Podcast appearances and mentions of Terry Rossio

Faith & Family Filmmakers

Play Episode Listen Later Feb 17, 2025 112:35

Joe and Drew commentate over the highest grossing Godzilla movie ever. Patreon: https://www.patreon.com/godzillapodcast Discord: discord.gg/cFFx4N5 *** Directed by: Adam Wingard Screenplay by: Terry Rossio, Simon Barrett, Jeremy Slater Story by: Terry Rossio, Adam Wingard, Simon Barrett Based on: Godzilla and Mothra by Toho Co., Ltd. Produced by: Thomas Tull, Jon Jashni, Brian Rogers, Mary Parent, Alex Garcia, Eric McLeod Starring: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen Cinematography: Ben Seresin Edited by: Josh Schaeffer Music by: Tom Holkenborg, Antonio Di Iorio Production company: Legendary Pictures Distributed by: Warner Bros. Pictures (Worldwide), Toho (Japan) Release dates: March 25, 2024 (TCL Chinese Theatre), March 29, 2024 (United States) Running time: 115 minutes Country: United States Language: English Budget: $135–150 million Box office: $571.8 million

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Pirates of the Caribbean: Curse of the Black Pearl

School of Movies

Play Episode Listen Later Jan 10, 2025 144:19

[School of Movies 2025] An extremely long-awaited show on a game-changer of a blockbuster movie. The first Pirates film, released in 2003 before Lord of the Rings had completed brought the world many things: A fantabulous extravaganza of practical effects, combined with a surprisingly light smattering of digital VFX that would be leaned into a lot harder later down the line, The notion that the swashbuckler could still do big business (the hidden caveat was that Johnny Depp being strange absolutely must be present) Keira Knightley as a leading lady, Gore Verbinski as a major director, the supposition that audiences would flock to cinematic adaptations of Disney park rides (they won't, just this one. See above regarding Johnny Depp) and Geoffrey Rush as an all-time iconic big-screen presence embodying the most consistently enjoyable pirate of all time. But there's more going on, beneath the frothing surface, a fantastically witty, urbane and efficient script by Terry Rossio and Ted Elliott, one of the greatest scores ever composed (in a shockingly short amount of time) and Orlando Bloom's character actually being quite good, especially when held against Jack Davenport's Lawful Neutral Commodore James Norrington. This was a commission for Lincoln Alpern and features clips from the best audiodrama I've ever composed; Panther Soul, and the first chapter of the brand new Dracula adaptation Castle of the Moon. Guests: Hollywoo Actress Maya Souris @Mayasantandrea Brenden Agnew @BLCAgnew of Make Me Watch It

The Mission of 3 Days Studios and Guild

Play Episode Listen Later Jan 9, 2025 32:32 Transcription Available

Episode 114 - The Mission of 3 Days Studios and Guild In this episode of the Faith and Family Filmmakers Podcast, hosts Jaclyn and Geoff are joined by George Escobar and Dr. Joel Bunkowske from 3 Days Studios. They delve into the mission driving the studio, focusing on faith and family-centric storytelling. The conversation also covers the upcoming series 'Prairie Winds', aimed at filling the demand for wholesome, Christian family entertainment, inspired by shows like 'Little House on the Prairie'. They discuss the guild model for community involvement and education, the business strategy of vertical integration, and their innovative approach to crowdfunding and distribution. Highlights Include:The Heart Behind 3 Days StudiosJoel's Missionary BackgroundImpact of Christianity on Society3 Days Studio's MissionPrairie Winds ProjectCreating Compelling ScreenplaysVertical Integration and DistributionEmpowerment Guild and CommunityBios:George Escobar is an award-winning writer, director, and producer of seven faith-based feature films and over a dozen documentaries, including the Oscar-nominated “Alone Yet Not Alone.” His films: “Come What May” and “The World We Make” have been distributed by Sony, Amazon Prime, Netflix, PureFlix, and others. He has won screenwriting awards from: Kairos Pro Award, Content Media, ScreenCraft, and Coverfly's Red List. He has taught over 3,500 students in filmmaking from a Christian worldview. Escobar is now writing the “Prairie Winds” streaming series for 3 Days Studios, and producing the feature film, “Missileman" with Academy-nominee Terry Rossio as executive producer. Escobar served as Executive Producer for Focus on the Family, VP of Product Development at Discovery, and Executive Director at AOL/TimeWarner. He is a producing graduate at the American Film Institute.Dr. Joel W. Bunkowske, Esq. is one of the world's most educated, experienced, and successful corporate and entertainment lawyers. He is an award-winning attorney with over 30 years of experience in the music, television, and film industries. He is the recipient of Grammy, Dove, and Gold Record Awards for his legal work in the music and film industries. He has worked with Academy Award-nominated actors, Grammy and Dove award-winning recording artists, and legendary producers. His areas of practice include corporate law; film, television, and music Chief of Legal and Business Affairs; film production, finance, and distribution; contracts, dispute resolution, and University teaching.Dr. Bunkowske has worked extensively in the film, music, and television industries doing corporate law, finance, distribution, consulting, producing, executive producing, directing, and contracts for hundreds of projects worldwide with Warner Bros., Universal, Disney, Sony, Paramount Pictures, ABC, NBC, FOX, Capitol Records, EMI, Curb Records, Word Records and many more. Dr. Bunkowske has done extensive venture capital deal structuring for film companies, record companies, and a $180 million foundation.3 Days Studios and Guild: https://3daysstudios.com/FAFF Screenwriting Bootcamp: https://www.faffassociation.com/screenwriting-bootcampWriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God:

The Birth of a New Studio

Faith & Family Filmmakers

Play Episode Listen Later Jan 8, 2025 32:49 Transcription Available

Episode 113 - The Birth of a New Studio In this episode of the Faith and Family Filmmakers Podcast, Geoff and Jaclyn interview George Escobar, a filmmaker known for the Oscar-nominated 'Alone Yet Not Alone,' and Dr. Joel Bunkowske, a Grammy-winning attorney with extensive experience in entertainment law. George and Joel recount their personal and professional journeys, highlighting humbling moments and miraculous turns that led them to create 3 Days Studios. Joel shares his background as a missionary kid-turned attorney involved in successful music and film projects, while George discusses his transition from Hollywood to faith-based filmmaking. The episode emphasizes the importance of mentorship, collaboration, and divine guidance in the film industry, ultimately announcing their new venture, 3 Day Studios, and its accompanying filmmaker guild.Highlights Include:Welcome and IntroductionThe Beginning of a Great FriendshipJoel Bonkowske's Journey in Entertainment LawOvercoming Challenges and God's GuidanceGeorge Escobar's Path to FilmmakingThe Birth of 3 Day StudiosThe Role of Technology and CollaborationJoel's Involvement with Angel StudiosUpcoming Projects and WorkshopsBios:George Escobar is an award-winning writer, director, and producer of seven faith-based feature films and over a dozen documentaries, including the Oscar-nominated “Alone Yet Not Alone.” His films: “Come What May” and “The World We Make” have been distributed by Sony, Amazon Prime, Netflix, PureFlix, and others. He has won screenwriting awards from: Kairos Pro Award, Content Media, ScreenCraft, and Coverfly's Red List. He has taught over 3,500 students in filmmaking from a Christian worldview. Escobar is now writing the “Prairie Winds” streaming series for 3 Days Studios, and producing the feature film, “Missileman" with Academy-nominee Terry Rossio as executive producer. Escobar served as Executive Producer for Focus on the Family, VP of Product Development at Discovery, and Executive Director at AOL/TimeWarner. He is a producing graduate at the American Film Institute.Dr. Joel W. Bunkowske, Esq. is one of the world's most educated, experienced, and successful corporate and entertainment lawyers. He is an award-winning attorney with over 30 years of experience in the music, television, and film industries. He is the recipient of Grammy, Dove, and Gold Record Awards for his legal work in the music and film industries. He has worked with Academy Award-nominated actors, Grammy and Dove award-winning recording artists, and legendary producers. His areas of practice include corporate law; film, television, and music Chief of Legal and Business Affairs; film production, finance, and distribution; contracts, dispute resolution, and University teaching.Dr. Bunkowske has worked extensively in the film, music, and television industries doing corporate law, finance, distribution, consulting, producing, executive producing, directing, and contracts for hundreds of projects worldwide with Warner Bros., Universal, Disney, Sony, Paramount Pictures, ABC, NBC, FOX, Capitol Records, EMI, Curb Records, Word Records and many more. Dr. Bunkowske has done extensive venture capital deal structuring for film companies, record companies, and a $180 million foundation.3 Days Studios and Guild: https://3daysstudios.com/FAFF Screenwriting Bootcamp: https://www.faffassociation.com/screenwriting-bootcampWriters Retreat - Mexico:

Godzilla Vs. Kong (2021)

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Play Episode Listen Later Dec 5, 2024 115:34

On this episode of The Godzilla Podcast, hosts Drew and Joe take on the epic 2021 showdown, Godzilla vs. Kong. Directed by Adam Wingard, this blockbuster pits two legendary titans against each other in an all-out battle for supremacy, with humanity caught in the crossfire. The hosts explore the film's breathtaking visual effects, the intense action sequences, and the ensemble cast, including Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, and Brian Tyree Henry. Tune in for expert commentary, fascinating trivia, and Drew and Joe's personal insights on this $470.1 million monster mash! Patreon: https://www.patreon.com/godzillapodcast Discord: discord.gg/cFFx4N5 *** Directed by: Adam Wingard Screenplay by: Eric Pearson, Max Borenstein Story by: Terry Rossio, Michael Dougherty, Zach Shields Based on: Godzilla and Mechagodzilla by Toho Co., Ltd Produced by: Thomas Tull, Jon Jashni, Brian Rogers, Mary Parent, Alex Garcia, Eric McLeod Starring: Alexander Skarsgård Millie Bobby Brown Rebecca Hall Brian Tyree Henry Shun Oguri Eiza González Julian Dennison Lance Reddick Kyle Chandler Demián Bichir Cinematography: Ben Seresin Edited by: Josh Schaeffer Music by: Tom Holkenborg Production company: Legendary Pictures Distributed by: Warner Bros. Pictures (Worldwide) Toho (Japan) Release dates: March 24, 2021 (International) March 31, 2021 (United States) Running time: 113 minutes Country: United States Language: English Budget: $155–200 million Box office: $470.1 million

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Pirates of the Caribbean: Dead Man's Chest

Xtra Butta

Play Episode Listen Later Sep 13, 2024 80:14

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the that has that Bad Ass MJ song attached to it, "Pirates of the Caribbean: Dead Man's Chest". Pirates of the Caribbean: Dead Man's Chest is a 2006 American fantasy swashbuckler film directed by Gore Verbinski, written by Ted Elliott and Terry Rossio, and produced by Jerry Bruckheimer. The sequel to Pirates of the Caribbean: The Curse of the Black Pearl (2003), it is the second installment in the Pirates of the Caribbean film series. Set one year after the events of The Curse of the Black Pearl, the film recounts Captain Jack Sparrow owing a debt to Davy Jones (Bill Nighy), the ghastly captain of the Flying Dutchman, and being marked for death and pursued by the Kraken. Meanwhile, the wedding of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) is interrupted by Lord Cutler Beckett (Tom Hollander), who wants Turner to acquire Jack's magic compass in a bid to find the Dead Man's Chest.. Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

EPISODE 32—GODZILLA x KONG: THE NEW EMPIRE

Bar Stool Film School

Play Episode Listen Later Aug 29, 2024 144:22

For this week's sequel-centric offering, we head back to the hollow earth for 2024's Godzilla x Kong: the New Empire. Joining us on this mind melting adventure into drunken stupidity is friend of the show, local radio DJ, and resident cohost, Rachel Smith! Written by Terry Rossio, Simon Barrett, Jeremy Slater. Directed by Adam Wingard. Starring Rebecca Hall, Dan Stevens, Bryan Tyree Henry, Kaylee Hottle. The Cocktail: 2oz Vodka .5oz Blue Curacao .5oz Grapefruit Liqueur .5oz Lime juice Kiwi

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‘Godzilla x Kong: The New Empire' (2024) & the Monsterverse

Mostly Superheroes

Play Episode Listen Later May 9, 2024 14:10

The Snack: Inside ‘Godzilla x Kong: The New Empire' (2024) Part One: Spoiler-Free Overview Introduction: Welcome, listeners, to a special episode focused on Godzilla x Kong: The New Empire. In this episode, we'll delve into its significance within the MonsterVerse and explore the larger franchise it's associated with. Behind the Scenes: Director: Adam Wingard (returning after directing "Godzilla vs. Kong"). Screenplay: Co-written by Terry Rossio, Simon Barrett, and Jeremy Slater. Cast: Notable performances by Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, and more. Background: The MonsterVerse Journey Before we dive into the latest installment, let's catch up on the MonsterVerse journey. Here are the essential films and shows you could watch first: Kong: Skull Island (2017): Directed by Jordan Vogt-Roberts, this film is set 41 years before the events of "Godzilla" (2014). Follows Monarch, a secret government organization tracking giant monsters, as they explore a remote island believed to be home to a "Titan" (kaiju in the MonsterVerse). Introduces the iconic giant ape, Kong. Godzilla (2014): Directed by Gareth Edwards, this film establishes the MonsterVerse. Introduces the legendary creature, Godzilla, and explores Monarch's efforts to understand and contain him. Godzilla: King of the Monsters (2019): Directed by Michael Dougherty, this film ramps up the epic battles. Features a clash between Godzilla and other ancient Titans, including Mothra, Rodan, and Ghidorah. Godzilla vs. Kong (2021): Directed by Adam Wingard, this crossover event pits the two titans against each other. Monarch's involvement intensifies as they uncover deeper secrets about the Titans. Skull Island (TV Series, 2023): An animated series that expands the lore of Skull Island and its inhabitants. Provides additional context and backstory. Monarch: Legacy of the Monsters (TV Series, 2023): The MonsterVerse's first live-action series. Delves into Monarch's history and their ongoing mission to protect humanity from Titans. Plot Teaser: Without revealing specifics, let's briefly describe the premise of Godzilla x Kong: The New Empire. Introduce the central conflict that unites these iconic Titans. Tone and Style: Explore the film's tone—is it epic, suspenseful, or action-packed? Highlight any unique stylistic choices made by the filmmakers. Join us next time for an in-depth exploration of the Titans' legacy!

GODZILLA X KONG: THE NEW EMPIRE (2024, Warner Brothers) - Fun, Brisk, and Completely Lacking Logic

Gruesome Magazine - Horror Movie Reviews and Interviews

Play Episode Listen Later Apr 5, 2024 41:16

The Grue-Crew review GODZILLA X KONG: THE NEW EMPIRE (2024, Warner Brothers) on Gruesome Magazine episode 520. Jeff Mohr from Decades of Horror: The Classic Era, Crystal Cleveland, the Livin6Dead6irl from Decades of Horror: 1980s, award-winning filmmaker Christopher G. Moore, lead news writer Dave Dreher, and Doc Rotten share their thoughts about this week's frightening addition to streaming horror films. Special Guest Host: DIRK ROGERS Warning: possible spoilers after the initial impressions! GODZILLA X KONG: THE NEW EMPIRE (2024, Warner Brothers) Two ancient titans, Godzilla and Kong, clash in an epic battle as humans unravel their intertwined origins and connection to Skull Island's mysteries. Available In Theaters Beginning March 29, 2024 Directed by: Adam Wingard Written by: Terry Rossio, Simon Barrett, Jeremy Slater Cast: Rebecca Hall, Dan Stevens, Brian Tyree Henry, Kaylee Hottle FOLLOW: Gruesome Magazine Website http://gruesomemagazine.com YouTube Channel (Subscribe Today!) https://youtube.com/c/gruesomemagazine Instagram https://www.instagram.com/gruesomemagazine/ Facebook Group: https://www.facebook.com/groups/HorrorNewsRadioOfficial/ Doc, Facebook: https://www.facebook.com/DocRottenHNR Crystal, Facebook: https://www.facebook.com/living6dead6irl Crystal, Instagram: https://www.instagram.com/livin6dead6irl/ Jeff, Facebook: https://www.facebook.com/jeffmohr9 Dave, Facebook: https://www.facebook.com/drehershouseofhorrors

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334 — Godzilla x Kong: The New Empire

The Watch and Talk | Film & TV Podcast

Play Episode Listen Later Apr 4, 2024 42:56

This week, Karen Peterson (@KarenMPeterson) grudgingly agrees to sit down with Derek Miranda (@DerekMIranda85) and talk GODZILLA X KONG: THE NEW EMPIRE. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: Godzilla and the almighty Kong face a colossal threat hidden deep within the planet, challenging their very existence and the survival of the human race. Directed by: Adam Wingard Written by: Terry Rossio, Simon Barrett, Jeremy Slater Starring: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle @TheWatchAndTalk (Twitter/Instagram) Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

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Fifty Shades of Doctor Doolittle

Everyone is a Critic Movie Review Podcast

Play Episode Listen Later Apr 4, 2024 62:20

Welcome back to The I Hate Critics Movie Review Podcast! In this episode, we're diving into some exciting releases hitting the screens this week, along with a classic gem from the past. Sit tight and join us as we dissect the latest offerings from the cinematic world. Reviews: "The Listener" (2024) Directed by Steve Buscemi Written by Alessandro Camon Starring Tessa Thompson Release Date: March 29th, 2024 Dive into Steve Buscemi's latest directorial venture, featuring the talented Tessa Thompson. What secrets will "The Listener" uncover? "Asphalt City" (2024) Directed by Jean Stephane Sauvier Written by Ryan King, Ben Mac Brown Starring Sean Penn, Tye Sheridan, Mike Tyson Release Date: March 29th, 2024 Take a ride through the gritty streets of "Asphalt City" with a stellar cast led by Sean Penn and Tye Sheridan. Will this urban thriller leave a lasting mark? "In the Land of Saints and Sinners" (2024) Directed by Robert Lorenz Written by Mark Michael McNally, Terry Loane Starring Liam Neeson, Kerry Condon Release Date: March 29th, 2024 Liam Neeson leads us on an epic journey through a world filled with saints and sinners. Will virtue triumph, or will darkness prevail? "Godzilla x Kong: The New Empire" (2024) Directed by Adam Wingard Written by Terry Rossio, Adam Wingard, Simon Barrett Starring Rebecca Hall, Bryan Tyree Henry, Dan Stevens Release Date: March 29th, 2024 Brace yourselves for the ultimate showdown as Godzilla and Kong clash once again. Will this epic battle reignite the franchise? Classic: "On a Clear Day You Can See Forever" (1970) Directed by Vincent Minnelli Written by Alan Jay Lerner Starring Barbra Streisand, Yves Montand, Jack Nicholson Release Date: June 17th, 1970 Let's revisit this timeless classic starring the iconic Barbra Streisand. Join us on a journey through love, laughter, and the mysteries of the mind. Connect with Us: Website: www.ihatecritics.com Facebook: EveryoneisaCriticPodcast Twitter: @criticspod Instagram: @criticspod Patreon: patreon.com/criticspod Tee Public Link: Criticspod YouTube: I Hate Critics Podcast Jeff's Art: jefflassiter.com Sean's Reviews: seanatthemovies.blogspot.com Don't forget to subscribe, rate, and review the podcast! Your feedback keeps us going. Stay tuned for more exciting movie reviews and discussions.

Godzilla x Kong: The New Empire - MOVIE REVIEW

MOVIE Morning

Play Episode Listen Later Mar 30, 2024 23:34

Hey everyone, the next installment of Legendary's MonsterVerse - Godzilla x Kong: The New Empire - has hit theaters globally. I've never been huge into Kaijus and Godzilla films but I surprisingly enjoyed Godzilla vs. Kong (or at least the 30% of it that had epic monster action that was awesome). With Adam Wingard returning to direct I was hopeful that GxK would lean harder into the stuff that worked about the last one. So, does Godzilla x Kong: The New Empire TOP GvK or is it one of the weaker installments in this universe? Find out in this SPOILER-FREE review! Godzilla x Kong: The New Empire: Directed by: Adam Wingard Screenplay by: Terry Rossio and Simon Barrett and Jeremy Slater Story by: Terry Rossio & Adam Wingard & Simon Barrett Produced by: Alex Garcia, Eric McLeod, Mary Parent, Brian Rogers, Thomas Tull Music by: Antonio Di Iorio Cinematography by: Ben Seresin Editing by: Josh Schaeffer Casting by: Sarah Halley Finn Production Design by: Tom Hammock Costume Design by: Emily Seresin Cast: Rebeca Hall, Kaylee Hottle, Brian Tyree Henry, Dan Stevens Synopsis: Following their explosive showdown, Godzilla and Kong must reunite against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own.

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IFH 718: Licking My Wounds Writing The Mask of Zorro for Hollywood with Randall Jahnson

Indie Film Hustle® - A Filmmaking Podcast with Alex Ferrari

Play Episode Listen Later Sep 26, 2023 176:14

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead.After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

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Godzilla (1998) Movie Review

Analog Jones and the Temple of Film: VHS Podcast

Play Episode Listen Later Sep 19, 2023 49:40

From the creators of Independence Day...comes a much worse movie. This week, Analog Jones reviews the box office disappointment Godzilla (1998). Quick Facts Directed by Roland Emmerich Screenplay by Dean Devlin and Roland Emmerich Story by Ted Eliott, Terry Rossio, Dean Vevlin, and Roland Emmerich Based on Godzilla by Toho Co. Ltd Distributed by TriStar Pictures (Worldwide) and Toho (Japan) Release date: May 20, 1998 Budget: $130-150 million Box Office: $379 million Rotten Tomatoes: 19% Tomatometer, 28% Starring Matthew Broderick as Dr. Niko "Nick" Tatopoulos Jean Reno as Philippe Roaché Maria Pitillo as Audrey Timmonds Hank Azaria as Victor "Animal" Palotti Kevin Dunn as Colonel Hicks Michael Lerner as Mayor Ebert Harry Shearer as Charles Caiman Arabella Field as Lucy Palotti Vicki Lewis as Dr. Elsie Chapman How to listen and reach Analog Jones and the Temple of Film Discuss these movies and more on our Facebook page. You can also listen to us on iTunes, iHeartRADIO, Podbean, Spotify, and Youtube! Please email us at analogjonestof@gmail.com with any comments or questions!

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Shrek

The Film Bros Podcast

Play Episode Listen Later Sep 13, 2023 87:09

The bros learn that among many other things, ogres have layers like onions in this episode about the 2001 film, Shrek. Written by Ted Elliott, Terry Rossio, Joe Stillman, & Roger S.H. Schulman and Directed by Andrew Adamson & Vicky Jenson. Instagram: https://www.instagram.com/thefilmbrospodcast Youtube: https://www.youtube.com/channel/UC4g9YbMBwRIKzDTV4uXt5Eg The bros Letterboxd's: @_isaiahlucas @lilabey @NickGowinPlaces

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BPS 310: Licking My Wounds Writing The Mask of Zorro for Hollywood with Randall Jahnson

Bulletproof Screenplay® Podcast

Play Episode Listen Later Jun 23, 2023 175:54

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead. After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

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083 Blade Runner with Writer and Director Bill Marsilii

Life in the Credits

Play Episode Listen Later Mar 17, 2023 52:51

Bill Marsilii, Writer and Director, joins Susan and Ben to discuss Blade Runner, a 1982 sci-fi action film. Bill shares what it's like having a career as a screenwriter for film and TV. He discusses crafting catchy loglines as a thespian in New York, working with Terry Rossio on the script for Deja Vu, writing for Courage the Cowardly Dog, and finding the best resources for finding film festivals. He also tells us about his surreal experience talking about soft shell crabs with his parents and Denzel Washington hanging out in front of a time machine. Bill plays our “Space Jobs” game. Follow Bill on Instagram @bmarsilii or IMDb. Find out more about Bill's short film “Gunpoint” on IMDB. Leave a rating and review on Apple Podcasts to help us reach more listeners. Find out about our guests and upcoming events by following us at Facebook, Twitter, or Instagram, contribute to our Patreon, or shop at lifeinthecredits.com. Life in Our Credits Hosts: Susan Swarner and Ben Blohm Executive Producer: Michelle Levin Logo Art: Melissa Durkin Music Composer and Performer: Steve Trowbridge

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Living Outside Of LA And Having A Screenwriting Career with Matias Caruso

The Writers' Hangout

Play Episode Listen Later Mar 5, 2023 26:37

Our guest is screenwriter Matias Caruso who lives in Argentina. Matias taught himself English and how to write screenplays — and after writing and working hard to develop his craft, he wrote an absolutely stunning script called CARNIVAL that won our Grand Prize in 2014. After his win, Carnival was optioned by a PAGE judge and signed by an agent. Matias continues to live in Argentina, and he never moved to the States; he has since had a couple of movies (MAYHEM and WITCH) produced. WORDPLAY: Pro screenwriting secrets from working screenwriters Terry Rossio & Ted Elliott -- wordplayer.com If you enjoy the show, please remember to follow us and leave a review where you listen to podcasts.

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Shrek

Xtra Butta

Play Episode Listen Later Sep 24, 2022 86:08

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This Podcast is set up so that listeners at home can watch the movies along with us and laugh along as we talk about whatever comes to mind! From pop-culture-related events to AMC theater work stories, hell even us just talking about our personal lives! The Movie we are discussing in this episode is "Shrek". Shrek is a 2001 American computer-animatedcomedy film loosely based on the 1990 picture bookof the same name by William Steig. It is the first installment in the Shrek franchise. Directed by Andrew Adamson and Vicky Jenson in their directorial debutsfrom a screenplay written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, the film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, the ogre Shrek (Myers) finds his swamp overrun by fairy tale creatures banished by Lord Farquaad (Lithgow). With the help of Donkey(Murphy), Shrek agrees to rescue Princess Fiona(Diaz) for Farquaad to regain his swamp. Now in the Famous words of that Pig from Shrek "Play the movie.. Yeah PLAY" ALSO Follow the homie Dylan on his fantastic Podcast "The Hernandez Variety Show" https://open.spotify.com/show/58pVAOZ5sSK4ti563o5fWn?si=BjR3hTyjR9mjfKIh6itDuw

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Second Unit #346 – Godzilla vs. Kong

Second Unit

Play Episode Listen Later Sep 15, 2022 91:46

[YouTube Direktlink] Regie führte Adam Wingard, nach einem Drehbuch von Eric Pearson und Max Borenstein. Die Story stammt von Terry Rossio, Michael Dougherty und Zach Shields. Die Besetzung: Alexander Skarsgård als Nathan Lind, Millie Bobby Brown als Madison Russell, Rebecca Hall als Ilene Andrews, Brian Tyree Henry als Bernie Hayes und Kyle Chandler als Mark Russell. Wir diskutieren zwar nur kurz über den Film selbst, dabei geht es uns aber um den Umgang mit Verschwörungstheorien und die Frage, wie diese MonsterVerse-Filme mit ihren menschlichen Figuren umgehen sollen. Zum Schluss konzentrieren wir uns auf dieses doch ganz eigene Filmuniversum aus dem westlichem Filmstudio. Der Vergleich mit Marvel liegt nahe, dabei macht das MonsterVerse viele Dinge nicht nur anders, sondern auch besser als das MCU! [podlove-episode-web-player] [podlove-episode-contributor-list] [Second Unit Plus: Premium & Bonus Podcasts | Mitmachen | Produzent*in werden] [Unterstützen: Steady | PayPal | Überweisung | Shop] [Abonnieren: Apple Podcasts | Spotify | YouTube | RSS-Feed] [Folgen: Twitter | Instagram | Letterboxd | Discord] [Teaser-Bild: “GODZILLA” by Kanesue is licensed under CC BY 2.0] *Amazon-Partner-Links: Über diese Links gekaufte Artikel werfen einen kleinen Obolus für uns ab. Für euch ändert sich nichts, schon gar nicht der Kaufpreis. Wir bedanken uns im Namen unserer Kaffee-Kasse.

006 - Working With A Partner

Screenwriters Need To Hear This with Michael Jamin

Play Episode Listen Later Dec 8, 2021 25:24

Michael and Phil discuss what it's like to work with a writing partner, how to choose one, and what to look out for. Dive deep into Michael's background with his partner Sivert Glarum and what they did to make it in Hollywood.Michael's Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeSivert Glarum's IMDB Page - https://www.imdb.com/name/nm0321770/Stephen Prestfield's Book - https://www.amazon.com/Nobody-Wants-Read-Your-Tough-Love/dp/1936891492Warner Bros. Writer's Workshop - https://televisionworkshop.warnerbros.com/writers-workshop/Glenn Martin, DDS on YouTube - https://www.youtube.com/channel/UC8hzMh1WQ6t5dwbnNop2fVAThe Complete Idiot's Guide to Screenwriting by Skip Press - https://www.amazon.com/Complete-Idiots-Guide-Screenwriting-3rd/dp/1592577555Ted Elliott & Terry Rossio's Screenwriting Website - http://wordplayer.com/Michael: (00:00)I'm always reminding myself of the basics. Cause it's really, it's funny. I remember when I was on King of the hill, having a conversation with Greg Daniels who later created the American version of The Office, but I said, Greg, there is no Writing 102. It's all Writing 101. And he's like, "Yes! That's it." Writing one. It's all writing because it is, everything is all, it's all the basics.Michael: (00:27)All right, everyone. Hey, welcome back today. We're going to talk about working with a partner and how to find one and had a, had a, why you want one or why you don't want one. And because I've been working with a TV, writing... A partner, I've had a partner for Jesus. We've been together, you know, close to 30 years. I don't want to date myself. It's maybe, oh, maybe almost that many years. And so we always work together. His name is Sivert Glarum and we always work together. That's how a partnership is, but it's tricky, it's a tricky thing, finding a partner. So I thought I'd elaborate on that for anyone who...Phil: (00:57)I think it's an interesting topic, especially for someone like myself where, you know, I've... I definitely see the value of a partner, but I also see a lot of... My experience with having to rely on other people from group projects in school, down to actually trying to lean in and trust that someone will follow through on their end. My experiences have not been great.Michael: (01:20)Yeah. It's a marriage. And like, marriages are not always easy. Not, not, not everyone's meant to get married to other people. So it's really, you know, I think I got lucky, um, in comedy, it's probably more, it's more advantageous to have a writing partner in comedy because when you, when you say something funny, you don't know, it's funny until someone else is laughing. You may think it's funny, but you know, until someone, your partner laughs, then you go, okay, that must be funny. Um, and I'll just talk about how we met because when I talk in comedy, it's, there's so many ways. I guess when we, when we met, we were team... We were teamed up, uh, in comedy that like some people have partners and its common to have a partner. It's common not to have a partner, but when you have a partner, you literally split a salary for the rest of your career.Michael: (02:06)But, but it does make you, it, in theory, it gives you the advantage of getting hired more often, because you're kind of getting two for that. You're literally getting two for the price of one. And especially when you get high up levels, you're then you're running a show. And now, you know, when you are a showrunner that you have so many responsibilities. It really helps to have someone else take some of them off your hand. And if you don't have a partner, you gotta do it all. You know, so that's, but like I said, it is tricky because you have to get along and like you're pointing out, do you, you have to, you know, you have to really get along with this person. You just have to carry your weight.Phil: (02:40)I think that'd be interesting to get, I'm sure we'll get into this. I think it'll be interesting to talk about kind of your division of labor as you're going through the process of how you're writing. Uh, you know, I, I've heard of different processes based on different writing partnerships, whether, you know, it's the, the Thomas Lennon, Robert Ben Garrett process of they just assign scenes. So one person takes odds and one person takes evens and as they send them back, they're continuously rewriting each other. So by the time they're done with draft one, they have 20 rewrites done. Or is it that one of you sits at the typewriter or the, excuse me, not dating myself at all, sit at the computer and like type it out while the other one dictates or does it take turns? That's an interesting...Michael: (03:23)And I've seen partners do it both ways with the way we do. We literally write everything together. So we will sit at the same at the, at the, uh, you know, computer and one will look at the monitor and the other will be at the keyboard and we literally type at the same. So, you know, the one, I tend to be the one who does the typing, uh, mostly because I'm a better typer than S. It is, um, and frustrating to no end when I'm watching him struggle to put a word together. But, uh, but sometimes he'll do it. And I, you know, I I'll loss it and watch. And so, uh, it's nice. It's nice to have someone drive the boat a little bit, but I'll talk about how we, how we met. We were, uh, I was signed by an agent and, uh, my, you know, few years out of college and was a very big deal for me.Michael: (04:09)And she blew a lot of smoke up my and she's like, I signed one baby writer a year and, uh, I make a star out of that writer this year. You're the guy and congratulations. And I was like, wow, I'm on cloud nine. And she's like, in three years, you're going to be running your own show. I was like, oh my God running. I don't even know if I can write a, you know, an episode of TV, but running. And then, you know, when the smoke cleared a couple days later, I was curious about what had happened to the previous baby writer before me. And so I got through there, I guess, through their assistant, I got the name of this guy and I called them up. He was actually two years before me and I called him up and I was like, Hey man, what, what show are you running?Michael: (04:46)Cause you obviously must be incredibly successful. And he's like, dude, I work at a record store. And, uh, so he hadn't gotten staffed at all. And so we decided to team up, we had, there are two reasons to team up. Uh, one, I, I, I knew enough then to know, like I was, it was hard. I knew, I knew enough to know that I didn't know enough and that we traded scripts. I was like, man, this guy is, this guy is a better writer than I was. Even though we were both signed independently and I was hotter than he was in terms of, I was the new flavor of the week for this agent. And rather than compete against each other for the same job we teamed up. And, uh, and that's how we, that's how we became partners.Phil: (05:28)So, so how did you broach that conversation of, um, what do you think here? Is this something that you want to do together? Like how did that conversation?Michael: (05:36)Yeah, I think we were both interested in writing with a partner. He like, he had a partner many years earlier who decided to get out and become a socialist, uh, that how Sivert describes it. And so we were both open to the idea and, you know, we kind of met and we hit it off. We were coming from similar backgrounds. We're both from the east coast. Sivert a couple of years older than me, but, you know, close in age, we both played the trumpet and, you know, grade school, that kind of thing. Right,Phil: (06:02)Right. Mastering it in heaven.Michael: (06:04)Yeah, but a lot of partners are just, they, you know, they tend to be, Hey, we were friends in college and we both want it. I know that happens a lot. And so let's, let's go out to Hollywood together and become writing partners. So that often, that often is the case. Sometimes you see a husband and wife has a writing partner.Phil: (06:20)I've, I've seen that, um, a couple of times, some pretty big names or writing partners in our couples. So, so, okay. So that's, I mean, that's a fascinating topic. I was literally just listening to, I was out on runs for our show yesterday in post-production and I had to just drive all over Hollywood and Burbank multiple times. So I started listening to a Steven Pressfield book. He wrote The War of Art, um, Turning Pro... A bunch of stuff. He he's a screenwriter who did the novel of a Legend of Bagger Vance, and also wrote the film is multiple time bestselling author been in the industry from the advertising background. And he's got this other book that I never read. And it's um, No One Wants to Read Your Shit. Pardon that? Yeah. Interesting. That's the title. And his whole point is you have to understand whether you're in advertising, writing novels, writing screenplays.Phil: (07:07)No one wants to read your shit. And, and so you shouldn't be like surprised when no one gets around to it. And ultimately it has to be that good that they want to read it. But he talks about how he got partnered up with this big name. And ultimately he felt like he wasn't getting a lot of the credit for what he was doing because he was the writer and the other guy was the name. And his agent sat him down. Once he said, you need to understand that right now he is the known deal because he's had hits with his other writing partner. He's had hits with you. He's the common denominator. You're a nobody. So you need to understand your role here. Now, obviously your situation's a little bit different because we were both young baby writers who partnered up, but it sounds like there's even a little bit of that because you were the hot thing for you, right.Michael: (07:52)It was the hot, but he was trading. Cause we traded scripts. I'm like this guy really is a really good writer. I could tell just from reading a script, like he was, he really understood story structure. And, um, he had, he had sold on his own, an episode with his previous partner an episode of the wonder years. So it was like he had, he did have a little more, you know, he had one under the belt and I had none of the under the belt, but the truth is like, and I remember in the beginning there was a struggle between us in terms of, we didn't know how to trust each other. And, and of course I wanted more of my lines in the script and his lines and, you know, back I kind of thing. And then as you get older and more mature, it's really that ego goes out the window.Michael: (08:30)And it's more about whoever pitches the line that will get you home sooner. That's the one you'll do, you know? It's like, I don't really, if it comes out of his mouth, great, that's great. Let's use that one. I don't really care. And I think he feels vice versa. It's like, um, and often, you know, we'll do a rewrite on a script and he'll want to cut a line and like, no, no, no, no, that's the best line of the script. And it's his line, you know? And he's, you know, so I'm fighting for his stuff and vice versa, you know? SoPhil: (08:58)It's interesting. Yeah. Yeah. So the pride dies as you become a pro is really what I'm hearing.Michael: (09:03)Yeah, I think so. It's also like in the beginning of the novelty of seeing your words on TV, it was like, oh my God, my lines are on TV, millions of people. And then, uh, you know, that gets, it's not that it gets old, but you've become accustomed to it. And then you're really, it's really more about just doing the work and finishing the work as opposed to like your ego, you know?Phil: (09:24)Okay. So you obviously knew he was, he was engaged cause he was obviously working on the stuff, but for people who are considering teaming up, aside from the benefit of, you're more likely to get staffed, you have someone to vet your jokes or your story against to kind of tell you whether or not it's good. How can you tell whether or not someone's serious? Like someone's a good partner.Michael: (09:42)The thing, cause we were both, we were both signed by the agent. So we were both, um, intent on breaking into Hollywood. So, you know, so it wasn't like, it wasn't like a fluke or it wasn't like a Lark, neither one of us. Like it was a Lark and we were both around the same time. And Hollywood, we were both like on a struggling PAs and we would work on the weekends. We were both very committed. So after work and on the weekends, every day we met and we wrote spec scripts over, you know, wrote and wrote and wrote. And so, because he was a couple of years older, he was also a little bit more hungry, a little more desperate. It was like he had to make a, this happened now. And so we both had that same work ethic in terms of like, and I was young, I was a little younger, but I was also like, I want to, I want it now. I don't have any patience. So was like, we have to hit this now. And so it was a sense of franticness and, and uh, urgency. And it wasn't like there was no plan B for either of us. Hmm.Phil: (10:35)So how, how, how long after your partnered, did you end up, uh, selling something?Michael: (10:40)I think, um, I'm trying to remember it. Like it was, we wound up selling an episode of Lewis and Clark that I helped get, because that was my, I, we sold it to my, my, uh, my bosses. I was working as their, uh, assistant at the time. So I got that because, you know, they were my bosses and that might've been a couple of years after we were writing, but then it took another couple of years before we were able to get staffed on our first job, which was Just Shoot Me. And so it took a few years. And in between then we also got into the Warner Bros. Writing Program, which really did nothing for our career, but you know, it was something, so it took a few years of struggling. And I remember like at that age, the years feel like decades, especially when you feel like, you know, um, you know, I should be doing more with my life. So yeah.Phil: (11:26)Yeah. So, so the reason I asked that is because what you're describing is everyday after work and on weekends, you're practicing your craft. So you've talked about in other episodes is a writer writes. That's what they do. If you wrote something a year ago, you have written, but you are not actively writing. And so what I'm hearing you say is, even though you had agents, which the big misconception is you need an agent to break into Hollywood and that's that's what does it for you that didn't help? Nope. And then even then you put in years of effort to make it to your first staff job.Michael: (11:59)Yeah. And the first spec script that we wrote together, it was a friend's I think it was a first one. It made me minimum the first, it was one of the first. And, but we just kept on writing specs. We probably wrote maybe eight or so specs together, maybe more of show like anyway, ironically it was at first, I think it was the first spec, a spec script that we wrote together that wound up getting work for us years later, it was a really good, uh, spec, but like, we just didn't quit. It was like, well, write another one, write another one, you know, let's get better. You know, so, and I'm, I haven't looked at it in years, but I'm sure I'd look at it. Go, Ooh boy, it's not as good as I remember it. You know? Cause you get, you get better as, as you get older.Phil: (12:35)Right. So, so there has to be a committed, uh, commitment to craft and professionalism is ultimately a good vetting benchmark for this. Are these people willing to work as hard as I am?Michael: (12:46)Yeah. And it's not a get rich quick scheme. It's not like, Hey, let's, you know, let's try this on a Lark and let's try, hopefully we'll sell us. It was like, no, no, we both want to become writers, professional writers. We will not going to stop until we get there. We're going to work our asses until we do.Phil: (12:59)Yeah. Yeah. Got it. Okay. All right. So similar goals, hard work, work ethic, all those things. Yeah. Are there any red flags that you can think of, "Hey, this is probably not a partnership that's gonna work out."Michael: (13:13)Yeah. I mean, like I said that the ego part of it, I also think part of our, what made us a good team, especially in the beginning was in the, in a comedy writing room. Usually, you get classified as a joke guy or girl joke guy or a story guy. And if I were to, I was definitely a joke. I and Sivert, it was probably a story guy. And so we had complementary skill sets and now, but years later, um, I've definitely moved towards the, towards the story person as well. It's like, cause the jokes, jokes are fun and it's like, it's like a lot of sizzle and you get a lot of credit and people love the joke guy, but the story person is far more valuable and it's a skill that's way more important to have, uh, than just being funny or jokes. Those are disposable. Really.Phil: (13:57)That's a note that I've seen from industry professionals that I know personally is, um, if you don't understand story structure, you don't know how to lay out a story. It's not helpful.Michael: (14:08)Yeah. And, and I sh no one does when they start out. Nope. Everyone thinks they do. And they don't. I mean, they're very, they're very few people who are born with that innate skill and they rise up to the top very fast. The rest of us have to learn it. And it takes a long, you know, it takes a while to learn that. SoPhil: (14:23)Got it. And to your point, like, even though I've seen this, like you taught me this stuff, you have it in your course. I've probably seen you teach story structure the way you break a story. And in any room, I still catch myself on a first draft thinking, why did I just bulldoze that, uh, that plot point right there? Like why, why did I step over that story point?Michael: (14:41)Yeah. And I make the same mistakes all the time too. Like I'll sometimes all I'll read my work or what, you know, you need the distance, uh, some time to, to look at your working a wait a minute, this is why what's going on here because you get lost in the weeds and you have to go always go back to the basics. I'm always reminding myself of the basics. Cause it's really, it's funny. I remember when I was on King of the Hill, having a conversation with Greg Daniels who later created the American version of The Office and he was my boss on king of the hill. And I impressed him with something that I said, which was odd and it would impress him. But I said, Greg, there is no Writing 102, it's all Writing 101. And he's like, "yes, that's it! Writing 101." It's all writing. Cause it is. And everything's all, it's all the basics. But I think people will, there are people out there who will try to sell you Writing 102, because they can make a buck, but it's all 101 right. But you have to master that part, you know?Phil: (15:33)Yeah. The 102 does not help you because 101 has the mastery. Yeah.Michael: (15:37)It's like advanced screenwriting, advanced screenings, all basics, you know? Okay. Yes. Master the basics.Michael: (15:46)Hi guys. Michael Jamin here. I wanted to take a break from talking and talk just a little bit more. I think a lot of you guys are getting bad advice on the internet. I know this because I'm getting tagged. One guy tagged me with this. He said, I heard from a script reader in the industry. And I was like, wait, what? Hold on, stop. My head blew up. I blacked out. And when I finally came to, I was like, listen, dude, there are no script readers in the industry by definition. These are people on the outside of the industry. They work part-time, they'd give their right arm to be in the industry. And instead they're giving you advice on what to do and you're paying for this. I mean, that just made me nuts, man. These people are unqualified to give my dog advice. And by the way, her script is, is coming along quite nicely.Michael: (16:25)And oh, and I'm not done. Another thing when I work with TV writers who a new one, I'm writing staffs. A lot of these guys flame out after 13 episodes. So they get this big break. They finally get in and then they flame out because they don't know what is expected of them on the job. And that's sad because you know, it's not going to happen again. So to fight all this, to flush all this bad stuff out of your head, I post daily tips on social media. You can find me on Instagram and TikTok and Facebook @MichaelJaminWriter. If you don't have time, two minutes a day to devote towards improving your craft guys, it's not going to happen. Let's just be honest. So go find, make it happen. All right. Now, back to my previous rant.Phil: (17:07)So prior to COVID, I was doing Brazilian Jiu Jitsu here in the valley with a guy named Romelo Barral and he's like a 10 time world champion. He's he's a legend, like UFC fighters, train at his gym. And he's just considered a master. And someone asked him the question what's better. Is it strength or cardio? And he said, cardio, because strength will fail you every time like strength will fade and your cardio can endure. And it's almost like what I'm hearing you say is understanding basics with story structure and storytelling. Those fundamentals are the cardio to everything else. It's the engine that keeps you running.Michael: (17:40)Yeah. And, and like, so few people really want to study that because that's not fun. You know...Phil: (17:46)And that's not sexy. And you know, it, it definitely feels at times it feels contrived or feels formulaic and what I don't think people understand and that I'm slowly learning is that is ingrained in us as a, as a species. It's whether you're talking Joseph Campbell or you're talking, you know, um, other psychological profiles in this stuff, like, uh, Jungian archetypes that storytelling comes from thousands and thousands of years of storytelling. And that's why Homer told his stories and the similar structure. And that's why Shakespeare did. And that's why we do.Michael: (18:21)Yeah. And it's just because it feels right. Something, it just feels right in your bones, but that's not to say it's cliche. Like you can always make cliche choices that you see a mile away. I mean, but you, if you follow the structure, there's plenty of creativity within those, within the points. So it doesn't feel cliche. You know, there's still a lot of choices that you can make and mistakes that you can make along the way. But if you have the structure, it really helps. It's like a house, you know, the houses you can decorate any way you want, but the house needs to have these things to stay up and not fall down.Phil: (18:49)Yeah. It makes sense. Yeah. Strong foundation. Right. You have to have it, the war house washes away. Yeah. So, so going back to the comment you made earlier, where you're talking about this division of labor. So we've talked about that when you first started out and we talked about in the writer's room as a Showrunner, as someone who has a show that you're managing, what's the division of labor for you and your partner when you become an Executive Producer.Michael: (19:12)Yeah. So that kind of started our first show that we ran together was called Glenn Martin DDS. And that was a little jem that no one saw and it was Kevin, it was animated. Oh, look at that. He's got a, you got... I gave Phil a toy .Phil: (19:24)I've got your DVD right here.Michael: (19:26)You can go find that. I think it plays on YouTube or make no money. So you can watch, you can watch on YouTube for free. And that was with Kevin Nealon. He did the voice and Catherine O'Hara was amazing. Of course he's hilarious. And Judy Greer that they what a cast we had. And, um, and so on, on once a week, I would have to, we'd have to record the actors and Sivert would stay in the writer's room, running the rewrite or breaking stories for the next episode while I was on the soundstage, directing the actress. I have a, I'm pretty good at that. I'm... I'm a decent, uh, I can hear the voices and I'm, I'm pretty good at directing and expressing myself and trying to get pulling out the best, uh, performances from actors and Sivert is great at breaking story.Michael: (20:05)So it worked out, it worked out really well. Um, yeah, that kind of division of labor. But if, if we were only one of us, then that one, you know, something would have suffered. Someone would have not either directed the actors, the right person, you'd have to delegate to like a number two that you trust. And the fact that Sivert, and I've been working for all these years, like we know like we have the same taste cause we, so we, I can hear his voice. He can hear my voice. We know it's, it's rare that we disagree on, on, on a story point or, um, you know, our take, you know, so it's a lot of trust and a lot of we have the same kind of brain even often. We're, um, I don't remember what we're doing. Oh, we were, we were, um, uh, meeting on another show and, uh, we had, um, we had the same, we both had this favorite episode. We were talking about it later, like, oh yeah, that's the episode I liked best. And he was like, yeah, I liked that one, the best two out of like the six that we saw and we'd liked it for the same reasons.Phil: (21:00)Right. Right. Do you feel like that's innate or is that your taste has grown together over time? Like being partners?Michael: (21:09)Uh, it's grown. We have a similar sensibility over time. Yeah.Phil: (21:13)Got it. Got it. So, so on the subject of working with partners, you know, you talked about people from college, you've talked about, you know, your agent in partnering with people, your agents repping. So you're not competing against each other. Are there any other ways you can think of to come up with and find a good partner if that's what you're looking for? Like sort of like a writer's dating apps.Michael: (21:34)Yeah. I have no idea. I imagine I would have no idea. I know people like in the course that I teach or that offer that, um, people, they reach out, they trade scripts that seems like could be, we have a private Facebook group. I dunno if anybody's teamed up from that. But that seems like a decent way to team up with someone because you're all serious about the craft. And you both have learned the language that I use in describing stories. So it's kind of like you have the same kind of, you already have the same foundation a little bit. I don't, you know?Phil: (22:03)Yeah. And then to your point, I think that that's a very powerful indicator to me of someone's seriousness in, you know, years ago, the first book I ever read on screenwriting was The Complete Idiot's Guide to Screenwriting by Skip Press. And he had a couple of resources in there. One of those resources is WordPlayer.com and that's run by Ted Elliott and Terry Rossio who wrote like Aladdin, Shrek, Pirates of the Caribbean, Small Soldiers, basically every film... wrote on..., they basically every film I grew up with in the nineties and in the early two thousands. And they had a bunch of these articles back from AOL in the forums, right. And one of them was talking about professionalism and they said, you cannot call yourself a professional until you're willing to invest in your craft. And that doesn't mean scouring the internet, looking for free scripts. It means going down to a script shop and buying them or going on Amazon and buying a script, it's finding that.Michael: (22:55)That's something you do really well, by the way. Like you always invest in yourself. Always. Yeah, yeah.Phil: (23:01)Yeah. Well, I took, I took that note very seriously. And so I have, I had purchased many online screenwriting courses. I went to film school. I did all those things. And that's one thing that I appreciate about your course. Is there's, there's almost like a paywall that kind of keeps the riffraff out. And it's not saying that if you don't have the funds, that you're riff-raff what I'm saying is there's a level of seriousness that comes with and making an investment in yourself. Yeah. And all of the conversations I've had, I've given notes on scripts to multiple people in that group. It's, it's super helpful. They reach out to me proactively and ask what they can do for me to read my stuff andMichael: (23:37)A nice, yeah,Phil: (23:38)Yeah, absolutely. And the cool thing is we're also coming at it from the stories, from understanding how real writers break story in the TV, TV writers' room, right. Like they're, they're analyzing say, oh, you missed this point. And I don't understand how this pays off. And, and we're, we're speaking it almost like the same insider language.Michael: (23:57)Yeah. So yeah, that's, that's riding with a partner and, uh, it's probably less important for drama, but for comedy, it could be, I think it's really helpful. And, uh, it, you know, it's something to consider something to, you know, explore perhaps.Phil: (24:10)Yeah. I love it. Thanks so much, Michael. I appreciate the info and the insights and thanks to everybody for listening.Michael: (24:15)Yeah. Thank you. Everyone. Talk, we'll see you on the nextPhil: (24:30)This has been an episode of Screenwriters Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing leaving a review and sharing this podcast with someone who needs to hear today's subject. If you're looking to support yourself, I encourage you to consider investing in Michael's screenwriting course at MichaelJamin.com/course. I've known Michael for over a decade. And in the past seven years, I've begged him to put something together. During the global COVID-19 pandemic. Michael had time. And I have to say, I wish I'd had this course 10 years ago. As someone who has personally invested in most online courses, earned a bachelor's degree, and actively studied screenwriting for over a decade, this course has been more valuable to me than most of the effort I've put in because it focuses on something noone else teaches: story. In his course, Michael pulls back the curtain and shows you exactly what the pros do in a writer's room and that knowledge has made all the difference for me. And I know it will for you too. You can find more information at MichaelJamin.com/course for free daily screenwriting tips. Follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

Treasure Island

Adapt or Perish

Play Episode Listen Later Dec 7, 2021 121:50

Avast! With Episode 106, we're finally bringing you a look at something we've wanted to do for a long time: the pirate classic Treasure Island! In this episode we discuss: Robert Louis Stevenson's original 1883 novel Treasure Island (the 1934 movie), directed by Victor Fleming, written by John Lee Mahin and John Howard Lawson, and starring Wallace Beery, Jackie Cooper, and Lionel Barrymore Treasure Island (the 1950 live-action Disney movie), directed by Byron Haskin, written by Lawrence Edward Watkin, and starring Robert Newton and Bobby Driscoll The DuPont Show of the Month Season 3 Episode 7: Treasure Island (1960), directed by Daniel Petrie, written by Michael Dyne, and starring Hugh Griffith, Richard O'Sullivan, Michael Gough, and George Rose Treasure Island (the 1987 anime movie, edited down from the 1978–79 series), directed by Osamu Dezaki and Yoshio Takeuchi, and written by Haruya Yamazaki and Yoshimi Shinozaki Treasure Island (the 1990 TV movie), written and directed by Fraser Clarke Heston, and starring Charlton Heston, Christian Bale, Julian Glover, and Oliver Reed Muppet Treasure Island (1996), directed by Brian Henson, written by Jerry Juhl, Kirk R. Thatcher, and James V. Hart, and starring Tim Curry, Billy Connolly, and Kevin Bishop Treasure Island (the 1999 movie), written and directed by Peter Rowe, and starring Jack Palance and Kevin Zegers Treasure Planet (2002), directed by Ron Clements and John Musker, written by Clements, Musker, Ted Elliott, Terry Rossio, and Rob Edwards, and starring Joseph Gordon-Levitt, Brian Murray, David Hyde Pierce, and Emma Thompson Treasure Island (the 2012 miniseries), directed by Steve Barron, written by Stewart Harcourt, and starring Eddie Izzard, Toby Regbo, Elijah Wood, and Donald Sutherland Footnotes: Stan Rogers performs his song "Barrett's Privateers" "Captain Kidd" performed by Great Big Sea The Clancy Brothers and Tommy Makem George Rose performing "I Am the Very Model of a Modern Major-General" from The Pirates of Penzance Black Sails (2014–2017) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

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Episode 30 – Review – Godzilla vs Kong (2021)

ZOS Films Podcast

Play Episode Listen Later Aug 27, 2021 58:29

On today's episode, Jim and Bill review Godzilla vs. Kong (2021). Directed by Adam Wingard; Story by Terry Rossio, Michael Dougherty, and Zach Shields; Screenplay by Eric Pearson and Max Borenstein; and starring Godzilla, Kong, and some humans including: Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, and Shun Oguri. The post Episode 30 – Review – Godzilla vs Kong (2021) appeared first on ZOS Films Podcast.

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Episode 65: Pirates of the Caribbean & Jungle Cruise

Cinema in Context

Play Episode Listen Later Aug 22, 2021 52:05

Disney theme park films. Sarah Watt, Jeremy Downing and William Chen discuss Jungle Cruise (2021) and Pirates of the Caribbean: The Curse of the Black Pearl (2003), two action adventure films based on Disney theme park rides of the same names. We begin the discussion by focusing on Jungle Cruise, reflecting upon the circumstances of how we each saw the film, and then very quickly comparing it to Pirates of the Caribbean. We hark back to the heyday of DVDs, when Pirates of the Caribbean had just been released, alongside films like Transformers (2007) and The Incredibles (2003), and discuss the film in both context of its time and how it has aged over time. Our discussion then focuses on specific elements of Pirates of the Caribbean, including the direction of Gore Verbinski, the score headed up by Hans Zimmer, the on-the-fly writing of Ted Elliot and Terry Rossio, including connections and comparisons to Ennio Morricone and Sergio Leone, and the LucasArts Monkey Island game series. We then discuss the writing and cast of Jungle Cruise, including connections to The African Queen, and Humphrey Bogart and Katharine Hepburn, and the great work of Emily Blunt, Dwayne "The Rock" Johnson, Jessie Plemons and Jack Whitehall. Our conversation then focuses on Jack Whitehall's gay character, with his coming out in the world of the film and the allegiance of Emily Blunt's character, and a discussion around the representation of a gay character played by a straight actor. We reflect upon other Disney gay characters, including the live action adaptation of Beauty and the Beast, with LeFou, and Star Wars: Episode IX - The Rise of Skywalker, with two unnamed background characters, and then consider Jungle Cruise and how they present a gay character in Jack Whitehall. We then talk to the chemistry between the characters in Jungle Cruise and Pirates of the Caribbean. Our chat then compares Jungle Cruise to Pirates of the Caribbean: On Stranger Tides (2011), The Mummy (1999), Raiders of the Lost Ark (1981), Romancing the Stone (1984) and Apocalypse Now (1979). Our discussion then moves into a conversation about the music of Jungle Cruise, including Metallica's "Nothing Else Matters". We then consider the scariness of both films, including Edgar Ramírez' character and the skeletons of Pirates of the Caribbean. We then look back at Gore Verbinski's films, including The Lone Ranger (2013), The Ring (2002), The Cure for Wellness (2016), Rango (2011) and Mousehunt (1997),and also looking back at Jaume Collet-Serra's films The Shallows (2016), The Commuter (2018), Orphan (2009) and House of Wax (2005).

Godzilla Vs. Kong Novelization Review

TheGeeksAttic - Reviews

Play Episode Listen Later Jul 15, 2021 7:25

This the podcast version of the Godzilla Vs. Kong Novelization review. The novelization of Godzilla vs. Kong, was written by Greg Keyes, and published by Titan Books. It's based on the screenplay by Eric Pearson and Max Borenstein. The story was by Terry Rossio, Michael Dougherty, and Zach Shields. #KongVsGodzilla --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

godzilla kong godzilla vs kong michael dougherty novelization titan books eric pearson terry rossio max borenstein zach shields

The Animation Series: The Road to El Dorado (2000)

Lesko and The Crew: Movie Reviews

Play Episode Listen Later Jun 18, 2021 88:58

In this episode of the Animation Series, George chose The Road to El Dorado. A 2000 Adventure/Comedy directed by Bibo Bergeron, Don Paul and Jeffrey Katzenberg and written by Terry Rossio and Ted Elliot.

animation el dorado jeffrey katzenberg terry rossio adventure comedy don paul

017 - Small Soldiers con Anibal Marrero

Filmic Notion™ Podcast

Play Episode Listen Later Jun 17, 2021 69:54

Primer episodio de una de mis personas favoritas, Anibal Marrero, creador del canal de Facebook: Positivo gamer, fanático de video juegos, películas y superhéroes. Vamos a estar hablando de Small Soldiers, película del año 1998, dirigida por Joe Dante y el guion a manos de Ted Elliott y Terry Rossio. ¡Escucha y transpórtate con nosotros con este tremendo episodio! ¿Como pueden seguir a Anibal? Facebook: Anibal Oniel Marrero Facebook Gaming: Positivo Gamer

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Sounds Like Comics Ep 109 - The Lone Ranger (Movie 2013)

That Film Stew Podcast

Play Episode Listen Later Jun 4, 2021 54:31

Based on the title character of the same name, The Lone Ranger stars Armie Hammer and Johnny Depp as John Reid and Tonto, respectively. The Lone Ranger is the 2013 western action film directed by Gore Verbinski and written by Justin Haythe, Ted Elliot, and Terry Rossio. This is the first theatrical film featuring the Lone Ranger and Tonto characters since William A. Fraker's 1981 film, The Legend of the Lone Ranger. Luke and Jae revisit this film with two leading stars that may not have the best luck when it comes to controversies. In 1933 a boy discovers an ancient Native American in a sideshow carnival tent. The Indian is Tonto (Johnny Depp), the old companion of John Reid (Armie Hammer), a lawman more famously known as the Lone Ranger. With this opportunity to set the record straight about his and Reid's adventures, Tonto recalls the day in 1869 when he first encountered the man who would be his trusted friend and tells of their teamwork bringing down Butch Cavendish (William Fichtner) and other Old West outlaws.

movies indian native americans comics johnny depp sounds like armie hammer old west lone ranger jae tonto gore verbinski john reid terry rossio justin haythe william a fraker

GODZILLA VS. KONG | Or Whatever Movies | Episode 71

Or Whatever Movies

Play Episode Listen Later Apr 15, 2021 33:25

On today's episode, the siblings talk HBO Max Original GODZILLA VS. KONG, including Jurassic Park and the human drama, Adam Wingard and Terry Rossio's culpability, and how Godzilla is like Jimi Hendrix. Contains spoilers. Thank you for listening and your support of OR WHATEVER MOVIES. Learn more about your ad choices. Visit megaphone.fm/adchoices

movies godzilla jurassic park kong jimi hendrix godzilla vs kong adam wingard terry rossio

GODZILLA VS. KONG | Or Whatever Movies | Episode 71

Or Whatever Movies

Play Episode Listen Later Apr 15, 2021 29:56

OR WHATEVER MOVIES is an entertainment podcast hosted by real-life brother and sister duo, Wesley and Iris Ichishita. Each episode is a quick, no-holds-barred discussion of a movie, television show or video. On today’s episode, the siblings talk HBO Max Original GODZILLA VS. KONG, including Jurassic Park and the human drama, Adam Wingard and Terry Rossio’s culpability, and how Godzilla is like Jimi Hendrix. Contains spoilers. Thank you for listening and your support of OR WHATEVER MOVIES.

movies godzilla jurassic park kong jimi hendrix godzilla vs kong adam wingard terry rossio

Episode 154 | "Non-Raggedly Love"

Cleaning Dishes

Play Episode Listen Later Apr 12, 2021 69:31

Welcome to another episode of Cleaning Dishes. I know your read to laugh today/ On this episode of Cleaning Dishes, we watched Godzilla Versus Kong, Trigonometry and Eagle Eye. Godzilla versus Kong and Trigonometry can be found on HBOmax. Eagle Eye you can watch on Amazon Prime. More details below. Godzilla versus Kong Platform: HBOmax Directed by: Adam Wingard Written by: Terry Rossio, Michael Dougherty, Zach Shields Starring: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brain Tyree Henry Championship match for the world and Skull Island, Godzilla versus Kong. On side of the earth we have Godzilla from Godzilla: King of Monsters and on the other side of the earth hailing from Skull Island, Kong. Trigonometry Platform: HBOmax Directed by: Athina Rachel Tsangari and Stella Corradi Written by: Duncan Macmillan and Effie Woods Starring: Ariane Labed as Ray, Thalissa Teixeira as Gemma and Gary Carr as Kieran A young couple are looking for a roommate to occupy a room in their flat. They find a roommate in a young woman named Ray, who opens up a door of unique possibility. Eagle Eye Platform: Amazon Prime Directed by: D.J. Caruso Written by: John Glenn, Travis Wright, Hillary Seitz and Dan Mcdermott Starring: Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Billy Bob Thronton After the death of his twin brother, Jerry Shaw gets unwillingly recruited to help an underground government. Fenix Fitness website FNX 15% off coupon code: FNXISz7 Follow Us on Social Media: Facebook: www.facebook.com/cleaningdishes Twitter: https://twitter.com/Cleaning_Dishes Instagram: https://instagram.com/cleaningdishes?igshid=1nytq24e1ndeh Youtube: www.youtube.com/channel/UCsa9NtQ1SjUvVggW_dRLtvQ Anchor: https://anchor.fm/cleaningdishes19 --- Send in a voice message: https://anchor.fm/cleaningdishes19/message Support this podcast: https://anchor.fm/cleaningdishes19/support

amazon prime monsters godzilla hbo max kong godzilla king rosario dawson millie bobby brown rebecca hall skull island john glenn michael dougherty michelle monaghan eagle eye trigonometry fnx travis wright terry rossio duncan macmillan gary carr

Godzilla vs. Kong (2021)

Bloody Awesome Movie Podcast

Play Episode Listen Later Apr 8, 2021 68:36

The Bloody Awesome Movie Podcast in its new format. In the past, we did a monthly episode where we looked back at four big movies released in the prior month. From now on, we focus on a single film, usually a new release (hopefully theatrically at some point) giving a spoiler free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture related topics in a series of segments. Review of Godzilla vs. Kong (2021) Directed by Adam Wingard Written by Terry Rossio, Michael Dougherty, and Zach Shields Starring Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, and Demián Bichir IMDb.com Synopsis: The epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against one another - the fearsome Godzilla and the mighty Kong - with humanity caught in the balance. RT 76% critic, 60 Metascore, and 6.7 IMDb user score RELEASE location/ DATE: HBO Max and theaters Box Office: ‘Godzilla vs. Kong’ Sets Pandemic Record With $48.5 Million Debut Chuffed Headlines Movie/Pop culture news that caught our attention Matt’s Headline: Whedon Reportedly Threatened Gadot's Career During Justice League Reshoots Ghostbusters: Afterlife Brings The Franchise Back To Life Says Bill Murray (briefly) Jon’s Headline: Kevin Smith Shares Wonderful Tribute To Clerks 28 Years Later Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt’s others: Amelie Invincible E4, The Boys Season One, Falcon and the Winter Soldier E3 Jonathan’s others: Blank Check Podcast - A New Leaf A Silent Voice, Godzilla vs Kong(lol), I Walk with a Zombie, The Leopard Man, The Heartbreak Kid, The Seventh Victim, Star Trek V: The Final Frontier, Search Party S2 and part of 3, Falcon and the Winter Soldier E3 BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support

tv music podcasts video games zombies godzilla falcon kong directed imdb rt godzilla vs kong letterboxd millie bobby brown monsterverse rebecca hall michael dougherty brian tyree henry heartbreak kid star trek v the final frontier eiza gonz julian dennison i walk terry rossio seventh victim metascore shun oguri jonathan berk ig matt what i watched tonight berkreviews

BONUS! Godzilla vs. Kong (2021) First Impressions

sacrifice academy awards rogers eddie murphy shrek letterboxd cameron diaz mike myers john lithgow shulman vincent cassel best animated feature william steig andrew adamson princess fiona terry rossio ted elliott

Play Episode Listen Later Apr 5, 2021 64:32

The #godzilla podcast has returned! Here are our first impressions of #godzillavskong! Credits: Directed by Adam Wingard Produced by Thomas Tull, Jon Jashni, Brian Rogers, Mary Parent, Alex Garcia, Eric McLeod Screenplay by Eric Pearson, Max Borenstein Story by Terry Rossio, Michael Dougherty, Zach Shields Based on Godzilla and Mechagodzilla by Toho King Kong by Edgar Wallace, Merian C. Cooper Starring Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Lance Reddick, Kyle Chandler, Demián Bichir Music by Tom Holkenborg Cinematography Ben Seresin Edited by Josh Schaeffer Release date March 24, 2021 (International), March 31, 2021 (United States) Running time 113 minutes

“Some of you may die, but it's a sacrifice I am willing to make” | Shrek (2001) | [S3E8]

Recently Logged

Play Episode Listen Later Mar 29, 2021 80:39

”And last but not least is a fiery redhead who lives in a dragon-guarded castle surrounded by a boiling lake of lava! But don't let that cool you off. She's a loaded pistol who likes piña coladas and getting caught in the rain. Yours for the rescuing: Princess Fiona!” This week on Recently Logged we discuss the first-ever Academy Award winner for Best Animated Feature and cultural touchstone: Shrek! (as well as briefly reviewing the films we logged on our Letterboxd dairies in the past week.) EPISODE TIME CODES: 00:00 - INTRO 02:07 - BASIC MOVIE FACTS 05:04 - OPENING THOUGHTS 12:42 - MAIN DISCUSSION 53:19 - CLOSING THOUGHTS 57:08 - WHAT WE WATCHED FIND WHERE YOU CAN WATCH THIS WEEK’S FILM: https://www.justwatch.com/us/movie/shrek FILM INFO: Shrek (2001) THE GREATEST FAIRY TALE NEVER TOLD. "It ain’t easy bein’ green – especially if you’re a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot – a wisecracking donkey." MPAA Rating: [PG] Director(s): Andrew Adamson, Vickey Jenson Writer(s): Ted Elliott, Terry Rossio, William Steig, Roger S.H. Shulman, Joe Stillman Composer(s): Harry Greyson-Williams, John Powell Editor(s): Sim Evan-Jones Top-billed cast: Mike Myers, Eddie Murphy, Cameron Diaz, John Lithgow, Vincent Cassel, Peter Dennis (All film info from Letterboxd) OUR LINKS: Recently Logged Main Webpage: https://robbiegrawey.com/recently-logged Anchor Page: https://anchor.fm/recentlylogged Micah’s Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie’s Stuff Website: https://robbiegrawey.com EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Editor - Robert Grawey Songs used in episode - Non --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Godzilla vs. Kong - A WDYWW Spoilercast

What Do You Wanna Watch?

Play Episode Listen Later Mar 28, 2021 25:42

It’s the biggest fight of the year as Godzilla takes on King Kong in Godzilla vs. Kong. Ashley and Dylan share their thoughts on the film, its human characters and the booking of this confrontation between two monster iconsGODZILLA VS. KONG (2021)Directed by: Adam WingardScreenplay by: Eric Pearson, Max BorensteinStory by: Terry Rossio, Michael Dougherty, Zach ShieldsBased on Godzilla by: TohoBased on King Kong by: Edgar Wallace, Merian C. CooperStarring: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, and Demián Bichir.Hosts:Ashley Hobley: https://twitter.com/ashleyhobleyDylan Blight: https://twitter.com/vivaladilFollow our Trakt:Ashley - https://trakt.tv/users/ashleyhobleyDylan - https://trakt.tv/users/vivaladilAll Episodes:https://explosionnetwork.com/what-do-you-wanna-watchSupport Us:http://www.ko-fi.com/explosion

godzilla kong directed king kong godzilla vs kong spoilercast millie bobby brown rebecca hall michael dougherty brian tyree henry kyle chandler eiza gonz julian dennison bichir edgar wallace eric pearson terry rossio

CG -S1E11: The China Syndrome

Cinema Gush

Play Episode Listen Later Mar 4, 2021 82:17

I'm just gonna say what I'm feeling: If you've enjoyed any part of our podcast this year, you will love this episode. Today we are joined by all around renaissance man Tom Provost. Tom is a director, writer, producer, professor of film, and all around treasure trove of movie insights. Today he joins us to talk about The China Syndrome. This 1979 journalism drama is about a fictionalized cover-up at a nuclear power plant. It's dynamite. I would say that is the topic of today's podcast but that would short change it. This is a cinematic deep dive and we can't wait for you to hear it. Also, please consider joining Cinema Gush and donating to Tom’s charity at https://www.bagsandgrace.com/ Links below to everything mentioned. Enjoy! See Tom's work and consider signing up for his Masterclass at www.cinemalanguage.org and check out his movie The Presence! Watch China Syndrome here: Amazon Movies the Professor recommended that we should all check out! Red Rock West Julia Klute The Parallax View All the President’s Men All That Jazz Places in the Heart Network North by Northwest Absence of Malice Chinatown Coma Hamlet Black Sunday Primer TV show recommendations: Normal People Bojack Horseman Brendon’s recommendations: Cool as Ice The short story Arrival is based from: Story of Your Life Kurzgesagt’s In a Nutshell “How many People did Nuclear Energy Kill? Nuclear Death Toll” Nic's recommendations: Terry Rossio's Blog on Godzilla 1998: The One Hundred Million Dollar Mistake

president china professor story blog presence masterclass godzilla syndrome arrival terry rossio

Little Monsters (1989) Movie Review

Analog Jones and the Temple of Film: VHS Podcast

Play Episode Listen Later Nov 11, 2020 65:53

Some friends can be REAL MONSTERS. And that's Scott and Matt! Analog Jones takes a ride down to monster land to discuss a little cult movie that is starting to gain popularity when we review Little Monsters from 1989. Quick FactsDirected by Richard Alan GreenbergWritten by Terry Rossio and Ted EliottProduction company: Vestron PicturesDistributed by United ArtistsRelease Date: August 25, 1989Budget: $7 millionBox Office: $793,775 StarringFred Savage as Brian StevensonHowie Mandel as MauriceBen Savage as Eric StevensonDaniel Stern as Glen StevensonFrank Whaley as BoyRick Ducommun as Snik How to find Analog JonesDiscuss these movies and more on our Facebook page. You can also listen to us on iTunes, Podbean, and Youtube! Email us at analogjonestof@gmail.com with any comments or questions!

movies little monsters real monsters terry rossio analog jones

Godzilla (1998)

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Play Episode Listen Later Oct 26, 2020 144:37

The #Godzilla Podcast has returned with a commentary of the controversial 1998 American Kaiju film, Godzilla! Directed by Roland Emmerich Produced by Dean Devlin Screenplay by Dean Devlin, Roland Emmerich Story by Ted Elliott, Terry Rossio, Dean Devlin, Roland Emmerich Based on "Godzilla" by Toho Starring Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, Kevin Dunn, Michael Lerner, Harry Shearer Music by David Arnold Cinematography Ueli Steiger Edited by Peter Amundson, David J. Siegel Release date May 20, 1998 (United States) Running time 139 minutes Budget $130–150 million Box office $379 million

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Ep. 217 - Pirates of the Caribbean: The Curse of the Black Pearl

The Movie Crew Podcast

Play Episode Listen Later Jul 23, 2020 98:52

Episode 217: The Crew's wondering why the rum is all gone while discussing Pirates of the Caribbean: The Curse of the Black Pearl. Director Gore Verbinski made Pirate films cool again after decades of box office bombs in the genre (Cutthroat Island, Pirates). The supernatural curse plot probably helped the box office with the shots of the skeleton pirates in the trailer. Johnny Depp became a superstar with his Oscar nominated Captain Jack Sparrow performance. And its the best film based on a theme park ride. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

Day 31-34: First Draft Finished

My First Indie Film

Play Episode Listen Later Sep 25, 2019 18:37

Day 31-34: First Draft Finished Easter. Anniversary. Traveling. Lots to juggle while trying to finish the script. Catherine gives Jason helpful feedback on the script. Jason talks about great dialogue advice from Terry Rossio from the On The Page podcast. Jason finishes the first draft! He meets with ACU students interested in being a part of the crew and ends with a very encouraging Cargill tweet. Subscribe to the filmmaking journey as each day Jason chronicles his first micro-budget, indie film. Follow along for all the up-and-downs of the filmmaking process and be inspired to make an INDIE FILM! Twitter: @MrJBaum jasonbaumgardner.com Film updates: MyFirstIndieFilm.com

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Action Subgenre Conventions: Pirates of the Caribbean

Story Grid Editors Roundtable

Play Episode Listen Later Jan 16, 2019 58:09

Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine Pirates of the Caribbean: The Curse of the Black Pearl. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland. Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better. Click here for the full show notes.

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Pirates of the Caribbean - The Curse of the Black Pearl (2003) (GUEST: EricMcEver Writer + Director of Paleonaut)

Sequelcast 2 and Friends

Play Episode Listen Later Dec 26, 2018 92:45

Hosts Mat Bradley-Tschirgi, William Thrasher, and special guest Eric McEver (writer and director of Paleonaut) discuss Pirates of the Caribbean: The Curse of the Black Pearl. They talk to Eric about how his love of Godzilla movies led him to Japan, how hard Godzilla films are to collect, and his early short film The Early Years of Captain Jack Sparrow. One of a gaggle of Disney films based on their theme park attractions (The Country Bears, The Haunted Mansion), this one was so successful is spawned a pirate's bounty worth of sequels. Elizabeth Swan (Keira Knightley) is in love with blacksmith Will Turner (Orlando Bloom). However, she's engaged to James Norrington (Jack Davenport). Her stolen skull emblazoned medallion has hidden powers that intrigue both scalawag pirate Jack Sparrow (Johnny Depp) and haughty ghost pirate Hector Barbossa (Geoffrey Rush). Many sword fights and drunken arguments ensue. Far better than any game based on a ride should be, this first Pirates of the Caribbean film combines derring-do with light horror elements in a family friendly package. Ted Elliott and Terry Rossio's screenplay is full of one too many characters, but when the cast is so game who cares? The trio get off on a tangent about the Star Wars Ewoks movies and Seth Green's stillborn Star Wars Detours series. Eric enjoys the Heisei version of Godzilla vs. Mothra. Thrasher gave the quirky Pottersville a watch. Mat read the Peter Jackson biography Anything You Can Imagine : Peter Jackson and the Making of Middle Earth by Ian Nathan. The next few movie series we'll be covering are: Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998) Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG!

The FWOT Show - December 4, 2018

COYL Entertainment Network

Play Episode Listen Later Dec 3, 2018 7:04

The CDC, Cigarettes, Counting, and Cretins! This episode is brought to you by the letter "C"! Give us a listen! www.theFWOTshow.com

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The FWOT Show - December 4, 2018

Oh For F*s Sake

Play Episode Listen Later Dec 3, 2018 7:04

The CDC, Cigarettes, Counting, and Cretins! This episode is brought to you by the letter "C"! Give us a listen! www.theFWOTshow.com

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Episode 62: Little Monsters (1989)

Slasher Radio Podcast

Play Episode Listen Later Nov 28, 2018 94:17

Lights out! Slasher Radio took a peek under the bed for this week's episode as we discussed the 1989 classic, "Little Monsters"! We've pulled back the covers on this 80's film and talked about its true decade magic and special makeup effects that came together to create this unforgettable film. Howie Mandel went all out for the starring role as "Maurice" and brought life to the gritty, rambunctious boogeyman who ends up being not all that threatening after all. The film's screenplay writers Terry Rossio and Ted Elliott have since worked together to create other classic, fun flicks like "Aladdin" and "Shrek". The special makeup effects artist, Michael Burnett, brought his insane creativity and experience to the film and has since worked on other impactful films like "Star Wars", "Strangeland", and "House of 1000 Corpses". Fluff your pillows, grab your blanket and pop in "Little Monsters". Then, take a trip back to 1989 with us for this ghoulishly good flick in Episode 62! You can check out our articles AND listen to the show at SlasherRadio.com and contact the show via email Hosts@SlasherRadio.com or on Twitter: @SlasherRadio @Dismay00 @BobbySpitzerr @MikeysDead --- Send in a voice message: https://anchor.fm/slasherradio/message Support the show: https://www.patreon.com/slasherradio See omnystudio.com/listener for privacy information.

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The Wright Way with Shannon & Mike E 2027

The Wright Way with Shannon & Mike

Play Episode Listen Later Nov 27, 2018 116:13

On today's show, Shannon & Mike discuss 'Aladdin' writer Terry Rossio as he apologizes for 'insensitive and ignorant' use of the N-word on Twitter. Also, Alabama police suggest a black man killed by an officer on Thanksgiving Day shouldn't have held his gun. And, actor Tom Arnold responds to a visit by the Secret Service over his tweets. Then, cotton candy mistaken for meth puts a woman in jail for months. Plus more.

SFG Podcast Episode 028: Let's Talk About Stan Lee

Sci Fi Generation Podcast

Play Episode Listen Later Nov 26, 2018 95:19

Welcome Back! In this episode, Daryle and Margo discuss Stan Lee, Dr. Who, the California wildfires, What's trending on SciFiGeneration.com, Anti-vaxxer community in NC and Terry Rossio's controversial tweet.

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Episode 170: The Bucky Stops Here

Dueling Ogres

Play Episode Listen Later Oct 26, 2018 92:38

Bucky stops by to join us after working all day. That lil' guy is a trooper! Guess this is going to be a Marvel-ous episode! 0:14:58 Titanic 2 resumes construction to set sail in 2020 0:24:02 Brie Larson is signed on to 7 more MCU movies! 0:26:43 Luke Cage and Iron Fist canceled after two seasons. 0:31:52 James Gunn to head up Suicide Squad 2. Bautista wants in. 0:35:55 Aladdin teaser trailer with Will Smith's name, but no voice to be found. 0:41:09 The Last Airbender Netflix series - how many times can they tell the same story? 0:41:57 Terry Rossio slams Disney for no compensation for live-action but same script. 0:47:44 Epic Games suing two cheat-selling YouTubers over Fortnite cheats. 0:55:39 Mega Millions at record high. 1:00:19 Atlas bi-pedal robot now more mobile than ever before. 1:04:56 Scientists create baby mice from 2 female mothers. 1:10:21 Chuck Wendig - Kavanaugh Tweets gets him fired. The Worms Link in, the Worms Link out [widget id="media_image-3"] Tweet Tweet, muddasucka! Interested in writing geek-centric articles? Got a fever to let your inner writer out? Email us with an article to be published for thousands of readers to see! CHECK OUT OUR AWESOME merch! https://www.duelingogres.com/bazaar-dueling-ogres-store/ SMASH ALL THOSE LIKES AND SHARES AND SUBSCRIBES FOREVER! They help us stay alive one more day! Literally, there are larger ogres over us. They're ruthless and terrifying. We cry tears of blood! CALL or TEXT us so we can play/read your question on air @ !! (Intro uses the "" track by Kevin Macleod (). Licensed under . Outtro: , licensed under .)

Stroke His Ego & Look at His Cannon (Dead Man’s Chest Minutes 102-103)

Play Episode Listen Later Aug 16, 2018 45:15

It’s another hot, hot, hot episode as we kick things off with a little blow the man down and listener comments in this episode covering minutes 102 and 103 of Pirates of the Caribbean: Dead Man’s Chest. Join us as we continue the discussion, euphemisms and metaphors of Elizabeth Swann working hard to seduce Captain Jack Sparrow, the smart writing of Terry Rossio and Ted Elliott keeping the audience guessing as to the attraction between the two, the broken deal with Davy Jones and Jack Sparrow with the return of the black spot, Pintel and Ragetti’s debate on the pronunciation of Kraken, the mythological, 13th century Icelandic tale of the Kraken (Hafgufa and Lyngbakr) and the natural history of the Kraken as described by the Old Norwegian natural history work Konungs skuggsjá. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

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Piratas del Caribe: La Venganza de Salazar (2017) #Aventuras #Fantástico #piratas #audesc #peliculas #podcast

Play Episode Listen Later May 21, 2018 129:07

País Estados Unidos Dirección Joachim Rønning, Espen Sandberg Guion Jeff Nathanson (Personajes: Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert) Música Geoff Zanelli Fotografía Paul Cameron Reparto Johnny Depp, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Geoffrey Rush, Orlando Bloom, Kevin McNally, David Wenham, Stephen Graham, Adam Brown, Golshifteh Farahani, Martin Klebba, Goran D. Kleut, Jessica Green, Paul McCartney, Keira Knightley, Angus Barnett, Giles New, Delroy Atkinson, Juan Carlos Vellido, Danny Kirrane Sinopsis El capitán Jack Sparrow se enfrentará a un grupo de piratas-fantasma comandados por una de sus viejas némesis, el terrorífico capitán Salazar, recién escapado del Triángulo de las Bermudas. La única posibilidad de Sparrow para salir con vida es encontrar el legendario Tridente de Poseidón, un poderoso artefacto que le da a su poseedor el control de los mares.

That’s a Man, Baby! (Dead Man’s Chest Minute 41)

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Play Episode Listen Later Feb 16, 2018 35:05

It’s a dodgy episode bustling with euphemisms, the politically incorrect topic of cannibal gender misidentification, and the penetration of tropical fruits. Join us for minute 41 of Pirates of the Caribbean: Dead Man’s Chest as we discuss the mysterious appearance of fire on Captain Jack Sparrow’s rope, the final production draft of the script in regards to the Cannibal Boy’s reaction and confusion to Jack escaping, and the inclusion of the Cannibal Women scene, Terry Rossio releasing a copy of the script to the public to thwart people selling unauthorized copies on eBay, the actress who portrayed the Tall Cannibal Woman (Natsuko Ohama) and the Large Cannibal Woman (Josie Dapar), the proper occasions to go bold and wear a rib cage hat, a few shout outs to underwater shots and music score, Heather’s growing and unhealthy obsession with Marty, and we end with the bi-weekly segment Really Bad Eggs, highlighting our favorite lines from the last two weeks. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

Never Let Go of Your Vine (Dead Man’s Chest Minute 38)

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Play Episode Listen Later Feb 9, 2018 23:53

Disney takes theme park rides to a whole new dimension when Leech and his fellow bone cage mates plummet to their deaths – it’s the only practical way to end a waltz. Join us for minute 38 of Pirates of the Caribbean: Dead Man’s Chest as we discuss Terry Rossio and Ted Elliott’s intention to make Leech more meaningful to the audience by giving the character lines usually attributed to Joshamee Gibbs, the look of shock on the Native Bridge Guard and Motley crew’s faces as Leech and his cage mates fall to their death, behind the scenes with the king snake animal actor, a little mnemonic to keep you safe when encountering tropical coral snakes, more information on the Pelegostos Bridge Guard, and a wee bit of information on the Torch Native portrayed by Jonathan Limbo. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

The Wrath Has Come (Dead Man’s Chest Minute 31)

Play Episode Listen Later Jan 24, 2018 33:34

Hell, hath no furry like a woman and a prison dog scorned. Join us and the pirate fugitives Pintel and Ragetti for minute 31 of Pirates of the Caribbean: Dead Man’s Chest. In this episode we wrap up the Elizabeth Swann and Lord Cutler Beckett letters of marque negotiation complete with a disgusted, evil eye from Miss Swann and a cresting smirk from the world-domineering Beckett, discuss the inadvertent evolution of Terry Rossio and Ted Elliott’s intention for the compass and used as a plot point between the first two Pirates of the Caribbean films, tinker bell lens flare inspiration and potential sign of divine intervention, The Escape of Pintel and Ragetti in the expanded universe, the appearance of the Bible, and the ever fascinating topic of antique paper and vellum. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

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Conjugal Visit Romance (Dead Man’s Chest Minute 21)

Play Episode Listen Later Jan 9, 2018 26:48

Dammit Will, kiss the girl! In this third rate, conjugal visit romance of an episode it’s all about the tease and a dirty old man lingering in the shadows. Join us for minute 21 of Pirates of the Caribbean: Dead Man’s Chest as we discuss and analyze the hot and heavy, touching and rubbing Will Turner and Elizabeth Swann’s jail cell conversation, Terry Rossio and Ted Elliott’s tension building and setup for an eventual movie kiss, more Curse of the Black Pearl references, the meaning of “properly” when referred to weddings, the meaning of Governor Swann breaking the candle sconce, Weatherby’s lackluster effort to find the jail dog, Elizabeth’s use of the phrase “weather an eye out” and the meaning and origin of this nautical idiom, a classic reference to Citizen Kane and Cheers, and Will Turner’s run in with the Sunburned Sailor, Fisherman (montage), and Scarlett and Giselle on Tortuga. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

The Curse of the Black Pearl Minute 132: Floggings and Sugar Daddies

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Play Episode Listen Later Jul 17, 2017 27:55

From floggings to sugar daddies to wedding bells, it’s time to take on this episode of Pirates of the Caribbean Minute. It’s minute 132 of The Curse of the Black Pearl and we’re discussing the latest details and release dates of the Dead Men Tell No Tales digital, Blu-Ray, DVD and 4K Ultra HD, how screenwriters Terry Rossio and Ted Elliott tease us with all the signs that the film should be ending but never deliver the credits (going against all the usual movie clichés), the Elizabeth Swann and Will Turner kiss, wedding symbolism at Fort Charles, the meaning behind Governor Swann’s “just a blacksmith” comment, and Commodore Norrington finally giving Captain Jack Sparrow some respect. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

The Curse of the Black Pearl Minute 124: A Hazy Mind

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Play Episode Listen Later Jul 5, 2017 29:45

After fanning away the unnatural fog from our minds, we manage to find time to hypothesize Captain Jack Sparrow’s attraction to Elizabeth Swann on today’s episode of Pirates of the Caribbean Minute. Join us for minute 124 of the Curse of the Black Pearl as we discuss Governor Swann’s stereotypical politician trope, thoroughly dissect the sexual tension between Will Turner and Elizabeth Swann and the fact that he drops the ball by not kissing her, wonder if Captain Jack Sparrow purposely interrupted their moment, discover the meaning behind the cinematographer’s use of reflections while filming Elizabeth, briefly uncover the origin of the word huzzah, debate the intricacies and workings of the Aztec curse after reviewing a deleted scene, and give props to Ted Elliott and Terry Rossio for abandoning the use of traditional screenwriting to complete each of the characters’ stories. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

Bonus Episode 7 - Pirates of the Caribbean: Dead Men Tell No Tales

The Cinescope Podcast

Play Episode Listen Later May 30, 2017 74:47

In the seventh bonus episode of The Cinescope Podcast, Chad and Aaron talk about the fifth movie in the Pirates of the Caribbean series, Dead Men Tell No Tales! The Cinescope Podcast on iTunes Show Notes Pirates of the Caribbean: Dead Men Tell No Tales soundtrack on iTunes Stats Released May 26, 2017 Dir. Joachim Rønning, Espen Sandberg (first two episodes of Netflix series Marco Polo) Written by Jeff Nathanson with story help from Terry Rossio, who co-wrote the first four films with Ted Elliott Music by Geoff Zanelli (Secret Window, Into the West, Disturbia, Outlander, The Pacific w/ Blake Neely, The Odd Life of Timothy Green; worked with Zimmer on previous four Pirates film scores and Rango and The Lone Ranger) Starring Johnny Depp, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Kevin McNally, Stephen Graham, Geoffrey Rush, Martin Klebba, Golshifteh Farahani, David Wenham, Paul McCartney Contact Aaron Twitter Facebook Feelin' Film Twitter Feelin' Film Facebook Group Feelin' Film Website Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Aaron White.

Episode 43: Pirates of the Caribbean: The Curse of the Black Pearl

The Cinescope Podcast

Play Episode Listen Later May 26, 2017 71:25

In Episode 43 of The Cinescope Podcast, Chad and Sarah Parrish talk about one of their favorite movies, Pirates of the Caribbean: The Curse of the Black Pearl! The Cinescope Podcast on iTunes Show Notes Pirates of the Caribbean: The Curse of the Black Pearl on iTunes Pirates of the Caribbean: The Curse of the Black Pearl soundtrack on iTunes Reel World Rewind - Previous guest Blaine talks about the same movie on his podcast! Sideshow Sound Radio - upcoming Score Guide for this film from previous guests Will and Wendell! Stats Released July 29, 2003 Dir. Gore Verbinski (MouseHunt, The Mexican, The Ring, The Weather Man, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: At World's End, Rango, The Lone Ranger, A Cure for Wellness) Written by Ted Elliott, Terry Rossio; based on Pirates of the Caribbean ride by Walt Disney at Disneyland Music by Klaus Badelt (Equilibrium, K-19: The Widowmaker, The Time Machine, Basic, Catwoman, The Promise, Constantine, Poseidon, Rescue Dawn, TMNT) Starring Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Jack Davenport, Kevin McNally, Jonathan Pryce, Zoe Saldana, Lee Arenberg, Mackenzie Crook Contact Sarah Twitter Chad Twitter Facebook Letterboxd Cinescope Facebook Twitter Anchor Station Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Sarah Parrish.

Jared Leto in Tron Reboot and Deadpool 2 Teasers – Meet the Movie Press for March 10th, 2017

Meet The Movie Press w/ Simon Thompson

Play Episode Listen Later Mar 10, 2017 59:35

Popcorn Talk Network proudly presents a vodcast for your insider look into the day to day reporting of the hottest scoops, exclusives and reports from the leading reporters in the industry on all things movie news! It's Popcorn Talk Network's Meet the Movie Press, hosted by Mashable's Jeff Sneider and Forbes's Simon Thompson. Each week the two will discuss the ever changing landscape of movie news and trade reporting. With discussions on everything from Marvel casting to landing exclusive stories on major Hollywood tentpoles, Simon and Jeff will also talk to some of the leading reporters and bloggers in the industry today. Today's Topics: Deadpool 2 trailer teases, Steven Spielberg's "The Post" w/ Hanks and Streep announced, Disney's Aladdin relocates from U.S. to U.K. for Visa reasons, Eva Green & Danny DeVito cast in live-action Dumbo. Reboot announced for Tron with Jared Leto. Hugh Jackman rumored to star in Michael Mann's remake of "Ferrari," Terry Rossio to head-up wr --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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DZ-36: Backmatter - Time Risk and Fixing Movies

Draft Zero: a screenwriting podcast

Play Episode Listen Later Oct 30, 2016 67:26

How can writers wisely invest their time in projects? In this "special", backmatter-only episode, Stu & Chas take inspiration from Terry Rossio's excellent article on TIME RISK and ice skate over a range of topics. We talk about time investment in projects, Stuart's project Restoration, doing you down work first, managing feedback, thinking positive being a negative, and we open the listener mail bag for critiques, praise and suggestions. We also explore how we could do Draft Zero episodes exploring tone and theme. We welcome any listener feedback as to whether we should do any backmatter-only episodes into the future. EPISODE LINKS RESTORATION written by Matthew Clayfield & Stuart Willis Watch it on STAN (Australia) The Solute: Could the Mirror Be Really You? RESTORATION (2016) Screen Director Podcast: Ben Mizzi talks to Stu Willis about directing Restoration YouTube: #Stranger2015 - Metallica's St Anger (2003) Album Re-Recorded Wordplayer: "Time Risk" by Terry Rossio Aeon: Thinking positive is a surprisingly risky manoeuvre Medium: Why You Should Do Your Work First, Others' Work Second /r/screenwriting: Mortified at first professional feedback David Foster Wallace "This Is Water" YouTube: David Foster Wallace Commencement Speech (Audio Only) Metastatic.org: http://metastatic.org/text/This%20is%20Water.pdf Kenyon.edu: http://bulletin.kenyon.edu/x4280.html Ira Glass on Creativity, Taste and Our Work Writer Underground: Ira Glass On Creativity (or, The Gap Between Our Taste And Our Work…) Vimeo: Ira Glass on Storytelling Vimeo: THE GAP by Ira Glass MikeJones.tv Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero We are @chasffisher and @stuwillis on twitter. Please considering rating or subscribing to us on iTunes! or sharing us on the Social Medias! We like finding new listeners.

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457. Terry Rossio

On The Page

Play Episode Listen Later Jun 10, 2016 58:01

Terry Rossio, writer of “Aladdin," “Shrek" and "Pirates of the Caribbean," shares his thoughts about adaptation, story telling, dialogue and script notes.

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The Next Reel Film Podcast The Long Kiss Goodnight • The Next Reel

The Next Reel Film Podcast Master Feed

Play Episode Listen Later Apr 28, 2016 80:09

When New Line Cinema bought Shane Black's spec script “The Long Kiss Goodnight” in 1994 for $4 million, it created a new record for the selling price of spec scripts for more than 10 years until 2005 when Terry Rossio's and Bill Marsilii's script “Déjà Vu” sold for $5 million. While Black walked away with a hefty paycheck, he had no idea that this sale and the subsequent underwhelming performance of the resulting movie would have a hand in the end of the halcyon days of spec script sales. The way that studios saw screenwriters changed. The way they approached projects changed. Some say the industry has changed for the better, some say for the worse. Whichever side you fall on the issue, Black found himself struggling to get work afterward.

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The Long Kiss Goodnight • The Next Reel

The Next Reel by The Next Reel Film Podcasts

Play Episode Listen Later Apr 28, 2016 80:09

When New Line Cinema bought Shane Black's spec script “The Long Kiss Goodnight” in 1994 for $4 million, it created a new record for the selling price of spec scripts for more than 10 years until 2005 when Terry Rossio's and Bill Marsilii's script “Déjà Vu” sold for $5 million. While Black walked away with a hefty paycheck, he had no idea that this sale and the subsequent underwhelming performance of the resulting movie would have a hand in the end of the halcyon days of spec script sales. The way that studios saw screenwriters changed. The way they approached projects changed. Some say the industry has changed for the better, some say for the worse. Whichever side you fall on the issue, Black found himself struggling to get work afterward.

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The Long Kiss Goodnight • The Next Reel

The Next Reel Film Podcast Master Feed

Play Episode Listen Later Apr 28, 2016 80:08

"Name’s Charly, by the way. You’re gonna love me." When New Line Cinema bought Shane Black’s spec script “The Long Kiss Goodnight” in 1994 for $4 million, it created a new record for the selling price of spec scripts for more than 10 years until 2005 when Terry Rossio’s and Bill Marsilii’s script “Déjà Vu” sold for $5 million. While Black walked away with a hefty paycheck, he had no idea that this sale and the subsequent underwhelming performance of the resulting movie would have a hand in the end of the halcyon days of spec script sales. The way that studios saw screenwriters changed. The way they approached projects changed. Some say the industry has changed for the better, some say for the worse. Whichever side you fall on the issue, Black found himself struggling to get work afterward. Join us – Pete Wright and Andy Nelson – as we continue our Shane Black series with Renny Harlin’s 1996 film “The Long Kiss Goodnight.” We talk about how much fun this movie is, particularly after our struggles with the last two in the series. We chat about Black and why the level of over-the-top fun in this script helps to elevate it in ways that didn’t quite work before. We chat about Harlin and what he brings to the table, not just here but in action and horror films through the late 80s and early 90s. We discuss Geena Davis, Samuel L. Jackson, Craig Bierko, Yvonne Zima, Brian Cox, David Morse and more, looking at how well they fit in this universe. And we look at how this film affected Black’s career, pushing him to step out of the industry for a decade. It’s a joyously ridiculous romp that’s nothing but fun and we have a great time talking about it on this week’s show. Definitely check out this movie then tune in to the show. Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Andy's Trailer: The Magnificent Seven — "’The Seven Samurai’ is such a great story, it’s been retold many times in many different ways. And I really enjoy the ones I’ve seen. With Antoine Fuqua’s upcoming remake of a remake, I’m just banking on the story I love to carry it through. Okay, I generally like Fuqua, and his cast looks pretty solid. I’m just not sold yet by this trailer. Or ‘teaser,’ I should say. I guess I’ll have to wait for the ‘full trailer’ to get a better sense of it." Pete's Trailer: The Founder — "Outside of MBA circles, I’m not sure how many people give the mechanics of McDonald’s much thought. But unravelling the sordid history of much lauded Ray Croc and the real estate empire he built is a story worth telling, and Keaton looks terrific in the part. Like last week though, what really gets me in this trailer is the song: Barns Courtney’s Glitter & Gold."

The Long Kiss Goodnight • The Next Reel

The Next Reel by The Next Reel Film Podcasts

Play Episode Listen Later Apr 28, 2016 80:08

"Name's Charly, by the way. You're gonna love me." When New Line Cinema bought Shane Black's spec script “The Long Kiss Goodnight” in 1994 for $4 million, it created a new record for the selling price of spec scripts for more than 10 years until 2005 when Terry Rossio's and Bill Marsilii's script “Déjà Vu” sold for $5 million. While Black walked away with a hefty paycheck, he had no idea that this sale and the subsequent underwhelming performance of the resulting movie would have a hand in the end of the halcyon days of spec script sales. The way that studios saw screenwriters changed. The way they approached projects changed. Some say the industry has changed for the better, some say for the worse. Whichever side you fall on the issue, Black found himself struggling to get work afterward. Join us – Pete Wright and Andy Nelson – as we continue our Shane Black series with Renny Harlin's 1996 film “The Long Kiss Goodnight.” We talk about how much fun this movie is, particularly after our struggles with the last two in the series. We chat about Black and why the level of over-the-top fun in this script helps to elevate it in ways that didn't quite work before. We chat about Harlin and what he brings to the table, not just here but in action and horror films through the late 80s and early 90s. We discuss Geena Davis, Samuel L. Jackson, Craig Bierko, Yvonne Zima, Brian Cox, David Morse and more, looking at how well they fit in this universe. And we look at how this film affected Black's career, pushing him to step out of the industry for a decade. It's a joyously ridiculous romp that's nothing but fun and we have a great time talking about it on this week's show. Definitely check out this movie then tune in to the show. Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Andy's Trailer: The Magnificent Seven — "'The Seven Samurai' is such a great story, it's been retold many times in many different ways. And I really enjoy the ones I've seen. With Antoine Fuqua's upcoming remake of a remake, I'm just banking on the story I love to carry it through. Okay, I generally like Fuqua, and his cast looks pretty solid. I'm just not sold yet by this trailer. Or ‘teaser,' I should say. I guess I'll have to wait for the ‘full trailer' to get a better sense of it." Pete's Trailer: The Founder — "Outside of MBA circles, I'm not sure how many people give the mechanics of McDonald's much thought. But unravelling the sordid history of much lauded Ray Croc and the real estate empire he built is a story worth telling, and Keaton looks terrific in the part. Like last week though, what really gets me in this trailer is the song: Barns Courtney's Glitter & Gold."

430: CONSPIR-A-THON (Silver Screen Edition Part 3) - From the Metropolis Future To the Star Wars Past

School Sucks: Higher Education For Self-Liberation

Play Episode Listen Later Apr 25, 2016 124:02

Back by popular demand! Stephanie Murphy and Brian Sovryn return to School Sucks for a free-form, extended discussion on the topic of conspiracy theories. This time our focus is on Hollywood, pop culture, film and the broader entertainment industry. DISCUSSION: -Maybe the environment is a little sick? -Disney's X-Rated Easter eggs? -Roland Emmerich - writer (The Day After Tomorrow, Godzilla, Stargate, Independence Day, 10,000 B.C., 2012) -Terry Rossio and Ted Elliot (National Treasure, The Road to El Dorado) -German Expressionism, with historical context -Fritz Lang and Metropolis (1927) -L. Frank Baum, Theosophy and the allegorical Wizard of Oz -Occult themes in Star Wars -Maybe the environment is a little sick? (revisited) Look Closer: Sovryn Tech Podcast - https://soundcloud.com/sovryntech Stephanie Murphy: Website - http://www.smvoice.info/ Brett's Notes - https://www.evernote.com/pub/brettveinotte/part2conspira-thonsse Please Support School Sucks Our Amazon Wish List Donate With Bitcoin Or Join the A/V Club Your continued support keeps the show going and growing, which keeps us at the top of the options for education podcasts and leads to new people discovering this message. This subscription also grants you access to the A/V Club, a bonus content section with 200+ hours of exclusive audio and video. If you are a regular consumer of our media, please consider making a monthly commitment by selecting the best option for you... A/V Club - Basic Access - $8.00/Month AP Club - "Advanced" Access - $12.00/Month Sigma Sigma Pi - Full Access - $16.00/Month

05 – Pirates of the Caribbean by Ted Elliott and Terry Rossio (2002)

Readers of the Lost Drafts

Play Episode Listen Later Mar 4, 2016 104:38

The first draft of Pirates of the Caribbean: Curse of the Black Pearl by Ted Elliott and Terry Rossio written in 2002. It is remarkably close to the final product. 90% word for word the same as the movie.

pirates pirates of the caribbean black pearl caribbean curse terry rossio ted elliott

Piratas del Caribe: La Maldición de la Perla Negra (Aventuras. Fantástico. Acción. Piratas 2003)

Play Episode Listen Later Dec 20, 2015 138:09

Título original Pirates of the Caribbean: The Curse of the Black Pearl Año 2003 Duración 143 min. País Estados Unidos Estados Unidos Director Gore Verbinski Guión Ted Elliott & Terry Rossio (Historia: Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert) Música Klaus Badelt Fotografía Dariusz Wolski Reparto Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Jack Davenport, Kevin McNally, Jonathan Pryce, Mackenzie Crook, Lee Arenberg, Zoe Saldana, Giles New, Angus Barnett, Damian O'Hare, Michael Berry, Isaac C. Singleton, Treva Etienne, Lucinda Dryzek Productora Walt Disney Pictures / Jerry Bruckheimer Films Género Aventuras. Fantástico. Comedia. Acción | Piratas. Aventuras marinas. Sobrenatural. Capa y espada. Siglo XVIII Web oficial http://pirates.movies.com/ Sinopsis Mar Caribe, siglo XVIII. El aventurero capitán Jack Sparrow piratea en aguas caribeñas, pero su andanzas terminan cuando su enemigo, el Capitán Barbossa, después de robarle su barco, el Perla Negra, ataca la ciudad de Port Royal y secuestra a Elizabeth Swann, la hija del Gobernador. Will Turner, amigo de la infancia de Elizabeth, se une a Jack para rescatarla y recuperar el Perla Negra. Pero Barbossa y su tripulación son víctimas de un conjuro que los condena a vivir eternamente y a transformarse cada noche en esqueletos vivientes. El conjuro sólo puede romperse si devuelven una pieza de oro azteca y saldan una deuda de sangre. El rescate de la bella Elizabeth será una tarea difícil, pues la maldición es real y será difícil enfrentarse con quienes no pueden morir.

La Máscara del Zorro - The Mask of Zorro (Capa y espada 1998)

Play Episode Listen Later Apr 1, 2015 133:17

Título original The Mask of Zorro Año 1998 Duración 132 min. País Estados Unidos Estados Unidos Director Martin Campbell Guión John Eskow, Ted Elliott, Terry Rossio (Historia: Ted Elliott, Terry Rossio, Randal Jahnson) Música James Horner Fotografía Phil Meheux Reparto Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, Stuart Wilson, Matt Letscher, Pedro Armendáriz Jr., L.Q. Jones, Victor Rivers, Tony Amendola, William Marquez, José Pérez, Luisa Huertas, Julieta Rosen, José María de Tavira, Maury Chaykin Productora Columbia Pictures / Amblin Entertainment / TriStar Pictures Género Aventuras. Romance | Siglo XIX. Capa y espada. Venganza Sinopsis México, 1821. Un enmascarado y romántico héroe popular, conocido como El Zorro, lucha valientemente contra el dominio colonial español en la Alta California. Sin embargo, la víspera de la liberación de México, el despótico gobernador don Rafael Montero descubre que el Zorro es don Diego de la Vega. Un ataque contra la casa del rebelde, se salda con su captura, la muerte de su mujer, el secuestro de su única hija Elena y la destrucción de sus propiedades. Veinte años después, Montero regresa del exilio con Elena, que ignora la identidad de su padre, y se propone comprar California al Presidente de México, el General Santa Anna. Cuando don Diego de la Vega se entera, escapa de la prisión dispuesto a vengarse de Montero. Parte del plan consiste en adiestrar y transformar a Alejandro Murrieta, un bandolero con un tortuoso pasado, en el nuevo Zorro, para que le ayude a frustrar los planes de Montero de una vez para siempre. Murrieta se hará pasar por un rico hacendado español dispuesto a ganarse la confianza de Montero.

Godzilla (Ciencia ficción, Fantástico, Acción, Monstruos 1998)

pero godzilla pac nueva york acci acci n fant monstruos fant stico ciencia ficci hank azaria jean reno harry shearer kevin dunn dean devlin michael lerner terry rossio

Play Episode Listen Later Mar 22, 2015 124:22

Título original Godzilla Año 1998 Duración 138 min. País Estados Unidos Estados Unidos Director Roland Emmerich Guión Dean Devlin, Roland Emmerich (Historia: Ted Elliott, Terry Rossio, Dean Devlin, Roland Emmerich) Música David Arnold Fotografía Ueli Steiger Reparto Matthew Broderick, Jean Reno, María Pitillo, Hank Azaria, Doug Savant, Kevin Dunn, Michael Lerner, Harry Shearer, Arabella Field, Vicki Lewis Productora Columbia Pictures Género Ciencia ficción. Fantástico. Acción | Monstruos. Remake Sinopsis Las pruebas nucleares realizadas por los franceses en el Pacífico provocan la aparición en el océano de un gigantesco reptil mutante, que ha sido localizado tras atacar un barco de pesca japonés. Pero lo peor es que el monstruo es anfibio y saldrá del océano para dirigirse a Nueva York, en cuyas calles causará el pánico.

Shrek (Animación 2001)