Podcasts about Laguna College

When I met Lauren several years ago, I was impressed by her approach to connecting with other businesses that could refer work. I was wanting to bring her on to the podcast for awhile to talk about her referral system. During this interview we talk about: How she got started into referral marketing Results from her referral system Where to get referrals and starting to build that process Quality vs. quantity of contacts   Lauren's Links: https://www.bixamedia.com/ More about Lauren: Lauren Pawell, MBA, helps entrepreneurs generate, qualify and nurture more leads online. She works with business owners on high-impact marketing efforts, so they don't waste any time or money on tactics that won't drive real results. Case in point? That time she generated $262,822.58 in sales for a client using only 9 emails.    As an online marketing strategist, Lauren has been featured in Copyblogger, appeared as a guest expert for places like 90 Day Year Live, Freshbooks, and LeadPages, and has taught as guest faculty at the Laguna College of Art and Design.    An avid traveler and adventure seeker, Lauren loves to spend her time outside of Bixa hiking, camping and exploring new places around the globe with her husband and their two pups. Website Links: Full episode shownotes for this episode: https://digitalbloomiq.com/pod/how-to-build-a-referral-system   Get email updates on all podcast episodes (+ SEO tips, behind the scenes, and early bird offers) : here: https://digitalbloomiq.com/email   90 Day SEO Plan: Your Dream Clients Booking You Overnight! Free webinar training here: https://digitalbloomiq.com/90dayseoplan   More information about the podcast and Digital Bloom IQ: https://digitalbloomiq.com/podcast https://www.instagram.com/digitalbloomiq/ https://twitter.com/digitalbloomiq https://facebook.com/digitalbloomiq https://www.linkedin.com/in/cinthia-pacheco/ Voice Over, Mixing and Mastering Credits: L. Connor Voice - LConnorvoice@gmail.com Lconnorvoice.com   Music Credits:  Music: Kawaii! - Bad Snacks Support by RFM - NCM: https://bit.ly/3f1GFyN  

Eagle Mountain, Utah writer Jefferson Snow is a winner in the L. Ron Hubbard Writers of the Future Contest earning him a trip to Hollywood for a week-long master-class workshop, an awards event and his winning story will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41. To Jefferson, the Fantasy genre is a grand cathedral, and he loves the gargoyles who guard its buttresses, anti-heroes like Logen Ninefingers and Tyrion Lannister. But as fun as those characters are, Jefferson believes we're not getting enough stories about the figures still inside the nave, the everyday parishioners, the Samwise Gamgees and Neville Longbottoms of the congregation. We still need stories about ordinary people d The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 7 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). Following the 1982 release of his internationally acclaimed bestselling science fiction novel, Battlefield Earth, written in celebration of 50 years as a professional writer, L. Ron Hubbard created the Writers of the Future (writersofthefuture.com) in 1983 to provide a means for aspiring writers of speculative fiction to get that much-needed break. Due to the success of the Writers of the Future Contest, the companion Illustrators of the Future Contest was inaugurated five years later. Her passion for art stemmed from her love of books, and the fantastical covers that inspired her imagination. In true bookworm fashion, her artistic journey began at the local library, where she immersed herself in art instruction books, laying the foundation for her artistic journey. Through daily practice, relentless pursuit of new skills, and seeking mentorship from established artists, her commitment to learning new methods has continuously expanded her artistic repertoire. Tremani views art as a fusion of technique and creativity that brings beauty and meaning to life. Originally on a path toward a career in the medical field, a personal loss led Haileigh to reevaluate her future and embrace her true passion: art. With the encouragement of her family and mentors, she shifted her focus and enrolled at Laguna College of Art and Design (LCAD), where she refined her technique and explored her own personal style. Her work blends fantastical realism, bold colors, and dynamic lines, drawing heavily from her love for comic book art and Mesoamerican mythology. Currently, Haileigh is working as a freelance artist for private clients and media companies, while also developing her own superhero series. She is driven to become a successful artist in the entertainment industry and excited to bring new, authentic stories to life—infused with the vibrant spirit of Lauren McGuire lives in a small southern town where one cannot throw a rock without hitting a church. Ironically, the town is funded by zombies. Growing up as an army brat, she traveled all over the world including a stint in the Middle East which instilled a deep curiosity for other cultures and religions. She began writing in 2016 as a way of processing a chaotic cultural landscape and has since written six full manuscripts and several short stories. When not wrangling a family of five or training for half-marathons, she writes about space and monsters. She is an active member of the Atlanta Writing Club and their 2020 winner for the Terry Kay prize for short fiction as well as a 2023 runner up for the Natasha Trethewey Prize for Poetry. She received two honorable mentions for the Writers of the Future contest before becoming a finalist. “Karma Birds” is her first professional sale.

April Solomon was born in 1983 and raised in Laguna Beach, California. Since she was a small child, April has had a talent for drawing and painting. She would draw anything and everything that came into her imagination. Of all things, she drew dragons the most! Thankfully, her loving and encouraging family inspired her to embrace her love for the arts. She grew up around art. Her father's art studio was filled with all the delights a child could indulge. His bookshelves held stacks of art books containing illustrations from the old masters, the golden age illustrators, and even some fantasy art from the TSRs Dungeons and Dragons. Inspiration came in many forms. Fortunately it was everywhere! and so her career as a young artist began. Today April is an illustrator and fine artist who has earned her bachelor's degree in illustration at the Laguna College of Art and Design. April's passion for learning the old masterful techniques of traditional drawing and painting are precisely what inspires her work. Among her love for the fine arts is her unique appreciation for whimsical fantasy, which adorns every image of her portfolio. April's meticulous creature designs aim for what is known as “fantastic realism.” A clever, concise understanding of anatomy, plants, and mysterious textures weave their way into her illustrations, leaving the viewer guessing at origins, influences, and ancestry. April's work allows the viewer to dive imaginatively deeper, and reconsider whether dragons might be real or whether werewolves exist to stalk the streets at night. When not illustrating, April attends garage sales to unearth buried treasures, runs and lifts weights, or braves as many haunted attractions as possible during the month of October. Find out more about April here,... AprilSolomonArt.com Marianne Xenos is a writer and visual artist living in western Massachusetts. She works with mixed-media, photography, and fiction. She's a member of an artist-run gallery and creates artwork with a strong sense of fantasy and narrative. Although she's been writing since she first learned to read, Marianne only began sending out her stories for publication in the past year and a half. Marianne grew up in a blue-collar family outside of Boston. Her childhood was full of immigrants, builders, and working-class heroes-people who inspire the characters in her stories. Her father was a heavy-equipment operator who moved to Key West to look for gold, with only moderate success. He introduced her to treasure hunters, conchs, and deep-sea fishing. Marianne's mother, who never left New England if she could help it, taught her to dance as soon as she could walk--everything from Greek line dances to the cha-cha. Find out more about Marianne here,... MarianneXenos.com

In this week's episode, host Alex Gryciuk interviewed guest Aubry Mintz, a professor of the Animation B.F.A. program. Mintz, throughout his career, has developed animation programs for Laguna College of Art and Design, served as the Director of Animation and VFX at Chapman University and currently works at Long Beach State. Mintz is not only a seasoned animator but also a knowledgeable educator in the animation industry. What do students learn in an animation track? How does AI affect the industry? Tune in this week to answer these questions. Host: Alex GryciukGuest: Aubry MintzEditor: Alex GryciukProducers: El Nicklin, Aidan SwanepoelLike, comment, and follow us on your favorite platform for more content! Apple Podcasts https://podcasts.apple.com/us/podcast/long-beach-current-podcasts/id1488484518 Spotify ⁠https://open.spotify.com/show/4HJaqJep02kHeIQy8op1n1⁠ ⁠⁠⁠Overcast https://overcast.fm/itunes1488484518/long-beach-current-podcasts

Robin Venter is a queer, non-binary, oil painter residing in Long Beach, California. Venter earned a BFA in drawing and painting from the Laguna College of Art and Design (LCAD), which provided atelier-based training the artist utilizes in their current work. The artist's current body of work explores the relationship between queerness and the representational figurative tradition. Examples of past queer lives and experiences are brought into Venter's work through nods to art history and mythologies, connecting the past and present to affirm that there have always been examples of those who defy the societal structures of gender and sexuality.In this episode, we explore Robin's thesis work at Laguna, which challenges heteronormative art traditions typified by the reclining nude. We delve into how art school sharpened their technical background and boosted their confidence, providing inspiration for exploring gender and art history.  Learn how masterpieces like the Venus of Urbino and the Birth of Venus influenced Venter's work while defying gender expectations with body hair and gender ambiguity. We also touch on the influence of ancient Greek erotic pottery and the incorporation of queer aesthetics inspired by artists such as John Singer Sargent. Venter's journey from elementary school art classes to current successes and future aspirations offers invaluable insights and advice for aspiring painters, underscoring the importance of honesty and self-kindness in the creative process. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

About Curtiss Murphy Curtiss Murphy has spent 32 years as a software engineer (20 of those years in games and gaming and twelve years building educational games. He spent 3 summers hosting the NSF's Edugaming workshop and six years as a professor of game design at Laguna College of Art and Design (for their Game Design MFA program). He has a few dozen minor publications/chapters. He's an award winning speaker, author, and game designer. He's been on 21 episodes of the podcast Game Design Zen. And he's currently the VP of Engineering at a Mobile Game Studio. He is the recent author of What Makes Great Managers Great: How to Raise Engagement, Give Feedback, and Answer the Questions No One's Asking. What You'll Find in this Episode with Curtiss Murphy Curtiss starts by flipping the show back to Joe and T.J. with a question about why they would want to have an “outsider” from education on the show. Listen to hear about comfort zones, learning from new people, and seeking alternative perspectives. That's what Leading Better and Growing Faster with Joe and TJ is all about. Curtiss simply says it, many managers are doing it wrong. His story will resonate with you as he admits that he once was one as well. Don't miss what he says about how it all changed for him. You want to hear what he says about medical errors and deaths based on miscommunication. He talks about going from 5 people to 40 and what management practices have done to increase performance on his team. The number one premise to start with as a leader is that there's confusion everywhere. ~ Curtiss Murphy Tune in to hear why we must always be clarifying expectations. Joe asks about “safety and making people feel safe at work.” Reminder for school leaders: Whatever we do impacts our employees. Don't miss what Curtiss says about “not enough” in this category. Curtiss looks for inspiration from his wife (and he tells us that we can't have her). He talks about being a nerd by trade and using the rules of improv (we wrote about this is 7 Mindshifts for School Leaders). Three rules (1) accept everything, (2) use yes, and, and (3) make your co-workers and partners look good. Curtiss wants to learn to be calm, be in the moment, and slow down his sense of urgency. He focuses on praising people to support the behaviors that he wants from them to repeat. Curtiss used to think that his job was just to empower people; he learned to empower the skill, not the person. His final thought: leadership = influencing others through trusting relationships. Let us know if there's a guest who you want us to have on the show by leaving a comment below or by contacting us at contact@theschoolhouse302.com. And don't miss our leadership content updates every week by subscribing on the site. We can't wait to hear from you. Joe & T.J.

Zoey Frank is a Colorado-based painter who works one large multiple figure compositions and still lifes in oil. And a new mother. She received her MFA in painting from Laguna College of Art and Design, California after studying for four years with Juliette Aristides at Gage Academy of Art in Seattle, Washington. Zoey has received three Elizabeth Greenshields grants, her work has been featured in publications such as Fine Art Connoisseur and High Fructose, and she has exhibited in galleries across the United States, England, and the Netherlands. Zoey was born in Boulder, CO in 1987, the only child of Ina Robbins, a psychotherapist and Douglas Frank, an acupuncturist. As a child, Zoey was drawn to arts and crafts. In school, she also enjoyed sports and briefly aspired to become a basketball player. But from the age of 13, she knew that art would be her life-calling and she found her way to art programs that would give her the foundation for her career. While she was studying she worked as a figure model for art courses. Whilst in her MFA program she was already selling her paintings so she was encouraged that once she graduated she could make a living with her art. For a while, Zoey struggled with health issues, which eventually served to confirm her life's purpose. As her success has grown, so too have her canvases and she is currently working on an 18 feet high by 20 feet wide piece that she began two years ago. Zoey also offers online courses on a variety of subjects. She and her husband Peter and daughter Ida Joan live in Fort Collins, Colorado.Zoey's website: https://zoeyfrank.com/Instagram: @zoeyfrankZoe's Podcast Playlist:Slate Culture Gabfest Scriptnotes Harry Potter and the Sacred Text Some favorite artists:Cecily BrownNjideka CrosbyLois DoddSusan Jane WalpSusan LitchmanCatherine KehoeJennifer PochinskiStephanie PierceCeleste Rapone Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

Zoey Frank is a Colorado-based painter who works one large multiple figure compositions and still lifes in oil. And a new mother. She received her MFA in painting from Laguna College of Art and Design, California after studying for four years with Juliette Aristides at Gage Academy of Art in Seattle, Washington. Zoey has received three Elizabeth Greenshields grants, her work has been featured in publications such as Fine Art Connoisseur and High Fructose, and she has exhibited in galleries across the United States, England, and the Netherlands. Zoey was born in Boulder, CO in 1987, the only child of Ina Robbins, a psychotherapist and Douglas Frank, an acupuncturist. As a child, Zoey was drawn to arts and crafts. In school, she also enjoyed sports and briefly aspired to become a basketball player. But from the age of 13, she knew that art would be her life-calling and she found her way to art programs that would give her the foundation for her career. While she was studying she worked as a figure model for art courses. Whilst in her MFA program she was already selling her paintings so she was encouraged that once she graduated she could make a living with her art. For a while, Zoey struggled with health issues, which eventually served to confirm her life's purpose. As her success has grown, so too have her canvases and she is currently working on an 18 feet high by 20 feet wide piece that she began two years ago. Zoey also offers online courses on a variety of subjects. She and her husband Peter and daughter Ida Joan live in Fort Collins, Colorado. Zoey's website: https://zoeyfrank.com/Instagram: @zoeyfrank Zoe's Podcast Playlist:Slate Culture Gabfest Scriptnotes Harry Potter and the Sacred Text Some favorite artists:Cecily BrownNjideka CrosbyLois DoddSusan Jane WalpSusan LitchmanCatherine KehoeJennifer PochinskiStephanie PierceCeleste Rapone Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

Nicholas Yrizarry is the CEO of Align Wealth Advisors. An alumnus of Princeton University, with nearly 30 years as a financial professional, Nicholas values his unique relationships with his clients. His personalized wealth management approach helps investors create financial stability, aligned with a desirable lifestyle. Some of the nation's leading media outlets have called on Nicholas for his insight on issues impacting investors and their money. His commentary has been featured in outlets that include The Wall Street Journal, Kiplinger's Personal Finance, MSNBC.com, Fox News, ABC News, and Bankrate.com, and he has also appeared on CNBC. Nicholas served on the board of trustees for the Laguna Playhouse from 2016 through 2019 and loves to support the arts. As a classical guitarist, he has performed at The John F. Kennedy Center for Performing Arts, and for charitable organizations such as Laguna Art Museum, Laguna College of Art & Design, Boys & Girls Club of Laguna Beach, Richard Henry Dana Charity Regatta, Court Appointed Special Advocates of Orange County (CASA) and Project HOPE Alliance. A native of Toms River, New Jersey, Nicholas currently makes his home in Monarch Beach, California. He is the proud father of three grown children: Jasmine, Shannon and Dustin. -- Critical Mass Business Talk Show is Orange County, CA's longest-running business talk show, focused on offering value and insight to middle-market business leaders in the OC and beyond. Hosted by Ric Franzi, business partner at Renaissance Executive Forums Orange County. Learn more about Ric at www.ricfranzi.com. Catch up on past Critical Mass Business Talk Show interviews... YouTube: https://lnkd.in/gHKT2gmF LinkedIn: https://lnkd.in/g2PzRhjQ Podbean: https://lnkd.in/eWpNVRi Apple Podcasts: https://lnkd.in/gRd_863w Spotify: https://lnkd.in/gruexU6m #orangecountyca #mastermind #ceopeergroups #peergroups #peerlearning

On Tuesday, October 17, 2023, we had the honor and pleasure to interview author, ⁠⁠John Seed ⁠⁠via Zoom from his home base on the Central California Coast. He defines himself as an art writer and we would add storyteller with rich experiences in the world of art that tell all the sides of the art coin. From taking the path of an art student, to MFA, to gallery driver, collector, curator, installation team member, art professor, to author, he has done it all and uses all the facets to his advantage in his writings.  He has written for the art section of Huffington Post, Hyperallergic, a round the clock online art newsletter, Arts of Asia and other fine publications. His books include My Art World: Recollections and Other Writings, ⁠⁠Disrupted Realism: Paintings for a Distracted World⁠⁠, and his most recent book ⁠⁠More Disruption: Representational Art in Flux⁠⁠. He was the recipient of a Society of Professional Journalist's award in art and entertainment writing.  For over three decades John Seed taught Studio Art and Art History at Mount San Jacinto College. He also taught Modernism at Art Center College of Design in Pasadena and Theory and Criticism for the MFA program at Laguna College of Art and Design. Since 2013 John has served on the board of the ⁠⁠Sam Francis Foundation⁠⁠ and am currently serving as the President of ⁠⁠Greenspace: The Cambria Land Trust.⁠⁠ Here is a video interview with John Seed titled ⁠⁠"My Non-Tragic Backstory".⁠⁠ John is also teaching an online class called ⁠⁠Art Criticism for Artists⁠⁠ through the Penn Studio School of Art. Val will be taking this class starting in January and is looking forward to hearing more from John. Check out the link above to learn more about this class.  Thank you, John for spending time with us and sharing your knowledge and stories. By the way, he invites our audience to email him at johnseed@gmail.com with questions and comments on any of his books. He is generous and kind with his correspondence and you will be richer by sharing an email with him. Enjoy this episode! 

Kaela Carson is an East Bay Area native who received her masters degree in representational oil painting from Laguna College of Art and Design in 2019. Her work aims to express her interest in psychology and the human condition. Instagram @kaela.carson Nick's Vancast is hosted by Nick Sherrell © 2023 Nick Sherrell

Kaela Carson is an East Bay Area native who received her masters degree in representational oil painting from Laguna College of Art and Design in 2019. Her work aims to express her interest in psychology and the human condition. Instagram @kaela.carson Nick's Vancast is hosted by Nick Sherrell © 2023 Nick Sherrell

Illustrators of the Future judge, Larry Elmore Leonard Elmore has been creating fantasy and science fiction art for more than forty years. After receiving a BFA degree from Western Kentucky, he married Betty Clemons and was drafted into the Army almost at the same time. In the 1970s he began freelancing and was published in a few magazines, including Heavy Metal and National Lampoon. After being contacted by TSR Inc., the company that produced the role-playing game Dungeons & Dragons, Larry worked there from 1981 to 1987. While at TSR, he helped set the standards for gaming art in the role-playing genre. Besides creating covers for Dungeons & Dragons, AD&D, Star Frontiers and other gaming books, he may be best known for his work with the world of Dragonlance. Since 1987 he has worked as a freelance illustrator, creating covers for comics, computer games, magazines, and fantasy and science fiction books and projects too numerous to list. In recent years, he has been creating paintings for collectors and fans around the world. He has been an Illustrators of the Future judge since 2012. Larry was presented with the L. Ron Hubbard Lifetime Achievement Award for Outstanding Contributions to the Arts in 2018. “The Illustrators of the Future is true competition. It's a wonderful competition. If I had something like this when I was young to attend, it would blow my mind because I never met a real professional artist till I was out of school, out of college.” —Larry Elmore Illustrators of the Future Laguna Beach, California artist April Solomon is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other artists and twelve other writers at the Taglyan Complex in Hollywood, California on April 28th. She illustrated the story, "Moonlight and Funk" by Marianne Xenos who is a Writers of the Future winner herself. The illustration and story, along with the other writers' and illustrators' stories and art are published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 39 which was officially released on May 16th. April Solomon was born in 1983 and raised in Laguna Beach, California. Since she was a small child, April has had a talent for drawing and painting. She would draw anything and everything that came into her imagination. Of all things, she drew dragons the most! Thankfully, her loving and encouraging family inspired her to embrace her love for the arts. She grew up around art. Her father's art studio was filled with all the delights a child could indulge. His bookshelves held stacks of art books containing illustrations from the old masters, the golden age illustrators, and even some fantasy art from the TSRs Dungeons and Dragons. Inspiration came in many forms. Fortunately it was everywhere! and so her career as a young artist began. Today April is an illustrator and fine artist who has earned her bachelor's degree in illustration at the Laguna College of Art and Design. April's passion for learning the old masterful techniques of traditional drawing and painting are precisely what inspires her work. Among her love for the fine arts is her unique appreciation for whimsical fantasy, which adorns every image of her portfolio. April's meticulous creature designs aim for what is known as “fantastic realism.” A clever, concise understanding of anatomy, plants, and mysterious textures weave their way into her illustrations, leaving the viewer guessing at origins, influences, and ancestry. April's work allows the viewer to dive imaginatively deeper, and reconsider whether dragons might be real or whether werewolves exist to stalk the streets at night. When not illustrating, April attends garage sales to unearth buried treasures, runs and lifts weights, or braves as many haunted attractions as possible during the month of October. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 40th year and is judged by some of the premier names in speculative fiction. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 7 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book). The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tideswinner, April Solomon

Illustrators of the Future judge, Larry Elmore Leonard Elmore has been creating fantasy and science fiction art for more than forty years. After receiving a BFA degree from Western Kentucky, he married Betty Clemons and was drafted into the Army almost at the same time. In the 1970s he began freelancing and was published in a few magazines, including Heavy Metal and National Lampoon. After being contacted by TSR Inc., the company that produced the role-playing game Dungeons & Dragons, Larry worked there from 1981 to 1987. While at TSR, he helped set the standards for gaming art in the role-playing genre. Besides creating covers for Dungeons & Dragons, AD&D, Star Frontiers and other gaming books, he may be best known for his work with the world of Dragonlance. Since 1987 he has worked as a freelance illustrator, creating covers for comics, computer games, magazines, and fantasy and science fiction books and projects too numerous to list. In recent years, he has been creating paintings for collectors and fans around the world. He has been an Illustrators of the Future judge since 2012. Larry was presented with the L. Ron Hubbard Lifetime Achievement Award for Outstanding Contributions to the Arts in 2018. “The Illustrators of the Future is true competition. It's a wonderful competition. If I had something like this when I was young to attend, it would blow my mind because I never met a real professional artist till I was out of school, out of college.” —Larry Elmore Illustrators of the Future Laguna Beach, California artist April Solomon is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other artists and twelve other writers at the Taglyan Complex in Hollywood, California on April 28th. She illustrated the story, "Moonlight and Funk" by Marianne Xenos who is a Writers of the Future winner herself. The illustration and story, along with the other writers' and illustrators' stories and art are published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 39 which was officially released on May 16th. April Solomon was born in 1983 and raised in Laguna Beach, California. Since she was a small child, April has had a talent for drawing and painting. She would draw anything and everything that came into her imagination. Of all things, she drew dragons the most! Thankfully, her loving and encouraging family inspired her to embrace her love for the arts. She grew up around art. Her father's art studio was filled with all the delights a child could indulge. His bookshelves held stacks of art books containing illustrations from the old masters, the golden age illustrators, and even some fantasy art from the TSRs Dungeons and Dragons. Inspiration came in many forms. Fortunately it was everywhere! and so her career as a young artist began. Today April is an illustrator and fine artist who has earned her bachelor's degree in illustration at the Laguna College of Art and Design. April's passion for learning the old masterful techniques of traditional drawing and painting are precisely what inspires her work. Among her love for the fine arts is her unique appreciation for whimsical fantasy, which adorns every image of her portfolio. April's meticulous creature designs aim for what is known as “fantastic realism.” A clever, concise understanding of anatomy, plants, and mysterious textures weave their way into her illustrations, leaving the viewer guessing at origins, influences, and ancestry. April's work allows the viewer to dive imaginatively deeper, and reconsider whether dragons might be real or whether werewolves exist to stalk the streets at night. When not illustrating, April atte). The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tideswinner, April Solomon

Roaring into the world of branding and design with the strength of a T-Rex, this episode of The Pop-Marketing Podcast is set to be a thrilling adventure!Your host, Joe Cox, teams up with the Principal and Chief Strategist at Dyno Creative and Adjunct Professor at Laguna College of Art & Design, Daniel Adoff, to uncover the Jurassic-sized impact of design on the ever-evolving landscape of pop culture.We journey through the realm of brand evolution, exploring how household names like Taco Bell, Burger King, and Pepsi manage to constantly redefine themselves. We dig up treasures from the world of art and illustration, delve into the magic of storytelling through imagery, and advocate for a design time-travel back to the Renaissance.From the future-forward appeal of Augmented Reality to the controversy surrounding ethical data acquisition, this episode is your ticket to an unforgettable pop-culture escapade. Don't let this branding blockbuster become extinct, make sure you tune in!More stuff about Daniel:https://dynocreative.com/https://www.linkedin.com/in/danieladoff/https://www.instagram.com/dynocreative/?hl=enMore stuff from Joe:https://qrco.de/bcI85K

Chatting With Sherri welcomes award-winning artist and illustrator; April Solomon! April Solomon grew up around art. Her father's art studio was filled with all the delights a child could indulge. His bookshelves held stacks of art books containing illustrations from the old masters, the golden age illustrators, and even some fantasy art from the TSRs Dungeons and Dragons. Inspiration came in many forms. Fortunately it was everywhere! and so her career as a young artist began. Today April is an illustrator and fine artist who has earned her bachelor's degree in illustration at the Laguna College of Art and Design. April's passion for learning the old masterful techniques of traditional drawing and painting are precisely what inspires her work. Among her love for the fine arts is her unique appreciation for whimsical fantasy, which adorns every image of her portfolio. April's meticulous creature designs aim for what is known as “fantastic realism.” A clever, concise understanding of anatomy, plants, and mysterious textures weave their way into her illustrations, leaving the viewer guessing at origins, influences, and ancestry.  When not illustrating, April attends garage sales to unearth buried treasures, runs and lifts weights, or braves as many haunted attractions as possible during the month of October. Artist April Solomon is a winner in the L. Ron Hubbard Illustrators of the Future Contest where she'll be traveling to Hollywood for a week-long master-class workshop and her winning art will be published in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 39.    

Kelly Bermingham and Jennifer Lucero host. BCBA Kelly Bermingham talks with Mom Jennifer Lucero about all the things that come in to play when a loved one is diagnosed with ASD. Hour 9 of the Autism Network Podcastathon When a BCBA and a Caregiver Collaborate on Care with Compassion and Understanding Featuring: Kelly McKinnon-Bermingham, BCBA, Author, Social Skills Collaborator & Jennifer Lucero, Mom, Advocate, Director of Development Kelly (McKinnon) Bermingham, MA, BCBA has 25+ years in the field of helping adults and children with autism. Kelly and Jennifer, mom to Dylan (with ASD age 21) share their experiences and talk about different topics related to supporting and living with autism. Kelly was the 1,368th BCBA in the world. Listen to her experience shared with Jenn and learn how they combine research topics with real-life experiences in these quick and easy to listen episodes. Providing Help and Hope! Donations can be made to: Donate – New Vista School Kelly Bermingham, MA, BCBA Kelly has been working in the field of Autism & Developmental Disabilities for 27 years. She has been a BCBA since 2003. Kelly is a published author, having written a book, “Social Skills Solutions: A Hands-on Manual”, She is an ESDM Certified Therapist and a PEERS Certified Therapist. She has a podcast, A 25 Year Look Across the Spectrum, where she tackles topics related to autism and ABA, sharing insights with her friend, and caregiver, Jen Lucero. Kelly has written several blogs for Autism Speaks, has published papers on oral health and autism, most recently published in the Journal of Pediatrics. She currently works in the Severe Behavior Department at Easterseals of Southern California. Previously she was volunteer faculty at UCI's Autism Center and was an Adjunct Professor at Chapman University. Kelly helped found a school for middle school & high school children on the Autism Spectrum: New Vista School and a sports league for children with autism: Spirit League. Kelly was on the Autism Spectrum Task force Created by Senator Correa when it existed in 2004-2006. She co-founded the September 26th Project, creating safety awareness checklists and reminders for those on the autism spectrum and their families. She was an Expert Subject Matter on CASP's recent Organizational Guidelines for ABA companies. She has a training program called Social Skills Collab and a new book on Early Intervention coming soon. Jennifer Lucero Jennifer has been working in the field of Autism & Special Needs Services both professionally and personally for twenty plus years. She has a Bachelor of Fine Arts degree from Laguna College of Art,in Laguna Beach, California. Jennifer spent her early career as Graphic and Product Design Supervisor at The Walt Disney Company in Burbank, California. Jennifer is a mother of two sons- 23-year-old Dylan and 21-year-old Ethan. Dylan is severely impacted with autism and attends an Adult Day Program at Easterseals. Ethan will be graduating from California State University in Monterey Bay, with a degree in Journalism, in May 2023. As a single mother and having one child with special needs, Jennifer changed her career to focus on supporting individuals with special needs. She supports a podcast, A 25 Year Look Across the Spectrum, led by collaborator and friend, Kelly Bermingham. Together they tackle topics related to autism and ABA, sharing insights. Jennifer currently works as Director, Development & Special Events at Special Olympics Southern California. Previously she was Director, Field Development at Autism Speaks Southern California. She has also worked for TACA and the Special Education Department at Tustin Unified School District. Jennifer has volunteered for years with several organizations supporting children and adults living with autism and Special Needs including: Surfers Healing, Fullerton Cares and Spero Vineyards. Her greatest pride is being an advocate for her son's development, rights, and future happiness. Kelly (McKinnon) Bermingham, MA, BCBA, SHRM-CP, she/her | LinkedIn https://www.facebook.com/KellyMcKinnonBermingham Social Skills Collaborative – Autism Skills & ABA Training      

https://www.conorwalton.com   Conor Walton is a leading Irish artist and a painter of international renown. He has had twenty one solo exhibitions in Europe and America and participated in museum exhibitions at the National Portrait Gallery (London), MEAM (Barcelona), The National Gallery of Ireland, the Scottish National Portrait Gallery, Museo Páblo Serrano (Zaragoza), Troina Museum of Contemporary Art (Sicily), Palazzo Litta (Milan), Palazzo Cini (Venice), the American University Museum (Washington DC), WMOCA (Wisconsin), Castello di San Leo (Italy) PO.RO.S Museum (Portugal), Pasinger Fabrik (Munich) and Winchester Museum (UK). Walton has won numerous awards for his work including the Gino De Agrò International Award (2022), the Ismail Lulani International Award (2019), ModPortrait 2017, Arc Salon 2014/15 (Still Life), Portrait Ireland 2005, ‘Lorenzo il Magnifico' International Award (1999), Don Niccolo D'Ardia Caracciolo RHA Medal (1997), Keating McLoughlin Medal (1997), Elizabeth Greenshields Foundation Scholarship (1994) Taylor Prize (1993). He was shortlisted for the BP Portrait Award in 2005 and the Golden Fleece Award in 2011. He was born in Ireland in 1970 and trained at NCAD in Dublin and under Charles Cecil in Florence, Italy. He holds a Masters Degree in Art History and Theory (awarded with Distinction) from the University of Essex. He has lectured at the National Gallery of Ireland, University College Dublin, the Royal Hibernian Academy, Laguna College of Art and Design, the New Museum, Los Gatos, and been Artist in Residence at California Lutheran University. He has attended The Representational Art Conference (TRAC) both as demonstration artist and guest speaker. Since its foundation in 2017 the ‘Conor Walton Summer School' and its scholarship programme have drawn students from four continents. His works have appeared on postage stamps and book covers in Ireland and abroad. He lives and works in Wicklow, Ireland. "I see myself as a figurative painter in the European tradition, attempting to maintain my craft at the highest level, using paint to explore issues of truth, meaning and value. All my paintings are attempted answers to the three questions in the title of Gauguin's famous painting: ‘Where do we come from? What are we? Where are we going?'" - Conor Walton

https://www.conorwalton.com   Conor Walton is a leading Irish artist and a painter of international renown. He has had twenty one solo exhibitions in Europe and America and participated in museum exhibitions at the National Portrait Gallery (London), MEAM (Barcelona), The National Gallery of Ireland, the Scottish National Portrait Gallery, Museo Páblo Serrano (Zaragoza), Troina Museum of Contemporary Art (Sicily), Palazzo Litta (Milan), Palazzo Cini (Venice), the American University Museum (Washington DC), WMOCA (Wisconsin), Castello di San Leo (Italy) PO.RO.S Museum (Portugal), Pasinger Fabrik (Munich) and Winchester Museum (UK). Walton has won numerous awards for his work including the Gino De Agrò International Award (2022), the Ismail Lulani International Award (2019), ModPortrait 2017, Arc Salon 2014/15 (Still Life), Portrait Ireland 2005, ‘Lorenzo il Magnifico' International Award (1999), Don Niccolo D'Ardia Caracciolo RHA Medal (1997), Keating McLoughlin Medal (1997), Elizabeth Greenshields Foundation Scholarship (1994) Taylor Prize (1993). He was shortlisted for the BP Portrait Award in 2005 and the Golden Fleece Award in 2011. He was born in Ireland in 1970 and trained at NCAD in Dublin and under Charles Cecil in Florence, Italy. He holds a Masters Degree in Art History and Theory (awarded with Distinction) from the University of Essex. He has lectured at the National Gallery of Ireland, University College Dublin, the Royal Hibernian Academy, Laguna College of Art and Design, the New Museum, Los Gatos, and been Artist in Residence at California Lutheran University. He has attended The Representational Art Conference (TRAC) both as demonstration artist and guest speaker. Since its foundation in 2017 the ‘Conor Walton Summer School' and its scholarship programme have drawn students from four continents. His works have appeared on postage stamps and book covers in Ireland and abroad. He lives and works in Wicklow, Ireland. "I see myself as a figurative painter in the European tradition, attempting to maintain my craft at the highest level, using paint to explore issues of truth, meaning and value. All my paintings are attempted answers to the three questions in the title of Gauguin's famous painting: ‘Where do we come from? What are we? Where are we going?'" - Conor Walton

On this episode of The Curious Capitalist, Board Director David Reitz speaks with Steve Brittan the President of Laguna College of Art and Design, and Glen McDermott the CEO and Founder of Red Rock Branding. We take a look at the synergy between design principles and the tenets of Conscious Capitalism. www.lcad.edu www.redrockbranding.com www.connecticut.consciouscapitalism.org

https://www.adriennestein.com Adrienne Stein is an award winning American artist living and working in Pennsylvania and Colorado. She holds an MFA from Boston University and a BFA Magna Cum Laude, from Laguna College of Art & Design. Adrienne studied under many gifted and influential instructors throughout the United States, France, and Italy. Her paintings celebrate the natural world through bold, vibrant color. The lush magical environments and figures she depicts form the nexus between reality and fantasy, expressed through a world of symbolic imagery. Direct observation of nature coalesces with memory, imagination, art history, folklore, archetypes, and natural elements that are fueled by a sense of personal as well as universal myth. Adrienne is inspired by her travel experiences as well as the beauty of her garden surrounding the Pennsylvania home she shares with her husband, the artist Quang Ho and their son, Liam. She has received numerous awards from organizations such as The Portrait Society of America, The Elizabeth Greenshields Foundation, The California Art Club, and The Art Renewal Center. Her work is collected in the U.S. and abroad.

Adrienne Stein is an award winning American artist living and working in Pennsylvania and Colorado. She holds an MFA from Boston University and a BFA Magna Cum Laude, from Laguna College of Art & Design. Adrienne studied under many gifted and influential instructors throughout the United States, France, and Italy. Her paintings celebrate the natural world through bold, vibrant color. The lush magical environments and figures she depicts form the nexus between reality and fantasy, expressed through a world of symbolic imagery. Direct observation of nature coalesces with memory, imagination, art history, folklore, archetypes, and natural elements that are fueled by a sense of personal as well as universal myth. Adrienne is inspired by her travel experiences as well as the beauty of her garden surrounding the Pennsylvania home she shares with her husband, the artist Quang Ho and their son, Liam. She has received numerous awards from organizations such as The Portrait Society of America, The Elizabeth Greenshields Foundation, The California Art Club, and The Art Renewal Center. Her work is collected in the U.S. and abroad.

On this episode of the MFA Chronicles Podcast we talk with Amanda Kazemi. Amanda is going to be an MFA at Laguna College of Art and Design and I wanted to create an audio time capsule before she embarks on this journey. We start the conversation talking about her dogs and how she became a dog mom. I asked Amanda if her pervious experience as an art teacher has informed her art and life. Amanda tells us about why she has decided to get her MFA and why she chose LCAD. We also talk about the culture of the arts community in San Diego, what it's like and what it has to offer. I hope you enjoy this conversation as much as I did. If you would like to learn more about Amanda please visit her Instagram: https://www.instagram.com/grayfractal/ Ways to Donate in Support of Black Lives and Communities of Color https://www.usa.gov/register-to-vote Thank you to the current Patreon supporters please visit their links: Matthew B. http://www.mbacherart.com/ Rowan C. https://www.instagram.com/livelouderr/ Michael K. https://velvetjupiter.bandcamp.com/ Brenden S. https://www.facebook.com/ImmensityCrumb James S. youtube.com/channel/UC_TDTw0nuZKee7OIV8L6CIw

Born in Beijing and raised in Singapore, Jingna Zhang is a fashion and fine art photographer and director based in New York City and Seattle. Imbued with love for the Pre-Raphaelites and Japanese anime, Jingna’s work interweaves Asian aesthetics with western art styles, bringing unique visions of painterly and fantastical images to fashion and fine art photography. Before photography, Jingna was a world-class air rifle shooter representing Singapore at the Commonwealth Games and World Cup. She was the only female founder of a North American esports team in StarCraft 2; and was once a concept artist and illustrator’s agent, with clients including LucasArts, Amazon Publishing, and Sony Online Entertainment. Jingna majored in fashion design before dropping out of school to pursue photography. She is an alumna of Stanford’s innovation and entrepreneurship program Ignite and a Forbes Asia 30 Under 30 listmaker. Jingna’s works have appeared on multiple editions of Vogue, Elle, and Harper’s Bazaar. Her clients include Mercedes Benz, Montblanc, and Lancome. Jingna’s fine art works have exhibited at Leica Gallery Milan, Tsinghua University, and Japan Creative Centre in Singapore, and she has spoken at Laguna College of Art and Design, Monterrey Institute of Technology, and Square Enix. Show Notes: 00:00:00 - Introduction 00:05:24 - Self-Expression 00:11:54 - Jingna's start in art  00:16:20 - Competition  00:18:12 - Working with certainty and uncertainty 00:22:08 - Resources for growth  00:29:39 - Jingna's work with creative writing / the beginner's mindset 00:37:31 - Childlike naivety 00:39:20 - Jingna's relationship with video games 00:47:00 - Wrap up www.artistdecoded.com www.zhangjingna.com www.instagram.com/zemotion

On this episode of the MFA Chronicles Podcast we talk with Renae Wang. Renae is also a participant in the CAMFA by Glamfa 2021 exhibition and a graduate at Laguna Collage of Art + Design. We start off the conversation talking about how Renae likes to go for drives. She tells us about her practice of meditation and learning it from her mother. I asked Renae about her practice as an artist and how she defines herself. Renae tell us why she chose LCAD and what the experience has been like for her so far. Renae and I also talk about making art and how the audience can influence the process. I hope you enjoy this conversation as much as I did. If you would like to learn more about Renae please visit her Instagram: https://www.instagram.com/renaewang_art/ Ways to Donate in Support of Black Lives and Communities of Color https://www.usa.gov/register-to-vote Thank you to the current Patreon supporters please visit their links: Matthew B. http://www.mbacherart.com/ Rowan C. https://www.instagram.com/livelouderr/ Michael K. https://velvetjupiter.bandcamp.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Kait Matthews' formal art training began several years ago, and include The Art Center in Pasadena and The Laguna College of Art and Design, in Laguna Beach, California, where she graduated summa cum laude in 2009 with a degree in Fine Art. "In my art I enjoy exploring the universal emotions and feelings that are innate in all of us. We are connected when we can look into the eyes of others and see a little bit of ourselves reflecting back. I am inspired by the philosophy of Pablo Picasso who once said, 'The artist is a receptacle for emotions that come from all over the place; from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider’s web.' When someone asks, how long did it take you to create that painting? 'The sum of a life’s worth of experiences' is really the true answer. Malcolm T. Liepke, a contemporary artist, believes 'painting is useless without humanity.'It is only through emotion that we connect. My goal is to be able to convey, to share, and to connect through art and through feeling. It is the kaleidoscope of emotions that tie us together, that make us whole. As I learn more about my own indigenous culture and as an artist of aboriginal native descent growing up in a white world, I wish to further explore emotion on canvas from this unique point of view."

Part two of Giant's interview with his friend Joy Shannon. Recorded in Mike's studio in San Diego, California on July 5, 2020. Topics discussed include: Ed Hardy changing sanitation standards in tattooing, latex gloves, the Old Timer Splotch, tattooing in photo booth, re-using needles, Crown Needles, cartridge needles, loupe, fineline tattooing, carving and printing, support from her students, support from fans, apprenticeships, Nalla Smith, teaching, wardrobe, wig making, learning from Black girls, difficulties for college teachers, concussion, first meeting with Mike, Gifts from the Universe, the LA “Springboard” mentality, moving to Italy, tattoo tribes, side gigs going full-time, Shanti the service dog, Florence Tattoo Convention, Kai Uwe Faust, Druid tattoos, punks, throat tattoos, Laguna College of Art and Design, Ed Swanson, learn what not to do, private/public spaces for tattooing, shops full of specialists, tattoo TV shows, backstory, Karen Roze, private ritual tattooing, benefits of a support system, Paper Crane Studios, COVID restrictions, side projects to maintain a living, Joy Shannon and the Beauty Marks, the “Liam Neeson” video, vocalizing to relieve pain. Link to "Liam Neeson" video: https://www.youtube.com/watch?v=7E7JvpBsUz0 joyshannon.com @joyshannon @triplegoddesstattoos

Poetry is the topic in this one. Lisa and I talk about the validity and beauty of the artform. Lisa Dowling received her B.A. in English and a M.F.A. in Poetry from California State University Long Beach. Her poems can be found in literary journals such as Pearl, Spillway, Vulcan, Rip Rap, and The Orange Coast Review. She taught Composition, Literature, Poetry and more for 14 years at Orange Coast College, Cal State Long Beach, Coastline College, and the Laguna College of Art and Design. She occasionally exhibits her plank books and poetry altars in contemporary art galleries, and enjoys creating collaborative pieces with her husband, Tom, who is a painter. Co-author of four books: Portals, Passages, and Thresholds; Graffiti Culture Roma; Nourish, and Dowling Roman Adventure, Lisa is also classically trained in photography. A number of her photos have appeared in photography textbooks. A review of the book Graffiti Culture Roma can be found in ISM magazine. A review of her artwork, written by Dave Barton, can be found in the OC Weekly. Lisa, her husband, and their daughter split their time between the palm trees of Southern California and the clovers of West Cork, Ireland. Learn more at: https://lisadowling.weebly.com #creativity #CreativityFound #creativityforlife #creativityeveryday #creativitykillsoldness #creativityinmybreakfast #creativityatitsbest #creativitymatters #creativitycoach #CREATIVITYISJUSTENDLESS #creativitychasers #creativityiskey #CreativityIsmyWeapon #creativityrocks #creativitygallery #creativityheals #creativityflows #creativityinaction #creativityiscontagious #creativityislife #creativitytime #creativityfeature #creativityforbreakfast #creativityforkids #creativityovercompetition #creativity7daysaweek #creativity90 #creativityatwork #creativitycoaching #creativitycollected #Podcast #podcasts #podcasting #podcaster #podcasters #podcastlife #podcastshow #podcastlove #podcastaddict #podcasthost #podcastersofinstagram #podcastmovement #PodcastJunkie #podcastinglife #podcastnetwork #PodcastSeries #podcastincolor #podcastone #PodcastDay #podcastepisode #podcastrepublic #podcastnews #podcastawards #podcastlifestyle #podcastenespa #podcastlistening #PodcastMafia #podcastapp #podcastinterview #podcaststudio --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creativecourage/support

Doing business online can be tricky at times. You can earn a lot if you use it properly or get frustrated if you don’t. In this episode, online marketing strategist Lauren Pawell shares how she helps entrepreneurs generate, nurture, and qualify more leads online through high-impact marketing efforts. Lauren is very data-driven, which I love, and she talks about how tools like lead magnets, lead generation, and funnels in your online marketing strategy help grow your business.  As an online marketing strategist, Lauren has been featured in Copyblogger, Videofruit, appeared as a guest expert for 90 Day Year Live, Highbrow, The Office Talk Podcast, Freshbooks, Thrive Global, Female Entrepreneur Association, Dubsado, LeadPages, LeadQuizzes, Wordstream, BrandIt Girl, Live In The Feast, The Food Entrepreneur Summit, Teach What You Do, Nail Your Brand Camp, and Blissful Bites. She has also taught as guest faculty at the Laguna College of Art and Design.

This is the seventy-fifth episode of the GameDev.tv Community Podcast. Megan Zavala is a concept artist at Unbroken Studios. With two graphic designers for parents, Megan pursued her destiny as an artist from a young age. Despite her lifelong struggle with ADHD, she carefully crafted a career plan to reach her goals and break into the industry. After graduating from Laguna College of Art and Design, she landed her first freelance gigs supporting the teams at Blizzard Entertainment and Wavedash Games. Her experience with a diverse range of team players has given her a taste of what it takes to succeed as an in-house artist. She now hopes to inspire more new artists to take a chance on themselves and their peers.Unbroken Studios: https://www.unbrokenstudios.com/Unreal 4.22 C++ Coursehttps://www.gamedev.tv/p/unreal-engine-c-developer-4-22-learn-c-and-make-video-games/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal VR Course:https://courses.gamedev.tv/p/unrealmultiplayer/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal Multiplayer Course:https://courses.gamedev.tv/p/unrealvr/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 3D Course:https://courses.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 2D Course:https://courses.gamedev.tv/p/complete-unity-developer-2d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity RPG Course:https://courses.gamedev.tv/p/unity-rpg/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Course:https://www.gamedev.tv/p/blender/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Character Course:https://www.gamedev.tv/p/blender-character-creator-2/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6GameDev.tv Official PodcastEnjoy the Podcast!Support the show (https://www.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6)

This is the sixty-ninth episode of the GameDev.tv Community Podcast. Autumn is an experienced 3D Environment Artist with a demonstrated history of working in the primary/secondary education industry. Skilled in 3DsMax, ZBrush, Unreal Engine, as well as a plethora of Industry related Programs involved with the Video Game Pipeline. Strong Design professional with a Bachelor’s Degree focused in Game and Interactive Media Design from Laguna College of Art and Design.Shout out to Unbroken Studios for making this podcast happen.You can learn more about Unbroken Studios at: https://www.unbrokenstudios.com/Unreal 4.22 C++ Coursehttps://www.gamedev.tv/p/unreal-engine-c-developer-4-22-learn-c-and-make-video-games/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal VR Course:https://courses.gamedev.tv/p/unrealmultiplayer/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal Multiplayer Course:https://courses.gamedev.tv/p/unrealvr/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 3D Course:https://courses.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 2D Course:https://courses.gamedev.tv/p/complete-unity-developer-2d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity RPG Course:https://courses.gamedev.tv/p/unity-rpg/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Course:https://www.gamedev.tv/p/blender/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Environments Course:https://courses.gamedev.tv/p/blender-environments/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6The 2D Game Artist Course:https://www.gamedev.tv/p/gimp/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Math For Games Course:https://courses.gamedev.tv/p/math-for-games/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6GameDev.tv Official PodcastEnjoy the Podcast!Support the show (https://www.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6)

Ashleigh Izienicki aka Miss Upacey is a Colorado born illustrator and tattoo artist who works in both digital and traditional mediums. She graduated from Laguna College of Art and Design and now resides in Califonia. Her work often features dark and macabre themes with a cute and feminine touch. Full shownotes: http://yourcreativepush.com/351 In this episode, Ashleigh discusses: -Early potential career paths as a paleontologist and an animator. -Her advice for getting over the fear of posting your art online. -Her biggest lessons and takeaways from teaching her course, “Artists as Entrepreneurs.” -Making a five-year plan and going absolutely crazy with it. -Neil Gaiman’s advice to imagine your goals as a mountain and to continue moving towards it. -Her advice for pricing original pieces, especially for artists who are just starting to sell their work. -How she developed her style. -Her love of the Golden Age of Illustration, Norman Rockwell and Charles Dana Gibson. -Her advice for getting past the fear of the blank page. -How she gets past resistances such as imposter syndrome, comparison and being your own worst critic. -How she schedules and keeps an eye on her time. -Her to-do lists and calendars. -Learning how to tattoo from Sara Fabel. -Running a Kickstarter campaign for her book, “Nightshade.” Ashleigh's Final Push will encourage you to splash around in your creative passion – it will be worth it in the end!   Quotes: “You’re going to be your worst critic and you’re going to hold yourself back more than anybody else is.” “To sell an original, it only takes one person to pay that price.” “As great as social media is, for artists it’s also horrible in the fact that you’re constantly comparing yourself to other people.” “I would like to have hobbies again, since I turned my main hobby into my career.” “Time management has been the struggle of my lifetime as a freelancer.” Links mentioned: Lyfe Illustration Neil Gaiman - Inspirational Commencement Speech at the University of the Arts 2012 Gibson Girl Your Creative Push Episode 301 with Sara Fabel Nightshade: Artbook of Ashleigh Izienicki Connect with Ashleigh: Website / Patreon / Instagram / Twitter On the next episode: Dan Ekis : Website / YouTube / Instagram Join the discussion in the Facebook group!

Zoey Frank (b. 1987, Boulder, CO) received her MFA in painting from Laguna College of Art and Design in Laguna Beach, California after studying for four years with Juliette Aristides in the Classical Atelier at Gage Academy of Art in Seattle, Washington. She is represented by Danese/Corey Gallery in New York City, and Galerie Mokum in Amsterdam. She has received numerous honors and awards, including three Elizabeth Greenshields grants, the Avigdor Arikha Memorial International Residency Scholarship, the Artist’s Magazine All Media Competition Grand Prize of 2012, the Hudson River Fellowship in 2012, and scholarships from the Albert K. Murray Foundation, the Stacey Foundation, and the Art Renewal Center. Her work has been featured in publications such as Fine Art Connoisseur, American Art Collector, the International Artist Magazine, Artist’s Magazine, and Southwest Art. She lives and works in Fort Collins, Colorado. Topics Discussed In This Podcast: Frank's first love of Renaissance paintings and technical beauty Using a collaboration with materials and experimenting with process Creating artworks that are unique and personal by painting mundane objects that focus less on the subject and more on the technical quality Frank's ability to approach paintings of the same subject with different sets of problems to solve Refueling her creative energy by traveling, looking at art, and talking to other artists The importance of maintaining routines to create balance and making time for the business aspect of art The quality of working observationally from an unplanned still life Frank's persistence with applying and getting rejected for art opportunities www.artistdecoded.com

Nathan Fowkes is a veteran entertainment industry concept artist with credits on 12 animated feature films including DreamWorks Animation’s The Prince of Egypt, Spirit, several projects within the Shrek Universe, How to Train Your Dragon, and many others. Additionally, Nathan has been sought after as a consultant for game studios to enhance the quality of their theatrical presentation. He has worked with numerous clients including Blizzard Entertainment, King, Disney Interactive, Riot Games, Ubisoft, Rovio and Supercell.  Nathan is also well known as a teacher of color, light and design; he is a regular guest lecturer at Art Center College of Design and has taught at The Los Angeles Academy of Figurative Art and the Laguna College of Art and Design. He's the author of the bestselling book How to Draw Portraits in Charcoal and How to Paint Landscapes in Watercolor and Gouache. Nathan teaches online at Schoolism.com when his film production schedule allows.    Schoolism.com is offering you loyal listeners of the podcast a discount, with the promo code RITONDARO. Get $5.00 off (15% discount) for the first 6 months. (This is not a sponsored podcast and I have no affiliation with them, I just love what they do!). Follow Nathan on his Instagram: @nathanfowkesart And on his website: https://www.nathanfowkes.com And his courses on Schoolism.com His books on Amazon

Typography is a core component of logo design, but so many designers lack the essential knowledge needed to use fonts correctly. To solve that, this week Ian interviews Michael Stinson to talk about the fundamentals of type, choosing and managing fonts, licensing, book recommendations and more. Michael is the typography instructor at Laguna College of Art + Design, and is also the founder and lead Instructor at TypeEd, an educational platform that teach designers about the fundamental theory of type. Show notes, and a full transcription of the interview can be found here: https://logogeek.uk/podcast/typography-fundamentals/   Typography Resources & Books Mentioned michaelstinson.com TypeEd Website Font Management: Suitcase Fusion The Anatomy of Type by Stephen Coles  Amazon UK | Amazon US Type Matters! by Jim Williams  Amazon UK | Amazon US The Elements of Typographic Style by Robert Bringhurst  Amazon UK | Amazon US Reading Letters: Designing for Legibility  Amazon UK | Amazon US InDesign Type: Professional Typography with Adobe InDesign  Amazon UK | Amazon US The Complete Manual of Typography by James Felici  Amazon UK | Amazon US Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks  Amazon UK | Amazon US   A Big Thank You to FreshBooks FreshBooks have sponsored the Logo Geek Podcast, and I’m so thankful – without them this would not be possible (It takes so much time!!). FreshBooks is a cloud based accounting software that makes it easy to create and send branded invoices, track time and to manage your incoming and outgoing money. I highly recommend it, and you can try it out for yourself with a free 30 day trial.  

In this fascinating look at the life and art of Vincent Van Gogh, Sean and Scott interview Professor William Havlicek, one of the world’s leading experts on Van Gogh. William teaches at the Laguna College of Art and Design in Laguna Beach, California and has written Van Gogh’s Untold Journey, the story of the Christian faith of Van Gogh and how it is portrayed in his artwork. Join us for this conversation with Dr. Havlicek. [Show notes, including a full transcript, are available at biola.edu/thinkbiblically]

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In When Wheat Was King: The Rise and Fall of the Canada-UK Grain Trade (University of British Columbia Press, 2016), André Magnan connects the cultivation of wheat on the Canadian prairies to the consumption of bread in Britain. Using the concept of a “food regime” as a theoretical frame, Magnan identifies three broad periods of stability in the relationship between Canadian wheat and British bread: a “UK-centered” food regime from about 1870 to 1914, a “mercantile-industrial” food regime from 1945 to 1972, and a “corporate” or “corporate-environmental” food regime from 1995 to the present. Separating these three periods are two periods of instability, the first including the two World Wars and the second beginning with the simultaneous oil crisis and entry of the Soviet Union into the global wheat trade in the 1970s. Through these phases of relative stability and instability, Magnan traces the institutions that linked the cold, dry Canadian prairies to the cities of Britain, including banks and food processing companies, with particular focus on the Canadian Wheat Board from 1935 until its dissolution in 2012. André Magnan is Associate Professor in the Department of Sociology and Social Studies at the University of Regina. His research and teaching interests include the sociology of agrifood systems, globalization and development, and sociological theory. Magnan has two principle areas of research. First, he has examined the history and politics of grain marketing on the Canadian prairies, with a focus on the rise and fall of the Canadian Wheat Board, one of Canada’s most important agricultural institutions. His second area of research focus is the financialization of agrifood systems. Here Dr. Magnan has examined changing patterns of farm structure and ownership in Canada and Australia, documenting how financial investors of different stripes are buying farmland on a large scale. Part of a multi-year study funded by the Social Sciences and Humanities Research Council, this research aims to understand how new patterns of farmland ownership could affect family farmers, rural communities, and the agricultural industry. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art & Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Steam Power and Sea Power: Coal, the Royal Navy, and the British Empire, c. 1870-1914 (Palgrave Macmillan, 2018), Steven Gray examines the pivotal role of coal in the Royal Navy, during the short-lived but crucial “age of steam.” Drawing on British government and military records, ships’ logs and mariners memoirs, Gray examines coal from multiple, intersecting perspectives. Beginning with its geopolitical importance, Gray shows that steam powered ships significantly increased the nature and frequency of material supplies needed to maintain a navy at sea. Unlike the relatively self-sufficient sailing ship, steam-powered vessels had an almost insatiable appetite for coal, requiring resupply much more frequently. Further, not just any coal would do: after extensive tests on the quality of coals from across the globe, engineers found that Welsh steam coal was the essential fuel for Britain’s steam-powered navy, and there were precious few suitable alternatives. These facts, then, shaped the construction and maintenance of a system of fossil-fuel infrastructure that spanned the globe. Gray rounds his analysis out by following coal’s journey from mines, through depots and coaling stations, in lighters, and then into ships holds. He identifies coaling stations as unique imperial spaces, in which naval personnel, administrators, and local inhabitants crossed paths. He considers the innumerable hands and backs that groaned under the weight of tons of black rocks, including indigenous laborers and British sailors. Throughout, he demonstrates conclusively the utter centrality of coal to the late-Victorian and Edwardian Royal Navy, and hence to the British Empire. Steven Gray is Senior Lecturer in Imperial and Naval History at the University of Portsmouth. He studies imperial, maritime, transnational, global and transoceanic history, with particular interest in the material infrastructures of global networks, and how these facilitated the mobility of goods, people, militaries and empires. David Fouser is an adjunct faculty member at Santa Monica College, Laguna College of Art and Design, and Chapman University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Podcast, Allan McKay interviews Jason Scheier, a Conceptual Illustrator who has worked with a number of studios including DreamWorks Animation, Warner Brothers Feature Animation and Walt Disney Imagineering. His projects include Kung Fu Panda, Rise of the Guardians, The Croods, Battlefield 4 and many others. A graduate of CalState, Fullerton, Jason has also studied media arts and animation at the Art Institute of California and entertainment design at the Art Center College of Design. He brings his strong instincts for design, composition, color, and lighting and his experience in cinematography to his passion for virtual environment creation. He has also taught at the Art Center College of Design, Brainstorm School, Concept Design Academy, Laguna College of Art and Design, and Computer Graphics Masters Academy.   For full show notes visit http://www.allanmckay.com/75/

In today's episode artist and animator Morghan Gill shares how her love of animation inspired her to attend Laguna College of Art Design and pursue her dreams of becoming a professional artist. She discusses what it's like working for various studios, teaching at her alma mater, tabling at conventions and her successfully … Continue reading

Zoey Frank is a figurative painter from Colorado. She studied at the Juliette Aristides Atelier in Seattle and then went on to get her MFA from the Laguna College of Art and Design. Zoey is in love with the figure. She shares her process, and her experiments freely in this episode. I really enjoyed talking with her about her current work, in which she is playing with observation, imagination, and photography. We also talk about the instability of this career choice we’ve made and how that can really affect our mood. Zoey shares the tactics she uses to deal with uncertainty- tactics that focus on reconnecting with the joy of making things and creating.

Gemma O’Brien is an Australian artist specialising in lettering, illustration and typography. After completing a Bachelor of Design at the College of Fine Arts in Sydney, Gemma worked as an art director at Animal Logic, Fuel VFX, and Toby & Pete before deciding to fly solo as a commercial illustrator in 2012. Her typographic work takes on a variety of forms, from calligraphic brushwork, illustration and digital type, to large scale hand-painted murals. She splits her time between advertising commissions, gallery shows, speaking engagements, and hosting hand-lettering workshops around the world. Her clients include Playboy Magazine, Nike, Volcom Stone, Kirin, Heineken, QANTAS, and Diet Coke. A number of her projects have received the Award of Typographic Excellence from the New York Type Directors Club, and in 2015 she was recognised as an ADC Young Gun.  Today we’ll be speaking with her about her recent installation titled MrsEaves 101: The handprinted typography of Gemma O’Brien, which was held at the Laguna College of Art & Design in Laguna Beach, California.

In an effort to release a new episode of Dissection every week, we're introducing an additional format in which Chris, Jason and some of the other creatives from JK Design will be speaking about a newly released brand identity, campaign, or project. In this first roundtable episode we'll be giving our thoughts on tronc, the new name and visual identity for the formerly named Tribune Publishing. Make sure to check out next week's episode when we speak to world renowned illustrator Gemma O'brien about her recent exhibition at the Laguna College of Art & Design.

Jonathan has had a stunning 34 year career at LCAD as art teacher, dean, and now president, who has seen the college evolve into a premier international art school. Listen to his vision for the future, and how he will make LCAD the Julliard of art schools

Great talk this week about explorations in consciousness with Justin Snodgrass. Justin Snodgrass is an artist and writer. His recent body of paintings is a pictorial account of his experiences and related realizations that have occurred during and as a result of out-of-body experiences, lucid dreams, meditative states, and paranormal events. Many of these events have forever changed his life and how he views reality. Having started down this path, he finds it impossible to turn back. Justin received his BA in Studio Art from California State University San Bernardino in 2004 and his M.F.A. in Fine Art from Laguna College of Art and Design in 2015. He is currently working on a series of fictional novels that introduce a big picture view of reality and existence through engaging stories. Check out Justin's artwork and thesis at http://www.justinsnodgrass.com About Path 11 Productions: You can find DVDs of our films on our website at thepathseries.com or by streaming on vimeo.com, gaiamtv.com & itunes find us on facebook and follow us on twitter, @thepathseries

Roger's Gardens makes homes more beautiful, so an art gallery is a natural extention of the decor options you'll choose from when you come to the store.  Theresa Marino has been the art gallery director at Roger's Gardens since its debut in 2008.  Listen is as Theresa talks about how to choose art that complements living spaces, how she selects artists and works to display in the gallery and events Roger's Gardens hosts to allow customers to meet and interact with the artists.  On the lighter side, you'll hear Theresa talk about how surprised long-time customers are when they finally discover the gallery and its works for the first time. Theresa has worked in southern California's art industry for nearly 30 years.  She has worked with the Laguna Art Museum, Laguna College of Art & Design and Joan Irvine Smith, along with hundreds of noted artists of this period.