Podcast appearances and mentions of Daniel Kehlmann

Anna and Geoff discuss the 2026 Women's Prize for Fiction Shortlist. Is it  more commercial than usual?   Our book of the week is LÁZÁR by Nelio Biedermann translated by Jamie Bulloch. This sweeping historical novel about the aristocratic von Lázár family during the 20th century from the Austro Hungarian empire through to Russian occupation is a buzzy debut which has received much praise. Patti Smith, Dua Lipa and Christian Kracht are fans.    It prompted some questions: Is One Hundred years of Solitude a good comparison? What is the meaning of the translucent skin and gothic forest? Can you spot the modern literature references (Anna missed most of them!) Here are some read-alikes if you enjoyed Lázár: Held by Anne Michaels Beddebrooks by Thomas Mann The Director by Daniel Kehlmann translated by Ross Benjamin The Radetzky March by Joseph Roth translated by Michael Hofmann Coming up: TRANSCRIPTION by Ben Lerner Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras  Substack: Books On The Go Credits Artwork: Sascha Wilkosz  

This week, Liberty and Vanessa discuss Moonlight Murder, Platform Decay, Verity Guild, and more great books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Keep track of new releases with Book Riot's New Release Index, now included with an All Access membership. Click here to get started today! This content contains affiliate links. When you buy through these links, we may earn an affiliate commission Books Discussed On the Show: Birth Vibes by Jen Hamilton Dissection of a Murder by Jo Murray Moonlight Murder by Uzma Jalaluddin The Fallen: The Lost Girls of Ireland's Magdalene Laundries and a Legacy of Silence by Louise Brangan The Miseducation of Caroline Bingley by Lindz McLeod Verity Guild by Mai Corland Honey by Imani Thompson Backtalker: An American Memoir by Kimberlé Williams Crenshaw The Girl with a Thousand Faces by Sunyi Dean Platform Decay (The Murderbot Diaries Book 8) by Martha Wells Seek Immediate Shelter by Vincent Yu True Crime: A Memoir by Patricia Cornwell One Leg on Earth by 'Pemi Aguda Mother Tongue: A Memoir by Sara Nović What We Ask Google: A Surprisingly Hopeful History of Humankind by Simon Rogers Earthly Playing Field by Radhika Singh What We're Reading: Little Bosses Everywhere: How the Pyramid Scheme Shaped America by Bridget Read Before I Let Go by Kennedy Ryan Brume, Volume 2: The Forest of Lost Souls by Jérôme Pélissier, Carine Hinder A Real Animal by Emeline Atwood  Taipei Story by R. F. Kuang The Repairer of Reputations by Ed Park, Robert W. Chambers Paperbacks: Victorian Psycho by Virginia Feito When the Earth Was Green: Plants, Animals, and Evolution's Greatest Romance by Riley Black The Director by Daniel Kehlmann, Ross Benjamin (translator) The Lilac People by Milo Todd The Museum Detective by Maha Khan Phillips How to Lose Your Mother: A Daughter's Memoir by Molly Jong-Fast Gliff by Ali Smith Spectacular Things by Beck Dorey-Stein You Belong Here by Megan Miranda My Name Is Emilia del Valle by Isabel Allende, Frances Riddle (translator) Flashlight by Susan Choi The Starving Saints by Caitlin Starling August Lane by Regina Black As I Dream of You by Jennifer Lee, LeUyen Pham The Book of Lost Hours by Hayley Gelfuso Don't Let Him In by Lisa Jewell The Manor of Dreams by Christina Li Not Quite Dead Yet by Holly Jackson Links: A new book from Chad Harbach The NYT Best Books of the Year (So Far) Bestsellers: Project Hail Mary by Andy Weir  Theo of Golden by Allen Levi Famesick: A Memoir by Lena Dunham   Hope Rises by David Baldacci   London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth by Patrick Radden Keefe  Poisoned Ivies: The Inside Account of the Academic and Moral Rot at America's Elite Universities by Elise Stefanik  Kin by Tayari Jones The Lion Women of Tehran by Marjan Kamali One Day, Everyone Will Have Always Been Against This by Omar El Akkad Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna and Annie discuss the news that Hachette has pulled the book SHY GIRL by Mia Ballard from publication after concerns it was written by AI.   Our book of the week is A GUARDIAN AND A THIEF by Megha Majumdar.  This follow-up to her novel A Burning is set in near-future, dystopian Kolkata.  A GUARDIAN AND A THIEF is full of ethical dilemmas, flawed characters and memorable food scenes - a good book club pick. It has been long listed for the 2026 Women's Prize for Fiction.     Read-alikes: THE DIRECTOR by Daniel Kehlmann translated by Ross Benjamin (iykyk) LEAVE THE WORLD BEHIND by Rumaan Alam   Coming up: HEART THE LOVER by Lily King   Follow us! Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras and @mr_annie Substack: Books On The Go Credits Artwork: Sascha Wilkosz

• Serie • Hollywood in den 1930ern: Der berühmte Regisseur G.W. Pabst findet im Exil keinen Fuß auf den Boden. Als ein Hilferuf seiner Mutter aus Österreich eintrifft, reist er zurück und glaubt irrtümlich, als Künstler sicher zu sein. Nach dem Roman von Daniel Kehlmann www.deutschlandfunkkultur.de, Hörspiel

• Serie • Die letzten Kriegstage in Prag: G.W. Pabst dreht obsessiv sein vermeintliches Meisterwerk „Der Fall Molander“. Für eine große Szene ist er bereit, moralische Grenzen zu überschreiten. Auf der Flucht vor dem Aufstand kommt es schließlich zu einer folgenschweren Verwechslung. Nach dem Roman von Daniel Kehlmann www.deutschlandfunkkultur.de, Hörspiel

• Serie • Die Rückkehr nach Österreich wird für G.W. Pabst zur Falle. Kaum im heimatlichen Schloss bei seiner Mutter angekommen, bricht der Zweite Weltkrieg aus und die Grenzen sind dicht. Pabst gerät unweigerlich ins Visier der Nationalsozialisten. Nach dem Roman von Daniel Kehlmann www.deutschlandfunkkultur.de, Hörspiel

• Serie • Regisseur G.W. Pabst fügt sich notgedrungen ins System: Er muss Leni Riefenstahl beim Film "Tiefland" aushelfen und soll einen NS-Roman verfilmen. Gleichzeitig entfremdet sich sein Sohn Jakob durch die Hitlerjugend zusehends von ihm. Nach dem Roman von Daniel Kehlmann www.deutschlandfunkkultur.de, Hörspiel

In dieser Sonderfolge zum International Booker 2026 mit Anika, Robin und Meike: „Frauen ohne Männer“ von Shahrnush Parsipur (englische Übersetzung: Faridoun Farrokh), „Wachskind“ von Olga Ravn (englische Übersetzung: Martin Aitken) und „On Earth As It Is Beneath“ von Ana Paula Maia (englische Übersetzung: Padma Viswanathan). Die dreizehn Bücher der Longlist repräsentieren 14 Länder auf vier Kontinenten und wurden aus elf Sprachen ins Englische übersetzt. Wir stellen euch drei Werke näher vor, schauen aber zunächst auf die Shortlist und den großen Favoriten „Lichtspiel“ von Daniel Kehlmann (Übersetzer: Ross Benjamin).

"Welcome to Harshaneeyam!"Can a work of art ever truly be washed clean of the hands that funded it? Is it possible to create a masterpiece in the shadow of a monster? Today, we are exploring these haunting questions through the lens of The Director—the latest novel by the brilliant German author Daniel Kehlmann. Set against the harrowing backdrop of the late 1930s and 1940s, the story follows the legendary film director G.W. Pabst as he returns to Nazi-occupied Austria.Pabst finds himself ensnared by the propaganda machine of Joseph Goebbels, the Nazi Minister of Enlightenment and Propaganda, who wielded absolute control over the German press and arts to serve the regime's twisted ideology. Pabst believes his creative genius can transcend such a system, but at what cost?Upon its original release in Germany under the title Lichtspiel, the novel became an immediate sensation, sparking intense literary debates about the moral compromises of artists during the Third Reich. This buzz has only grown as the book enters the global stage, with the English edition published in the year 2025. Now, having been shortlisted for the International Booker Prize 2026, the novel stands as one of the most anticipated and discussed works of contemporary fiction."Joining me today is the man who brought this intricate, tonal masterpiece into English: the award-winning translator Ross Benjamin. We discuss the 'moral acrobatics' of the artist and the 'tonal agility' required to translate one of the most important voices in contemporary German literature. This is a conversation about light, shadow, and the high cost of staying silent."We believe that every great book is an invitation to a new world. Harshaneeyam serves as your gateway to these contemporary global masterpieces, connecting you with the authors and translators who shape our literary landscape.If you enjoy Harshaneeyam please follow the show on Apple, Spotify, or your favourite podcasting platform and leave a review for us. It will help truly help us; and don't forget to Share our podcast link with your other friends who enjoy similar content.To help us provide even more value, head over to our website www.harshaneeyam.com to complete our brief Listener Survey. Your feedback is the secret ingredient that helps us improve and create content tailored to your interests!The Versatility of Kehlmann's VoiceOne of the most striking aspects of Daniel Kehlmann's writing is his ability to shift registers with surgical precision. Ross Benjamin notes that as a translator, the greatest challenge—and thrill—is capturing Kehlmann's "tonal range and agility." In The Director, the narrative moves seamlessly from the slapstick humor of a film set to the chilling, quiet terror of a propaganda ministry.Kehlmann's work is characterized by a "light touch." He avoids the heavy-handedness often found in historical fiction, opting instead for a style that is "sly and inventive." Whether he is writing about the magical realism of Tyll or the cinematic obsession in 'The Director' Kehlmann manages to be intellectually serious without ever losing his propulsive, vivid storytelling.Cinema and the Shadow of PropagandaThe Director follows the life of the legendary film director G.W. Pabst. After a failed stint in Hollywood, Pabst finds himself back in Nazi-occupied Austria. The novel explores the "adventure of not-knowing"—the tragic delusion that an artist can separate their craft from the political machine surrounding them.Ross Benjamin explains that the novel is not just a biography; it is a meditation on the "moral issues" of creation. Pabst believes he can make a masterpiece even under the watchful eye of Joseph Goebbels. The Original German Title Licht Speil - "light play" refers not just to the flicker of the film projector, but to the deceptive game the artist plays with a monstrous regime.The Challenge for the TranslatorTranslating a work of this magnitude requires more than just bilingual fluency; it requires a deep understanding of historical subtext. Ross Benjamin discusses the difficulty of translating the "Propaganda Deutsch" of the era—a language designed to obfuscate and control."There's a specific humor in Kehlmann," Ross shares. "It's often found in the absurdity of the situations." In one scene discussed during the podcast, a group of officials descends on a film set, and the dialogue shifts into a terrifyingly polite, yet deadly, exchange. Capturing that "mask of civility" in English while maintaining the underlying threat is the "invisible labor" of the translator.Why ‘The Director' Matters TodayAs ‘The Director' makes its way to the International Booker Prize shortlist, its relevance is undeniable. It asks a question that resonates in every era: What is the cost of staying silent? Through the lens of 1940s cinema, Kehlmann and Benjamin provide a mirror to our own world, exploring how easily "art for art's sake" can be weaponized by those in power.For listeners of Harshaneeyam, this interview is a deep dive into the "Philosophy of Translation" and the meticulous craft required to bring a German masterpiece into the global literary consciousness.About the Author & TranslatorDaniel Kehlmann Daniel Kehlmann is one of the most successful contemporary German-language authors. Born in Munich in 1975, he rose to international fame with his 2005 novel Measuring the World (Die Vermessung der Welt), which became one of the biggest-selling German novels since WWII. His works frequently blend historical fact with magical realism and philosophical inquiry. He has received numerous awards, including the Kleist Prize and the Thomas Mann Prize. His previous collaboration with Ross Benjamin on the novel Tyll was also a global sensation and a finalist for the International Booker Prize.Ross Benjamin Ross Benjamin is an award-winning translator of German literature based in the United States. His translations include works by Franz Kafka, Friedrich Hölderlin, and Joseph Roth. He is perhaps best known for his definitive translation of The Diaries of Franz Kafka, which was hailed for its faithfulness to Kafka's original, unedited prose. Benjamin's work is noted for its linguistic sensitivity and his ability to capture the specific "musicality" of German authors. He is a recipient of a Guggenheim Fellowship and the Helen and Kurt Wolff Translator's Prize.The Director' in press -A Times Literary Supplement Book of the Year 2025A New York Times Notable Book of 2025A Telegraph Book of the Year 2025A Guardian Book of the Year 2025An Observer Book of the year 2025* Please complete Harshaneeyam Listener Survey using the link below. It would be lovely to have your feedback. Your feedback will help us improve -https://www.harshaneeyam.com/survey/Listener/***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Bazyar, Shida www.deutschlandfunkkultur.de, Lesart

Bazyar, Shida www.deutschlandfunkkultur.de, Lesart

Bazyar, Shida www.deutschlandfunkkultur.de, Lesart

Writer Robert MacFarlane on the world underground as a new documentary, Underland, inspired by his award-winning book of the same name is released in cinemas.Dancer and choreographer Meryl Tankard on creating a new work, Echoes of '78, which pairs the original dancers of a work created by German choreographer Pina Bausch with their younger selves.Singer Hak Baker and journalist Ludovic Hunter-Tilney on the evolving nature of the protest song plus a live performance from Hak of his song Windrush Baby.Translator and judge Sophie Hughes on the International Booker Prize shortlist 2026 which was announced today. The Nights Are Quiet in Tehran by Shida Bazyar, translated by Ruth Martin She Who Remains by Rene Karabash, translated by Izidora Angel The Director by Daniel Kehlmann, translated by Ross Benjamin On Earth As It Is Beneath by Ana Paula Maia, translated by Padma Viswanathan The Witch by Marie NDiaye, translated by Jordan Stump Taiwan Travelogue by Yáng Shuāng-zǐ, translated by Lin KingArtist Glen Baxter remembered.Presenter: Tom Sutcliffe Producer: Ekene Akalawu

Im neuen Presseclub-Podcast sprechen unsere Hosts Ali und Björn mit Hermann-Josef Tenhagen, Chefredakteur von Finanztip. Tenhagen war bis 2014 Chefredakteur der obersten Verbraucherinstanz Finanztest. Im Gespräch verrät er, warum er seinerzeit den Sprung von der Quasi-Behörde Stiftung Warentest in die Ungewissheit eines Start-ups gewagt hat. Tenhagen ist nicht ohne Grund der breiten Öffentlichkeit als Deutschlands prominentester Verbraucherschützer bekannt: Er sieht nach wie vor die Kosten von Finanzprodukten als zentrales Problem von Anlegern in Deutschland. Ausgangspunkt ist der internationale Vergleich: Während in den USA der Preiswettbewerb an der Kapitalmarktfront längst tobt und ETFs mit sehr niedrigen Kosten zum Standard gehören, zahlen deutsche Anleger für Fonds, Versicherungen und Vermögensverwaltungen deutlich mehr. Im zweiten Teil geht es um die Anlage im Alter: Warum brauchen gerade ältere Anleger eine nennenswerte Aktienquote, obwohl sie Sicherheit suchen? Die Frage, ob Tenhagen sein eigenes Geld so anlegt, wie er es den Leserinnen und Lesern von Finanztip empfiehlt, durfte natürlich nicht fehlen. Zum Schluss gibt es auch Literaturtipps von Ali, Björn und Hermann-Josef Tenhagen. Unser Gast hatte gleich zwei Empfehlungen im Gepäck: „Lichtspiel“ von Daniel Kehlmann, in dem es um die Verstrickungen des Regisseurs Georg Wilhelm Papst im nationalsozialistischen Kulturbetrieb geht. Tenhagens zweite Empfehlung: „All Your Worth: The Ultimate Lifetime Money Plan“ von Elizabeth Warren zur 50/30/20-Regel, in dem sie zeigt, wie Haushalte sparen, konsumieren und investieren sollten. Björns Empfehlung lautet: „MONEY“ von David McWilliams – die Geschichte der Menschheit aus der Perspektive des Geldes. Der studierte Historiker Ali hat das Buch „A Line in the Sand“ von James Barr von seiner Leseliste gegriffen. Es schildert die Geschichte der willkürlichen Grenzziehungen im Nahen Osten nach dem Ersten Weltkrieg, deren Folgen uns bis heute begleiten.

The full scale invasion of Ukraine began four years ago today. Ukraine Unbroken is an evening of five new plays written in response to the war. David Edgar talks about his, Five Day War, which imagines the puppet government waiting to move in when Kviv falls, and the other dramas. Between the plays Ukrainian musician Mariia Petrovska sings and plays the bandura. She talks about her involvement and the bandura, the national instrument that was once banned. And Mariia plays and sings live in the studio.As Oscar-winning British cinematographer Sir Roger Deakins looks back at his career through his visual memoir Reflections: On Cinematography, he talks to Samira about his practical and inventive approach to working on many iconic films such as 1984, O Brother Where Art Thou, 1917, tackling sci fi on Bladerunner 2049 and Bond with Skyfall. The government has announced the introduction of new legisation to introduce monitoring by Ofcom of streaming services. Front Row explores the implcations of this.And we consider the novels selected for the International Booker Prize longlist, announced today with writer and head judge Natasha Brown. The books in contention are: The Nights Are Quiet in Tehran by Shida Bazyar, translated from German by Ruth Martin We Are Green and Trembling by Gabriela Cabezón Cámara, translated from Spanish by Robin Myers The Remembered Soldier by Anjet Daanje, translated from Dutch by David McKay The Deserters by Mathias Énard, translated from French by Charlotte Mandell Small Comfort by Ia Genberg, translated from Swedish by Kira Josefsson She Who Remains by Rene Karabash, translated from Bulgarian by Izidora Angel The Director by Daniel Kehlmann, translated from German by Ross Benjamin On Earth As It Is Beneath by Ana Paula Maia, translated from Portuguese by Padma Viswanathan The Duke by Matteo Melchiorre, translated from Italian by Antonella Lettieri The Witch by Marie NDiaye, translated from French by Jordan Stump Women Without Men by Shahrnush Parsipur, translated from Persian by Faridoun Farrokh The Wax Child by Olga Ravn, translated from Danish by Martin Aitken Taiwan Travelogue by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin KingPresenter: Samira Ahmed Producer: Julian May

The sugarcane fields! La casita! Piraguas! Lady Gaga! Ricky Martin! An actual wedding! Bad Bunny's immense and boisterous Super Bowl Halftime show brought a whole Puerto Rican universe to Levi's Stadium and into American viewers' homes. Julia and guest hosts Nadira Goffe and Rebecca Onion revel in the joyful spectacle and are joined by Slate writer Joshua Rivera to decode the inclusive politics of this party. Next, the panel examines the bracing, anxiety-inducing film If I Had Legs I'd Kick You. Starring a ferocious and funny Rose Byrne and directed by Mary Bronstein, it's a jittery, intense portrait of motherhood.Finally, they discuss the hugely popular podcast The Rest Is History and ponder how two British dudes—Tom Holland and Dominic Sandbrook—talking about things like the Battle of Carthage captured so much attention and admiration.In an exclusive bonus episode for Slate Plus subscribers, it's time for some Wednesday morning quarterbacking to size up the big game's real players: the commercials.EndorsementsNadira: The new album of footwork music OVERTIME by the underground hip hop outfit usertime and Marsh crane as well as the new album URGH by the English–French noise rock band Mandy, Indiana.Rebecca: The novel The Director by Daniel Kehlmann and the 2011 appropriately moody Bronte adaptation Wuthering Heights directed by Andrea Arnold.Julia: The new cookbook by Joshua McFadden Six Seasons of Pasta — try all the absurd little steps at least once, the cheese gravel is good!---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

The sugarcane fields! La casita! Piraguas! Lady Gaga! Ricky Martin! An actual wedding! Bad Bunny's immense and boisterous Super Bowl Halftime show brought a whole Puerto Rican universe to Levi's Stadium and into American viewers' homes. Julia and guest hosts Nadira Goffe and Rebecca Onion revel in the joyful spectacle and are joined by Slate writer Joshua Rivera to decode the inclusive politics of this party. Next, the panel examines the bracing, anxiety-inducing film If I Had Legs I'd Kick You. Starring a ferocious and funny Rose Byrne and directed by Mary Bronstein, it's a jittery, intense portrait of motherhood.Finally, they discuss the hugely popular podcast The Rest Is History and ponder how two British dudes—Tom Holland and Dominic Sandbrook—talking about things like the Battle of Carthage captured so much attention and admiration.In an exclusive bonus episode for Slate Plus subscribers, it's time for some Wednesday morning quarterbacking to size up the big game's real players: the commercials.EndorsementsNadira: The new album of footwork music OVERTIME by the underground hip hop outfit usertime and Marsh crane as well as the new album URGH by the English–French noise rock band Mandy, Indiana.Rebecca: The novel The Director by Daniel Kehlmann and the 2011 appropriately moody Bronte adaptation Wuthering Heights directed by Andrea Arnold.Julia: The new cookbook by Joshua McFadden Six Seasons of Pasta — try all the absurd little steps at least once, the cheese gravel is good!---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Another Lunchtime live and lots more recommendations, including Ryan's book of the week The Director by Daniel Kehlmann, books that became exceptional films, including Atonement, Trainspotting, and The Remains of the Day, and what screen adaptations surpassed the original text.Details for the live show at the Pavilion Theatre, Dún Laoghaire coming very soon!Follow the show:Instagram: @bookshelfpodcastTikTok: @bookshelfpodcastFollow Ryan:Instagram: @instatubridy Hosted on Acast. See acast.com/privacy for more information.

Kehlmann, Daniel www.deutschlandfunkkultur.de, Rang 1

Zum Jahresende blicken die Literaturagenten zurück auf die Schönen Lesungen des Jahres 2026: erinnern sich an besondere Momente, erhellende Aussagen, Lesepassagen, die das Publikum im Großen Sendesaal berührten, nachdenklich stimmten, zum Lachen brachten. Zu hören sind u.a. Daniel Kehlmann, Wolf Haas, Maren Kroymann mit einer Lesung von Margaret Atwood, Dota Kehr und Volker Weidermann in der Hommage an Mascha Kaléko, Albrecht Schuch und Martin Wuttke in der Lesung aus "Westend" von Volker Kutscher und Kat Mensch, Ian McEwan, Ocean Vuong und Sabin Tambrea.

Los culturetas han ido de excursion a un estudio de cine al mas puro estilo Hollywood, pero en Tres Cantos. Ademas de conocer a fondo las instalaciones de Netflix en Espana, han leido El director, de Daniel Kehlmann. Con Ruben Amon, Isabel Vazquez, Rosa Belmonte, Sergio del Molino y Guillermo Altares.

Salman Rushdie, longtime friend of 92NY's storied literary community, returns to our stage for a reading and conversation with Daniel Kehlmann about The Eleventh Hour — a supremely inventive new collection about survival, death, and what comes into focus at the proverbial eleventh hour of life. Awarded the Best of Booker for his seminal debut, Midnight's Children — honoring it as the most accomplished novel to ever receive the prestigious literary prize — Salman Rushdie has been probing the depths of identity, history, and mortality to stunning effect for 45 years. In The Eleventh Hour, he turns his extraordinary imagination to life's final act with a quintet of stories that span the three countries in which he has made his work — India, England, and America. Do we accommodate ourselves to death, or rail against it? Do we spend our "eleventh hour" in serenity or in rage? Spanning private tragedy, national calamity, political parable, and simmering mystery, Rushdie's new stories further cement him as one of the boldest writers of our time. Join the internationally renowned, award-winning author for an unforgettable evening of reading and conversation in celebration of survival, freedom of expression, his new collection, and his extraordinary contributions to world literature.

'El director' es una de los mejores libros que hemos leído este año y Kehlmann uno de los escritores más exitosos de la literatura alemana contemporánea. Nos cuenta la historia novelada de Georg Wilhelm Pabst, director de cine austríaco, apodado "el rojo", que acabó trabajando para los nazis, rodando películas bajo el Tercer Reich 

IN DER DREIUNDZWANSTIGSTEN EPISODE UNSERES PODCAST`-EMILY GRUNERT –im Juni 2024 übernahm sie die Leitung desLiteraturbüro`s NRW in Düsseldorf vom langjährigen Leiter MichaelSerrer. Sie kennt die verschiedensten Seiten des Literaturbetriebs. Nachihrem Studium in Hildesheim (Kreatives Schreiben/ Kulturjournalismus)ging sie für den Master an die FU Berlin (AngewandteLiteraturwissenschaft). Das Goethe-Institut in New York, die Buchbox-Buchhandlungen in Berlin und Veranstaltungsorganisation beim Ullstein-Verlag waren weitere Stationen. Wir unterhalten uns über Themen wie:- Ost- und westdeutsche Perspektiven - Die Leidenschaft des Reisens - Wann gelingt Creativität und was bedeutet sie - die Hingabe oder Liebe für das Experiment - Warum Emily so gerne lacht - New York, Siri Hustvedt, Daniel Kehlmann und andere Dinge Herzlichen Dank, dass Sie diesen Podcast gehört haben! Haben Sie Vorschläge, Fragen oder gerne auch positives Feedback, schicken Sie uns eine Email an: podcast.destille@vodafonemail.de Wir freuen uns sehr darauf! Wenn Ihnen diese Folge gefallen hat, besuchen Sie uns auf unserer Website https://destille-duesseldorf.podcaster.de/ für regelmäßige Updates. Folge direkt herunterladen

Pesl, Martin Thomas www.deutschlandfunk.de, Kultur heute

Late Show Book Club chats with Daniel Kehlmann, author of the novel, “The Director,” our July book club pick. Find out why Daniel thinks art is the truest resistance to tyranny, his all-time favorite novel, and his advice for aspiring writers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Anna and Geoff discuss THE DIRECTOR by best-selling author of MEASURING THE WORLD and TYLL Daniel Kehlmann, translated by Ross Benjamin. THE DIRECTOR tells the story of cinema director G. W. Pabst, who in the 1930s fled Nazi Germany for Hollywood and then returned to make films for the German Reich. This novel explores Pabst's moral dilemma and the place of art in a dictatorship. Described as ‘his best novel yet' (The Guardian) and ‘nothing short of brilliant' (Wall Street Journal), it mixes comedy, tragedy and horror in Kehlmann's ironic style. Coming up: PERFECTION by Vincnezo Latronico translated by Sophie Hughes. Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras and @mr_annie Substack: Books On The Go Credits Artwork: Sascha Wilkosz

Daniel Kehlmann joins to discuss The Director, his novel reimagining the life of G.W. Pabst—a brilliant German filmmaker who escaped the Nazis, only to voluntarily return. Kehlmann grapples with how much human suffering we're willing to accept as the cost of art. Later, Ben Wittes of Lawfare weighs in on the often exasperating logic behind international laws governing conflict. Plus, Republicans can either oppose Trump or stay in office—but not both. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

I recommend you order The Director: A Novel from your local independent bookstore or (if you must) from Amazon.com, Amazon.ca Amazon.co.ukFollow me on Instagram @mwboyce , Threads @mwboyce and Bluesky @mwboyce. And you can always check out the show on Instagram @geek4pod

As President Trump and his allies escalate the administration's battle on colleges, and on Harvard specifically, Steven Levitsky, Harvard professor and author of “How Democracies Die,” joins Christiane to discuss the reshaping of knowledge in America. Then, best-selling German author Daniel Kehlmann speaks with Christiane about his new book “The Director," exploring what it was like for artists like G.W. Pabst who made films for Joseph Goebbels and the Nazis. Marking 600 days of war between Israel and Hamas in Gaza, Christiane highlights both Jeremy Diamond's report on Israel's fight to get back the 58 remaining hostages in Hamas captivity and Oren Lieberman's story on the chaotic aid delivery to starving Palestinians this week. Christiane also talks to Wilfred Frost, son of the legendary TV host David Frost, about his father's iconic interviews with the likes of Richard Nixon, Yasser Arafat and Elton John, and a new documentary series following his storied career. From her archive, Christiane pays tribute to award-winning Brazilian photographer Sebastião Salgado. Finally, marking 45 years since CNN's founding, Christiane revisits her conversation with company founder Ted Turner about how he changed the news business forever. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Daniel Kehlmanns Roman "Lichtspiel" geht es um die Gleichschaltung der Kultur in der NS-Zeit. Viele Amerikaner sehen darin Parallelen zur aktuellen Situation der USA unter Donald Trump. Der Autor selbst betrachtet den Hype mit gemischten Gefühlen. Kehlmann, Daniel www.deutschlandfunkkultur.de, Studio 9

Tysk-österrikiske Daniel Kehlmanns nya roman Ljusspel handlar om en framgångsrik regissör i Nazityskland och skildrar hur det är att verka som konstnär i en diktatur. Lyssna på alla avsnitt i Sveriges Radio Play. När han hade skrivit klart boken insåg han att det finns många paralleller till nutiden. ”Det är en relevans som jag gärna hade sluppit”, säger Daniel Kehlmann under ett Stockholmsbesök.Kehlmann fick ett stort genombrott även internationellt med sin roman ”Världens mått”, som kom 2005. Reporter: Lina Kalmteg.

David Benedict and Viv Groskop review Stephen Sondheim's final musical, Here We Are, a surreal story of brunch and existential dread; French film about about grassroots music, The Marching Band and Daniel Kehlmann's new novel, The Director, about a real life German filmmaker navigating the Third Reich.Presenter: Tom Sutcliffe Producer: Simon Richardson

A powerful new work of fiction, rooted in real events, explores the role of the artist in times of crisis. "The Director" by Daniel Kehlmann is resonating deeply with the challenges of our own time. Senior arts correspondent Jeffrey Brown has the story for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

A powerful new work of fiction, rooted in real events, explores the role of the artist in times of crisis. "The Director" by Daniel Kehlmann is resonating deeply with the challenges of our own time. Senior arts correspondent Jeffrey Brown has the story for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

When NYT critic-at-large Amanda Hess learned her unborn child had an abnormality, she turned to the internet — but didn't find reassurance. "My relationship with technology became so much more intense," she says. She talks with Tonya Mosley about pregnancy apps, online forums, and baby gadgets. Her new book is Second Life: Having A Child In The Digital Age. Also, Maureen Corrigan reviews Daniel Kehlmann's new novel, The Director. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Es ist nur wichtig, sich zu erinnern, dass die, die einmal staatlich erlaubte Verbrechen beginnen, es unter passenden Umständen auch wieder tun würden. Dass die Menschen immer zu unverlässlich und korrumpierbar sind, und zwar in jeder Generation, überall, schreibt Daniel Kehlmann. Katharina Stemberger liest 80 Jahre nach Kriegsende aus Reden zum "Fest der Freude". Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 08.05. 2025

When NYT critic-at-large Amanda Hess learned her unborn child had an abnormality, she turned to the internet — but didn't find reassurance. "My relationship with technology became so much more intense," she says. She talks with Tonya Mosley about pregnancy apps, online forums, and baby gadgets. Her new book is Second Life: Having A Child In The Digital Age. Also, Maureen Corrigan reviews Daniel Kehlmann's new novel, The Director. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hörspiel nach dem gleichnamigen Roman von Daniel Kehlmann, Teil 2 Im Jahre 1799 begibt sich Alexander von Humboldt (1769 - 1859) zusammen mit seinem Gefährten Aimé Bonpland auf eine fünfjährige Forschungsreise nach Mittel- und Südamerika. Mit Hilfe von Sextant, Quadrant, Teleskop, Thermo-, Baro-, Aero-, Hygro- und Cyanometer will er die unbekannte Welt vermessen. Er sammelt Pflanzen, Tiere, exotische Leichen, zählt die Läuse auf den Köpfen Einheimischer, erforscht Vulkane, entdeckt die Verbindung zwischen Orinoko und Amazonas, besteigt den Chimborazo und wird in Washington von Thomas Jefferson, Präsident der Vereinigten Staaten von Amerika, empfangen. Der Mathematiker, Astronom, Geodät und Physiker Carl Friedrich Gauß (1777 - 1855) bleibt zu Hause. In seinem Zimmer beobachtet er Planeten, denkt und rechnet und weist ganz nebenbei nach, dass Kant bei seinen Ausführungen zu Raum und Zeit geschludert hat. Im September 1828 ist Gauß gezwungen, zum ersten al seit Jahren seine Heimatstadt Göttingen zu verlassen, um am Deutschen Naturforscherkongress in Berlin teilzunehmen. Er soll dort Alexander von Humboldt treffen. So kreuzen sich die Lebenswege zweier Genies, die beide die Welt vermessen haben - jeder auf seine Weise: der eine empirisch, der andere kraft seiner Ratio. Autor: Daniel Kehlmann Besetzung: Jens Wawrczeck (Bonpland), Patrick Güldenberg (Eugen), Michael Rotschopf (Humboldt), Udo Schenk (Gauß), Alexander Geringas (Daguerre), Rolf Becker (Kapitän 1), Stephan Schad (Büttner), Lutz Herkenrath (Zimmermann), Werner Rehm (Herzog von Braunschweig), Marco Albrecht (Pilatre), Sandra Borgmann (Inès), Jörg Petzold (Julio), Hans Löw (Gabriel), Nina Weniger (Johanna), Hedi Kriegeskotte (Mutter Humboldt/Minna), Victoria Trauttmansdorff (Gauß' Mutter), Max Schwarz (Humboldt als Kind), Anton Weniger (Gauß als Kind), Konstantin Graudus (Polizist 1), Marie Leuenberger (Erste Dirne), Nadja Kruse (Zweite Dirne), Alexander Schuhmacher (Führer/Bote), Dietmar Mues (Diener Kants), Traugott Buhre (Kant), Hartmut Schories (Curare-Meister), Philipp Baltus (Gendarm), Felix Kramer (Revolutionär), Christoph Bantzer (Goethe), Achim Buch (Kunth), Woody Mues (Der Ältere, Kind), Stephan Schwartz (Pastor), Wolf-Dietrich Sprenger (Gauß' Vater), Hannes Hellmann (Urquijo), Johanna Griebell, Isabell Giebeler, Theresa Rose, Betty Freudenberg, Hendrik Heutmann, Gabriel Rodriguez-Silvero, Birger Frehse, Johannes Fast (Volk) Bearbeitung: Alexander Schuhmacher Komposition: Claudio Puntin Musik: Insa Rudolph (Singstimme), Samuel Rohrer (Schlagzeug; Spielzeuginstrument), Kim Efert (Gitarre; Spielzeuginstrument), Flavio Puntin (Flöten), Claudio Puntin (Spielzeuginstrument; Klarinette) Technische Realisierung: Gerd-Ulrich Poggensee, Christian Alpen Regieassistenz: Katrin Albinus Regie: Alexander Schuhmacher Dramaturgie: Norbert Schaeffer Redaktion: Thilo Guschas Produktion: Norddeutscher Rundfunk 2007

Hörspiel nach dem gleichnamigen Roman von Daniel Kehlmann, Teil 1 Im Jahre 1799 begibt sich Alexander von Humboldt (1769 - 1859) zusammen mit seinem Gefährten Aimé Bonpland auf eine fünfjährige Forschungsreise nach Mittel- und Südamerika. Mit Hilfe von Sextant, Quadrant, Teleskop, Thermo-, Baro-, Aero-, Hygro- und Cyanometer will er die unbekannte Welt vermessen. Er sammelt Pflanzen, Tiere, exotische Leichen, zählt die Läuse auf den Köpfen Einheimischer, erforscht Vulkane, entdeckt die Verbindung zwischen Orinoko und Amazonas, besteigt den Chimborazo und wird in Washington von Thomas Jefferson, Präsident der Vereinigten Staaten von Amerika, empfangen. Der Mathematiker, Astronom, Geodät und Physiker Carl Friedrich Gauß (1777 - 1855) bleibt zu Hause. In seinem Zimmer beobachtet er Planeten, denkt und rechnet und weist ganz nebenbei nach, dass Kant bei seinen Ausführungen zu Raum und Zeit geschludert hat. Im September 1828 ist Gauß gezwungen, zum erstenmal seit Jahren seine Heimatstadt Göttingen zu verlassen, um am Deutschen Naturforscherkongress in Berlin teilzunehmen. Er soll dort Alexander von Humboldt treffen. So kreuzen sich die Lebenswege zweier Genies, die beide die Welt vermessen haben - jeder auf seine Weise: der eine empirisch, der andere kraft seiner Ratio. Autor: Daniel Kehlmann Besetzung: Jens Wawrczeck (Bonpland), Patrick Güldenberg (Eugen), Michael Rotschopf (Humboldt), Udo Schenk (Gauß), Alexander Geringas (Daguerre), Rolf Becker (Kapitän 1), Stephan Schad (Büttner), Lutz Herkenrath (Zimmermann), Werner Rehm (Herzog von Braunschweig), Marco Albrecht (Pilatre), Sandra Borgmann (Inès), Jörg Petzold (Julio), Hans Löw (Gabriel), Nina Weniger (Johanna), Hedi Kriegeskotte (Mutter Humboldt/Minna), Victoria Trauttmansdorff (Gauß' Mutter), Max Schwarz (Humboldt als Kind), Anton Weniger (Gauß als Kind), Konstantin Graudus (Polizist 1), Marie Leuenberger (Erste Dirne), Nadja Kruse (Zweite Dirne), Alexander Schuhmacher (Führer/Bote), Dietmar Mues (Diener Kants), Traugott Buhre (Kant), Hartmut Schories (Curare-Meister), Philipp Baltus (Gendarm), Felix Kramer (Revolutionär), Christoph Bantzer (Goethe), Achim Buch (Kunth), Woody Mues (Der Ältere, Kind), Stephan Schwartz (Pastor), Wolf-Dietrich Sprenger (Gauß' Vater), Hannes Hellmann (Urquijo), Johanna Griebell, Isabell Giebeler, Theresa Rose, Betty Freudenberg, Hendrik Heutmann, Gabriel Rodriguez-Silvero, Birger Frehse, Johannes Fast (Volk) Bearbeitung: Alexander Schuhmacher Komposition: Claudio Puntin Musik: Insa Rudolph (Singstimme), Samuel Rohrer (Schlagzeug; Spielzeuginstrument), Kim Efert (Gitarre; Spielzeuginstrument), Flavio Puntin (Flöten), Claudio Puntin (Spielzeuginstrument; Klarinette) Technische Realisierung: Gerd-Ulrich Poggensee, Christian Alpen Regieassistenz: Katrin Albinus Regie: Alexander Schuhmacher Dramaturgie: Norbert Schaeffer Redaktion: Thilo Guschas Produktion: Norddeutscher Rundfunk 2007

J. D. Vance delivers a seismic geopolitical speech at the Munich Security Forum. Vance, Trump and Ukrainian president Volodymyr Zelenskyy get into a shouting match before television cameras. Relations between the United States and Europe are deteriorating before our very eyes. In one of our best episodes of the year so far, we invited the great Ivan Krastev to help us understand what is happening.Ivan is one of the brightest minds in Europe — an incisive analyst, historian of ideas, and ever-present track-two diplomat who is always talking to absolutely everyone. He is chairman of the Centre for Liberal Strategies in Sofia, Bulgaria and Albert Hirschman Permanent Fellow at the Institute for Human Sciences in Vienna. He writes regularly for the Financial Times and the New York Times.Ivan tells Shadi Hamid and Damir Marusic that Trumpism, and its policy toward Europe is not conservative or isolationist, but “a revolutionary movement.” This revolution is what reconciles the populist and libertarian elements of Trump's administration: “You're trying to fight bureaucracy by concentrating power in a charismatic leader. Less state, more emperor.” You can see this, Ivan argues, in the way Trump runs his coalition like an imperial court, where opposing figures — like Steve Bannon and Elon Musk — vie for the attention of the emperor. You can also see it in the fact that Trump himself says contradictory things: “A charismatic figure can contain contradictions.”What does this mean for Europe? “Empires fall when the center sees itself as a hostage not as a hegemon,” Ivan argues, and Trump, along with Republicans, long to divest themselves of the Empire. This means applying pressure on Europe to bend to its demands — be it about Ukraine, or Greenland, or immigration. It also means that, inadvertently, Trump has reawakened European nationalism: “The new European politics is nationalist, the populists are internationalist.”This is a rich episode, full of insightful koans from a longtime observer of international affairs. Damir takes the conversation in the direction of what exactly fuels the Right and its “enthusiasm for destruction.” Shadi presses Ivan on the recently overturned elections in Romania, and what this means about the future of European democracy.In our bonus section for paid subscribers, the three men discuss why charismatic political leaders can live with contradictions; the “fast track between [political] office and prison”; how Trump has inadvertently created a new US-European consensus on immigration and state intervention in the economy, and why “you can't stop a revolution by defending institutions. You need your own version of tomorrow.”Required Reading and Viewing:* J. D. Vance's speech at the Munich Security Forum (Foreign Policy). * Zelenskyy, Trump and Vance press conference (C-Span YouTube page). * Ivan Krastev and Leonard Benardo, “Democracy Has Run Out of Future” (Foreign Policy).* Shadi Hamid, “Why Half of America is Cheering for Chaos” (Washington Post). * “EU parliament votes to condemn overturning of Roe v. Wade” (Axios).* German Revolution of 1918-1919 (Brittanica). * Leo Strauss, “German Nihilism” (archive.org).* Daniel Kehlmann, German writer (Wikipedia).* “The Gender Gap is Growing and it Bodes Badly for American Politics and Culture” (The Hill). * 2024 Romanian Elections (Wikipedia).* Ezra Klein, Why We're Polarized (Amazon). * Eric Hobsbawm, Age of Extremes: The Short Twentieth Century 1914-1991 (Amazon). * N.S. Lyons, “American Strong Gods: Trump and the End of the Long Twentieth Century” (The Upheaval).This post is part of our collaboration with the University of Pittsburgh's Center for Governance and Markets. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

Bleutge, Nico www.deutschlandfunk.de, Büchermarkt

Der FALTER-Erfolgspodcast "Scheuba fragt nach ..." war am 27.12.2024 live auf der Bühne des Rabenhof Theaters in Wien zu sehen. Von Donald Trump, über Wladimir Putin bis Herbert Kickl: In dieser Jahresabschluss-Folge, ließen der Satiriker und der Schriftsteller das Jahr Revue passieren und riskierten Ausblicke auf 2025. Aufgezeichnet am 27.12.2024. Eine Veranstaltung des Rabenhof Theaters. Hosted on Acast. See acast.com/privacy for more information.

Bänsch, Florian www.deutschlandfunkkultur.de, Studio 9

Kehlmann, Daniel www.deutschlandfunkkultur.de, Lesart

Kehlmann, Daniel www.deutschlandfunkkultur.de, Lesart

Themen u.a.: Der Archäologe Jabbar Abdullah: "Kultur ist wichtig für Syrien!"; "Der Herr der Ringe: Die Schlacht der Rohirrim"; Literatur-Nobelpreis für Han Kang; Kluge Essays und Reden von Daniel Kehlmann. Moderation: Rebecca Link. Von WDR 5.

In this Episode , Ross Benjamin spoke about his translation of Kafka's Diaries. Ross Benjamin is a translator of German-language literature living in Nyack, New York. His translations include Friedrich Hölderlin's Hyperion, , Joseph Roth's Job, Thomas Pletzinger's Funeral for a Dog, and Daniel Kehlmann's You Should Have Left and Tyll. His translation of Tyll was shortlisted for the 2020 Booker International Prize. He was awarded the Helen and Kurt Wolff Translator's Prize, National Endowment for the Arts Literature Fellowship and a 2015 Guggenheim Fellowship. His translation of Franz Kafka's complete Diaries was published by Schocken Books in 2022. * For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy

Ein Vortrag des Astrophysikers Harald LeschModeration: Katrin Ohlendorf **********Wir alle und alles um uns herum bestehen aus Elementen, die schon Milliarden von Jahren existieren. Wie sie entstanden sind? Vieles kann die Physik schon erklären – aber noch nicht alles. Der Astrophysiker Harald Lesch über die Bedeutung von Physik. Harald Lesch ist Professor für Astrophysik an der Uni München und lehrt Naturphilosophie an der Hochschule für Philosophie München. Als Wissenschaftskommunikator erklärt er auf allen möglichen Kanälen Physik – ob in Radio, TV oder online.Den Vortrag "Der Ursprung der Materie" hat er am 21. April 2024 gehalten – als Auftaktvortrag der gleichnamigen Vorlesungsreihe. Dazu eingeladen hatten gemeinsam mit dem Physikalischen Verein Frankfurt das Clusterprojekt ELEMENTS, das zusammen von der Uni Frankfurt und der TU Darmstadt geleitet wird. Die Reihe lief im Rahmen der diesjährigen Deutsche Bank Stiftungsgastprofessur "Wissenschaft und Gesellschaft". **********Ihr wollt den Hörsaal live erleben? Am 11. Oktober 2024 sind wir in Berlin! Hier gibt es Infos und einen Link zu den Tickets. Am 01. November 2024 machen wir auch einen Live-Podcast in Halle – Infos dazu folgen! **********Schlagworte: +++ Deutschlandfunk Nova +++ Hörsaal +++ Vortrag +++ Physik +++ Astrophysik +++ Urknall +++ Materie +++ Elemente +++ Dunkle Materie +++ Kosmologie +++ Teilchenphysik +++ Quantenphysik +++ Kernphysik +++ Galaxien +++ Milchstraße +++ Universum +++ Supernova +++ Sterne +++ Planeten +++**********Ihr hört in diesem Hörsaal:00:03:23 - Beginn des Vortrags01:05:58 - Save the date: Infos zu den nächsten Live-Hörsälen!**********Quellen aus der Folge:Die Präsentation zum Vortrag**********Empfehlungen aus der Folge:Leseempfehlung von Harald Lesch: Das Zeitalter der Unschärfe: Die glänzenden und die dunklen Jahre der Physik 1895-1945, von Tobias Hürter, Klett-Cotta 2021Leseempfehlung von Harald Lesch: Die Vermessung der Welt, von Daniel Kehlmann, Rowohlt 2005 **********Mehr zum Thema bei Deutschlandfunk Nova:Synthetische Biologie: Künstliches Leben aus dem LaborNight Science: Kreativitätstools aus der Wissenschaft – Anleitung für GeistesblitzePhysik: Das Geheimnis der Kristalle**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

durée : 00:35:18 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - Outre-Rhin, les crises économiques, sociales et politiques secouent la société allemande, tandis que la guerre en Ukraine inquiète et détériore les relations avec la France. Quelles positions adoptent les Allemands pour les élections européennes ? Une montée des extrêmes est-elle à craindre ? - invités : Volker Schlöndorff Cinéaste; Hélène Miard-Delacroix Professeure d'histoire et de civilisation de l'Allemagne contemporaine à Sorbonne Université; Daniel Kehlmann