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Danny, Proto, and Slim chat about Pirates of the Caribbean: Dead Man's Chest (2006). Other topics include Jungle Cruise and DJ letting us down, the first ever VHS Village Olympics, The Conformist, the Long Goodbye, updates to Proto's faves, and more. Support the 70mm Patreon to join our VHS Village Discord, listen to exclusive episodes, get your own membership card, use member-only discounts on merch, and vote on future episodes! Subscribe on Spotify for access to exclusive episodes! Episode transcriptions are available thanks to Soph from Film Hags! Don't forget you can visit our website to shop our storefront to buy prints and merch, read episode transcriptions, check out upcoming movies, email the show, upgrade to Letterboxd Pro/Patron at 20% off, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER, The Letterboxd Show, Dune Pod, FILM HAGS, Will Run For... and Lost Light. Episode artwork by our sweet boi Danny Haas.
On the second episode of AfterLUNCH, we reran a discussion of Pirates of the Caribbean: The Curse of the Black Pearl from an old podcast that Michael and his son David used to have. In addition to Michael and David, the panel featured Lizzie Twatchman, Mike Westfall, and Ron Marz. Now, the panel finally reconvenes (and with 100% more Rob Graham) to take a critical, but fond look at the second Pirates movie, Dead Man's Chest.
This week the boys reaturn to the Pirates of the Caribbean universe as they talk about the second installment in the series; Dead Man's Chest. And the boys each form half of a perfectly balanced whole this week, as Rooneys enthusiasm is countered at every turn by Reggie's less-than-sunny opinion of the film!Also, because piracy and perversion go hand-in-hand in Reggie's world, he surprises Rooney with a pop-quiz on the names of sexual deviations and fetishes (and they establish that Rooney is no longer a pervert, because he spends all of his time playing Sea of Thieves).There's also name-dropping galore (gotta get those tags on the socials!): WillNE, Belle Delphine, Steve Tries, and Rob Raven!Oh, and you can track Reggie's diminishing enthusiasm/health/mental state as the episode progresses....
This week Kelley and Jordan go over "Pirates of the Caribbean: Dead Man's Chest." In this episode they talk about the wedding Jordan went to, how bored Davy Jones must have been, the inconsistent magic, and they both make unnecessary cannibal jokes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
GUEST: Brett Pull yourselves up by your bootstraps, you twice-cursed landlubbers! This here is the second episode in our franchise series covering THE PIRATES OF THE CARIBBEAN. Joined are we by Brett, former co-host with Vito of the Carport Filmcast, as he sets sail with us to find Dead Man's Chest! As former shipmates, Brett and Vito go back aways and they finally come together on a new pod after 4 years apart. The second entry into the franchise is a tricky one, maybe over long and maybe too gross? Aye, but excellent and amazing (says Vito) and stilted (says Jesse) leaving Mike the sailor in the middle. Come listen to our tales of nostalgia, and our attempts at breaking down this confusing yarn. Thanks for stopping by! Find our other episodes at NYFMovies.com, email us at notyourfathersmovies@gmail.com and find our linktree with our all socials here
This week on Extra Film, Ryan and Jay continue their Gore Verbinski Movie Series with Pirates of the Caribbean: Dead Man's Chest and they review Gia Coppola's new film Mainstream! - Review: Dead Man's Chest (4:46) - Review: Mainstream (55:47) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Play: https://play.google.com/music/listen?authuser&u=0#/ps/It5foal422yoktioaclalk3ykyi Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/isten-now/
This week on episode 145 of The Walt Vault, we are talking about the 2006 live-action Disney sequel Pirates of The Caribbean: Dead Man's Chest! We talk about the strength of a good cliffhanger, the multiple storylines that follow the characters, Johnny Depp's real life drama, how to pronounce ‘paprika' and much much more! Check out our BRAND NEW MERCH on Bonfire! Find the video version on YouTube! Follow us on social media and subscribe to the show on your favorite platform to hear us every 2 weeks! All our Links: https://linktr.ee/Thewaltvault Twitter: @thewaltvaultpod Instagram: @thewaltvaultpod Facebook: The Walt Vault Subscribe on: iTunes, Stitcher, Google Play, Youtube, Spotify, Anchor Our website is: thewaltvaultpod.com Email: contact@thewaltvaultpod.com Become a Patron on Patreon and get access to our After Show for only $1 a month!! --- Send in a voice message: https://anchor.fm/thewaltvault/message Support this podcast: https://anchor.fm/thewaltvault/support
Josh Moore is back and we are setting sails on the high seas to talk about Pirates of the Caribbean: Dead Man's Chest! We talk about our favorite moments, which character the first three movies are actually about, and how to pronounce the word, Kraken. We are drinking Coast Coffee while talking to try and stay caffeinated and awake the whole time. Want some of this amazing coffee for yourself? Head on over to coastcoffeeroasters.com and use the code 'MOVIESANDMOCHAS20' for 20% off your first order! Want to submit questions, facts, or movie suggestions? Email us at moviesandmochas20@gmail.com and check us out on Facebook, Instagram, and Twitter! Just search for Movies and Mochas Podcast! Music: La Pompe Du Trompe by Shane Ivers - https://www.silvermansound.com --- Support this podcast: https://anchor.fm/movies-and-mochas/support
Welcome to Spoil Radio Season 2! A comedic movie review podcast with your hosts Reece, Dan and Declan. Join us every week as we discuss all facets of the films we choose, going into deep analysis but also keeping it light and having a good time. At the end of every episode we give a subjective rating of the film and an information drop on new movies to come. Join us this week as we review: "Pirates of the Caribbean: Dead Mans Chest". Music: So Fine by Walkin’ On
On this week's episode, Trevor and Logan sit down to discuss the second Pirates of the Caribbean movie Dead Man's Chest. And no, you didn't somehow miss an episode where we discussed The Curse of the Black Pearl. We just started with the second one because why not? Support on Patreon: patreon.com/thatnerdysite Follow the Nerds: Trevor: @TrevorJStarkey Logan: @LeftyLoggy That Nerdy Site: @thatnerdysite
"I won't confirm or deny how I know what a decapitation sounds like." - Dallin Agatone Hey kids, remember when we weren't fucking sick of Jack Sparrow? Well, special guests Jack Rourke and Chandler Williams (Warped Celluloid) certainly do. They join Dallin Agatone and Amanda Dutkiewicz to discuss 2006's Pirates of the Caribbean: Dead Man's Chest. Listen in as they look back at a time when pirates ruled the world and just what the hell happened to this franchise that made everyone lose interest. Raise the anchor, put up the main staff, and other various sailing jargon - it's an all-new Lost in the Vault! Check out Warped Celluloid wherever you get your podcasts: https://anchor.fm/jack-rourke Follow Warped Celluloid on Twitter: @WarpedCelluloid Follow Jack Rourke on Twitter: @therenegadejack Wanna support the show? Subscribe, rate, and review us on Apple Podcasts, Google Podcasts, Spotify, or wherever you listen to us! Visit us on our website: anchor.fm/lostinthevault Join the Official Lost in the Vault Discord: https://discord.gg/mwmtzfV Questions or comments? Email us at lostinthevaultpodcast@gmail.com Follow us on Twitter: @LostVaultCast Follow us on Instagram: @lostvaultpodcast Follow us on Letterboxd: https://letterboxd.com/lostvaultcast/ Created and hosted by Dallin Agatone and Amanda Dutkiewicz Special Guest: Jack Rourke Special Guest: Chandler Williams Editor: Amanda Dutkiewicz Producer: Dallin Agatone Theme music composed by Cavan Agatone Show art provided by Jack Rourke --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lostinthevault/message
The one where Kiera Knightley finally snaps Contact us at WhereStreamsComeTrue@gmail.com @Studio76WSCT on Twitter Anchor.FM/WhereStreamsComeTrue
Anime Was (Not) a Mistake is back for a continuation of The Pirates of the Caribbean franchise. Tonight join Dan, Grant, and Jonathan as they dive to the depths of Davey Jones' Locker with key and chest...no, not my chest, in hand, in their longest episode to date...till probably next episode. That's right, we are watching The Pirates of the Caribbean: Dead Man's Chest. Tonight you can expect sultry pipe organ solos, Krayken correct pronunciations, and even a jar of dirt. Would you go to the ends of the Earth for this podcast and anime adjacent properties? We hope so. Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by LOFI OFFON/: “Chihiro’s Break” “J EON Went Astray” “He’s a Pirate” - Pirates of the Caribbean: Dead Man's Chest – Hans Zimmer
This week the gang continues on the seven seas with the Pirates of the Caribbean: Dead Man’s Chest. We get into the logistics of a crew of murderous fish people, The pointlessness of the Britishness Navy in this franchise, and how the 2000’s most popular pirate became a human loony tune. Be sure to check out Eric’s other podcast The Living Force for all of your Star Wars Extended Universe needs! Also check out the trailer for The Vanishing Act, a new narrative podcast coming soon from us, your humble millennial film critics! It’s already in your feed, may as well listen! vanishingpod.com A huge thank you to all essential workers, thank you for keeping us safe. Be sure to leave a review on iTunes, like us/Follow us on Instagram/twitter: @filmanother. Send us your requests to notanotherfilmpodcast@gmail.com. This week we’re highlighting the organization For the Gworls: “we actively fight to reduce homelessness rates in the Black transgender community, as well as lower the risk for affirmative surgeries being done in ways that put them at greater health risks.” - For the Gworls website: https://www.artsbusinesscollaborative.org/asp-products/for-the-gworls-rent-and-gender-affirming-surgery-fund/ #chicagopodcast #moviepodcast #comedypodcast #newpodcast #newpodcastalert #independentpodcast #netflix #disneyplus #disney+ #primevideo #HBOmax #vanishingpod #NAFP #pirates #piratesofthecaribbean #jacksparrow #captjack #caribbean #POTC #blackpearl #curseoftheblackpearl #swashbuckling #deadmanschest #davyjones #flyingdutchman #johnnydepp SoundCloud: https://soundcloud.com/user-213348613 Apple Podcasts: https://podcasts.apple.com/us/podcast/not-another-film-podcast/id1370152795 Stitcher: https://www.stitcher.com/podcast/not-another-film-podcast
This episode we look at the second installment in the Pirates series. Topics include villains, the Kraken, Jack Sparrow's arc, some of of the messy but interesting plot elements, and McGuffins. Follow the show on Twitter @intanalysis18 Follow Evan on Twitter @davoswatson Follow Jelani on Twitter @jelanitkelly Buy Jelani's book Descended: Awakening Send comments, questions, suggestions, and requests to intanalysis18@gmail.com Subscribe, rate and review on iTunes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This is our last stop before the second leg of our voyage and what better way to transition than a pair of sequels. This week we have Pirates of the Caribbean: Dead Man's Chest (2006) versus Speed 2: Cruise Control (1997). Only one will make it out of these waters and into round 2, listen to find out which. And just in case you lost the link here it is again: https://blacklivesmatters.carrd.co/ Please keep supporting the BLM movement. So many still need justice, and so little has been done to dismantle the racist systems that perpetuate inequality.
We have our heading. It's another great Pirates movie! We've got another movie review for you guys and gals, and it was a fun one! This time, we talk music, character design, and plot, as we try to figure out questions like: "Why is Cutler Beckett in this movie?" "When did Elizabeth Swan get so good at puppetry?" and "How did Jack survive a fall off of such a tall cliff!?" And yes, Hanz Zimmer absolutely nailed it again with the score. Don't forget to leave feedback, and enjoy! New Apple Podcasts link! https://podcasts.apple.com/us/podcast/cinema-seekers/id1501397175?uo=4
On this week’s episode we’re talking about PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST. It would be an understatement to say that this is where a bit of a rift occurs between the group, and things get a bit heated. If you enjoy the episode please follow/rate/subscribe so we can keep this little engine of a podcast chugging.
This week, we review and discuss 2006's "Pirates of the Caribbean: Dead Man's Chest", the first of two sequels shot back to back over the course of 200 days. What kind of deadlines were the cast and crew up against? What were some of the challenges of this production? Where are the original costumes? Why is the rum always gone? All of this and more this week on Monoreel Radio.
On this week's episode, Pirate Fever infects the whole apartment as Chelsea Jupin joins Andrew (in-studio) and the rest of the gang (online) to chat about the second of... ugh... five films in the franchise, Pirates of the Caribbean: Dead Man's Chest! Why couldn't this have been a slick 100 minutes? Why did they insist on jamming those two dummy pirates down our throats? And is this tentacle stuff doing it for anyone else? PLUS: Please enjoy the killer new cover of our theme song, courtesy of the very talented Elliot Weeks from Seattle, WA—thanks, dude!Pirates of the Caribbean: Dead Man's Chest stars Johnny Depp, Orlando Bloom, Keira Knightley, Bill Nighy, Jack Davenport, Jonathan Pryce, Stellan Skarsgård, Tom Hollander and Naomie Harris; directed by Gore Verbinski.
Jenna is joined by the only other person she's spent a significant amount of time with in Quarantine, Dan Scully of Cinema76.com and the I Like to Movie Movie Podcast! One of their Quarantine projects was to watch all of the Pirates of the Caribbean movies, which sounded like a chore at first, but was actual way more delightful than either of them anticipated! They discuss Dead Man's Chest and At World's End while drinking hard seltzers and beer. New format! Jenna will be having guests on to talk about a Johnny Depp movie instead of talking to herself, unless she absolutely has to talk to herself because nobody remembers having watched The Astronaut's Wife! I Like To Movie Movie: https://ilike2movie.libsyn.com/ Cinema 76: www.cinema76.com www.jennakuerzi.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/deppimpact/support
Join The Cooperators' hosts Ben, Carmine, Gabe, and Jocelyn as we go through the Pirates of the Caribbean pentalogy. Subscribe to get the latest episodes as soon as they are available each and every Friday! Check us out on social media at: Instagram: instagram.com/thecooperators Facebook: facebook.com/thecooperators Twitter: @operators_theco Twitch: Twitch.tv/TheCo_Operators Have any questions, comments or thoughts on the episode? Send us an email at thecooperatorsentertainment@gmail.com!
Not a whole lot discussed in this episode because due to vacation we recorded early but Pirates Month as we have Mike Deacon and Bethany curl in to talk about the continued adventures of Jack Sparrow in Pirates of the Caribbean: Dead Man's Chest. Bigger, bolder, darker, but is it better tune in to find out 1:17 - NOTORIOUS News 30:02 - Pirates of the Caribbean: Dead Man's Chest Review
Aaaaaahhhhhahhhhahhhhh Davy Jones may have sunk ships, destroyed people and commanded an army of sea creatures, but he can he defeat the first Martin Scorsese film on the podcast? Best Picture Winner "The Departed" faces off against "Pirates of the Caribbean: Dead Man's Chest" in this 2006 showdown. Does Scorsese's "Infernal Affairs" remake still deserve Best Picture? Is "Dead Man's Chest" one of the best "Pirates" film? Listen to find out!
And we’re back with our second Pirate Parley episode, Pirates of the Caribbean: Dead Man’s Chest! Listen to our rambling attempts to parse out the plot, James Norrington’s fabulous Aragorn makeover, and the ever-important Kraken hugs on the high seas. Hope you enjoy!
Them Scurvy boys still have their black sails hoisted while sailing the Caribbean. Josh and Cage are one step closer to the finally of the trilogy because the other two don't count. ●INTRO THEME: Am I happy - Mattie Pride ●
This week, Ted, Clayton and guest Brennan Farrelly discuss peak genre films Alien, City of God and Pirates of the Caribbean: Dead Man's Chest. Spoilers for Alien start at 13:30 City of God discussion starts at 25:40 Spoilers for City of God start at 31:50 Dead Man's Chest discussion starts at 49:25 Spoilers for Dead Man's Chest start at 57:10 Next week’s films are discussed at 01:08:50 Ted's Letterboxd list: letterboxd.com/pizzahted/list/ted-ryans-you-have-to-watch-this-podcast Clayton's Letterboxd list: letterboxd.com/claytonterry/list/you-have-to-watch-this-films-ranked You can find Brennan's artwork, including this week’s podcast art, @dailyobstruction. Our intro song is Jazz Nut by Soul Human. Be sure to follow them on social media (@soulhumanjams) or listen to their EP, Objects in Space, anywhere you listen to music. You can find Ted's artwork @TheseFineTimes on Twitter and Clayton’s other podcasts, The Terry Talks Podcast (anchor.fm/terrytalks) and Stories Worth Sharing (anchor.fm/stories-worth-sharing), anywhere you find podcasts. Thank you to Anchor for making this podcast possible.
We love and respect the octopus man Davy Jones and are honored to discuss him and his large octopus pet on our podcast. Pirates of the Caribbean: Dead Man’s Chest is a movie that has some good parts, some bad parts, and some very cool sea critter monster guys. In this one, Bean and Chip.
This is kiiind of a wild and wacky and very unfocused one, recorded at Darren's sister's house. Included are some good bits and goofs, a couple stories, and Darren takes a drastic measure in a very casual way. WARNING!: Spoilers for the 2006 film Pirates of the Caribbean: Dead Man's Chest. LINKS: Hear Darren on the Chris Gethard Presents Podcast! (appearance at 42:50) Cloud psychokinesis video FOLLOW US ON TWITTER!: @TalkingBOV Follow Darren on twitter/instagram/snapchat: @darrenyouguys Follow Marshal on insta!: @youngshal And twitter!: @MarshalGambee --- Send in a voice message: https://anchor.fm/talkingbutourversion/message Support this podcast: https://anchor.fm/talkingbutourversion/support
Actor, Producer and Writer Barry McEvoy is with us this Episode. Brought to you by Wildcard Distribution. Barry recounts frankly some Interesting and unbelievable encounters with Hollywood top brass, performing with some incredible people, Auditioning for Martin Scorcese, a run in with Harvey Weinstein, having Robin Williams on your tail and trying to keep your integrity in a town where the order of the day is a side of inconsistency. You won't believe some of these anecdotes. Barry McEvoy is an Irish film Actor/writer best known for writing and playing the lead in An Everlasting Piece, directed by Barry Levinson. McEvoy's first screen appearance of note was in the supporting role of a gangster in Gloria, filmed after he had spent a decade performing in Off Broadway plays in New York City. He appeared in Gettysburg, Veronica Guerin, Pirates of the Caribbean: Dead Man's Chest, and Five Minutes of Heaven. McEvoy based the screenplay of An Everlasting Piece upon the adventures of his own father selling toupées to both Protestants and Catholics in Belfast, Northern Ireland, during the height of the conflict. The LA Times review of An Everlasting Piece said it was "a small miracle of comic imagination." Before his career in film, Barry was lead singer for legendary 1980s Washington, D.C., punk band Phlegm, who released several records before disbanding in 1988. McEvoy currently lives in Dublin with his wife and son. He continues to write and teaches feature Screenwriting and also stars in plays from time to time in both Ireland and the U.S. For more information about Barry's latest classes visit:
Guest Coleman Ranahan knows a Chtulu-esque villain when he sees one, and laments the addition of more Jack Sparrow goofiness.
In the first episode of All Sequels Go To Heaven, we discuss the fifth of Jack Sparrow and friends' oceanic romps, Pirates of the Caribbean: Dead Man's Chest (or, if you prefer, 5rates). Shoutout to The Manges for letting us use their song "Jump the Shark" as our intro and outro. And an additional shoutout to Kelly Burroughs for drawing us our fantastic cover art. Facebook: facebook.com/asg2hTwitter: @asg2h
Green v. Gold: Top Grossing Film vs. Oscar Winning Best Picture
Check out our latest battle episode! The year selected was 2006. The top grossing film was Pirates of the Caribbean: Dead Man's Chest featuring Johnny Depp, Orlando Bloom, and Keira Knightley, and the Oscar winning best picture was The Departed featuring an all-star cast.
Hosts Mat Bradley-Tschirgi and William Thrasher discuss Pirates of the Caribbean: At World's End. Captain Hector Barbossa (Geoffrey Rush) takes a crew of pirates to rescue Captain Jack Sparrow (Johnny Depp) from a bizarre underworld. Now in possession of Davey Jones' (Bill Nighy) heart, the East India Trading Company uses his tentacled help to start their final assault to get of pirates once and for all. Finishing up the half dozen plot threads from Pirates of the Caribbean: Dead Man's Chest, this third film in the series has a more confident story and pace. A concept of Pirate Lords from around the globe helps freshen up the franchise, as does a large scale battle between pirate ships in the midst of a supernatural storm. Mat enjoys the cinematography and deliberate pacing of Unbreakable, the first film in M. Night Shyamalan's superhero trilogy. Thrasher was amused by Mighty Orbots, a short-lived animated Transformers knock-off from the 1980s. The next few movie series we'll be covering are: Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
Hosts Mat Bradley-Tschirgi and William Thrasher discuss Pirates of the Caribbean: Dead Man's Chest. Will Turner (Orlando Bloom) is working undercover for the East India Trading Company to steal Jack Sparrow's enchanted compass. Somehow there's an Obeah Priestess (Naomi Harris), the titular Dead Man's Chest with Davy Jones' (Bill Nighy) heart in it, and a Kraken involved in all of this. Sporting a more bountiful budget than its predecessor, this sequel introduces more backstory to Captain Jack Sparrow and makes him less interesting in the process. Pirates of the Caribbean: Dead Man's Chest is more convoluted than the original film and often feels like nothing else but loads of exposition to set the viewer up for the third flick. The tone often lurches between the fun of the original (a vertical race up a cliff) and the self serious tone of something else entirely (soapy family dynamics between Will Turner and his father Bootstrap Bill (Stellan Skarsgard)). Mat felt Aquaman was an overlong dopey superhero epic with heaps of on the nose dialogue. Thrasher caught the animated feature Spider-Man: Into the Spiderverse, feeling this is the best theatrical Spider-Man to date with its deep cuts to decades of Spider-Man lore. The next few movie series we'll be covering are: Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
Hosts Mat Bradley-Tschirgi, William Thrasher, and special guest Eric McEver (writer and director of Paleonaut) discuss Pirates of the Caribbean: The Curse of the Black Pearl. They talk to Eric about how his love of Godzilla movies led him to Japan, how hard Godzilla films are to collect, and his early short film The Early Years of Captain Jack Sparrow. One of a gaggle of Disney films based on their theme park attractions (The Country Bears, The Haunted Mansion), this one was so successful is spawned a pirate's bounty worth of sequels. Elizabeth Swan (Keira Knightley) is in love with blacksmith Will Turner (Orlando Bloom). However, she's engaged to James Norrington (Jack Davenport). Her stolen skull emblazoned medallion has hidden powers that intrigue both scalawag pirate Jack Sparrow (Johnny Depp) and haughty ghost pirate Hector Barbossa (Geoffrey Rush). Many sword fights and drunken arguments ensue. Far better than any game based on a ride should be, this first Pirates of the Caribbean film combines derring-do with light horror elements in a family friendly package. Ted Elliott and Terry Rossio's screenplay is full of one too many characters, but when the cast is so game who cares? The trio get off on a tangent about the Star Wars Ewoks movies and Seth Green's stillborn Star Wars Detours series. Eric enjoys the Heisei version of Godzilla vs. Mothra. Thrasher gave the quirky Pottersville a watch. Mat read the Peter Jackson biography Anything You Can Imagine : Peter Jackson and the Making of Middle Earth by Ian Nathan. The next few movie series we'll be covering are: Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
Hosts Mat Bradley-Tschirgi and William Thrasher discuss Wes Craven's New Nightmare, the final flick of the original cycle of A Nightmare on Elm Street films. Director Wes Craven makes a very meta movie focusing on the making of a new Nightmare on Elm Street film. After a special effects accident on the set, Heather Langenkamp notices odd behavior from her son. Freddy Krueger (Robert England) is trying to posses her son Dylan (Miko Hughes). This time, it's happening for real... Or is it? Sometimes too clever for its own good, Wes Craven's New Nightmare blends Tinsel Town with terror in an uneasy mix. Watching this motion picture without ever seeing the original film is an exercise in futility. Perhaps the best written of the Nightmare films, Wes Craven's New Nightmare is only successful in fits and starts. Think of it as a dry run for Scream. Mat thinks the Price is Right scandal documentary Perfect Bid is a bit on the dry side but not without its charms. Thrasher digs into the newest season of Mystery Science Theater 3000 on Netflix. Titled The Gauntlet, this mini season features an overarching story between clips of the films and features some cult movies that are more recent (Mac and Me, Ator The Fighting Eagle). The next few movie series we'll be covering are: Pirates of the Caribbean: The Curse of the Black Pearl (2003) Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
At the start of the Random Select Tournament Is 2006's Pirates of the Caribbean: Dead Man's Chest Vs. 2015's Spectre! Brian and Mike G breakdown these two sequels to determine which is the better film! How does James Bond fair against Davy Jones Himself! Listen and find out! Remember to like, comment, and subscribe!
At the start of the Random Select Tournament Is 2006's Pirates of the Caribbean: Dead Man's Chest Vs. 2015's Spectre! Brian and Mike G breakdown these two sequels to determine which is the better film! How does James Bond fair against Davy Jones Himself! Listen and find out! Remember to like, comment, and subscribe!
Hosts Mat Bradley-Tschirgi and William Thrasher discuss the career of comic book writer, editor, and publisher Stan Lee. After a stint writing training films in the United States Army during World War II, Stan Lee returned to working for Timely Comics as a writer; in 1961, Timely Comics officially changed their name to Marvel Comics. That same year, at the tender age of 39, Stan Lee and artist Jack Kirby created The Fantastic Four. The first of several well known comic books Lee would co-create (Spider-Man, The Incredible Hulk, Silver Surfer, The X-Men), The Fantastic Four helped Marvel Comics grow in success and stature. And yet, Stan Lee was not without controversy. He was a bit of a publicity whore, taking sole credit for comics artists helped create. Much like Batman co-creator Bob Kane, Stan Lee wanted to, and became, a celebrity. Stan Lee continued writing comics until the end. Some of his more notable late works include the miniseries Just Imagine Stan Lee for DC Comics (Stan's spin on their roster of heroes (Batman, Superman, Wonder Woman, etc.)) and God Woke for Shatner Singularity (an adaptation of a poem about the creation of the universe and God's reaction to it). Mat and Thrasher discuss Stan Lee's career and some of his more memorable cameos in TV and film. Thrasher shares a touching story of how he met Stan Lee in person outside of a convention and got to shake his hand. The next few movie series we'll be covering are: Wes Craven's New Nightmare (1994) A Nightmare on Elm Street (2010) Pirates of the Caribbean: The Curse of the Black Pearl (2003) Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
Hosts Mat Bradley-Tschirgi and William Thrasher discuss Freddy's Dead: The Final Nightmare. After the lackluster box office gross of A Nightmare on Elm Street 5: The Dream Child, New Line Cinema decided to wrap things up with a bang with Freddy's Dead: The Final Nightmare. Another group of troubled kids venture to Springwood City to learn oodles of backstory on Freddy Krueger himself. There will be demonic worm demons, a terrible fake Nintendo video game sequence, and a metric ton of cameos. Amping up the comedic aspects, Freddy's Dead: The Final Nightmare attempts to wrap things up but ends up overdoing things. Part of what makes great villains interesting is that they are mysterious; think of Boba Fett in Star Wars Episode V: The Empire Strikes Back or Ivan Drago from Rocky IV. Inserting somewhat sympathetic angles into Freddy's past undermines him as a character, and the way he goes out in this motion picture is totally lame. Mat enjoyed watching two long-form depressing documentary series on Netflix: Making a Murderer and The Staircase. Season 2 of Making a Murderer spins its wheels as the final case is not yet complete. The Staircase has a far superior conclusion. Thrasher liked aspects of The Brain, a Canadian horror film from the 1980s. The next few movie series we'll be covering are: Wes Craven's New Nightmare (1994) A Nightmare on Elm Street (2010) Pirates of the Caribbean: The Curse of the Black Pearl (2003) Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!
Hector Navarro and Keller Knoblock are joined this week by Matt Acevedo as they continue their ten-year-long movie watching journey with number 475 on the list of the 500 Greatest Movies of All Time: Pirates of the Caribbean: Dead Man's Chest (2006). Will Hector and Keller get through the whole list? Will they live that long? Follow along with Keller, Hector, and their friends as they tackle a movie a week! --- Support this podcast: https://anchor.fm/500greatestfilmspodcast/support
Year: 2006 Directed by: Gore Verbinski Starring: Johnny Depp, Orlando Bloom, Keira Knightley
Continuing their sub-series that no one cares about, Dan and Avi watch Pirates of the Caribbean: Dead Man's Chest. Avi compares it to Monkey Island 2: Le Chuck's Revenge; Dan knows what's going on; neither of them are particularly impressed. Please rate and review us on Apple Podcasts, we'd really appreciate it. You can tell us we're wrong, we'd love that.
Happy New Year from David and Tony as they welcome back to Escape Pod "Special Effects Makeup Artists" Dave Snyder! Dave has worked on many movies you've probably seen like: Alita Battle Angel, Dawn of the Dead (2004), Star Trek, Star Trek: Into Darkness, The Cabin in the Woods, No Country for Old Men, Dead Silence, Pirates of the Caribbean: Dead Man's Chest and a ton more. Plus TV shows too like West World, Stan Against Evil, The Walking Dead. CSI, Babylon 5, Six Feet Under, and Ash VS Evil Dead just to name a few. click on Dave's IMDB page below to see more... #davesnyder Dave Snyder's IMDB Page: http://www.imdb.com/name/nm0811434/?ref_=tt_ov_st_sm The H.P. Lovecraft Historical Society: http://www.hplhs.org/ Alita Battle Angel movie trailer: https://youtu.be/aj8mN_7Apcw Fan-O-Rama: A Futurama Fan Film https://youtu.be/f-1RMKdWz8M It Came from Bob's Basement: Science Fiction and Monster Movie Archive of Bob Burns http://www.amazon.com/exec/obidos/ASIN/0811825728/johnmichlspopculture Rick Baker’s Original E.T. Designs: https://uproxx.files.wordpress.com/2014/05/gammasquadetcreepy3.jpg?quality=100&w=650&h=326 - - Please Subscribe To This YouTube Channel - - Support Us https://www.patreon.com/outbreakpodcast Get a FREE audiobook download and 30 day free trial at https://www.audibletrial.com/outbreak Thanks for listening and please rate us on iTunes !!! https://itunes.apple.com/us/podcast/e... Order T-shirts, Coffee Cups and More http://www.redbubble.com/people/outbr... Escape Pod website: http://www.outbreakpodcast.com Email us at outbreakpodcast@gmail.com Outbreak Podcasting Network #escapepod #outbreakpodcast #tonybrown #davidanthony Stock Media provided by 6@PublicDomain / Pond5
My guest this week is special effects technician, Tom Seymour. Tom Seymour is known for his work on Titanic (1997), Pirates of the Caribbean: Dead Man's Chest (2006) and Pirates of the Caribbean: At World's End (2007). --- Support this podcast: https://anchor.fm/set-in-horror/support
Tyler and Alex discover that they may have been looking back on the Pirates franchise with rose-colored glasses.Find us on iTunes, online at herecomethesequels.blogspot.com, through email at herecomethesequels@gmail.com, and on Twitter @HCTSequels. We're also on YouTube at https://www.youtube.com/channel/UCuX9HQQowSHI1KXjrsW_hkw (we'll clean that up eventually).
This time we step back to 2006 for Pirates of the Caribbean - Dead Man's Chest, staring Johnny Depp. The first 'Pirates' film didn't make the list so we have also released a mini-episode covering that film.
Welcome to the sixth episode of Sequelisers, the show all about fixing bad sequels to good movies. If there’s a good movie that was followed by a terrible sequel, you better believe that we’re going to try and fix it. This episode is all about the first bad Pirates of the Caribbean movie, Dead Man's Chest. That's the second one, if you're keeping count. So, what can we do to fix it? Add some new characters? Cast some 70s rockstars? Delve deep into real life pirate lore? All of the above, pretty much. It's Frampton Comes Aboard vs Sea Sharks in this battle to save the Earth. Who do you think had the better pitch? Use #FramptonComesAboard or #SeaSharks to let us know! Do you have a good idea for POTC 2? Do you disagree with the decision? Email us at sequelisers@gmail.com Theme music by Daniel Williams. Twitter: @Sequelisers or #Sequelisers Stuart: @Ashens Alec: @Alec_Plowman Matthew: @Stoghz Tom: @MadeByForward Jack: @JLWChambers
Is Wonder Woman as much a triumph for women within the Hollywood industry is it just a much-needed victory for Warner Bros. and the DCEU universe? Unlike the movies from its cinematic predecessors, Wonder Woman opened the weekend to prescreening praise and that highly sought after Rotten Tomatoes score. With so much animosity over the validity of critics these days and the effect they have on a film's opening success at the box office, one can indeed argue that good word of mouth can and will influence how a film is received by potential ticket buyers. Failures of titles like Suicide Squad and Batman v Superman placed a stigma on all future releases within this DC comic book movie franchise, but is it fair to judge a film based on the success of a franchise? As much bad wrap as those films received, they have a good return on investment, ultimately making that film a studio success. Wonder Woman, DC's first highly touted film, scored big with positive ratings from critics associated with the popular movie website Rotten Tomatoes. As much as they (the critics) decry accusations that sites such as RT have a negative effect on a film's opening success, the proof is in the pudding. Wonder Woman was certified fresh at 94% and performed better than the horribly rated Pirates of the Caribbean: Dead Man's Chest and Baywatch which both opened a week before. Is the word of the critic word really that important, and if so are sites like Rotten Tomatoes inadvertently controlling the industry by proxy? Before She Was Wonder Woman, She Was Diana - REVIEW I found myself at odds with wanting to like this movie as much as everyone else LOVED this movie. I mean, it got a 94% percent on Rotten Tomatoes so I should like it right… right? That’s the odd nature of criticism and human behavior. It’s our nature to not want to be at odds with the masses-- to just accept whatever is popular instead of forming our own opinion or being truthful to our own opinion. A movie gets a horrible rating and automatically it's cemented in your mind that the aforementioned movie is a film you would rather not spend money to go and see. Access to such information has taken the risk out of watching movies. Whether you hate or love a movie, isn’t it more of the experience we seek to obtain? Or is it that we would rather save our money than take a chance on a film that may disappoint us? I was excited by the idea that Wonder Woman would be the best movie of the summer — even better than Guardians of the Galaxy Volume 2. That last scene in B vs V left me wanting more of the Amazonian warrior who faced off with Doomsday as Superman moped and Batman hid. However, it just didn’t rock my world as it apparently rocked for other people. All those positive reviews and movie was just okay. Sorry, status quo. When asked, “So what did you think?” I bit my tongue a little, I admit. Why? Because I believed my feelings towards this movie were maybe too subjective to really debate whether or not this iteration of Wonder Woman met my criteria as the Wonder Woman film I wanted to watch. Bre, a contributor to If three by space and friend, shared the same sentiment. Finally!, Someone else who thought the movie was meh. I’m usually very candid about my reactions towards a film, never really holding my tongue. I even waited to hear Bre's reaction before I could truthfully respond to her about whether I liked the movie. To my surprise, she too did not share in the hoopla that is Wonder Woman Praise Mania. Instead of disseminating my negative thoughts onto you. I wanted to understand why it is that I did not share the same sentiment about this take on the iconic 1/3 of the Superhero Trinity. Wonder Woman isn’t exactly an innovative film, especially within this overly saturated market of comic book inspired movies. Sure, it’s the first movie helmed by a female director featuring a female comic book character to gross over $100 million dollars. The accomplishment should be heralded as much as celebrated by every director and actor in the industry. However, we can’t focus on the success of this film as a solitary achievement that will change the nature of the film culture. The truth remains that this is just one film about a superhero that took many years to make primarily because studios didn’t want to take a risk. Only after her appearance in B vs S were they finally convinced that they could make money off of this character. Within the current narrative of the DC Universe movie, a stand-alone Wonder Woman film is just a life preserver floating atop an empty ocean. It doesn’t fit within the current narrative which began with Superman and continued into B vs S and should have just gone on with The Justice League. Opposite of Marvel, they would have to introduce the character after the debut of the ensemble team. However, WW was riding a wave of excitement and it was a smart business move to make a standalone film now instead of later when the fervor subsides. So, stop with the praise that this is a home run for female artists in the film industry. The numbers say it all and as of 2016, women comprised just 7 percent of all directors working on the top 250 domestic grossing films. Wonder Woman was poised to do well at the box office. Maybe not 100 million opening well but as with all the movies before it, Jenkins would have eventually obtained this title of a person who made a movie for a studio that grossed a lot of money. Consider the Fate of the Furious as a perfect example: There was this brief celebration of F. Gary Gray becoming the first black $1billion director. Kudos goes to the work he put in to make the film what it became but his efforts weren’t all that pushed this film to its incumbent success. The Furious franchise is eight films in and continues to perform no matter who is in the director's chair. Wonder Woman will eventually make a bazillion dollars but let’s not focus on solely on numbers, that’s studio mumbo jumbo, but rather the time and effort and vision of Patty Jenkins who never directed an action movie and her muse Gal Gadot who had some big red boots to fill; they deserve more respect for their efforts than an entrance into the all boys 100 million dollar club. Much of what other people liked about the movie or continue to blab on about, I did not particularly find impressive enough to consider an indifference to mainstream movie fandom. And as I tried to reason with myself about the supposed greatness of this film, I realized that it was all haberdashery; dressing up my opinion of the film to appeal to the overall consensus. Wonder Woman: The Good, The Bad, The Cheesy Wonder Woman wasn’t that great of a movie, however, I was interested in why I do not hold the same opinions as others. So, I read a few reviews and talked with a few people who also watched the movie and pulled from those resources and conversations good and bad aspects of the film that might help me form a different opinion of Wonder Woman on a second viewing. I am a firm believer that it takes more than one viewing to fully appreciate a film and with that, I am willing to sway my own opinion based on further insight into why people like this movie so much. Here, I debate a view arguments and positives about the film that struck as the more important conversational starters. DC Enters the Light Yes, Wonder Woman had endearing flirtatiousness with her naiveté fish out of water story beat. The scene on the boat with her and Trevor talking about sex was kinda funny until you listen to the dialog and realize Trevor the gentleman is really just a horny man dog. I didn’t necessarily need them to showcase their sexual attraction so openly. Diana had a mission and her mission was to destroy Ares. This flirty school girl/ guy routine was only a way to exploit Diana’s innocence for a joke. There was this wardrobe changing scene that was funny and more along the joke spectrum I consider effective enough to represent Diana’s adverse emersion into regular society. Using common stereotypes and customs that defined women during the 1930’s and 1940’s (and today) was a fun way to show not only Diana’s ignorance but strongly rooted Amazonian female roots and female empowerment. Female Empowerment Gadot handled herself quite impressively in the scenes where the omnipresence of men conflicted with her beliefs, and it was those vulnerable moments that identified with Diana’s key character trait; empathy. Diana Meet Steve: The Cheesy Rom-Com Y’know what’s sexier than a sex scene? Not having a sex scene. I mean c’mon, Diana just met Trevor and sure, in the heat of battle things can get a little hot and heavy but why does it have to end with her beckoning Trevor with a longing gaze as he closes the bedroom door. I would think any woman involved with this script would be like: "What? No… eww/" But I guess when the director renounces cheesy as a word, you get a scene like that. It’s like when Kevin and Winnie’s first kiss, and yes this is a Wonder Years analogy but it applies to all romantic comedies where two people in love want to be together but extenuating circumstances keep them apart. Ex. Felicity and Scott Speedman, Diane and Sam, Buffy and Angel. With all those examples, those couples had to endure many setbacks before they became a couple. The kiss between Winnie and Kevin only happens after Winnie disses him over and over again. The longing builds up the tension for the final moment or season ending episode when Kevin finds Winnie in a clearing sitting on a rock gazing off into nowhere. He drapes his jacket over Winne’s shoulders and holds her close with one arm around her shoulders. Slowly she’s drawn to him and their lips meet for that first kiss as When a Man Loves a Woman plays over the soundtrack. Picture the final moment of Wonder Woman with such a longing looming over Diana and Steve. One kiss and boom that’s all the sex those two needed — their relationship would transcend into something more, and that’s love, that’s a great scene. Here’s looking at you kid. It’s not that the supposed sex scene in Wonder Woman was cheesy, it just wasn’t necessary. Empathy and strength in the presence of adversity. The Origin Story Mashup: What works best towards the Wonder Woman narrative is all about how much you know. Diana is a princess, check. She was molded from clay, check. Zeus is her father, check. Trevor crashes onto the island of Thermasyoiuoiu, check. Diana fights in disguise to win an opportunity to join Trevor on a mission to the US, not checked. Diana loves Trevor, check. Wonder Woman didn’t come to save mankind, Diana was in love. The hero thing came after and the movie attempts to mold these ideas together to sculpt an imperfect god-like figure who could as easily destroy man and succumb to him just the same. George Perez created the Ares narrative in the first issue of the 1986 reboot of the series in which Wonder Woman doesn’t leave the island to chase after Steve Trevor but she leaves to fight Ares. As with all comic book movies, they usually pick and choose which storylines work the best for their project then find a way to tell a version of a story that appeals to the premise of selling tickets. Henceforth, why the plots of X-men, Suicide Squad, Spider-man 3, fail to work as a fully developed story ideas. Writers are usually asked to put too much into a two-hour movie and when doing so they add too much or leaving out a very crucial parts to a storyline that spanned my ten to twenty issues. No Man’s Land Arguably the best scene in the movie almost did not make it into the film. Here’s Patty Jenkins: It’s my favorite scene in the movie and it’s the most important scene in the movie. It’s also the scene that made the least sense to other people going in, which is why it’s a wonderful victory for me. I think that in superhero movies, they fight other people, they fight villains. So when I started to really hunker in on the significance of No Man’s Land, there were a couple people who were deeply confused, wondering, like, ‘Well, what is she going to do? How many bullets can she fight?’ And I kept saying, ‘It’s not about that. This is a different scene than that. This is a scene about her becoming Wonder Woman.’ I agree with her every word. When thinking subjectively about why something does or does not work we tend to not take into consideration the art of creating a moment like this. It’s not about how much sense it makes -- we all know there was no mystic Amazon warrior fighting battles in WWI. The No Man’s Land scene was more about the atrocities of war and sanctimony of battle. Diana would conquer the unconquerable, a stretch of land littered with hundreds of dead soldiers for the morally good, and not just to kill an enemy but to save the people. This particular fight was bigger than even Ares himself as in that moment Diana wore her heart outside of her chest fighting for the greater good and not the purpose of war. Scoop Du Jour One of the better stories about Wonder Woman stems from the origins of the comic book character and her creator Dr. William H. Marston. Jill Lepore, the author of the book The Secret History of Wonder Woman wrote an article for The Smithsonian which describes the scandalous beginnings of Wonder Woman and DC Comics. Marston was a jack of all trades, a psychologist, scientist, and lawyer who started his work with DC Comics in 1941. As a move to help curtail the onslaught of criticism from the media and watchdog groups, Maxwell Charles Gaines creator of DC Comics, took to an idea from Marston to create a female character who among the likes of Superman and Batman would help to soften the violence and sexual nature of the current pulp comic narrative. Little did Gaines know that Wonder Woman would bring him more attention than he so desired. The debut of the Diana from the mystic Amazonian Paradise Island was immediately met with overall disdain. The number one complaint: They didn’t like the way she was dressed. Too much skin, they shouted as they burned images of Wonder Woman clothed in nothing but a tight red top, underwear, a lasso, and boots. Burn the witch! Okay, it’s wasn’t that dramatic but isn’t the same type of anger expressed whenever a woman come outs against the status quo? Past the cover and onto page one clothing just the tip of the anger-berg. Images of bondage and not-so-subtle feminist messaging throughout the comic caused for a plea that the comic be remove from the shelves and restricted from children! Such vile content would warp the minds of the adolescence and cause them to commit horrible acts of debauchery in the future. Luckily Gaines, a physiologist, could defend Wonder Woman in reality as she defended herself on the page, but it was not easy. In this article, Lepore touches upon Marston and his relationship with his wife Elizabeth Holloway, and live in love affair, Olive Byrne. Their love story had nothing to do with Wonder Woman per say. The trio would manage to keep their polyamorous living situation a secret going so far as to introduce Byrne as a widowed cousin who needed a place to stay. Labels and stereotypes are used to keep people shackled to an idea of conformity, so instead of wearing a ring, Olive Byrne wore two bracelets. Marston, Byrne, and Holloway all had ties to the feminist Suffrage movement and when you consider this history, Wonder Woman the character — her meaning— takes a different shape as she may have been a character birthed from idea but she molded into a model of female empowerment that exemplifies struggle, strength, and overall empathy towards mankind. If you watched the movie, and happen to see the trailer, Professor M; that is this story made into film starring Luke Evans. Check it out. This, That, and Other News Teens rescued after spending three days in the catacombs beneath France. Sounds like a movie right? As Above, So Below is a found footage movie released back in 2014 about a couple of cataphiles who get lost in the maze that of the freaky underground tombs of Paris, France. http://www.cnn.com/2017/06/15/europe/paris-catacombs-rescue/?iid=ob_lockedrail_bottommedium Weekly Flavor Text: “Great girdle of Aphrodite!” she cries at one point. “Am I tired of being tied up!” Links: The Secret History of Wonder Woman Smithsonian Magazine: Wonder Woman Origin Story Film School Rejects Wonder Woman Review Film Schoo Rejects "Wonder Woman Champion Empathy Wired: Wonder Woman Origin Story i09: Why Super Heroes Exist How Wonder Woman Tackles Superheroes Movie Greatest Foe: Sexism Wonder Woman Is A Milestone But Shouldn't Be [x_recent_posts type="post" count="3" section="podcast" orientation="horizontal"]
The Summer of Pirates continues on We Want The D! The second installment of Disney's seafaring franchise has pretty much the whole behind and in front of the camera team returning with bigger action, bigger boats and almost certainly bigger paychecks. PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST may have crammed way more action sequences and plot into what amounts to essentially half a story, but it also added some new and mostly welcome faces to the franchise, from Tom Hollander's littlest East India Company Man to Bill Nighy's delightful turn as a tentacled Davy Jones. So while some of the cracks in the franchise have already started to show, Vicky, Nolan and Jill are willing to overlook them in favour of the fun this entry managed to inject into this now-bloated series of films. Whether this trend will continue will have to wait until next month as the Summer of Pirates continues!
Tyler and David discuss what they've been watching, including Fox and His Friends, Hannah and Her Sisters, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Pirates of the Caribbean: Dead Men Tell No Tales, Alien: Covenant, Captain Underpants: The First Epic Movie, Dragnet, The Meaning of Life, Seven, The Mummy, Jurassic Park, Nightmare, Jurassic World, The B-Side: Elsa Dorfman's Portrait Photography, Wonder Woman, The Memphis Belle: A Story of a Flying Fortress, How to Operate Behind Enemy Lines, 47 Meters Down, Silicon Valley, Modern Family, Iron Fist, Twin Peaks, Cuplicated and The Amazing Race.
In our 54th episode, we first question as a podcast why people do it. Then we see the ever gross Captain Jack Sparrow ( Johnny Depp ) in his never ending fight against the undead in Dead Mans Chest. Disney drew up some questionable scenes of possible pirate ravaging and a father son relation ship between the ever so idiotic Turner ( Orlando Bloom ) bloodline that makes you question how smart anyone in these movies can actually be. Listen as we break down, brutally joke on, and parody the movie's plot and the characters, as well as give each of our scores out of 10. Listen to the previous released movies in our Pirates of the Caribbean series where we talk about Curse of the Black Pearl (Ep.53), Dead Men Tell No Tales (Ep. 52). Subscribe and be sure check out all our previous episodes on all the movies in Fast and the Furious (Ep. 44-51), X-Men (Ep. 33-43), Star Wars (Ep. 24-31), Harry Potter (Ep. 15-23), and MCU(Ep.1-14) movie series'. Hit us up with how you feel about Dead Man's Chest or if you feel like Davey Jones should really do something about all that fungus. Follow on Twitter for Release Schedules and Buffoonery: twitter.com/OrderOfOpinion Like our Facebook Page: www.facebook.com/orderofopinion
Don Lee is an actor, producer and stunt performer who has worked on films such as Star Trek Beyond (2016), Pirates of the Caribbean: Dead Man's Chest (2006) and Transformers: Age of Extinction (2014). He has also performed stunt and fight choreography for television shows like Agents of S.H.I.E.L.D. (2015), CSI: Miami (2011) and The Outsiders (2017), which is currently airing on WGN. In this episode, Don shares his experiences starting in competitive martial arts tournaments and eventually working as a Hollywood stunt performer. Don gives Adrian as well as listeners an in-depth look at the level of both physicality and professionalism that goes into performing grueling stunts on a regular basis.
Don Lee is an actor, producer and stunt performer who has worked on films such as Star Trek Beyond (2016), Pirates of the Caribbean: Dead Man's Chest (2006) and Transformers: Age of Extinction (2014). He has also performed stunt and fight choreography for television shows like Agents of S.H.I.E.L.D. (2015), CSI: Miami (2011) and The Outsiders (2017), which is currently airing on WGN. In this episode, Don shares his experiences starting in competitive martial arts tournaments and eventually working as a Hollywood stunt performer. Don gives Adrian as well as listeners an in-depth look at the level of both physicality and professionalism that goes into performing grueling stunts on a regular basis.
This week we pushed the time machine past all reasonable limits and made two stops, one in 2006 to look around and have a look at it's highest grossing movie Pirates of the Caribbean: Dead Man's Chest. We talk the poo-salad of a year that is 2006 and try to talk about the movie... but felt for some awful, self-destructive reason that we should hop to 2007 to see Pirates of the Caribbean: at World's End. We did. We do not know why. It hurt us, but it made us strong? With Special guest comedian and fine fella Alex Sparling!
We were so doubting of the first one pre-release, then so happy about it, then so damn optimistic and hopeful for the sequels. Matrix? Nope. We talkin' bout Pirates. CBax is on his honeymoon, so the first of 3 former Guest Hosts comes back into the fold as we welcome back Stephanie Pagani to the time machine. Listen as we discuss whether boat captains can marry people, hammerhead shark men being the best mutants, rubbish muddy British wigs, Will Turner being part dolphin, Pirate rum in grungy bottles, Johnny Depp's film career and how to pronounce "Kracken". All that plus Fun Facts and Tenzie Awards. (NEXT EPISODE: Miami Vice)
There may be some disagreement between the hosts on this film... Today we review the second film the the Pirates of the Caribbean franchise. While nearly everyone agrees that Curse of the Black Pearl is great, there are a lot of mixed feelings on the sequels. James loves the film, but Gabe isn't convinced it's a great film, but both agree it's a lot of fun!
As part of Radio 3's 18th Century season, Matthew Sweet introduces a selection of film music with an 18th century theme including John Addison's music for "Tom Jones", George Fenton's music for "The Madness of King George" and Ennio Morricone's music for "The Mission"; as well as music form "Plunkett and MacCleane"; "Jefferson In Paris"; Pirates of the Caribbean - Dead Man's Chest"; and "Perfume - The Story of a Murderer". The Classic Score of the Week is the Oscar-winning music for Stanley Kubrick's "Barry Lyndon".
Drink up, me hearties, because on this week's all-new Mousterpiece Cinema, you're going to need it. Last month, your feared captain, Josh, along with his first mate Mike and bosun Gabe, took a look at the 2003 adventure Pirates of the Caribbean: The Curse of the Black Pearl. That only means one thing: time to head to Davy Jones' locker in more ways than one. This week, your trio of hosts review the first sequel in the franchise, Pirates of the Caribbean: Dead Man's Chest. You'll hear some crazy ideas and pirate voices this week, but brace yourself: this week, Josh isn't the most negative person on the podcast! Don't believe me? Grab a flagon of rum, your nearest wench, and dive into the depths with new episode of Mousterpiece Cinema!
Scott Kravitz is a character animator in San Francisco, CA who started out as an actor.He became a featured character animator on a variety of film projects including the animation series The PJs, Hollow Man, Matrix: Revolutions, Superman Returns, Pirates of the Caribbean: Dead Man's Chest, and The Host.His personal film projects include Family Portrait, Magic Trick, and Loom.Loom is about a street musician who risks his life to save a child and meets his fate at the hands of an old woman who is more than she seems.
WARNING: This podcast is meant to be heard AFTER you've seen the movie. Slate movie critic Dana Stevens and staff writer Bryan Curtis discuss the shameless ending of Pirates of the Caribbean: Dead Man's Chest, starring Johnny Depp, Orlando Bloom, and Keira Knightley. Learn more about your ad choices. Visit megaphone.fm/adchoices
Anthony raises a bottle of rum to the opening of "Pirates of the Caribbean: Dead Man's Chest" and concocts a Planter's Punch with Miss All-American North Carolina, Melissa!