Podcast appearances and mentions of gilbert simondon

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode Cooper and Taylor discuss the second half of Gilbert Simondon's On the Mode of Existence of Technical Objects. Prior Episode - https://soundcloud.com/podcast-co-coopercherry/gilbert-simondon-on-the-mode-of-existence-of-technical-objects?si=720ba67baa9947f3b9f353ebec4ed261&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing PDF: https://monoskop.org/images/2/20/Simondon_Gilbert_On_the_Mode_of_Existence_of_Technical_Objects_Part_I_alt.pdf Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

durée : 00:58:08 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - Il y a 100 ans naissait le philosophe Gilbert Simondon, le premier à vouloir "opérer une prise de conscience du mode d'existence des objets techniques". Cela fait aussi plusieurs décennies qu'il accompagne Pascal Chabot, venu nous présenter sa pensée qu'il prolonge avec ses propres travaux. - réalisation : Nicolas Berger - invités : Pascal Chabot Philosophe

This week Cooper and Taylor tackle the introduction and chapter 1 of Gilbert Simondon's On the Mode of Existence of Technical Objects. Chapter 1 Genesis of the technical object: the process of concretization. PDF: https://monoskop.org/images/2/20/Simondon_Gilbert_On_the_Mode_of_Existence_of_Technical_Objects_Part_I_alt.pdf Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Cooper and Taylor discuss the Introduction and first chapter of Gilbert Simondon's Individuation in Light of Notions of Form and Information, Form and Matter. This volume was translated by our very own Taylor Adkins. https://www.upress.umn.edu/book-division/books/individuation-in-light-of-notions-of-form-and Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

In aflevering 65 van Radio Horzelnest reflecteren samen met techniekfilosoof Julia Rijssenbeek op de synthetische biologie en de vraag: wat is leven? In 1944 houdt de natuurkundige Erwin Schrödinger een voordracht aan Trinity College Dublin met de titel: ‘What is life?' Zijn voordracht is een lang gesponnen antwoord op deze wat-is vraag. Over het meest karakteristieke kenmerk van het leven schrijft hij: “Materie leeft wanneer het doorgaat met ‘iets doen', doorgaat met bewegen, materie uitwisselen met zijn omgeving, enzovoort, en dat voor een veel langere periode dan we zouden verwachten dat een levenloos stukje materie onder soortgelijke omstandigheden ‘doorgaat'.” Schrödingers voordracht bleek revolutionair. Zo beweerde hij ook voor het eerst dat erfelijke informatie lag opgeslagen in een moleculaire structuur, die hij zelf ‘het aperiodieke kristal' noemde, en waarmee hij een wegbereider was van de latere ontdekking van de dubbele helix. Sinds die ontdekking is de met name de genetica en de microbiologie in een stroomversnelling geraakt. In diezelfde stroom duikt nu als nieuw veld de synthetische biologie op, soms beschouwd als een tweede landbouwrevolutie. Waar de eerste revolutie zich richt op de domesticatie van planten en dieren, richt synthetische biologie zich op de domesticatie van de cel en haar onderdelen, met name gericht op voedselproductie, brandstof en medicijnen. Het onderzoek van Julia Rijssenbeek richt zich op de verborgen premissen, denkpatronen en manieren van spreken gebezigd in de synthetische biologie. Tegelijkertijd laat ze zien hoe dit nieuwe onderzoeksveld onze gangbare noties aangaande leven uitdaagt. Hoogste tijd voor een filosofische reflectie op synthetische biologie. . Julia Rijssenbeek is als promovenda verbonden aan de vakgroep filosofie van Wageningen University & Research. In het verleden studeerde ze Filosofie aan de Universiteit van Amsterdam en filosofie van de economie aan de Erasmus Universiteit in Rotterdam. In haar huidige promotieonderzoek bestudeert ze de filosofische betekenis en ethische implicaties van recente en mogelijk toekomstige ontwikkelingen in de synthetische biologie. Daarnaast werkt Julia als onderzoeker bij FreedomLab Thinktank, een platform waar jonge onderzoekers politieke, technologische en culturele veranderingen proberen te begrijpen. De dansfilm waar Julia aan het einde van het gesprek over verteld gaat 16 maart in première met de titel ‘Cobalt', een samenwerking van Julia, Kim Baraka en Jonas Sacks. TIMESTAMPS 00:00-02:20 – Inleiding 02:20-17:19 – Julia's stage bij Jeantine Lunshof aan het Wyss Institute & Church Lab van Harvard University. Wat is synthetische biologie? en hoe spreken en denken wetenschapper over leven en de relatie tussen leven en techniek? 17:19-22:40 – Machine-ontologie en het machinaal begrepen leven. 22:40-33:29 – Metabolisme, de machine-metafoor en disruptieve techniek. 33:29-45:41 – Synthetische morfogenese, Michael Levin, Xenobots en de samenwerkingvermogens en basale cognitie van cellen. 45:41-57:33 – Hoe daagt de synthetische biologie de techniekfilosofie uit? Gilbert Simondon en de biologische techniekfilosofie, nieuw-materialisme, platte ontologie, levende techniek en technisch leven. 57:33-01:06:27 – Twee wereldbeelden: posthumanisme versus ecomodernisme in het voedseldebat en sciencefiction. 01:06:27-01:10:59 – Verkenning va natuur, techniek en leven in dans, outro

Aula 0 do curso "Filosofia para viver entre máquinas: uma introdução a Simondon" com o professor Thiago Novaes. Vamos ver o quanto o pensamento de Gilbert Simondon, um dos maiores pensadores da técnica, nos ajuda com questões do presente, como a inteligência artificial.

With the term "weird studies" gaining currency inside and outside academia, Phil and JF thought it was time to discuss the philosophical method they've been developing on the podcast since 2018. Borrowing a term from Erik Davis, they call it weirding, and here set about trying to understand what it is, and what it means. David Lynch's fondness for crying, the practice of queering in cultural theory, the all-too-real phenomenon of "global weirding,"the spooky agency of artworks, and the tragic death of E.T. at the hands of Damien Hirst are just a few of the subjects touched on in the conversation. "Weirding" also happens to be the working title of the book your hosts are writing for Strange Attractor Press, as well as an eight-week series of lectures and discussions starting October 25th, 2022, on the Nura Learning platform. Header image: David Lynch, Mulholland Drive Link to the upcoming course: Weirding: An 8-Week Course With the Hosts of the Weird Studies Podcast (https://www.nuralearning.com) SHOW NOTES Ludwig van Beethoven, 9th Symphony James Elkins, Pictures and Tears (https://bookshop.org/a/18799/9780415970532) Eugenie Brinkema, The Form of the Affects (https://bookshop.org/a/18799/9780822356561) David Lynch (dir.), Mulholland Drive (https://www.imdb.com/title/tt0166924/) Gilkes Deleuze and Felix Guattari, What is Philosophy? (https://bookshop.org/a/18799/9780231079891) Weird Studies, Episode 121 on “Mandy” (https://www.weirdstudies.com/121) Erik Davis and Timothy Morton, “Uncanny Objects” (https://techgnosis.com/uncanny-objects/) episode of Expanding Minds Coen brothers (dir.), Hail Caesar (https://www.imdb.com/title/tt0475290/) Esther Williams (https://en.wikipedia.org/wiki/Esther_Williams), American swimmer Weird Studies, Episode 120 on Radical Mystery (https://www.weirdstudies.com/120) Douglas Rushkoff, Survival of the Richest (https://bookshop.org/a/18799/9780393881066) William Shakespeare, Macbeth (https://bookshop.org/a/18799/9780743477109) Erik Davis, “Weird Shit” (https://boingboing.net/2014/07/14/weird-shit.html) Pete Docter and Bob Peterson (dir.), Up (https://www.imdb.com/title/tt1049413/) Steven Spielberg (dir.), E.T. (https://www.imdb.com/title/tt0083866/) Alejandro Jodorowsky, Psychomagic (https://bookshop.org/a/18799/9781620551073) Martin Buber, I and Thou (https://bookshop.org/a/18799/9780684717258) Gilbert Simondon, Imagination and Invention (https://bookshop.org/a/18799/9781517914455) Weird Studies, Episode 106 the Wanderer (https://www.weirdstudies.com/106) Charles Ludlam, “On Camp” in Ridiculous Theater (https://bookshop.org/a/18799/9781559360418) Weird Studies, Episodes 14 and 15 on “Stalker (https://www.weirdstudies.com/14) Weird Studies, Episode 35 on M. C. Richards' “Centering” (https://www.weirdstudies.com/35)

durée : 01:55:01 - Les Nuits de France Culture - Par Georges Charbonnier - Avec Jean Lemoyne (adjoint auprès du premier ministre du Canada), Maurice Daumas (professeur au Conservatoire des Arts et Métiers), Marcel Boisot (maître de conférence à l'Ecole Nationale des Ponts et Chaussées) et Gilbert Simondon (professeur à l'université René Descartes)

No episódio de hoje conversamos com Pablo Esteban Rodriguez. Diferentemente das edições anteriores, este programa foi produzido a partir de uma atividade conjunta que realizamos no curso Tecnopolíticas: ciência e tecnologia na produção de mundos, oferecido no Programa de Pós-Graduação em Ciências Sociais da Universidade Federal de São Paulo em 2021. Em razão da pandemia de covid19, realizamos o curso remotamente e contamos com a generosa participação de pesquisadoras e ativistas de diferentes regiões do Brasil e do exterior. Pablo (Manolo) Esteban Rodríguez é formado em Ciências da Comunicação, Doutor em Ciências Sociais e docente da Faculdade de Ciências Sociais na Universidade de Buenos Aires. É também pesquisador do Conicet (Consejo Nacional de Investigaciones Científicas y Técnicas) e membro da LAVITS (Rede Latinoamericana de Estudos em Vigilância, Tecnologia e Sociedade). Alguns livros de sua autoria: Historia de la información (Capital Intelectual, 2012); Biopolítica molecular y medicalización de la vida cotidiana (Eudeba, 2017); Las palabras en las cosas: Saber, poder y subjetivación entre algoritmos y biomoléculas (ed.Cactus). É também coorganizador dos livros Amar a las máquinas; Cultura y técnica en Gilbert Simondon (Prometeo, 2015) e La salud inalcanzable: Biopolítica molecular y medicalización de la vida cotidiana (Eudeba, 2017 Na conversa de hoje, Pablo nos ajuda a explorar alguns conceitos centrais na obra de Gilbert Simondon e como eles nos ajudam a compreender os fenômenos tecnológicos contemporâneos: a dataficação, a plataformização e a crescente mediação algorítmica em nossas vidas. O programa tem dois momentos. Na primeira hora (até 1:05:05) Manolo discorre sobre o tema. Em seguida, abrimos o diálogo com perguntas e comentários de participantes. Links de referências: *Sobre Pablo Esteban Rodrigues: http://webiigg.sociales.uba.ar/buscador/miembrosDetalle.php?id=758 https://ri.conicet.gov.ar/author/25385 https://www.conicet.gov.ar/new_scp/detalle.php?keywords=&id=29474 *Curso Tecnopolíticas: ciência e tecnologia na construção de mundos: https://pt.wikiversity.org/wiki/Utilizador:Opensocialsciences Ficha Técnica: Entrevistado: Pablo Esteban Rodriguez Equipe Pimentalab e Tramadora: Alana Moraes; Bru Pereira; Gustavo Lemos; Henrique Parra; Jessica Paifer, Rafael Malhão, Ariane Reis. Participantes da entrevista: Daniel Shinzato; Wilver Portella; Rafael Malhão; Henrique Parra. Edição: Gustavo Lemos, Henrique Parra Vinheta: Gustavo Lemos Produção: Pimentalab (Laboratório de Tecnologia, Política e Conhecimento, UNIFESP): https://www.pimentalab.net Coletivo Tramadora: https://www.tramadora.net Apoio: Rede Latinoamericana de Estudos em Vigilância, Tecnologia e Sociedade (LAVITS) e Fundação Ford: https://www.lavits.org

Les références : Du mode d'existence des objets techniques, 1958, Gilbert SimondonVous pouvez commenter les émissions, nous faire des retours pour nous améliorer, ou encore des suggestions. Et même mettre une note sur 5 étoiles si vous le souhaitez. Il est important pour nous d'avoir vos retours car, contrairement par exemple à une conférence, nous n'avons pas un public en face de nous qui peut réagir. Pour cela, rendez-vous sur la page dédiée.

A Rádio Terrana é um podcast do Pimentalab da Unifesp e do coletivo Tramadora, um programa sobre ciências terranas, tecnopolíticas e experimentações em tempos de catástrofes. Encruzilhadas sonoras entre práticas científicas, ações de retomada e lutas pelo Comum. O podcast ensaia diálogos com ativistas, pesquisadores, cientistas implicadas com problemas concretos em práticas políticas, territórios, corpos e pensamentos de retomada, conectados com as urgências impostas pelo antropoceno. Sobre o Episódio 3: Simondon, filosofias macumbeiras e magias técnicas. Conversa com Lucas Vilalta Nesse episódio conversamos com o Lucas Vilalta, que é mestre e bacharel em Filosofia pela Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, onde atualmente ele faz doutorado. A conversa que vocês acompanham aqui foi motivada pela publicação do livro do Lucas - "SIMONDON, uma introdução em devir" - da Editora Alameda. A publicação resulta da dissertação de mestrado do Lucas. Na conversa de hoje, o autor, além de compartilhar a sua leitura da obra do filósofo francês, também nos apresenta a sua concepção de filosofia macumbeira, em uma conversa entre macumba e o pensamento do filósofo. Durante um período significativo a obra de Gilbert Simondon ficará quase desconhecida. É a partir de uma resenha escrita por Gilles Deleuze e publicada em 1966, sobre a primeira parte da tese de Simondon, que o seu pensamento começará a alcançar um público maior. Mas só na década de 1990 que o pensamento simondoniano terá sua importância reconhecida e, a partir de então, começa a ser estudado tanto na filosofia (em especial como um dos grandes pensadores sobre as técnicas) como em diversas áreas do conhecimento, da antropologia as engenharias, passando pela comunicação, sociologia, artes e psicologia. Como Simondon pode nos ajudar a compreender as encruzilhadas tecnicas e politicas, cosmotecnicas e cosmopoliticas nessa era veloz do capitalismo cibernético? Ficha Técnica: Entrevistado: Lucas Paolo Sanches Vilalta Equipe Pimentalab e Tramadora: Alana Moraes; Bru Pereira; Gustavo Lemos; Henrique Parra; Jessica Paifer, Rafael Malhão. Participantes da entrevista: Alana Moraes; Daniel Shinzato; Evandro Smarieri Soares, Henrique Parra; Jessica Paifer, Priscila Ambrosio, Rafael Malhão. Edição: Alana Moraes e Gustavo Lemos Mixagem e paisagem sonora: Gustavo Lemos Produção: Pimentalab (Laboratório de Tecnologia, Política e Conhecimento, UNIFESP): https://www.pimentalab.net Coletivo Tramadora: https://www.tramadora.net Apoio: Rede Latinoamericana de Estudos em Vigilância, Tecnologia e Sociedade (LAVITS) e Fundação Ford: https://www.lavits.org

Taylor Adkins, translator of Felix Guattari's Machinic Unconscious, Francois Laruelle's Philosophy and Non-Philosophy, and Gilbert Simondon's Individuation in Light of Notions of Form and Information, joined me for an off the cuff discussion covering Lyotard, Baudrillard, Deleuze and Guattari and Don Delillo. Taylor's Links: https://soundcloud.com/theory-talk https://fractalontology.wordpress.com/ https://twitter.com/tadkins613 Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Taylor Adkins of Theory Talk joins the show to explicate a seminar by Felix Guattari entitled “The Four Unconsciouses”. Taylor recently translated this seminar into English, which is available on his blog, Fractal Ontology. He has also recently translated a two-volume set of works by Gilbert Simondon. Individuation in Light of Notions of Form and Information I & II are available for purchase on University of Minnesota Press’ website. In the episode, we discuss the concepts of faciality, white walls, black holes, diagrams, tensors, and a host of other terms familiar to Guattari’s schizoanalysis. Simondon and Laruelle also appear variously throughout our discussion.

Ian Tucker is a professor and director of impact and innovation in the school of psychology at the University of East London. His expertise is in digital media, emotion, and mental health, he has published over 45 articles and book chapters and has a monograph book entitled Social Psychology of Emotion. He is currently authoring an Emotion in the Digital Age monograph for Routledge's Studies in Science, Technology, and Society series while working on several projects involving technology and mental health.  In this interview, we discuss how Ian became interested in studying relationships between technology, emotion, and mental health. He addresses some limitations of traditional psychological approaches to these topics and overviews some of his main areas of concern with how digital technology is being used to track people’s emotions and regulate their mental health. Drawing on philosophers like Gilbert Simondon and Henri Bergson, Ian also explores how digital technologies are being used within peer-to-peer communities to create information archives about experiences with distress and medication in ways that offer collective support. 

Novena sesión del seminario realizado el Jueves 8 de agosto de 2019 en Lo Contador PUC, Santiago. Contamos con la presentación de Joaquín Zerené, titulada: «Reconfiguraciones posthumanistas del diseño: arqueologías y especulaciones en torno a la relación humano-técnica.» Joaquín es Licenciado en Artes Visuales de la Universidad Austral de Chile, Magíster en Diseño Comunicacional de la Universidad de Buenos Aires y Doctorando en Ciencias Humanas de la Universidad Austral de Chile, cuya investigación doctoral versa sobre los aportes de Vilém Flusser y Gilbert Simondon a la teoría y práctica del diseño en el contexto de las (post)humanidades del siglo XXI. También en esta sesión tuvimos los comentarios de Bruno Perelli, diseñador gráfico y académico del Departamento de Diseño de la Universidad de Chile.

durée : 00:59:01 - Avoir raison avec... - Retour sur l’œuvre d'un des philosophes précurseur dans la perception de la révolution numérique et de l'aliénation par les outils technologiques.

Dr. Andrew Iliadis, Assistant Professor of Media Studies and Production in the Lew Klein College of Media and Communication at Temple University, joins The Grindstone to discuss his background in philosophy and communication, navigating interdisciplinary spaces as a grad student and as faculty, Gilbert Simondon and the philosophy of information, web 3.0, metadata ontologies, and the social and ethical implications of semantic technologies. Matthew absolutely nails the first line of "Scarborough Fair," but, sadly, there was a technical glitch (see below).Note: Matthew's mic cuts out a few times from the 5:35-7:02 mins marks. Andrew's responses can be heard clearly and will give you a sense of the questions being asked. Special thanks to Reyes Espinoza, who was on the mixer for this episode, for catching the technical difficulty and helping to restore order. Hosted on Acast. See acast.com/privacy for more information.

Gisèle Trudel est professeure à l’École des arts visuels et médiatiques de l’UQAM. Elle est notamment cofondatrice du Grupmuv, un groupe de recherche-création sur le dessin en mouvement. En compagnie de Stéphane Claude, elle célèbre également les 20 ans de la cellule de recherche artistique AElab.Dans cette entrevue, il est notamment question des multiples facettes de sa pratique multidisciplinaire, de la genèse d’un cycle de création inspiré par les matières résiduelles et de l’influence de la notion de milieu associé développée par Gilbert Simondon.

Gilbert Simondon's concept of disparation, discussed by Joseph Weissman and Taylor Adkins

Conversation recorded with Sarah Choukah in Montreal on August 10, 2013. http://the-archipelago.net/2014/01/29/gilbert-simondon-bio-hacking/

Cours du 18 janvier 2007 - Collège de France Chaire de philosophie des sciences biologiques et médicales Pr. Anne FAGOT-LARGEAULT ONTOLOGIE DU DEVENIR, II, 5 INDIVIDU / INDIVIDUATION L'INDIVIDUATION COMME PROCESSUS OU OPÉRATION 'l'être individué est transductif, non substantiel" "Le devenir est ontogenèse" (Gilbert Simondon, IGPB, p. 243, 278; in: 2005, p. 216, 323).

Cours du 18 janvier 2007 - Collège de France Chaire de philosophie des sciences biologiques et médicales Pr. Anne FAGOT-LARGEAULT ONTOLOGIE DU DEVENIR, II, 5 INDIVIDU / INDIVIDUATION L'INDIVIDUATION COMME PROCESSUS OU OPÉRATION 'l'être individué est transductif, non substantiel" "Le devenir est ontogenèse" (Gilbert Simondon, IGPB, p. 243, 278; in: 2005, p. 216, 323).

Cours du 18 janvier 2007 - Collège de France Chaire de philosophie des sciences biologiques et médicales Pr. Anne FAGOT-LARGEAULT ONTOLOGIE DU DEVENIR, II, 5 INDIVIDU / INDIVIDUATION L'INDIVIDUATION COMME PROCESSUS OU OPÉRATION 'l'être individué est transductif, non substantiel" "Le devenir est ontogenèse" (Gilbert Simondon, IGPB, p. 243, 278; in: 2005, p. 216, 323).