum in 2016—and then stepping down after it passed.   Twat is still common in contemporary use as an insult implying stupidity, especially among British English speakers.   Even though it's a common term, twat is still vulgar and causes a stir when used in a public setting, especially due to its sexist nature. Public figures that call someone a twat are often publicly derided. Online, users sometimes censor the term, rendering it as tw*t or tw@t.   If you're annoying, you might be accused of twattiness; if you're messing around or procrastinating, you might be twatting around; if you're going on about something, you might be twatting on. Twatting is also sometimes substituted for the intensifier ”fucking”.   As a term of abuse: a contemptible or obnoxious person; a person who behaves stupidly; a fool, an idiot. Now chiefly British. The force of this term can vary widely. Especially when applied to a woman, it can be as derogatory and offensive as the term cunt (cunt n. 2a), but it can also be used (especially of men) as a milder form of abuse without conscious reference to the female genitals, often implying that a person's behaviour, appearance, etc., is stupid or idiotic, with little or no greater force than twit (twit n.1 2b). 1922   ‘J. H. Ross' Mint (1936) xxxv. 110   The silly twat didn't know if his arse-hole was bored, punched, drilled, or countersunk. The top 10 movies with the most swear words: The Wolf of Wall Street (Martin Scorsese, 2013) – 715 Uncut Gems (Josh and Benny Safide, 2019) – 646 Casino (Martin Scorsese, 1995) – 606 Jay and Silent Bob Strike Back (Kevin Smith, 2001) – 509 Fury (David Ayer, 2014) – 489 Straight Outta Compton (F. Gary Gray, 2015) – 468 Summer of Sam (Spike Lee, 1999) – 467 Nil By Mouth (Gary Oldman, 1997) – 432 Reservoir Dogs (Quentin Tarantino, 1992) – 418 Beavis and Butt-Head Do America (Mike Judge, 1996) – 414

It's been a week of HBO intrigues as the American home of Doctor Who (for now) goes through massive structural changes, ditches the $90 million Batgirl film for a tax writedown, and presumably turns everything it owns into a reality show. Here to explain the business machinations, or at least further muddy the waters, are the Three Who Rule. But there's more in the form of a Chicago Fan Expo panel featuring our very own Steven, Erika Ensign of the Verity! Podcast, Nerdist senior editor and friend of the show Kyle Anderson, and academic and Who impresario Paul Booth! Links: Support Radio Free Skaro on Patreon Ncuti Gatwa to return for Sex Education season 4 HBO Max in trouble? Cybus Industries countdown Doctor Who Magazine Special 61 “Guest Stars” due Aug 11 Doctor Who and the Daleks illustrated hardcover Big Finish The Diary of River Song: Friend of the Family due Jan 2023 Big Finish The Diary of River Song: Two Rivers and a Firewall released Nichelle Nichols died Feature: Chicago Fan Expo Erika Ensign Kyle Anderson Paul Booth

What are you a fan of? A band? Sports team? Show?Fans, fandoms, and their creative engagement and output are ubiquitous...not just in popular culture. Experiences and brands also want to stoke fan-feelings among their users. But how, and does that even work?To help us begin tackling these (and other) questions, we're joined by Cinema and Media Studies professor Dr. Paul Booth, who has written over a dozen books on fans and studying fandom, including his most recent, The Fan Studies Primer.Dr. Booth dissects the differences between the "average consumer" and a fan, why subjectivity is critical to his work, and what we as user experience researchers can learn from studying fandoms.

Sign up to our newsletter and never miss a release! | Visit our website Paul Booth is one of the greatest saxophonists of his generation. At the age of 16 he won a place at the Royal Academy of Music becoming their youngest student on a degree course. From busking at the age of 12 to performing at Wembley Stadium with The Eagles, Paul talks about how his love of jazz was born, his experiences touring the world as the featured saxophonist with The Riverdance show at the age of 22, what it's like playing with some of the most famous bands of all time and the myriad of albums he has written and recorded, bands he has put together and projects he has masterminded. He must be one of the busiest musicians on the planet! 

“your celebrated friend, Mr. Sherlock Holmes” [NAVA]   A free event at DePaul University is on our radar, and it should be on yours too. Paul Booth, a professor of digital communication and media art, developed the DePaul Pop Culture Conference over the last decade, and this year's topic is A Celebration of Sherlock Holmes. Professor Booth joined us to discuss how different elements of society converge to form popular culture, and how Sherlock Holmes, by many measures, is the perfect representation of that. Listen in to discover the history of this fascinating conference and hear what's planned at the May 7 gathering. The Canonical Couplet follows the interview: we give you two lines of poetry, and you need to identify which Sherlock Holmes story they represent. The winner will get some archival material from the IHOSE vaults. Send your answer to comment @ ihearofsherlock .com by April 14, 2022 at 11:59 a.m. EST. The winner will be chosen at random from among all the correct answers. All listeners are eligible to play. Full show notes:  Patreon:  Thank you to our sponsors  and .

King Richard Nominated for an Oscar in the Best Picture Category. Paul Booth reviews King Richard staring Will Smith as Richard Williams, Saniyya Sidney as Venus Williams and Demi Singleton as Serena Williams. The film is a look at how this family beat the odds and become tennis superstars.

“The key to public speaking is learning the core base skills that support you as a speaker.”-Paul BoothIn today's episode, I chat with Paul Booth, a Managing Director of Tailored Leadership Initiatives. With a background in Performing Arts and Education, Paul has trained at the Stella Adler Conservatory of Acting NY and holds a Master of Creative Arts Degree in Directing. For the past 20 years, Paul established theatre companies, sat on theatre boards and operated his own Acting Schools in Sydney. Establishing a wide-ranging depth of knowledge in Learning and Development, Paul has worked as a consultant, program designer, instructional material designer, facilitator, trainer, actor and executive coach. Areas of work include Leadership, communication skills, internal communication strategies, interpersonal communication skills, management skills and personal effectiveness. Paul's passion is helping people grow by understanding themselves and others; therefore people are his business. What's in store?02:02 - How did Paul become a communication expert03:34 - Paul's relationship with Maura Fay, a film and television casting person in Sydney04:52 - Three very good qualities to describe Paul05:16 - What is effective communication07:27 - The different categories of communication styles13:46 - Where and how to start your journey in public speaking15:08 - The basic approaches in public speaking17:12 - How to stand when delivering a speech or public speaking21:18 - Why is eye to eye contact with your audience is very important23:54 - How to eliminate filler words when speakingTune in to learn more about the best communications strategies with Paul Booth!Connect with Paul BoothWebsite: https://tailoredleadershipinitiatives.com.au/LinkedIn: https://au.linkedin.com/in/paul-booth-a3248312Connect with JamesInstagram: https://www.instagram.com/jamesweyler/

Twenty-five years after the first book was released, the “Harry Potter” series continues to captivate college students' attention. A DePaul study abroad trip is returning after a three-year break to explore places in the United Kingdom that inspired scenes in books and films. The two professors who lead the program— Rebecca Johns-Trissler, associate professor and director of the Graduate Program in Writing and Publishing, and Paul Booth, professor of Media and Cinema Studies—join DePaul Download to share how they plan a study abroad trip around a fictional world, why college students are still interested in Harry Potter and how they'll discuss J.K. Rowling's recent controversies with their students.

Paul Booth reviews the latest documentary from Director Amy Goldstein. THE UNMAKING OF A COLLEGE DOC. It is currently has a limited-theatrical run in N.Y.C and Los Angeles. This documentary dives into America's longest sit-in, in the History of the United States over the 2019 financial crisis at Hampshire College.

The second of three podcasts this weekend from Gallifrey One is all recorded outside in the balmy, sunny, COVID-safe surroundings of the LAX Marriott in Los Angeles! First up, guest host Paul Booth talks about both his experiences with the Doctor Who TARDIS Talks this year, as well as a similar 60th anniversary pilgrimage to what Steven is undergoing. Then, Rob Ritchie, ex(?) of the Doctor Who animated range talks about the future of the range and his work on it up until now. Sunglasses on! Links: Support Radio Free Skaro on Patreon Gallifrey One

Host Paul Booth interviews Costume Designer Luis Sequeira whose work garnered him an Oscar-Nominaton on the Best Picture winner The Shape of Water. Luis describes the collaborative nature of costumes, the various departments that work together to bring the characters look to life. Luis also takes us into the world of other Films he designed such as Kimberly Peirce's Carrie and the wonderful cult-clsssic Charlie Bartlett which is a great performance from a pre-Iron Man Robert Downey Jr. Sit back and enjoy this wonderful, open and ego-free conversation from yet another Oscar-nominee who brings nothing but great stories to Talking Pictures with Paul Booth.

This week the pod has TWO special guests! Professors Paul Booth (@pbooth81) and Aaron Trammell (@aarontram) drop by to talk about a book series they are co-editing, which will focus on board games and be published by the University of Michigan's academic press. Beyond Solitaire is now proudly sponsored by Central Michigan University's Center for Learning Through Games and Simulations, where learning can be both playful and compelling. Check them out here: https://www.cmich.edu/colleges/class/Centers/CLGS/Pages/default.aspxAll episodes of my podcast are available here: https://beyondsolitaire.buzzsprout.com/Enjoy my work? Consider getting me a "coffee" on Ko-fi! https://ko-fi.com/beyondsolitaireContact Me: Email: beyondsolitaire at gmail.comTwitter: @beyondsolitaireInstagram: @beyondsolitaireFacebook: www.facebook.com/beyondsolitaireWebsite: www.beyondsolitaire.net

Our host Paul Booth looks back at this 80s classic "Can't buy me love" starring a young Patrick Dempsey and Amanda Peterson. 

Our host Paul Booth reviews House of Gucci directed by Ridley Scott and staring Lady Gaga as Patrizia Reggiani, Adam Driver as Maurizio Gucci and Al Pacino as Aldo Gucci. Paul give his thoughts on Ridley Scotts latest film.

Special Intro: Michael Jayston - The Valeyard from Doctor Who Film at 11: 8-Bit Christmas (2021) Book IT: The Christmas Pig (2021) by J.K. Rowling Scroll With IT: #ChicagoTARDIS 2021 was a blast. We got a chance to see all of our friends, including Dr. Paul Booth, who has a new book. C2E2 the Chicago Comic and Entertainment Expo is happening December 10-12, 2021 at McCormick Place. #TheMADSareBack is riffing MANOS on Dec 14, 2021. Grenadier, our house band, has released their latest album, Stories (2021) Show Notes: https://bit.ly/tms12721

Host Paul Booth and writer, director Miles Doleac sat down to discuss Miles new film Demigod. Demigod releases Friday October 15th in 10 major cities Theatrically and across multiple streaming platforms Amazon, iTunes, wherever you get your on-demand, rentals. Miles also Produces and co-stars in his new film Demigod. We got into a wonderful discussion about writing, the process of acting out a script you write. Miles also gave us insight into directing and acting while making a film in a COVID world, as the Pandemic raged on. Miles brought his unique perspective to provide the audience with a look into his influences and thoughts about the demons, dark themes and multi-faceted world we live in. This is the 5th film Miles has come on the Podcast to discuss and he was Talking Pictures with Paul Booth's first guest seven years ago. Get ready for a great chat with a highly-educated Filmmaker who is also a College Professor with a PHD.

The Sci Fi Gangstas (without Jeremy again) discuss our favorite board games. Featuring Digital Media Professor, Dr. Paul Booth!! #fandom, #fan studies, #fandom studies #digital media, #boardgames, #academia, Dr. Paul Booth https://communication.depaul.edu/faculty-and-staff/faculty/Pages/booth.aspx Board Games as Media : https://www.amazon.com/Board-Games-Media-Paul-Booth/dp/1501357166 Twitter: @pbooth81 ZeeSouthern on Twitch: Twitch.Tv/ZeeSouthern Acidtrain: Twitch: https://www.Twitch.Tv/Acid_Train YouTube: https://www.YouTube.com/AcidtrainTwitter: @Acidtrain19

Join us for our longest episode to date, with some great chat and insite into one of the finest carp rivers in Europe, the Ebro. Our guest is Paul Booth who is a veteran river guide on the Ebro and owner of Ebro Crazy Cats holidays. Paul was also part of the England carp team and played a key role in helping team England win gold in 2015. Listen to Paul's adventures and extensive knowledge on how to get the best from this epic river.

Our host Paul Booth chats with Hawaiian local Gerard Elmore about his latest films Red House and Ka Huakai: The Journey to Merrie Monarch.

Host Paul Booth talks with Cinematographer Alan Jacobsen to discuss the Netflix series Worn Stories. Alan also shot the Oscar-Nominated, Emmy-Winning documentary Strong Island also available on Netflix. Join in for Alan's insight on the story, working with Director's and some great personal moments. This is Alan's second time on Talking Pictures with Paul Booth.

Paul Booth and Kai Lovell review Oscar-nominated film "Sound of Metal" Directed by Darius Marder and starring Riz Ahmed, Olivia Cooke, and Paul Raci. This is a must-see movie that will change the way you hear music.

Paul Booth and Kia Lovell review One Night in Miami directed by Regina King. This film is centered around a discussion between Cassius Clay, Jim Brown, Sam Cooke and Malcom X as they talk about the responsibility of being successful black men during the civil rights movement. Starring Aldis Hodge, Lislie Odom Jr., Eli Goree and Kingsley Ben-Adir. Stick around after for Pauls Top Ten List.

Having spent 16 years in the military battling with Anxiety and Panic attacks Paul has now created a community for men entitled `Anxiety Crusher` - Strong not Weak. Men (and girls) Listen up - Don`t miss this no nonsense, no holds barred chat about a subject that still largely remains unhidden. Where to find him! https://www.facebook.com/groups/anxietycrusher/?source_id=237797293530038 https://www.instagram.com/iampaulbooth/?hl=en https://www.facebook.com/groups/brandhackersgroup/?ref=br_rs&fb_dtsg_ag=AQzV_bWoQVcm4ZNgmflgq33v3gWNSjOIVPfc5Lb2-dbR7A%3AAQzEqk-Zid2Da237gLHDCGW-TyCKX79gzeSa58L7Puf4JQ&jazoest=27661   Where to find me! http://simplyflawsome.libsyn.com instagram https://www.instagram.com/simplyflawsome/?hl= Facebook https://www.facebook.com/SimplyFlawsome1/ SUBSCRIBE  https://www.youtube.com/channel/UC2T7SaxZOSOjUetIzqbNXyQ To support the show Please rate and leave a comment on ITunes