Podcasts about cond nast entertainment

In this week's episode of Visual Intonation, we dive into the world of Christopher Emanuel Smith, a filmmaker whose journey from Florida to the bright lights of New York City is as compelling as the stories he tells. A former Floridian with a knack for avoiding "Florida Man" infamy, Christopher swapped gators for a camera and pursued an MFA from NYU Tisch. With a career that blends screenwriting, directing, and videography, he has earned his place in the industry, crafting visuals that captivate and stories that resonate. His current gig as a Senior Director at Condé Nast Entertainment has only sharpened his unique cinematic voice, a voice that has already captured the attention of major publications like Vanity Fair and GQ.  But Christopher isn't just a director; he's a storyteller at heart. His goal? To create coming-of-age narratives that seamlessly weave together comedy and drama, stories that capture the awkwardness, beauty, and struggle of growing up. From his work on music videos and documentaries to his upcoming episodic series, Christopher's ability to blend humor with heartfelt moments places him in a class of his own. The silent storytelling technique he mastered with a 16mm Bolex camera continues to inform his work today, ensuring that every frame he shoots is packed with meaning.  We also explore Christopher's ideal projects—shows like 'Atlanta' and 'Dave', which mix razor-sharp wit with emotional depth, and action-comedy films like 'Tropic Thunder', where humor and adventure collide. His blend of sharp social commentary and visual storytelling makes him a standout in an industry often overcrowded with cookie-cutter projects. Whether it's through the lens of a camera or the page of a script, Christopher remains steadfast in his mission to tell stories that matter, stories that go beyond the bizarre encounters of a life lived in Florida.  Don't miss this episode of Visual Intonation, where we talk about Christopher's experiences, creative processes, and his exciting future projects. We'll also discuss his latest short film, 'Male Pattern Boredness', which follows a self-sabotaging musician on a hilariously rocky path toward self-discovery. Tune in to hear how one filmmaker is pushing boundaries and creating headlines that don't involve any alligators. Christopher Emanuel Smith's Website: https://www.culturewax.com/Christopher Emanuel Smith's Instagram: https://www.instagram.com/c.emanuelsmith/?hl=enChristopher Emanuel Smith's Coverfly: https://writers.coverfly.com/profile/writer-541ab3bff-195734Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

“I think he's right behind me — watching me” June 13th 1985: Dr. Ann Wolbert Burgess, a trailblazer mindhunter, sits across from an 8YO girl, trying to analyze her. 10 days prior, little Opal Horton barely escaped a kidnapping by a man who took her best friend Missy right in front of her. Now, Dr. Burgess's job is to catch this man, to find Missy before it's too late, but there's one problem: Opal is not talking. Dr. Burgess will need to use everything her studies have taught her, from her nursing career, to teaching the FBI, to studying the most notorious serial killers, to eventually catch Opal's monster. Unseen would like to sincerely thank Dr. Burgess for time to meet with us, share her insights on the case, and teach us about her groundbreaking work in mental health and forensics. Dr. Burgess has authored numerous publications, including her recent book “A Killer by Design” about her career revolutionizing treatment of the trauma and abuse, and criminal psychology: https://www.amazon.com/Killer-Design-Murderers-Mindhunters-Decipher/dp/0306924862 Credits: Written, edited & directed by Justin Chalifoux Researched by Manon Lafosse Produced by Alexandra Salois & Salim Sader Voiceover by William Akana A big thank you also to Jeremy Rothman Productions for the shoot. Sources: Red Marble Media Hulu Boston College A&E television networks Movie Web The interview room National Geographic Daily Herald Wondery - Candice DeLong Film Rise True Entertainment and Condé Nast Entertainment for Discovery Illinois Police 60 minutes ABC7 News NCTV17 CONUS Archive

Margaret was most recently an associate director for Vanity Fair, working under Condé Nast Entertainment. She led social video development and production for the magazine, working with A-list actors and musicians, as well as behind-the-scenes costume designers and other personnel. She's also worked at Wall Street Journal, Vox Media, and more in social media management roles and been interviewed at Digiday and Nieman Lab. Margaret is open to full-time opportunities in social media. In this episode, Aubrey Borrough interviews Margaret, a social media editor based in New York City. Margaret shares insights about her education, career journey, challenges. She also discusses the evolution of her storytelling skills and her aspirations for future roles in the tech or beauty sectors.

Joe Sabia is a filmmaker, digital creator, and celebrity interviewer. He began his career in media working across various platforms including television, film, and music videos. In his six years as Senior Vice President of Creative Development at Condé Nast Entertainment, he became a renowned multimedia storyteller, best known for the creations of Vogue's 73 Questions, Vanity Fair's One Year Later series with Billie Eilish, and Wired's Autocomplete Interviews. This past year, Sabia directed his debut feature film “Federer: Twelve Final Days” for Amazon Studios, which recounts Roger Federer's journey to retirement from tennis. As the operator of Studio Sabia, a full-service production company, he continues to help media companies create memorable content across digital and cinematic landscapes. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Lucy https://lucy.co/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ House of Macadamias https://www.houseofmacadamias.com/tetra Use code 'TETRA'

Laura Stillo is an award-winning creative lead who tells brand stories through a dynamic and authentic lens. She is a Senior Producer, Branded Video at Dotdash Meredith where she leads communication between talent, high-level advertising clients and creative production teams on behalf of publications such as Entertainment Weekly, People, InStyle and more. She has developed and produced video content across the entertainment and digital media landscape for companies such as HBO Max, BuzzFeed, Hello Sunshine, The New York Times and Condé Nast Entertainment. She's an original producer for the acclaimed Vogue series 73 Questions. She is based in New York, NY. On this episode, Laura talking with Michael Kilian, Laura shares her journey from studying advertising to navigating the 2010 recession. She also discusses her unique path through music journalism and her time at Condé Nast, where she worked on projects like Vogue's “73 Questions."

In this week's episode of the Black Girl Nerds podcast we interview actor Sung Kang of Fast X and the team behind FX's The Secrets of Hillsong Stacey Lee and Sarah Amos. Segment 1: Sung Kang is an American-born Korean actor, most recognizable for his recurring role in the multi-billion dollar Fast and Furious franchise for Universal Pictures. Sung will next reprise the role of Han Lue in Fast X, the highly-anticipated tenth installment of the Fast franchise, starring opposite Vin Diesel, Charlize Theron, Jason Momoa, and Helen Mirren. The film is set to release on May 19, 2023. Host: Ryanne Segment 2: The Secrets of Hillsong is a four-part documentary series based on the explosive original reporting on the megachurch's scandals by Vanity Fair journalists Alex French and Dan Adler. Directed by Stacey Lee, The Secrets of Hillsong features the first interviews with former pastors Carl and Laura Lentz since their public ousting from the church, which for years counted musicians, actors, athletes and other celebrities among its flock. Sarah Amos Executive Producer Sarah Amos currently serves as the vice president of Development & Production (Non-Fiction TV, Documentaries) at Condé Nast Entertainment. Before joining CNE, Amos was the VP of Development and Production for Marvel Entertainment's New Media division, overseeing the video, livestreaming and audio content slate and was an executive producer on the Disney+ original series Marvel's 616 and Marvel's Hero Project. Stacey Lee Director / Producer Stacey Lee is a New Zealand-born, California-based director whose work is defined by a highly visual and emotive storytelling style. Her documentary work has received accolades, including Best Music Documentary at the 2022 MTV Movie & TV Awards, and has premiered at international film festivals, including Toronto, Cannes and Tribeca Film Festival, winning Best in Show at Atlanta and Tacoma Film Festival.   FX's The Secrets of Hillsong premieres May 19 and streams the next day on Hulu Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

This episode features an interview with Kevin Stapp, SVP and  Global Head of Talent Management at Conde Nast, and your host, Sultan Saidov, Co-Founder and President at Beamery. Kevin is a Human Resources executive with global experience in leading people strategies and delivering results in diverse environments. A passionate and energetic team player with the proven ability to deliver bespoke people solutions to suit specific business needs.Kevin discusses how Conde Nast uses their inclusion index, how “lateral agility” is improving leadership, and how they have helped navigate their employees through significant change within a now globally integrated organization. About Conde Nast:Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair and Wired, among many others. The company's award-winning content reaches 88 million consumers in print, 419 million in digital and 432 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in New York and London, and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico and Latin America, Russia, Spain and Taiwan. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality. Key Takeaways:Measuring DE&I with the “inclusion index” What Conde Nast is doing to promote inclusive leadershipOrganizational transformation vs talent managementThe importance of lateral agility Quote:“One of the big focus areas is what we're calling “lateral agility”. Because what we found is we've certainly moved the needle in terms of the improvement of leadership and management in terms of what would be called vertical leadership in terms of the leadership of their teams and really focusing on elements such as the quality of feedback and career development and how they're supporting their teams.And we've seen major improvement in that regard. But the area where we see the opportunity is that the most successful leaders are spending just as much time collaborating in a highly effective manner with their cross-functional peers.” - Kevin StapSponsorThe Talent Blueprint is brought to you by Beamery. Beamery's Talent Lifecycle Management Platform makes it possible for companies to deliver more human talent experiences and unlock the skills and potential of their global workforce using industry-leading AI. Learn more at beamery.com.LinksConnect with Kevin on LinkedInConnect with Sultan on LinkedIn

Big news! In the Dark has a new home and a new team of partners. The podcast now comes to you from The New Yorker—the legendary home of extraordinary journalism. ____ In the Dark is a Peabody Award-winning podcast that tells deeply reported stories. Season 1 investigates lapses by law enforcement after the kidnapping of eleven-year-old Jacob Wetterling. Season 2 examines the case of Curtis Flowers, a Mississippi man tried six times for the same crime. In the Dark journalists have already started reporting on Season 3. We can't tell you what it's about yet, but it's the most ambitious story we've pursued, and we're thrilled to have the resources of The New Yorker and Condé Nast Entertainment to help us tell it. For more on the new partnership, check out the team's interview with David Remnick on The New Yorker Radio Hour. And follow other podcasts from The New Yorker, including The Political Scene, The Writer's Voice, the Fiction podcast, and the Poetry podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.

We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man.  A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.

We're pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show's reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers's conviction. Today, he is a free man.  A third season of “In The Dark,” which will be the show's most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show's managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.

The book of the moment for today's episode is Somebody's Daughter by Ashley C. Ford. Just a forewarning for those of you listening, this is NOT a spoiler-free zone. We will be discussing this book in all of its glory, which of course includes revealing the ending. Ashley C. Ford is the author of the New York Times bestselling memoir, Somebody's Daughter, published by Flatiron Books. Ford is the former co-host of The HBO companion podcast Lovecraft Country Radio, and the current host of Ben & Jerry's Into The Mix. She currently lives in Indianapolis, Indiana with her husband, poet and fiction writer Kelly Stacy, and their chocolate lab Astro Renegade Ford-Stacy. Ford has written or guest-edited for The Guardian, ELLE Magazine, BuzzFeed, OUT Magazine, Slate, Teen Vogue, New York Magazine, Allure, Marie Claire, The New York Times, Netflix Queue, Domino, Cup of Jo, and various other web and print publications. She's also developed special projects for companies like Medium.Com, Mailchimp Presents, Condé Nast Entertainment, and MasterCard. She's taught creative nonfiction at The New School in Manhattan, served as Ball State University's Writer-In-Residence Fall 2021, and will be teaching the Creative NonFiction Workshop at Butler University in Spring 2023. If you enjoyed this episode, I encourage you to leave a review on whichever platform you are listening on, if applicable. If you have any further questions regarding topics discussed throughout the episode feel free to join our Hardcover Hoes Discord Server via the link in the show notes, or send us an email at hardcoverhoespod@gmail.com. Feel free to recommend books to cover in future episodes as well! Discord Server: https://discord.gg/zpvW4FyuPF TikTok, IG, Twitter: @HardcoverHoes Facebook Group: https://www.facebook.com/groups/993967071461813/

Condé Nast Entertainment is not a new player in the TV and film industry. Formed in 2011, the magazine publisher's entertainment division has had a hand in adapting Condé Nast's content into shows and movies, including an article by GQ that was made into Netflix documentary series “Last Chance U” and a short story from The New Yorker into Robert Redford-starring film “The Old Man and the Gun.” But now CNE is looking to play an even bigger role in Hollywood. “What we're doing in film and television is a real, deliberate and intentional lean into our brands in a way that we haven't done before,” said Agnes Chu, the former Disney+ executive who took the reins of CNE as president in September 2020. Under Chu, CNE has hired a roster of experienced Hollywood heads to help raise the magazine publisher's profile in Tinseltown. That includes Helen Estabrook, an Oscar-nominated producer who joined CNE in March 2021 as global head of film and TV and joined Chu on the latest episode of the Digiday Podcast. Estabrook's charge has been to have Condé Nast's entertainment arm working more closely with its publications to identify articles, short stories as well as podcasts that can be developed and adapted into film and TV projects. “We're creating new systems of working so that we can work with them in the ways that they have all individual systems for how they work, for how they find stories or how they tell those stories,” said Estabrook. “It is one great production company, but in some ways, it's several different production companies because it's GQ Studios and The New Yorker Studios and Vanity Fair Studios.”

Winter Dunn is an award winning producer, director and actress. She produced Numa Perrier’s debut feature film, JEZEBEL which premiered at SXSW 2019 and was awarded Best Narrative Feature at the American Black Film Festival that same year. JEZEBEL has been acquired by Ava DuVernay and is currently streaming on Netflix. Previously, Winter served as a producer / director for media maven Condé Nast Entertainment. Her celebrity video features for Vanity Fair, Vogue, Architectural Digest, GQ, Allure and other media brands have garnered over 60 million views and counting. Most recently, Dunn directed season one of SoulPancake, Overbrook and 206 Productions’ upcoming docuseries, “All Her with Angela Rye'' for Quibi. Check out Winter Dunn Productions’ debut film, JUNEBUG, which premiered at the 2020 American Black Film Festival, streaming on FoxSoul and Tubi. She is a 2021 Project Involve Directing Fellow with Film Independent. In this episode we talk about: • Landing her first PA gig for a Black independent production company • The making of Jezebel from concept and production, to post and delivery • Manifesting Netflix and SXSW for Jezebel, including what it was like when Ava Duvernay's distribution company ARRAY acquired the film in January 2020 and released it on Netflix. • Going to SXSW and how the Jezebel team set themselves apart to sold out theaters • Learning how to be a producer • Working at Conde Nast and understanding how to execute specific brand voices (including her work with Kim and Kanye (Architectural Digest), Billie Eillish (Vanity Fair's: Same Interview, The Third Year), and more. • How creating web series content evolved into creating longer form series and features • Authentic portrayals of POC and the importance of telling Black stories by Black voices • Her thoughts on being a Directing Fellow with Film Independent IMDB Website Instagram Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle

Ava Shamban M.D., the renowned board-certified Dermatologist, is a true skin visionary, clinician, author, anti-aging expert, and prejuvenation proponent. Founder of Ava MD Dermatology and SkinFive, her curated, maintenance-focused medical spa concept, she also runs the Santa Monica based Ava T. Shamban Research Clinic, where she is the principal investigator on clinical trials for Allergan, Evolus, Merz, Galderma, Revance, and others engaged in the pipeline of future treatments, products, technologies, and protocols. Most recently she launched The Box by Dr. Ava, the first and only seasonal subscription box Dr. Ava, a master injector and Hollywood “go-to” for all cosmetic aesthetics is known as Dr. Pretty Pout. Her artistic prowess is also well known from her tenure as the Extreme Makeover resident dermatologist, a featured expert on the Emmy-winning daytime talk shows The Doctors, Steve Harvey, and the syndicated entertainment program Extra. She is the author of a best-selling beauty book Heal Your Skin: The Breakthrough Plan for Renewal. Additionally, she hosted her own digital series for Condé Nast Entertainment, “Dr. Ava Says” as an Allure Insider. Dr. Shamban is an Editorial Board Member for New Beauty Magazine and continues to be featured in publications including Allure, Harper's Bazaar, Wall Street Journal, Marie Claire, Elle, Good Housekeeping, Prevention, MSN, Yahoo, and others. She is currently working on her second book focused on the physical and psychological aspects of the “signature feature” and developing her own television show where she will travel globally presenting people, protocols, ancient rituals and the latest experts in beauty. --- Send in a voice message: https://anchor.fm/skincareanarchy/message

En @NotiPodHoy ✅ Oyentes de Radio Ambulante y El Hilo contribuyen más de US$100,000 para su sostenimiento. ✅ Adobe añade la música para podcasts a su informe anual de tendencias. ✅ Las series de podcasts que cuentan historias están quitando audiencias a la TV y a otros medios en España. ➽ Nuevos desarrollos en la industria de micrófonos para el podcasting.  ➽ Predicen que los podcasts serán usados como medio de desinformación. ➽ Condé Nast Entertainment y su intento fallido de tener una importante red de podcasts.  ➽ Southern California Public Radio recibió una subvención para un estudio de podcasts. ➽ Las acciones de Apple subieron el miércoles, superando al mercado.

In today's episode I chat with Lauren Lapid, a graphic designer at Condé Nast Entertainment in New York City. Her work can be seen in brands such as Vogue, GQ, Bon Appetit, and Wired (wow, girl boss much?).  When she isn't working her 9-5 at Condé Nast, she freelances and hosts her own podcast called Rookies in the Real World. Lauren and I cover topics including what a graphic designer at Condé Nast does, imposter syndrome, how to stand out as a young and new employee, her internships at USA Today and Paramount Pictures, and more. Lauren gives some incredible tips for any career-driven and ambitious gal!  Lauren's Instagram: @laurenlapid.jpeg Rookie's in the Real World: @rookiesintherealworld Working Gal's Guide Instagram: @workinggalsguide

In today's episode I chat with Lauren Lapid, a graphic designer at Condé Nast Entertainment in New York City. Her work can be seen in brands such as Vogue, GQ, Bon Appetit, and Wired (wow, girl boss much?).  When she isn't working her 9-5 at Condé Nast, she freelances and hosts her own podcast called Rookies in the Real World.Lauren and I cover topics including what a graphic designer at Condé Nast does, imposter syndrome, how to stand out as a young and new employee, her internships at USA Today and Paramount Pictures, and more. Lauren gives some incredible tips for any career-driven and ambitious gal! Lauren's Instagram: @laurenlapid.jpegRookie's in the Real World: @rookiesintherealworldWorking Gal's Guide Instagram: @workinggalsguide

In today's episode I chat with Lauren Lapid, a graphic designer at Condé Nast Entertainment in New York City. Her work can be seen in brands such as Vogue, GQ, Bon Appetit, and Wired (wow, girl boss much?).  When she isn't working her 9-5 at Condé Nast, she freelances and hosts her own podcast called Rookies in the Real World.Lauren and I cover topics including what a graphic designer at Condé Nast does, imposter syndrome, how to stand out as a young and new employee, her internships at USA Today and Paramount Pictures, and more. Lauren gives some incredible tips for any career-driven and ambitious gal! Lauren's Instagram: @laurenlapid.jpegRookie's in the Real World: @rookiesintherealworldWorking Gal's Guide Instagram: @workinggalsguide

In today's episode I chat with Lauren Lapid, a graphic designer at Condé Nast Entertainment in New York City. Her work can be seen in brands such as Vogue, GQ, Bon Appetit, and Wired (wow, girl boss much?).  When she isn't working her 9-5 at Condé Nast, she freelances and hosts her own podcast called Rookies in the Real World.Lauren and I cover topics including what a graphic designer at Condé Nast does, imposter syndrome, how to stand out as a young and new employee, her internships at USA Today and Paramount Pictures, and more. Lauren gives some incredible tips for any career-driven and ambitious gal! Lauren's Instagram: @laurenlapid.jpegRookie's in the Real World: @rookiesintherealworldWorking Gal's Guide Instagram: @workinggalsguide

Listen in as we interview Dan Scanlon, Director, Pixar's Onward; Geneva Wasserman, SVP, Condé Nast Entertainment; Dave Bautista and Chloe Coleman (actors) My Spy; and Howard Ford, Director. Host Benjamin P. is joined by reporters Nathalia, Lindalee and Eva. Before you spend your hard earned dollars at the movies, be sure to listen to what our youth reporters have to say.

Listen in as we interview Dan Scanlon, Director, Pixar’s Onward; Geneva Wasserman, SVP, Condé Nast Entertainment; Dave Bautista and Chloe Coleman (actors) My Spy; and Howard Ford, Director. Host Benjamin P. is joined by reporters Nathalia, Lindalee and Eva. Before you spend your hard earned dollars at the movies, be sure to listen to what our youth reporters have to say.

CannabisMD: Cannabis Media Integration with Miraculous CEO and former Viacom and Condé Naste Executive Vice President Michael Klein. Michael is a seasoned expert in building and growing media companies, and his deep editorial and creative expertise will be invaluable as we focus on our mission to provide consumers the information they want in the most useful and engaging way possible. A veteran media executive with more than twenty years of experience including at Condé Nast Entertainment, Discovery Communications, and MTV, Klein will oversee all creative and business operations for the company, launched in April 2018 by co-founders and chairmen G. Scott Paterson and Rory Millikin.

Condé Nast is on a journey to remake itself from a magazine company -- home to Vogue, The New Yorker, Vanity Fair and more titles -- and into what new CEO Roger Lynch calls "a 21st century media company." The exact contours of what that looks like remain a work in progress. One aspect that isn't in doubt: video and the establishment of franchises is absolutely part of that vision. Condé Nast Entertainment now creates more than 4,000 videos a year, garnering on average more than 1 billion views a month (mostly from YouTube, Katzeff said). Now, the challenge is turning those views into franchises. "We haven't done a great job yet in taking that IP and giving it legs beyond print," said Condé Nast Entertainment president Oren Katzeff on this week's episode of the Digiday Podcast. "And that's no big surprise and that's no knock on anybody. For so long the magazine was the be all end all for IP. A lot of consolidation in the media space, it's about a lot of things but one of them is the opportunity to garner IP and monetize IP in long-form content. You look at Disney, HBO Max and Netflix who are spending $100 billion this year on long-form content, and we've only scratched the surface of that."

Apple's big week of announcements included some bargain prices on its new TV+ and Arcade video- and game-streaming services. In turn, I suggest that may be a source of headaches for competitors such as HBO Max and Quibi.. As well, last week I moderated a panel of executives from several smaller online video services (Condé Nast Entertainment, Whistle, Ellation, and College Humor's Dropout). We talked about what companies such as theirs need to do to thrive amid all the new big-name competitors. One big hint: be everywhere. And I talk about how. The next few months will see the business of online video move to a very different new level. --- Support this podcast: https://anchor.fm/davidlbloom/support

This week we sit down with the AMAZING Caitlin Brodnick!   Caitlin Brodnick is a performer on Upright Citizens Brigade Theatre's Maude Night. She performs sketch, standup, and storytelling regularly in New York City and Los Angeles. She is a writer for Glamour.com, and a blogger for Huffington Post. Her stories have been featured on the MOTH podcast, and quoted by the AV Club.  As a breast cancer awareness advocate, and she has been invited to speak at the San Antonio Breast Cancer Symposium and various locations in New York City. Caitlin works closely with the organization FORCE, and Sloan Kettering Memorial Hospital as a breast cancer awareness advocate, helping to connect with other women who are BRCA positive. Caitlin created and starred in the docu-series with Condé Nast Entertainment and Glamour.com, Screw You Cancer. Screw You Cancer won a National Magazine Honors Award ASME for excellence in new media. She is also an honoree of the Seventh Annual Television Academy Honors, for using the power of television and video media to bring awareness to important social issues. We discuss her new book: Dangerous Boobies: Breaking Up with My Time-Bomb Breasts. The book goes in depth into her experience from testing to surgery and on to recovery. With a warm, funny, and approachable voice, Caitlin tells readers the full story, even sharing what it was like to go from a size 32G bra--giant, for a woman who is barely over five feet tall!--to a 32C. Engaging and open, she admits to having hated her breasts long before her surgery, and enjoying the process of "designing" her new breasts, from the shape of the breasts to the size and color of the nipples.   http://www.caitlinbrodnick.com for more of Caitlin   wellredcomedy.com for our tour dates:)

In this episode, I talk to members of the producing team behind the Amazon Prime Video series, The New Yorker Presents: Executive Producer, Kahane Cooperman Supervising Producer, Jack Lechner Line Producer, Dana Kuznetzkoff Story Producer, Kay Rothman Produced by Jigsaw Productions and Condé Nast Entertainment, this series brings the pages of The New Yorker magazine alive through a series of short films based on stories from America’s most award-winning magazine. All ten episodes are currently streaming via Amazon Prime.  

@CrazyJewishMomKate Siegel, New York Times bestselling author, and spawn of the most neurotic mother on the planet, Kim Friedman, started posting hilarious screenshots of texts with her crazy (but lovable) mother on Instagram in November of 2014.In a flash, the account featuring their funny conversations skyrocketed to a size of over 800,000 followers and has been featured in Vogue, BuzzFeed, The Huffington Post, and on The Ellen Degeneres Show, to name a few! Plus, Kate and her mom have appeared on The Today Show, Hollywood Today Live, ABC Nightline, and the Emmy award winning Steve Harvey Show!About Kate & Kim:27-year-old, Kate, previously served as an associate producer for Condé Nast Entertainment, but left her job to pursue @CrazyJewishMom projects full time. In April of 2016, Ms. Siegel’s first book, Mother, Can You Not?, chronicling life with her #CrazyJewishMom made the New York Times bestseller list. Prior to joining Condé Nast, Kate studied English, creative writing, and theater at Princeton University.Her mother, Kim, is an Emmy-nominated director of prime time television. Just a few of Ms. Friedman’s impressive credits include Beverly Hills 90210, Star Trek: Voyager, Star Trek: Deep Space Nine, Sabrina the Teenage Witch and, Lizzie McGuire. Previously, Kim received a Bachelor’s Degree in Theater and a Masters Degree in Directing from the Tisch School of the Arts at NYU and is a graduate of the American Film Institute Director Program. More recently, Kim moved to East Coast from California, in order to more effectively nag her daughter.

Matthew Breen is the editor in chief of The Advocate and the deputy editor for Out. Breen was named Editor in Chief of The Advocate in March 2011. He first joined the Out staff in 2003.www.advocate.com———– Thomas M. Garnet is the owner of his own full time video production company in Miami, FL. Along with his partner of 22 years, he runs also two divisions of the company specifically catered to the LGBT community – Click Click Expose (Gay Entertainment Media) – which targets pageantry, podcasting and internet radio and the CCE Sports Network. Thomas is a former Managing Director of AMC Theatres and Loews Theatres, a former public school teacher and was the field producer for the 1993 March on Washington video which was produced by the National Gay and Lesbian Task Force. After leaving teaching, management and public policy – he devotes his efforts full time to his passion – which is video production and live web streaming.Kevin Majoros is the contributing sports writer for the Washington Blade and the host of Capital Sports TV on the CCE Sports Network. As an athlete, Majoros is an 8-time Gay Games medalist in the sports of swimming, track and field and open-water swimming.Fund Drive:  http://www.mainplayersystem.com/radio/player/93?size=miniWe’re Making Sports HistoryThe CCE Sports Network is the nation’s first and only LIVE web streaming on-line sports website dedicated exclusively to broadcasting the Gay and Lesbian Sports community. Did you know there are more than 200 tournaments, matches and games happening somewhere across the United States? Every month, more than 100,000 LGBT athletes have their choice of dozens of tournaments that can participate & compete.WE HAVE CREATED A FLEXIBLE AND MOBILE LIVE WEB STREAMING PRODUCTION TEAM CAPABLE OF FILMING, EDITING, LIVE STREAMING AND PRODUCING VIDEO CONTENT COVERING THE BREATH AND DEPTH OF THE GAY AND LESBIAN SPORTS COMMUNITY.The Production Vision1) To create a multi-camera broadcast complete with play by play commentary, on-screen scoring, music, commercials and interviews;2) To create an engaged audience through live chat and live photography updates during the live web broadcast;3) To produce monthly content that will drive on-line viewership which includes news & sports shows, documentaries and instructional videos;4) To create diversity in programming by showcasing a number of different sports including tennis, soccer, hockey, basketball, swimming, wrestling, figure skating, water polo, diving. By the end of 2016, we wish to add volleyball, softball, bowling, rowing, rugby & flag football to the live broadcast schedule.WE ARE A FREE SERVICE TO ALL LGBT SPORTS ORGANIZATIONS SUPPORTED BY SPONSORS, ADVERTISERS, DONATIONS & COMMUNITY VOLUNTEERS.Our Web Audience1) There are more than 8 LGBT national association governing bodies who promote, host, train and advocate for their member sports. Each association has thousands of members, hundreds of individual clubs and dozens of tournaments, matches and events throughout the year.2) With more than 100,000 active LGBT sports athletes (competing in more than 200 tournaments, matches & games) who have family, friends, fans & supporters – the CCE Sports Network has the ability to attract more than 500,000 viewers to its live broadcast & archived content. Expanding to the LGBT community at-large and sports fans across the world, we have a potential audience of more than 1 million viewer interactions through live broadcast, archived content, live chat & live photography updates.WE HAVE STARTED OUR 4TH YEAR OF BROADCASTING AND HAVE ACHIEVED:30 LIVE broadcasts;123,422 viewers (as of 09/19/2015);81 days of live streaming; and568 hours of live web streaming.Broadcast Event Focus and TimetableBroadcast Year 1 – May 1, 2012 – Dec 31, 2012 — TennisBroadcast Year 2 – Jan 1, 2013 – Dec 31, 2013 — Tennis, Soccer, Swimming, Diving, Water PoloBroadcast Year 3 – Jan 1, 2014 – Dec 31, 2014 — Tennis, Soccer, Swimming, Diving, Water Polo, Wrestling, Basketball, Figure Skating, Hockey & monthly sports showBroadcast Year 4 – Jan 1, 2015 – Dec 31, 2015 – Tennis, Soccer, Basketball & monthly sports show – Goal to add: Flag Football & SoftballBroadcast Year 5 – Jan 1, 2016 – Dec 31, 2016 – Our goal for 2016 is to have Tennis, Soccer, Basketball, Flag Football, Softball, Volleyball, Rugby & SwimmingBroadcast Year 6 – Jan 1, 2017 – Dec 31, 2017 – Our goal is to be the exclusive live web streaming provider for World OutGames Miami in Miami, Florida May 26 – June 4 along with providing coverage for Tennis, Soccer, Basketball, Flag Football, Softball, Volleyball, Rugby, Swimming, Water Polo & Diving.———–Charlie David:Charlie David has been a host for E! Television, NBC, OutTV, LOGO, here! TV, Pink TV, EGO, Fine Living and Slice Networks on such shows as FYE!, SpyTV, Crash Test Mommy and his travel series Bump which shot over 100 episodes around the world and garnered a Hugo Television award. He has appeared as musical guest on VH1, BBC, CBS’s The Early Show, and dozens of radio shows.In 2005 Out Magazine recognized Charlie in the ‘Out 100’ at their gala in New York. In 2007 the Philadelphia Film Society awarded Charlie with their Rising Star Award. In 2008 the Festival del Sol in Gran Canaria awarded their Best Male Actor Award to Charlie and the male cast of A Four Letter Word. Formerly in a rock band… okay, actually it was a boy band, Charlie opened for Destiny’s Child, Pink, Snoop Dogg, Rick Springfield and Black Eyed Peas.A love of storytelling led Charlie to start Border2Border Entertainment Inc., a production company whose film and television credits include Mulligans, Judas Kiss, I’m a Stripper (series), Studlebrity and Positive Youth. Border2Border Entertainment’s films have been licensed to Showtime, Super Channel, HBO Canada, MTV/LOGO, Sundance Channel, Condé Nast Entertainment, Discovery Networks, The Movie Network, Movie Central, Encore Avenue, and OutTV in North America as well as finding a worldwide audience through international distribution partners.He is a graduate of the Canadian College of Performing Arts and his current passions include motorcycle cruises, high adrenaline encounters with wildlife, SCUBA diving and sports. He resides in Toronto and Montréal, Canada when he’s not living out of a suitcase. Element Twenty TwoPresentsARed Headed RevolutionProductionPaternity LeaveDirected by Matt RiddlehooverWritten by Matt Riddlehoover and Dustin TittlePublicityElement Twenty Twofilm@elementtwentytwo.comSales RepresentationBorder2Border Entertainmentinfo@border2border.caPATERNITY LEAVEStarringGreg JACOB YORKKen CHARLIE DAVIDThomas CHRIS SALVATORECo-StarringAlex RAFAEL SOCHAKOVConnie REBECCA LINESDr. Elliot SUSANNAH DEVEREUXFilmmakersWriter/Director MATT RIDDLEHOOVERCo-Writer DUSTIN TITTLEProducerExecutive ProducerCo-Executive ProducerAssociate ProducersDirector of PhotographyProduction DesignerEditorStill PhotographyCAMERON MCCASLANDDAVID PETERSMICHAEL PERRINEJASMINE MCATEEJONATHAN OWLUCA RACITIJOSH ICKESLORI PURYEARMIRANDA MEGILLETHAN JAMESPATERNITY LEAVESynopsisMatt Riddlehoover’s Paternity Leave is a romantic comedy about Greg (JacobYork), Ken (Charlie David), and a moment of passion on the eve of their fouryear anniversary that changes the course of their lives forever.Greg begins feeling nauseated, fatigued, moody and – most unfortunately –fat. At his wit’s end and Ken’s insistence, he sees a doctor who’s stumped andrefers the couple to a specialist. To everyone’s amazement, Greg is pregnant.Shock, stress, and fear settle in, and Greg’s relationship gets put to theultimate test.Co-starring Chris Salvatore (Eating Out: All You Can Eat, Drama Camp, TheOpen Weekend), Paternity Leave poses a modern answer to the age oldquestion: “Are we ready to be parents?”About the Production“What Paternity Leave does,” co-writer Dustin Tittle explains, “is co-opt thetraditional family and some of its roles. There’s a total blurring of the linesand it’s easy to forget it’s about two men – it’s about two people.”“When I first read the script, I laughed so much,” actor Charlie David recalls.“It’s such a wild and fun concept… Obviously, we live in a world where theidea of having babies isn’t out of the norm – but two dudes doing it is veryout of the norm. And yet, it also largely mirrors the reality of where we are…looking at gay marriage and adoption and surrogacy. It’s very relevant.”Shot in seven days, principal photography of the film began on September 1,2014 – Labor Day – in Nashville, TN. It made its world premiere at theNashville Film Festival on April 19, 2015, and its West Coast premiere atFilmOut San Diego on May 30, 2015.PATERNITY LEAVEAbout the CastJacob York (Greg), a native of Benton, KY, moved to Atlanta, GA sevenyears ago to participate in the Shakespeare Tavern’s Apprentice Program.Some of his roles include Macbeth (The Atlanta Shakespeare Company),Algernon in The Importance of Being Earnest (Tennessee RepertoryTheatre), Bennett Riggs in Angry Fags (7 Stages), Tubbs in Middle School:The Musical (Alliance Theatre), and Tom in Fat Pig (Aurora Theatre). Inaddition to acting, Jacob is a playwright whose first show, Homers,premiered at the Georgia Ensemble Theatre & Conservatory in early 2015.Charlie David (Ken) is an actor and filmmaker, perhaps best known for hisrole on the LGBT horror series, Dante’s Cove. His feature film acting creditsinclude A Four Letter Word, Mulligans, 2 Frogs in the West, Judas Kiss, andMore Scenes from a Gay Marriage. He has also worked as a host on anumber of TV shows, like F.Y.E!, SpyTV, Bump!, and Crash Test Mommy.More recently, he has produced and directed a number of acclaimeddocumentary features, including Positive Youth, I’m a Porn Star, and I’m aStripper.Chris Salvatore (Thomas) is a singer/songwriter and actor. After graduatingfrom The New York Conservatory for Dramatic Arts in 2008, Chris made hisfeature film debut in Eating Out: All You Can Eat, a romantic comedydirected by Q. Allan Brocka. He then went on to star in two successfulsequels to Eating Out, both of which premiered on Logo in 2011. Chrisrecently appeared on stage in an original play, Pieces, which received ravereviews from New York critics during its sold-out run. His music has beenfeatured on MTV and is now available through iTunes and other onlinestores.PATERNITY LEAVEWriter-Director Matt RiddlehooverPaternity Leave 2015/director, screenwriterFilmOut Audience Award nominee, Best FeatureFilmOut Audience Award nominee, Best ScreenplayMore Scenes from 2014/director, screenwriter, actora Gay Marriage TLA Gaybie nominee (& winner), Best Gay ComedyTLA Gaybie nominee (& winner), Best DirectorTLA Gaybie nominee (& winner), Best Lead ActorWest Hollywood 2013/director, screenwriter, actorMotel TLA Gaybie nominee, Best Gay ComedyScenes from a 2012/director, screenwriter, actorGay Marriage TLA Gaybie nominee, Best Gay ComedyGaze 2010/director(documentary) TLA Gaybie nominee, Best Gay DocumentaryBookends 2008/director, screenwriter, actorTo a Tee 2006/director, screenwriter, actorReading Into It 2005/director, screenwriter, actor(short)PATERNITY LEAVEAbout the FilmmakersMatt Riddlehoover (writer/director) is an award-winning, Nashville-basedfilmmaker. His work has appeared on Late Night with Conan O’Brien,Out.com, and in Filmmaker Magazine. He is married to Dustin Tittle, aNashville native and co-writer of Paternity Leave. They have two cats; one ofwhom is very sweet.Dustin Tittle (co-writer) was raised in the open sewer called “the musicindustry,” where he learned from a young age to take as few things seriouslyas possible. A published writer, Dustin’s wit miraculously disappears duringany and all attempts to “try to write,” so most of his contributions to PaternityLeave have been the result of impromptu one-liners written without hisknowledge but with his permission.Cameron McCasland (producer) is a filmmaker whose work has garneredawards at Crossroads Film Festival, Worldfest Houston, Fearless FilmFestival, as well as a special humanitarian award from the Rondo HattonClassic Horror Film Board, and five Emmy nominations.Josh Ickes (director of photography) is a premiere cinematographerspecializing in the phantom camera, high end car rigs, and steadicamoperation. He has photographed several film, television, live concert andspecial event productions for clients like Honda and Verizon. Ickes has alsolensed Olympic athletes, country music superstars, and rock ‘n’ roll legends.Miranda Megill (editor) is a Nashville-based film editor and sound designer.Paternity Leave marks her fifth collaboration with Matt Riddlehoover.Ethan James (still photography) is a published photographer whose imageshave appeared in magazine and book publications nationally and across theseas (Brazil, Australia, London, Germany, etc.).PATERNITY LEAVEReviews“Paternity Leave might be the world’s funniest‘gaymantic’ comedy… it is hilarious through and through.The entire cast is superb… the writing is so crisp.”-Timothy Rawles, San Diego Gay & Lesbian News“…a laugh-filled film about the ups and downsa pending newborn would add to any relationship.”-Jonathan Pinkerton, Examiner.com“Satiric, yet heartfelt… well worth seeing.”-Brad Hart, Rage Monthly“A little bundle of cinematic joy…it’s a labor of love, laughter, and a few tears.”-Kansas City LGBT Film Festival“If you’re looking for LGBT comedy…Paternity Leave is your pick.”-James Grady, Out & About Newspaper

A Taste of Armageddon. According to Elaine Benes, Tolstoy once said “War, what is it good for?” And while she may have been wrong about the source, apparently Kirk shared the sentiment. When the Enterprise was dispatched to establish diplomatic relations with a planet that apparently wanted no part of the Federation, Kirk and his crew found themselves casualties of a war fought through computers. The damage-free conflict—if you don't count the deaths from willing disintegration—didn't sit right with Kirk, and so he took the future of two worlds into his own hands by forcing them into choosing between full conflict or reconciliation. The outcome remains unknown. In this episode of The Ready Room we're joined by Charlynn Schmiedt, Drew Stewart, and Eric Brasure to discuss "A Taste of Armageddon," the antisceptic nature of the war between Eminiar VII and Vendikar, whether civilization is worth saving if the people no longer see the value of life, and debate if Kirk has the right to make the decision for an alien society. We also discuss Vulcan wall-telepathy, the new Eminiar line at Uniqlo, and uncover the real origins of General Order 24. In our news segment, we discuss Robert Picardo's newly available house, TMZ accosting Brannon Braga to get the answer to a question the rest of us left behind in 1991, and take a behind the scenes look at Star Trek Continues with the help of Condé Nast Entertainment and WIRED.   News Robert Picardo teams up with Coldwell Banker (3:50) TMZ accosts Brannon Braga to ask age-old question (5:57) Behind-the-scenes of Star Trek Continues (11:32) Reviews Promotion (22:11) Sponsor: TrekFan (23:03) Sponsor: Audible (24:58)   Feature: A Taste of Armageddon Intro and Synopsis (27:46) First Impressions of Eminiar VII (31:39) Protecting Civilization? (36:34) The Antiseptic Nature of War (43:14) The Naivety of Diplomacy (54:21) The Real Origin of General Order 24 (1:04:32) Father Kirk Knows Best (1:07:39) Uniqlo and Telepathy (1:16:20) Final Thoughts (1:20:25) Closing (1:29:44)

Obsessed: Star Trek Continues and the Mirror Universe. Star Trek Continues recently released their third episode "Fairest of Them All," which is a direct follow-up to the Original Series episode "Mirror, Mirror." It tells the story of what happened when the mirror landing party returned to the ISS Enterprise. The attention to detail in set design, costumes, lighting, and even framing of shots is so meticulous that it is easy to forget that you're watching something shot in 2014, not 1967. While the onscreen story is intriguing, what is equally fascinating is everything that happened offscreen to make "Fairest of Them All" possible. As fans watching from home, it isn't easy to get a feel for what goes into making an episode like this. But thanks to Condé Nast Entertainment and WIRED, now you can. Obsessed: Star Trek Continues is a five-part behind-the-scenes look at our return to the Mirror Universe. In this episode of Continuing Mission we're by Captain Kirk himself, Vic Mignogna, along with director James Kerwin and, from Condé Nast, Michael Prenez-Isbell for a first-hand account of the documentary project, the creation of the Mirror Universe story, impressions of the set, and why Star Trek is an obsession for the cast and crew of STC.   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   Chapters Boarding the Enterprise (2:58) Sets and Direction (9:49) Obsessed Fans on Set (15:33) A Childhood Dream (17:46) Help from the TARDIS (26:20) Condé Nast and Obsession (28:32) A Mirror Collaboration (34:48) The Drexler Connection (37:13) What's Next? (40:54) Closing (44:56)