Podcasts about art museums

Episode No. 711 is a summer clips episode featuring artist Patrick Martinez. Martinez is among the artists showing in the Boston Public Art Triennial, which was developed by Pedro Alonzo, Tess Lukey, and a(n unspecified) curatorial advisory group. Martinez's 2025 Cost of Living may be seen at Boston's Downtown Crossing. Martinez is a Los Angeles-based painter whose work investigates socio-economic position, immigration, police violence, and civic and cultural loss. He's had solo shows at museums and kunsthalles such as the ICA San Francisco, the Tucson (Ariz.) Museum of Art, the Madison Museum of Contemporary Art, and the Vincent Price Art Museums. He's been in recent group shows at the Riverside (Calif.) Art Museum, The Broad, Los Angeles, the Museum of Contemporary Art, Los Angeles, the Crystal Bridges Museum of American Art, Bentonville, Ark., and El Museo del Barrio, New York. Martinez also operates Mixed Media Editions. This program was taped in 2024 on the occasion of “Patrick Martinez: Histories” at the Dallas Contemporary. For images, see Episode No. 649. Instagram: Patrick Martinez, Tyler Green.

This latest episode of the "Moms of the Lou" podcast features local St. Louis mom and art educator, Colleen Fitzsimmons-Wiviott. Colleen shares her journey from being a St. Louis native, studying on the east coast, and then returning to St. Louis as an art educator. Colleen highlights her experience with the St. Louis Art Museum's teen assistant program and her subsequent career in museum education. She discusses her transition to freelance work, focusing on early childhood art education through her business, Start with Art. Colleen offers tips for parents on encouraging creative activities at home without the mess, emphasizing the importance of making art accessible and enjoyable for both children and parents. Check out Colleen's blog post on A Guide to Visiting Art Museums with Kids.We are so grateful to Foss Swim School for sponsoring this episode. At FOSS swim lessons are more than strokes and kicks. They're about building water safety, confidence and love of water that lasts a lifetime, whether your kiddo is just getting started, or looking to level up their skills. It's easier than ever to fit swim lessons into your family's routine. Find the class that fits your family or schedule your free preview lesson today!A native of St. Louis, Colleen lives in Clayton with her husband, two kids, and rescue dog. She has worked in museum and art education for the past ten years and is the founder of Start With Art, which provides early childhood art workshops and classes around town. She is passionate about helping children discover their own creative processes while building community through art. When she's not lesson planning, teaching, or momming, you can find her baking treats for her family, visiting the farmers' market, or checking out all the amazing art exhibitions and performances St. Louis has to offer. Visit startwithartstl.com or follow on Instagram @startwithartstl!We hope you enjoyed this podcast episode! To learn more about Moms of the Lou you can go to stlouismom.com or follow us on Instagram and Facebook. You can listen to the podcast on Apple Podcast and Spotify. And don't forget to rate and review so more people can tune in! This episode was produced by the St. Louis Mom. It was recorded and edited by Half Coast Studios in St. Louis, Missouri. Music composed by Trina Harger.

WMMR's Brent Porche had a chat with NASCAR Cup Series driver and Daytona 500 Champion Ricky Stenhouse Jr. He was in town promoting the upcoming NASCAR races that are set to bring heart-pounding action and excitement to Pocono Raceway June 20th to 22nd, and Dover Motor Speedway July 18th to 20th. They talk about everything from his early days in racing, to his first and most significant wrecks, and some of his bucket list racing moments that he has yet to achieve. Ricky describes his Rocky re-enactment up the Art Museum steps in Philly, and his favorite rock bands that get him revved up for the races! See more at WMMR.com/Brent

GLACIER ART MUSEUM ALYSSA CORDOVA TRT: 15:38 ***JULY 18-20 ARTS IN THE PARK

Episode Notes Notes go here Barnes, Lucinda (1993). "A Proclamation of Moment: Adolph Gottlieb, Mark Rottko and Barnett Newman and the letter to The New York Times". Allen Memorial Art Museum Bulletin. XLVII (1). Tomkins, Calvin (9 June 1975). "A Keeper of the Treasure". The New Yorker. pp. 52–54. ^ Robson, Deirdre (2000). Francis Frascina (ed.). Pollock and After: The Critical Debate. Routledge. p. 290. ISBN 9780415228671. Retrieved 9 January 2013. Collins, Bradford R. (June 1991). "Life Magazine and the Abstract Expressionists: 1948-51. A Historiographic Study of a Late Bohemian Enterprise". The Art Bulletin. LXXIII (2). College Art Association: 283–308. doi:10.2307/3045794. JSTOR 3045794. Hale, Robert Beverly (February 1951). "A Report on American Painting Today: 1950". The Metropolitan Museum of Art Bulletin. New series. 9 (6). New York: The Metropolitan Museum of Art: 162–172. doi:10.2307/3257446. JSTOR 3257446. ^Hale, Robert Beverly (1957). "The American Moderns" (PDF). The Metropolitan Museum of Art Bulletin. 16 (1). New York: The Metropolitan Museum of Art: 18–28. doi:10.2307/3257721. JSTOR 3257721. Retrieved 26 November 2012. ^ "Whitney Drops Proposal for Combining its Collections with the Metropolitan's" (PDF). The New York Times. 1 October 1948. Retrieved 26 November 2012. Staff writer (7 December 1948). "Art Museum adds a Modern Section" (PDF). The New York Times. Retrieved 26 November 2012. Knox, Sanka (1 January 1950). "Competition for American Artists Planned by Metropolitan Museum" (PDF). The New York Times. Retrieved 26 November 2012. ^ Louchheim, Aline (25 March 1951). "Sam A. Lewinsohn and His Legacy to Art". The New York Times. Retrieved 1 December 2012. ^ "Subject of the Artist | art school". Encyclopedia Britannica. Retrieved 7 June 2020. ^ Chilvers, Ian; Glaves-Smith, John (2009). Subjects of the Artist School. Oxford University Press. ISBN 978-0-19-923966-5. Retrieved 7 June 2020. {{[cite book](https://en.wikipedia.org/wiki/Template:Cite_book)}}: |website= ignored (help) ^ "Subjects of the Artist school catalog". Archives of American Art. Smithsonian Institution. Retrieved 7 June 2020. ^ Rosenberg, Bonnie. "An Inside Look at the Abstract Expressionists". NewYorkArtWorld. Retrieved 7 June 2020. Steven, Mark; Swan, Annalyn (2005). de Kooning: American Master. New York: Alfred A. Knopf. ISBN 9781400041756. ^ Alloway, Lawrence; MacNaughton, Mary (1995). Adolph Gottlieb: A Retrospective. Hudson Hills. ISBN 9781555951252. Retrieved 27 November 2012. Naifeh, Steven; White Smith, Gregory (1989). Jackson Pollock: An American Saga. New York: Clarkson N. Potter, Inc. / Publishers. ISBN 0-517-56084-4. "18 Painters Boycott Metropolitan; Charge 'Hostility to Advanced Art'" (PDF). The New York Times. 22 May 1950. Retrieved 25 November 2012. ^ Newman, Barnett (1992). John Philip O'Neill (ed.). Barnett Newman: Selected Writings and Interviews. University of California Press. ISBN 9780520078178. Retrieved 1 December 2012. ^ "The Irascible Eighteen". The New York Herald Tribune. 23 May 1950. ^ Rubenfeld, Florence (1997). Clement Greenberg: a life. New York: Scribner. pp. 144. ISBN 9780684191102. Boxer, Sarah (23 December 2010). "The Last Irascible". The New York Review of Books. Retrieved 28 November 2012. ^ Kees, Weldon (June 2003). Robert E. Knoll (ed.). Weldon Kees and the Mid-Century Generation: Letters, 1935-1955. Lincoln, Nebraska: University of Nebraska Press. ISBN 9780803278080. Retrieved 28 November 2012. ^ "The Revolt of the Pelicans". Time. 5 June 1950. Archived from the original on January 31, 2011. Retrieved 27 November 2012. ^ Taylor, Francis Henry (December 1948). "The Almanac". The Atlantic Monthly. Retrieved 27 November 2012. ^ "75 Painters Deny Museum is Hostile" (PDF). The New York Times. 4 July 1950. Retrieved 27 November 2012. "IRASCIBLE GROUP OF ADVANCED ARTISTS LED FIGHT AGAINST SHOW". Life. 15 January 1951. pp. 34–38. Retrieved 27 November 2012. Breslin, James (2012). Mark Rothko: A Biography. Chicago: University of Chicago Press. ISBN 9780226074061. ^ Boxer, Sarah. "The Last Irascible | Sarah Boxer". ISSN 0028-7504. Retrieved 2023-09-12. ^ Levin, Gail (2011). Lee Krasner: A Biography. New York: HarperCollins. ISBN 9780061845253. ^ "Jackson Pollock: Is he the greatest living painter in the United States?". Life. Vol. 27, no. 6. Time Inc. 8 August 1949. pp. 42–45. ISSN 0024-3019. Retrieved 29 November 2012. ^ Bourdon, D. (November 1985). "Sitting Pretty". Vogue (CLXXV): 116. Sandler, Irving (2003). "2". In Daniel A. Siedell (ed.). Weldon Kees and the Arts at Midcentury. University of Nebraska Press. pp. 39–50. ISBN 9780803242951. Retrieved 29 November 2012. ^ Friedman, Bernard Harper (September 1978). "The Irascibles: A Split Second in Art History". Arts Magazine. Vol. 53, no. 1. pp. 96–102. ^ Sandler, Irving (1970). The Triumph of American Painting: a History of Abstract Expressionism. New York: Praeger Publishers. OL 17754003M. ^ Gibson, Ann Eden (1997). Abstract Expressionism: Other Politics. New Haven, CT: Yale University Press. p. 29. ISBN 0300063393. OL 1006293M. This podcast is powered by Pinecast.

You know we love a good food-and-art crossover around here. (You may recall our conversation with Malaika Hollist of Arts Axis Florida.)So when we heard that Miami-based multidisciplinary artist Chris Friday had a food-related exhibition at the Sarasota Art Museum of Ringling College of Art and Design, we wanted to learn more. (Not to mention, June is National Soul Food Month!)Where We Never Grow Old is Friday's first solo museum exhibition. It depicts literal and metaphorical safe havens traditionally cherished by the African-American community. Large-scale charcoal drawings are embellished with life-sized ceramic sculptures of food—soul food favorites like mac and cheese, candied yams, deviled eggs—finished in gold. Friday (that's what the cool kids call her) spoke with Dalia about how making ceramic food isn't so different from cooking, and about how the exhibition reflects her identity as a Black American woman. Where We Never Grow Old is on exhibit at the Sarasota Art Museum through Aug. 10, 2025.Related episodes:Malaika Hollist of Arts Axis Florida on West African Food, Imposter Syndrome and MoreThe City of Tampa Needs Your Recipes for its Soulwalk Community CookbookFrom the Big House to the White House: Dr. Martha Bireda on Foodways of the Enslaved

You know we love a good food-and-art crossover around here. (You may recall our conversation with Malaika Hollist of Arts Axis Florida.)So when we heard that Miami-based multidisciplinary artist Chris Friday had a food-related exhibition at the Sarasota Art Museum of Ringling College of Art and Design, we wanted to learn more. (Not to mention, June is National Soul Food Month!)Where We Never Grow Old is Friday's first solo museum exhibition. It depicts literal and metaphorical safe havens traditionally cherished by the African-American community. Large-scale charcoal drawings are embellished with life-sized ceramic sculptures of food—soul food favorites like mac and cheese, candied yams, deviled eggs—finished in gold. Friday (that's what the cool kids call her) spoke with Dalia about how making ceramic food isn't so different from cooking, and about how the exhibition reflects her identity as a Black American woman. Where We Never Grow Old is on exhibit at the Sarasota Art Museum through Aug. 10, 2025.Related episodes:Malaika Hollist of Arts Axis Florida on West African Food, Imposter Syndrome and MoreThe City of Tampa Needs Your Recipes for its Soulwalk Community CookbookFrom the Big House to the White House: Dr. Martha Bireda on Foodways of the Enslaved

On The Spark this week, we explored the fascinating intersection of art, memory, and environmental legacy with two leaders from the Susquehanna Art Museum. Executive Director Alice Anne Schwab and Rachel O’Connor, the museum’s new Director of Exhibitions, joined us in the studio to talk about Future Fossils, their latest exhibition that’s sparking big questions—and imaginations.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20

I have a special episode for you today with visual artist Shuling Guo. In this episode we hear about her incredible story going from a very traditional, small village in Southern China, and her triumph against a very dominant patriarchal culture structure, to go to art school in Beijing, and ultimately to the United States to pursue her artistic path.  We learned about her spiritual influences from the women in her life and how that set the stage for her artistic journey.  -----------------------------------------Guo graduated from the Oil Painting Department of China Central Academy of Fine Arts, Beijing (B.F.A.) in 2010. She moved to the United States in 2019, and currently lives between Philadelphia and aboard the Sailing Vessel Selkie. In 2012, she had her first solo exhibition in Beyond Art Space in Beijing. Since then, her work has been exhibited in New York, Beijing, Los Angeles, Philadelphia and Platform Art.Her works have been included in the permanent collections of Central Academy of Fine Arts Art Museum (Beijing) and Art Museum of Guangzhou Academy of Fine Arts (Guangzhou). Her work has been selected to appear in New American Paintings, 2025 Issue 172.Mindy Solomon Gallery Shuling's Instagram Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠⁠⁠my Instagram⁠⁠⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠⁠⁠The Sometimes Island⁠⁠⁠ for our podcast theme music!Support this podcast: ⁠⁠⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support⁠

Fluent Fiction - Hindi: Rediscovering Friendship and Forgiveness in New Delhi's Art Scene Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2025-05-24-22-34-02-hi Story Transcript:Hi: भीषण गर्मी के इस दिन में, आर्ट म्यूजियम नई दिल्ली के अंदर ठंडक ही ठंडक थी।En: On this scorching hot day, inside the Art Museum in New Delhi, there was nothing but coolness.Hi: दीवारों पर खूबसूरत चित्रकला और मूर्तियों की सजावट थी।En: The walls were adorned with beautiful paintings and sculptures.Hi: हर कोई इसे देखने में मग्न था।En: Everyone was engrossed in admiring them.Hi: अरिजुन वहां कैमरा लिए तस्वीरें खींच रहे थे।En: Arijun was there, capturing photographs with his camera.Hi: अरिजुन कला के दीवाने थे।En: Arijun was a fanatic of art.Hi: पिछला समय वे भूल चुके थे।En: He had forgotten his past.Hi: उन्होंने अपनी जिंदगी को नए सिरे से शुरू किया था।En: He had started his life anew.Hi: वह चित्रों के सुंदर रंगों में डूबे हुए थे कि अचानक एक जानी-पहचानी आवाज़ आई, "अरे अरिजुन!"En: He was immersed in the beautiful colors of the paintings when suddenly a familiar voice called out, "Hey Arijun!"Hi: वह चौंके, पलटकर देखा तो प्रिय थी।En: He was startled and turned around to see Priya.Hi: पुरानी दोस्त प्रिय, जो विदेश से वापस आई थी।En: An old friend, Priya, who had returned from abroad.Hi: अरिजुन की आंखों में एक पल के लिए खुशी ने दस्तक दी।En: For a moment, happiness knocked in Arijun's eyes.Hi: लेकिन साथ ही उनके दिल में एक रहस्य दबा हुआ था।En: But at the same time, a secret was buried in his heart.Hi: प्रिय ने मुस्कराते हुए कहा, "ये संयोग की बात है कि यहाँ मिल गई। बहुत समय हो गया।"En: Priya smiled and said, "It's a coincidence to meet here. It's been a long time."Hi: अरिजुन ने मुस्कुरा कर कहा, "हाँ, समय सच में बहुत तेज़ी से गुजर जाता है।" लेकिन उनके दिल में बेचैनी थी।En: Arijun smiled and replied, "Yes, time indeed passes very quickly." Yet, there was uneasiness in his heart.Hi: प्रिय ने म्यूजियम की कलाओं की तारीफ की।En: Priya praised the arts of the museum.Hi: दोनों धीरे-धीरे चित्र देखने लगे।En: Both of them gradually started looking at the paintings.Hi: लेकिन प्रिय के मन में भी सवाल था।En: But Priya also had a question lingering in her mind.Hi: कुछ अधूरा था जो उसे सालों से परेशान कर रहा था।En: Something was incomplete that had been troubling her for years.Hi: प्रिय ने हिम्मत जुटा कर पूछा, "अरिजुन, तुम्हें याद है वो बात। तुम्हारा अचानक यूँ चला जाना?"En: Gathering courage, Priya asked, "Arijun, do you remember that matter? Your sudden departure?"Hi: अरिजुन ने थोड़ी देर चुप्पी साधी।En: Arijun remained silent for a while.Hi: फिर कहा, "प्रिय, मैंने उस समय एक गलती की थी, जिससे भाग रहा था। मैं डर गया था।"En: Then he said, "Priya, I made a mistake at that time, from which I was running away. I was scared."Hi: प्रिय ने कहा, "अरिजुन, हम दोस्त थे। तुम मुझसे छुपा सकते थे?"En: Priya said, "Arijun, we were friends. Could you hide it from me?"Hi: अरिजुन ने गहरी सांस ली।En: Arijun took a deep breath.Hi: उन्होंने प्रिय को पूरी कहानी बताई। उस समय की परिस्थिति, उनकी गलती, और उनका डर।En: He told Priya the whole story—about the situation at that time, his mistake, and his fear.Hi: अचानक, प्रिय ने उसका हाथ पकड़ लिया। "अरिजुन, सब बीत गया। हम सब गलतियाँ करते हैं।"En: Suddenly, Priya held his hand. "Arijun, it's all in the past. We all make mistakes."Hi: उन दोनों की आँखों में आँसू थे, लेकिन यह खुशी के आँसू थे।En: Both had tears in their eyes, but they were tears of happiness.Hi: अरिजुन को मानो अपने कंधों से बोझ उतर गया।En: It was as if a burden had lifted from Arijun's shoulders.Hi: उस दिन आर्ट म्यूजियम में, अरिजुन ने न सिर्फ कला को देखा बल्कि अपने जीवन की तस्वीरों को नए रंगों में सजाया।En: In the Art Museum that day, Arijun not only saw art but also redecorated the pictures of his life with new colors.Hi: वे अपने अतीत को स्वीकार करने के बाद अब एक नई शुरुआत की ओर बढ़े।En: After accepting his past, he was now moving towards a new beginning.Hi: अब उनके दिल में शांति थी।En: There was peace in his heart now.Hi: प्रिय के साथ, उन्होंने मिलकर उस बीते हुए समय के अच्छे पलों को फिर से जीवंत किया।En: With Priya, they revived the good moments of the past.Hi: म्यूजियम से बाहर आकर गर्मियों की वह धूप अब अरिजुन को चुभने की बजाय अपनी गर्माहट में लपेटे हुए थी।En: Stepping out of the museum, the summer's sunlight no longer pricked Arijun; instead, it enveloped him in its warmth. Vocabulary Words:scorching: भीषणadorned: सजावटengrossed: मग्नfanatic: दीवानेimmerse: डूबे हुएstartled: चौंकेcoincidence: संयोगuneasiness: बेचैनीpraise: तारीफlinger: अधूराgathering courage: हिम्मत जुटाdeparture: चला जानाburden: बोझengulfed: लपेटे हुएrevive: जीवंतredecorated: सजायाabroad: विदेशenvelop: लपेटे हुएcircumstance: परिस्थितिsculptures: मूर्तियोंcapture: तस्वीरें खींचनाengrossed: मग्नsudden: अचानकdeparted: यूँ चला जानाacknowledge: स्वीकारpast: बीताfamiliar: जानी-पहचानीsecret: रहस्यadmire: देखनाknock: दस्तक

Fluent Fiction - Swedish: Art and Integrity: A Spring Night in Stockholm Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-05-24-22-34-02-sv Story Transcript:Sv: Våren hade lagt sitt gyllene ljus över Stockholm och gatorna var prydda med rosa körsbärsblommor.En: Spring had cast its golden light over Stockholm and the streets were adorned with pink cherry blossoms.Sv: Inuti Stockholms Konstmuseum flödade ljuset genom takfönstren och lyste upp de blanka golven.En: Inside Stockholm's Art Museum, the light flowed through the skylights and illuminated the shiny floors.Sv: Det var dags för vårens årliga konstutställning och hela staden var fylld av förväntan.En: It was time for the annual spring art exhibition, and the whole city was filled with anticipation.Sv: Lars, en ung konstnär med drömmar och stora visioner, stod vid ingången.En: Lars, a young artist with dreams and big visions, stood at the entrance.Sv: Han tittade på folkmassan med en blandning av nervositet och förväntan.En: He looked at the crowd with a mix of nervousness and anticipation.Sv: Hans senaste målning, ett djärvt och experimentellt verk, hade han just lämnat in.En: His latest painting, a bold and experimental work, had just been submitted.Sv: Hans barndomsvän, Annika, arbetade som kurator för museet.En: His childhood friend, Annika, worked as a curator for the museum.Sv: Hon var duktig men hade en svår uppgift framför sig.En: She was skilled but had a difficult task ahead.Sv: Hon måste vara rättvis när hon valde konstverk, trots hennes vänskap med Lars.En: She had to be fair in selecting artworks despite her friendship with Lars.Sv: Sven, en etablerad konstnär och mentor till Lars, såg ut över salen.En: Sven, an established artist and mentor to Lars, looked out over the hall.Sv: Han visste att det var viktigt att hjälpa unga konstnärer, men kände ändå en press att behålla sin egen framgång.En: He knew it was important to help young artists, but still felt the pressure to maintain his own success.Sv: Sven kände att Lars verk hade potential, så han hade i hemlighet stöttat det med sin egen inflytande.En: Sven felt that Lars' work had potential, so he had secretly supported it with his own influence.Sv: Annika gick genom utställningen.En: Annika walked through the exhibition.Sv: Hon stannade framför Lars verk.En: She stopped in front of Lars' work.Sv: Den var modig, annorlunda.En: It was bold, different.Sv: Men hon visste att hon måste tänka objektivt.En: But she knew she had to think objectively.Sv: Med en djup suck bestämde hon sig för att behandla Lars som vilken annan konstnär som helst, utan förmåner.En: With a deep sigh, she decided to treat Lars just like any other artist, without favoritism.Sv: Dagen av utställningen anlände.En: The day of the exhibition arrived.Sv: Rummet var fullt av människor som ivrigt diskuterade konst.En: The room was full of people eagerly discussing art.Sv: Lars kände sin mage knyta sig av nervositet när hans verk avslöjades.En: Lars felt his stomach knot with nervousness as his work was unveiled.Sv: Publiken reagerade blandat.En: The audience reacted mixedly.Sv: Vissa skrattade, andra tittade förundrat.En: Some laughed, others looked in wonder.Sv: Trots att Lars inte vann några officiella utmärkelser märkte han en välkänd kritiker som länge stod framför hans tavla.En: Even though Lars did not win any official awards, he noticed a well-known critic who stood for a long time in front of his painting.Sv: Kritikern verkade fascinerad, och Lars kände en gnista av hopp.En: The critic seemed fascinated, and Lars felt a spark of hope.Sv: Även om hans verk inte fått majoritetens gillande, nådde det någon.En: Even if his work did not receive the majority's approval, it reached someone.Sv: Annika kände lättnad när utställningen blev en framgång.En: Annika felt relief when the exhibition became a success.Sv: Hon insåg att hon kunde hålla professionell integritet utan att skada sina personliga relationer.En: She realized she could maintain professional integrity without damaging her personal relationships.Sv: Hon hade balanserat rätt och vänskap på ett sätt som hon inte trodde var möjligt tidigare.En: She had balanced fairness and friendship in a way she had not thought possible before.Sv: Sven betraktade Lars från avstånd och kände en ny sorts glädje.En: Sven watched Lars from a distance and felt a new kind of joy.Sv: Genom att stödja Lars utan att vänta på något tillbaka, upplevde han en genuin känsla av tillfredsställelse.En: By supporting Lars without expecting anything in return, he experienced a genuine sense of satisfaction.Sv: Han såg den nya generationen av konst växa fram, och han var glad att ha varit en del av det.En: He saw the new generation of art emerging, and he was glad to have been a part of it.Sv: Lars lämnade museet den kvällen med ett nytt perspektiv.En: Lars left the museum that evening with a new perspective.Sv: Han hade inte ens fått en medalj eller ett diplom, men han hade hittat något mer värdefullt: sin egen röst och stil.En: He hadn't even received a medal or a diploma, but he had found something more valuable: his own voice and style.Sv: Genom att våga vara experimentell hade han skapat en framtid för sig själv som konstnär.En: By daring to be experimental, he had created a future for himself as an artist.Sv: Annika, Lars och Sven lämnade museet tillsammans, in i Stockholms vårnatt.En: Annika, Lars, and Sven left the museum together, into Stockholm's spring night.Sv: Körsbärsblommorna föll mjukt omkring dem, precis som konstens påverkan – subtil men oändlig.En: The cherry blossoms fell gently around them, just like the impact of art—subtle yet infinite.Sv: Det var en påminnelse om att våga blotta sitt hjärta, och att konst, precis som vänskap, var värd att vårda.En: It was a reminder to dare to bare one's heart, and that art, just like friendship, was worth nurturing. Vocabulary Words:adorned: pryddaanticipation: förväntancurator: kuratorilluminated: lyste uppintegrity: integritetmentor: mentornervousness: nervositetperception: perspektivpotential: potentialsecretly: i hemlighetskylights: takfönstrensubtle: subtilunveiled: avslöjadesvibrant: levandeexhibition: utställningexperimental: experimentelltobjectively: objektivtfascinated: fascineradestablished: etablerademerging: växa framaudience: publikensupporting: stöttamajority: majoritetencritic: kritikergenuine: genuinintegrity: integritetpotential: potentialintegrity: integritetresilient: stabilvision: vision

John Sloan is one of the most important American painters and printmakers of the 20th century.However, his biggest impact came as an art instructor, something the Delaware Art Museum showcases in its ‘John Sloan and His Students' exhibition.In this edition of Arts Playlist, Delaware Public Media's Martin Matheny catches up with curator Heather Campbell Coyle for a chat about Sloan and the exhibit highlighting his work and teachings.

Intuit Art Museum's grand re-opening welcomed city leaders and the art community to it's expanded renovated space, now two buildings in West Town at Ogden Milwaukee. WBBM Newsradio's Mallory Vor Broker reports.

Intuit Art Museum's grand re-opening welcomed city leaders and the art community to it's expanded renovated space, now two buildings in West Town at Ogden Milwaukee. WBBM Newsradio's Mallory Vor Broker reports.

Intuit Art Museum's grand re-opening welcomed city leaders and the art community to it's expanded renovated space, now two buildings in West Town at Ogden Milwaukee. WBBM Newsradio's Mallory Vor Broker reports.

The Beeville Art Museum announces its upcoming exhibition, “Seeing Nature Through a Different Lens,” featuring works by Christopher Randall. The exhibition will run until Saturday, July 19, and features innovative photography work that incorporates a fresh perspective of nature. The Beeville Art Museum is located at 401 E. Fannin in Beeville. The museum is open to the public from 9 a.m. to 5 p.m., Monday through Friday, and Saturday from 10 a.m. to 2 p.m. Admission is free. For more information, call 361-358-8615 or visit www.bamtexas.org.Article Link

Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR

The museum hopes 'The Gathering' will help bring awareness to mental health and a new way to enjoy art.

Today it's all ducky on For the People, as we open inviting you to have a blast while supporting dozens of worthy nonprofits at the 20th Anniversary Duck Race & Festival, in downtown Naugatuck, as more than 15,000 rubber ducks are launched into the Naugatuck River amidst enjoying fun festivities, vendors, games, and live entertainment. Then we'll get serious, as we pick up the conversation about domestic and family violence prevention with the CEO from the Domestic Violence Crisis Center. We'll also invite you to support the cause at their upcoming Voices of Courage Luncheon. And we'll close delivering you a little culture - literally - as we meet the co-founder of cARTie, a nonprofit mobile art museum bus bridging inequities in education and arts access by providing families and children exciting art and museum adventures.

What's inside the Louvre? I take you on a virtual tour of the best art museum in the world. To read the article and see art: https://veronicasart.com/the-most-beautiful-art-in-the-louvre-from-sculpture-to-painting-to-ancient-cultures-of-egypt-assyria-and-greece/ Video: https://youtu.be/5EkpVRnBkqg Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

How looming federal cuts will impact health coverage in the San Joaquin Valley. Also, an update on the Yurok Tribe's condor restoration program. Finally, the Crocker Art Museum has a new CEO. Health Coverage in San Joaquin Valley Threatened

Margo and Abby catch up on colorful collections, creative conferences, and curious cultural trends in the latest episode of Creative Current Events. This special segment of Windowsill Chats dives into all the artful oddities, thought-provoking news, and heartwarming discoveries that have recently caught their attention.   They touch on how color is used intentionally in media like the show Severance, the healing potential of museums (including Switzerland's bold move to prescribe them for mental well-being), and the magic of virtual museum visits. They also explore current concerns around learning, attention, and AI search tools, all wrapped up in their signature blend of insight and humor.   As always, listener submissions help fuel the fun—so keep sending those articles their way!   Articles Mentioned:  Crayon Collector https://www.kvue.com/article/news/community/crayon-collection-texas-torch-red-colors-strange/273-adc66c54-6598-429b-9f80-c600038034b5#   Colors of Severance https://www.instagram.com/movieluts/reel/DFNePz-iCXL/ https://www.polygon.com/tv/539421/severance-season-color-theory-red-green-blue   10 Best Art Museums https://10best.usatoday.com/awards/best-art-museum/   Art as Therapy https://www.reuters.com/business/healthcare-pharmaceuticals/art-therapy-swiss-doctors-prescribe-museum-visits-2025-03-12/   Google Arts & Culture! Free Museums Visits & so much more https://artsandculture.google.com/   Human Intelligence Sharply Declining https://futurism.com/neoscope/human-intelligence-declining-trends   PISA Results https://worldpopulationreview.com/country-rankings/pisa-scores-by-country   AI gets it wrong https://futurism.com/study-ai-search-wrong   Connect with Abby: https://www.abbyjcampbell.com/ https://www.instagram.com/ajcampkc/ https://www.pinterest.com/ajcampbell/   Connect with Margo: www.windowsillchats.com www.instagram.com/windowsillchats www.patreon.com/inthewindowsill https://www.yourtantaustudio.com/thefoundry

This Day in Maine for Monday, March 31, 2025.

Episode 72 of ‘All About Art': Towards the Ethical Art Museum with Gareth Harris, Chief Contributing Editor of The Art Newspaper (in collaboration with Lund Humphries) In this episode, I sat down with Gareth Harris, author of Towards the Ethical Art Museum, a book going to be published later this year as part of the Hot Topics in the Art World Series by Lund Humphries and Sotheby's Institute of Art. The book explores why museums have become a focus for society's ethical concerns in the 21st century.I speak to Gareth about his experience as Chief Contributing Editor of The Art Newspaper and what in his career led him to be an arts writer. I ask him about some topics he covers in his book, and how he decided what to explore within the scope of the publication. We chat about the ethics of funding and patronage, political involvement of cultural institutions, and so much more. Thank you Gareth for coming on the podcast! You can follow Gareth on Instagram here: https://www.instagram.com/garethharr/?hl=enYou can check out the Hot Topics in the Art World Series here: https://www.lundhumphries.com/collections/hot-topics-in-the-art-world/and you can pre-order Towards the Ethical Art Museum here: https://www.lundhumphries.com/products/towards-the-ethical-art-museumYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack

From its roots as a county agency to leading cutting-edge educational programs, the Missoula Art Museum has grown a lot since its inception in 1975. This week, the commissioners sat down with Laura Millin who has been at the helm of the free contemporary art museum since 1990. As she prepares to retire this year, they look back on the history and unique character of this beloved nonprofit. Text us your thoughts and comments on this episode! Thank you to Missoula's Community Media Resource for podcast recording support!

Andrew and Lindsey are having a fun chat about all their current favorites this week, including: The Traitors finale, SpongeBob, The Running Point, Madison Beer, Queen, Lady Gaga, and so much more!Hot Topics This Week:The dos and don'ts of commenting on a potential baby name—if you're not a fan, should you speak up?Art museum favorites—Andrew and Lindsey are excited to share their top picks from the Crocker Art Museum.The metabolic rate of pregnant women—a lively discussion on the amazing changes that happen in the body during pregnancy.Trump's selective press access—let's explore why he's handpicking the media outlets allowed at White House press conferences.So grab your favorite drink and join us for a delightful mix of pop culture, current events, and some honest conversation!Check out this week's sponsors!Get 20% off at Thrive Causemetics at THRIVECAUSEMETICS.COM/WINETHIRTYGet 10% off your first website or domain at SQUARESPACE.COM/WINETHIRTYThe video discussed in this week's episode can be viewed here ::

 Today, we cover a decrease in state funding for Princeton Public Schools, learn the plans for the Princeton University Art Museum, and hear about a driving debacle during an internship last summer.You can read more about the museum here: https://www.dailyprincetonian.com/section/news

In today's deep dive, we'll listen to a conversation with artist Millie Wilson about their exhibit at the Krannert Art Museum that challenges historical representations of gender and sexuality.

In this episode of the AJP Residents' Journal podcast, we interview Dr. Scott Breitenger, an attending psychiatrist at Mayo Clinic, about the role of visual arts and museum-based education in medical training, exploring its impact on observation skills, empathy, and presence in clinical practice.

The Art Museum of Eastern Idaho is hosting a free Community Day event where visitors can explore exhibits, engage in hands-on activities, and create Japanese Notan art. This event is open to everyone and offers a unique opportunity to experience the interplay of light and dark through art while enjoying a day of creativity.

Tyrone, Ricky, and Sylvana provide coverage of the Eagles Super Bowl Parade, marking a remarkable day as the team celebrates its second Super Bowl victory in franchise history. The event will culminate at the Art Museum, where speeches will be delivered by Jeffrey Lurie, Jalen Hurts, and Lane Johnson. The atmosphere is electric, with attendees expressing their joy and even shedding tears of happiness. Follow The Station x.com/975TheFanatic instagram.com/975thefanatic/ https://www.facebook.com/975thefanatic/ Follow The Show x.com/975BestShowEver https://x.com/TyJohnsonNews https://x.com/rickybottalico https://x.com/sylvanakell Support the Show 975thefanatic.com/shows/the-best-show-

Join us live from Chickie and Pete's in South Philly for the launch of our Super Bowl Parade party! The Eagles are heading to Broad Street to celebrate with fans. Jalen Hurts, Nick Sirianni, and other Eagles will take the podium at the Rocky steps outside the Art Museum to address the crowd as the festivities begin!

What a day in Philadelphia as Howie Roseman (watch out!), Nick Sirianni, Vic Fangio, Jalen Hurts, C.J. Gardner-Johnson, Saquon Barkley, Lane Johnson, Jordan Mailata and Brandon Graham paraded down Broad Street to the Art Museum for another memorable Super Bowl parade.Join Fran Duffy, Deniz Selman and Bo Wulf as they react to the day's events. Wrap it up, Cherelle!

Relive today's festivities as we celebrate the eagles winning Super Bowl 59!

The party is underway as the Eagles parade is in motion towards the Art Museum.

In this episode, The Creativity Department chats with the Association of Art Museum Director's Chief Administrator, Alison Wade. Learn about her work supporting art museums across North America and how they help foster stronger community relationships. Hear how art museums engage with social issues in authentic ways and explore the bipartisan line they walk when it comes to advocacy. Listen in as Alison shares her story of finding a passion for art history while working in the Davis family business.  

Episode 598: Listen as I chat with Andy Sinclair, communications manager from the Denver Art Museum, about their Maurice Sendak, Wild Things exhibition, which covers his 65 year career of illustration and popular books. The show is so popular, it has been extended to Feb. 23, 2025. The post Listen as I chat with Andy Sinclair & Stefania Van Dyke, of the Denver Art Museum about the Wild Things exhibition appeared first on Let's Talk Art With Brooke.

The Susquehanna Art Museum is a non-collecting art museum. They also have multiple shows, and world class art that travel through Harrisburg. “We're located in Midtown, in the new Harrisburg Arts Corridor, and we are near the Broad Street Market and the Midtown Scholar. We are, as a non-collecting entity, we're always bringing something new, lots of something new, “said Alice Anne Schwab, Executive Director of the Susquehanna Art Museum. There are two exhibits that are opening on February 6. “One is called Wall Power. It's spectacular quilts from the American Folk Art Museum, which is located in New York City. We are bringing that show to Harrisburg. Additionally, we are bringing a show called There, like T -H -E -R -E, by Jordan Nasser, who is an artist who is really making quite a name for himself. He works in embroidery. He does cross -stitch, which sounds not necessarily like what you would think of as a major New York artist. He is Palestinian by his heritage, but he is actually making cross -stitch pieces using the skills and talents of some people who are living in Hebron, living in the Middle East, and he brings that sense of community together with a community building of embroidery. We have one piece that is 20 feet long. Think of that, an embroidery that's 20 feet long, “said Schwab. The exhibit will be available at the museum until May 11. According to Rachel Barron, Director of Education at the Susquehanna Art Museum, art education is important. “I believe that arts education is crucial for a well-rounded education. I often like to boil it down to creative problem-solving skills. Creating art really means constantly asking yourself questions and searching for solutions. And art also connects to so many other topics and subjects. For example, with Wall Power, the exciting quilt exhibition that we have opening today. The kids are going to be able to connect the quilts with geometry, with symmetrical, and pattern. And they're also going to have the opportunity to learn about Pennsylvania history, as well as local history, “said Barron.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

On this edition of The Arts Section, host Gary Zidek visits one of the only museums in the world dedicated to lapidary art. The Lizzadro Museum of Lapidary Art brings was established in the early 60s by an Elmhurst businessman with a passion for cutting and polishing stones. Theater critic Kelly Kleiman joins Gary to review Porchlight Music Theater's new production of FUN HOME. Later in the show, we'll revisit a segment on the Cleve Carney Museum of Art's INSERT COINC exhibit. And Gary catches up with director Anders Lindwall to talk about his new movie, GREEN AND GOLD.

Molly Rowe, newly appointed Executive director of the Hilliard Art Museum, joins Discover Lafayette to discuss her love of the arts and working with artists. Molly has worked with arts and culture organizations such as the New York City Ballet and Savannah College of Art and Design, and Fortune 500 companies such as Google and The New York Times. Born and raised in Lafayette, Molly's mother was an antique dealer; from an very early age, Molly was exposed to art, antiques, antiques, provenance, and the research that goes into collecting and telling stories about objects. She grew up appreciating art and objects, learning about other cultures and people. At the age of 18, after graduating from the Episcopal School of Acadiana and ready to see the world, she left Lafayette at 18 to attend Cornell University where she earned Bachelor's degrees in History and French literature. Molly then earned an MBA in Strategic Management from Tulane, and completed graduate work in Art History at Sorbonne University and Ecole Normale Supérieure in Paris. Molly's first job was writing for the President and Co-Founder of the Savannah College of Art and Design, Paula Wallace. "It's an institution that started with a dream of one woman who was an educator and now it is globally recognized. It is one of, if not the, largest private art institution in the world. It is a mission driven arts organization, and I learned so much about how it was run, how to build organizations of that nature, how to inspire people through that." The experiences Molly gained help define her career. "Whenever I started working with Paula Wallace, I envisioned myself to be a writer who was going to go on and do doctorate work in literature. I was very always interested in languages and storytelling. But through my work with her at SCAD, I realized that art has it own language and communicates things that words can't. Through studying art and learning about art and exhibiting art, working with artists, you're able to transcend time, cultures, and geography.” Molly shared, "We so often think that being able to create an art object or a painting defines creativity. But some of the most creative people I know are creative in business. I've built my career on working with artists and supporting artists and building businesses with them." After her work at SCAD, she moved to New York and was employed by consultants who worked with arts organizations, museums, institutions, and galleries based all over the world. She eventually opened her own consulting firm with that same focus, at the intersection of arts, education and business,. Molly worked with over 50 institutions internationally, from the United States to Europe, South America, and Asia. Molly says, "It's that work that allowed me to consult with incredible organizations such as Google, New York City Ballet, and The New York Times. My work with them was always focused around art and culture. I think so many businesses recognize the power of art and culture; in order to get a product into the hands of people, they have to tap into how their desired audience communicates, what they like, what they read, what they listen to." Molly explained, "Being able to tap into an audience's culture means you're going to be working with artists. It means you're going to be working with the people that are creating and building that culture. That's where I came in, as this sort of middle person, who would help organizations figure out how they were going to bring their product to people. It was always around working with artists. The other side of that was not only making sure it was good for business, but also that it was good for rhe artists. If we look at Louisiana, one of our biggest economies is cultural tourism. We don't think enough about who is benefiting from that. My job was always making sure that artists were represented appropriately and that were being compensated and rewarded in the right way.

On this edition of The Arts Section, host Gary Zidek catches up with renowned jazz journalist Howard Mandel to talk about the new Jazz Omnibus, that he helped edit. Theater critic, Jonathan Abarbanel Gary to talk about the new musical revue, HITT RECORDS. Later in the show, Gary sits down with the new executive director of the Elmhurst Art Museum. And we'll hear about a documentary that follows a local politician's efforts to run for Congress.

William Sarradet talks with artist and educator Dr. Estelle Voisin-Fonteneau about the loss of Eros, the architecture of sacred spaces, and the written language of patriarchal societies. "I'm very interested in the idea of the sacred within the profane. The profane comes from the word profanum which is the space before the temple and that is where most of the rituals took place. It wasn't in the temple, it was in front of the temple because only the priests or sacred virgins could go inside of the temple." See related readings here: https://glasstire.com/2025/01/12/art-dirt-talking-with-dr-estelle-voisin-fonteneau/ Art Dirt is sponsored in part by the Art Museum of Southeast Texas, which is proud to present two exhibitions for the winter: Japheth Asiddu-Kawartang and Adrian Esparza. These artists' exhibitions are complementary in the fact that they are both studies on the immigrant experience and personal identity. Visit www.amset.org for more information. This week's podcast is also supported by The Architecture of Culture: Works from the Guess Lawson Collection, which is sponsored by Gensler and runs through April 1, 2025, in Houston. Featuring icons like John Biggers and Giana De Dier, alongside rising stars, the exhibition challenges us to see art as a force for change and ignites the connection between art and activism. Talks with leaders like Vicki Meek and Harrison Guy will amplify the show's dialogue. Learn more at www.guesslawsoncollection.com.

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion. This interview is part of an NBN special series on “Mobilities and Methods.” Fernando Domínguez Rubio is an Associate Professor at the Department of Communication at the University of California-San Diego. Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Glacier Art Museum Alyssa Cordova 01-03-24 

Netflix co-founder Reed Hastings talks about his latest venture, Powder Mountain, a pristine ski resort in Utah that's also an outdoor art museum. Plus: we head to an elite business school in Lyon that's celebrating 40 years of helping entrepreneurs launch their innovative ideas.See omnystudio.com/listener for privacy information.

During the final days of this tense election, we take a look at a project fostering a different type of civic space to encourage young people to discuss issues, engage each other and vote. Jeffrey Brown visited the University of Michigan to see how this works. It's part of our series, Art in Action, exploring the intersection of art and democracy and for our arts and culture coverage, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders