Podcasts about jowl

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Hello and welcome to Episode 58. Today, we are delighted to welcome to the podcast Phil Cheadle and Edward Bennett, the director and star respectively of ‘Selecting a Ghost', a stage adaptation of the Conan Doyle short story which was performed in Norwood, South London, in November 2024. Listen to our episode about ‘Selecting a Ghost' here: https://www.doingsofdoyle.com/2023/12/46-selecting-ghost-ghosts-of.html Read the Conan Doyle short story here: https://www.arthur-conan-doyle.com/index.php/Selecting_a_Ghost Listen to the podcast here: The episode will be uploaded to our YouTube channel soon, where you can listen with closed captions. In the meantime, you can subscribe to our YouTube channel here: https://www.youtube.com/@doingsofdoyle And follow us @doingsofdoyle.com on BlueSky. Philip Cheadle Phil trained at the Royal Academy of Dramatic Arts (RADA) and has an extensive range of theatre, television, and film credits. His notable stage roles include Harry Potter and the Cursed Child (West End), Mrs. Affleck (National Theatre), Henry IV Part I & Part II, and Bedlam (Shakespeare's Globe), as well as The Changeling (Cheek by Jowl), Reasons to Stay Alive and Far from the Madding Crowd (ETT), A Midsummer Night's Dream (Sheffield Crucible), and Breaking the Code (Royal Exchange). On television, Phil has appeared in Harlots, Dark Angel, Crimson Fields, New Worlds, and Silent Witness. His film work includes 1917, John Carter, and the upcoming independent film Shalbourne, in which he plays the title role. In addition to his acting career, Phil is the co-founder and Artistic Director of Two Lines Productions. He recently adapted and directed Arthur Conan Doyle's short story Selecting a Ghost as an immersive, site-specific production for Stanley Arts' Day of the Dead festival. Website: https://www.twolinesproductions.com/ IMDB for Phil Cheadle. Edward Bennett Ed's diverse and extensive theatre work has seen him perform with some of the country's leading companies and directors, including the Royal Shakespeare Company, Theatre Royal Bath and Chichester Festival Theatre. On the small screen, Edward stars most recently in Joan for ITV and in Series 3 of Bridgerton for Netflix. You can also watch him in Series 1 and 2 of Sky drama Cobra as Peter Mot, Max Owen in Sky Atlantic's Save Me Too, Industry for the BBC, Pennyworth for Warner Bros, Poldark for the BBC and Series 2 of ITV's Victoria. Ed's feature film work includes The Laureate directed by Jonathan Cape, Napoleon directed by Ridley Scott and as T E Lawrence in Benediction directed by Terence Davies.  IMDB for Edward Bennett. Photograph credit Photographs by Cecilia Costello Photography. Next time We rejoin the intrepid Challenger expedition (not that one) as they journey further into The Lost World. Support the podcast Please help us reach new listeners by leaving a rating or view on the podcast platform of your choice. And if you want to sponsor the podcast, please check out our Patreon page: https://www.patreon.com/doingsofdoyle Acknowledgements Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal. Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com. Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/.  

On today's episode of HowToBBQRight Podcast, we're gearing up for our annual HowToBBQRight Office Christmas Party, and here's what we're eating (00:30). Is Prime Rib actually PRIME grade meat (02:20), and what is the difference between a rib loin and a beef tenderloin (03:48)? What is a strip loin, and how do you cook it (07:10)? This device takes all the guess work out of cooking a Prime Rib (08:50). This is Malcom's go-to method for smoking the perfect holiday Prime Rib (10:04), and this is how he makes sure he doesn't overcook it (13:10). I pick Malcom's brain about the ideal time to rest a Prime Rib before slicing it up (17:09). This is the BEST homemade creamy horseradish sauce recipe to dip Prime Rib into (20:08). I have to have an intervention with Malcom about the state of his grills on our back porch (24:04). This is the part of hosting a Christmas dinner that no one thinks about (26:09)... Looking for a new grill to add to your arsenal? Primo Ceramic Grills has you covered (26:55)! I planned all of our Christmas dinners while Malcom was out of town, and here's what we're eating (27:50)... These pork loins are better than anything you can get at a supermarket (30:29). Malcom explains why it's important to make a delicious double-smoked ham for Christmas, and how to get it done right (31:00). How do you cook hog jowl (36:24)? I let everyone pick one appetizer to cook for Christmas Eve dinner, and here's what they picked (40:58). We make this Christmas Sorbet Punch every year for Christmas dinner, and it's delicious (46:13). Honestly, dessert is just not an important part of Christmas dinner (50:00). I want to know what Malcom wants this year from Santa Claus (58:14). Season 7 has flown by (01:00:31)... Checkout the community giveaway, presented by our newest podcast - Out The Smoke (01:01:20).

In this episode of the PRS Global Open Keynotes podcast, Dr. Frank Rosengaus discusses the non-invasive correction of jowls using fillers. The anatomy of the jowls and associated ligaments is discussed as well as Dr Rosengaus' "Happy Face" filler technique.   This episode discusses the following PRS Global Open article: “JOLT: A Noninvasive Solution for the Correction of the Jowl” by Frank Rosengaus and Nathania Cardenas Sicilia. Read it for free on PRSGlobalOpen.com: https://bit.ly/JOWL Dr. Frank Rosengaus is a facial plastic surgeon in private practice in Mexico City, Mexico. Your host, Dr. Damian Marucci, is a board-certified plastic surgeon and Associate Professor of Plastic Surgery at the University of Sydney in Australia. #PRSGlobalOpen; #KeynotesPodcast; #PlasticSurgery; Plastic and Reconstructive Surgery- Global Open

Edward Dick trained as a theatre director with Cheek by Jowl, and has directed acclaimed theatre and opera productions across the UK and abroad. Edward's first short film, An Act of Love, starring Stephen Mangan and Gina McKee, premiered at the Edinburgh Film Festival in 2010 and has played at festivals around the world. His second short That Woman was also successful on the festival circuit and led to his first project for television, A Little Cracker for Hillbilly / Sky 1. In 2016 he was invited to take part in the BBC's continuing drama training scheme, which has seen him direct multiple episodes of BBC One dramas Holby City and Doctors, receiving an RTS nomination for outstanding new talent for his work on the latter.  He is a member of BFI NETWORK x BAFTA Crew 2021 and was recently named by the BBC as one of its ‘broadcasting stars of the future.'In 2020 he took part in the Directors UK High End Drama training programme on Silent Witness, directing 2nd Unit and working across all aspects of the production on multiple blocks and on the development of the 25th anniversary series. He is presently in Australia directing an acclaimed production of Giacomo Puccini's TOSCA. The production recently played the Margaret Court Arena in Melbourne and soon takes to the stage in the Joan Sutherland Theatre at the Sydney Opera House.In this acclaimed, five-star production from Opera North, director Edward Dick writes the tension large upon the stage.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

The 2024 summer season at Regent's Park Open Air Theatre in London will open with a new production of William Shakespeare's Twelfth Night Or What You Will directed by Owen Horsley, an Associate Artist of the Royal Shakespeare Company and an Associate Director for Cheek by Jowl. BTG Editor David Chadderton spoke to Owen at a break during rehearsals about his approach to the play, his love of Shakespeare and the perhaps unusual way he was originally introduced to the Bard's work. Twelfth Night Or What You Will directed by Owen Horsley runs at Regent's Park Open Air Theatre from 3 May to 8 June 2024.

For this episode we have a father/son duo join the show! Bryan & Cruz Stanfill of Brownsburg, Indiana! A Chili Bowl to forget for Bryan in '24. Cruz taking the year off from the Tulsa Shootout, he's hoping for a return this year. Growing up in California for Bryan, and some of his success there. Then making the move to Brownsburg. Big wins for each of them. And a special night with both of them at the same track. Big plans for both of them in 2024? Tacos 54, Rusted Silo, Boulder Creek. Adjusting the palate for Midwest Mexican food

Mairi participates in the fairy joust, Maggie tries not to embarrass herself in front of Titania.This episode was inspired in part by The Wild Beyond the Witchlight1PDnD is unofficial Fan Content permitted under the Fan Content Policy. Not approved/endorsed by Wizards. Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC Music: “ “Entertainment” : by Alexander Nakarada (www.creatorchords.com)Licensed under Creative Commons BY Attribution 4.0 Licensehttps://creativecommons.org/licenses/by/4.0/

Old Testament: Proverbs 4: 20-23 New Testament: Revelation 3:7-11 Speaker: Pastor Classy Podcast Summary:     One could make a strong case that the letters to Smyrna and Philadelphia are the most important ones of the seven churches, for in neither of them do we find one word of complaint. They both receive unqualified praise and approval. These, then, are truly churches of which Christ heartily approves.   In this text, we find a four-fold description of Jesus, again taken from the visionary portrait of him.   First, Jesus is called The Holy One – An unmistakable title for Yahweh in the OT (Isa. 40:25) here applied to Jesus. Second, Jesus is called The True One – To the Greek mind this would mean “genuine,” that which is real and thus corresponds to reality. To the Hebrew mind it means “faithful” and “trustworthy,” deserving of our confidence, dependable, reliable, consistent and steadfast. Third, Jesus is The One who has the Key of David – He has the undisputed authority to admit or exclude from the New Jerusalem. The idea is that Jesus has the key to the Davidic or messianic kingdom.   Fourth, Jesus is The One who opens and no one else can shut – When he opens to his followers the door of the kingdom, no one can shut them out; and when he shuts the door on those who oppose his cause, no one can reverse the decision.   OUR FOCUS IS ON THE LETTER TO THE CHURCH AT PHILADELPHIA (REVELATION 3:7-13)

Somniar amb els faunes del Grec. Crítica teatral de l'obra «La vida es sueño», de Pedro Calderón de la Barca. Adaptació: Declan Donnellan, Nick Ormerod. Intèrprets: Ernesto Arias, Prince Ezeanyim, David Luque, Rebeca Matellán, Manuel Moya, Alfredo Noval, Goizalde Núñez, Antonio Prieto, Irene Serrano. Disseny escenografia i vestuari: Nick Ormerod. Disseny il·luminació: Ganecha Gil. Disseny so i composició: Fernando Epelde. Assessorament dramatúrgia: Pedro Villora. Moviment: Amaya Galeote. Ajudantia escenografia: Alessio Meloni. Ajudantia vestuari: Elena Colmenar. Ajudantia so: Gastón Horischnik. Ajudantia il·luminació: Javier Hernández. Interpretació: Juan Ollero. Disseny gràfic i fotografia: Javier Naval. Direcció tècnica: Oscar Sainz. Regidoria: Alex Stanciu. Maquinista: Sira González. Producció executiva i gerència: Elisa Fernández. Ajudantia producció: Jair Souza-Ferreira. Direcció producció: Miguel Cuerdo. Comunicació i distribució: Julio Municio. Direcció executiva Cheek by Jowl: Niamh O´Flaherty. Direcció general Cheek by Jowl: Harrison Collett. Administració i ajudantia de direcció Cheek by Jowl: Harry McDonald. Coproducció Compañía Nacional de Teatro Clásico, Cheek by Jowl i LAZONA. Amb la col·laboració de Barbican (Londres) i Scène Nationale d’Albi (França). Ajudantia de direcció: Josete Corral. Direcció: Declan Donnellan. Festival Temporada Alta, Teatre Municipal de Girona, 22 i 23 octubre 2022. Festival Grec'23. Teatre Grec Montjuïc, Barcelona, 9 i 10 juliol 2023. Veu: Andreu Sotorra. Música: Cuanto le gusta. Intèrpret: Carmen Miranda. Composició: Gabriel Ruiz Galindo i Ray Gilbert. Àlbum: South American Way, Carmen Miranda, 2011.

We could listen to Adrian Lester talk about acting all day… but he's a busy man, so we'll settle for this 37 minute episode. The actor joins us to discuss some of his most famous performances, including Rosalind in Cheek by Jowl's acclaimed 1991 all-male As You Like It, Hamlet with Peter Brook, and Henry V and Othello with Nicholas Hytner. Plus, Lester takes us back to his childhood in Birmingham and tells us about his patronage of the Everything to Everybody project and the Birmingham Shakespeare Library. Lester is interviewed by Barbara Bogaev. Visit our website, folger.edu/unlimited, to learn more about Everything to Everybody and see video of Lester's performance in "As You Like It." From our Shakespeare Unlimited podcast. Published July 4, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Up next we are joined by Ryan Barr of Piqua, Ohio. Driver of the #21B - Ryan Barr Racing non-wing sprint car! Discussed: A regular at Lawrenceburg, some highlights, peaks & valleys of the season so far. Eldora for Lets Race Two and a missing wheel cover. Eldora for Ohio Speedweek as well He hits on some of the family tree of racing and where it all began for his family and how he got into it. Victory lane @ Bloomington, and a few other stories. He's a big BBQ rib fan. Who has the best ribs over in Ohio? What else is cooking at his house? (ends around 1:13:00 mark) Stoking the Fire ASCS Sprint Car series gets a title sponsor AND streaming partner. Buddy Kofoid back in a familiar car Another driver jumps in the Vermeer #55 Tim Kaeding (TK) and Brad Sweet exchange under red flag @ Husets T-Mez & Cannon McIntosh spicy interview @ Macon Some big upcoming racing events! Dirt Draft results from the guys. (ends around 1:35:00 mark) Feature Finish Late Model Summer Nationals / Hell Tour week 2 World of Outlaws sprint cars @ Husets for the High Bank Nationals USAC National sprint cars @ Wilmot USAC/CRA @ Bakersfield NARC 410 Super Dirt Cup @ Skagit Speedway Pennsylvania Speed Week WoO Late models @ 81 Speedway, Off-Road Speedway POWERi midgets - Illinois SPEEDweek ASCS Sprints Indiana weekly shows IRA sprints Ocean Speedway Taco Bravo Sprints (ends around 1:51:00 mark) The Smoke Charlie's trip to and from Florida. Food he had there. Jowl bacon sammiches...again Manzanita Speedway green chili burrito recipe Pork steaks! Lombardi's Pizza, Carriage Inn Fast food rant

In the second episode of our Creative Nonfiction Film podcast season, Sophie Fiennes discusses The Four Quartets and how she approaches documenting live performance on screen. In The Four Quartets, she captures the stage play of the same name, directed by and starring her brother, actor Ralph Fiennes. For the production, Ralph Fiennes adapted the T.S. Eliot poem for the stage — which was never originally intended to be performed that way — and then toured this production around the UK in 2021. Sophie Fiennes's film of The Four Quartets is neither live capture nor a full adaptation of the play. Instead, Fiennes remarkably documents the theatre production on screen, maintaining all the original lighting and blocking. Her choices of framing and camera movement really puts us in the black box theatre with Ralph Fiennes. Unlike most recorded theatre, where there is a constant sense of information loss, Sophie Fiennes gives us a sense of the theatrical space so we get a better sense of what we're missing when we're missing it. It's built into Sophie Fiennes's direction. Sophie Fiennes discusses Ralph Fiennes's production, the challenges of documenting the play on screen, and how working with Declan Donnellan of Cheek by Jowl just before she shot The Four Quartets changed how she thinks about acting and theatre. Click here to read the episode show notes. The show notes also include excerpts from Sophie Fiennes's director's script. You will also find an AI-generated transcript in the show notes. Useful links Read T.S. Eliot's The Four Quartets Listen to Cheek by Jowl's Not True But Useful podcast episode on thresholds and space Read our interview with Sophie Fiennes on Grace Jones: Bloodlight and Bami More on creative nonfiction Download a FREE excerpt from Subjective Realities here. Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here. Get your copy of the ebook In their own words: Documentary Masters vol. 1 Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast. Related Episodes on creative nonfiction Ep. 99: Creative Nonfiction with Penny Lane and Carol Nguyen Sundance 2023 Ep. 7: Best of the fest + documentaries Fantastic Machine, Is There Anybody Out There, and more Ep. 123: Sundance 2022: Creative Nonfiction Members Only Episodes Ep. 67: Frederick Wiseman's Ex Libris and City Hall  (Members only) Ep. 95: No Ordinary Man and John Ware Reclaimed: Reclaiming history in documentary (Members only) Credits Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste. Email us at contact seventh row com. This episode was edited, produced, and recorded by Alex Heeney.

  In this week's HowToBBQRight Podcast, We survived the Mid-South Ice Storm of 2023 (00:22). During our time at home, Malcom really got down to cooking inside (04:24), and broke into his hog jowl stash (07:49)! Super Bowl Sunday is JUST AROUND THE CORNER (12:16)! What did Malcom cook for the last week of hunting season (14:42)? Potato Salad and Gumbo is a thing, and it's freaking delicious (20:21)… I get the spill on Malcom's recent Boudin King Cake recipe (22:29). What exactly is Boudin(33:15)? It's time for us to start planning out our competitions for the year (40:35). What do we have planned for Super Bowl Sunday (44:03)? Wanna win some cool HowToBBQRight Swag (45:56)? We take a deep dive into the community questions for the week with, “What is a ‘London Broil'” (50:31)? Can meat juices put out your fire on a drum smoker (53:30)? If you were going to cook pork butts for a party, how many should you be smoking (55:18)? Chimichurri Rub is the absolute best (57:33)!   

On our first Friday Fellowship episode in quite some time, I (Casey) got to hang out with my old Michigan buddies, Ian and The Jowl! We spent an evening cackling about attending Promise Keepers rallies as kids, getting arrested for possessing various flea market weaponry, Ian's reservations about the Heavenly streets of gold, and finally, the heartwarming Biblical account of Ehud and King Eglon from Judges 3. This is a fun episode with two of my favorite people on the planet, and I hope you enjoy it!

This summer marks the tenth anniversary of a landmark production for the Royal Shakespeare Company. Their 2012 Julius Caesar was Britain's first ever high-profile production of a Shakespeare play with an all-Black cast—a milestone that came 76 years after it was first done in the US and 15 years after it was first done in Canada. The production featured Paterson Joseph as Brutus, and he was so impressed by the experience that he wrote Julius Caesar and Me: Exploring Shakespeare's African Play. The book takes an unflinching look at Joseph's time at the RSC, both while working on Caesar and in the 1990s, when the son of St. Lucian parents found himself one of only four Black people in the building. He also writes about his early work, performing sharp and boldly reimagined Shakespeare with the Cheek by Jowl company; his thoughts about race in the British theater; the proper way to play Brutus; Received Pronunciation, and much more. In 2018, Joseph was at the National Black Theater in Harlem, performing his one-man show, Sancho: An Act of Remembrance, about the first Black man in England to cast a vote. We invited him into the studio to talk about the book, Brutus, and more, and we bring that conversation to you again now. Paterson Joseph is interviewed by Barbara Bogaev. Paterson Joseph is an acclaimed British actor who has performed major roles with the Royal Shakespeare Company and the National Theatre, including the title role in Othello; and the leads in The Royal Hunt of the Sun and The Emperor Jones. He has also worked extensively in film, and in television, including recently The Leftovers and Timeless. In 2015, he wrote and performed his one-man play Sancho: An Act of Remembrance on tour. Julius Caesar and Me: Exploring Shakespeare's African Play was published in the US by Methuen Drama, a division of Bloomsbury Books, in 2018. From the Shakespeare Unlimited podcast series. Originally published May 29, 2018, and rebroadcast August 16, 2022. ©Folger Shakespeare Library. All rights reserved. This podcast episode, “Bear It, As Our Roman Actors Do,” was produced under the supervision of Garland Scott, and is presented with permission of rlpaulproductions, LLC, which created it for the Folger. It was edited by Gail Kern Paster and Esther Ferington. Esther French and Ben Lauer are the web producers. We had technical help from Andrew Feliciano and Evan Marquardt at Voice Trax West in Studio City, California, and Robert Auld and Deb Stathopulos at the Radio Foundation in New York. Special thanks to ‘Illuminations' for allowing us to use excerpts from their DVD of the Royal Shakespeare Company's 2012 production of Julius Caesar.

In this episode we are joined by Maureen Freedman, talking all things performance design. A South African designer for performance, Maureen has worked with production teams in the US and abroad creating spaces and crafting characters for theatre, object theatre, opera and dance. Some notable work includes The Exalted at BAM with Carl Hancock-Rux and Theo Belckmann, Anne Bogart, Freedman's directing credits include Collider Classroom with Dr. Christopher Emdin at Lincoln Theatre Studio, The Wolves at the Window by Toby Davis for Brits off Broadway, and several collaborations with Yael Rasooly including The House by the Lake (Israel & touring), Silence Makes Perfect (UK) and upcoming Burning Blue in Norway. Maureen is a Linbury Prize finalist, Cheek by Jowl young Professional alum, NYFA IAP fellow and in May this year she and her team presented their winning design for Orfeo ed Euridice in Opera America's L. B. Tobin Director-Designer award for 2021-22. https://www.maureenfreedman.com/ We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thanks to David Zieher who composed our music.

There is a good variety of meat and fish to be had in Douglas market, according to Rev Thomas Stephen's poem of 1832, before he takes us out onto the Red Pier, designed by George Steuart and clad in Annan sandstone. George Steuart also was the architect of the Castle Mona for the Duke of Atholl. Jonathan Harker was being lulled - hypnotised - by dancing lights, but when they started to take the shape of the three dreadful women he'd been threatened by previously, he ran screaming to his room. After an anxious night, he's very pleased to see the new day - and with it, a new and daring plan. As y kiaull ain - SKEEAL - Creggyn ALED JONES - Mae hiraeth yn y mor THE BOWHOUSE QUINTET - Paddy Fahy's RYB AN GWELLA - Ple' ma an Jowl? JOHN McCORMACK - Ye banks and braes o' bonnie Doon SONERIEN DU - Laride en mineur GEORGE FORMBY - Isle of Man JOSEPH TAYLOR - Lord Bateman THE HALTON QUARTET - The good ship Halton

100 seconds Foodcast with Chef Walter Potenza. #sensibleknowledge --- Send in a voice message: https://anchor.fm/walter-potenza/message Support this podcast: https://anchor.fm/walter-potenza/support

Delayed buyer's remorse is a thing – especially when you move to a completely different environment and discover your car is no longer suitable. Jesse N. in Denver is trying to CUV his way out of a truck problem, so what should he consider? Then, Joel in WA is starting grad school but is tired of his current car. Social media questions ask why people knowingly hit other vehicles with their car doors, why don't OEMs offer full customization, and should EV horsepower relate to range or the other way round? Seasons 1-10 are available on Amazon Prime and Vimeo worldwide. Please rate and review us on iTunes, and the TV show on IMDB and Amazon. Write to us with your Car Debates, Car Conclusions, and Topic Tuesdays at everydaydrivertv@gmail.com or everydaydriver.com. Share the podcast with your car enthusiast friends!

In this episode, Declan and Lucie discuss the subject of love in As You Like It and Romeo and Juliet. They talk about the BBC Open University documentary on Cheek by Jowl's production of As You Like It, which you can watch here (https://www.cheekbyjowl.com/resources/as-you-like-it-documentary-cheek-by-jowl-open-university/). The music in this episode was composed by Sergey Chekryzhov for Cheek by Jowl's 2005-13 production of Three Sisters.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

Beginning with a reading of Hamlet, Declan dives deep into the universal themes of (non-)existence, futility, and being driven by the fear of anonymity. This episode contains brief mention of suicide when discussing the text of Hamlet. The music in this episode was composed by Sergey Chekryzhov for Cheek by Jowl's 2005-13 production of Three Sisters.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

In this episode, Declan and Lucie talk about the issue of heightened behaviour and the act of being surprised on stage and on screen.The music in this episode was composed by Sergey Chekryzhov for Cheek by Jowl's 2005-13 production of Three Sisters.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

This week, Declan joins Lucie to discuss the limitations of language and how the body ought to be prioritised in the rehearsal space.The music in this episode was composed by Sergey Chekryzhov for Cheek by Jowl's 2005-13 production of Three Sisters.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

Welcome to the fourth episode of the Play On Podcasts Series A Midsummer Night's Dream. Synopsis: All four lovers end up in a fray of broken hearts and wounding words, much to Puck's delight and Obreron's disgust. Meanwhile, Titania dotes on her ass-headed lover, Bottom. The Cast: ALEXANDRA HENRIKSON as Helena AMARI CHEATOM as Oberon ARMANDO MCCLAIN as Egeus and Snug CEDRIC LAMAR as Flute CHRISTOPHER LIVINGSTON as Demetrius DAISUKE TSUJI as Puck DAVID FURR as Theseus GOPAL DIVAN as Lysander JAMIE ANN ROMERO as Hermia JEENA YI as Quince JENN HARRIS as Bottom MANILA LUZON as Hippolyta MICHELLE BECK as Titania Creative Team: JEFFREY WHITTY, Playwright CATHERINE EATON, Director and Script Adaptor GEORGE WHITTY, Composer ARJUN G. SHETH and PATRICK BURGESS, Sound Design and Mix SADAHARU YAGI, Engineer LARRY WALSH, Dialog Editor Play On Podcasts Series A Midsummer Night's Dream is produced by Next Chapter Podcasts and is made possible by the generous support of The Hitz Foundation. New episodes go live every Friday. Please subscribe, rate & review on your app of choice. Visit ncpodcasts.com/playonpodcast for bonus content including interviews, images and bios of the full cast & creative team. Visit playonshakespeare.org for more about Play On Shakespeare.

To mark 40 years since our first ever touring production - The Country Wife -  we're delighted to release a bonus episode of Series 3. Declan and Nick join Lucie one more time to discuss their four decades of work as Cheek by Jowl, including the company's emphasis on ensemble, their dream dinner guests, the danger of asking 'how' and 'why', and the advice they would give to their younger selves...

David talks to Adrian Lester (Hamlet, Othello, Henry V, Company and Cat on a Hot Tin Roof, and BBC's Hustle) about his critically acclaimed portrayal of Rosalind in Cheek by Jowl's all-male 1991 production of As You Like It. See acast.com/privacy for privacy and opt-out information.

Dawn's back! She went to visit her family in Missouri. On the way, they hit vulture! They ate some delicious food too. Alexis' son was sick over the weekend; she slept in his crib. Is that weird? LOL!

The Shirleys are in the same room today, one with a bad blow dry and the other nearly had her leg off. Their boys met up for a playdate too this week, and there was some very bad behaviour.. Tune in, enjoy, subscribe and share!You can contact the Shirleys at:Email: Motherfunk@shirleyandshirley.comInstagram: @thetwoshirleysTwitter: @shirlandshirl See acast.com/privacy for privacy and opt-out information.

Declan and Nick discuss Troilus and Cressida, Shakespeare's scathing anti-war satire on glory, chivalry and doomed love. Find out why the play is possibly the most un-Shakespearean of Shakespeare's plays, the dangers of 'truth', and the importance of reserving one's judgment when approaching a work of art. More information about Cheek by Jowl's 2008 production of Troilus and Cressida here.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

Declan and Nick take a deep dive into one of Shakespeare's best loved comedies, Much Ado About Nothing. They join Lucie to discuss the darkness beneath the play's lightness, the horror and dread in Beatrice and Benedick's love story, and how it has become the blueprint for many modern romcoms. More information about Cheek by Jowl's 1998 production of Much Ado About Nothing here.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

Ahi ahi ahi ahi! This week's discussion takes us back to Piccolo Teatro di Milano and Cheek by Jowl's last live onstage production before the lockdown of 2020, The Revenger's Tragedy by Thomas Middleton. In this episode, Declan and Nick speak about theatre as a problem-solving business, and what Middleton's play teaches us about being right and our need to seek justice.More information about Piccolo Teatro di Milano and Cheek by Jowl's 2018-21 production of The Revenger's Tragedy here.The additional music in this episode was composed by Gianluca Misiti for The Revenger's Tragedy.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

This week, Declan and Nick talk the politics of acting, the importance of ensemble, and the danger of logic in Shakespeare's Measure for Measure. More information about Cheek by Jowl's 2013-19 production of Measure for Measure here and their 1994 production here.The music in this episode was composed by Pavel Akimkin for Cheek by Jowl's 2013-19 production of Measure for Measure.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

If you think Chekhov's plays are about nothing happening, think again. This week, Declan, Nick and Lucie discuss Three Sisters, another play of love, loss and self-deception in which – from the very first line - the protagonists are faced with an overwhelming predicament…More information about Cheek by Jowl's 2005-13 production of Three Sisters here.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

This week, Declan, Nick and Lucie discuss Hamlet, including their experiences of staging the play as a ballet for the Bolshoi (without the words!), the difference between what we say and what we do, and Hamlet's greatest fear: non-existence.More information about Cheek by Jowl's 1990-91 English production here, and Declan and Nick's 2015 Bolshoi Ballet production here.Join our mailing list to keep up-to-date with Cheek by Jowl's news, events and opportunities.

This week, Declan, Nick and Lucie discuss Twelfth Night, Shakespeare’s great tale of love, loss, and self-deception.More information about Cheek by Jowl's 1986-87 English production here, and their 2003-18 Russian production here.

Welcome back for another series of Not True, But Useful! To kick off Series 3, Declan and Nick join Lucie Dawkins to discuss Macbeth, a play that continues to reveal new things to us, including the universal problems of loneliness, gratitude, and the danger of trying to solve life's great mysteries.More information about Cheek by Jowl's production of Macbeth here.The music in this episode was composed by Catherine Jayes for Cheek by Jowl's 2009-2011 production of Macbeth.

That’s right - the Trainer to the Trainers® himself, the one and only, Mr. Tom Purvis is on the line and hanging out with the boys this week! Tom drops some serious intellectual weight on Dan, Dave and Mark (don’t worry, momentum was not a factor) and can’t resist taking them through a full circuit to build their bodies of knowledge. TTTT exercises some patience with the boys and fills them in on a few behind-the-scenes flexes and spots them for a few reps around the world of fitness informercials at large. As a special bonus, Tom sends the boys on an Easter egg hunt and plays a quick game of “Fair or Jowl.” So take the Call Now Challenge! You can finish this entire episode in just 20 minutes, three days a week and if you’re not completely satisfied, send it back to us for a full refund. Once you listen, you won’t know how you could get this type of entertainment from any other podcast. Check us out at callnowpodcast.com and follow @CallNowPodcast on Twitter and Instagram! Thanks for listening and don't forget to Call Now!

Here Alex talks to two talented and ambitious producers. Simply put, this chapter is a must for any aspiring producer or theatre-maker. Jo Crowley is the Executive Producer at 1927, a multi-award winning independent Performance Company that specialises in combining performance and live music with animation and film to create amazing experiences. Rosie has worked with some of the most interesting organisations in the country such as 1927, The Young Vic, Cheek by Jowl and Headlong Theatre. Rosie Clark is currently the Producer at Riptide, and the Associate Producer at Cast in Doncaster running their talent development.

Dread and Jamie dine on fried pork jowl and brussels sprouts. Dread unveils his list of top ten jowliest individuals.

Devon Bernard is an incredible full-stack engineer, manager, and entrepreneur. He's co-founded multiple companies including FlowActive, Jowl, and Rollio in addition to holding top engineering roles at Enlitic, Axgen, and now Somml. Learn more about Devon: https://www.linkedin.com/in/devonbernard/ (https://www.linkedin.com/in/devonbernard/) Want to level-up your skills in machine learning and software engineering? Subscribe to our newsletter: https://mlengineered.ck.page/943aa3fd46 (https://mlengineered.ck.page/943aa3fd46) Take the Giving What We Can Pledge: https://www.givingwhatwecan.org/ (https://www.givingwhatwecan.org/) Subscribe to ML Engineered: https://mlengineered.com/listen (https://mlengineered.com/listen) Follow Charlie on Twitter: https://twitter.com/CharlieYouAI (https://twitter.com/CharlieYouAI) Timestamps: (00:00) Intro (02:00) How he got started in CS (03:03) Working for GOOG and MSFT while running 2 startups (05:10) Learning to program (10:25) How he got started in entrepreneurship (17:30) Building an animal crossing trading exchange (21:37) Designing scalable and maintainable backends (25:55) Does he use formal design methods (DDD)? (28:24) What makes for a great engineer? (36:43) Functional programming (39:43) Increasing productivity of engineering teams (45:56) Managing up as an individual contributor (49:59) Consulting advice (01:04:20) Health-tech startups (01:19:27) Exciting opportunities outside of healthcare (01:28:34) Rapid Fire Questions Links: https://www.amazon.com/Never-Split-Difference-Negotiating-Depended-ebook/dp/B014DUR7L2/ (Never Split the Difference) https://www.amazon.com/Radical-Candor-Revised-Kick-Ass-Humanity-ebook/dp/B07P9LPXPT/ (Radical Candor)

后浪剧场 vol.114声音旅行 | 英国那些鲜为人知的小剧场和强大的戏剧教育主播 | 小树嘉宾 | 纯如剪辑 | 大卫封面 | 长乐嘉宾：林纯如台湾高雄人高雄医学大学医学系，英国东十五表演学院(East 15 Acting School)剧场导演艺术硕士(MFA Theatre Directing)，并曾赴俄罗斯戏剧艺术大学(GITIS)和印尼艺术学院(ISI)修习表演艺术。旅英期间任华格纳两百年冥诞大英图书馆《尼伯龙根的指环》全本读剧演出导演助理、迈克尔．弗莱恩《双打》导演助理与执行舞台监督、《浮士德》导演助理、《沃伊采克》改编与导演；亦于中国大陆参与剧场活动，任南京光荣退休青年剧团《求证》导演助理、南京艺术学院12级导演班《脏手》戏剧构作与舞台监督。戏剧之外亦钟情于声音与音乐活动，大学时随南台湾最佳合唱团体高医声乐社演出，亦担任独唱，具丰富歌唱与教学经验，师事杨文忻老师、孙婉真老师和连芳贝老师。重要演出经历：高雄世运主场馆开幕音乐会、朱宗庆打击乐团跨界音乐会《击乐人声》、三度演出于国家音乐厅、台南人剧团《白水》歌手。本期嘉宾依然是我们的老朋友，来自台湾的戏剧人林纯如老师，这一期是她在后浪剧场做的声音旅行系列的第四期。这个系列包括： vol.102 一个台湾女孩在英、俄、印尼学戏剧vol.105 在美国东海岸与西海岸看戏的对比vol.110 英国的主流剧院和剧团vol.114 英国那些鲜为人知的小剧场和强大的戏剧教育本期节目会重点谈及英国“非主流”的戏剧文化，包括一些小剧场和剧目，不容错过。和上次一样，直接出本期关键词~一、肢体等其他实验、非文本：舞蹈剧场、肢体剧场、多媒体、（过渡到应用剧场） DV8, Comlicite同谋剧团/合拍剧团, Cheek by Jowl, Gecko（壁虎剧团）, KneehighPunchdrunk的Sleep No More（不眠之夜）, Secret Cinema偶剧与面具演出：Little Angel Theatre小天使剧场，杰克森巷剧场伦敦国际默剧节(London International Mime Festival)Belarus Free Theatre Group's play, Trash Cuisine垃圾菜肴西区一些剧场也常有比较大众娱乐面的肢体演出：韩国、日本查尔斯王子剧院Prince Charles Cinema看了电影版《阿基拉》 二、深入文化教育 青年剧场The Unicorn独角兽剧场戏剧深入教育Shakespeare School FestivalPhoenix by The Big House Company纪实剧场中的引录剧场Verbatim theatre 现代化的节庆表演：摄政公园露天剧场pantonmime圣诞童话剧 爱丁堡It's Dark Outside by 澳洲 Perth Theatre CompanySTARDUST，Daniel Dingsdale编剧，Miguel H Torres Umba 发想与演出，哥伦比亚古柯硷。Shit Faced Shakespeare,人丁少、英语或肢体/偶戏、喜剧 三、学生演出 东十五表演学员MA毕业演出Top Girls 东十五表演BA贝克特RADA英国皇家戏剧学员《华伦夫人的职业》City of Angels（《天使之城》） by Mountview蒙特纽舞台表演艺术学院Guildhall吉尔德霍尔音乐戏剧学院

后浪剧场 vol.114声音旅行 | 英国那些鲜为人知的小剧场和强大的戏剧教育主播 | 小树嘉宾 | 纯如剪辑 | 大卫封面 | 长乐嘉宾：林纯如台湾高雄人高雄医学大学医学系，英国东十五表演学院(East 15 Acting School)剧场导演艺术硕士(MFA Theatre Directing)，并曾赴俄罗斯戏剧艺术大学(GITIS)和印尼艺术学院(ISI)修习表演艺术。旅英期间任华格纳两百年冥诞大英图书馆《尼伯龙根的指环》全本读剧演出导演助理、迈克尔．弗莱恩《双打》导演助理与执行舞台监督、《浮士德》导演助理、《沃伊采克》改编与导演；亦于中国大陆参与剧场活动，任南京光荣退休青年剧团《求证》导演助理、南京艺术学院12级导演班《脏手》戏剧构作与舞台监督。戏剧之外亦钟情于声音与音乐活动，大学时随南台湾最佳合唱团体高医声乐社演出，亦担任独唱，具丰富歌唱与教学经验，师事杨文忻老师、孙婉真老师和连芳贝老师。重要演出经历：高雄世运主场馆开幕音乐会、朱宗庆打击乐团跨界音乐会《击乐人声》、三度演出于国家音乐厅、台南人剧团《白水》歌手。本期嘉宾依然是我们的老朋友，来自台湾的戏剧人林纯如老师，这一期是她在后浪剧场做的声音旅行系列的第四期。这个系列包括： vol.102 一个台湾女孩在英、俄、印尼学戏剧vol.105 在美国东海岸与西海岸看戏的对比vol.110 英国的主流剧院和剧团vol.114 英国那些鲜为人知的小剧场和强大的戏剧教育本期节目会重点谈及英国“非主流”的戏剧文化，包括一些小剧场和剧目，不容错过。和上次一样，直接出本期关键词~一、肢体等其他实验、非文本：舞蹈剧场、肢体剧场、多媒体、（过渡到应用剧场） DV8, Comlicite同谋剧团/合拍剧团, Cheek by Jowl, Gecko（壁虎剧团）, KneehighPunchdrunk的Sleep No More（不眠之夜）, Secret Cinema偶剧与面具演出：Little Angel Theatre小天使剧场，杰克森巷剧场伦敦国际默剧节(London International Mime Festival)Belarus Free Theatre Group's play, Trash Cuisine垃圾菜肴西区一些剧场也常有比较大众娱乐面的肢体演出：韩国、日本查尔斯王子剧院Prince Charles Cinema看了电影版《阿基拉》 二、深入文化教育 青年剧场The Unicorn独角兽剧场戏剧深入教育Shakespeare School FestivalPhoenix by The Big House Company纪实剧场中的引录剧场Verbatim theatre 现代化的节庆表演：摄政公园露天剧场pantonmime圣诞童话剧 爱丁堡It's Dark Outside by 澳洲 Perth Theatre CompanySTARDUST，Daniel Dingsdale编剧，Miguel H Torres Umba 发想与演出，哥伦比亚古柯硷。Shit Faced Shakespeare,人丁少、英语或肢体/偶戏、喜剧 三、学生演出 东十五表演学员MA毕业演出Top Girls 东十五表演BA贝克特RADA英国皇家戏剧学员《华伦夫人的职业》City of Angels（《天使之城》） by Mountview蒙特纽舞台表演艺术学院Guildhall吉尔德霍尔音乐戏剧学院

Dilhan C. Fernando, the CEO of the MJF Group of Companies, recently had a candid chat with Head Chef Rishi Naleendra of Cheek by Jowl, the first Sri Lankan to win a Michelin star, and his wife Manuela Toniolo, who manages the restaurant.

Thursday: with failed fayboo threads, two musical losses and what I like about Yu.