One-person art exhibition
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7 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
2 episodes with Solo exhibition
Baltimore-based artist and designer Elijah Trice returns to talk about growth, storytelling, and painting the everyday with dignity and joy.Since our last conversation in 2022, Elijah has expanded his practice beyond hyperrealistic portraiture to explore themes of childhood memory and creative freedom. We recorded this just after his first solo show, Nothing Else Matters, which followed a transformative residency at Maryland Hall. Elijah shares how his architectural training shaped his painting style, what he's learning from teaching, and why joy is radical in a world so often defined by struggle.How building furniture sparked a deeper connection to makingUsing vivid backgrounds and saturated color to honor Black eleganceTapping into nostalgia, storytelling, and his inner childThe pros and cons of meticulous planning vs improvising in the studioWhy nothing else matters—except the subject
Artist Nanette Carter grew up in Montclair, the daughter of the city's first Black mayor, Matthew G. Carter. The Montclair Art Museum has organized a new homecoming solo exhibition of Carter's work, "Nanette Carter: A Question of Balance," on view through July 6. Carter discusses revisiting her art from throughout her career for this show, which is her first major museum survey.
Bongani Bingwa speaks to South African jeweller Geraldine Fenn, who has won the prestigious AJF Solo Exhibition Award, about her creative process, the $20,000 grant for her upcoming Montreal exhibition, and how her work explores the impact of European colonization in Africa.See omnystudio.com/listener for privacy information.
On this episode of The Truth In This Art, I'm excited to share my conversation with Lex Marie, a DC-based multidisciplinary artist whose powerful work I've been eager to explore for years. Lex creates compelling paintings, sculptures, and installations that reflect personal experiences and deeply resonate with the African diaspora, often using everyday and reclaimed materials. We explore Lex's creative process, from her early creative explorations as a child (where she was known for coloring outside the lines with purpose!) to her pivotal decision to pursue painting in college and her impactful first solo exhibition in 2021. Lex shares her insights on the courage it takes to create art that addresses personal experiences and societal challenges, including the weighty realities of childhood for many African American children and children of color, systemic challenges, and her experience as a mother to a young Black boy in America.This conversation is more than just an interview; it's an insightful look into the motivations and inspirations behind her thought-provoking pieces and the importance of authenticity in artistic expression.This episode was recorded at Eaton DC, my creative home away from home, a hotel that's also a vibrant cultural center. If you're interested in contemporary art, the power of artistic expression, or stories that matter, this episode is a must-listen. Tune in and discover the compelling and authentic work of Lex Marie. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★
The works in artist Rona Boyarski's upcoming exhibition, "Freedom to Exist," opening November 24th at the Tel Aviv Cinematheque, come from a place of liberation – while addressing a period of personal and collective turmoil. The oil on wood works were created between the years 2021-2024. Boyarski spoke to KAN reporter Naomi Segal about the exhibition. (Art: Rona Boyarski) See omnystudio.com/listener for privacy information.
Multidisciplinary Artist & Owner studio Ntuli, Phumulani Ntuli on what to expect from his solo exhibition, Umfanekiso Uyopha Inkungu which opened last week at the University of Johannesburg Art Gallery. It showcases Ntuli's large-scale mixed-media collages and works on paper, created in collaboration with printer Kim-Lee Loggenberg at the David Krut Workshop.See omnystudio.com/listener for privacy information.
Coinciding with Kunsttage Basel, Meyer Riegger’s exhibition at Galerie Mueller honors the late Dutch artist Jacqueline de Jong (1939–2024), who ...
Abstract artist Haneet Grover recently shared with SBS Hindi how she strikes a balance between artistic creativity and commercial success. In the podcast, she reflects on her creative journey in Australia and explores the deep impact her childhood memories of India have had on shaping her art.
Muhju is an architect and illustrator who is known for his distinctive style which he terms Renaissance 2.0. He draws inspiration from antiquity, including ancient Greece and Rome as well as the Renaissance and Baroque periods. His digital artwork combines a range of elements from these epochs, and this is also reflected through physical jewelry that he designs. Muhju's artwork has been exhibited internationally, and his first solo exhibition, Renaissance Dreams, was recently presented by Anggrech Agency in Zurich.Recorded on August 9, 2024 as a Space on X.Follow the guesthttps://x.com/MuhjuArtFollow the host:https://x.com/0x_ScooterFollow Particle:https://x.com/Collectparticlehttps://www.particlecollection.com/Timestamps:(00:00) Introduction(02:00) Lifelong Interest in Storytelling(05:18) Influence of Architecture on Artistic Path(09:16) Renaissance 2.0: an Evolving Aesthetic(12:30) Nexus Anima: A Collection that Transcends the Canvas (17:13) The Making of Nexus Anima Portraits(20:18) Anima Necklace: Jewelry created in a Renaissance 2.0 Style(25:27) Sharing Royalties with Nexus Anima Collectors(27:48) Renaissance Dreams: a Solo Exhibition(30:48) Storytelling through a Triptych(33:12) Endgame: Integrating Renaissance 2.0 & Glitch Styles(37:02) FreedOM Fighter: the Joy of Making a Meme Card(41:35) The Architect: a Self-Portrait of the Artist(44:22) Family Collection of Renaissance Paintings(46:55) Muhju's Personal Collecting Interests(51:46) Outro
In this episode, Ekaterina Popova (Kat) dives into the essentials of planning a solo exhibition. Whether you're a new artist or have been exhibiting for decades, Kat shares her personal tips and experiences to help you make your exhibition a resounding success. Episode Highlights: The importance of mindset and visualization in planning your show. Practical steps to take from journaling ideas to gathering references. Setting a realistic timeline and routine that fits your life. Tips on working with galleries, selecting themes, and maintaining a cohesive body of work. How to handle nervousness and maintain a positive mindset throughout the process. Recommendations for calming your nervous system and staying inspired. Additional Resources: Kat's ebook "How to Create Your Best New Series of Art and Build Your Artist's Portfolio" - Get it here. EFT tapping resources by Brad Yates on YouTube and Yes Supply. https://youtu.be/UBKCQO0i4Hw?si=l78BGN8pZnpO9uKC https://www.youtube.com/channel/UCiHZMZejDS4RIxDdBwoie9A Your Own Art Show program by Gita Joshi and Ekaterina Popova - Learn more here. Free checklist on how to market your show - Download here. Action Steps: Start with a clear vision and theme for your show. Journal your ideas and visualize your dream exhibition. Gather your references and supplies, and create a realistic timeline. Show up consistently, trust the process, and maintain a positive mindset. Share your journey and invite your audience to be part of it. Connect with Kat: Instagram: @katerinaspopova @createmagazine Tag Kat in your exhibition events and show your progress! Thank you so much for tuning into Art & Cocktails. If you enjoyed this episode, please leave us a review. It means so much! See you next time!
Watercolour artist and educator Lee Wee Xian has made a name for himself in the world of watercolour painting, and is set to present his first solo exhibition titled Overture, that will feature over 25 watercolour paintings that capture the forgotten, vanishing scenes and landmarks of Melaka. Known for his skillful use of light, shadow, water, and pigments, his work captures the beauty of everyday moments and reflects his deep connection to his hometown. He joins us to share more about his blooming visual arts career, and his upcoming solo exhibition.
Bongani Bingwa speaks with acrylic and charcoal artist Bambo Sibiya about his stunning body of work, which imagines a healing and redemptive society, when his solo exhibition, Ngemva Kokuqubuka, opens at the CIRCA Gallery in Johannesburg from June 1 to July 27, 2024.See omnystudio.com/listener for privacy information.
In this episode of the Warrior Artist Podcast, host Éadaoin Glynn shares her recent experiences and lessons learned from preparing for two solo exhibitions. Éadaoin discusses the process of creating a new body of work, from initial opportunity to final execution, highlighting challenges such as finding inspiration, embracing experimentation, and the importance of documentation and promotion. She offers advice on trusting the creative process, seeking feedback, and lessons learnt on documenting and curating exhibitions. Éadaoin also shares tips for artists on how to maximise opportunities. Follow Éadaoin on Instagram @eadaoin_glynn and on her website www.eadaoinglynn.com References / Names mentioned: Maurice Quillinan Limerick Museum Art NetDlr Walter's, Dun Laoghaire Pauline B Flynn Diane Magee Nuala Clarke Lizzie Kinsella Artform Salvatore of Lucan Zsolt Basti
Hi friends and welcome to episode 117. It's been a wild month for me as I've had my second solo exhibition, ‘An Ornamental Education' running here at the art gallery of Ballarat. It's been an incredible ride having my first exhibition at a public art gallery and I wanted to make sure that I shared it with you before it ends on 14thApril. I've created a full guided tour for you on my YouTube channel. I really hope you head on over there to check it out, because the audio for this episode makes a whole lot more sense when you can see the artwork. But nevertheless, I know that many of you prefer to listen rather than look while painting in the studio, so I wanted to make it available to you here on the podcast as well. I'll be sure to leave the link to the video in the show notes so you can check that out too. This episode also includes an absolutely brilliant address given by my dear friend and fellow artist, Dr Louisann King. at the opening celebration held at the gallery on 8th March, which also happened to be International Women's Day. It was so incredibly eloquent and brought so much depth and understanding about this body of work, that I really wanted to include it in full. I also just wanted to mention, that in May and June I'm teaching my first in-person 2 day painting workshops since before Covid. I'm running them with the beautiful crew at Artable in May and June. The workshop on the Gold Coast in June has sold out, which is wonderful. But there are still a few spots available at my Melbourne workshop on 4th and 5th of May. So if you'd like to learn how to paint in my signature bright, floral abstract style, be sure to click on the links below. View the Youtube video for this episode: https://www.susannethercote.com/youtube-1/inside-my-solo-exhibition View the Melbourne 2 day painting workshop details: https://artable.com.au/workshops/adults/soulful-abstract-florals-in-acrylics-2-days-melbourne-may-2024 All art and my limited edition jigsaw puzzle are available at https://www.susannethercote.com/ Donate the price of a coffee to support this podcast on my KOFI page (thank you!): https://ko-fi.com/Y8Y0PTP3J Susan Nethercote: Suse's Instagram Suse's education website Suse's art website Suse's Youtube Channel Suse's Facebook --- Send in a voice message: https://podcasters.spotify.com/pod/show/susan-nethercote/message
This week, Kate does a short episode in which she shares from her personal experiences and shares her top tips on creating a positive mindset around having a solo exhibition or releasing a body of work. This can typically be a very daunting and stressful time that feels scary and full of pressure to "suceed", but these are the main things that kate feels really help her through these times. xx Hosted on Acast. See acast.com/privacy for more information.
The Drunk Guys drink a legendary amount of beer this week when they read I am Legend by Richard Matheson. If it was the end of the world they would drink: Solo Exhibition by Other Half, The Big Gavone by Bridge and Tunnel Brewing, Sip O' Sunshine by Lawson's Finest
Berman Contemporary presents ‘RE GONA', the first solo exhibition by Sculptor, Cow Mash at Berman Contemporary's new home at the 223 Jan Smuts Art & Design hub. Featuring a series of sculptures, the show offers a profound insight into the artist's ongoing exploration of her Sepedi lineage and community.See omnystudio.com/listener for privacy information.
Smoke can signal danger, although culturally smoke can hold so much more meaning.
Nick "Ikarus" Tam is a legend of our graffiti and street art scene, and was a founding member of Otautahi's most renowned graffiti collective, the DTR crew.
Did I tell you I opened at gallery to show funny art in a comedy space? Philip Markle and his team at the Brooklyn Comedy Collective generously agreed to work with me and now it's up! I am the director and creator of the gallery. I have always admired Babak's work and now he's the second show in the gallery. He came to NYC for his install and opening so I was able to do this fantastic session here with him. We dig into his influences, life history and I quiz him about the thinking behind some of his work. Especially the romantic stuff, ladies! Enjoy! More about Babak Ganjei and his work HERE. His work is VERY AFFORDABLE—SHOP HERE. Follow Babak on instagram HERE. More about Babak for anything about him I may have missed.
Cover art: Martha Szabo, Rooftops in Snow 11, oil on linen, 24 x 35 in., circa 1964 To learn more, please visit the sites for Martha Szabo and MSeum. Show Notes:0:00 Art historian Kathleen Hulser1:30 Journalist Julia Szabo's motivation to work on Martha Szabo's body of work4:30 MSeum to be built in the Catskills5:00 National Association of Women in Construction7:50 Justice for unknown female artists11:15 Museum's mission related to blind and low-vision visitors13:45 Sculpture Robin Antar's limestone sculpture of Szabo's “Red Sunset”15:20 Legacy to be created with MSeum includes redefining storage16:45 Visible storage space18:30 Julia Szabo's parents 19:45 ‘Mother Artist' field of scholarship20:00 Author Hettie Judah 21:20 Reception for Martha Szabo's exhibition Up On the Roof22:10 Artist Christina Massey 23:20 Museum's director Kathleen Hulser24:30 “Up On the Roof” exhibition curated by Hulser26:00 “Incorrigibles” trans media project27:45 MSeum's creation and mission34:15 Hulser's scope a MuSeum 36:45 Martha Szabo's background and how it impacted her work 43:15 Feedback about Martha Szabo's solo exhibition Up On The Roof: Liberation, Transformation, Celebration49:35 MSeum and exhibitions like “Up On The Roof” role in bringing some historical justice for female creatives 52:10 David Richard Gallery Please share your comments and/or questions at stephanie@warfareofartandlaw.comTo hear more episodes, please visit Warfare of Art and Law podcast's website.To view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2023]
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New York-based fine artist TTK debuts with "See What I'm Seeing," his most intimate and revealing collection yet. "These paintings were inspired by people escaping from something and stepping out of what's familiar, even when it's uncomfortable," reveals TTK. Building on the success of his "See What I'm Sayin'" art book series, this exhibition promises to be more than just a visual delight; it offers a journey into the artist's mind. Show Notes: https://www.newyorksaid.com/ttk-unveiled-behind-the-scenes-of-see-what-im-seeing-a-solo-exhibition/
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Tulsa interdisciplinary artist Koda Miles opens her first solo exhibition this week at Positive Space Tulsa.Titled “Caught Up,” the body of work Miles has on display includes 3D sculpture works and acrylic paintings.Read more:Art opening this week: “Caught Up” by Koda Miles at Positive Space TulsaPositively different: New gallery doubles as space for women creatives to feel accepted and heardBorn for the role: New Juneteenth coordinator continues a family legacyWhat the Ale: Nook Brewing Co.'s Blood Orange Wheat is the beer of the weekTulsa 10: June 12-18Tulsa Music Listings
Beer gives the Drunk Guys somethin' to talk about this week when they read Along Came A Spider by James Patterson. They also want to beer somebody with: Smooth Beats Miami by Finback, Not Always Present by Dancing Gnome Brewery, Solo Exhibition by Other Half, and The 50 Million Dollar
This episode is also available as a blog post: https://thecitylife.org/2023/04/12/artist-cj-hendry-is-building-a-2-storey-5000-sqft-adult-size-indoor-playground-for-solo-exhibition-plaid-in-brooklyn-new-york/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
This episode is also available as a blog post: https://thecitylife.org/2023/03/06/vanitas-viriditas-a-solo-exhibition-at-rehs-contemporary-featuring-the-artwork-of-josh-tiessen/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
Gemersik is visual artist Anisa Abdullah's solo art exhibition, which celebrates her love for art, fashion, and life. The word “gemersik” is said to be an elegant extraction of a beautiful classic Malay word which loosely translates to "rustle" and represents Anisa and her artworks through the symbolic sound of folding, cutting, and paper tearing in her artmaking. Known for her art collages, Anisa's artworks were created from thousands of paper cuttings, and the exhibition is also said to be a personal documentation of her ups and downs in life as well. Anisa joins us to share more about her latest solo.Image Credit: Galeri Chandan
France-based artist and illustrator Li Xia, also known as 绿李 Lilou Oh Yeah ( b. 1991, Chongqing, China), works primarily in oil and watercolor. Her work explores ephemeral moments and commonplace objects in daily life, expressed through carefully composed planes of flat colors and nuanced strokes. Both representational and imaginary spaces come alive in Li's work, with her sensitive attention to the ordinary and the fleeting. Lilou lives and works in Rouen, France. Lilou attended the Université de Paris 1 Panthéon - Sorbonne (MFA, 2021), l'École Supérieure d'Art et Design Le Havre-Rouen (ESADHaR) (MFA, 2020) and Sichuan Fine Arts Institute (BFA, 2014). She has exhibited internationally at venues such as the LONG Museum, Minsheng Art Museum, Bananafish Gallery in Shanghai, China, Yi Gallery in New York, USA , Kate MacGarry Gallery, London, UK, Villa des Arts in Paris, France and Rola Bola in Rouen, France. Lilou Li Xia, Eye Contact (Butterfly Kiss), 2022, Oil on canvas, 51 x 35 1/2 in 130 x 90 cm., Courtesy of Yi Gallery and the artist. Lilou Li Xia, Turn off the light, 2022, Oil on canvas, 43 1/2 x 31 1/2 in 110 x 80 cm., Courtesy of Yi Gallery and the artist. Installation view: Lilou Li Xia, Solo Exhibition at Yi Gallery, Brooklyn, NY 2022, Courtesy of Yi Gallery and the artist. Links: Artist page https://gallery-yi.com/artists/122-li-xia-%28-lilou-oh-yeah%29/ Solo exhibition at Yi Gallery https://gallery-yi.com/exhibitions/25-lilou-eye-contact-solo-exhibition/ Artist instagram https://www.instagram.com/lilou_oh_yeah/?hl=en Image captions: 3. Lilou Li Xia, Turn off the light, 2022, Oil on canvas, 43 1/2 x 31 1/2 in 110 x 80 cm
Named after his most recent album, Samora Pinderhughes' Grief is an expansive, three-month solo exhibition showing in Manhattan. The show includes monthly performances and collaborative films which focus on creating communal space for grieving and healing, particularly for people of color. Pinderhughes joins us to talk about the exhibition on view until January 24 at The Kitchen.
This fortnight, Laura and Ros are bringing you another interview episode with Ballarat based artist Susan Nethercote. If you haven't heard of Suse before, she is an abstract botanical painter, she has found success in many aspects in her art career and she is an all round lovely person. Laura has known Suse for many years from working in her studio and also featuring in Susans' Podcast - The Studio Insider Podcast. Suse coached Laura through the process of getting ready for her very first Solo Exhibition, if you haven't had a listen, go and check it out! Link below. In the interview Suse shares about: How she started off in the Fashion Design industry in Melbourne That her painting journey started not long after having kids Making art took on powerful healing journey healing past traumas The first art sales come from sharing with friends and family on social media The many twists turns and evolutions that her art business has taken her on Her new exhibition and her first solo show She also discusses times and seasons in art business Her experience with burn out, anxiety and insomnia Diagnosis and treatment for adhd The Exhibition details are: Date: November 5th - 27th 2022 Venue: The Old Butcher's Shop Gallery 112 Seymour Street Soldiers Hill, Ballarat Open times: 1-5pm Saturdays, Sundays and by appointment during the week. Opening Celebration Saturday 5th November from 4pm - 6pm Suse also mentions a live Podcast recording event that she has planned in the Gallery on the 19th of November. Go and follow Susan on her socials to keep updated! We hope that you enjoy the show! Please send us a DM on Instagram to tell us how you found this episode and let us know if you have any ideas for future topics for the show. This episode is sponsored by The Paint Rest Repeat First Birthday Party! Come and celebrate with us in Melbourne on Saturday 12th November. Get your free ticket here: https://www.eventbrite.com.au/e/paint-rest-repeat-podcast-meet-up-tickets-434643258687 EPISODE LINKS: Susan on Instagram: https://www.instagram.com/susan.nethercote/ Sasans' Websites: https://www.susannethercotestudio.com/ https://www.susannethercote.com/ Studio Insider Podcast Episode 1: https://www.susannethercotestudio.com/podcast/susan-nethercote/e1 FIND US AND FOLLOW US ONLINE! Follow Laura on Instagram: https://www.instagram.com/laurajaneday/ Follow Ros on Instagram: https://www.instagram.com/ros.gervay.creative/ And to book a creative kick-start coaching session with Laura or to find out more about her Soul Medicine Painting workshops please visit: https://laurajaneday.com/ For more information about Ros' membership Art For The Heart and courses please visit https://www.permissiontopaint.co or to see Ros' paintings please visit http://www.rosgervayart.com Please help us grow our Podcast by leaving us a review on Apple Podcasts. Here is how! Stay tuned for more episodes being released every two weeks!
One of the youngest exhibitors ever at SFMOMA in 1975, Feldsott all but disappeared from the art world, spending more than twenty-five years in Central and South America, where he worked on ecological restoration and cultural conservation projects and studied traditional medicine with Indigenous communities. Throughout this period, he continued to create a large body of work that, together with his past and current work, become a record of the human journey. The exhibition is curated by Amelie A. Wallace Gallery Director Hyewon Yi. Gallery Hours: Mondays – Fridays: 12 pm – 5 pm and by appointment Location: Campus Center, Main Level SUNY College at Old Westbury Route 107, Old Westbury, NY 11568 Location: Long Island Expressway to exit 41N; 107N to the main gate of SUNY College at Old Westbury; turn left and follow signs to Campus Center; go downstairs to Gallery on the main level. www.oldwestbury.edu. Contact Info: Director & Curator: Hyewon Yi, PhD 516-876-2709/3056 yih@oldwestbury.edu --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
The Dominican-American artist Kenny Rivero is showing his newest work at a solo exhibition at Charles Moffett in Tribeca. Born in Washington Heights and now based in the Bronx, Rivero creates with painting, collage, drawing, and sculpture to engage with his Dominican identity and family history, as well as using his background as a trained musician to inform his creative process. Rivero joins us to discuss the show, called Steward: The Ballad of a Super Super, which is on display at Charles Moffett until October 22.
This episode is also available as a blog post: https://thecitylife.org/2022/08/14/maxwell-alexandres-first-north-american-solo-exhibition-pardo-e-papel-the-glorious-victory-and-new-power-october-26-2022-january-8-2023-at-the-shed-celebrates-black-identity/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Welcome to the latest Photopocene conversation with me, your host, Josie Purcell. This time, I'm joined by an upcoming visual artist from North Devon, George Rayner. Graduating in 2021, and receiving an award from Format Festival for his final degree show work, I love the fact that George came to photography on a "whim". We chat about his love for black and white photography, keeping cool in his (well ventilated) darkroom, what nature and the natural world mean to him, and, of course, his photo projects seeking to highlight environmental matters which need us to act now to divert long term ecological damage. With an element of humour in some of his work, we chat about how that can draw someone in, and we talk about his connection to his coastal surroundings along with his collaborations with a musician and a textile artist, and his latest show. Listen in or find out more at https://www.georgeraynerfilm.com/ You can follow George on Instagram at https://www.instagram.com/george__rayner/ And see his exhibit with Studio Kind at https://www.studiokind.org.uk/george-rayner-virtual-tour and in the Ephemeris publication at https://tourdemoon.com/sites/default/files/2022-03/TDM%20Issue%206_17_03_22_0_0.pdf And more links here: Solo Exhibition: https://www.studiokind.org.uk/george-rayner-transient-tales August Group Show: https://www.studiokind.org.uk/unstable-ground Music video: https://www.youtube.com/watch?v=YsR68KXNY_E&t=1s Article on music video and new EP: https://www.folkradio.co.uk/2022/07/video-stevieray-latham-fugitive/?fbclid=IwAR2vcQ6wi-gZkUsmXsuPR4qR5WyQ-zRax60njYTh70jjKm_LK1UbxDe0BUo If you would like to share your eco-conscious photography story on Photopocene, simply contact me via https://www.josiepurcellphotography.com/contact or DM via Insta https://www.instagram.com/josieshutterpod/
100 Tage, 100 Zeichnungen- warm dich persönliche Projekte weiterbringen. Petra Holländer berichtet in dieser Folge von der Challenge, der sie sich selbst gestellt hat: Ein 100-Tage-Projekt! Jeden (Arbeits-)tag hat sie gestaltet, gezeichnet und erforscht. Ihren eigenen Stil und Themen, die sie beeinflussen. Gemeinsam besprechen wir, was ihre Motivation dahinter war, wie sie sich weiterentwickelt hat und wie ihr Creating-Alltag zu dieser Zeit aussah. - Welche gesellschaftlichen Themen haben dich inspiriert? - Wie hat sich dein Stil entwickelt? - Wie kam deine erste Solo-Exhibition zustande? Liebesbriefe, Themenvorschläge, Geheimtipps für die Illustratoren-Vorstellung oder Fragen bitte an: kontakt@zeichenstammtisch.de Gast: Petra Holländer ✏️ Artist & illustrator from Vienna Instagram: https://www.instagram.com/petra.hollaender/ Linktree: https://linktr.ee/petrahollaender Deine Hosts: Tanja Website: https://tanjakammler.com Etsy: https://www.etsy.com/shop/tanjakammler Instagram: https://www.instagram.com/tanja.kammler/ Richy Website: https://www.richydrawings.de Zu meinen Zeichenkursen: https://linktr.ee/richydrawings Youtube: https://www.youtube.com/c/richydrawings Instagram: https://www.instagram.com/richydrawings
Have you ever dreamed of hosting a solo exhibition of your creative work? Wondered what it takes, how to go about it and where to start? Join artist Jennifer Carlson as she shares her experiences preparing for and hosting her first solo exhibition of paintings. Learn tips and strategies to manage your energy during the preparation stage, gather inspiration for a body of work, find a style that feels authentic and fulfilling for you, hang your show in the gallery, send out invitations and more. This episode was a live event inside my Creative Hearts Community and I'm excited to share the recording with you here on the podcast. I hope enjoy the episode! Jennifer is so lovely, inspiring and dedicated to her creative life. I think you'll find it very informative and inspiring! --------- Get Nicola's FREE Art of Creative Living Mini-Course - https://www.nicolanewman.com/flourishwithpainting Visit Nicola Newman's website -- https://www.nicolanewman.com/ Join Flourish: The Art of Creative Living - https://www.nicolanewman.com/flourish --- Send in a voice message: https://anchor.fm/nicola-newman/message
This episode is also available as a blog post: https://thecitylife.org/2022/06/29/museum-of-arts-and-design-to-present-first-solo-exhibition-of-genre-defying-artist-machine-dazzle/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Take me home is a three-part solo show by UK-based Maltese illustrator and designer iella (Daniela Attard) focusing on leaving home, long-distance relationships, life in constant transit and the phases in-between. She speaks with Joe Axiaq about this unique exhibition from 22nd June to 28th June 2022 at M2 Gallery, Surry Hills, NSW. - Take me home hija esebizzjoni tal-arti ta' Daniela Attard li wara li ntweriet f'Malta u r-Renju Unit issa l-esebizzjoni waslet l-Awstralja. L-illustrazzjonijiet f'din l-esebizzjoni jikkonċentraw dwar it-tluq mill-pajjiż tat-twelid u t-trobbija, sar-relazzjonijiet individwali mill-bogħod u l-ħajja l-oħra ta' kuljum. Daniela Attard titkellem ma ‘ Joe Axiaq dwar din l-esebizzjoni li se tkun għall-wiri mit-22 sat-28 ta' Ġunju fl-M2 Gallery, Surry Hills, NSW.
Award-winning contemporary visual artist Trevor Stuurman discusses what people can expect from his much-anticipated first solo exhibition, which runs until June 19th. See omnystudio.com/listener for privacy information.
Eddy A. Lopez, Artist and Assistant Professor of Art at Bucknell University in Lewisburg, PA, speaking about his work in connection with an exhibition titled, "Tomorrow, and Tomorrow, and Tomorrow: a Solo Exhibition by Eddy A. Lopez" at the Haas Gallery at Bloomsburg University from March 3 through April 12, 2022, with an artist's reception April 12 from 11:00 am to 2:00 pm and an artist's talk at 1:00 pm. www.eddyalopez.com/
This episode is also available as a blog post: https://thecitylife.org/2022/03/19/the-brooklyn-museum-presents-death-to-the-living-long-live-trash-a-solo-exhibition-by-artist-duke-riley/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
In this episode of The Artist Business Plan we sit down with artist Preston Smith who leads an amazing masterclass on showing up and following through on your goals. He shares important practices on how to become your best friend instead of your worst enemy. Together, we'll learn how to create your own once in a lifetime opportunity and turn it into the start of the rest of your life. Guest: Preston M. Smith's artwork over the years has transitioned from moody pop surrealist paintings into vibrantly colorful, tactile, highly textured and almost "edible" abstract works. Preston's work has been showcased alongside David Lynch and at the Inaugural Purple Ball for President Obama's Inauguration in 2009, where he was commissioned to paint 12 portraits of the President. Recently, Preston is coming off of a successful Solo Exhibition at ShockBoxx Gallery in Hermosa Beach California and his first two showings at the LA Art Show in Downtown L.A.. His work has also been selected by a panel of curators as a winner in the 1st 2018 ArtSlant Artprize Showcase and has been on display at the world famous La Luz De Jesus Gallery, and in numerous exhibitions throughout Los Angeles and across the country. https://www.pmsartwork.com (https://www.pmsartwork.com) For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit http://www.superfine.world/ (www.superfine.world ) IG: https://www.instagram.com/superfineartfair/?hl=en (@superfineartfair) IG: https://www.instagram.com/pmsartwork/ (@pmsartwork) If you want to submit a listener question you can email it to kelsey@superfine.world for a chance of it being answered by Alex, James, and our guest! Hosted and Executive Produced by James Miille and Alexander Mitow Executive Producer/Producer : Kelsey Susino Written by: Kelsey Susino, Alexander Mitow, and James Miille Audio Edited by: Frederico Solar Fernandez
I Like Your Work: Conversations with Artists, Curators & Collectors
I had the pleasure of sitting down and interviewing the amazing painter Clintel Steed in person at his studio in New York City. Clintel Steed takes inspiration for his work from his surroundings, whether it's Utah or Harlem. His work is an exploration of moments, feelings, situations and experiences that he brings to life through art. His paintings often carry themes of the struggle of feeling divided, politics and current events. Clintel Steed was born in 1977 in Salt Lake City, Utah. He received his BFA from the School of the Art Institute of Chicago and his MFA from Indiana University, and completed Advanced Studies at the New York Studio School of Drawing, Painting and Sculpture. His work has been featured in numerous solo and group exhibitions, most recently Clintel Steed: Endymion at Steven Harvey Fine Art Projects, New York; Emoji Show at Klaus von Nichtsagend, New York, and So Much, So Little, All At Once at Regina Rex, New York, and Mark Borghi in Sag Harbor, Solo Exhibition, "Behind the Hood" among others. He is the recipient of the John Koch Award from the National Academy of Arts and Letters, and recent press includes Hyperallergic, Artcritical, and The New York Sun. Clintel Steed lives and works in New York City and is an instructor at the New York Studio School of Drawing, Painting & Sculpture. LINKS: https://www.clintelsteed.com/ I Like Your Work Links: https://www.sunlighttax.com/ilikeyourwork Catalogs Subscriptions Exhibitions Studio Visit Artists I Like Your Work Podcast Instagram Submit Work Observations on Applying to Juried Shows Studio Planner
Information Morning Moncton from CBC Radio New Brunswick (Highlights)
Brian Francis is a multi-disciplinary artist from Elsipogtog First Nation. He was speaking with the CBC's Khalil Akhtar
Kevin makes number 11 in the hip hop charts and plans to go on tour! A new career perhaps? Neale's bleep machine is on fire this week as Kev gets proper irate about politics. Over in photo making land though, we talk Snapseed, destination wedding work, editing on iPads, design foibles, white balance, HDR shooting, sensor cleaning, switching from Nikon to an X-E3 and how wedding photography has changed? The book of the week is the World Atlas of Street Photography and Michael Beecham is our guest talking about putting on his first solo exhibition.
Artist/Painter Jeffrey R. Watts joins hosts Kevin Gregg and Paul Carganilla on this week's episode of Your Creative Journey!Jeffrey R. Watts is an artist with an extensive career as an illustrator, oil painter, and teacher.After working in the movie industry Jeff achieved his goal to become an easel painter which led him to create his painting studio known as Watts Atelier of the Arts. ( www.wattsatelier.com ) Jeff's aesthetic sensibilities have long drawn him to the figurative art of nineteenth-century Europe and Russia. His Atelier allows him to work regularly from the live model, grounding his work in traditional principles. In 2008 The Taos Art Museum and Fechin House honored Watts with a Solo Exhibition in the original Taos home and studio of Mr. Nicolai Fechin. Jeff's oil paintings have won numerous awards including First Place Portrait category and Second Place Landscape category from the Artist's Magazine, two consecutive Second Place Awards at the Salon International Exhibition, an Honor Award and an Award of Exceptional Merit from the Portrait Society of America, 3 Awards of Excellence from Oil Painters of America and 3 Top 100 Awards from Arts for the Parks among others. Watts's work has been featured in Southwest Art, American Artist, Art of the West, Western Art Collector, American Art Collector, Drawing, and Workshop magazines. Jeffrey R. Watts is a Master Signature member of Oil Painters of America, a Signature Member of both the Laguna Plein Air Painters Association and the California Art Club, and holds membership in the Portrait Society of America.
Guest: Ceramic sculptor Zizipho Poswa See omnystudio.com/listener for privacy information.
Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl
This week I’m catching up with my studio assistant Laura. For those of you who haven’t been with me for every episode the whole first season of this podcast is dedicated to me coaching Laura through the process of creating her first solo exhibition. Fast forward 18 months and Laura is about to hang her second solo show. So in what appears to be a bit of a theme this year in checking in on the progress of my two emerging art-superstar studio assistant, this conversation focuses in on some of the key things that Laura has learnt from her first exhibition experience and how that is informing her second show. In this episode we share: How Laura has been following the threads of techniques you enjoy to evolve a body of work. What it means to take brave steps to share the exploration phase of the development of artwork. Laura shares some tools that help her start creating each day and overcome any resistance she feels towards her studio practice. A reflection on Laura’s past art show and the experience she’s taking forward into this next exhibition. Further shownotes and links at 65. Second Time Around - Laura's New Exhibition — Susan Nethercote Studio I hope you enjoy the episode. Suse ox --- Send in a voice message: https://anchor.fm/susan-nethercote/message
Sights and Sounds is your weekly guide the Bay Area arts scene through the eyes and ears of local artists. During the pandemic, we're offering suggestions for ways to experience art and culture from home and at social distance spaces. This week, host Jenee Darden speaks with painter Troy Chew . Hip Hop album Rich Slave by Young Dolph Troy Chew is a big fan of Southern hip hop and he says this album is fire. Rich Slave is the first album Memphis rapper Young Dolph has released in a while. The album debut at #4 on the Billboard charts. Some of the songs are about social justice issues such as police profiling and the assassination of Dr. Martin Luther King Jr. Respite, a Solo Exhibition by Chris Duncan Chris Duncan is an Oakland-based artist who uses both visual and sound-based media to address time and its effects. Troy Chew says in this exhibit Chris tries to remove his white male gaze from his artistry and uses the sun to help him create pieces. The visual works are abstract and the
This week we talk with Erika Hewston, a sculptural and wearable weaver from Pennsylvania. Though Erika has skills as a quilt maker and repairer, she is primarily a weaver of functional wearable items and luscious textured wall hangings. All of her work focuses on the interaction of vibrant color to create striking statement pieces. Using a variety of materials for her wall hangings, she invites the viewer to explore the depth of color created. And with her wearables she focuses on the drape and texture to let the wearer encompass the rich colors and textures gracefully with next to skin softness. She views and uses her work as an escape from the craziness of the real world, creating whimsical landscapes to get lost in. We are having her on the podcast this week to help promote her first solo show, “Contemporary Weavings”. We hope you enjoy our conversation with Erika as we talk about the separation of function and decoration, sourcing materials, what it is like starting out as a professional weaver, and her first solo exhibition Find Erika online : Website | Instagram | Facebook Erika’s Exhibition : Gallery Info | Show Card - - Sponsored by : Comfortcloth Weaving LLC Read full show notes and resources at : https://proweaverpod.com/episode-24 - - Submit your Weaving Question : Ask a Weaving Question! Sponsor the Podcast : Become A Sponsor Support the Podcast : Become A Patron (Shop on Amazon) Music by Rawhead The Wreckloose : https://rawheadthewreckloose.bandcamp.com/
Christopher Kieling talks about his career and the recent work made during lockdown in Berlin.Influenced by the mathematically inspired works of Escher and Uglow, Kieling explores the pure language of painting–form, colour, composition–through layered imagery.He talks about moving a career in graphic design to being a full time artist, and his solo exhibition Sierra, at Grove Square Galleries, in London.Follow him on instagram https://www.instagram.com/christopherkieling/Follow me on Instagram https://www.instagram.com/thegitajoshi/
On the occasion of his 100th birthday the Museum zu Allerheiligen in Schaffhausen (Switzerland) dedicates a solo exhibition to the ...
#TheXover @BlessingNgobeni #VisualArt #Tar20In2020 #DSTV872 #OVHD609
Lana Erzin is a young Slovenian living in Sydney, who just launched her first solo art exhibition. She studied at the Academy of Fine Arts and Design in Ljubljana. You can check out her work on Instagram: https://www.instagram.com/art_laer/ - Mlada Slovenka Lana Erzin je studirala na Akademiji za likovno umetnost in oblikovanje v Ljubljani. Sedaj zivi v Sydneyu in konec julija je odprla svojo prvo solo razstavo v srediscu Sydneya. Njena dela si lahko ogledate na Instagramu: https://www.instagram.com/art_laer/
Have you ever stood in awe of a large scale painting? When was the last time you felt like a painting sucked you in so totally that you could almost say you lost yourself in that painting? I love to explore and encounter the sheer magnificence that large scale paintings have to offer. Here to give us a welcome peek behind the curtain of his large scale paintings is the artist, Jivan Lee. Jivan Lee is an oil painter based in Taos, NM. He grew up in Woodstock, NY, and studied painting at Bard College. His work explores the nature of paint as raw material, creator of image, and catalyst for emotional response, and is increasingly addressing the complexities of how humans see and shape the environment. Jivan's paintings have been exhibited nationally and covered in publications such as Fine Art Connoisseur, The Denver Post, Hyperallergic, Southwest Art, Phoenix Home and Garden, Art Business News, and Two Coats of Paint among others. In addition to painting as much as time allows, Jivan occasionally teaches. Large scale paintings Jivan says he always gets chuckles from people when he tells them that his approach to large scale paintings doesn’t differ very much to his approach with smaller-scale paintings. Of course, the real challenge when it comes to painting these large projects is the logistics - where, when, and how become a bit more complicated on a large scale. While it might sound complicated and a bit of a nightmare, the way that Jivan describes it, the process sort of unfolded before him - as he takes each logical step at a time. Make sure to check out the images of Jivan’s artwork located at the end of this post! Letting your light shine I know, we are all sick and tired of hearing about how COVID has impacted and changed everything - we get it. I don’t want to dwell too much on how much COVID continues to impact the shape of things in the art community but I thought it was really helpful to get Jivan’s perspective. Many of us find ourselves with a ton of emotions and anxieties around our finances, the state of global and national politics, and of course COVID. Jivan was kind enough to open up about some of the personal struggles he has experienced over the last couple of months. He shared that when he takes the time to get alone with his canvas, it allows for emotional catharsis. I have felt that way too when it comes to painting during COVID - don’t want to let my light fade, I have something to share with the world and so do you! Creating art is a marathon, not a sprint As Jivan encourages us to keep shining our light even when the darkness feels like it’s closing in, it’s good to also keep in mind that the creative process is a marathon, not a sprint. You don’t have to do your best work now or consistently - just stay at it. Even when it gets challenging, remember, we need your voice. I get it, sometimes it feels like you just want to throw in the towel but every artist that I’ve talked to over the years have told me that staying in the game is worth it. What keeps you in the game? How do you stay motivated when times get tough? I want to hear from you, make sure to leave a comment! Outline of This Episode [1:30] I introduce my guest, Jivan Lee. [2:45] What led Jivan to his career as an artist? [8:30] Jivan talks about why he pursued grants as he got started. [10:45] Getting students engaged with art. [15:50] What is the point of painting during a time of crisis. [29:30] Jivan opens up about his solo exhibit, “Dynamics of change.” [40:15] How COVID has impacted Jivan’s schedule. [44:30] Why you need to think of your creative journey as a marathon, not a sprint. [52:00] Jivan explains his process in the studio when it comes to large scale projects. [1:04:00] Common tools and materials that Jivan uses. [1:12:00] Closing thoughts. Other artists mentioned on this episode Mark Rothko Kara Walker Resources Mentioned on this episode Website: www.jivanlee.com Instagram: www.instagram.com/jivanlee_art/ Solo Exhibition: “Dynamics of change” at LewAllen Galleries in Santa Fe August 14th - Sept. 19th, 2020 40+ paintings, some pieces as big as 10 feet tall, many in the 48x72” range. The Moth Podcast
Hey everyone. I hope you are doing well and staying safe. I don't have too much news to share these days. It seems like this whole virus situation is here to stay and I am uncertain I will be able to return to China anytime soon for work. If the EU is refusing travelers from the US, I would assume China to do the same, and for good reason. But I don't have too much to complain about as I have a roof over my head in a rural area that is OK for now in terms of ou breaks. I have been thinking more about the future direction I want to take this podcast as I normally have been interviewing friends and others I have met in person, but with the current situation, I have been thinking about expanding out. Of course, I am a bit nervous about moving forward this way. I have a number of interviews I still need to release before this happens, but the time will come soon enough. It may be for the better for this podcast.In any case, for today, I am interviewing Didier William. Originally from Port-au-prince Haiti, Didier moved to Miami as a Creole-speaking 6-year old. His interests in art blossomed there and he went on to earn his BFA in painting from The Maryland Institute College of Art and an MFA in Painting and Printmaking from Yale University. Currently, Didier is Assistant Professor of Expanded Print at Mason Gross School of the Arts at Rutgers University. I first met Didier while I was at a residency in Vermont this past winter and was able to interview him around March, just as COVID's presence began being felt in the US and prior to the recent protests around the murders of George Floyd, Ahmaud Arbery, Breonna Taylor, Tony McDade, and many others that have surfaced with each passing week. I've been thinking a lot about how I release my episodes weeks, months, and sometimes years after the initial interview and what it means in terms of relevancy. It is something I need to figure out. Anyway, for this interview, Didier and I chat about trying to find agency in stillness, the concious privileging of certain languages, and maintaining an honest conversation about social complexities. Again, stay safe, stay healthy, and I hope you enjoy this.Links Mentioned:Didier's WebsiteDidier at Crystal BridgesDidier's Solo Exhibition at the Figge Art MuseumFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram
Episode Nineteen features June Edmonds, a west coast based abstract painter that was awarded the AWARE prize during the 2020 Armory show in NYC. AWARE, an acronym for Archives of Women Artists, Research and Exhibitions is a Paris based non profit that this year debuted an award for a Solo Exhibition of Work by a Woman Artist. June’s work was exhibited by the Luis De Jesus Los Angeles Gallery. She was recognized for a never seen before body of work, her new Flag paintings. Each flag is associated with the narrative of an African American, past or present, a current event, or a chapter from American history. Her application of color incorporates an intellectual perspective reflecting on systematic disenfranchisement, emotions, and power. June has participated in several residency programs, has received many grants from well-known organizations and her paintings are held in collections throughout the United States. It gives me pleasure to highlight AWARE, the gallery for having the courage to present a solo female artist at the Armory and most of allthe talented artist June Edmonds. https://juneedmonds.com/home.htmlhttps://awarewomenartists.com/en/?s=june+edmonds https://www.luisdejesus.com/artists/june-edmonds https://hyperallergic.com/263478/we-ask-some-art-world-luminaries-to-pick-the-best-worst-of-2015/ https://autre.love/interviewsmain/2019/6/27/a-conversation-with-june-edmonds-and-luis-de-jesus
ABOUT THIS EPISODE One of the most coveted experiences by artists is securing a solo exhibition. There is a lot that goes into this aspect of an artists career, but we got you covered! In this episode, we provide useful information and direction to any artist interested in pursuing a solo exhibition of their dreams. SHOW QUOTES Strive for continuous improvement, instead of perfection. Kim Collins SHOW LINKSC&I Episode 7: Getting You Art Into Art Galleries C&I Episode 4: Why You Need A Professional Portfolio & Website
For further information about Narbi Price, please visit: Narbi Price: https://www.narbiprice.co.uk/ Links to Podcast content: B & D Studios: https://b-d-studios.business.site/ Rachel Lancaster: https://www.workplacegallery.co.uk/artists/14-rachel-lancaster/works/ Laura Lancaster: https://www.workplacegallery.co.uk/artists/1-laura-lancaster/overview/ Newcastle University: https://www.ncl.ac.uk/sacs/fineart/ Newcastle Arts Centre: https://www.newcastle-arts-centre.co.uk/ Northumbria University: https://www.northumbria.ac.uk/ Graduate Studios Northumbria (GSN): https://www.northumbria.ac.uk/about-us/academic-departments/arts/galleries/ Fine Art Visiting Speakers Programme: https://research.ncl.ac.uk/fineartvisitingspeakers/ Paul Smith: http://paulsmithmusic.eu/ Side Cinema: https://www.amber-online.com/side-cinema/ Alan Bennett: https://en.wikipedia.org/wiki/Alan_Bennett Hoults Yard: http://www.houltsyard.co.uk/ Susie Green: http://susiegreen.co.uk/ New Bridge Project: https://thenewbridgeproject.com/ VANE Gallery: http://vane.org.uk/ Matthew Collings https://en.wikipedia.org/wiki/Matthew_Collings Woodhorn Museum: https://museumsnorthumberland.org.uk/woodhorn-museum/ Museums Northumberland https://museumsnorthumberland.org.uk/ The Ashington Group/ Pitman Painters: https://en.wikipedia.org/wiki/Ashington_Group https://www.ashingtongroup.co.uk/home.html https://museumsnorthumberland.org.uk/shop/product/the-ashington-group-catalogue/ Bill (William) Feaver: https://en.wikipedia.org/wiki/William_Feaver Pitmen Painters: The Ashington Group 1934 – 1884 (Book by Bill Fever): https://www.amazon.co.uk/Pitmen-Painters-Ashington-Group-1934-1984/dp/0955413826 Tate Project: Art School Educated: Curriculum Change in UK Art Schools 1960 – 2010: https://www.tate.org.uk/about-us/projects/art-school-educated2 Melanie Stephenson: Teaching Collections and Fine Art Pedagogy (Abstract) https://gtr.ukri.org/projects?ref=studentship-1644444 Basic Design Course (At Newcastle University): https://www.hattonhistory.co.uk/all-artists/ https://www.apollo-magazine.com/review-basic-design-hatton-gallery/ Richard Hamilton: https://en.wikipedia.org/wiki/Richard_Hamilton_(artist) Norman Cornish: https://normancornish.com/ Links to Narbi’s Solo Exhibition at Woodhorn Museum: https://www.visitnorthumberland.com/news/2018/05/new-exhibition-of-unseen-pitmen-painters-works-to-open-at-woodhorn-museum-northumberl- http://vane.org.uk/news/narbi-price-pitman-painters-resurfacing Robert Lyon & Jimmy Floyd: https://en.wikipedia.org/wiki/Ashington_Group Lee Hall: https://en.wikipedia.org/wiki/Lee_Hall_(playwright) Narbi Price – Artist (Facebook) https://www.facebook.com/NarbiPriceArt/ Tom English (Maximo Park): https://en.wikipedia.org/wiki/Max%C3%AFmo_Park George Shaw: https://www.tate.org.uk/art/artists/george-shaw-5253 Roger Kelly: https://www.rogerkelly.co.uk/ Paul Housley: http://www.paulhousley.com/ John Moores Painting Prize: http://www.liverpoolmuseums.org.uk/walker/johnmoores https://www.axisweb.org/archive/news-and-views/in-focus/narbi-price/ Painter of the Year: http://www.contemporarybritishpainting.com/wordpress/?page_id=8308 Vitamin P3 Books: https://www.artspace.com/magazine/news_events/book_report/vitamin-p3-list-54212 https://uk.phaidon.com/store/art/vitamin-p3-new-perspectives-in-painting-9780714879956/ Royal Academy: https://www.royalacademy.org.uk/ Royal Academy Summer Show 2019: https://www.standard.co.uk/go/london/arts/royal-academy-summer-exhibition-review-a4157636.html Galleria Six: http://www.galleriasix.it Don’t forget you can follow the Podcast on: Facebook: www.facebook.com/culturalpeeps/ Twitter: https://twitter.com/culturalpeeps Instagram: https://www.instagram.com/culturalpeeps/ SoundCloud: https://soundcloud.com/culturalpeeps
Hueman - California-based Muralist and Artist. This week on the podcast we welcome Hueman, a California-based artist and muralist. We talk with Hueman about her most recent Solo Exhibition, "Hypnogogia" at the Cox Gallery in Bordeaux, France, how her style developed over time, and her artwork for Pink's "Hurts 2B Human". IG: @Hueman_
Hueman - California-based Muralist and Artist. This week on the podcast we welcome Hueman, a California-based artist and muralist. We talk with Hueman about her most recent Solo Exhibition, "Hypnogogia" at the Cox Gallery in Bordeaux, France, how her style developed over time, and her artwork for Pink's "Hurts 2B Human". IG: @Hueman_
Ly Hoang Ly, photo: Trịnh Vĩnh Phúc Ly Hoàng Ly a multidisciplinary artist working across poetry, painting, video, performance art, installation and public art. She studied painting in Vietnam, later earning an MFA in Art in Studio (sculpture) through The School of the Art Institute of Chicago with Fulbright Scholarship. She also works as an editor of Youth Publishing House in Ho Chi Minh City. Ly is the first women visual artist in Vietnam doing performance art and poetry performance. Her installations incorporate a level of performance or activation between subjects and objects that unlock sensual affects in the human-materiality nexus. Ly’s previous works make bodily references to women’s cultural experiences of maternity and ministrations as well as highlight human emotions and our relationship to place and nature. Since 2011, Ly has explored the relationship of freedom and surveillance, inherited trauma, the ephemeral materiality of memory, the dislocation and the importance of community and human connection. Her art raises questions about the general human conditions, the critical states of society, and our shared issues of migration and immigration. It speaks not only on a personal level, but also on a global scale: of (mis)understandings and (mis)placement, of (trans)forming identity and being rootless, of adaptation and acceptance, of division and union, and of being human. Learn more about her ongoing projects with these links - HUGGING TREES – HUGGING YOUR LOVED ONES – HUGGING YOURSELF, and a Solo Exhibition, and Faithfully Flat Installation, and BOAT HOME BOAT Public Sculpture. Hugging Trees - Hugging your loved ones - Hugging yourself - An on-going multimedia project since 2015 - Photo Credit: Võ Thị Thanh Tuyền Title: Boat Home Boat - Public Sculpture 2017 - Part of "0395A.ĐC" - an on-going multimedia project since 2011 - Photo Credit: Trần Thế Phong
Guest: Lioda Conrad, Fumage ArtistHost: Sara-Jayne King, Late NightsTopic: The Fringe: Lioda Conrad is one of 3 South African's who paint using smokeAs a Fumage Artist Lioda is launching a Solo Exhibition at Gallery One11 titled 'Incendiary Conversations'See omnystudio.com/listener for privacy information.
Becca chats with Amber Brown, photographer & artist. Amber shares about her Solo Exhibition of photography on August 10, at the Visual Poets Society in Bentonville, Arkansas. Amber’s exhibit is filled with beautiful photography, but as you take a closer look there are pieces that provide insight into life with depression. Plan to attend this eye opening exhibit. Take a look at Amber’s work at thevisualpoetssociety.com facebook.com/Amber-Penelope-Photography instagram.com/amberpenelopephotography Follow Host, Becca Peterson's adventures on Instagram: @browneyedbec imperfectlyperfectpodcast.com/
“My advice would be to work as hard as you can on your work and get interested. Use anything you can, get hold of anything you can. Study that and work at it. You have to work at it a lot. Research, do your work, and get as much knowledge as you can from as many people as you can. That’s about it.” At the age of eighty seven Claude Van Lingen has had a long career as an artist and is still doing as much as he is able to create work everyday. He has since he was a child sought to learn about and practice art, and as an adult has additionally spent many years teaching young artists and giving back. Initially he was trained in a very academic style but then eventually got into more abstract and non conventional work and made breakthroughs after following his own advice that he gave his students in a class on creativity he created. After moving from South Africa to New York City in 1978 he gained an MFA from the Pratt Institute, and in 2006 moved to Austin. The Austin Critics Table awarded him Artist of the Year 2013-2014, and Solo Exhibition of the year 2017-2018 following a career retrospective at Co-Lab Projects (https://www.co-labprojects.org/programs-calendar/2017/9/9/timekeeper-a-claude-van-lingen-retrospective). His work often looks at the passage of time and addresses natural disasters and other issues that have been exacerbated by the impact of man on the planet. I love how dedicated Claude is to the Austin art community. You will often see him out at art openings and he does take a serious look at the work presented and researches and contemplates its meaning. It was an honor to interview him and it's wonderful to know an artist who is still so passionate about his craft and the issues that are important to him. He is also working on a book that he summarizes here: “Art, Creativity and Controversy, Why and How Artists Create Controversial Work (https://www.artcreativitycontroversy.com/) is based on the premise that it is within the philosophy and zeitgeist (spirit) of the times that innovative artists develop new ideas and use the means most suitable to interpreting them. By understanding WHY adventurous artists create unusual work skeptics will, (even if they still don't like the work) be able to discuss it intelligently and not denigrate it.” Some of the subjects we discuss: Artist Statement Concern for the world Today’s artist Educating yourself Early history Perceptual studies class Foam pieces Students work/examples Being an adventurous artist Dealing with fear and failures Examples of work TV-Mirror installation Getting the viewer thinking Writing/words in work 1000 years/the future Life to the fullest Beginnings with art Researching other artists Current and future work "TIMEKEEPER" a narrated slideshow of Claude van Lingen’s life and work from Co-Lab Projects on Vimeo. Banner image - 1000 YEARS FROM NOW Endangered and Threatened Species of the 21st Century, 2006 - All Species 18" x 48" - 6B Graphite Stick and 9H Pencil on paper This interview has been edited and condensed for clarity. Intro music generously provided by Stan Killian (http://stankillian.com/main/) Support this podcast. (http://www.austinarttalk.com/supportpodcast)
Rose Luardo is a performer, singer, comedy sketch artist and artist. You may have seen her with Andrew Jeffrey Wright in the New Dreamz or as a singer with Sweatheart, the alternative rock band. In her first solo exhibition at Practice Gallery (over Feb. 26), she has created a theatrical tableau with several big elements, one of which involves the viewers climbing into a psychedelic-patterned coffin in the middle of the gallery space.
Rose Luardo is a performer, singer, comedy sketch artist and artist. You may have seen her with Andrew Jeffrey Wright in the New Dreamz or as a singer with Sweatheart, the alternative rock band. In her first solo exhibition at Practice Gallery (over Feb. 26), she has created a theatrical tableau with several big elements, one of which involves the viewers climbing into a psychedelic-patterned coffin in the middle of the gallery space.
Join Kathleen on Sundays from 10am,for a Great Mix of Local News,Guests,and Your Kind of Music. This week,Kathleen is joined by Nora Hayden and Melissa O'Faherty. As yet another report hi-lights the Homeless Crisis gripping the Nation,Nora speaks about the work of 'The 5 Loaves'-working for the Homeless. Melissa O'Faherty is a Greystones Artist with a forthcoming Solo Exhibition at Signal Arts Centre,Bray. Melissa discusses her recent Work,and the influence of her experiences related to losing her Father,the late and much Loved Folk Musician Al O'Donnell,member of seminal Folk Group Sweeney's Men,successful Solo Recording Artist,and guest Vocalist with The Dubliners. #GardenCountyRadio #Wicklow2016 #Ireland2016
This week Peter Shear returns to the podcast to discuss his Solo Exhibition entitled “Sausage” at the Peoria Art Guild. The show features nearly 100 small paintings which explore shape, color, and surface coupled with diverse exploration.
Episode 76: This week Peter Shear joins us again, this time the night of his Solo Exhibition entitled “Sausage” at the Peoria Art Guild. The show features nearly 100 small paintings which explore shape, color, and surface coupled with diverse exploration. Peter Shear Peoria Art Guild iTunes The post Peter Shear appeared first on Studio Break.
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