Podcasts about art museums

As the CEO of Art Basel, Noah Horowitz has made it his mission to ensure that the international art platform is seen, valued, and experienced—far beyond its art-fair roots—as a cultural catalyst and “opportunity accelerator.” Over the past 55 years, beginning with its tight-knit origins in Basel, Switzerland, in 1970, Art Basel has evolved into an international juggernaut, with best-in-class fairs also in Miami Beach, Hong Kong, and Paris—and soon, under Horowitz's leadership, Qatar, with an edition debuting there in February 2026. With more than two decades of experience, and as a tireless advocate and enthusiast for all things art, from artists and galleries to collectors and institutions, Horowitz is exactly the right person for the job.On this episode of Time Sensitive, Horowitz details his ambitious agenda to stretch Art Basel's reach into realms far beyond what would traditionally be considered the art world; shares his long-view perspective on the economics of art; and considers the centuries-old history that, in a roundabout way, helped lead to—and continues to inform and shape—today's art market.Show notes: [05:13] Art Basel Paris[05:13] Art Basel Qatar[05:13] Art Basel Miami Beach[05:13] Art Basel Hong Kong[07:54] Frida Escobedo[10:41] The Art Basel and UBS 2025 Survey of Global Collecting[10:41] Art Basel Awards[21:27] Rei Naito[23:51] Art of the Deal: Contemporary Art in a Global Financial Market (2011)[27:42] Rirkrit Tiravanija[41:18] High Art Lite: The Rise and Fall of Young British Art (2020)[32:42] KAWS[39:04] Princeton Record Exchange[42:18] Frieze[42:52] Hans Ulrich Obrist[42:52] Okwui Enwezor[45:00] Rem Koolhaas[45:57] Kirk Varnedoe[45:57] Pictures of Nothing: Abstract Art Since Pollock (2006)[50:05] Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art (2005)[51:49] Clare McAndrew[54:42] The Experience Economy (2019)[58:43] Vincenzo de Bellis[1:03:04] Pérez Art Museum

Fred Armisen, the comedian, actor and musician known for “Portlandia,” “Documentary Now!” and “SNL,” has a new album out called “100 Sound Effects.” There's a jacket zipping, glass shattering, the “ooh” of receiving room service and even the sound we make when “Walking into a Video Room at an Art Museum and then Walking Out Quickly,” as the effect is titled. We'll talk with Armisen about recording the sounds of the everyday, and we want to hear from you: What's a sound you'd record in your life or would want preserved in a sound effect library decades from now? Guests: Fred Armisen, comedian, actor and musician, known for “Portlandia,” “Documentary Now!” and “Saturday Night Live" - his new project is “100 Sound Effects” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tokyo Metropolitan Art Museum will exhibit next year some 200 masterpieces of Japanese art mainly from the British Museum, including "ukiyo-e" traditional woodblock prints and "fusuma-e" paintings on sliding door panels.

Thirty years ago, a group of St. Louis teens walked into the Forum of Contemporary Art, sparking youth programs that have since reached more than 30,000 young people. Now the Contemporary Art Museum, a new exhibit, “We Find Ourselves: 30 Years of Teens Making Art,” looks back on that legacy and showcases new works by emerging artists in St. Louis. We talk with Roseann Weiss, founder of one of the early teen programs, Juan William Chavez, artist and former teen program participant, and CAM education manager Miriam Ruiz. The exhibit is on display until Feb. 8, 2026.

An estimated 6.3 million travelers are expected to pass through San Francisco International Airport between Thanksgiving and New Year's. If you're one of them, you can spend some time visiting the SFO Museum, the only airport museum accredited by the American Alliance of Museums. Today, we take you on a tour of some of the exhibits and meet the curators behind them.  Links: If you're interested in scheduling a free tour of SFO Museum, whether or not you're flying, email curator@flysfo.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Catalan: Locked In: A Night of Adventure at Barcelona's Art Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-11-22-23-34-02-ca Story Transcript:Ca: El sol de tardor estava a punt de pondre's darrere de Montjuïc, i els últims visitants del Museu Nacional d'Art de Catalunya es preparaven per marxar.En: The autumn sun was about to set behind Montjuïc, and the last visitors to the Museu Nacional d'Art de Catalunya were preparing to leave.Ca: Oriol i Laia, dos amants de l'art i la història, es quedaven enrere, captivats pels secrets amagats dins de les parets del museu.En: Oriol and Laia, two lovers of art and history, lingered behind, captivated by the secrets hidden within the museum's walls.Ca: Oriol, amb ulls plens d'admiració, contemplava els frescos del sostre del Saló Oval.En: Oriol, with eyes full of admiration, contemplated the frescoes on the ceiling of the Oval Hall.Ca: Esperava trobar allà la inspiració que tant buscava per al seu proper quadre.En: He hoped to find the inspiration there that he was so desperately seeking for his next painting.Ca: Al seu costat, Laia fullejava amb rapidesa el seu quadern de notes.En: Beside him, Laia was quickly flipping through her notebook.Ca: Estava decidida a trobar un artefacte antic, essencial per a la seva tesi.En: She was determined to find an ancient artifact, essential for her thesis.Ca: De sobte, un anunci per megafonia interromp el seu silenci concentrat.En: Suddenly, an announcement over the loudspeaker interrupted their concentrated silence.Ca: Una fallada de seguretat obligava a tancar el museu indefinidament.En: A security issue forced the museum to close indefinitely.Ca: Les portes es tancaven hermèticament.En: The doors were sealing shut.Ca: Oriol i Laia es van mirar, sorpresos però també intrigats per l'aventura que podria presentar-se.En: Oriol and Laia looked at each other, surprised but also intrigued by the adventure that could unfold.Ca: "Què fem ara?En: "What do we do now?"Ca: " va preguntar Laia, mirant al seu voltant nerviosament.En: asked Laia, looking around nervously.Ca: "Hauríem de trobar un lloc per esperar.En: "We should find a place to wait."Ca: ""No," va respondre Oriol decidit.En: "No," Oriol responded decisively.Ca: "Aquesta és la nostra oportunitat.En: "This is our chance.Ca: Explore-m el museu.En: Let's explore the museum.Ca: Podríem descobrir alguna cosa increïble.En: We might discover something incredible."Ca: "Laia va dubtar un moment però va veure en els ulls d'Oriol una determinació i entusiasme que la contagiaven.En: Laia hesitated for a moment but saw in Oriol's eyes a determination and enthusiasm that was contagious.Ca: Van començar a caminar pels passadissos il·luminats feblement, amb l'esperança de topar-se amb allò que cadascun desitjava trobar.En: They started walking through the dimly lit corridors, hoping to stumble upon what each of them longed to find.Ca: Els passos ressonaven en el silenci de les sales de marbre.En: Their footsteps echoed in the silence of the marble halls.Ca: Les ombres dels guards de seguretat feien de guaita per tot arreu.En: The shadows of security guards acted as lookouts everywhere.Ca: Girant un racó, Oriol i Laia es van trobar de sobte davant d'una porta mig oberta, inusualment situada al fons del museu.En: Turning a corner, Oriol and Laia suddenly found themselves in front of a half-open door, unusually located at the back of the museum.Ca: Van entrar, guiats per una curiositat infantil i una llum tènue que emanava des de l'interior.En: They entered, guided by a childlike curiosity and a faint light emanating from within.Ca: La cambra estava plena de tresors oblidats: estàtues antigues, vitralls de colors, i llibres plens de pols.En: The room was filled with forgotten treasures: ancient statues, colorful stained glass, and dusty books.Ca: Entre les obres, un petit gerro amb inscripcions en grec antic va cridar l'atenció de Laia.En: Among the works, a small vase with inscriptions in ancient Greek caught Laia's attention.Ca: Vaig néixer un somriure al seu rostre, ja que sabia que havia trobat la peça perfecta per a la seva recerca.En: A smile appeared on her face, knowing she had found the perfect piece for her research.Ca: Oriol, en canvi, es quedava embadalit davant un vell tapís que narrava una història d'amor perduda en el temps.En: Oriol, on the other hand, was mesmerized by an old tapestry that depicted a love story lost in time.Ca: El rumor d'uns passos va trencar aquell moment màgic.En: The sound of approaching footsteps broke that magical moment.Ca: La seguretat s'acostava.En: Security was getting closer.Ca: Sense pensar-s'ho dos cops, van córrer de nou pels passadissos, el cor bategant fort al pit.En: Without a second thought, they ran again through the corridors, hearts pounding in their chests.Ca: Mentre sentien la nit fresca de Barcelona a la sortida, Oriol va somriure.En: As they felt the cool night air of Barcelona outside, Oriol smiled.Ca: "Ja sé què pintaré," va dir amb satisfacció.En: "I know what I'll paint," he said with satisfaction.Ca: Laia va assentir, sentint que aquella nit havia fet més que completar part de la seva tesi.En: Laia nodded, feeling that that night she had done more than complete part of her thesis.Ca: Havia après a abraçar l'aventura.En: She had learned to embrace adventure.Ca: Aquella nit sota el cel de tardor de Barcelona, Oriol i Laia van compartir una complicitat que els acompanyaria sempre.En: That night under the autumn sky of Barcelona, Oriol and Laia shared a bond that would accompany them always.Ca: Tot just a vegades cal perdre's per trobar allò que realment busquem.En: Sometimes, we must get lost to find what we are truly looking for. Vocabulary Words:the autumn: la tardorthe frescoes: els frescosthe inspiration: la inspiracióthe notebook: el quadern de notessuddenly: de sobtethe loudspeaker: la megafoniathe security issue: la fallada de seguretatthe adventure: l'aventuranervously: nerviosamentdetermination: la determinacióthe corridors: els passadissosthe footsteps: els passosthe shadows: les ombresthe curiosity: la curiositatthe vase: el gerrothe inscriptions: les inscripcionsmesmerized: embadalitthe tapestry: el tapísancient: anticto hesitate: dubtarthe guards: els guardsthe treasure: el tresorthe marble: el marbrethe thesis: la tesithe research: la recercathe satisfaction: la satisfaccióthe bond: la complicitattruly: realmentthe sky: el celthe secret: el secret

Phillip Bahar is the new director of Michigan State University's Eil and Edythe Broad Art Musuem.Bahar shares his background and tells why he wants to lead The Broad. He talks about the museum's evolving mission and shares his short- and long-term goals for The Broad. He discusses challenges and opportunities ahead for The Broad and for the entire arts industry.Conversation Highlights:(0:20) – What's your background?(1:22) – Is there something unique about a museum in a university setting?(2:03) – Do you have any experience with MSU, the state of Michigan, and/or The Broad?(2:46) – What attracted you to leading The Broad at MSU?(3:39) – What's the mission of the museum, and what's your vision for evolving the mission?(4:56) – What are some of your short- and long-term goals for The Broad?(6:15) – What are some of the challenges and opportunities ahead for The Broad and the entire arts industry?(7:05) – What are some current or future exhibits you'd like to put on people's radars?(8:14) – What are some of the Broad's priorities in MSU's Uncommon Will. Far Better World campaign?(9:53) – How would you like faculty, staff, student and the public to interact with the museum?(11:27) – Final thoughts.Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.Conversation Transcript:Speaker 1:On this episode of MSU today, it's great to welcome the new director of the Eli and Edith Broad Art Museum at Michigan State University. Phillip Bahar. Phillip, great to meet you and welcome to the university and the program.Speaker 2:Thanks so much for having me. I'm excited to be here at MSU and at the Broad,Speaker 1:Could you start, give us a little bit of your background that's led you to MSU?Speaker 2:Sure. I've had my entire career in the arts and museums. I just came from Chicago where I led the Chicago Humanities Festival. We'd put on about a hundred programs a year, artists, authors, journalists, policy makers, other thinkers from across the world, and a lot of academics. So I'm very close to working with the university systems and working with thought leaders in their fields. And before that, I was at the Walker Art Center in Minneapolis, which is one of the great contemporary art museums in the world. Film Series performing arts series. Really amazing exhibitions in certain ways. Very similar to the Broad, really thinking about the museum as a multidisciplinary space, a space for artists to spread their wings and do new work, but also an opportunity for audiences to really experiencing experience, things that are new and that might change how they think about the world.Speaker 1:And is there something unique about a museum in a university setting?Speaker 2:Absolutely, because MSU has a faculty, they have faculty with such a wide array of experiences and knowledge, and I think that's one of the things that actually makes the broad very special, is that we do a lot of partnerships with faculty. So they bring their research, they bring their areas of inquiry into our space with us, and then we get to play with the collection and with artists to figure out, okay, how can we tell a story that's through the lens of what they're thinking about, but very much true to who we are and to who the collection is and the artists we present.Speaker 1:And do you happen to have any past experience with either MSU, the state of Michigan or maybe the broad itself?Speaker 2:I hadn't had direct experience, but obviously I'd been following the broad from its founding. The Zaha Hadid building was a big deal when it was first built, the first free standing building by that architect in America. And then also the exhibitions over the last 12 years, I've periodically dipped in and seen what's been going on there from afar. There have been a lot of actually Chicago artists that have passed through the Broad. So along the way I've kind of been in Chicago seeing Chicago artists kind of starting to expand their reach and many of them have ended up here. Yeah,Speaker 1:That's cool. So what attracted you to leading the broad here at MSU?Speaker 2:Certainly I think museums are magical spaces, and I think the broad from the exterior to the experience inside is really special. The collection is a historic collection, but we're a very much contemporary institution, and that's what drew me to it. As a museum, we're focusing on issues that really matter to us as individuals as a society today, but we have this lens and this ability to dip into our past while looking at our present. One of the great things I think of the humanities, but certainly of museums is that ability to bring the present to life through a different lens and maybe give you a different perspective on how to think about things or how to see things.Speaker 1:And you've been discussing it, Phillip, but talk a little bit about the mission of the museum and then your vision for evolving that mission.Speaker 2:Yeah, I mean, the broad really has, I'd say two core areas of focus. One is obviously the MSU community. We want art to be essential to all the students on campus and the faculty on campus. That essential element might be once a year coming and having an experience. It might be coming every week, it might be coming every day. But really making art a central part of the MSU experience as part one and then more in the region and in the Lansing East Lansing community. Being the primary art museum in this area is a really important responsibility and we take it seriously and it allows us to think about what kind of exhibition should we be putting on that serve both the campus and the community. Sometimes one, sometimes other. Always both, right? So the last exhibit we closed maybe a couple months ago was called Farmland, and it was a look through the lens of artists on food production, on agriculture. So there was a really beautiful connection to where we are, the kind of institution we are as a university, but then having artists really think about, okay, what do these things mean to us in our daily lives?Speaker 1:Phillip, you're just getting started, but do you have some sort of short-term goals as you get started? And if you've had even some time, maybe some longer term ones down the road?Speaker 2:The short-term goals isSpeaker 2:Just to meetSpeaker 2:People. I've been meeting a lot of people, both the staff, faculty, deans, et cetera. So that's a big priority in the short term.Speaker 1:Right?Speaker 2:In the long-term, it's really about how can we continue to build on the Broad's amazing legacy, interacting and connecting with more individual students, interacting with partners across the region and nationally because also at a national level, there are only so many university art museums. And I think some of the things we're doing...

Lydia Heins and Peter Hatch join the Exchange.

The ⁠Portland Art Museum's new Rothko Pavilion⁠ is opening this week. This means the entire museum's collection will be under one roof for the first time since it opened in 1932. The pavilion represents the last 20 years of executive director Brian Ferriso's vision and direction: unifying the institution, focusing on community experience, and creating a more inclusive and accessible space. That makes it bittersweet that next week, Brian leaves his post at PAM to lead the Dallas Museum of Art. Today on City Cast Portland, executive director Brian Ferriso joins us to share everything we need to know about the Rothko Pavilion opening and to reflect on his time leading the largest art institution in the state. Become a member of City Cast Portland today! Get all the details and sign up ⁠here⁠.⁠ ⁠ Who would you like to hear on City Cast Portland? Shoot us an email at ⁠portland@citycast.fm⁠, or leave us a voicemail at ⁠503-208-5448⁠. Want more Portland news? Then make sure to sign up for our morning newsletter, ⁠Hey Portland⁠, and be sure to follow us on ⁠Instagram⁠.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at ⁠citycast.fm/advertise⁠. Learn more about the sponsors of this November 17th episode: ⁠Northwest Children's Theatre⁠ ⁠Simply Eloped⁠ ⁠Portland G&E⁠ ⁠Portland Art Museum⁠

The Art Museum of Eastern Idaho is introducing new Youth Group Nights, aimed at educating and inspiring youth via art and hands-on activities.

The South Dakota Art Museum hosts "Nordic Echoes: Tradition in Contemporary Art." Lori Walsh talks with artist Tia Keobounpheng about her creative practice.

The Art Museum of Eastern Idaho invites the community to find unique gifts at its holiday market by BYU-Idaho Radio

Welcome back to ARTMATTERS: The Podcast for Artists.My guest today is Jameson Green. Jameson is an artist living and working in Hudson, NY. He holds an MFA from Hunter College. Green has exhibited extensively with Derek Eller Gallery and Almine Rech, including solo exhibitions in New York, Paris, London, Brussels, and Santa Monica. His work has been featured in group exhibitions at the Dallas Museum of Art, Museo Picasso Málaga, and ICA Miami. You can also find Green's work in the public collections of the Musée d'Art Moderne de la Ville de Paris, the High Museum of Art, the Dallas Museum of Art, and the Pérez Art Museum in Miami.A couple weeks ago, Jameson braved a wild rainstorm to visit my Greenpoint studio—a rare reversal for this show. What followed was one of the most fluid and wide-ranging conversations I've had on ARTMATTERS, so I've split it into two episodes. On today's show Jameson and I discuss the three elements of great painting, draftsmen vs. pure painters, drawing, sampling from art books and other paintings, rhythm, abstraction, narrative, and why great paintings are littered with hypocrisy. We also discuss Frances Bacon, John Singer Sargent, Guston, Picasso, Matisse, and Jenna Gribbon. Enjoy this conversation with Jameson Green.Special shoutout to my fluffy silent producer who finally made a sound mid-episode. Extra points if you hear her over the rain:)ARTMATTERS is listener-supported. If you want more conversations like this, take 30 seconds right now to leave a five-star review. It's the single most effective way to keep the show going.Support this podcast on Patreon: https://www.patreon.com/c/artmatterspodcastHost: Isaac Mannwww.isaacmann.comInstagram: @isaac.mannGuest: Jameson Greenwww.derekeller.comInstagram: @r.jamesonMusic by ARRN, Detroit-based artist and instrumentalist.

For thousands of years, human beings have created works of art. Many of these works are commissioned by rulers, merchants, or religious leaders.  Over time, many of these great works have found their way into the hands of art museums.  Museums allow everyone to enjoy and appreciate art that has been produced around the world over the course of centuries. However, not all museums are created equal. Learn more about the world's greatest art museums and what makes them great on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. Newspaper.com Go to Newspapers.com to get a gift subscription for the family historian in your life! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we take you inside the ‘Prince's' reporting on and responses to the Art Museum's curation and a civil rights complaint filed by Defending Education against the University.

It's the Friday News Roundup. We're talking about the relatively high voter turnout in this week's election and what that says about Philly (and Trump). Plus: SEPTA has new challenges, hotel workers have a new contract, 76ers Joel Embiid isn't playing much (but just sold his penthouse), and did the termination of the CEO of the Philadelphia Art Museum have something to do with DEI? Host Trenae Nuri and Matt Katz, executive producer of City Cast Philly, also tell you what's going on this weekend, from a free breakfast to the Rocky Run.  Our Friday news roundups are powered by great local journalism:  Sasha Suda Out as CEO of the Philadelphia Art Museum The Philadelphia Art Museum rebrand surprised locals and board members. Is it as bad as some say? The Museum Will Welcome You Now After a brutal year, SEPTA and its largest union are negotiating a new contract — again 76ers star Joel Embiid fined $50,000 for lewd gesture Joel Embiid's Center City penthouse with rooftop pool sells at discount for $3.6M Dugan concedes while lashing out at Krasner: ‘We cannot allow this disaster to continue unchecked' After landslide win, Philly DA Larry Krasner sidestepped policy details, swiped at Trump, and ignored his opponent And here is some information and resources from the city on the food security emergency:  Philadelphia Food & Meal Finder City of Philadelphia Launches It's “One Philly (SNAP) Support Plan” Response to Impacts on SNAP Benefits Get Philly news & events in your inbox with our newsletter: Hey Philly Call or text us: 215-259-8170 We're also on Instagram: @citycastphilly And don't forget—you can support this show and get great perks by becoming a City Cast Philly Neighbor at membership.citycast.fm. Learn more about the sponsors of this episode: Fitler Club  Advertise on the podcast or in the newsletter: citycast.fm/advertise

A new exhibition at the Delaware Art Museum caps off the museum's yearlong celebration of the art of illustration."Imprinted: Illustrating Race" was co-curated by University of Delaware professor Robyn Phillips-Pendleton and opened at the Norman Rockwell Museum. Now, that exhibition takes up residence in Wilmington through next spring.To learn more about the show and the intersection of popular illustration and identity, Delaware Public Media's Martin Matheny talked to Heather Campbell Coyle, Curator of American Art at the Delaware Art Museum, in this week's Arts Playlist.

The Art Museum sacking of Sasha Suda is the latest story to raise questions about nonprofit governance in Philly

When you step into the Seattle Asian Art Museum’s new exhibit… you feel small. You’re surrounded by light, blocks of color reaching across the floor, creeping up the walls. The art takes up space, immersing you in light and shadow, as though you’ve entered another world. Steel cubes carved with meticulous designs hang from the ceiling. Papercraft covered in embroidery line the walls. What looks like a giant doily hangs from strings by the entrance. All lit to project intricate patterns across the space. This is "Geometry of Light," an exhibit the museum opened in late August. The artist behind it is Anila Quayyum Agha, the first Pakistani American to ever have a solo exhibit at the Seattle Art Museum. She talked to Soundside about her art, what it's like to be the first Pakistani American to have an exhibit at the museum and what she hopes people take away from "Geometry of Light." Guest Anila Quayyum Agha, the artist behind "Geometry of Light." Related links: Anila Quayyum Agha: Geometry of Light | Seattle Art Museum Anila Quayyum Agha Uses Patterns to Break Patterns - The New York Times About — Anila Quayyum Agha Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes. Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

Travis Barker of Blink 182, Curator Ken Crawford, and 98 Posse's Art Moreno discuss the "60 Miles East" exhibit at the Riverside Art Museum.

Episode #569! NYCC '25, The Frazetta Art Museum and New York! This week we are back talking about our trips to the east coast. While in Pennsylvania, DL (and wife) had the absolute pleasure of a guided tour of the Frazetta Art Museum from grandson Frankie Frazetta. After that he talks about his NYCC '25 experiences. Scott also had a trip to Pennsylvania, New Jersey and NYC the same week. He gives us the details of his trip which intersected with DL's. Check it out!     

Today, we hear from Head News Editor Victoria Davies on her private tour of the Princeton University Art Museum ahead of today's Grand Opening, learn about the Rhodes Scholarship for Jordan, and finish out with New Jersey AI Hub's new Discovery AI technology. 

“Art & the Animal” is the newest exhibit at The Art Museum of Eastern Idaho. The art included is photo-realistic; people often don't believe it's done with watercolor and colored pencils.

There are two major exhibits now on display at Fenimore Art Museum in Cooperstown, New York through the end of the year.The exhibit “Exploring Calvin and Hobbes” revisits the beloved comic strip created by Bill Watterson from 1985 to 1995. It explores his mastery of the comic strip art form through engaging characters, thoughtful writing, and creative layouts.Also on display, “Romare Bearden: Artist-Activist-Visionary.” Drawn from the Romare Bearden Foundation Collection, the exhibition examines how Bearden agitated for change through images and writing.

Today, we take you inside the Princeton University Art Museum's early student preview and the beginning of early voting for the gubernatorial race in New Jersey. 

We chat with the new leader of the Milwaukee Art Museum, who formerly led the Smithsonian's National Portrait Gallery. We learn about Milwaukee's first professional women's basketball team. A photography book featuring the Great Lakes.

Amy is joined by art historian Sunday Rennie to discuss the overlooked history of female artists, why they're underrepresented in museums, and what has to change for women to be seen as more than a muse.Donate to Breaking Down PatriarchySunday Rennie is a third-generation artist and seasoned art advisor. She holds a Master's degree in Art Curating and has spent years immersed in Europe's most prestigious art circles. With an innate eye for beauty and a deep understanding of artistic heritage, Sunday curates bespoke cultural experiences that offer guests privileged access to Paris's vibrant art scene and hidden creative treasures. Learn more at savoirtours.com.

Today, we cover Professor Michael Skinnider's recognition as a 2025 Packard Foundation Fellow, and look at the impact of the Canvas outage on students.

The filmmaker Ken Burns came to the Philadelphia area late last week for a sneak peek of his new documentary about the American Revolution. The Philadelphia Museum of Art has changed its name. It is now known as the Philadelphia Art Museum. And a deeper dive. Red dirt country” is a rootsy style of country music originating in Oklahoma and Texas, known for its down-to-earth sound and storytelling. Cody Tyler of Reading describes his music as “black dirt country” since it’s derived from Central PA where the soil is darker. WITF Music's Joe Ulrich explains how Tyler also wants to change the way people think about the word “Pennsyltucky." In uncertain times, our community counts on facts, not noise. Support the journalism and programming that keep you informed. Donate now at www.witf.org/givenow.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Frank Mathews, Administrative Director of District 4 for the Communication Workers of America, joined the America's Work Force Union Podcast to discuss the Keep Call Centers in America Act, broadband infrastructure challenges and the need for more government oversight and work protections in the telecommunications industry.   Mary Cochran, Associate Registrar and Greg Bailey, Senior Objects Conservator at the Walters Art Museum in Baltimore, joined the America's Work Force Union Podcast to discuss their successful unionization efforts, the challenges they faced during negotiations and the significant improvements secured in their first contract.

It's the Friday News Roundup. We're talking about the real-world impacts of the Pennsylvania budget impasse, the very expensive state Supreme Court justice election, the City Hall bike lane project suddenly in limbo, and the new name and logo for the Philadelphia Art Museum. Host Trenae Nuri and executive producer Matt Katz also dish about a new steakhouse that opened this week, and weekend plans in the city.   Our Friday news roundups are powered by great local journalism:  Philadelphia's only rape crisis center is pausing services indefinitely amid state budget impasse. It's a ‘colossal loss.' City Hall bike lane faces unclear future after Philadelphia City Councilmember Jeffery Young pumps the brakes on support The Philadelphia Museum of Art has a new name and other plans to revive attendance Thousands of Pa. college students wait for key financial aid due to state budget impasse A court race in Pennsylvania quietly has major implications for 2028 Lots of harsh rhetoric, little progress at Pa. Capitol on months-overdue budget F&M Poll: Pennsylvanians Say Government, Politicians Biggest Problem Facing State Get Philly news & events in your inbox with our newsletter: Hey Philly Call or text us: 215-259-8170 We're also on Instagram: @citycastphilly And don't forget—you can support this show and get great perks by becoming a City Cast Philly Neighbor at membership.citycast.fm.  Advertise on the podcast or in the newsletter: citycast.fm/advertise

We try our hand at renaming the Art Museum, plus a special visit from Price is Right Live host Todd Newton and our friends at the Philadelphia Film Festival. (00:00:00) News & Sports(00:12:46) Entertainment News(00:44:23) Renaming Famous Buildings(01:22:59) Bizarre File(01:32:34) Todd Newton in studio(02:24:39) Bizarre File(02:40:40) Hollywood Trash & Music News(02:58:05) Wrap UpSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This fall, the Montclair Art Museum has organized two exhibitions featuring local New Jersey artists: Tom Nussbaum and Christine Romanell. They each discuss their work in "Tom Nussbaum: But Wait, There's More!" and "Christine Romanell: Sacred Transition," on view now in Montclair.

The Portland Art Museum already has one of the most significant collections of modern Japanese prints in North America. On September 27, it burnished those credentials with the opening of the first solo U.S. exhibition of the late artist Yoshida Chizuko (1924-2017).   Born in 1924, Chizuko forged a place for herself in Japan’s male-dominated postwar art world. And though she married into the well-known Yoshida artist family –– which produced three generations of influential woodblock print artists –– critics say her work has been often overshadowed. The new exhibition brings together more than 100 of Chizuko’s woodblock prints and paintings, many of which have never before been displayed publicly.   Portland Art Museum's Asian art curator Jeannie Kenmotsu joins us to discuss the avant-garde artist who pushed the boundaries of both painting and printmaking, her place in the Yoshida family legacy and why her work still feels modern today.  

We meet Dror Benshetrit, a founding member of The Bioplanning Institute, who’s reframing urbanism through an ecological design lens. Plus: how the Bundanon Art Museum in Australia teaches cities to better interact with the natural world.See omnystudio.com/listener for privacy information.

Contemporary artist Emilija Škarnulytė snakes from the decaying control rooms of the Ignalina Nuclear Power Plant in Lithuania, to Dungeness on the English Channel, exploring time and geology through the concept of future archaeology, via their film installation, Burial (2022).Folkestone Triennial 2025 continues until 19 October 2025.From Amber to the Stars. Together with M. K. Čiurlionis: Now and Then is at National M. K. Čiurlionis Art Museum in Kaunas until 12 October 2025.The MUNCH Triennale, Almost Unreal, opens at MUNCH in Oslo on 15 November 2025.A major solo exhibition of Emilija's work opens at Tate St Ives in Cornwall on 6 December 2025.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

Today, we take you inside the Princeton Art Museum's First Exhibits, the semesterly art market at Terrace Club, and the release of Mikie Sherill's unredacted military service records. 

Happy Atlanta Art Week! Its exciting time around the city. With so much going on its a perfect time for a new episode of the Noize! Let them other folks deal with that crazy Atlanta traffic. You can sit back in your studio and listen to two printmakers and educators talk about art. We got Harris Wiltsher on the show today. Harris has been teaching art at Florida A&M University for 29 years. He talks about the changes in education over his career, the different ways students and technology has evolved in the classroom, the highs and lows of higher education, and of course, we talk about his beautiful prints. All that and more on this episode of the Noize! Listen, subscribe, and share!Episode 207 topics include:teaching at FAMU for 29 yearschanges in students over decadeseconomics of printmakingwhat are the new students doing conceptually In What We See print show traveling to HBCU'sthe benefits of being at an HBCUthe genesis of the Crown seriesmaking an interesting printHARRIS WILTSHER BioBorn in New York, New YorkRaised in The Bronx“To address specific elements of black history or its community certainly is attainable but the position of my work is to provide a cultural and / or educational meaning to dialogue with my audience and document my personal experiences within the framework of African Diaspora.” Wiltsher's artistic endeavors span from being a Bronx Recognizes Its Own (BRIO) recipient, visiting artist, lecturer, independent curator, program administrator for the Florida Art in State Buildings Program, professor and Gallery Director at Florida A & M University. In addition, his work is included in collections by the Art Gallery of Nova Scotia, Cranbrook Academy of Art Museum, Sande Webster Gallery Collection, Carver Federal Bank, Art Academy of Honolulu and The Black Archives Research Center & Collection Reserve. See more: Harris Wiltsher's website + Harris Wiltsher's IG @harriswiltsher.art Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Kemper Art Museum at Washington University has unveiled its largest-ever exhibition, “Making Their Mark: Works from the Shah Garg Collection.” Open through January 5, 2026, the show features more than 80 works by nearly 70 women artists and artists of color, including a monumental piece by renowned artist Joan Mitchell. Collector and philanthropist Komal Shah and Kemper curator Sabine Eckmann discuss the collection, the artists featured and how the exhibition resonates in St. Louis.

Welcome to the Passion for Italy Podcast. Gemma from Passion for Italy Travel is interviewing Stephen Copeland and Meredith Brice – both amazing Australian artists, who have renovated and restored a beautiful apartment La Bella Casa in Conzano, situated in the wine region of Monferato, in the region Piemonte in Italy. They also off Heritage Collage Workshops and have created a Migration Art Musuem in Conzano. The couple are currently departing for Italy to also renovate an old barn to become more workspace for the project.1. A Creative Residency in Conzano 993 · Passion For Italy TravelThe couple have opened up their lovely apartment to become the Quentin Bryce Creative residency for certain months of the year.The Creative in-Residence Program is intended to be diverse and be offered to all individuals involved in the arts, literature and all areas that has at its heart - "to make and create more humane society". Successful applicants can also use the time to write a memory, a heritage story or research their family migratory history, any from of creative research and development is encouraged. Become part of the Migration as Art Museum alumni. The discussion focuses on the residency program in Conzano, Italy, where participants can engage in research or reflection in a supportive environment. Stephen Copland explained that the program is open to anyone who aligns with the goal of serving others, regardless of their background or field of research, and emphasized that the location offers a traditional and authentic Italian experience. He describes Conzano's proximity to larger towns, its accessibility by public transport, and the cultural activities available in the area, including music and art events. Gemma inquired about the logistics and amenities, and Stephen provided details about the village's facilities and the program's cost, which covers the expenses of running the apartment for a month.2. Art Workshops for Heritage and Ancestry StoriesInternational Heritage Book Workshop Piemonte · Passion For Italy TravelStephen Copland discussed his Landscape of Heritage Workshop, which grew out of his personal art practice and interest in tracing his grandmother's family history from Cuba to Lebanon. He explaines how he transformed his grandmother's diary and postcard album into visual art, using collage techniques and simple shadow printing methods. The workshop, which includes an educational component, encourages participants to explore their own heritage through visual storytelling, using methods like lifelines and abstraction to create personal visual objects.Stephen and Meredith describe the art workshops, that help participants explore their family histories and migration stories through visual art, noting that the workshops are particularly powerful for those, who lack family connections. He explains that while the workshops began in Austria and have been adapted for different languages and cultures, the universal language of art allows participants to express complex emotions and stories through visual means. 3. Migration Art Museum in Conzano. https://migrationasartmuseum.au/Stephen and Meredith discussed the establishment of a migration art museum in Italy, which was supported by the mayor Emmanuel de Maria. The museum, located in a restored apartment, focuses on themes of heritage, migration, and cultural exchange. Copland highlighted the importance of empathy and soft diplomacy through art, referencing works like "The Raft of the Medusa" and a transit show in Dubai. The Museum has attracted interest from a lot of people and the couple are taking over more art work from the workshops to put in their Art MuseumYou can see the art works and workshops of Stephen Copeland and Meredith Brice here.https://migrationasartmuseum.au/ Produced by Gemma Green Close, Passion For Italy Travel. pfitravel.com. info@pfitravel.com

This week, I tell you about a trip I recently took to the Van Gogh Immersive Art Museum. It was unlike anything I'd ever experienced. CONQUER SHYNESS

Episode: 1427 Dominique de Menil, a creative legacy.  Today, I learn something at a fancy benefit dinner.

In this episode, WYCE Station Manager Phil Tower speaks with Cindy Meyers-Foley, the Director and CEO ofThe Grand Rapids Art Museum.Cindy spoke with us about several programs and happenings at the GRAM, including their new "Thursdays on the Terrace" programming, the GRAM on The Green Concert Series, a partnership with WYCE Community Radio.Cindy also spoke about the changing role of museums, especially how places like the Grand Rapids Art Museum are becoming positive spaces for health and wellbeing, third spaces, and spaces for community and social connection. Much of their new initiatives are centered on community outreach, including an exciting new program we spoke about at GRAM...their Teen Identity program.We also briefly discussed the must-see exhibition: David Hockney: Perspective Should Be Reversed, Prints from the Collections of Jordan D. Schnitzer and His Family Foundation. The exhibit continues through November 2 at the Grand Rapids Art Museum.Online: The Grand Rapids Art Museum Cindy Meyers-Foley, Director and CEO ofthe Grand Rapids Art Museum.(Late August) Online:artmuseumgr.orgCLOSE: You've been listening toWYCE's Community Closeup…a weekly public affairs program produced inpartnership with The Rapidian, a hyper-local news service of the Grand RapidsCommunity Media Center. This is WYCE Station Manager Phil Tower…thank you forjoining us!Cindy Meyers-Foley, Director and CEO ofthe Grand Rapids Art Museum.(Late August) Online:artmuseumgr.orgCLOSE: You've been listening toWYCE's Community Closeup…a weekly public affairs program produced inpartnership with The Rapidian, a hyper-local news service of the Grand RapidsCommunity Media Center. This is WYCE Station Manager Phil Tower…thank you forjoining us!

Executive Director and CEO of the Figge Art Museum, Melissa Mohr joins us to talk art, education, community, and 100 years of museum magic! From the breathtaking new installation Evanescent Field, to impactful community outreach, go behind the scenes to discover what's happening inside one of the Midwest's most dynamic art museums! 

A new exhibit at Northern Illinois University's Art Museum is an ambitious look at the school's vaunted printmaking program, which is in its 60th year. It also marks the end of a chapter for the museum. In the latest Under Rocks podcast, curator Peter Olson takes us on a tour of the exhibit and clues us into what the future holds for the campus museum.

GFCC: Glacier Art Museum, Glacier Skate Academy (8-26-25)

Fluent Fiction - Mandarin Chinese: Finding Family and Art: A Reunion at the Shanghai Art Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-08-09-22-34-02-zh Story Transcript:Zh: 上海艺术博物馆的大厅中，参观者熙熙攘攘，墙上挂满了色彩斑斓的画作。En: In the atrium of the Shanghai Art Museum, visitors were bustling about, and the walls were adorned with vibrant paintings.Zh: 虽然外面是湿热的夏天，这里却是凉爽安逸的。En: While it was hot and humid outside in the summer, the inside was cool and peaceful.Zh: 李伟站在一幅油画前，心里有些紧张。En: Li Wei stood in front of an oil painting, feeling a bit nervous.Zh: 他的妹妹美正笑盈盈地招呼他，家人们在身后议论纷纷。En: His younger sister Mei was cheerfully calling out to him, and the family was chatting in the background.Zh: 这是他们久别重聚的日子，也是七夕节。En: This was the day of their long-awaited reunion, which coincided with the Qixi Festival.Zh: 李伟是一名年轻的艺术家。En: Li Wei is a young artist.Zh: 他总觉得和家人有些疏远，因为他们总希望他能找到一份稳定的工作。En: He always felt somewhat distant from his family because they always hoped he would find a stable job.Zh: 他很想和大家重新连接，但又害怕他们并不理解他的选择。En: He really wanted to reconnect with everyone, but he was afraid they wouldn't understand his choices.Zh: 张奶奶走过来，轻声问：“最近还好吗？En: Grandma Zhang came over and softly asked, "How have you been lately?Zh: 我们走走吧。En: Let's take a walk."Zh: ”李伟点点头，跟着她走进了一个安静的展厅。En: Li Wei nodded and followed her into a quiet exhibition hall.Zh: 墙上挂的画让李伟想起小时候和奶奶一起画画的时光，那时他就梦想成为一个画家。En: The paintings on the walls reminded him of the times he used to draw with his grandmother as a child, when he dreamed of becoming a painter.Zh: 走了一会儿，李伟停下脚步，说：“奶奶，我真的很热爱画画。En: After walking for a while, Li Wei stopped and said, "Grandma, I really love painting.Zh: 能给您看看我的画吗？En: Can I show you my paintings?"Zh: ”张奶奶微笑着点头。En: Grandma Zhang smiled and nodded.Zh: 李伟拿出手机，展示了一幅他用心创作的作品。En: Li Wei took out his phone and displayed one of his heartfelt creations.Zh: 经过短暂的沉默，张奶奶点头：“真不错。En: After a brief silence, Grandma Zhang nodded, "Very good.Zh: 我看到你用心去画，把你对生活的理解都画出来了。En: I can see that you put your heart into painting, expressing your understanding of life."Zh: ”李伟感到一丝轻松，但又有些惊讶。En: Li Wei felt a bit relieved but also surprised.Zh: 接下来的聚会中，家人们围着李伟，看他的作品。En: During the gathering that followed, the family gathered around Li Wei to look at his work.Zh: 他深吸一口气，把画作展示给他们。En: He took a deep breath and presented his paintings to them.Zh: 他不知道大家会有什么反应，却知道这是自己的机会。En: He wasn't sure how they would react, but he knew this was his opportunity.Zh: 出乎意料的是，张奶奶率先拍了拍手：“李伟，你很有才华。En: Unexpectedly, Grandma Zhang was the first to clap her hands, saying, "Li Wei, you are very talented.Zh: 我为你感到骄傲。En: I am proud of you."Zh: ”其他家人也纷纷赞同，称赞他的努力和天赋。En: Other family members also agreed, praising his effort and talent.Zh: 李伟心中升起一阵温暖。En: A warm feeling rose in Li Wei's heart.Zh: 他突然明白，即使家人们有不同的期望，他们仍然会支持和爱护他。En: He suddenly realized that even if his family had different expectations, they would still support and love him.Zh: 那天晚上，他走出博物馆时，比来时更加自信。En: That evening, as he left the museum, he was more confident than when he arrived.Zh: 他知道，这次的重聚，不仅让他找回了家人的支持，还让他相信，自己的选择并没有错。En: He knew that this reunion not only helped him regain his family's support but also made him believe that his choices were not wrong. Vocabulary Words:atrium: 大厅bustling: 熙熙攘攘adorned: 挂满vibrant: 色彩斑斓humid: 湿热reunion: 重聚coincided: 也是distant: 疏远stable: 稳定reconnect: 重新连接softly: 轻声exhibition: 展厅heartfelt: 用心creations: 创作silent: 沉默understanding: 理解relieved: 轻松gathering: 聚会praised: 称赞effort: 努力talent: 才华warm: 温暖expectations: 期望support: 支持opportunity: 机会confident: 自信choices: 选择realized: 明白proud: 骄傲artwork: 画作

Health care trainees rotate through a variety of different settings. ICUs, hospital wards, and outpatient clinics. If they're lucky, they might even spend time in a nursing home. But on today's podcast, we're adding one more setting to that list: your local art museum. In this thought-provoking episode, we explore how art museum teaching is being integrated into the education of medical professionals—and why it's making a profound difference. Our guests, Amy Klein, Laura Morrison, and Gordon Wood, share their journey of integrating art into medical training, along with practical strategies you can use if you're inspired to do the same. You'll also hear how engaging with museum-based medical education can help health care professionals deepen empathy and emotional awareness, practice the skill of multiple perspective-taking, and grow more comfortable with ambiguity and uncertainty. Resources mentioned in the podcast include: A story about one medical student's experience with a day in the museum using multiple museum-based education exercices A Journal Article published in the Journal of Palliative Medicine titled “Museum-Based Education: A Novel Educational Approach for Hospice and Palliative Medicine Training Programs”  A journal article on “Twelve Tips for Starting a Collaboration with an Art Museum.” A handout from the 2025 AAHPM/HPNA preconference gives examples of museum-based education exercises and resources for further training.  Alex's summary of some prompts we discussed for the “Personal Responses Tour”, which is a reflective exercise where participants choose artwork based on a personal prompt, then share with a small group. The prompts include: Find a work of art that reminds you of a patient Find a work of art that reflects a challenging clinical situation Find a work that speaks to an experience you have had in your palliative medicine training that taught you about the impact of bias or racism Find a work that connects to the path you took into palliative care or geriatrics Find a piece that makes you think about community Find a piece that reflects your idea of what a “good death” is Lastly, stay on the “look out for” the 2026 Art Museum-Based Education preconferences session at the AAHPM/HPNA annual meeting on March 4, 2026 in San Diego!    

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It's designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University's 80WSE and as a curator for Frieze Projects at Frieze London. Today, we'll delve into her philosophy of art, leadership, and the transformative power of this new initiative.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast